#practice for comic formatting and stuff

[rh0mbus0fruin]

Vacation Exchange (page one)

[hachiibun]

A little late birthday gift for @sailormoon-snz ft. Gen trying something new to indulge Zion 😊💖

His nose is already incredibly sensitive, so it's no surprise that inducing is effective—

If you like my drawings, and are willing and able to do so, please consider commissioning me, pledging to my Patreon, or donating through ko-fi ☕! You're not obliged to, but every bit helps to keep me living decently and I really do appreciate it!

❗ PLEASE NO REBLOGGING TO NON-KINK BLOGS ❗

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[androgynouspenguinexpert]

ah, but it can't be! ah, but it is!

[sualne]

You know the comic in crocodad au where Mihaek and Crocodile have been drinkkng and they have a conversation and Mihawk takes the hook off of Crocodiles hand? that's the comic that made me follow you, and that's the comic that made me fall in love with your art and ideas!

I would like to see it redrawn, but I get it is a full on comic and might be a lot? still suggested, just gave me warm memories from the times I fou f your art <3 hope you'llg et over he art block!

........it Would be way long to redraw since it's a comic but it'd be interesting to redraw it in a comic page format instead of the scrolling type it currently is. so i'm kind of tempted actually? 😭

[cj-the-random-artist]

I kept debating how to end this short little mini comic. In the original script, they were gonna hold hands (scandalous, I know lmfao), but I didn't think it hit quite right in comic format when I tried to make it longer. Hence why it ends... like that.

Anyways I wrote like a ton of comic scripts for COTL comics that just didn't hit right / I couldn't commit to making and then when driving home from work last week in the pitch darkness I thought about how nice it is to see like actual stars. And I feel like with the cult grounds being kind of among a lot of trees and all that it might take a short hike to get a really, really, really good view of the night sky and stuff. Thus. This.

It's arguably not my best work (I'm out of practice drawing good night skies and all that) but I'm happy with it. Enjoy this thing I made

[browniesnivy]

Someone liked this post I made when I was 14 the other day, and I realized that I actually can speak Japanese now (kind of)! So, for the sake of my younger self, I tried my hand at translating a few pieces. Enjoy!

Credit to the original artist!

I wish yomogi9353’s ShrimpShipping art had an English translation because Google Translate… doesn’t really work very well. At all.

[fizzyboy]

So when should we expect to see the comic?

I don't know. I've got a lot on my plate with life stuff, and I still haven't really practiced drawing things in a comic based format yet.

So. Yeah, I couldn't tell you. Sorry.

[thewebcomicsreview]

You know, it's always struck me as a little odd how little most webcomics actually attempt to adapt to their medium. There's basic strips, the old 2k era 4-square, the endless scroll of Webtoons, and a few weird experimental things like Homestuck, but most webcomics I run into tend to stubbornly stick to conventional portrait-oriented page layouts.

It's… readable, I guess, but that format doesn't seem to work very well for either desktop or mobile viewing. It wastes a lot of screen-space, and usually makes it impossible to actually view the full page without making the text too small to read.

Have you encountered any interesting webcomics that experiment with more landscape-oriented layouts? I'm kinda curious about how well that would work.

So, there's this dude Scott McCloud who wrote about comics in the 90s. His first book, Understanding Comics, is literally the book on comics, it's the one schools make kids read. This third book, Making Comics, is a pretty good practical advice guide I'd recommend, even if it's not his groundbreaking seminal work. In between those two books was one called Reinventing Comics

Reinventing Comics, written in 1993, was basically a book of predictions about how this newfangled Interweb was going to revolutionize the art of comics creation. Like a lot of early-90s stuff "Wow the internet!" stuff, it has a lot of inaccurate predictions, and thus isn't super well remembered (though, unlike a lot of early-90s predictions of the internet, it at least vaguely resembled reality).

Anyway, one of the big things from that book was the idea of the "infinite canvas".

Which was basically the idea that a comic didn't have to be constrained by the size of the screen because you could scroll it. And this was a big idea in early webcomics, you heard this phrase a lot. And you'd see infinite canvas techniques like "What if the characters are falling and the comic is really tall to sell that?"

(Read Narbonic)

Which is basically the one and only example that actually took off, because it turns out that scrolling horizontally sucks and no one really wants to do it except as a one-of gimmick (as Homestuck does). The much bigger impact of the internet was that a webcomic could be infinitely long and still reasonably expect it's readership to have read it all, but I think McCloud missed that one. So while there were a bunch of "landscape" webcomics where you scrolled horizontally, none of them took off, and even the ones that were well received are long gone.

Adams himself would make Zot!, which is a vertical scroll comic that had a bit of a gimmick with parallel story beats being literally parallel. I think he even did some branching paths, and experimented with comics that you could read in different directions or that looped back on themselves.

But then Homestuck just did that better because, as I mentioned, infinite depth ended up being a lot more impactful than infinite width. It turns out that making a comic really wide calls a lot of attention to itself and makes the comic annoying to read. And it doesn't mean you can't do it (Homestuck did it!), but it does mean it can't be the gimmick you hang your comic up on unless you've got a really good reason for doing it.

[wonysugar]

self indulgent drabble because 1. writer’s block is truly eating my ass and 2. i just got struck with an idea as i heard an audio and i need to get it out of my system before i lose my motivation.. AND WHAT BETTER WAY TO DO THAT THAN WITH BELLEEE?!?

cw!! cheating(??) just to be safe, fem!reader is dating someone that’s amab! mentions of threesomes, lots, lots of dick mentions and dick sucking, if you don’t like dick at all this isn’t for you i’m really sorry</3

psst, by the way, p/n stands for partner name!

you and your partner have an amazing relationship, and an even better sex life, that much was obvious. although you both were content, you couldn’t help but feel the desire to improve your technique in certain.. aspects, of your love-making, mainly in terms of oral sex.

google was definitely not helping, and you were a bit too embarrassed to go and ask your significant other on feedback after having sex with them (despite how normal that actually is, contrary to popular belief.)

so, naturally, receiving your friend annabelle in your apartment a few days after having scheduled a, in her wise words, ‘important meeting’ wasn’t at all a surprise for you, especially since you made sure that p/n wasn’t at home at that time.

“hii!” belle stepped foot into your home as soon as you opened the door, immediately giving you a warm hug, thankful you even called her in here in the first place.

after politely offering her a cup of water and a bowl of snacks as thanks, she quickly got to work.

“alright, you were too nervous to explain it through text, so go ahead. what are the specifics here?” she asked, comically very serious about this whole thing.

you sighed, feeling the embarrassment leaving with each breath you exhaled, “it’s just— i think i have a problem when it comes to… you know.. my gag reflex, and all.”

“ah, i see..” she hummed, “‘problem’ is definitely a strong word though, no? oral sex isn’t a requirement, you know that better than anyone else, considering you’ve been with your partner for a while with no issues. i’m assuming you just want to learn to get them more riled up, huh?”

you stared, almost innocently, then nodded at the words.

“have you ever sucked dick before?” she continued, speaking as if this were a real professional appointment.

she chuckled upon seeing you reluctantly shake your head, “don’t worry sweetheart, by the time that we’re done, you’ll be able to take cock better than any porn star has.”

reaching for her large, seemingly filled-up backpack you had noticed her holding whilst walking in before digging into it. after a few seconds of anticipation, you saw your friend pull out a medium sized dildo, a slightly longer one and a much larger and more girthy than the previous ones.

“y-you brought stuff!?”

noticing how your blood rushed to your now fully covered face, she giggled, “of course i brought stuff y/n, i don’t think you realize how serious i’m actually taking this.” proceeding to pull out one more interesting looking item, “come on, you asked me for help, right? no need to get embarrassed now, girl.”

so you listened, and watched as she finished up preparing the materials, placing them in a line.

“alright, listen up.” she zipped the bag closed, threw it somewhere on the couch you two were sat on and sat up straight, motioning for you to do the same, and pointed to the first thing, “this is throat relaxant spray, like the name suggests, it relaxes your throat and your gag reflex, making it easier. now, i don’t really use it considering my gag reflex is practically non-existent,” you nodded at her words, your eyes fixed on said spray.

“but i did bring it thinking you’d maybe wanna start off slow just to be safe? maybe get used to the feeling of it in your mouth before going in raw and everything, but it’s honestly all up to you and what you wanna do.”

several minutes of her overexplaining the reasoning behind bringing each sanitized and differently sized dildo later, you eventually chose the format you found most similar to your partner’s and decided to opt out of the relaxant spray, much to annabelle’s pleasant surprise.

it didn’t take long before she stuck the phallic object to your wall and instructed you to suck on it the same way you would any other day. “don’t be nervous, i’m here to help.” she said, and that was somehow enough to put you at ease.

you began to do what you were told, fully aware that her attention was set on you, and you only. your lips wrapped around the head, you sucked and left gentle kisses whilst she watched you work your magic on the dildo. you heard occasional hums from beside you as you kept your mouth around the same area of the dick.

“you’re doing good, but, aren’t you spending a little bit too much time on the head?” she placed, making you pull away from the object before you, “i know you’ll gag, but try to give some attention to the entirety of the dick. here, let me show you.”

she scooted towards you, and you simply stared at her, “oh— we’re using the same.. dildo?”

“..yeah? it’s just a little spit.” her lips formed a smirk, “just watch me, okay?”

you nodded and sat there, watching her demonstrate her blowjob technique and feeling yourself get… weirdly turned on by the sight, instead of feeling ‘taught’, in a sense. the way she slowly worked her way up from kissing and licking the head to fitting the entire shaft into her mouth, almost effortlessly, got you thinking about how she’d give your partner head, guiding you on how to pleasure them further than you usually do— alright let’s not get ridiculous, you internally scolded yourself, leave the dirty fantasies for later, when you aren’t trying to learn from her.

“see how i did that? you can’t just focus on the head forever, that’s why i like to slightly pump the shaft with my hand whenever i’m not throating.”

“honestly just sounds like you’re just trying to brag, at this point.” you joked, faking an annoyed expression. that earned a laugh from her.

then, after a constant cycle that consisted of her explaining things and you doing them, annabelle had taken the dildo off of the wall whilst wearing a mischievous expression on her face. “now, let’s kick things up a notch; get on your knees.”

your eyebrows furrowed and eyes widened ever so slightly at her words, you stuttered, “excuse… excuse me?—“

“i said, get on your knees.”

and despite getting no further explanations, you still, for some unknown reason, did exactly as you were told. now sitting on the ground facing the sofa, you waited for further instructions.

“you need to get immersed.” she paused, then held up the dildo, “so, i’ll hold it for you and thrust it into your mouth while you suck it, alright? i won’t go fast or anything, so don’t worry about that.”

and of course, you obliged.

upon her signal, you immediately applied everything that she’s been teaching you throughout this entire session onto your technique, fueled by her occasional praise.

“remember to use your tongue, y/n.” she reminded, thrusting the cock in and out of your mouth, slowly, watching you as if she could feel it.

“suck the tip and—“ you bobbed your head down onto the shaft, taking in as much length as you could without gagging. “—work your way down, that’s it baby, slowly.”

oh man, that pet name definitely elicited a reaction from you that you did not expect; you felt butterflies in your stomach, almost certain that a pool was growing in between your legs.

she definitely noticed it, too. how could she miss it when you’re looking up at her like she was the one you were sucking off?

“awe, you’re getting excited, aren’t you?” she bit her lip as she tucked your hair behind your ear, “such an eager girl, suck on it baby.”

she let out quiet, airy moans as you worked your magic, in hopes to get you more and more immersed, and while it did, it also did nothing but get you riled up to a great extent. hell, you were practically drooling onto her— the cock at that point. “look at you, not even a few hours in and you’re already doing so good. mmh, you look so pretty taking it, too.”

that went on for a while, and what she didn’t tell you was that that dildo in particular, was an ejaculating one, you found that out by yourself later on.

needless to say, you felt especially different when you eventually walked her out of your apartment an hour later, and she couldn’t help but notice how still visibly embarrassed you were from that weirdly intimate interaction, but she found it amusing, endearing, almost.

“next time, you’ll invite p/n to tag along, won’t you?”

[b1asho]

Erm, oc comic? Just click on the images idk how to change the image position formatting here yet :(

This is what I've been doing all this time, I need to practice putting these things together. I like some things and had fun, but it also looks kind of yucky.

Oh well

Featured here are Rinshi, a muttreazik, and their boss/sister Maro, a Sundyne who's been (violently) ousted from her extremely politically important clan (for terrorism and attempted assassination :D )

The two are hiding from authorities in the SEZ, and not having a great time in general.

Here's a buncha other info, aka i want to talk about my wretched ocs :

-Rinshi is a mancer, meaning they're a muttreazik with a degree of control over matter around them (think telekinesis). Their blue eyes aren't the result of my choice of coloring, thats the color they are all the time (a highly highly unusual color for muttreazik, even in the 'other' color category).

Rinshi is also a 'they' in the same way you'd call an animal an 'it' rather than a 'he' or 'she' if that makes sense. They don't think of themself as nonbibary in the human sense, instead it's more of an "outside of the binary and therefore a nonperson" way that Cerest use for xenos. It's the only option that's not male/female/he/she that they're aware of in this point in their life

Maro is a she (and VERY upset that it means she can't ascend to God emperor)

Rinshi is hunting with a nail that they’re controlling with their mind because that’s a lot easier than chasing down the alien rats yourself.

Normally this would be very easy for them but they’re kind of going through it right now, thus the major space-out and eye-bleed at the end (which normally happens to mancers who either overextend themselves or try to do stuff without any energy support from the body)

Not all Cerest-homeplanet animals have a decentralized nervous system like Cerest themselves do (such as these two animals, who have all their thinking meat in their head), but either way a shard of metal through the face isn’t good for anything

There are pockets of Cerest wildlife in the SEZ if you look for them hard enough, which Rinshi has to do because they’re currently in the outer reaches of it away from any inhabited districts where you could just buy/steal meat products. They're spending a considerable amount of time doing this since they're trying to keep a large hypercarnivore alive right now.

Maro got her face and torso cut up pretty bad during her.uh. Incident. Luckily Cerest heal fast, though infection and only eating rats has complicated and prolonged things. They’re currently living in an old habitat pod, which she can hardly leave thanks to the healing process (which has left her pretty much unable to walk. If she could, she'd definitely be the one doing the hunting because she has fewer qualms about killing things than rinshi does.)

This conversation is pretty out of character for her, but like she said, it's boring spending most of your time asleep in a garbage heap rather than pursuing your ambitions of ruling the world. Thankfully, she can always just ask her trusty retainer about things they don’t want to talk about.

‘et kerusit’ is just the Cerest version of like ‘my liege’ but specifically in the Sundyne female context and specifically for someone in Maro’s (former) rank/position in her (former) clan. "Princess" is also a pretty close analog but neither really sounded right so I made up some words. "Retainer” is the closest word I could find for what Rinshi is to Maro, and it fits fairly well (there is probably a better word out there but i like the old-timey knight vibe) they were originally employed to her clan as basically her little assistant and mandatory friend/bodygaurd/ally/etc. This happened mostly as an insult to her because that role should normally fall to a fellow sundyne and not a 'lesser species', but she has made it work.

I'm still testing this out but the Cerest language conventions are also why the question marks are out front most of the time, they don't change tone to indicate a question and instead just say an "I'm asking you a question" word at the start.

Rinshi also has a sort of stutter no matter what language they're speaking, with different words and sounds causing prolongations or repetitions. They didn't have any kind of support for the issue growing up, so theyre not great at managing it. So that's why some of their words are like that

The aforementioned rank difference is also why Maro gets 2 << instead of 1 when speaking (she's using a different enunciation of words to indicate her status, as is Rinshi. Basically ï for royalty i for commoner, or something. If they were speaking a Drecu dialect rather than a Sundyne one, their words would be in these things -> [[ ) .

As I’ve mentioned up there, they see each other more like siblings in their own mini clan (but she definitely calls the shots in their relationship )

Muttreazik think rebirth is real and they’re kind of right (at least within their own species). Rinshi does NOT want to dwell on where they used to live but those ideas were drilled in at a very young age.

[vibatu]

"Just a sip" , a comic idea that I have filed away under the "I no longer know when or if I'll ever finish it" category (Doesn't feel right to say "discarded" lmao) (who knows, maybe one day I pick it back up!).

I really love the thumbnails I managed to sketch out (especially that last panel at the third page!!!!!!! I want and need to make more of that), its been I think almost a year since I've made them though, and it just doesn't feel right just let them keep collecting dust after so long especially when I don't even know if the inspiration to complete it strikes again, so, here it is! Read more for further rambling into the details~

This is another "what if" comic where wanted to explore mainly:

1. Ocudeus and The Seaspring. And what could happen within someone's mind once they drink (Lukas is our text subject! Yay!)

2. "Interesting" paneling, or at least visually engaging compositions in pages (I love making comics!) There's so many things I want to practice and try out to make bring the movies in my head come to life in this format.

On to the "plot".

We start out with Lukas drinking from The Spring. Hypothetical-Timeline wise this would be happening at the "ending" of the TS story in which not a single cure is found for MCs curse. Last resort type of situation. This happens on pages 1, 2, and page "3". In this post the 3 image would actually be page 4, I just never sketches the 3rd (I just drew what was clearest in my head first). Imagine 3rd page having a shot of Ais staring at the process from a safe distance with a cig while Lukas is writhing on the floor losing his marbles after drinking (lol).

Now the fun part. Ocudeus. I imagined the process of joining the groupmind not happening instantly. I thought about Ocudeus himself manifesting in their new host's mind and sometimes striking conversation (which happens in isolation with just the two of them) (brain is not part of the primordial soup. Yet)

We don't know what Ocudeus looks like either! So I went crazy. At first I was just gonna make them take Ais' shape. But that felt, not quite right for an eldritch being. So instead, Ocudeus takes the form of whoever is drinking :) thus manifesting themselves as Lukas inside Lukas' mind.

There's a huge jump in events from Image 3 and 4 of the post. After Img 3 there's a lot of talking going on. Asking if the curse can really be cured. Ocudeus being a sassy smug menace cryptic about it and reminding Lukas that there is no going back anyways and that is no longer something Lukas should be concerned about. He will no longer be himself, so why worry.

After this its just a "Descent into true madness", see Img 4 for reference, where the "world" just really starts to warp around and eventually ends with Lukas getting "consumed" by the darkness of the giant octopus, his lasts thoughts as "Lukas" being those of relief of finally getting rid of the curse, and grief over leaving his life behind. Fun stuff.

Comic was supposed to end with Lukas jolting awake (His head was resting on Ais lap now).

After sitting up abruptly and wiping his tears away, with hands that now look properly human. Lukas turns to Ais and asks, with a gaze now as red as the seaspring near them.

"Why am I crying?"

-

THATS A LONG ONE If you read this far, well, thanks! ;w; I hope you enjoyed the read, even if there is no full comic to pair. The Seaspring is so interesting to me.

Some other random things: I got inspired by the Honkai Star Rail promo video where Acheron and Black Swan dance together. The visuals and visualization of Black Swan's "being" being consumed by the endless void was SO good and when I realized this concept could work for the seaspring in a similar way I needed to get the idea out of my system.

Have an extra! Alternative version of my fav panel. Only difference is the eyes, this is the first version. Which I drew before Redspring revealed what Ais' eyes looked like when his cephalopod friend is driving the car.

Vibi out~ (⁠・⁠∀⁠・⁠)

[schpeenor]

MORE DABI HEADCANONS…

i’ve quite literally got nothing better to post…

≫ He’s REALLY claustrophobic, I’m talking comical breathing exercises when he thinks no one is watching. For that reason he’s always the big spoon, no questions about it.

≫ Definitely dabbles in weed.

≫ In the same manner he smokes, he and Twice like the same brand so they share pretty often when it’s relevant.

≫ He curiously tried quirk enhancing drugs once, NEVER AGAIN.

≫ When Dabi was still Touya, he did ballroom dancing, he still retained the info, it’s kinda forever in there. That’s just one of those weird facts that Dabi never talks about until the league pulls it out of him.

≫ Dabi talks in his sleep, he also sleep walks. It’s the usual cryptic stuff. Dabi once woke up staring into the window of some random 24 hour gas station/convenience store about 10 minutes from the Gunga Villa base, he was yapping about candles the whole time. The clerk behind the counter was REAL close to calling the cops.

≫ Dabi has stupid nicknames he uses sometimes for some of the league members. The names in brackets he uses more often.

TOGA - fangs, [vampy]

TWICE - [crazy], duo

SPINNER - [lizzy], lizabeth

he used to call him “lizard” until spinner gave him an earful, he let him settle on the other names begrudgingly.

SHIGARAKI - hands, [boss]

≫ Dabi used to be severely underweight, he didn’t have time to eat before the LOV — he was squatting in houses and living in the streets, eating out of the garbage, and it was a hassle to find something that wasn’t practically biohazard. When he was fully integrated and gained a place to stay at the bar, where everyone hung out at almost too often and ordered takeout regularly around noon, he got some meat on his bones. still on the tall and lanky side because that’s just how he’s built — just more filled out. Same went for the MLA and PLF arcs. Communal dining and the general surplus of food (at least in the PLF formation) allowed him to actually eat.

≫ You know, his whole cold immunity actually helped a lot when he was homeless, he didn’t really need to do anything extra to get warm, didn’t need to worry about freezing to death, especially since sleeping under the snow was warmest during cold nights. It’s summers that are hell for him, he has to worry about losing his sanity burning up.

[angelpuns]

lil preview of another lil comic of the new au I wanted to make :)

I truly am just kinda going with the flow as far as starting new aus, I am working on Kid Leo still tho :)

I also want to work on Lil Hater but I really can't draw much of the comic without finishing up the refs and since I've got so much Kid Leo stuff to do, refs take a little too long :) Consider the todd au comics training for Lil Hater, since it's the same format and all. I just really want Lil Hater to look as good as possible and I need the practice with this bigger format

I'm sleepy and out of it so hopefully this ramble makes sense. tldr is that yes I am working on Kid Leo Au even tho I've been drawing this new au lately lmao

[spacey-xannabelle]

[Template]

2024 Art Summary!

Artist notes/ramblings under the cut

January - March: A lot of the art I did during this time was mostly doodles and sketches that I didn't post anywhere, but during this time I did start planning the test comic project for my story, Startrails!

April: Only art that I posted during this was the art of one of my Startrails characters, Mira.

May: I finished the test comic during this! It was a great practice to do and it gave me a lot of insight on what part of the comic process I should work on so it flows more smoothly for myself. And it was really cool to see my two main characters in a comic format qvq

June: On June, I wanted to do a bigger illustration to practice backgrounds more. And since I was in a Splatoon mood at the time, I went and drew a nice little scene of some inklings and octolings hanging out in the locker room before a match.

July: Artfight month!! I was team Stardust this year, and the art featured in this art summary was a character by @/artisticdragons. I'm honestly proud I drew as much as I did for artfight!

August: Earlier in January, I had started and finished playing Outer WIlds (along with the DLC) and around here was when the brainrot returned tenfold and had be in its clutches. This was one of the many silly doodles I did for the game

September: Major outer wilds spoilers for this art! But this here was the comic I spent a little over a month working on. A comic inspired by an Undertale quote that I felt really encapsulates Hatchling's journey. I also posted this on Twitter and it got noticed by both Mobius Digital and got a comment by Andrew Prahlow and I'm still losing my mind over that qwq

October: Outer Wilds DLC spoilers here! I drew a lot for October bc during this, I was participating in an Outer Wilds Inktober event ^^ This art was something I did as a little bit of a break from the inktober stuff. But also bc the DLC gave me a lot of feelings and I had to draw them out

November - December: During this time, the Outer Wilds server I joined created our own Nomai clan so I spent.. So Much time drawing mostly Nomai ocs djdfg. It was a lot of fun and I enjoyed being able to be silly with my art and participate in this group endeavor!

Overall, I'm proud of how much I was able to draw this year despite juggling a full time job that would usually leave me too drained and tired to draw. Some days it's still difficult to keep drawing but joining a group of creatives really inspired me to create for fun.

I'm hoping to continue creating art next year, maybe make more fanart of stuff I love. And absolutely hoping to draw more oc stuff, especially of my story, Startrails! :)

[the-misplaced-osc]

I was planning to do a drawn announcement thing but I feel I’ll wear myself out if I did unfortunately

So instead I will give a text based announcement:

Hi everyone, I’d like to let you all know that there will be quite a few changes to this comic !

If you’ve seen the Vault9 update, I offered to do a part of the moon, unfortunately it ended up taking quite a while due to unpredictable circumstances and overall a lot needing to be done but it got done and I’m very happy with the end result !!

But I can say that that format is around how I hope to continue this comic, as it allows for deeper storytelling and I can erm cheat some stuff to reduce my own stress

I’d also like to inform you all that the warnings for this clangen comic will change, we will be getting into much stronger topics, nothing extreme just more so to fit the environment these characters are in

This clangen is a massive practice for me as I plan to make a bigger and more personal webcomic when I feel I’m ready, so expect a lot of experimenting if that wasn’t an expectation already

There will also be slight redesigns and very light coloring changes

Once more thank you for reading and see you all hopefully between late May and early June