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#posting more places means more places I can get that
pomefioredove · 1 day
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may I request headcanons of the overblot boys + Adeuce reaction to a younger yuu that tells them that they’re like a big brother to them? Platonic obviously—
thank you!
awww ofc!
*ੈ✩‧₊˚ brotherly (again!)
type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus additional info: platonic, reader is gender neutral, reader is yuu, short
Having been torn from your home, separated from your family and friends, and spit back out in a new place with new people, isn't really as fun as it sounds.
After months at NRC, though, you've managed to make yourself a life here. A new home, new friends, even new family.
Now, sitting close to the person you've become fondest of, you let slip that you seem him as a brother.
His reaction?
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I am of the (kind of depressing) opinion that Riddle's life would be much better if he had a sibling. he hasn't really thought about it, per se, but he's always had this feeling...
so, when you tell him as much, he just... 🥺🥺 you know?
he's in protective brother mode from this moment on (for better or worse, lol)
*ੈ✩‧₊˚
the bond you have with Ace and Deuce has gone unspoken, but all of you know what it is. you saying it, though, makes it all the more real
as warm and tender of a moment as it is, Ace still feels the need to make a joke about how sappy you're being (affectionately, of course), and Deuce can only hum with excitement at the acceptance and warmth between the three of you
*ੈ✩‧₊˚
admittedly, Leona is a little... put off. at least, he is at first. he doesn't exactly have a great relationship with his own brother, and with no other examples to go off of, it feels kind of like an insult
he... gets what you mean, though
and, reluctant as he is to be so vulnerable, he'll say you're just as much of an annoying little sibling to him
lovingly, of course
*ੈ✩‧₊˚
Azul had friends before you... kind of... but none as near and dear to him. he could never quite explain what this feeling was until you said it
ah... that's it. family. he almost feels embarrassed, being so vulnerable all of a sudden, and he can barely get out that he feels the same way
*ੈ✩‧₊˚
Jamil has younger siblings already, and he could tell the two of you were forming a similar bond before you said as much. he'd caught himself treating you just how he treats his sister on multiple different occasions (for better or worse, lol), and...
he's glad that you're here with him. that's all he'll say... for now
*ੈ✩‧₊˚
many people would think you'd have to hit your head to say something like that to the Vil Schoenheit
he's untouchable! he's godlike! he's... lol. just kidding. he's quite fond of you, too, and hearing those words come from you is better than any amount of likes, any award or role. you're his favorite person, after all
*ੈ✩‧₊˚
dude, are you trying to make Idia cry??? because he will! and then he'll bubble-wrap you and Ortho so you can never go anywhere or get hurt ever
he... has some things to work through. obviously. but, really, he and Ortho have basically adopted you already, so hearing you say it... in a good way... call him cringe, but he could get a little emotional over that
*ੈ✩‧₊˚
you think of Malleus as your brother? then you must also think of Silver the same way. and Sebek... would you be interested in adoption, because Lilia-
yeah. you get it. welcome to the family, lol. Malleus has already decided you're his best friend forever and ever, and hearing you call him family... hohhh that overblot is going to hit hard when you guys get there
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stagefoureddiediaz · 3 days
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We’ve been looking at this all wrong the entire time...
So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!
This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!
Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.
Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 
Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 
We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 
We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.
As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.
While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.
Right this post is super long so the rest is going below the cut! I hope you enjoy!
Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.
These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 
7x04 
at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans
at the court - light grey marl cut off hoodie and bright blue shorts
at Bucks loft - red/black short sleeve henley and stone wash jeans
7x05
at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)
coffee meet up - light grey henley and navy blue hoodie with mid wash jeans
7x06
karaoke club - navy blue short sleeved henley
7x10
light grey marl tee and greenish denim shirt 
So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.
Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!
Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)
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Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.
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Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.
Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.
The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 
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So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.
But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.
So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.
All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 
Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).
There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 
The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.
This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.
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We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.
I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.
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If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.
Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  
Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.
The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.
At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.
We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.
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Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.
Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.
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We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 
The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.
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Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.
Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.
Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 
Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.
It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!
Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 
All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!
Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!
Tagging some people who asked (and some who didn’t but might be interested anyway!)
@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil
@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo
@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx
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harmonysanreads · 13 hours
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Sooo about the yan! alhaitham having a librarian girlfriend..... I wanna hear your thoughts....
Of The Silence Betwixt Words
ᯓᡣ𐭩 Yandere!Alhaitham x Reader
Cw(s) : Yandere Themes, Intrusive Thoughts, Alhaitham being Alhaitham
「 Words : 1.4k 」 「 Inspired By This Post 」
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The relationship between a librarian and a reader is simple, silent and sufficiently detached ; as such, it does not require an extensive amount of cognition to treat it as anything but that.
At least, that's how it is in the beginning — it always is like this in the beginning. The burgeon of something from seemingly nothing, catapulted to such a monumental deal that one is left questioning : when did it begin? What or who sneaked in the seed and how did it nurture itself to bloom into such an unsightly, fascinating thing?
At one stage, fixation tricks the mind into stuffing that void of inquiries with what it parades as the truth — it has always been there, you simply did not notice.
It is natural for Alhaitham to respect the place that houses such a valuable item, he extends it to the person behind the desk as well. Communication is always easy with them, restricted to a few phrases and maintained due-dates to return borrowed tomes. His own house has an impressive collection as well, but the ambiance of a library is just too intricate to replicate within the four walls of his abode.
In Sumeru, physical books are unfairly ignored, one of the many ironies connoted to its claim to ‘wisdom’. The Scribe has never understood nor agreed to the other scholars' faster and apparently more efficient means of requesting the Akasha to answer their dilemmas.
The Akasha is a useful tool in many instances, that, he won't deny. But there is nothing in that machine that begets more machines that can equate to the intellectual stimulation a physical book, the extra minutes consumed by the search of that book and the librarian that never seems to let him win can provide.
The expanse of the House of Daena directly connects to the load of responsibilities its assigned keeper has to shoulder. Making sure students return the books on time, keeping an eye out for anyone who may want to get silly while annotating the tomes and the periodical shushing of rowdy study groups.
There's the occasional scholar too airy with pride to bend that seeks to challenge your knowledge as well. Unfortunately for them and fortunately for the House of Daena's reputation, you're just the correct person to put them in their places.
It's difficult to decide which one the Scribe wants to commend first : your seemingly monstrous memory or the way you can cite it all without stuttering. Alhaitham was pleased with the fact that most people thought twice before interacting with him, but the way you challenged him and emerged victorious revealed to be quite a hassle on his mind.
“Incorrect. Truly ancient petrified trees usually grow to around one or two miles in height. Check page 19, paragraph 3 of the ninth edition of ‘A Comprehensive Guide to Dragonspine Ruins’ (Kreideprinz et al., XXXX)”
That is not an interaction one can just forget. Intrigued and encouraged with a competitiveness that does not usually make itself apparent, Alhaitham decides to test the extent of your... ‘talent’. The Scribe prefers being frank — he was impressed. So much so, that it overpowered whatever bruise was inflicted on his ego.
More and more of these debates ensued, much to his bewilderment. The man who would never stay for an extra minute in his office after work hours, willingly spends time debating with the librarian of the House of Daena. Most of the time you end up winning in them. The Scribe doesn't even process the reason that he has let you win deliberately a few times was because he found the smile that followed it... pleasant.
Then, bringing a rude end to his little guilty pleasure, the news of your expertise spreads. Scholars from all Darshans come to you to check the accuracy of the rumors during the precious free-time he's been the sole occupant of until that moment. Because of your exposure to many new personalities, it appears as though his had dulled in your eyes.
He gets it, one would naturally be more drawn towards a splatter of color than the monochrome wall it decorates. The same wall also has to make sure the bricks don't fall off from their places. So, he decides to leave you to your devices.
...Except, that plan screeches to a halt when he sits down to sift through applications, his treacherous mind conjures phantoms of your smile directed to people not him, which grips onto his heart and squeezes.
Rejected, rejected, rejected — he tosses every file and application to the trash without blinking once that day. Only when he's done that, does the haze recede and he's staring at the floors in profound confusion. The abruptness of that reaction stuns him so much that he rushes to the Bimarstan for a thorough check-up, the doctor's repeated reassurance that he's fine and healthy does nothing to quell the waves of thoughts spiraling in his head.
Thanks to that, he knows now there is nothing wrong with him physically, but something has definitely happened to his mental wiring and the impact of that change leaves the wellbeing of his physical state to question as well.
Break down, look for the cause, reorganize and form a branch of conclusions — that is the pattern Alhaitham has always followed when presented with a problem. A tiny part of him entices him to jump to more reckless means ; no need to think, just drag them away from the commotion and grovel at their feet so that they'll spare attention to your pathetic existence ! But the greater part of his conscious mind, fueled by rationale, is, understandably appalled by these thoughts. In the end, he circles back to his traditional methods.
Alhaitham has always been cautious, so he quickly crosses out the prospect of confiding with someone else about these urges he's been having. He'd usually consult a book for help, but Sumeru housed no records even alluding to his condition. It's only during a stroll through the Grand Bazaar, a passing glance to the act played upon the center stage, does he finally gain a clue.
“Scrambled thoughts, erratic heartbeats and restless state of being? These could be the prelude to a greater illness! Or, a far, far gigantic sickness may have grasped your soul — love.”
Those were the words that managed to sneak in through the confines of his earpieces, rooting him to his place in the midst of the crowd. At that point, he had been exasperated. Of all things, that is what describes his predicament best? A lead is still a lead though, so he conducts further research on the matter and to no one's surprise, the more he digs, the more it makes sense.
The Sages always advise against vain pursuits involving emotions, it's clear more than ever to Alhaitham exactly why. He doesn't outright reject the notion though, research on this field is scarce in the Nation of Scholars. The available ones only scratch the surface ; there is an ocean beneath the thin ice and the itch of unraveling those depths appears to be too insistent to ignore.
But the centerpiece of his experiment was still missing, prancing around carelessly. If only he could somehow, in some way, at an auspicious moment manage to steal you away from the barrier of that desk — he halts his thoughts with a deep inhale. Surely there are more efficient approaches, he only needs to think.
He's heard that gifts and flowers can soften hearts, perhaps that should be his next course of action. His paycheck is more than enough to cover the expenses for a few continuous months and while he's at it, why not buy that incense capable of dulling people's senses which just so happens to work best with flowers? When you're off-guard he could easily — no, no, no, this isn't working.
In fact, regardless of how many other ways he comes up with, it always circles back to his initial thought. It would be so easy for him as well, certainly less time-consuming than whatever gift-giving and compliment showering the Inazuman light novels are preaching. He's stealthy enough to evade the Matra and his status could tie lose ends. Yes, the advantages of this route outweigh the set-backs in comparison to everything else.
So he refreshes his mind, there is a connection between everything ; it's common knowledge that the librarian of House of Daena will personally rescue overdue books. That record hasn't yet been broken, regardless of whether they had to traverse to the deepest part of the rainforest or some abstruse corner of the desert — the weakest link identified.
He will run countless simulations in his mind, calculating the time and possible day you'll come knocking at his door ; by then, the causal factors will be dealt with.
And everything else will resolve itself.
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bouquetface · 3 days
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Navamsa/D9 Observations 3
Accuracy influenced by ENTIRE chart. Looking at one placement will only provide general information.
This is a general post - not taking into consideration any aspects, or signs, or or ruler placement.
Sun in First House
The person prioritizes superficial traits - their appearance/body, their career, their family status, etc. This isn’t a criticism. Often these people have reached a good amount of status themselves or/& take care of their body/appearance - they want someone to do the same.
They want a powerful spouse, however in marriage they can want authority over spouse. They don’t want the spouse to accidentally embrasas them as these people are often popular/well known later in life. A possible problem that could arise with this placement: Both partners desire authority, they refuse balance, they fight a lot.
You can develop a competitive nature after marriage and/or later in life. Due to this you will likely create a lot of enemies. You may find later in life, you are aware of many people who begin to oppose you.
After marriage and/or later in life, you can gain status and attention with this placement. This can manifest in different ways - ex: You start your own business so many people in the community know you.
Accuracy depends on entire chart. This does not take into consideration aspects, other signs, and other planets.
Jupiter in First House
This almost always guarantees the person will get married. I know many with this placement that did not believe in marriage in their younger years, but still got married.
This is a good placement for marriage too. Any issues that arise in marriage and life, these people will know how to handle the situation. They can see the bigger picture, they truly understand their spouse, they know what to do and say.
You will have enough of everything you need to have a nice + calm life.
The spouse and/or children will look to you for advice. You are seen as intelligent. You can be good at debate, having effective communication. Reasonable person.
Rahu in 4th House
This person can desire a big home with many features - pool, basketball court, garden, theatre room, etc.
These people can wish to live further away from the place they lived before marriage and/or birth city. However, this is not promised. They will desire it. If not, they will own foreign things in the home - ex: cooking foods from different places, owning furniture from a different country, etc. They will remain curious about foreign places and things.
These people can make up lack of fulfillment in other areas through the home. Buying many expensive things, buying an expensive home, throwing big parties in the home to show off wealth.
Rahu is never satisfied. In the 4th, there is always a desire for more reagrding home. You want to move, you want a new place, you want renovations, you want to change the decor or paint, etc.
There can be a paranoia too about the home. You can have a lot of security cameras inside and out.
Ketu in 10th House
You can become disinterested in society and reputation. This can make people view you as outcast. You may not even do something mean on purpose, however your lack of social etiquette can make people think you are mean/rude.
Accuracy depends on entire chart. It is important to look at sign and aspects, where 10th house ruler is.
Mercury in 5th House
If well placed, this can give children who become highly skilled. They can do very well in their careers. They may even be a prodigy.
However, if afflicted communication can be difficult with children and/or spouse.
You can enjoy travel with this placement. You are curious about new experiences.
You can make a lot of money through communication - written or speaking.
Ketu in 3rd House
When communicating with the spouse, you or them will interrupt and always want to push your opinions on the other. This doesn't mean the marriage will be bad. Simply, you can talk over each other at times when passionate about the conversation topic.
You may talk less or lose contact with siblings. This could be due to many reasons. You could go through a period later in life where you are fighting with one another. In this fight, past resentments may come to light.
The entire chart would have to be taken into consideration for accuracy. This is simply a general post - not taking into consideration any aspects, or signs, or or ruler placement.
Ketu in 8th House
This can go 2 ways depending on entire chart: One is close to their in-laws. You truly consider them family. This is more likely is Venus is well placed and if 8th H Ruler is well placed.
Or you are not close to them. This doesn't always indicate there are issues. One simply may not care enough to have gotten close with them. This is detachment is more likely is there is Mars, Saturn or Rahu in 4th House. In this case, it is likely you will live far from in-laws. However, you must take into consideration the entire chart - signs, aspects, ruling planets.
This is one indicator for having a child or being pregnant before marriage/wedding. If this is the case, you are likely to keep this secret from most people. This is not always the case, only one indicator.
The wedding will likely not be a big ceremony. This can be due to many reasons. One possible example is the spouse may have a small family. Or you may together decide not to spend too much on a wedding.
This is an indicator that you bring more money and assets into the marriage. You may have separate finances as well with this placement.
Accuracy is dependent on entire natal/langa and d9 chart. Reading for only one placement will only give general info.
Rahu in 11th House
You can make a lot of wealth with this placement. Your wealth will be connected to your ability to gain a huge social network, clients and possibly followers.
It is possible with this placement you can gain by manipulating/putting on a mask. However, it is just as likely someone or many will be fake to you. This is someone you will not realize are fake until after marriage and/or later in life.
You could be friends with many people who are different from you. They are of a different country, race, religion.
If placed in Leo, you can desire status and authority over your social network. You want them to have high status or treat you like a King or Queen.
For further insight, you should check the sign of 11th H, aspects and where 11th Ruler is located. This and the natal will influence accuracy.
Saturn in 8th House
I have seen this placement in so many charts. I feel this is the BIGGEST indicator of a strained relationship with the in-laws. There can be conflict that occurs after marriage and/or later in life. This conflict will limit your access to the spouse's resources and vice versa.
This isn't an indicator of a bad marriage as long as the person with this placement did not intend to use the spouse for their resources. Sometimes the manifestation isn't the spouse & you refusing to join assets. Instead, it can be the spouse family cutting them off or decreasing/limiting the resources. Other times I have seen it as the couple being unable to save money in their younger years together.
On the bright side, saturn is a slow and steady planet. If you put in the work and have patience, financial issues, in-law issues, any issues at all can be resolved. If saturn is well placed, it is more likely you will resolve any issues and accumulate good shared resources.
Another thing about this placement is the married couple will experience a bad reputation at some point. This doesn’t mean the marriage is bad - sometimes the couple is a target of bullying/hate. This can be due to many reasons - possible examples I have observed to give you an idea:
- One couple had a period of time where they struggled financially. The husband lost his job, the wife had to go back to work as a result everyone knew they were struggling. Some were sympathetic, others were being judgemental a-holes. It seems this brought them closer together. Their marriage did not suffer due to the judgement they received amongst family + friends + colleagues.
- Another example: The husband got very drunk at a wedding. This lead to many rumours that he was an alcoholic. This bothered the couple but there was nothing they could do to stop people from talking/believing what they want.
- Third example: This woman has a feminine husband. This has led others to speculate that he is gay or bi. I am close friends with this woman, I know none of this true. However, that does not stop others from spreading false info/"jokes" about them.
- Fourth example: This woman’s mother would not stop gossiping about her spouse. She would criticize him unfairly. The mother’s side was believed by a lot on the woman’s side of the family. As a result, the entire family was mean & passive aggressive with the spouse. They never tried to get to know the spouse/see his side of things. It was disgusting, the family bonded over bullying her & her spouse.
This placement can indicate problems with your own family after marriage and/or later in life. You may have to distance yourself from your own family instead of the in-laws. This rarely means you will mever speak to either your own family or in-laws. It can be a one time situation the couple must deal with at some point. EX: At a dinner, your brother insults the spouse's job. You defend the spouse and leave the dinner early. A few weeks later all is forgiven and basically forgotten.
Accuracy will depend on entire d9 AND NATAL chart.
Sun in 5th
You are likely to be an educated & opinionated person later in life and/or after marriage. You may develop interest in politics & history. You can become fixed on your beliefs - refusing to be open minded to any other beliefs.
You can refuse to have a spouse who does not have similar beliefs. You can raise the children to be proud - ex: proud of their history/heritage, the family, or families beliefs/religion. You want confident children.
This placement is an indicator for having children late. It is an indicator of having less children - choosing to only have one child is a possibility. However, this is just one indicator. Sign, and aspects especially to Jupiter will change accuracy.
Ego can be a problem in the marriage. You or the spouse can have a tough time admitting you’re wrong. You or the spouse can desire authority & final say on decisions. This doesn’t mean the marriage will be miserable. You will just have to deal with a clashing of ego at some point in life. It can even be a small issue such as how the house will be decorated, public or private school for kids, where to go to eat, etc.
It’s also noticed with this placement, the person received recognition in career in their mid 40-50s. You can see promotions and rewards. You can retire well respected in your industry or company.
Mars in 8th
This is a malefic planet & it is mars nature to “cut”. This can be literal as in surgery or metaphorical. Often, I see this placement (unless positively placed) can cut ties with in-laws. This doesn’t always mean you will get into a fight and never speak. There may be a few years you go without speaking.
If positively placed by let’s say Jupiter, your spouse could have a big family. They argue and bicker but it is in fun and rarely serious arguments. If exalted in cap, the spouse’s family can be very hardworking & devoted to their family - which would include you after marriage.
The spouse and you are not the type to hold back their true feelings/thoughts in marriage. You can bicker over small things. This placement brings strong attraction to one another too. You can sometimes enjoy fighting as it builds passion. If well placed, this can be in a funny old couple teasing each other kind of way.
It is believed this placement holds a lot of karma. Your spouse will treat you how you treated a spouse in a past life. I know not everyone believes in past lives & I am not fully convinced myself but I think it’s an interesting belief to mention.
Later in life, you can be in conflict with a sibling especially a brother. Why will depend on entire chart.
Due to mars nature, these fights with your spouse, your family and/or in-laws occur quickly. EX: Everything can be fine for years & one day you or they have said something very insulting. Quickly, this causes conflict.
Depending on entire chart, (aspects, 8th H Ruler placement & signs) these fights can be resolved just as quick as they started.
For ex: Mars in sag - you will be angered very fast, express it but see the bigger picture & choose family.
Mars in Cancer or Libra - you will be angered, you could struggle to express it. You or they may be passive aggressive. This can lead to a lifetime of unacknowledged issues.
Mars in scorpio or taurus - you hold a grudge over what was said or done. Even if you decide to resolve issues, you can still hold resentment.
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kckt88 · 1 day
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A Heartbeat Between Us V
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Summary:
Y.N moves in with Aemond, however he has trouble dealing with his jealousy as Y.N grows closer to Aegon.
Warning(s): Angst, Drama, Fluff, Swearing, Jealousy, Insecurity, Miscommunication, Kissing, Semi Public Sex, P in V, Oral Sex (M Recieving).
AEMOND x Y.N
Word Count: 5576
A.N - I used Zac Gabriel as the face claim for Daeron.
A.N - Most of the story is already written, as I start a new job on Saturday :-)
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Disclaimer: I do not own any of the House of The Dragon or Fire & Blood characters nor do I claim to own them. I do not own any of the images used.
Comments, likes, and reblogs are very much appreciated, do not copy/post to other sights without my permission.
Tag List - @jasminecosmic99 @kaelatargaryen @yesterdayfeelings-blog @immyowndefender @0eessirk8 @killua2dot0 @msassenach @xcharlottemikaelsonx @moonnicole @toodlesxcuddles @mamawiggers1980 @minttea07 @nommingonfood
Aemond was almost regretting his suggestion of going baby shopping the moment he stepped foot into the nursery store.
Rows and rows of items surrounded him, none of which he recognized apart from the basics: a cot, a pram and a changing table.
But what was all this other stuff? As he stood there, utterly bewildered, he picked up an odd-looking contraption with tubes and some kind of cup attached. His brow furrowed in confusion as he turned it over in his hands.
"What the hell is this?" he muttered, more to himself than to anyone in particular.
Y.N. appeared beside him and gave him an amused smile. “That’s a breast pump,” she explained, gently taking it from him.
Aemond blinked. "Are you going to-breastfeed?"
Y.N. nodded. “I’ll give it a try. I read in one of those baby books that I can eventually express milk so you can help with feeds if you want.”
He gave a quick nod, relief washing over him. That, at least, made sense. He would be involved in every aspect of their baby's life, even the late-night feedings.
They continued walking through the aisles, moving past shelves lined with more creams, lotions, and baby products than Aemond had ever seen in his life.
“Babies have really sensitive skin,” Y.N. explained, picking up a tub of lotion and reading the label. “We’ll have to be careful with what we buy for them.”
Aemond was still trying to make sense of the endless products when Y.N. casually mentioned, “I’m thinking I’ll have to put the cot in my room, at least for now. My flat doesn’t have a spare room, so I’ll probably look for a bigger place when the baby gets a bit older-”
Without thinking, Aemond blurted out, “-You could come live with me.”
Y.N. stopped, turning to him in surprise.
He shifted awkwardly, realizing how fast he’d said it, but he pressed on. “-I have the room, and I could help more with the baby. I don’t want to miss out on anything-and it just makes sense, doesn’t it? I mean, we’re having a child together, and I-I want you to feel supported. I want to be there for everything.”
Aemond started rambling, listing reason after reason, but Y.N. interrupted him with a soft smile, placing her hand on his arm.
"I'd like that," she said quietly, "-as long as I can contribute toward the bills. I won’t let you pay for everything."
A wave of relief and happiness washed over him, and he agreed, already picturing them as a family in his penthouse. His focus shifted when he spotted something on a nearby shelf.
A cot mobile, but not just any mobile—this one had tiny, intricately designed dragons hanging from it. He wound it up, and a soft, gentle lullaby began playing as the dragons turned lazily in the air.
Aemond smiled, his eyes lighting up. “I’ve always liked dragons,” he said, nostalgia filling his voice.
Y.N. smiled, too, remembering how his notebooks in school had been covered in his dragon sketches. “I remember.”
“This one,” Aemond said decisively, picking up the boxed version of the mobile. “This is the one I want for our baby.”
Y.N. nodded, touched by his excitement. It was clear how much this meant to him.
As he cradled the box in his hands, she smiled at him, already imagining their baby lying beneath the mobile, lulled to sleep by the soft music and the gentle movement of the dragons.
"Do you know what kind of pram you want?" Aemond asked, trying to sound knowledgeable but still feeling a little out of his depth.
Y.N. chuckled, taking his hand. “I’ve seen a few possibilities. Come on, I’ll show you.”
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Aemond had practically marshalled his siblings into helping with Y.N.'s move, each of them assigned specific tasks.
The moving process was well underway, and he was determined that Y.N. wouldn’t lift a finger—especially not anything heavier than a pillow.
So, while Aegon, Daeron, and Aemond handled the heavy lifting, Y.N. and Helaena sat on the floor of her now almost-empty bedroom, packing the last of her things into boxes.
“Honestly, Aemond, I can carry other things,” Y.N. protested as she folded some clothes into a box.
“Absolutely not,” Aemond replied from across the room.
Helaena snickered, helping Y.N. close a box. “He’s being protective. Just let him.”
Y.N. shook her head fondly, turning back to Helaena. “Men.”
Meanwhile, Aegon, ever the opportunist, had loudly volunteered to help with the bedroom packing.
“I’ll handle the personal items!” he announced with a smirk, only to be met with a swift slap on the back of the head from Aemond.
“Go help move the boxes that are already packed and sealed” Aemond ordered, sending Aegon out of the room with a scowl.
Y.N. had already arranged for most of her furniture to go into storage, having decided that she didn’t need much in the way of bulky items.
There was only one exception: her grandfather's beloved armchair. The old, worn chair didn’t match Aemond’s sleek black-and-white decor at all, but Y.N. had insisted on bringing it with her.
Aemond had stood his ground, but when she tied him up in bed and kept edging him during sex, bringing him to the brink of his orgasm as she rode him only to stop, and after four times of being denied the chance to come he caved in, only for him to end up a begging moaning mess as Y.N overstimulated him.
Now, as Daeron worked through her collection of books and DVDs, he raised an eyebrow at what he found.
“She’s got a lot of horror here,” he remarked, flipping through a few titles. “She seriously likes this stuff?”
Aemond, overhearing, glanced over. “It’s her favourite genre. She’s obsessed with creature features and disaster movies, too.”
“Creature features?” Daeron asked, confused.
“You know, movies with killer sharks or giant, man-eating animals,” Aemond replied nonchalantly.
Daeron laughed, shaking his head. “She’s has weird taste-” he teased, only for his eyes to widen when he pulled out a book from a box. “Oh, hello. What’s this? Fifty Shades of—"
Before Daeron could finish, Aemond snatched the book from his hands. “Fifty Shades of Shite, that’s what,” Aemond grumbled. “Now stop messing around and pack.”
Daeron mock saluted him. “Yes, sir.”
Aemond then made his way to check on Aegon, who had unsurprisingly gotten distracted. His elder brother was rifling through a stack of old letters, his face a picture of mischief.
“What the hell are you doing?” Aemond snapped.
“Found some letters-” Aegon replied, waving one around. “-From Jace”
Aemond frowned deeply, but there was a gnawing sense of curiosity that led him to take a glance over Aegon’s shoulder.
Sure enough, Jace’s love-sick declarations and desperate apologies were scrawled across the pages.
Aemond’s scowl deepened, but despite the irritation boiling inside him, he said, “Just put them back. It’s not our business.”
Aegon, with a dramatic sigh, pretended to comply, but when Aemond wasn’t looking, he tossed the letters into the bin.
“So long, Jace, you fucking idiot,” Aegon muttered under his breath.
When Aemond went back to the bedroom, he found Y.N. and Helaena laughing together, nearly finished with the last of the packing. Y.N. was holding up a small box of condoms, grinning.
“Well,” she chuckled, “I guess we won’t be needing these anymore.”
Before Aemond could respond, Aegon’s voice echoed from the hallway. “Hey, I could use them! Saves me buying more.”
Y.N., completely unbothered, shrugged and tossed the box in his direction. “-I didn’t know you was seeing anyone.”
Aegon caught the box and smirked. “Not currently. But I do have my eye on someone,” he replied smugly. “Just a matter of time before she’s mine.”
Y.N. raised an eyebrow but didn’t press, going back to emptying her drawers.
Meanwhile, Aemond shot his brother a warning glare as Aegon winked suggestively at him, making his blood boil.
“Touch her, and I’ll kill you,” Aemond whispered to Aegon, to which his brother only grinned wider.
Y.N, oblivious to the tension between the brothers, finished packing her things and stood up, hands on her hips.
“Well, I think that’s everything. Let’s get the last boxes out, and then we can head over to the penthouse.”
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As Y.N. looked around the penthouse, trying to get her bearings amidst the chaos of moving, she realized something was off.
"Aemond, where are all my things?" she asked, her voice tentative.
Aemond glanced up from the hallway, rubbing the back of his neck awkwardly. “They’re in the other spare room,” he said casually, not catching the subtle shift in her expression.
Y.N.’s face fell. “Oh, s-so-I won’t be sharing your room?” she asked, her voice tight with a hint of disappointment.
Aemond, now noticing the change in her mood, looked confused. "I just assumed that you’d want your own space," he replied cautiously. "You know, somewhere you could have to yourself if you ever needed it."
Y.N. forced a smile, though her chest tightened. "N-No, it’s fine, I-I understand," she said quietly before slipping away down the hall and shutting herself into the spare room.
The click of the door felt like a punch to Aemond’s gut.
Aegon, who had been lounging on the couch, shot his brother a look of disbelief. “Well, aren’t you a fucking moron,” he muttered, shaking his head.
Daeron, standing nearby, chimed in with a frown. “You’re in love with her, she’s pregnant with your kid, and you ask her to move in, only to stick her in the spare room? What were you thinking?”
Helaena crossed her arms, giving Aemond a pointed look. “You need to fix this, and fast.” She shoved him gently towards the door.
Aemond swallowed, his stomach churning with guilt as he approached the spare room.
He knocked softly, and after a long moment, he heard her voice call from inside. “Come in.”
Aemond slipped inside, shutting the door gently behind him. Y.N. was sitting on the bed, surrounded by boxes, her eyes red as if she’d been fighting back tears. His heart sank, and he immediately knelt down in front of her, resting his hands on her knees.
“I’m so sorry,” Aemond said earnestly. “I should have talked to you first. I shouldn’t have just assumed anything.”
Y.N. gave him a small smile, but her eyes betrayed her hurt. “It’s okay. I understand.”
Aemond shook his head. “No, it’s not. I-I’ve never really lived with anyone before, not like this-” he confessed, his voice soft. “-As an adult, it’s all new to me. With Alys-she would only stay over every so often, but we never lived together. I don’t really know what I’m doing.”
Y.N.’s gaze softened as he spoke, her hand moving to cup his face gently. “I get that, Aemond. But it still hurt.”
He closed his eye, leaning into her touch. “I just wanted to make sure you were happy,” he murmured. “Of course, I want you in my bed every night, but I thought you might want a space to call your own. Where you can work on your art or-get away from me when I inevitably annoy you.” He smirked slightly at his own words, but his eyes were full of sincerity.
Y.N. smiled at that, her thumb brushing over his scared cheek. “Can I?” she asked hesitantly, motioning towards his eyepatch.
Aemond nodded, and she carefully slid the patch from his face, revealing his sapphire eye. Y.N. smiled softly, gazing at him. “There. Now I can see you,” she whispered.
The tenderness in her voice, the warmth of her touch—it was more than Aemond could take. He surged forward, capturing her mouth in a passionate kiss.
His hands slid up her thighs to her waist, pushing her back gently until she was lying on the bed, her body sinking into the soft mattress.
The boxes around them were pushed aside, some tumbling onto the floor with a thud, but neither of them cared.
“I want you,” Aemond groaned into her mouth, his voice low and rough with desire.
Y.N. gasped, her breath shaky. “Your brothers and your sister-are here.”
Aemond smirked, his lips brushing against her neck. “We’d better be quiet then,” he teased, his fingers already working to pull her clothes off, his need for her growing with every passing second.
He peeled off his own shirt and lowered his trousers and boxers just enough to free his already hard cock.
Y.N audibly gasped when she felt Aemond’s fingers rubbing her folds.
“O-Oh Aemond” exclaimed Y.N as he slipped a finger inside her, his movements slow and deliberate.
“Always so warm-so wet for me” muttered Aemond as he added another finger, making sure to use his thumb, sweeping it against her pearl.
“I don’t want to wait-please-Aemond take me” whispered Y.N, as she wrapped her legs around Aemond’s waist, holding him as close as she could.
Aemond took his cock in hand, running the head along her warm wet folds, before he pressed inside her, inching forward slowly.
“So beautiful, swollen with my child” whispered Aemond.
“P-Please Aemond” whimpered Vaeda.
Aemond began to move with a slow, deep grinding. His movements deliberate and calculated.
“Gods be good,” panted Y.N.
“Fuck. You were made for me. You were made to fit my cock in this sweet cunt of yours.” breathed Aemond as he increased the pace of this thrusts.
“A-Aemond. Please.” exclaimed Y.N as she brought her hands up to his shoulders, clinging to him as his thrusts shift her up and down the bed.
Aemond makes a strangled sort of sound and lowers himself onto Y.N even more, kissing her passionately.
His hips rolling against hers, his cock thrusting in and out.
Y.N kissed him back, threading her fingers through his long silky hair, her nails scraping against his scalp, just the way he likes it.
“Mine” muttered Aemond.
Y.N could feel herself clenching around him as his cock keeps hitting the same spot inside her.
“Ooo Aemond-f-faster. P-please”
Aemond lets out a loud groan as he begins to move faster pounding into her, the sound of their skin slapping together echoing around the room.
“Aemond-Aemond-”
“You’re so fucking perfect-come-come for me” growls Aemond.
“Y-Yes., Aemond” moaned Y.N squirming, the heat shooting across her abdomen as her pleasure peaks, and she explodes, her cunt tightening around Aemond.
Aemond lets out a long low groan, his movements becoming erratic. His cock throbbing as he spills inside her.
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Aegon, Daeron, and Helaena were sprawled out on the sofa in Aemond’s penthouse, waiting for any sign of their brother.
Daeron leaned back, arms crossed over his chest, a curious expression on his face. “Do you think he’s apologized yet?”
Aegon snickered, shaking his head with amusement. “If the sound of the headboard banging against the wall wasn’t enough of an indication, then our brother’s groaning sure was,” he said with a laugh, wiggling his eyebrows suggestively.
Just then, the bedroom door creaked open, and Aemond stepped out, looking a little dishevelled.
He was shirtless, wearing only his jeans, his long silver hair was a tousled mess, and his cheeks tinged pink with exertion. Aegon immediately started snickering again, earning a scowl from Aemond.
Helaena raised an eyebrow, stifling a laugh of her own. “Is Y.N. going to join us?” she asked innocently, though the amused glint in her eye didn’t go unnoticed.
Aemond rubbed the back of his neck. “She’s, uh-sleeping,” he replied, trying to sound casual.
Daeron’s eyes widened dramatically. “Sleeping? What did you do to her?”
Aegon let out a loud cackle. “Oh, I think we all heard what he did to her,” he said with a teasing grin, leaning back on the couch as if thoroughly entertained by the whole situation.
Aemond shot him a glare. “Shut up, Aegon.”
Still grinning, Aegon shrugged. “Hey, no judgment. Just, you know-it was loud.”
Aemond sighed, pinching the bridge of his nose in frustration. “It’s probably best if you all leave” he said, attempting to regain his composure. “Thanks for your help today, but I think we’ll have to rearrange game night-”
Helaena smiled as she stood up, gathering her things. “You’re welcome, Aemond”.
“Fine, but you’re buying the beer next game night.” Aegon quipped with a smirk as he got to his feet.
Aemond rolled his eye but nodded. “Fine, I’ll buy the beer.”
As Daeron grabbed his jacket, he couldn’t help but mutter under his breath, “Bet Y.N. sleeps well tonight-”
Aemond shot him a final look of warning before quickly ushering all three of them toward the door.
“Out. All of you,” he commanded, though the faint smile on his lips showed he wasn’t truly angry.
As they left the penthouse, Aegon couldn’t resist one last comment, leaning back to shout, “Next time, at least soundproof the walls!”
The door slammed behind them, and Aemond leaned against it, exhaling deeply. Peace and quiet at last.
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Aemond couldn't help but think that asking Y.N. to move in with him was one of the best decisions he'd ever made.
Life with her was everything he hadn't realized he'd been missing. They settled into an easy rhythm—taking turns cooking, sharing quiet evenings together, and every night, he found himself tangled in bed with her, relishing the warmth and intimacy that had quickly become second nature to them both.
What Aemond liked most, though, was watching Y.N. work. She had claimed a small corner of the penthouse, transforming it into her personal workspace.
All her materials were meticulously arranged—paints, brushes, restoration tools—and her attention to detail was astonishing. He found himself mesmerized by the faces she made when she was deep in concentration.
But more than anything, what drove him wild was as her pregnancy progressed, she often got quite warm, so she would often wear shorts and a sports bra whilst working from home.
The sight of her growing belly made him ache with desire and he spent his nights with his head between her thighs before he made love to her.
He was bursting with pride when she completed the restoration of a statue for the museum and watching her meticulously package up the finished piece, her smile radiant with accomplishment, was a memory he knew he’d never forget.
When she received an invite to the unveiling and insisted that he join her, he agreed without hesitation.
The night of the unveiling, Y.N. looked breathtaking. Her floor-length dress hugged her in all the right places, accentuating her swollen belly and ample curves. Aemond couldn’t take his eye off her the entire evening.
She was in her element, accepting praise and accolades for her work with grace and humility, glowing in the spotlight she so deserved. His heart swelled with pride every time someone came up to compliment her on the restoration.
Of course, the press had been there, snapping photos and recording every moment. It didn’t take long for the word to spread: Aemond Targaryen has not only moved on from Alys Rivers but is also expecting a child with someone new.
 He had known it was inevitable, but he thanked the gods they’d managed to keep it quiet for as long as they had.
Y.N. had handled the attention well, her smile never faltering, though Aemond could sense her relief when they finally made their way back home that night.
Now, with the unveiling behind them, his thoughts turned to their upcoming 20-week scan. He was counting down the days with barely contained excitement.
Soon, they’d find out the gender of the baby, and Aemond could finally start working on the nursery, something he’d been quietly planning in his mind for weeks.
The thought of preparing a space for their child filled him with a warmth that was both unfamiliar and exhilarating.
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Aemond and Y.N. attended the 20-week scan with excitement buzzing between them. As Marie, moved the probe over Y.N.'s belly, the room filled with the rhythmic sound of their baby’s heartbeat.
Aemond held Y.N.'s hand tightly, his eye fixed on the monitor, watching in awe as their child appeared in crisp black and white. Everything looked perfect.
When Marie asked if they wanted to know the baby’s gender, Y.N. hesitated for a moment before saying, "Could you write it down and give it to Aemond?" Marie smiled knowingly and handed Aemond an envelope, now containing the secret of their baby's gender.
With the knowledge safely tucked away in his pocket, Aemond's mind quickly shifted to the nursery.
As soon as they got home, he began putting his plans into action.
He forbade Y.N. from stepping foot inside the room and told her the nursery would be a surprise. Soon after, various pieces of furniture were delivered—a cot, a changing table, and everything else they’d need.
To put everything together, Aemond enlisted the help of Aegon and Daeron, which turned into a comical disaster. As Y.N. sat in the living room, she could hear them bickering and swearing through the closed door.
At least twice, she heard Aemond threaten to kill Aegon, which was quickly followed by laughter and the unmistakable clinking of beer bottles.
The constant back and forth amused her—at least it sounded like they were having a good time.
Once the furniture was set up, she made a meal for them all, something hearty to thank them for their efforts.
 When the brothers emerged from the nursery, sweaty but satisfied, Aegon and Daeron couldn't stop smirking and elbowing each other as they watched Aemond gravitate toward Y.N.
He stood behind her, hands resting on her bump as she dished up the food, his eye soft and full of affection.
"Man, he’s totally whipped," Aegon muttered to Daeron, who snickered in agreement.
They couldn’t understand why Aemond hadn’t told Y.N. he was in love with her yet. Or even why he hadn’t asked her to officially be his girlfriend.
Aegon, never one to keep his thoughts to himself, brought it up. “So, bro,” he began, a mischievous glint in his eye, “what’s the deal? Why haven’t you asked Y.N. to be your girlfriend yet? You’re practically married at this point.”
Aemond’s jaw clenched, and at first, he ignored the question, but Aegon kept poking at him, goading him with teasing comments.
Finally, Aemond snapped, “Because I’m too scared, alright?”
His brothers went quiet, surprised by his outburst. Aemond sighed, running a hand through his hair, feeling the weight of his admission.
“I don’t know if she feels the same way. I don’t want to ruin what we have by saying something stupid.”
Aegon and Daeron exchanged a glance, their teasing expressions softening. Aegon, for once, was thoughtful. “You’ve got nothing to be scared of. Look at how she looks at you. I’m pretty sure she’s crazy about you.”
Daeron nodded. “And you’re going to be parents soon. You should tell her how you feel before it drives you mad.”
Aemond knew they were right, but the fear of rejection gnawed at him. What if telling her the truth upset the balance they’d found? He sighed, casting a glance toward the kitchen where Y.N. was laughing softly to herself, completely unaware of the conversation.
One day, he promised himself. One day soon.
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At 30 weeks pregnant, Y.N. had been waiting anxiously to see the nursery Aemond had been working on.
He had kept her out of the room for weeks, insisting that it had to be perfect before she could see it.
But now, standing at the door, Aemond smiled and gently took her hands. “Close your eyes,” he instructed, guiding her carefully into the room.
She squeezed her eyes shut, trusting him completely as he led her forward.
Once they were inside, he took a deep breath. “Okay,” he whispered, “Open-”
Y.N.’s eyes fluttered open, and she gasped. The room was stunning. Cream and soft blue hues covered the walls, and the sunlight from the window illuminated the room in a warm, peaceful glow.
The crib stood proudly, adorned with the dragon mobile, its tiny wings gently swaying in the air. A beautifully crafted changing table was positioned nearby, and resting on it was a knitted blue blanket—Helaena’s handiwork.
“A boy-” Y.N. marvelled, her voice barely above a whisper as she admired every detail. She ran her fingers over the blanket, her heart swelling with love for the baby growing inside her.
Then her eyes caught sight of something—a sheet hanging over a section of the wall above the crib.
“What’s that for?” she asked, curiosity piqued.
Aemond stepped closer, his expression soft but a little nervous. “It’s covering the baby’s name,” he explained, watching her face carefully.
Y.N. looked at him in surprise. “But we haven’t really decided on names yet.”
Aemond smiled sheepishly. “I, uh-I kind of already chose one.”
Her brow furrowed slightly in confusion, but before she could say anything else, Aemond reached up and pulled the sheet away from the wall, revealing the name he had picked.
Y.N. took one look and burst into tears.
Aemond’s eyes widened in panic as he immediately wrapped his arms around her. “I’m sorry,” he murmured, holding her close. “I thought—I’m sorry if I got it wrong. I can change it.”
But Y.N. shook her head, burying her face against his chest as she sobbed. “No,” she managed to say between tears, “I love it. I love it so much.”
A wave of relief washed over Aemond, and he let out a breath he hadn’t realized he’d been holding.
“Thank the gods,” he murmured, a small smile tugging at his lips. Y.N. wrapped her arms around his neck, pulling him into a tight embrace.
She pulled back just enough to look up at him, her eyes still misty but filled with joy.
“Thank you,” she whispered, her gaze drifting back to the wall, where her grandfather’s name was painted in elegant script. “It’s not a traditional Targaryen name though”
Aemond smiled, gently wiping her tears away with his thumb. “So, we break the tradition,” he said softly, his hand resting on her bump. “It’s our choice what to name our son. Besides, we can give him a Targaryen middle name”.
Y.N. placed her hand over his, just as the baby kicked. They both smiled, feeling the life they had created together move beneath their hands.
Aemond chuckled softly. “I think he approves.”
Y.N. laughed, her heart feeling lighter than it had in days. “I think he does.”
Aemond looked around the nursery, a sense of satisfaction and pride in his work. “Now all that’s left is to get the pram and some clothes, and we’ll be good to go.”
Y.N. nodded, her heart full as she took in the room again, but mostly she looked at Aemond, marvelling at how lucky she was to be building a family with him.
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Aemond arrived home after an exhausting day, his mind already wandering to Y.N. and the baby.
As he opened the door, his ears picked up on Y.N.'s voice, sounding almost-playful.
"No, Aegon, it's too hard," she said, a teasing edge to her tone.
Aegon groaned. "So? You love it when it’s hard."
Aemond froze, blood boiling in his veins as he heard Y.N. laugh.
"Okay, fine, let's try again, but give me some time to adjust," she responded.
Aemond saw red. Was his brother seriously fucking the mother of his child in his penthouse? Right under his nose? Whilst she was pregnant?
Rage bubbling inside him, Aemond stormed into the living room, heart pounding.
"What the hell is going on here?" he bellowed, fully prepared to murder Aegon with his bare hands.
To his surprise, he found Y.N. sitting cross-legged on the floor with a PlayStation controller in her hand.
Aegon was sprawled on the sofa beside her, also holding a controller, looking completely unbothered by Aemond's entrance.
"We're playing Mortal Kombat, genius," Aegon said with a lazy grin. "What’s got you so worked up?"
Aemond blinked, his fury deflating but still simmering beneath the surface. "What are you doing here, Aegon?" he snapped, irritation lacing his voice.
Aegon shrugged. "Y.N. called me. She was home alone, and wanted some company."
Aemond shot Y.N. a frustrated look. “You could’ve called me. I would’ve come home.”
Y.N. waved him off. “You were busy, Aemond. I didn’t want to bother you.”
Aegon smirked, clearly enjoying the tension between them. “I’ll be heading out anyway,” he said, standing up and stretching. “Got a date with Cerelle Lannister tonight. As much as I’d love to stick around and wind you up further, I’ve got better things to do.”
“Yeah, fuck off” Aemond muttered, earning a chiding look from Y.N.
“Aemond, don’t be rude,” she said, though Aegon laughed it off.
“No worries. I’m used to his mood swings by now.” He leaned over and planted an exaggerated kiss on Y.N.’s head, grinning when Aemond’s face twisted with annoyance.
“Later, you two,” he called over his shoulder, strolling out of the penthouse as if he hadn’t just wound his brother up like a toy.
The door shut with a soft click, leaving Aemond glaring after him.
"I don’t want him alone here with you," Aemond grumbled, still fuming.
Y.N. rolled her eyes and placed the controller down. “Why? It’s just Aegon.”
"You know how my brother is," Aemond said, rubbing the back of his neck. "I don’t trust him.”
“I’m more than capable of handling Aegon," Y.N. shot back, her voice firm.
Aemond sighed. "I never said you weren’t capable. I just—" He paused, realizing how this was coming across. He took a deep breath, steadying himself. "I’m just trying to protect you, Y.N. That's all."
Y.N. crossed her arms, a look of mild irritation on her face. "Well, it sounds like you're doubting me."
Her moods had been unpredictable lately. One moment, she’d be happy and relaxed, the next, she was crying over something as simple as the wrong pasta brand or getting angry when he suggested healthier meals instead of her craving for fast food.
More than once, she had snapped at him to stay away, only to come to him moments later in tears, asking him to hold her or take her to bed.
As Y.N. gazed up at him from her position on the floor, Aemond braced himself, unsure of which mood she might descend into now.
But instead of another emotional outburst, she surprised him. Y.N. shifted to her knees, her eyes glinting with mischief as her fingers reached for his belt buckle.
Aemond’s breath hitched, his pulse quickening. "Y.N.," he warned, his voice low, but she silenced him with a smirk, undoing his trousers.
Next thing he knew, Y.N’s warm, wet mouth was wrapped around his soft cock.
Aemond put his hand on the back of her head as started to suck his cock and caress his balls.
Soon his cock sprang to life, and Aemond was losing his mind at the sight of her pink lips stretched around his hard length.
Y.N’s tongue ran around the tip – tracing the ridges and licking off that drops of pre-cum that had started to leak out.
“Fuck, Y.N!” groaned Aemond as he threaded his fingers through her hair.
Y.N ran the flat of her tongue along Aemond’s length, tracing every hard inch of him.
Aemond’s heart almost stopped when she sucked his stones into her mouth, one at a time.
Her hand moving slowly over the hard length of him.
When Y.N engulfed Aemond’s cock in her mouth, he squeezed his eyes shut.
Y.N was driving him crazy.
Aemond forced himself to open his eyes, he had to watch her sucking his cock. 
“Your taking me so well. Such a good girl” moaned Aemond.
Aemond knew it would push him too far to control, but he did not care. He just had to watch his cock disappear into Y.N’s mouth and see it come back out, shining with her spit.
Her head moving back and forth, her pink lips stretched around him. Oh, it was heaven.
Y.N smiled slightly and began moving faster, also using one of her hands in rhythm with her mouth. 
“It feels so good-” groaned Aemond his hand gripping her hair as he began to fuck her face.
“Hmmm” muttered Y.N as she dug her fingers into the flesh of his arse.
“I’m not going to last-if you carry on” Aemond admitted.
Y.N responded to his statement by relaxing the back of her throat, and swallowing as much of Aemond’s cock as she could, whilst her other hand gently cupped his balls.
“Shit Y.N! I’m going to come. Oh, fuck, I’m coming!” shouted Aemond as he exploded.
She took every last drop, swallowing his seed and licking him clean.
When he recovered, Aemond saw Y.N’s self-satisfied smile.
“Was that to your liking?” asked Y.N.
“Y-Yes” gasped Aemond.
“Now can I have a Burger King?”
Aemond who was still dazed from his orgasm simply nodded. Damn that mouth of hers, he thought, his mind still reeling.
As he ran a hand through his dishevelled hair, he couldn’t help but shake his head with a mixture of admiration and disbelief.
He’d come home angry, jealous, ready to fight. Now, he was standing there, utterly undone, with no memory of why he was even frustrated in the first place.
TBC
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copper-16 · 3 days
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Chapter 8 has been posted - but before everyone goes to read, a little bit of an announcement on my end:
This is going to be my last longer Mapi/Ingrid story, and probably the end of me being super active/posting on ao3 and tumblr. I might write the occasional story here and there, but writing is not bringing me the same joy it once was and I want to dedicate my time to other things. I’ll still be around reading on ao3 and somewhat on Tumblr, but I just won’t be posting a whole ton on either. I’ve been so incredibly lucky to get to know all of you guys on here, and to receive so much love for my work. It means the absolute world to me - and thank you all so much for welcoming me into this little community so wonderfully! I hope the stories I wrote were able to bring just a little bit of happiness when you guys needed it (even if I constantly left everyone on cliffhangers - I truly am sorry about that).
The rest of this is long, and you don't have to read it if you don't want to, you can just go ahead to the story now if you would like. I'm not known for my ability to keep concise, that is for certain. If brevity is the soul of wit - perhaps we know why my stories aren't very funny!
I’ve especially enjoyed joining tumblr and really finding a little community here. Getting to interact with so many people, both those who read my works and those who don’t, has been such a joy for me. I love getting to hear when people like the things I've written, even if it touches them in a small way. I love getting to interact with so many brilliant minds and am forever in awe of how much amazing talent there is in this little corner of the internet! I've made some incredible friends from getting to be on here, and it makes me so happy to have a little community of people I love. Thank you guys for letting me have space here even if I don’t write reader works or know how this app works most of the time.
I started writing seriously in September 2022 and I can't tell you how much joy it has brought me in the last two years. As someone who doesn't enjoy the college degree they are currently getting, this was such a fun creative outlet for me. It was so cool to have this blank canvas to work with, to weave things together, especially as I began to write longer stories. Writing was a place to destress for me and interact with other people who loved football as I was coming to love it. Every single kudos, comment, and bookmark meant so much to me. Even when it was something silly like someone dubbing the 'Copper Monologue,' it made me feel so seen. Someone cared enough to read enough of my works to pick out the fact that I do that? Absolutely mind blowing to me. It's crazy to hear that people cared about the silly little stories I wrote. When someone told me that I was one of the things to help inspire them to write their own stuff - I think I properly sobbed. It meant more to me than anything has in this entire world, and it still does! Writing has helped me to process, it's helped me to grow, it's helped me learn to identify my emotions and struggles and think through my own thought processes. I hope that maybe for someone out there, it could help them do that as well. It's a little strange for me not to want to do that anymore. Writing this last story solidified to me that for the most part it was time to be done, and HDITA was more of a goodbye than anything else. But even with that, it feels strange not to be thinking of my next idea, thinking of how I am going to create characters and relationships and plot lines.
I think for me right now, I'm just excited to be myself. Maybe this vessel of writing was what I needed to get myself through the last two years. I wrote la princesa when I was at my absolute worst in life, and as I've grown and matured as a person, I like to think that my writing has. I no longer find myself in a place where it fills a huge void in my own life that I once needed.
I've grown a lot as a writer these few years (those who read my earlier works will understand), and I'm excited to one day come back to it, maybe in a different sphere. I love the idea now of writing a real book. It always terrified me before - I didn't know where I would start or if I would be horrible at it. But you all have given me the confidence that maybe at least one person would like it, and maybe that's enough of a reason to try. So thank you all for holding my hand and encouraging me. I hope that if nothing else, everyone remembers that a little bit of kindness on here or ao3 or anywhere on the internet costs nothing, and yet can go a long way.
It did for me.
But enough of my sappy rambling, please enjoy this last chapter of mine. I hope it brings you as much joy as it brought me when I was writing it. Love you all so so much!
Chapter 8 of How Do I Trust Again?
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vamphorica · 3 days
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MellodraMattic and Queerness: An Essay
Before I begin, I need to make it clear that my thoughts on this subject are directly inspired by this post by overkeehl. I not only recommend but insist that you read it before continuing, as I am going to be exploring a small component of the greater idea that they have already established. Essentially, I am taking the idea of Mello's character being queer-coded and developing it in regards to how MellodraMattic becomes a very validating ship in the context of marginalised sexual and gender identities.
I am also going to touch on internalised queerphobia, so consider this as a warning if that's not something you fancy reading about.
Anyway.
Mello is a distinctly queer character. I don't say this from an entirely projective approach because I think there are plenty of examples throughout Death Note where Mello's visual presentation and characterisation signifies it. His androgyny is the most explicit indicator of nonconformity in relation to traditional gender expression. I fondly remember when I first read Death Note, aged ten, and was convinced that Mello was a girl for several pages. Suffice to say, Mello's appearance is rather ambiguous, making him an adaptable character for one to project queerness onto. We will go into more depth on this later on.
It is also worth mentioning that Mello's style is quite camp. I love the way he dresses and only wish I had the confidence to pull off his outfits, but they are also very ridiculous and inconvenient. One of my Top 10 Mello Moments Ever is when he tails Mogi and Misa, wearing this:
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Those sunglasses are doing absolutely nothing to keep him out of sight, but I appreciate the fact that he obviously thinks otherwise. He simply must serve cunt to the detriment of the task at hand.
If I have not convinced you that his style alone is a good hint that he is a queer character, even in the most general sense of the term, there's plenty within Mello's character context that isn't exactly subtle in how he is portrayed as evidently nonconformist. I do think you have to be careful not to equate certain traits with queerness when it may not be appropriate to do so (after all, there's many characteristics relating to neurodiversity that can be identified in those who originated from Wammy's House, and while I won't get into the whole discussion about the overlap there because it's not my place to do so, I also think it would be an interesting subject to explore).
However, it is completely understandable why a lot of queer people see themselves in Mello. As a child, around the age that I think many begin to explore their sense of self, Mello's identity is ultimately threatened by L's death. He is confronted by the prospect of working with (accepting) Near in order to catch Kira. Instead, he runs away, and the narrative that follows is of a man tied up in complex feelings relating to his identity as a 'runner-up'. To put it simply, it conveys queer grief very well — Mello struggles with the fact that who he is as an individual does not align with the expectation that Wammy's House instilled in him from a young age. Similarly, some queer people may find that they must contend with accepting an identity they had been discouraged from exploring as children.
I think for many queer people seeing themselves in Mello, this sense of shame that can be identified as internalised homophobia or transphobia is unfortunately a common experience. It can take a long time to recognise, let alone challenge the societal standards that have been deemed 'normal' or 'correct'. Mello encapsulates this disconnect well in the sense that his goal to defeat Near as a means to prove himself as a worthy successor to L is doomed from the beginning. He was never meant to be the one to become L, and yet he runs straight to his demise in his desperation to receive recognition from an institution that he could never succeed within. I am not suggesting that all queer people go through this level of intense self denial when exploring their identities, but I think it ought to be appreciated that through Mello, there are a plenty of parallels that reflect the complexities of discovering your sexuality and gender identity.
Additionally, if you'll excuse me posting two rather grim examples of objectification in the manga, it is worth noting that Mello, in close proximity to two naked women, does not seem remotely interested in their bodies, which might suggest a queer identity on a very shallow level. I do think, given how misogynistic almost all the male (and some of the female) characters in Death Note can be, Mello is notable in the sense that he doesn't actively discriminate against the female characters. He treats both genders like shit. Feminist icon.
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Mello is very easy to project an assortment of queer identities onto. For what it's worth, I headcanon him as bisexual and FtM, but I know you are not reading this essay for my personal projections. You can consider Mello as MtF, asexual, gay, nonbinary — all of these identities can easily be validated within the canon context because Mello is so versatile while still being a developed and nuanced character. His story mirrors so much of the struggle that queer people contend with, and while I think it is a massive shame that it isn't resolved, I think that in itself only exemplifies the complicated nature of identity.
So, where does Matt come into all of this?
It is important to remember that Matt as a character was created for Mello. In the main series, it isn't even mentioned that Matt is a Wammy's kid, this information only being revealed in 'Death Note 13: How to Read'. However, this is crucial knowledge because it conveys the very essence of what makes MellodraMattic so great.
I love Mello, I really do, but he is cruel and selfish, in addition to being arguably one of the most dangerous characters in the series. For those who might relate to him for any of the reasons I have given thus far, it is still important to understand that Mello is not a decent person. He is deeply flawed, and as much as I like to joke that his crimes are perfectly fine actually, I can still appreciate that he is not meant to be regarded as an 'good' character, even if he is on the right side as far as Kira is concerned. His behaviour is very much correlated with his sense of inferiority, so in this case, his identity struggles do not excuse his behaviour, but they can explain it.
Yet, despite all of this, Matt remains by his side, regardless. While there's a general consensus that the two were separated for some time after Mello ran away, they eventually reunite and work together. In these brief moments, we can still gain a good insight into their relationship dynamic from the way they speak to one another. For instance, Matt is cheeky in a manner that the reader would not expect Mello to tolerate. Yet the patience in how he responds to Matt's insolence almost appears uncharacteristic. I am of the belief that Mello is not a highly reactionary character, despite how the series tries to portray him as such, and this calm composure he is capable of can best be seen through his interactions with Matt.
There is a real familiarity between the two men that I don't think is comparable to any other relationship in Death Note. For example, in the image below, Matt is complaining about a task Mello has assigned him, one that isn't exactly difficult, and yet he's already distracted. Rather than get frustrated, a response we would expect from Mello, he answers Matt gently.
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I appreciate these moments are few and far between (for fuck's sake, there's only two panels that feature the both of them) but I don't think I'm reading into it too much. I think they're genuinely suited for each other, which is, of course, because Matt was written for Mello. Their chemistry is dependent on the latter canonically.
Matt brings out the more approachable side of Mello because Mello does not see Matt as a threat that he must remain guarded around. If we as readers have become acquainted with Mello through his act of cruelty, albeit as a means of survival, we must assume Matt is familiar with this side of Mello, too. However, it doesn't deter Matt, nor does it scare him. Matt is completely loyal to the very end, and while such writing is perhaps a little superficial, I think it does emphasise the point that Mello has someone who will put his life on the line for him and God, I don't know. I think you have to read that as love to at least some extent.
Mello is a complicated character, with plenty of attributes suggesting that he is queer. This only further contributed to his plot line that centres an identity struggle, which speaks to those who fall outside of cishetnormativity. Unable to reconcile his sense of self with the expectations placed upon him, Mello becomes ruthless. Yet, in spite of these flaws, he has Matt. He represents a kind of hope, I think, that those who connect to Mello through his queerness and subsequent struggles can gravitate towards. A hope that there's someone who will accept every aspect of your identity regardless, that there will be someone you can be yourself around.
To me, MellodraMattic is my favourite ship because I love Mello and Matt, and the way in which they interact with one another. It is also that initial identification with Mello, that makes Matt's character and their relationship more meaningful, an example of the fact that there'll always be someone who not only accepts, but loves you, regardless of the mess.
I think that's beautiful. 🍫🎮
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l0stfoster · 3 days
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I desperately want to know more about the cursed tulsa au! Is it ok to ask you for more headcanons about it/details from the au?
Anon you have probably asked me the question that’ll give you the longest post I’ll ever have on my account because I was born to yap about this. Nothing super detailed or written out, but a lot of little things about the characters and the world around them! Take some of my written 'headcanons' with a grain of salt!! Although I'm kinda one of the writers, I don't want to call stuff canon without input from the others.
You can VERY clearly see who we talk about the most. Any additional fun facts or info will either be mentioned in reblogs or put in a new post and linked here!!
TULSA
200 years ago, the area of Tulsa was cursed by a witch. This witch stated that the poorest born will be shown just as the rest of society views them. Freaks.
A majority of, if not all, of the greasers are cursed. They have to be born in Tulsa for this effect to take place. There are very few socs who are also cursed, but it's a very spl
Those born in Tulsa can leave, but their powers are weakened (or they lose them in full until they return)- this may not be an issue for the human passing ones who just want to live life normally, but folks like Fae and Harpies will likely be hunted down by the government, as their kind isn't seen around. (At least, not to the public eye.)
(Already stated this but I'll say it again) Follows the canon plot excluding Johnny and Dally’s deaths. Johnny ‘dies’ (heart stopped, declared clinically dead— gets resuscitated though) and Dally still snaps and loses it, bolts the second after he ‘died’. Dude gets shot (non-fatally on contact) by the cops, but the gang gets him to the hospital and he lives thank god.
Animalistic traits are pretty common amongst the cursed. Some have horns, others have tails, the harpies have wings, fae have pointed ears and tails, and many of them have sharp teeth.
DARRY
Fae, his power is Emotional Augmentation/Negation & Mind Manipulation. - He can calm people down, elevate their emotions, or clamp down on people's power if they're getting too out of hand. This makes it really hard for him to identify his own emotions. He also has a bad habit of using his power when he's upset, which means it pretty much rubs off on others. He's usually pretty good at keeping it down, but he struggles. - His manipulation is pretty much a workaround for the fact that the fae cannot lie. It pretty much makes him VERY convincing, mind manipulation does that. He'll tell someone something and they'll believe it. Master Gaslighter. That comes with its own issues-- he can't tell if the relationships he's made are authentic due to his manipulation, meaning they might just be telling him what he wants to hear. It bugs him really bad, and he worries that a lot of his friendships aren't as solid as they seem to be.
He had a very messy situationship and falling out with Paul. One-sided crush on Darry's end for a while throughout their friendship (Paul was in HEAVY denial of his own feelings, while Darry knew damn well he loved Paul.) Paul, being the soc he is, didn't like that Darry was "one of those freaks". That was sort of where their friendship shattered, and everything that happened after Bob's death made it beyond repairable.
REALLY hates being fae, and has done a lot of shit to try and prevent himself from being easily identifiable as something not human. He tried cutting his ears off ((due to paul's comment calling them freaks) got caught, and one ear is fucked up now), continuously tried to get his tail injured enough to be amputated (that also didn't work, but now he's got a disabled tail that hurts to move too much), and even gave filing his teeth down a go (also didn't work- made them sharper if anything.)
He doesn't wag his tail, and the gang can’t tell if it’s because he’s never happy or because the range of motion is limited due to his injury. If you’re lucky the tip of it will flick around but he also does that when angry so you can’t tell what the fuck dude is actually feeling
Fucked up his vocal cords growling all the time as a kid when trying to be intimidating, so now his growl sounds like a broken wolf's growl; he can't do it for too long or it fucks up his voice and he'll sound like a chain smoker. (Speaking of, I headcanon he used to/does smoke, just hid it well from Pony n Soda)
Purrs very rarely but when he does, he purrs like a motherfucker. Whole ass jet engine. It is LOUD and you will vibrate if he's hugging you.
His boss is the only one unaffected by his power. "You should give me a raise" 'Not gonna happen, Darrel' "FUC-"
Stole Darrel Sr's name. It's why he's junior /silly
Literally just anxiety personified, tbh. He cannot catch a break and hates himself so bad. He's equally as feral as his brothers but is just VERY good at keeping it lowkey.
All the fae are nature-linked in some way. Darry really likes the sun and warm weather. He's got Disney princess energy too, and animals adore him. (hence Two being drawn to him as a perch /silly) He gets followed home by neighborhood strays and keeps having to tell Soda that no, they can't keep them.
Not even specifically an AU headcanon but when he cracks any bones they pop like forty gazillion times. Cracks his back and it's just a solid 5 seconds of snapping.
Speaking of, he's one of the only people who can hold Two's weight because his wings are heavy. Dude's strong as fuck here for obvious reasons, he's also a little too fast compared to a human, so.
Bites his nails to high heavens. He stopped doing it for a while trying to break the habit but accidentally clawed up someone in the gang wrestling and hasn't let them get long since.
Likes to preen Two's wings, it's the repetitive nature that calms him down. If he's stressed and Two notices then he offers.
Like all the other power havers, he gets super fucking weak and a bunch of other drawbacks when overusing his power. Still developing said drawbacks but I personally imagine he either just gets overly emotional or goes completely robotic and stoic.
Jumped Paul with Dally once bc they were trying to get back all the feathers stolen from Two-Bit. Dally didn't even finish asking who was first before he answered a very flat "Paul."
He's very friendly with Ms. Mathews. She helps them a lot throughout the years and he deeply respects her-- he also finds it very funny to see all the photo album bullshit she's got for her kids. Laughs his ass off at the stupid baby photos of Two n his sister.
HE WAS SUPPOSED TO DIE ON HIS BIRTHDAY. This will be further explained in Johnny's little section but long story short, they were supposed to get into a car accident before the train tracks and Darry would've died. He's got survivor's guilt, to an extent, as his parents wouldn't have died in the crash. Only him.
Had heightened Pony's anger during their confrontation. The guilt still eats him alive.
Unlike the other greasers who's powers weaken while they're sick, Darry's power gets very unstable due to how he's commonly repressing them. The gang knows he’s sick no matter how hard he tries to hide it physically because they’ll be around him and suddenly they’re weirdly emotional, or he’ll say something and they’ll believe him even if they know better.
In alliance with my headcanon for the normal story, I personally imagine he got jumped after his friendship with Paul ended before their parents died (since that friendship breaking apart kinda ruined his alignment with any socs)
Generally just a normal hc but he's got Autism, BPD, PTSD, and a few other things like anxiety, major depressive disorder, and sensory/eating issues. Very financially insecure too.
Used to bite as a kid. That's it. Send tweet.
SODA
Fae, his power is pretty much just a Siren Song. - He can get people to do what he wants with his voice, it's as simple as that. He used it to get Sandy to confess to the fact that the baby wasn't his, uses it to get Darry or Steve to take breaks if they're working a little too hard, etc.
Used his power to get extra cake after dinner or to get teachers to lighten up on him or his friends when they got in trouble. It works very similarly to Darry's manipulation, only Soda's is physical and makes them very compelled to follow what he says. In certain circumstances, people can tell if he's caused them to do/say something. That doesn't stop him, though!
When their parents died, everyone's powers went haywire. Soda had to either scream himself mute or force himself to be quiet so he wouldn't accidentally make anyone do something. He didn't want it to be fixed.
If he overuses his magic then he can't talk for a good few days without it hurting, voice gets very raspy.
Thinks he's a bad person due to the nature of his power. I personally like to think the only time he doesn't mind using them is when it's for the benefit of his friends. He's had to coax Two down from the roof after his jumping because watching all the harpies fly just makes him feel worse. He's stopped Steve from overusing his telekinesis after too many close calls with dropping a car.
Absolutely LOVES his ears and tail. Has a ton of piercings and tries to accessorize them a lot. The polar opposite of Darry in that regard. Likes his sharp teeth too.
His claws are probably the second sharpest, as they get sharper with age IMO.
He's probably the most expressive of the fae; constantly doing stuff since he can't sit still for the life of him. Tail's either swaying, tapping, wagging, or doing something.
Has the growl of a leopard. it is terrifying, when he growled at the socs during the rumble they almost pissed themselves. It scares the shit out of Two-Bit LMAOAO.
Soda has arguably the most average purr out of his brothers, it's basic, simple like a cat's is. He purrs super hard and at pretty much any physical affection sent his way.
When asked for his name by Mr and Mrs. Curtis, he pointed at a Pepsi bottle. Eventually, he swapped it for Soda.
He was jumped by the socs once, and they gagged/muzzled him so he couldn't use his power against them to defend himself. The gang was fucking destroyed when he came home with it, they knew they weren't perceived as equal, but that's beyond cruel.
Also slightly nature-linked. I like to think bees flock to him <3 He's also very good with botany, pretty tied with Pony.
He makes little healing pastes/oils for Darry using Pony's plants when he massages his back.
Soda learned many of his extending-the-truth-to-avoid-lying tricks from Darry, so he's very good at it. Darry is one of the only people who doesn't fall for Soda's shit. Steve doesn't either, just because he feels too bad lying to his best friend.
Soda pretty much gets zoomies. He'll be practically bouncing off the walls and going batshit bonkers. It's insane. Sometimes he's on all fours too, no one knows how he can do it so well.
Arguably the most fae-linked of the brothers; a lot of the little things that don't affect his brothers get to him. All three of them are properly burned by iron, though.
Doesn't like being thanked, as it not only implies being owed something, but he also just feels that he shouldn't be thanked for being kind/having basic empathy.
He absolutely hates salt. Too white for it /j (It's another fae thing, Soda's just most impacted by it)
He's weirdly flexible and moves in super uncanny ways sometimes. No one's sure if it's a fae thing or if he's just.. built like that.
Soda's a smooth talker when using his magic but cannot for the life of him start a conversation without it.
When he found out that Steve's dad was abusive, he nonstop asked for the fucker's full name for DAYS because he was so upset that someone was hurting his best friend.
Stevepop is canon in the writer's eyes, but if you want to you can absolutely read their dynamic as platonic (won't stop us from drawing ship art of them so whoops). I try my best to keep most of the dynamics/relationships open for interpretation (On that note, no shipping the mfs who are family coded I'll actually maim you)
When he snores it rumbles off with a purr. Also sleeps halfway draped over Pony like a bigass weighted blanket.
Yet another normal headcanon thing but he's got ADHD, Dyslexia, PSTD, and DPD. Yeah all of them are a little fucked up.
He collects rocks and crystals. It's a stash he can't bring around Two-Bit because it WILL be stolen.
PONY
Fae, his power is Nature Manipulation - It's honestly just what it sounds like. He can create plants, manipulate them, etc. He's very commonly using them, and they're heavily emotion-tied. Cacti and Venus fly traps when angry, wilted plants and dead bushes when sad, etc etc. The plants he grows most are vines, as they're super useful for him. He can use them offensively or defensively as needed. They have a huge tree in their backyard that he grew.
He's benefited positively from bright sunlight and water. He's incapable of drowning, so when Bob tried to drown him in the fountain he was kinda just,, chillin'. (Unfortunately for these fuckers, Johnny did NOT know that.)
Alternatively, he gets super weak and sluggish during the winter and cold seasons. It's misery for him, he thrives on sunlight and warmth. He's got these greenish-grey eyes when it's the summer/spring and they get super dull during the colder months. Groundhog Day is for losers, the gang knows when spring's coming once Pony starts perking back up.
Plants grow in his hair, mostly little sprouts and flowers like that. Magical flower crowns!! He makes them for Johnny every now and then.
Gets followed by bees and bugs. He both enjoys and despises it because what the fuck dude why are HORNETS chasing him.
Liked to grow flowers to give their mom as a kid, he was a little gift giver to her.
On that note, a motherfucking GOBLIN as a child. Literally, chaos incarnate, absolutely horrible to try and raise because he was so fucking wild.
Does not have spring allergies, lucky fucker.
When their parents died, the house was wrapped in vines for days. Sometimes they still start to overtake and infest due to how many there had been, but Darry usually trims them down went he notices (or when he's got the free time, busy ass)
Has the fattest beef with Steve still. Will trip the guy with his vines and he bites.
He's got a squeaky purr and a squeaky growl due to being young. He growls like a snow leopard cub.
Responds really well to physical affection just like Soda, doesn't always purr to it but does really enjoy it. Avidly avoids it from Two bc the stupid bird will try to preen him and he thinks it's goofy /silly
QPR with Johnny. Pony represents life and Johnny represents death. They hold hands, are the besties ever, and are extremely codependent. Do not romanticize their relationship I'll eat your knees.
Pony knows a lot about flower meaning, as he should. He's also very good with botany too.
Instead of Tim stepping on him in the rumble, he ate shit and got smacked really hard by harpy wings. Two and Tim still aren't too sure which one of them did it.
Very little thing but he has a tooth gap.
Pony tried doing a Darry n attempted to cut his ears to look more human while at the church. It didn't work, so now he's got two little rips that look similar to if you had a piercing torn out. He's generally got mixed feelings about his features.
Tries to keep his emotions on the down low for the sake of looking like a tuff adult, but his tail is constantly giving him away.
Pony made them a fairy around the house with his plants, and it serves as a little thing that lets any of the Curtis' know if someone enters the hours whether they're at home or not. If Pony doesn't want someone at the house while they're away then his vines will yoink them out.
Choosing his name was just him saying a random word in a very ominous voice. Darry added the 'boy' to the end of it.
He makes flower crowns for the hell of it, just likes having his hands moving. Either the gang gets them or they get tossed in a misc pile.
He is SO fucking bad at trying to extend the truth, absolutely miserable at it. He cannot gaslight at all.
Due to his power being weak at Windrixville, he had tried and failed to save Johnny with his vines. Instead, they were pulling him back in a subconscious effort to save himself; plants don't go well with flame, after all.
Had to quit smoking post-Windrixville because the smell bothered him really hard. His voice was kinda fucked up after too due to the smoke inhalation as well.
He's got little burn scars on his hands from grabbing the iron gates at the cemetery where their parents are buried too many times. Darry thinks he's a moron for it.
Clings to Ace like a motherfucker during the winter because she's naturally VERY warm.
Darry has to hold this bitch down to cut his nails when they get too sharp because he'll scratch a bitch while wrestling and play dirty.
Mental stuff again; Autism, PTSD, and Sensory Issues. Also kind of an addict.
He hasn't reached the full potential of his powers because he's still going through puberty.
Poy thrives off sugar, being plant-based and all.
STEVE
Human, but his power is Telekinesis. - It's very simple to explain. He's capable of lifting this with his mind and little physical action. There technically isn't a weight limit, but if he lifts something too heavy for too long it'll drop and he'll be REALLL fucked up, it's exhausting to use too much. Alas, that doesn't really stop him. If he gets pissed off things start floating around him.
REALLY likes to throw cars. It's just showing off honestly. He likes doing little things like that for the hell of it.
His dad makes him float beers to him and he'll very bitterly do it. One time he did it a little too fast 'on accident' and held back smiling as his dad bitched about getting covered in beer.
If substitute teachers are unaccommodating assholes he hucks desks at them. Detention is very worth it.
His telekinesis makes him seem physically stronger than he actually is. When it came to Two-Bit perching on the group, the people who could do it were Dally, Darry, and Steve-- until they found out that Steve was just using his telekinesis to hold him up. He dared to do it once without and long story short they ended up on the floor.
Steve isn't super affected by Soda's magic, but he does stuff for him just 'cause Soda's his best friend.
He uses his telekinesis to fly around with Two sometimes. That sort of stops after Two's wing ends up fucked. Every now and then, though, he'd use his power to give Two-Bit the feeling of flying again. They both go home bummed, Two because he’s no longer ‘flying’ and Steve because he hates knowing he can’t actually help
He did most of the work making a prosthetic for Two, and Soda helped a hell of a ton too.
He can't lie to save his life, just 'cause. He also can't whistle.
Arguably even more autistic for cars like this because of how easy working on them becomes with telekinesis. Floats them up himself to work under them.
Speaking of that, he'll float Soda up to the ceiling if he pesters him too much while he's working on a car. Needs to be absolutely locked in and Soda interrupts that.
He may be human passing but he doesn't... look right. His limbs and fingers are too long for a person.
Was STRUGGLING after the rumble. Had to deal with the pain of bones being too stretched plus broken ribs and fucked up knuckles.
He's got a complex that he's only good for his powers. It's a big sense of insecurity for him. It doesn't help that his powers tie to his mood sometimes too. He's had too many close calls dropping a car he's underneath and almost crushing himself because something gets to him. "You good, Steve?" (literally shaking) "Yeah I'm great"
Soda has to use his magic to force him to take a break, cause Steve doesn't want to stop because he thinks they're all he's got that makes him good at what he does.
His dad was born poor and in Tulsa. Steve isn't too sure what his curse is, but he doesn't want to find out.
He's got a crush on Soda that he, for a while, keeps mistaking for a heavy amount of admiration. You don't want to be him, Steve, you want to be WITH him.
He's got fragile bones like the harpies, the only difference is that his isn't biological and is due to his telekinesis stretching his bones out.
Yeah also mentally ill. Autism, PTSD, and CDD.
Idly floats himself for the hell of it sometimes. If Soda calls him short he'll bitterly float up to match his height or be taller.
TWO-BIT
Crow Harpy. No power besides that I think
He's got all the mannerisms of a crow and of birds in general. He likes to give his family and the gang shinies; flies by and drops bottlecaps or random little trinkets and dips. Sometimes physically throws them at people.
He dives at people in the street sometimes if they have something shiny. He’ll also dive-bomb friends and just pick them up like a claw machine. Dally’s the most common victim of this.
He's very intertwined with the bird instincts too. Nests, preens, chirps, whistles, etc. Very fucking loud and will not shut up. Clicks when he's all angry and shit.
Two’s mom is a harpy and his dad is human. Neither of them took after him, and he wasn’t happy about that. Two-Bit constantly had his needs and habits as a harpy repressed by his father; this included having his feathers clipped and not being allowed to preen or nest. His mom wasn’t able to do anything about it for a while, as she was too busy working to keep a roof over their heads.
He knows she is doing her best, and he doesn't blame her for not being able to protect him from that. Two's a huge mama's boy. he used to hide in her wings when he was little.
He taught his sister to fly and had taught himself by jumping off the roof. It’s why he’s got his tooth gap.
His mom has a photo album of him and his sister as they grew, including their feathers as they molted. "Baby's first molt!" and he looks like a blended-up cotton ball. Darry loves these photo albums.
Dally calls him Songbird and Freckles. Two calls him Dimples
He likes to bleach the tips of his feathers and dyes them with his sister, since her feathers are still light enough to dye without bleach.
He preens with the gang and will also try to preen the gang. It’s a bonding activity but bc they don’t have feathers it’s usually just him fucking around with their hair. It usually ends with them wrestling a pissy bird that by god NEEDS to get that knot out of your hair or he will tweak. Pony hates it the most, Darry and Soda are the only ones who don't resist.
If Darry whistles around him he'll shoot over and perch on the guy.
Even bigger kleptomaniac in this. Always has something, Dally's been given at least six switchblades over a week.
He can mimic voices and sounds really well. Uses Johnny's voice to get Pony's attention once. "Oh so you'd get up the second Johnny calls BUT WHEN I DO YOU IGNORE M-"
Horrible flier when drunk, it's hilarious to watch.
If you throw a piece of cloth thick enough to block out light over his head, he falls asleep.
Cannot for the life of him get through doors on the west side because they aren't friendly for wings.
His heart beats like 200+ times per minute. Everyone thinks he's having a heart attack or something when they first hear it.
Alternatively, he thought Dally was dying when he first heard how slow his heartbeat was.
He goes into torpor during really cold winter days or if he's super fucking exhausted. Went into torpor right after his jumping and Dally was convinced that he was dying.
Two gets very territorial and defensive of the gang because they're "his flock". Gives people death stares if they're getting too close. He looms threateningly over the shoulders of his friends if he doesn't like the person they're talking to. It usually scares them off.
He likes to take the gang and his family for flights. Scoops em up and just goes, most of them enjoy it, the ones with a fear of heights? Not so much.
If the younger members of the gang get sick he WILL shove them in a nest and pretty much hover over the person. He gets mama-bird traits from his mom.
Alternatively, even if Darry gets sick Two will hover over that motherfucker. He will wrap that man in a blanket and not let him leave. Just swaddles all the fuckers.
He's got good timing with dive-bombing people. Darry fell off a roof once and BAM suddenly he's in the arms of a very energetic harpy.
Was a really small kid and just shot up overnight. One day he was up to Dally's chest and the next he was at his nose. Dally hated it.
He's docile by nature but when he gets violent it's HELL. He's got sharp claws and talons along with sharp teeth, my guy can do some damage.
Two hates cats and has absolute beef with them. He and the rest of the harpies are scared shitless by Soda's growl too, if Soda growls he whips his head around 180 and looks around frantic. Soda both feels bad but laughs his ass off.
Two (and the other harpies) can't see glass. He's walked into the glass at the DX and slams his head against car windows trying to look outside. He's absolutely mesmerized by glass cups because why is the water FLOATING?
He has to sit in the bed of Darry's truck because his wings don't fit.
The gang went to a mirror maze once and Two got stuck in it for 2 hours. Came out with a busted nose all pouty because those mfs left him in there how dare they.
The Curtis boys can mimic bird sounds really well, they whistle at Two-Bit and his head shoots up at attention.
He's afraid of ceiling fans.
Harpies generally don't like eating bird meat due to etiquette and cultural stuff, but Two's dad would force him to eat chicken as a kid.
He adores seafood and goes fucking bonkers for it.
He got struck by lighting once. Walked into the Curtis' house singed and just went "So I might've made a mistake." Somehow he wasn't too hurt.
He tries to puff up to look intimidating but people just laugh because it's fucking cute. If he wants to look scary all he has to do is smile, yet he doesn't.
He emotes a lot with his ear feathers, they're constantly moving.
Like most birds and other harpies, his bones are hollow. They're arguably made of stronger bone material but the insides are hollow so you can snap 'em with ease if you put enough force behind it.
His neck is like a chicken's, if you move his body his head will stay in one spot if he wants it to.
He liked to just sit and linger on Dally's shoulders when they were kids. Dally didn't mind.
His feathers travel up to the back of his neck and hair; the ones up top closer to his hair are a bit curlier.
The gang can play one-sided fetch with him if they want to. Toss a shiny and he dives after it; he just won't bring it back.
He's got a whole drawer that's just full of the shit he collects. Bones, bottle caps, coins, broken jewelry, glass, etc.
He gave everyone in the gang one of his feathers. All of them wear it on their person.
There's a rumor going around in soc society about Mothman. It's just Two-Bit in really bad lighting. He got moth man status because a soc was closing a shop one night and turned and just saw these BIG ol glowing eyes staring through the window in the darkness of the evening.
He goes after rodents and small bugs. His mom used to have to wrestle mice out of his mouth and he'd cry after.
His baby photos are 90% blurs and heaps of feathers because he ALWAYS had zoomies. The only photos he's peaceful in are the ones where he's snoozing.
If they were invented in their time, Darry would put claw caps on Two if he's resisting having his talons cut. They'll watch him try his damn hardest to just tolerate them before eventually relenting like "oKAY FINE I'LL CUT THEM."
In terms of a specific species, he's a Fish Crow.
TWO-BIT CONT.
His jumping went REAL fucking bad in this. Bev took a lighter to his wing and put her cigarette out between where they met on his back (alongside still burning his face). They didn’t go for both wings, because something was much more cruel about taking one rather than both.
That shit fucked him up for so long, not only was he unable to fly, but there was all that physical and psychological pain that came with having his freedom torn from him. He was made for the skies and now he’s forced to wander the ground with the same people who hurt him.
He self-isolated up until the rumble because he couldn’t stomach the idea of the group seeing how ‘gross’ his wing looked. His mom cried her eyes out when he came home after being jumped, even though he tried hiding the damage from her.
She tried to preen him to make him more comfortable but they couldn't get more than halfway through before he broke down sobbing. “Why couldn’t I have just been normal like dad” when his mom’s preening him bc he doesn’t want to keep feeling the pain in his wings. For a few days after he hesitated even letting her near just because the pain scared him.
HATED Marcia for a good bit after his jumping. She didn't partake in it, sure, but she watched and did nothing. It took months before he could even stomach looking at her.
When his wings recovered, he used to climb on the roof and watch the other harpies fly. He'd feel the breeze through his feathers and against his face and try to convince himself that just maybe, he was up there with them. Soda has to coax him back down with his power because he is only making himself feel worse. Two was bitter at the other harpies for a very long time.
Can't handle the smell of smoke from cigarettes, though. Fire itself in some cases (mostly Ace's fire) is fine, it's cigarettes that bother him.
School was hell on earth for a good while because tight spaces and sensitive wings don't go well. He usually ended up late to classes bc he had to wait for the halls to clear to leave. He would've dropped out over it if he wasn't afraid of upsetting his mom.
His balance was fucked up for a good while due to the difference in weight.
Steve and the rest of the gang made him a prosthetic for his wing. He cried, and it fit like a glove.
Despite getting that freedom back, though, he kind of hates it. He has to relearn to fly, and it's frustrating it causes a lot of resentment because he used to be able to fly perfectly and now he struggles. He hates that he needs to rely on this prosthetic to be free.
Two-Bit and Johnny bond over having had a part of their freedom taken and now needing aid to regain it.
There's no canon ship for Two in this but the writers fuck with Dar-bit and Mar-bit hard lmao. I'll probably be doing a lot of Dar-bit stuff for them.
AuDHD and PTSD, send tweet. Maybe ODD but I'm still thinking about that one. Major separation anxiety.
JOHNNY
Human, he's what we've been calling Death Tied - He's got a sixth sense where he can tell if, when, and how a person will die. If a person's death is coming up, he'll get flashes of the event; what killed them, their corpse, etc. It freaks him out sometimes, depending on who it is. I like to imagine he gets ‘death chills’; which is a similar thing to impending doom, only he feels it for others.
His curse was NOT biological. As a kid his parents almost killed him; Death saw this, decided it was fucked up, and decided to take in this small child as its own.
Johnny's teeth are just a little too white and his eyes a little too black sometimes. He’s got something akin to vitiligo after he received death’s blessing, and it outlines and mirrors the shape of his skeleton.
Butterflies follow him since he's death; unlike Pony, who has beef with the bees that follow him, Johnny enjoys their presence.
Doesn’t like to use his power much but (pre-jumping) absolutely will tell a soc with a flat expression when and how they’ll die.
He’d saved Darry from dying at the cost of Mr and Mrs Curtis’ lives. Initially, Darry had been planning to join their parents on the car ride to get the chocolate frosting; and Johnny had come over early to get away from home as they were getting ready to leave. He’d barely gotten to walk past the fae when he got the flashes occurred. Johnny watched everything— saw the crash, the way windows broke and metal crumpled inwards; watched the life drain from Darry’s eyes— and it freaked him out. He couldn’t for the life of him explain what he’d seen, but he wouldn’t let Darry leave; clung to him and wouldn’t let go.
Darry tried using his manipulation to get Johnny to let go, but it didn’t work, and that’s what stopped him from leaving. Their parents went alone, and it was the delay in waiting for Darry to come to the car that caused them to be on the tracks that day.
Johnny hasn’t forgiven himself for it. He thinks that maybe, he could’ve done something different and saved them all. He apologized for weeks— and still apologizes sometimes nowadays.
Johnny has never feared death, it’s hard to when you’re related to it yourself. When Bob died, he didn’t feel remorse until a few minutes after he was stuck there with the corpse. He's the boy of death, this is his normal- it’s only when his humanity returns that he realizes what he’s done.
The only time he's feared death was during/after the church fire. His power practically disabled itself due to how weak he was, and he was terrified. This was going to be it, he was going to lose his life at 16-- and then he woke up in the hospital.
While he was clinically dead, he spoke to Death. It was a simple interaction, just a reassurance that it was not his time to go yet. There was a feeling of comfort in their words, too.
Sometimes, when he sleeps, he sees Death again. One of the first times they'd spoken was when Darry was supposed to die. "Hey bud, that fae was supposed to die-" "No."
Before they could afford to get him mobility aids, Steve and Two helped him get around.
He's got a really uncanny feeling about him, people do not usually like it- Dally enjoyed it, though, 'cause he's fucking bonkers. It doesn't help that he doesn't blink.
He can easily float on the surface of bigger bodies of water because corpses float in water after they begin to decompose.
He's unnaturally cold like a corpse, the cold doesn't bother him because of that, but he does like feeling warm.
GAD, C-PTSD, and Autism. He's also selectively mute but is very vocal with the gang
Johnny still smokes, but being around the smell of smoke for too long makes him panic.
DALLY
Human, he’s the only one of the gang without a curse. However, he’s recently discovered a bit of an,, unsettling change to his daily life.
Dally's been seeing things. Apparations, spirits, whatever you want to call them. He'll see them in the corner of his eye and in certain circumstances can engage with them directly. He's not a fan of it.
Born in New York, moved to Tulsa when he was around seven; Two-Bit welcomed him with a stupid amount of enthusiasm and they’ve been buddies since.
He doesn’t talk about his birth family, no matter how much prompting there is. As far as he’s aware, Buck’s probably the closest thing he’s felt to an authority figure— at least until he grew older and colder, ignoring the role the adult had in his life.
He’s only capable of holding Two’s perching weight because he’s been doing it since they were kids.
He's very good at coping with his chirps too. Likes to whistle and watch that bitch shoot up and stare.
Dally tries his damn hardest to downplay how much Two (or any of the other greasers) mean to him. Vulnerability like that makes him feel too weak, and after having shown that weakness once, he doesn't plan to do so again.
Met Death while unconscious after being shot by the cops. The only reason he's alive is because Johnny would've been destroyed, and Death didn't want to deal with that shit.
Sometimes he feels a little weird about being the only human, but it's more out of a sense of not necessarily belonging there. It's an unconscious thought, one that only manifests in the rare moments when he realizes he feels just as out of place as he did in NYC. Dallas Winston is merely a boy who has never felt at home.
Dally, funnily enough, doesn't pass well as a human. Everyone outside the gang is convinced he's a vampire because he's so pasty and his canine teeth are naturally sharp.
He successfully convinced the gang that he could talk to and control rats. Two is the only person who knows he lied because he bought him a rat once and nothing happened.
He finds out through Two-Bit and Ms. Mathews that Fae can't lie and uses it to blackmail the Curtis bros, since nobody else knows that.
Yknow how he can see ghosts? One time he woke up on the Curtis' couch to Mr and Mrs Curtis in the living room. It freaks him out so bad that he unconsciously blocks them out right after. Blinks really hard a few times until they're gone.
He's the most feral of the gang. It's the New Yorker in him. He's not supernatural, sure, but he will fuck shit up. Absolutely off his rocker, launches people, and rocks their shit.
Dally's the one who found Two-Bit after he got jumped. He's so pissed ab what happened with Pony n Johnny that he wants some sick gratitude by seeing exactly where Bob took his last breath, so that’s where he finds him. He didn't know how to react, panicked HARD.
He's arguably the closest with Johnny and Two-Bit, he's just more open about that connection with Johnny. He's also pretty good friends with Darry, as there are a lot of little things they've found mutual ground on.
He's got claw scars littered around from the harpies. The ones from Two are due to the fucker dive-bombing down to grab him with his talons a little too fast, and the others are from fist-fighting Tim.
He called Ms. Mathews mom once and has not walked physically into the house since out of pure embarrassment. He doesn't even stand on the lawn that's how embarrassed he is by it all.
More general headcanon stuff fuck you but BPD, PTSD, intermittent explosive disorder, and ODD too.
Also a general headcanon but Two-Bit convinced him to get a tattoo during one of his own sessions for his sleeve, so he's got a little switchblade on the back of his leg.
He thought Two-Bit was having a heart attack the first time he heard how fast his heartbeat was.
Non-Canon but a fun fact. If he did die to the cops, he would've come back as a ghost.
ACE
Human, arguably the least passing as one, and she's got pyrokinesis - As usual, it's very self-explanatory. She can create and control fire with the mind, but there are a few limits to it. She can't produce large flames from her hands, and so she usually has to carry a lighter to kickstart her power if needed.
Ace can make very small fires on her fingers but they're not usually big enough to be manipulated. She can go larger as needed, but it'll drain her out. Likes to just light people's cigarettes and make the flame jump from finger to finger.
When she gets super pissed off, her hair sets on fire. The gang uses her to roast marshmallows sometimes.
Ace is unofficially adopted by Mrs. Mathews. The general idea is that she found her coming home one day, assumed this was a lost child, bought her home, and the kids bonded while she tried to get information about the girl's parents. At dinner was told some shit like “Mommy n Daddy dropped me off n said to wait :) That was two days go!!” and. Safe to say Ace hasn’t left since.
On that note, has a very familial relationship with Two and his sister. They grew up together, how could they not be? They're absolute fucking chaos when paired, though. She likes to call him any bird other than a crow to see him puff up all annoyed.
She used to threaten to turn him into Thanksgiving dinner if he kept pestering her.
Absolute fucking goblin. She has tried so hard to convince Cherry to help her burn half of the soc's houses down. "We'll spare yours don't worry!!" "N..No."
She can't really swim and it could arguably kill her if she's in water for too long, but if she's mad the water will boil away.
VERY warm by nature for obvious reasons, literally a space heater. Pony flocks to her in the winter because she's so warm
Looks the least human of the humans. She's got horns underneath her hair that are still growing more, and her hands are coated pretty permanently in ash. She gives off a subtle glow and her eyes/teeth look way too bright in the dark. Her eyes burn brighter when she's upset.
Normal headcanon but arguably has the second-worst criminal record in the gang.
She feels very guilty about her power due to how much trauma the others in the gang have gone through relating to it.
Unrelated to the AU itself but she's a lesbian. IDGAF what anyone says.
Ace infatuates Two-Bit by putting on a ring and waving her fire fingers in front of his face. The fire's light bouncing off it makes it look extra shiny, she uses it to get him to do stuff for her. "Oo oo you wanna buy me a Pepsi soooo bad"
Literally just bullies him. They have no clue who's older because Ace doesn't know her birthday but she's self-titled him as her little brother.
Couldn’t control her powers as a kid, the gang is quite literally the first group of people who understood that and didn’t isolate her because she kept accidentally burning them when she got too excited (its emotions tied to an extent, hence why she’s started only channeling it by bottling up her anger until she needs to burst)
If Ace uses her power too much she quite literally burns out. Can’t use any part of it for days and is super fucking exhausted. Winter is her absolute beloathed because it’s a pretty similar feeling she gets. She's very susceptible to frostbite.
She used to make jokes about burning Two’s wings off whenever he’d bother her. For a good while she’s way too afraid of even being close to him after his jumping because she doesn’t want to hurt him with her flames. Two trusts her in full even after the accident but her ass is NOT taking any risk, he thinks he pissed her off somehow for a while until it clicks when he watches her extinguish whatever little flame she’s fidgeting with on her fingers the second he walks in. “I trust you." (wearily) “Should you?”
PTSD and ADHD, along with some pretty bad sensory issues & maybe Pica.
Had a really toxic situationship with Bev. She couldn't see the red flags until Bev harmed one of her own. Their relationship was broken off the mere second she found out who hurt Two. Literally blew up at Bev and burnt herself out due to being so fucking angry. It parallels Paul's "Why would I like a freak like you" towards Darry with Ace telling Bev "I can't believe I loved a monster like you."
Rarepair/Crackship time. Ace x Cherry is canon. We call them Fireworks. They're very slow burn. Cherry needs to come to terms with her feelings and Ace needs to trust another soc again after what happened with Two n Bev.
OTHER CHARACTER THINGS
All of the Shepards are Vulture harpies.
Paul and Cherry of two of the only socs with powers. Cherry's got something akin to electrokinesis and makes little sparks with her hands similar to the way a bomb with a lit fuse would behave. Paul's a witch, but his manifested pretty late; probably post-rumble.
Cherry's fingertips are calloused from her sparks, and she's got a bit of resistance to fire. Her hair sparks like a bomb/fireworks when she gets super pissed off. Ace has tried to weaponize this for the silly.
She tries to hide her sparks. Wears gloves to keep them down and if she has to have them off will clench her fists, even if it burns her.
She's desperate to be good enough to her parents. They're ashamed of her due to her sparks, and all she wants is their approval.
Cherry's got major internalized homophobia for a while, very comphet. Eventually, she comes to terms it.
Paul tweaked the fuck out at first and had a panic attack before realizing he kinda fucked with it. Still has a huge bias against the greasers, though. It's something close to a god complex, but he just thinks he's superior due to his financial status as well. He's just got basic shit like rituals and spells.
Was convinced Darry was using his power on him when he confronted him about the Fae having loved him, cause he cried. It wasn't a heavy cry, just a bitter stare, "Why would I like a freak like you?", and silent tears. Darry still doesn't know how to feel about that.
(9/18 Edit: Take the Paul stuff ab his relationship to the greasers with a grain of salt, we’re changing stuff)
The only reason it's tolerance and not raw hate is because Paul was NOT in on Two being burned 💀Turned around to see Bev with her light and was just like "Well I guess we're cooking chicken tn????"
The socs who jumped Two wear his stolen feathers. The only socs with neat feathers are Cherry and Marcia.
Two's little sister (who I call Molly) once asked their mom (who I call Carolyn) why they couldn't give Two-Bit their molted feathers to 'fix his'
Ms. Mathews has pretty much adopted the entire group emotionally by now. She tries to help Darry with financials but Darry is. Darry.
MISC STUFF
Two-Bit used to get caught in and fly around tornados and Pony always caught sight of that shit. They liked to play a game where he tried to catch him while Two avoided his vines. If they couldn't get him down, Pony would get Soda to ask Steve to use his telekinesis bc Steve would say no if Pony asked.
They also play a game where Steve will fling a member of the gang as far as he can and Two dives after them. It's like fucked up football; Dally offered to be thrown and it was the most fun the three have had-- until they had to stop 'cause Darry caught them and almost had an aneurysm.
The DX windows used to be blank and empty but Soda and Steve started putting stuff up on them so the harpies don’t slam into the glass.
Steve puts Two-Bit in air jail if he tries snatching anything shiny from himself or Soda.
Two, Johnny, and Steve bond over having shitty fathers. Two n Steve do it the most since Johnny doesn’t like to talk about it, but Steve and Two will bitch to hell and back. Johnny's a part of the conversation but just nods and listens. If they have a rough day with their dads, the three of them end up hanging out together.
Johnny, Dally, and Two make people the most uneasy. Johnny's got these blank, dead eyes, Two's smile feels predatory, and Dally's Dally.
All the greaser Harpies look out for one another. It doesn't matter if they're not from the same gang, or if their gangs have tension; you look out for one another. They may necessarily not be each other's flock, but it’s natural for them to stick together.
The harpies love to play fight. They will absolutely beat the shit out of each other and then grab lunch as if nothing happened. All of the harpies have bird habits. Most of them sleep on their stomach.
Dally took something shiny out of Two's hands when they were kids, and Two cried.
Ace makes fun of Two-Bit's choice of men because they're lesbian and bisexual solidarity. "Thoughts?" "And prayers, you'll need them." The only time she ever was like ‘Wow you made a good pick’ was when he jokingly said it about Darry. "Thoughts?” “Your only good pick, He’s got my blessing.” ">:0"
During the real cold months when Darry has to decide between heating or food on the table, Two and Ace practically move in bc a walking blanket and space heater.
{ Tags List: @nova-drawzz @timewing06 }
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tan1shere · 5 hours
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I HAVE A..A FUN LITTLE IDEA!
what if sugar mommy billie x sugarbaby reader and like billie loves buying things for reader and loves just buying stuff for her and reader is kinda a bimbo but the public thinks they are polar opposite best friends. not knowing that same night reader put lingerie on that billie bought for her and billie tear it off to eat her out then later fuck her (with strap)
crazy big brain moment when thinking about if i should be a sugar baby or not
A Little Secret
Sugar mommy Billie Eilish x sugar baby fem reader !
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A/n: duhrrr omg I adore this, and GURL you're so very real for that last statement 😫 I really hope I did a good job !!!! And that you like it 😊
Summary: it was all top secret what you and billie truly were. Definitely not just friends.
Warnings: Slight age difference ? (B30,R21) fingerings, eating out, let me know if i missed anything !!
Masterlist
You could come out and just say that the two of you are dating. But people would soon realize there was something more going on. So. You both had to keep it as secret as possible. Not to mention how obvious the age gap was.
And you managed to, it was especially hard when you wanted to post and flaunt all the pretty gifts she'd get you. All you wanted to do was show how thankful you were of her. You wanted to show her off even if the situation wasn't as normal so you two see it. But you both didn't care, you were insanely happy.
One day you were getting ready to go out to the mall. You open your car door to be met with some roses and a prezzie. With a note from Billie saying.
"I wanna be the reason you slightly tilt your phone away from others when you read it" - Have a good day sweet angel ;)
That was a constant thing she'd do, leaving gifts for you, especially with a cheeky note.
"Hey Bub, look what I got." She says with the widest grin. "Whatcha get." You say sitting up from the couch. She had a black handbag in hand, it was beautiful. She turns it around, smirking as your eyes gleam at the designer symbol. You look at her, looking at that sexy smirk of hers, her eyes. You quite literally pounce at her, kissing her lips. "This is gorgeous Bill!" You beamed as you go to grab it, looking at it. The compartments.
"Exactly like you baby." You blush ever so slightly, as you keep looking at it. You were truly mesmerized. "You can use it for our date night tomorrow." She then says leaning on the couch. "Where are we going!?" You had so much enthusiasm she adored it. It made her feel truly happy. "It's a surprise my love." You sit there and think for a moment. "Alright, but I know wherever it is I'll love it." She smiles more. "I know you will."
Tonight was the night, you were currently in the bathroom lining your lips before you put the soft red lipstick on. She comes up behind you, kissing your neck. "You look so good. Smell great too." You giggle as her breath tickles your skin. "So do you!" She soon looks at you through the mirror. "Kinda don't even want to go for food now, I mean. You look pretty tasty." She bites your neck, causing another giggle to rumble from you. "Bill." - "You'll be calling me something completely different by the time I'm done with you."
A blush spreads widely across your cheeks, even more considering the slight blush you already wore. She then turns you around once your lipstick was applied. Grabbing your hand gently and kissing it. "Howd I get so lucky. Daym." You kiss her cheek. "I'm so grateful for you." You say sweetly. "Ready?" You nod as she takes your hand in hers again, taking you to the car.
The place she took you to was beautiful, the building was dimly lit. Only source of light was coming from a few on the ceiling, and the tall, skinny candles on the tables. You and Billie sit down, tucking your feet under the red velvet table cloth. Billie would always make sure the places she took you to were secluded. Just in case any eyes saw. Of course it could've been just two friends. But with the way you two were both dressed, a blind man would spot that from a mile away.
The evening was great, everything so still, calm and quiet. Soaking up the luxury of the building and the atmosphere. When you were both ready to go she grabs your hand leading you out to the car, like always she opens the door for you. Letting you get in before it closes, and she's making her way to the driver's side.
The ride is peaceful you had the window rolled down enjoy the slight breeze. You then get the idea to stick your head out, maneuvering your body out of the seat belt, having your back slightly out of the car. Having it rest there. Your hands grip the upper part of the car, leaning your head back as the wind blows through your hair. But as you got into the position you're in currently. You were unaware of the fact your dress had ridden up ever so slightly. Giving Billie the most perfect view of your black lace underwear.
Specifically the ones she bought you just recently. You hadn't worn them yet so it cones as a surprise to her eyes. She had to stay focused on driving but God how it hugged your pussy so delicately. She couldn't tear her eyes away. She eventually did, knowing you guys were almost home. The things this woman was about to do. She truly wasn't kidding earlier on.
That's exactly how you ended up here, sprawled on the black fuzzy sheets. The softness of the fabric against you skin only adding to Billies actions. Which currently was teasing. Your whine was heard for maybe the 5th time now. But she needed to savor this. Your taste your scent. Her face was right infront of your cunt, having her nose bump your clit purposefully. Sending you absolutely mental.
"Billie-" Your whiney voice echoed throughout her ears, her mind. Her soul. And all movement stops. Her eyes look straight up at you warningly. Your breath only gets caught in your throat, knowing where you fucked up. But too fucked out to correct. Her figure was still as anything, awaiting the propper words. Until you're whining again. Her head just shakes.
"That's no way to talk to me sweetheart." Her finger taps your thigh gently. "Do you not want this?" She knew damn well you did, but she needed you to say the word, needed you to address her properly.
"What do you call me baby. Go on, be good."
A small whimper is heard. Her finger slowly coming in line with your entrance making you snap out of your dazed state.
"Mommy."
"Louder." Her finger slides into you.
"Mommy!" You screech slightly, having your mouth hang open.
"Good. Girl."
She notices your reaction as she kisses around your pussy. "Don't forget to breathe." She whispers sexily, so slow with her words too. Her own breath fanning against the skin of your swollen cunt.
And that's all it took, for her fingers to move so insanely fast inside you. Her mouth coming to suck on your pussy lips, biting just a tiny bit. Your head flew back again, eventually feeling her soft hands move up your torso, so slowly, every action. Reaching a breast and squeezing. Your head starts to spin, her movements rapid.
Everything was happening in the speed of light as your orgasm approaches quick. Sending your head right back into the pillows as her tongue relentlessly moves against your clit. "Mommy, please let me cum.. please." Your breath was nothing but short finding any thought in your brain to be dead. She hums against you the vibrations not helping with the fact you had to hold on, until she grants you that permission you so helplessly need. "Mommy!" You scream out. "Cum." She growls against you.
Billie was so caught up in it she actually hadn't heard your voice asking. Her hands were gripped tightly around your thighs most definitely creating a mark. The way you smelt was like a drug, addictive. And the taste she could already feel on the tip of her tongue. "Need more." She then moans into you, desperate to taste you properly. You hadn't even overcome the last euphoric feeling.
When you feel her tongue stick deep inside you. Your eyes roll all the way back at this new feeling, her tongue was so warm and wet. Mixing with your previous orgasm. The way you tasted makes her own eyes roll back. If anything she was enjoying this more than you. Not to say you weren't, wriggling with pleasure underneath her. "T-too m-uhg!" A moan gets caught along your words as her finger move to spread your folds open, wide. Her tongue moving in and out of you faster. You were so loose currently and she was adoring it.
Loving how easily her tongue was slipping in. Your hole feeling stretched around her tongue. You begin to shake as the second one is coming, her nose bumping your clit as she moves. Making your brain fuzz over with pure pleasure. You gush into her mouth having her drink you like a thirsty dog, your body giving out in the process. She could care less that you didn't ask. Cuz like an addict she's not stopping tonight. Or ever.
She was going to drink you dry.
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fallstaticexit · 4 hours
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Prev / Next / Beginning / Pillowfort
AN: Next update will post Monday the 23rd , same time and same place! Going to start working on updating my game etc. <3
Transcript under the cut
Siobhan: There you are! Our guest of honor tucked away in the corner. You’re not hiding, are you?
Nancy: I never really liked crowds.
Siobhan: That won’t do, Nancy. Come. Lets chat.
Siobhan: You know, the way you handled Becca the other night is admirable. I wouldn’t have done anything less if it were my man she was pawing after.
Nancy: Listen, I’m not a violent person. I shouldn’t have hit her.
Siobhan: It hardly matters. It’s about respect.
Siobhan: You have the means to be the most powerful woman in the world. Your family runs a multi million dollar company. Your name is on every recognizable building across the globe. Girls like Becca will dream of the day they can write you a check so she can raise her brood of rowdy children in one of your flawlessly designed properties.
Siobhan: You’re a star, Nancy. It’s time you show everyone what it means to be a Landgraab. You can start by becoming a Theta.
Siobhan: By the way, your mother just arrived!
Nancy: Hello Mother.
Queenie: Nancy.
Nancy: Father couldn’t make it?
Queenie: No, I’m afraid he’s tied up in a prior engagement. Besides, I try not to bore him with my personal affairs. [murmurs] How provocative, these pieces.
Queenie: So you’ve made friends with the daughter of an adulterer. Is that what you thought would impress me? Well, at least she’s proactive. Your lack of involvement in any clubs or organizations shows just how lazy you are. It’s almost as if we’ve sent you to university to piss away our money yet again. When will you prove to me that you’re worth half the trouble you put your father and me through? And for the love of God, stop biting your nails! It’s disgusting.
Professor Munch: -right, Nancy?
Nancy: I’m sorry, what was that?
Professor Munch: This model is absolutely stunning! Marvelous, even.
Nancy: R-really? Thank you, Professor.
Professor Munch: Ah! No wonder! Your drawings are very compelling. The way you blend functionality with aesthetics is brillant! A true prodigy!
Professor Munch: I am very proud of you, Nancy. Keep it up.
Nancy: Hi Professor. I know I’m a little early for office hours, but I really wanted your thoughts on my blueprints.
Professor Munch: Nancy! Are you kidding! Anything for my star pupil. Take a seat.
Professor Munch: If I’m being honest, I don’t have much critique.
Nancy: Staying on top of my grades is really important to me. My GPA is 3.7 but I know I can do more to improve. I can do better-
Professor Munch: [huffs affectionately] Nancy! You are my brightest and best student! I’d say it’s in your blood. I haven’t seen such vision and passion in my student’s work since I taught your brother.
Nancy: Nathan was your student?
Professor Munch: Oh, Nathan was my star! In the short time I spent with him, he has shown me what true artistry looks like. That kid had an eye for detail. He always spoke so fondly of his little baby sister, Nan; he’d call you. [sighs] I miss him dearly.
Professor Munch: I thought of quitting and getting back into the field after he passed. I was devastated when I found out about the accident. My partner pushed me to continue teaching. She knew there was nothing I loved more than handing the tools to brillant kids like you and Nathan to shape our future.
Nancy: Partner? [frowns] Your...partner?
Professor Munch: Monica. We were roommates in college and have been stuck to each other like glue since!
Nancy: So, she’s your best friend?
Professor Munch: Oh certainly. My best friend, my muse, my partner.
Nancy: What about your husband?
Professor Munch: Husband?
Nancy: I- sorry. Nevermind.
Professor Munch: Talk to me, dear. What’s on your mind?
Nancy: I guess I don’t understand. You’re wearing a ring but you have no photos of your husband. You seem...close with her, in the photo.
Professor Munch: I was married once. We have three children together. Sweetest man alive. We’re still friends to this day. We both realized that we had our hearts in different places. In the end, I had my Monica. My soulmate.
Nancy: [sobs quietly]
Professor Munch: Oh, no. Nancy? Dear, are you alright?
Professor Munch: [softly] Oh, sweet darling. You’re hurting, aren’t you? Can I hold you? Is that ok?
Nancy: [nods once]
Professor Munch: You let it all out, you hear me? Just let it all out. I got you.
Nancy Narrates: [I wondered what kind of person I’d be had my mother held me like this]
Professor Munch: There’s a small club that I support that meets every Friday in the commons. I think you should stop by.
Nancy: Thank you Professor but, I think I’ve already decided to join a sorority.
Professor Munch: I’ll tell you what, it’s not something you have to join or commit to, but I think there’s something to gain by coming. Plus, there’s someone I’d like you to meet. You two have a lot in common.
Morgan: Holy shit, hey! It’s Nancy Landgraab! Get over here!
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What's your preferred system for megadungeon play? I tried to make one in 5e and while it was fun I really had to fight 5e's rules to make it work
Yeah, I had a similar experience when I ran a 5e megadungeon, and as I've mentioned in a few posts I've run Abomination Vaults in pathfinder 2e, and I think that system isn't good for megadungeons either.
Broadly, I think for megadungeons, I want a couple things from a system:
First, I want combat to be fairly quick. I think room restocking and wandering monsters are important, and I don't want to feel like I'm bogging things down with extra combat. I want easier combats to resolve in 5-10 minutes, not 20-30.
Second, I want meaningful attrition. If there are going to be easy fights, those easy fights still need to have stakes. The party should still want to avoid them if possible. This means resource management, difficult healing, injury systems, consumables, etc. Anything that is going to create a cost that small fights can incur even when death isn't on the table.
Third, I want good timekeeping. Making dungeon time matter is important. If dungeon time doesn't matter, it takes away a lot of decision points. When you're tracking every 10 minutes, the decision to stay in a room and rest / investigate / plan becomes significant, and that is going to drive interesting choices constantly.
Fourth, I want a good balance between the players having interesting tools to interact with the dungeon and the players being able to trivialize the dungeon. I like players getting access to spells like Spider Climb or Water Breathing that are going to allow them to interact with the dungeon in interesting ways. I do not like spells like Tiny Hut that take away interesting problems like finding safe places to rest. (And yes, I know that there's all kinds of advice on the internet for "dealing with" Tiny Hut, but I find most of it very adversarial in a way that I do not like at my table.)
I think any system that ticks those boxes is going to work fairly well. Most of my megadungeon experience is in AD&D 1st and 2nd edition, as well as OSRIC, which is just AD&D but someone has taken off its glasses and puts its hair down so you can see that it was beautiful all along. But I've done some megadungeoning in other OSR systems¹, and it always went well.
One thing I am actually eager to do is try out a megadungeon in a game that ticks those boxes but isn't a fantasy OSR game. NSR games, like Troika!, try to accomplish similar things to old school D&D but from more modern design sensibilities. I'd love to give them a shot. And I've been chewing on the idea of running a cyberpunk megadungeon in Cities Without Number for a while now.
But if I wanted to play it safe, I'd probably go with OSRIC or OSE. I know they'll do what I want.
¹ Old School Revival, a set of games and table practices focused on recreating the playstyle and vibe of OD&D / AD&D.
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torchstelechos · 2 days
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sometimes i think about the scene where Siffrin has a momentary breakdown over the Universe watching and clapping and not doing anything to help, to lead, and i wonder about an interpretation where the Universe is helping, is leading, is telling them what to do. where the Universe is favoring one of the two people from the Country like the King calls out. its us, the Player, the ones that 'create' their universe in a sense by installing and playing the game and leading Siffrin around through it
i wonder if it'd make it better or worse for him in that moment if they could look through that glass window to the stars above and see a glimpse of how helpless we, the Universe, were in that moment too, trying to guide him and failing just as much as everyone else
do you get me. does this make any sense.
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Okay Bell, you do not fucking get how much this means to me. I have been on the theory of “the universe is actually the players” since I started wandering about this fandom. I do think ALL the players are part of the universe, but are not the universe as a whole. Like, one player is one star and yes, they are part of the overall universe, but there are more stars to see in the same universe so they aren't the universe specifically. My reasoning for this is actually part of how I see Loop’s wish, and thus I get to discuss how I think wishcraft works alongside Loop’s wish and how it affected the timeline. >:3c 
First, I will be using a general assumption of 1.) The looping only affected Vaugarde like The King’s “curse” 2.) There is only one Timeline and 3.) The theory Path of Least resistance (will be explained in conjunction with wishcraft).
As I have mentioned in a previous post I do think that Siffrin’s wish piggybacked off the King’s wish and used it as a blueprint for how far the Timecraft went, which meant that it only turned back the time of Vaugarde. The King says, when asked about wishcraft: 
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He says that the country is skipping, stopping, rewinding, restarting, and how that must look from the outside. Which! I would like to point out that the king is NOT a reliable source of information because the King will lie to get you to lower your guard, however! It’s corroborated by the change god, even if they don't implicitly state it, during the Who’s on the Phone event they say: 
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“Dormont, repeating! Dormont, Unchanging! Stagnating!” + “In this bubble, where everything stays the exact same…” The Change god also acknowledges that the extent of Timecraft is smaller than the whole world and specifies Dormont, which is the last place affected by the Time Curse (and thus the last place to change in all of Vaugarde). I would take this to mean that the whole world is still going on while Vaugarde is, well, glitching like a DVD with scratches. 
Next, which I think a lot of people tend to skip over, is that there is only one timeline! This is confirmed by Insertdisc5 (Adrienne), on Tumblr on their ISAT spoiler Q&A: 
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Which has such interesting implications, but it does help explain something that I want to connect with the third assumption!
Now! The path of least resistance theory! Craft is an energy based magic, which uses the users energy unless powered by an outside force (however it appears to still take energy to direct the craft). This means that it has rules and if I had to guess, is very similar to electricity. Electricity doesn’t actually only go down one path when we apply this theory, instead it has an inverse in output depending on the resistance of the path. So if one path has less resistance then it will have more energy go down that path with more output, if the other has more resistance than that path will have less output/energy. We can apply this to wishcraft and how it affected the outcome of the two wishes that directly went against each other, the Kings and Siffrin’s wishes. Since Siffrin had a lot of energy behind his wish and the king less, Siffrin’s wish went above the King’s own in regards to who ended up with their wish “granted.” (the output was greater due to the fact it was less resistant to the whole of Vaugarde’s wish + Loop’s wish)
So, with all this written out, how do we the Players come into this? :3c well… We are a self contained paradox wish! Siffrin’s initial wish was to (insert one of the initial options) and “You want to stay with them!” which is the wish that caused the Timecraft ability for Timelooping (if I wanted to be pedantic I would actually say Siffrin can Travel time and isn't looping but that's a whole ass other post). This wish DID NOT bring us to the loops nor did it give Siffrin a guide, it was just a wish made to stay with people already in this timeline/universe. This made it impossible for outside help as it was VERY specific to only this universe, “stay with them.” But when Siffrin gave up, they made a secondary wish, 
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(Loop: For someone… Anyone, to help me!!!)
This wish let us, The Players, directly able to interact with ISAT and SAAP. As they reached out into the universe and called for help, the Universe answered by letting outside help interact with timeline by guiding the new Siffrin. We are only able to help out by Loop making this wish! But, now, how does that make us a self contained paradox wish? Well… Thats because in order for the wish to happen, we needed to help Loop make the wish in the first place! By playing the SAAP, we helped Loop get to a position in which they made the wish which allowed us to help them which allowed them to make the wish etc etc. 
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Thus we the players are now able to continue helping out when the timeline goes forward into ISAT, alongside Loop who’s wish allowed for a second try (a Start again if you will). 
The reason I also added the other information is because I think its important to remember that craft takes energy, and what Loop says about their wish is that they “destroyed” themself rather than “destroy the world” which… I think it means that Loop basically blew up like the Big Bang rather than become a Black Hole like Siffrin did. This “restarted” the timeline as a whole rather than just Vaugarde as we can see differences in Loop’s timeline and Siffrin’s, and if they’re the same timeline why are there such big differences? Well, yeah,,, Loop remade the entirety of the timeline rather than just Vaugarde… Oops! Big Bang, yaknow? Its still a singular Timeline, it’s just that it restarted the timeline’s progress pretty far back as a whole rather than specific segments. Also, Loop doesnt appear to help until after the initial ISAT wish, so we can just assume that the Universe plucked them from their wish making directly into this timeline section. 
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As for why I added the whole Path of Least Resistance Theory for wishcraft… that’s cause Siffrin having Loop’s wish actually helped guide Vaugarde’s wishes into an easier path which allowed them beat the King easier <3. Without Loop’s wish, it would have been impossible for Siffrin to actually progress and get out of the loops alive. Lol. ANYWAY, this is all to say, I do think the Universe is a separate entity to the Players BUT by virtue of how the Players interact with Siffrin I would say we are part of the universe via proxy measures. :3c
This really got away from me,,, hope this is all good and understandable I had to use a google doc to write this all out,,,,
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supahstarrr · 2 days
Text
rambling.
i don't know if it's just me but hope peak labeling Xander as an "ultimate rebel" feels soooo insanely shady of them to do and so backhanded. like can i- we just talk about that for a moment. i Think too much. one could argue that they used a term with simpler meaning such as 'rebel' to refer to his activism and revolutionist work for the general public to digest the complexity & heaviness of what he stands for & does while getting the gist of what he specializes in.
thing is that this term has negative connotations which are usually heightened when applied to young adults and teenagers. typically this term is attached to an certain appearance and how the behavior affects others more than what is being said itself. that way when it is applied to people, it is used as as a way to dismiss their genuine criticisms of the status quo. it's assumed they're not justified to feel so strongly about criticizing norms in society because of it's heavy association with young people and as i've mentioned, how it makes others feel when you are critical of norms.
using the words "revolutionist" and "activist" may be uncomfortable but at least it directly tells you the complexity going behind his work and perhaps beliefs. yet using "rebel" is such an interesting word to describe his work, as it appears more like Hope peak is undermining his work & beliefs and calling him a trouble maker at once. even more so as he is a pretty young person himself, it is assumed by the story that he is a fresh adult going into college and finally facing the real world.
if hopes peak is willing to treat his work and activism like this, there is the question to why let him be in college in the first place? why bother accepting a student like this if they're aware that he will be a reflection of the school. hope's peak actions make the title of his more suspicious, specifically their cover-ups. i can't help but interpret Xander's presence in the college being thought of because Hope's peak wanted him into the school hoping that he could be "tamed" or perhaps watched, while taking advantage of his image by making the school appear "progressive" than it is.
there are various of possibilities to why Hope peak even got the thought in the first place, i have a few but this post is going on too long and i need to sleep. i don't know what to end this post at because these are just random thoughts i got.
as much as Hope's peak is very suspicious and calculated, his ultimate title seems unnecessarily damn petty to the point it's kind of funny.
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CH2-13 Thoughts + CH2-14 Predictions
Hello DRDT Fandom! CH2-13 came out about four or so days ago as I'm posting this, and I finally mustered up the energy and mental strength to write down my overall thoughts, and also general predictions for what I think is to come in the next episode. A lot happened in this episode and we have a lot to cover, so let's get started! Before we do though, I think I should give us a reminder of where we currently are in terms of the swear chart and the bingo card, as of CH2-12 Swear Statistics
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Bingo Card
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Just like the last post, I'll be separating my talking points into character categories, so let's jump straight in with the big man himself...
Levi
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Quick Disclaimer: I myself am still trying to unlearn the mindset that having low or no empathy is in any way a moral failing. If I say anything wrong or rude, please politely correct me. Remember kids: Your feelings, thoughts, and emotions, what you feel and how you feel them if you do at all, do not have any moral weight, they are simply aspects of your brain and you cannot control your brain. The only thing that has moral weight is your actions.
So as we learned in the previous episode, Levi has the murderer secret! And as we learn in this episode, he apparently killed four people, one of which being his father. DRDT continues to take Danganronpa's standard tropes and incorporating them in unique ways, in this case Levi represents the trope of the Chapter 2 Serial Killer reveal (Genocide Jack, Peko, Maki). I love that DRDT keeps doing this and I hope it keeps it up You know what else is staying consistent, though?
(x) Levi: That incident happened when I was in my junior year of high school. Levi: My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. Levi: To my understanding, it would've reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.
US-HPA being morally corrupt as all fuck, that's what! Like no, seriously, it makes more and more sense as for why Xander David and Mai were most likely forming a revolution against this damn place, cause wow. The choice to scout out Levi during his Junior Year, when he was still in high school, is...interesting. Given that this Hope's Peak takes in College-aged students, why not just wait until Levi has graduated high school? In fact, that probably would've been even better because by then Levi definitely would've perfected his skills in styling by then, and thus would further justify him being enrolled in the academy. We don't know whether or not Levi was scouted before or after his incident, but given how Levi explains the events, I'm willing to bet this was after. Which...makes thing especially strange. But I'm sure it's no big deal. I mean, it's not like we have any evidence of US-HPA preying on vulnerable childre--
(x) Min: The Ultimate Contest for Eminent Students was made for a very specific target audience. Min: Those children who had no talents, who would consider spending their entire lives preparing for one single test for even a chance to become an Ultimate...
Oh. Well isn't that funny, huh?
Part of Hope's Peak's branding in general is the promise of a better future, which is something that Levi clearly wants. So I can most definitely see why the idea of being enrolled in the academy appealed to him. Levi being a delinquent in his teenage years definitely tracks, given how we know that his family was full of bad influences (including himself more than likely). And I am absolutely not surprised that Levi ended up killing his father. I think a lot of us theorized for a while that the person he killed was linked to his family.
I'd absolutely adore to learn more about Levi's family situation and what exactly their relationship with each other was, because "We were bad influences on each other" can mean a lot of things. Given the fact that not even the police cared about the death of Levi's father, I'd be pretty willing to believe that Mr. Fontana is a wanted man who has done a lot of criminal harm to others. That might even be where Levi formed the mindset that people are defined by their actions. Maybe, that's my best guess and it doesn't even include his mother and brothers, lmao. Anyway, that's enough of Murder, Corruption, and Daddy Issues. Let's talk about the other thing that was revealed about Levi this episode, or more-so put into words. His low, if zero empathy. Firstly, those who are headcannoning Levi is ASPD, I see you and I love you. So much. But I would be lying if I didn't admit that my first thought upon watching this scene was "Levi is so Autismcoded" lmao But in all seriousness, I absolutely adore this side of his character. In general something I've always loved about Levi is the fact that he, to put it bluntly, does not know how to act. He's constantly seeing what others do and copying them, and asking them for guidance when he doesn't know what to do. His first appearance shows him using Xander and Teruko's appearances to wager what kind of person they are, which is more than likely how he got into styling in the first place. He's basically masking and trying to appear as what he views as normal because he's aware that his lack of empathy is not something most humans possess. And his actions reflect that of what he thinks a good person would do in these scenarios, whether that be your friends not inviting you to an event, or someone profusely bleeding from their neck. To put it in simple terms: He's masking. I love that. It really reminds me of the experiences had by my neurodivergent friends, and even though Levi is not canonically neurodivergent, the fact that so many people headcannon him with ASPD or Autism really goes to show how DT-Dev nailed that kind of experience, and how well they wrote Levi's low empathy in general. Well-done, DT-Dev :D ...Also I think it's safe to say that Accomplice!Levi is not happening. Damn it, I really liked that theory lmao.
Ace
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[not even three minutes later]
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...See, this is why I always believed Ace was telling the truth about David and Arei's conversation, because wow this man is competing with the former in the Shitty Liar Olympics.
If Ace's sense of security around Levi wasn't already shattered, it sure as hell is now. Which is very upsetting to see, but also very entertaining to me as an aficionado of toxic yaoi. I was never really an Acevi girl, it was just never something I was attracted to (probably because for a majority of CH2 Part 1's airing I really didn't like Ace lmao), but this combined with the Other Thing I'll talk about later has definitely sold me on it. I hope they get worse.
I can't remember what post it was, but I remember seeing someone talk about Ace very much projecting a friendship onto Levi that was never really there between them, and looking back, I absolutely agree. I mean, where the two of them really friends? I do think that Levi does, or did, genuinely like Ace. I don't think he would've been hanging around him in Chapter 1 if he didn't. But it was simply just that, he liked Ace. Ace loved Levi, and saw him as his lifeboat in the midst of this scary unfamiliar situation. Even if everyone else either was annoyed by or straight-up disliked Ace, even if he could die at any moment, he could still rely on Levi as a presence of safety and security, but that all came crumbling down.
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ace can you please change your sprite
The fact that Ace, the man famous for jumping to conclusions, not thinking anything through or in depth, and switching his opinions on others on a dime, is even asking for Levi's defense at all, is proof enough to me that even after everything Ace still wanted to cling onto the fantasy of their friendship he had built up in his mind. But upon hearing that Levi never cared about what happened to him, he can no longer do so. ...And why do I think Ace got attached to Levi so quickly?
(x) Ace: I was totally right all along to burn our friendship--No, I can't even call it it "Friendship." Ace: There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory.
Yeah it's time to talk about this.
So for those who are not in the know, DT-Dev confirmed in a now-deleted ask that this friend of Ace's is named Taylor Riley.
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(thank you to @/nicohakobyan / weightedblankett on twitter for providing this screenshot)
We know very little about this man other than his name, his gender, the fact that he was Ace's friend, and that he's dead. We don't actually know that fourth one, but I think "insult to his memory" speaks for itself lmao. As such, we do not know the details of his relationship with Ace... But I've made more out of less before, so let's get to talking. Here's what I think:
I think that Taylor was a presence in Ace's life much similar to how Levi was to him in Chapter 1: A strong protective figure that helped to make the scared-of-everything Ace feel a sense of safety. And then some form of incident happened that resulted in Taylor's death, leaving Ace alone, heartbroken, bitter, and terrified. That sense of security he once had was ripped away from him, and without Taylor, he doesn't know what to do with himself anymore.
And then in the killing game, he meets Levi, who provides him with a similar feeling of safety. Immediately he begins to project the memory of Taylor onto Levi and as such becomes attached, quickly considering Levi a friend because of it. And I'm not entirely pulling this idea that Ace was projecting Taylor onto Levi out of my ass, either.
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Ace: dark blue/purple (reasoning: refuses to provide reasoning)
When we first got this answer, most people assumed this was referring to Levi, but I honestly think it is more likely that this is referring to Taylor. But those colors are still part of Levi's design, which automatically sets up a parallel between both Levi and Taylor Ace projected his relationship and the memory of Taylor onto a man he barely knew, and when that man lost his patience with him, his fantasy was swiftly kicked with the steel-toed shoe of reality. Hell, Ace's reaction after Levi snapped at him may had been due to his illusion of safety crumbling beneath him, but going down the road of this theory, Levi snapping at him might've been the first time Ace truly saw Levi and not Taylor. He had been giving this man a script and a role to play, and Levi responded by tearing up the paper and telling him to fuck off. In a sense, you could say that in that moment, Ace lost Taylor a second time.
Since I don't think Ace is going to be the killer as he was knocked out and thus did not have any knowledge of the murder mechanism (at least not including the theory that he tried to kill himself, which... Is a possibility, but I don't think that's the case). And if he does live past his chapter, I honestly think Chapter 3 will mark his breaking point. Any fantasy of Levi that he was clinging onto with his pinky has now shattered into pieces ten times over, the person who tried to kill him is still alive and for all he knows, could do it again whenever the hell they want to and people will take their side over his own. Next to no one in the cast likes him and they make that explicitly clear, and worse of all, he will still be trapped in this godforsaken...whatever facility this place is meant to be. So to cap off this section that got way too long, Ace Trauma Dump is on my Chapter 3 bingo card, and if we get to see Taylor and his design includes dark blue and purple I will actually become spaghettified. Please survive Ace, you are finally starting to become not C-Tier
Hu and Veronika
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Lumping these two together because I have about the same amount to say about both of them and their secrets were revealed together. Hu's secret is the Hopeless Child one, and Veronika's is the Self Harm one. I think after CH2 Part 1 most of us predicted as such, but it's still very satisfying to be right. What I'm more interested is this supposed pact that they made off-screen. I have to assume that Veronika went to Hu pretty quickly to reveal her secret to her given her general disinterest in topics of suicide and self harm. So I'd wager this pact was probably made at around CH2-5. Not that that really tells us much about the actual conversation, but it's nice to have a time-frame for reference.
I don't expect the actual conversation to be shown because from what we currently have it doesn't really add much of anything, but it would definitely be cool.
(x) Hu: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me...
I've said this before in this post, but I absolutely believe that David eventually coaxed and pressured Hu into revealing her secret to him, as well as why she kept it for so long. And I also think David implanted, or I guess more accurately watered the seed in Hu's head that she was inherently selfish for not sharing her secret. That, I think we would benefit from a flashback, but maybe I'm just biased because I desperately want Hu lore. Please DT-Dev, I'm on my knees Hmm... what else?
(x) Veronika: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing for this motive?
Oh yeah there's that. What the fuck, Veronika? Like, I feel like this is something I should've expected this, but for some reason I didn't. I'll be honest here, I really have nothing right now. But whatever Veronika is referring to here, I feel like it has something to do with her 'dearest friend' mentioned in the CH2 Q&A (who's name is Alyssa Belyaeva.) What Veronika actually did? I do not have the slightest clue, you can never know with this girl. But no matter what she did, I will probably love her even more for it. Glad that DT-Dev seems to agree with the precedence of supporting women's wrongs.
Teruko
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...So I'm glad to see we're all in agreement that that is not her fucking secret. I mean, I'm sure it applies to her. She is an orphan, her parents are out of the picture, and though we don't know the whereabouts of her brother and neither does she, she most likely assumes he's dead as well. But honestly, given the fact that again this is not her fucking secret, I'm starting to wonder if that's really the case... Can Teacher Tawaki theory still live on? I'll save that for another post.
Anyway what was I talking about? Oh yeah, that is not her fucking secret.
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And this little bitch knows that for a fact.
I won't go too deep into this because there have already been people discussing it better than I could, but this silent agreement the two of them have to not share Teruko's true secret is so palpable and interesting to me. David knows that Teruko's secret isn't that, but for whatever reason, he is keeping his mouth shut. And he just gives Teruko that shit-eating smirk. Have I ever mentioned how much I love Teruvid? I fucking love Teruvid. But yeah, I still think 100% that Teruko's secret is that the killing game is all her fault. It just does not make sense for Xander and Min's secrets to belong to anyone other than each other as they are dead. And in general it just makes sense for Teruko's character and her role in the story. And I can't help but feel like Teruko's actual secret will be revealed at the end of the Chapter.
Eden
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... I mean. Do I really need to say more? I swear I made this exact joke in the previous thoughts post, but I can't help it. It applies perfectly to this CG. When this CG, this fucking JUMPSCARE of a CG, popped up on my screen, I'm pretty sure I ran around in a circle screaming in my room for a total of ten minutes. The first of two times I would do that during this masterfully crafted scene. I want to think of some kind of insightful analysis, but the truth is basically in your face. Eden was the one who gouged out Xander's eye. Why did she do it? Where does this fit into the overall lore? I DON'T FUCKING KNOW What the fuck am I supposed to say? This CG is basically all we have, and we'll definitely have to wait for more information. Especially since Eden is totally the culprit, but we'll get to that in the predictions section. (yeah if you can't tell my writing juice is starting to run out, but if I get this out any later than today I will kill myself)
David
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(...for a scumbag, he's kinda cute.) So first of all, David is slowly becoming the funniest character in the cast in my opinion, which is a huge achievement in a cast full of very funny characters. And in general I think as a character he perfectly captures DRDT's general tone of half-and-half both silliness and angst, like yin and yang. Secondly though, the big thing that David did in this chapter (besides keeping Teruko's secret and being funny) is lying to Eden about the rest of the conversation he had with Arei. Ultimately, I think David himself saw that action as a good deed.
Think of it from his perspective: This is a man who has had hope and change presented to him on a silver platter multiple times, and then had it violently ripped away from him. And the most recent example of that, Arei, presented him with a better future and the possibility of change only to be killed upon trying to act on said change. If he told Eden that Arei still had hope, that she still wanted to change, it would aspire Eden with that same hope that in his eyes is destined to crash down on her. So instead of inflicting that same pain onto her, he instead chose to say nothing at all Maybe I'm giving David too much credit, what he did was still at the end of the day, incredibly dickish. But that interpretation is what makes the most sense to me personally. That's all I really have to say in regards to David... So, let's move onto what was, in my opinion, the star of this week's episode.
Arei
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Arei Nageishi.... Ohhhh save me Arei Nageishi.... Arei was already one of my favorite characters in the cast due to her personality, design, voice acting, and most of all the character development she had throughout the course of Chapter 2. But this episode, this scene... It cemented her a well-earned spot in my top four, sitting only behind Whit, Teruko, and David.
The flashback scene of Arei and David in this episode is honestly up there with some of the best scenes in the whole show to me, almost solely because of how it caps off Arei as a character postmortem, and the story that she, along with Chapter 2 as a whole, is meant to tell. This whole chapter has been themed around the idea of what classifies a good person, and this flashback scene provides such a great payoff to that theme and it is everything I could've ever wished for. The message I got from Arei's story is that, ultimately, the idea of a "Good Person" and a "Bad Person" are nothing more than just that. Ideas. And in being ideas, they are above anything else, arbitrary, subjective, and at the end of the day, incredibly meaningless when it comes to discussing actual human beings. Insistence on categorizing yourself and the people around you into boxes of "pure saint that can do no wrong" and "irredeemable demon who will burn in the pits of hell" is a fast track to viewing a complicated, colorful world into a few shades of black and white. That's how David views the world, and has viewed the world probably for years. And I'm going to be honest and say that I think before being confronted with the truth of David's actions, Arei was heading right down the same path that he had headed.
(x) Arei: Of course I wanted to change myself. Who wants to be a grab-bag of negative personality traits? There's not even anything positive you could say about me. Arei: Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like Eden and you. Arei: A pig never hopes to grow up into a human, because it knows that such a metamorphosis is impossible.
And this is the line that really, really makes me think that. She calls David and Eden saints because (up until this moment) she viewed both of them as the ideal of what makes a good person, similar to how David views Xander. And on the contrast, claims herself to be rotten to the core, ontologically evil with no redemption in sight. She's even performing David's habit of self-dehumanization, likening herself to a pig in the same way David likens himself to a cat in the LGI video, which goes to show how this mindset of black-and-white is, above all else, a dehumanizing view on the human race that relegates people into cardboard boxes with the flaps taped shut. If she didn't find out the truth of David's actions, I am confident that she would've done down the same path that he did, becoming convinced that she will be a terrible person until the day she dies because she cannot reach this worthless standard of a good person that she has set up in her head. But we know that's not how it goes. Arei does realize that the man she once thought of as a saint might be, in his words, a lying manipulative scumbaggy piece of shit. And upon realizing that, the second half of the message unlocks itself. There is no such thing as irredeemability.
Change is a part of being human. Humans are not built to run in a hamster wheel for the rest of their days, reliving their mistakes over and over again wallowing in their self-hatred and guilt. Eventually, they have to get off the wheel and start taking the steps necessary to grow, change, develop and flourish to properly better themselves. (This applies to yourself just as much as it applies to the worst, most depraved individual you know by the way) The alternative is living in a four-by-four black box of self-loathing and relentless stagnancy, which is not productive for the person or the people they've hurt. It is only when you reject these black-and-white categories of "Good Person" and "Bad Person" and accept that no matter what you've done, you're capable of becoming better, that you can achieve true growth and change. The way this message was executed, especially through a character that dies before the halfway point of the story, is something that I marvel at as an aspiring storyteller. DRDT's beating heart will always be its character writing, and this scene is one of the primary examples of that. Thank you, DT-Dev, for making Arei Nageishi and the rest of your amazing cast of characters. :D
Extra Thoughts !!! - FURUYA FANDOM (me) THE TRACK PLAYED LETS FUCKING GOOOOOO!!! - I am very excited to find out more about Nico's attempted murder given all of the questions surrounding it. If the method of murder really was replicated, and Nico wasn't the culprit themself, you guys should take a wild guess who that implicates. (this is probably obvious by this point, but I really don't believe in the theories that suggest that someone other than Nico was responsible for Ace's attempted demise, be it Hu or Ace himself. I feel like it doesn't line up with the current narrative direction that Nico seems to be going in, the physical evidence of them stealing the turpentine, and...I'm gonna be honest, I just don't like it lmao. I'm sure DT-Dev would do it well, but just as a premise I do not favor it. Nico's attempted murder + subsequent regret from it felt like such a big moment in the chapter's narrative in relation to the themes of All That Glitters and the cast revealing sides to themself that weren't as prevalent before, as well as the themes of change and moving on from the past littered all throughout the chapter. I think if Nico's attempted murder was responsible by anyone but Nico, it would just dampen the impact of their overall story for me. That's just me though.) - WE FINALLY GOT ANOTHER NONSTOP DEBATE LETS GO BOYS!!! Nonstop debates I MISSED you - "Hey why does Whit know so much about hangi--" Look. This man is so unbelievably suspicious in every single way that for the sake of my sanity, I'm just gonna assume DT-Dev chose a random character to give the hanging explanation. It is the only way I will survive this chapter - But hey, at least we got this
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- As always, I adore the new sprites we got this episode, especially Ace's new ones. It's probably the first sprite of his that actually appears emotionally vulnerable when he's not bleeding profusely from the neck. And of course, I loved David's shit-eating grin towards Teruko, I hope he never changes. - Speaking of Teruko, us getting Tutor Teruko was lovely. She is perfect, she is a little bit of everything all of the time.
(x) Whit: If you're so inclined to complain, Sir Light Pollution, why don't you try and think of some good evidence? Charles: Light pollution? Whit: You know… Cuz he had stars, and now he doesn't, and light pollution makes stars disappear… or… or… something….. Charles: I am truly impressed…by how bad that was.
- I love these dorks so much. I can tell DT-Dev has a lot of fun writing them.
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- Teronika Consent animation! I guess after Acevi's Soap Opera, DT-Dev decided to feed the yuri crowd as well. Love it when we get to see those little sprite animations, too.
Predictions for CH2-14 - The episode is 40 minutes long, the longest episode we have had so far. (40 minutes of DRDT content... I'm excited just thinking about it!) Because of that, I think I will just start with my biggest prediction: I think we're getting the culprit reveal this chapter. I don't think that just because of the length either. When you really look at it, we have basically used every piece of evidence at least once with the exception of three: - The conditions of the gym (which I assume will be discussed next) - The scuffs on the ground - The ball of starchy clothes All three of those pieces of evidence I think can definitely be cleared up in the span of 40 minutes, especially since full focus is now on the murder case. I don't necessarily think the trial will end in this episode, but I think we have at least one more trial episode to go before the post-trial + execution + ending of the chapter. - And as the culprit reveal is approaching, I have formulated a tier list of who I think is least - most likely to be Arei's culprit. I will provide my reasoning for each.
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No. 17/16 - Xander Matthews + Min Jeung I mean, what it says on the tin. They're dead, and thus couldn't had committed the murder. No. 15/14 - MonoTV + Arei Nageishi There are explicit rules against them being the culprit. Rule 8 and Rule 11 in particular. No. 13 - Teruko Tawaki She is the protagonist. Didn't stop Kaede, but I highly doubt that's where DT-Dev is going. No. 12 - David Chiem Other than the previous five who I've all disqualified from being the culprit, David is probably the character I suspect the least. He has an alibi for the time of the murder, getting breakfast with J and Veronika, and thematically...well, he's basically being set up as the antagonist. I don't think we'll be rid of him this early lmao. No. 11 - Charles Cuevas Charles has a fear of blood and dead bodies, and though I wouldn't say that completely disqualifies him from becoming a culprit in the future, in a case like this with such a complicated mechanism like this where he'd have to be in very close proximity with the body at all times? I highly doubt it. He also has an alibi for the fish (He was with Whit). No. 10 - J Rosales J both has an alibi for the fish (Arturo following her around), and an alibi for the morning (getting breakfast with David and Veronika), and both of those alibis can be confirmed. I don't think she did this. No. 9 - Veronika Grebenshchikova I'll be honest, I really don't see Veronika committing a murder at all. She clearly wants to see this through to the end, and killing someone would come with the risk of her being executed, which I don't think she would see as a satisfying conclusion to her story. That, combined with the fact that she has an alibi for the fish (bothering Teruko) and an alibi for the murder (getting breakfast with David and J) makes me think she didn't do this. No. 8 - Nico Hakobyan You might think it's weird to place Nico this low on the overall tier-list despite them not having an alibi for the fishes, and their morning alibi being...somewhat flimsy but I'll get to that with Hu, but here's my logic. Nico was driven to attempt murder from very specific circumstances. That being, Ace's relentless bullying and abuse towards them. Nico has said before that they'd understand murder if the perpetrator didn't like the victim, and while I don't think they exactly liked Arei, I do not think they harbor the same animosity towards her as they did towards Ace. I truly believe that Nico would only ever resort to murder if they truly despised the person in question and saw no other solution. So that is why I feel comfortable placing Nico at eighth. No. 7 - Hu Jing Hu is also another character that I think some will be surprised to see so low, but I don't think this was her doing. She has an alibi for the fish (cleaning up with Eden), and though again her alibi in the morning is very flimsy (having tea with Nico in the morning,) I do believe she is telling the truth because if she was lying about her alibi, I think the brutally blunt Nico would call her out for it. I'm sorry, I just simply cannot imagine Nico letting that shit slide regardless of how many theories I read. Not to mention I can't really think of a motive for why she would kill Arei specifically when, if she really did want to kill someone, Ace is right there. No. 6 - Whit Young Whit is supremely fucking suspicious and a lot of his behavior in the trial is literal shenanigans, even more so given the fact that he doesn't have an alibi for the actual murder. But he does have an alibi for the fish (again, he was with Charles) which is the main sticking point of Whit!Culprit. His other sticking point is his lack of motive, both in terms of the secrets and Arei specifically. I don't know like- just look at this man, do you think he did this? /joke
No. 5 - Levi Fontana The number one suspect in the fandom for a while, and he's only at number five. He ultimately lacks an alibi for the morning, and his alibi for the fish was that he was doing his laundry... With no one else around. Shady as fuck. But I think given his principles discussed in this episode ("it is a good thing to make sure someone else doesn't die"), and the genuine desire to be helpful he has expressed throughout this trial, I think him being the culprit is unlikely. That's why I was adamant on him being an accomplice for a while because I still thought he had some role in the case, but oh well. No. 4 - Rose Lacroix I'll be honest, Rose is only this high because her alibi situation is worse than Whit's and Levi's combined. Both of her alibis are that she was sleeping in her room, which cannot be proven and can be very easily lied about. But other than that, I don't think she is the culprit. I think this case requires too many physical maneuvers for someone as lethargic as Rose to pull off successfully, and if she were the culprit I don't think she'd bring attention to the missing grippy tape at all. No. 3 - Arturo Giles Arturo does have an alibi for the fish (following J), but does not have an alibi for the morning. Unlike basically every other character here, something else that puts Arturo above them is that he was capable of overhearing Eden and Arei's conversation and forging the note. But there is also a discrepancy present that is also present with every character here, and that is the fact that Arturo did not witness Nico's attempted murder or the condition of Ace's body and the gym, so there was no way he could've replicated the murder method used for Ace on Arei. So though logistically he is a more likely possibility, I don't think it was him. No. 2 - Ace Markey Ace, to me anyway, is the second most likely candidate to being Arei's killer. He does not have an alibi for the fish and could've very easily grabbed them after David and Arei left the Relaxation Room, and he doesn't have an alibi for the morning either. He has a very clear motivation for taking a chance at killing someone, of "someone literally sliced my neck open not two days ago and I know I am not safe here I need to get the fuck out." If you choose to factor in strength, Ace is one of the strongest members of the cast and would be more than capable of the physical maneuvers made to kill Arei. Though I personally don't believe in this theory, if you think Ace attempted suicide instead of Nico trying to kill him, he has the murder method down lock too because he tried to commit it onto himself. He has been shown to be nosy, so it is not improbable that he listened in on Arei and Eden's conversation. And lastly, he is one of the only two suspects who was capable of stealing the grippy tape that was used in the murder. All of the evidence is practically stacked against him... But there are a couple of problems. One, if you believe that Nico did try to kill Ace, than the point about Ace knowing the exact method of death goes out the window. He was knocked out by the turpentine, and woke up in extreme pain in a blinding fury of rage and bloodlust, I don't think his surroundings would be the first thing on his mind. But a much bigger issue we have is the question of... Why would Ace take the tape? Following this theory, his murder plan wouldn't had started until the day after Nico's attempt on his life, it would make no sense for him to take the tape then. These two sticking points are why, though a likely candidate, I do not think Ace is the culprit. That award of main suspect goes to...
No. 1 - Eden Tobisa Yeah, if you've spent any time on this account you probably know I'm an Eden!Culprit truther. There are many well-written posts about this theory that I'm sure you've seen so I'll try to keep this short, but though the theory does have a few flaws to it, the big one being Eden's alibi for the fish that she was cleaning up with Hu, I think Eden being the culprit makes the most sense from an evidence, thematic, and motive standpoint. I know some people have dropped the theory upon the fork reveal, but DRDT is not unbeknownst to killing off characters with certain mysteries left unanswered. That is basically all for my predictions related to the culprit, but I still have some predictions for the overall episode. - Nico's gonna get placed in the hot-seat, obviously, which will definitely cause a reaction out of both Hu and Ace. And I honestly feel like the two of them are going to keep interrupting Nico until they eventually snap. And I hope that happens honestly because unless you count the "I'll kill you" line, we have yet to see or hear Nico when they're actually angry angry. Nico obviously doesn't like conflict, but they might have to get over that if they actually want to defend themself knowing the other two. - I'm still holding out hope we'll get a Random Guess segment lmao - And lastly: I need Whit to break the forth wall at least once I didn't put that on the bingo card for fucking NOTHING
Conclusion I'm gonna be completely honest, I do not have the energy to write anymore and I just want this out lmao. But overall, this was one of my favorite episodes in the whole series. I loved the Levi and Ace stuff, I like that we now have all the secrets, and like I said, the scene with Arei is probably one of my favorite scenes in the show. CH2-14 is going to be a wild ride I can already tell, and if we do find out who the killer is, you will see me screaming. Regardless of if it's Eden lmao.
UPDATED SWEAR STATISTICS CH2-13
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UPDATED BINGO CARD
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pelideswhore · 3 days
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If the apple of discord was thrown down at the wedding feast of Peleus and Thetis, how did Achilles, their son, fight in the Trojan war? The timeline does not make sense to me unless you just chalk that up to the timing of the Eternal, Deathless Gods but mortals are involved. Like Paris is presumably asked right after the wedding to judge who gets the apple then he picks Aphrodite who has promised him the most beautiful woman. Does she like wait to find out who that is and that causes the delay? The story seems to go that she promises Helen, they kidnap Helen and then the war begins so like that’s a year tops in my mind but how would that give Achilles time to become the teenager he is in the war? Please help. If there is a definitive answer excellent but I also just want theories.
i really love love love this question, cus i’ve thought about it a lot, especially because i consider Paris and Achilles to be around the same age, which, as you said, would make no sense.
sadly, i don’t have a definitive answer, but i do have a theory. it’s quite long though so buckle up.
As you probably know, Aphrodite, Hera and Athena asked Zeus to solve the issue before resorting to Paris. Zeus couldn’t answer and by the timeline of the Gods, many mortal years had passed so Paris would have been born, sent away from the palace and had enough time to grow up at this point. Ares suggests him, the goddesses ask and Paris gets bribed. But he doesn’t take Helen straight away, because he’s still a goatherd at this point.
Before I finish with that, let’s get back to Achilles. One would probably assume that within the first year of Thetis’ and Peleus’ marriage, he was already born, but that’s actually not true. The couple had six sons before Achilles, but they all passed away somehow (which, i like to think, is the reason Thetis is so protective). That means, even if they all died on Day 1 of their life and Thetis conceived the very same day: 9 months x 6 = 54 months aka. 4,5 years. That’s at least 4 and a half years before Achilles was born, but I think I can safely assume it took a little longer. Let’s say 6 years (which btw is still unrealistic and would probably be horrible for Thetis’ health but I digress).
So now, Achilles is born, stuff happens: Achilles meets Phoenix and Patroclus, he gets sent to Chiron, and eventually Scyros etc. Let’s say he’s 17 when that happens. Still a teen, but old enough to get Deidamia pregnant. Realistically, Thetis would only send him away when the threat of the war is imminent, so Helen’s kidnapping happens when Achilles is 17. I tend to say Helen was around 24, Paris was maybe 21. I believe however that the Judgement of Paris happened a couple years before.
Because, consider, Paris picks Aphrodite as a goatherd, but he kidnaps Helen as a prince. So somewhere in between, Cassandra must've found him and brought him back. He then had to get used to royal life, but, more importantly, all the ships had to be ready to go to Sparta. It could've happened in a couple of days, but a couple of years isn't unrealistic either, and it fits the timeline better.
It's a bit all over the place, so here's summary:
0 years: Peleus' and Thetis' wedding, Golden Apple incident (Paris/Achilles not born)
2 years: Paris is born and abandoned.
6 years: Achilles is born.
19 years: The Judgement of Paris happens, Paris is still a goatherd.
23 years: Paris kidnaps Helen, start of the war, Achilles is aged 17
The only time ‘divine timing’ really plays a role is between the wedding the Judgement of Paris. In divine timing 19 years is nothing, just enough time for Zeus and Ares to get involved. Paris would’ve probably already held one or two bullfights at the age of 17 when he is chosen to judge between the goddesses and from then on everything runs pretty smoothly, bearing in mind the 4 years between Aphrodite promising Helen to him and Paris actually kidnapping Helen.
sorry it took so long to post this, had to get my thoughts in check then type it up :D
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nthspecialll · 2 days
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Hiii! I love all your character analysis posts and theories so much, and was wondering if you have done any theories about where the gang was before Blackwater, by chance? I think I saw a post recently mentioning Montana but I can't for the life of me remember if it was you who posted it or not! 😅
But I've wondered about their locations before RDR2 a lot and would love to hear your thoughts about it. I remember reading a very early page in Arthur's journal about how they were in the Northen Grizzlies? But apart from that I can't remember anything else about locations, if there were any mentioned. And I'm sorry if you have done a post like this already, it's just a little piece of the backstory I'd like to hear theories about 😊
I have not talked about it but I definetely can! Also thank you for liking my stuff!!
Well, firstly, some places that exist in real life does not exist in red dead and those are the places on the map. Texas is New Austin, New Orleans is Saint Denis and Luisiana is Lemoyne, meanwhile Californa and New York does exist in game, meaning we can't completely be sure what places exist unless they are directly mentioned.
Firstly, we know they have been in Chicago, that is where Dutch and Hosea met! Then in 1877 the pair went to Kettering, Ohio, where they scammed 300$ out of the residents, later that year we know that they met Arthur in the Northern states somewhere, which could also be Montana! We do not know more than it was someplace in the North.
We also know some time before they met Arthur, they went to Blackwater once but exactly when we do not know.
In 1885 we know they were in Illinois, saving and picking up John Marston and two years later they robbed their first bank Lee and Hoyt, which we do not know where is.
But between then and 1898, they robbed 36 banks across the frontier as stated by Ross in rdr1, which is where we get the famous "We were told there was a price when we reached 50." The wiki page of the VDL gang does say they came to Montana in 1898 but they won't give me source to confirm it, which is a little annoying, but just mentioning it.
We know at some point between 1893 and 1898, after Bill joining the gang, they went to Canada, him, Arthur and Uncle robbing a bank together.
We also know that for a while they would return to the same places for Arthur's romances. Both with Eliza, where he could pop by every few months and for Mary, whom they at least returned to after 1894 when Abigail joined, and before the deaths of Annabelle and Bessie.
Either way, now we come to the fun parts, around winter 1898, the gang was up in what is called the Northern Grizzles, we only have access to the western (Around Mount Hagen) and Eastern (O'Creagh's Run), so I would assume that the Northen are outside the map, probably up above the Wapiti Reservation somewhere.
They traveled down the "Western Foothill of the mountians", not sure what road they took as it could be one off map, which I would honestly guess, probably traveling around the cold of Colter and coming in from left side of the map. Either way, they most likely ended up somewhere down by and Big Valley, which can match up with the fact that Arthur mentions that life was good and food was easy to find. That area does have a lot of easy food access and so forth.
Now I have seen a few people say Dutch met Micah in Strawberry, which is honestly very fair assumption, it matches up with a lot, but a simple fact is forgotten, Strawberry does not have a bar, which is where they met.
I would say that Micah most likely had been in Strawb and done, whatever business he had with Slim and Martha (I believe their names were), and traveled up and out of map where he met Dutch and then decided to join them back down.
Afterwards they traveled down to Blackwater where they "hid in plain sight" right outside town as Arthur says he does not like being so close to the town, and considering how close they were to Valentine, I would guess they camped at the ledges where Charles and Javier hides when going to find Sean, either there or the other side of the town.
Blackwater Camp:
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But even though they were camped so close to down, Arthur funnily enough still stayed in town from time to time. It does however not seem that they were settled there or in Big Valley for very long, as Arthur also says that they have been running more than normally those weeks.
Now we get to a bit that confuses me because suddenly the group goes from the southern part of the map down in Blackwater, to suddenly appearing up by Spider Grove by Colter, and Arthur mentions that they headed "east over the Grizzlies" so they went west from Blackwater, out of the map, and then up North only to go east again. Not to mention that it seems they did it in a fairly short time, they haven't had proper time to talk about what happened, they were still shook, Davey was not yet dead from a gut wound and Jenny was burried not far from where we first see the gang?
See that is a little confusing, but I hope that answers your question! I had a lot of fun answering it at least, rereading Arthur's journal and all.
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