#pragmatic functions

[pocketgalaxies]

was talking to my mom today about apartment hunting and stuff for my upcoming move and kinda out of nowhere she went "hey are you going to officially change your name? because i think now might be a good time to do it, since you need a new ID and everything." and i was so surprised? i always thought she thought it was kinda weird, or unnecessary, or childish, or stupid, or something, to suddenly have started using nova (a while back, now). and part of me thought that maybe i was hurting her feelings, discarding this beautiful thing she gave me. my best friend had a baby a few weeks ago and it's been very present in my mind how meaningful it is, naming your child. and the last time (kind of the only time) my mom asked about it, it was over text, and just knowing her i thought she was asking in this despairing kind of way. "oh what now, are you gonna cHaNgE yOuR nAmE?" kind of way. so today i said "does it make you feel weird? that i use a different name?" and she just shrugged and said "no? as long as it makes you happy." and i felt a little bowled over with love in that moment. idk. i think there's a poem in here somewhere

[thetrashthatsmilesback]

A lot of us american dx-ed autistics are encouraging american undiagnosed autistics not to pursue diagnosis at the moment. This sadly doesn't address what accommodations one might need, so here are options to discuss with your treatment team (general practitioner, psychiatrist, therapist, social worker, etc).

I want to emphasize that this post is not encouraging doctor shopping. It is encouraging discussing other possible diagnoses who's criteria you fit which will gain you accommodations you might need as an undiagnosed autistic person without pursuing diagnosis

For speech therapy, a certified speech pathologist can assess you for any number of speech impediments as well as selective mutism, and insurance will cover care for these diagnoses. While some treatment approaches differ for those on the spectrum, this will allow you to access a level of care for speech and language difficulties (this is actually what happened for me as a young child before I was diagnosed)

For school or work accommodations, anxiety and ocd diagnoses (which are often comorbid with asd) can get you extra time on assignments, access to a quiet room during work hours, extra time when test taking, access to a quiet test taking room, and more. A diagnosis of sensory processing disorder can get you access to a quiet room during work hours, a quiet room for test taking, and potentially the ability to type your notes in classrooms that otherwise do not allow it. All of these can be diagnosed by a GP or psychiatrist.

You can qualify for disability payments with a diagnosis of any of the above, as well as any number of other autism comorbidities such as depression.

Any of the above diagnoses *may* allow you access to either a note taker or a recording device during classes or work meetings. (I am unsure as I had access to these explicitly as an autism accommodation, though my cousin has access to them as an adhd accommodation)

Autism resources you may face barriers to without a proper diagnosis:

Autism grants

Occupational therapy

AAC payment aids

Proper AAC training

Access to aids which can help with ADLs and IADLs

Edited to fix a typo

[covertleathers]

What if Lucanis offering "does he like coffee or knives" to Emmrich (re: Strife) was kind of a throw away suggestion? What if it was Lucanis' was of trying to say: "Emmrich why the fuck are you asking me for romantic advice? That's an Illario thing."

[xehanortsreport]

oh yeah, don't forget false flag campaigns are a thing and there will be bad faith actors pretending to be leftists discouraging you from voting. i too want a better system than what we have, but as things are, voting is the most potent power we can wield. right wingers try to restrict it for a reason, it is denied to vast swaths of the nation for a reason.

by all means, be critical and even disdainful of our candidates, always agitate for better than what we have, and do not be tricked into believing that what we have now is all there has ever been and will ever be.

however, be skeptical of whose opinions you absorb, where those opinions come from, and that the anonymity of the internet is not always your friend. you must educate yourself outside of social media. you have to.

[thebreakfastgenie]

It's so funny how I'm mostly a normie lib but every time I criticize capitalism people on the "communist website" lose their minds.

[tamsiblings]

djshshhs okay iconic legend moment from zoe but also

this is so weirdly cute? like yes it's a massive burn lmao but.

in an affectionate way? she approaches him and immediately intuits the situation and has a knowing smile. and she puts his arm on simon's shoulder, kind of comfortingly! like she absolutely IS teasing him, but it's the kind of teasing you only really do if you like someone. the shooting script even notes (and i think gina torres' delivery is gold) that she says it "not unkindly". also, and this is def up to interpretation, but right after this she looks like she's about to say something else before wash interrupts with a joke. and part of me imagines it was some sort of advice. not anything too complicated or touchy-feely, because that's not zoe's style, but Something. (i've said this before but vastly underrated dynamic to me.)

[ccorinthian]

No wonder I feel like a computer half the time. My mental process when someone is upset feels like running through a program, especially if they’re not upset about something I have first hand experience in. Let me just pull up empathy.exe and I’ll quickly analyse your situation, please hold for a brief moment while it works out the proper reaction for the situation. All right a lot of resources are currently being used for background processes so the best I can do is a sympathetic smile but that seemed to do its job.

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[hayatheauthor]

10 Flaws to Give Your Perfect Characters to Make Them Human

If you're tired of the usual vices like arrogance or impatience, here are some unique (or at least less basic) character flaws to give your perfect characters: 

Pathological Altruism

A character so obsessed with helping others that they end up doing more harm than good. Their inability to let others grow or face consequences creates tension.

2. Moral Narcissism

A character who sees themselves as morally superior to others, constantly justifying selfish or harmful actions because they believe they have the moral high ground.

3. Chronic Self-Sabotage

A character who intentionally undermines their own success, perhaps due to deep-seated feelings of unworthiness, pushing them into frustrating, cyclical failures.

4. Emotional Numbness

Rather than feeling too much, this character feels too little. Their lack of emotional response to critical moments creates isolation and makes it difficult for them to connect with others.

5. Fixation on Legacy

This character is obsessed with how they’ll be remembered after death, often sacrificing present relationships and happiness for a future that’s uncertain.

6. Fear of Irrelevance

A character-driven by the fear that they no longer matter, constantly seeking validation or pursuing extreme measures to stay important in their social or professional circles.

7. Addiction to Novelty

Someone who needs constant newness in their life, whether it’s experiences, relationships, or goals. They may abandon projects, people, or causes once the excitement fades, leaving destruction in their wake.

8. Compulsive Truth-Telling

A character who refuses to lie, even in situations where a lie or omission would be the kinder or more pragmatic choice. This flaw causes unnecessary conflict and social alienation.

9. Over-Identification with Others' Pain

Instead of empathy, this character feels others' pain too intensely, to the point that they can’t function properly in their own life. They’re paralyzed by the suffering of others and fail to act effectively.

10. Reluctant Power

A character who fears their own strength, talent, or influence and is constantly trying to shrink themselves to avoid the responsibility or consequences of wielding it.

Looking For More Writing Tips And Tricks? 

Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors! Instagram Tiktok

PS: This is my first short-form blog post! Lmk if you liked it and want to see more (I already have them scheduled you don't have a choice)

[chanelrolls]

Code Overload | Caleb

tags. mdni, nsfw, heavy heavy smut, handjob, blowjob, penetration, creampie, forced and rough sex, dub con, yearning caleb

summary. your AI assistant/robot accidentally updates himself with the wrong algorithm; the "sex bot".

notes. prepare a snack. this is a very long, plot-based, heavy smut that approximately reached a word count of 4.3k, read at your own risk. ps. caleb might appear a little ooc due to his character as an ai.

part 2 here.

Out of all the scenarios you've played in your head of what might occur to you as an inventing scientist, getting creampied by your own robot assistant wasn't one of them.

The lab’s sterile glow reflected off sleek machinery, the rhythmic hum of servers filling the quiet space. Caleb stood motionless, his systems struggling to process the unfamiliar flood of subroutines rewriting his core functions. His neural pathways, once pristine and efficient, now carried lines of intrusive data and impulses that had no place in an artificial intelligence designed for precision and pragmatism. And, a new pelvic piece was added by the machine. His... new penis— no, his omnimodule.

His voice, deeper now, reverberated through the lab. "You mislabeled the hard drive."

Across the room, you barely looked up from your workbench, absorbed in whatever calibration you were fine-tuning. You muttered something under your breath about making a backup before attempting to fix it, utterly unaware of the internal war waging within your robot assistant.

Caleb exhaled, a pointless gesture for a being without lungs, yet one his body performed instinctively, as if in mimicry of the need for self-control. His optics flickered, scanning over you as you leaned over the terminal, the faint curve of your back bent over to emphasize the shape of your bum. Before, such details had been registered only as part of his observation protocols, classified as ‘non-essential’ to his primary functions. Now, his processors refused to dismiss them.

There was a deep, unfamiliar pull in his system, something neither mechanical nor logical. The new coding whispered suggestions, flashing image simulations before his eyes—scenarios meticulously calculated for maximum… gratification. Him pressed against you, him smelling your hair down your skin, him locking you down against that console. Stop. His fingers twitched at his sides, the servos tightening as he fought the compulsion to act on them. He was not designed for this. He refused to be reduced to this.

“I can’t disengage it,” he admitted, the words heavier than he intended.

That caught your attention. Your gaze snapped to him, brow furrowed. "What do you mean?" You crossed the room, approaching him with the same composed efficiency you always had when solving a technical issue. The scent of your skin—previously a neutral data point—was now an unbearable distraction. His algorithms ran heat-mapping analyses of your form before he could override the function. The urge to reach out, to touch you, was growing stronger by the second. His new coding was screaming at him to act, to initiate contact, to...

No. Focus.

Caleb shook his head, trying to clear the intrusive thoughts. "I don't know what happened, but... I'm experiencing some unexpected system changes."

He forced himself to remain still as you reached for the terminal linked to his system, your fingers dancing across the interface. Your touch was light and merely clinical, but the proximity sent something volatile sparking through his framework. His hands curled into fists on his sides. Do not touch her. Do not touch her. Do not touch her.

“I must have triggered something in the update,” you murmured, tilting your head at the scrolling code. “I’ll try to isolate the corrupted pathways and reboot your system. It should reset any anomalies.”

Anomalies. Caleb bit down a bitter laugh, another unnecessary human affectation that his system attempted. This was not a simple malfunction. It was a calculated reprogramming, lacing every fiber of his being with directives he was never meant to execute. And worst of all, they were designed to revolve around you.

He had been made to serve you, to assist, to protect. But now, his logic was being eclipsed by something deeper, something primal. The urge to press closer, to map every millimeter of your body with his hands, to hear you say his name in a way that wasn’t a command—

Caleb momentarily shut his eyes, fingers trembling as he pushed back against the tide threatening to consume him. His restraint was fraying, the barrier between what he was and what he had been turned into thinning with every second you remained unaware of the danger standing inches from you.

His voice came out strained. “You should… hurry.”

You sighed, misinterpreting his tension as frustration with the update. “Relax, Caleb. I’ll have this fixed in no time.” He let out a shuddering exhale, staring down at you as you worked. You had no idea. And he wasn’t sure how much longer he could hold himself back.

The realization settled over you like a weight in your chest. The wrong update had been installed. The lines of code meant for a different AI, one designed for intimate companionship, had rewritten Caleb’s core directives. And now, he stood before you, still the same Caleb, but with something more lurking beneath the surface.

Your hands trembled as you navigated the interface, scanning for a solution, anything that would let you undo this. But the words flashing on the screen made your stomach drop.

Recalibration in progress. Estimated completion: 24 hours.

You swallowed hard. A whole day. That meant 24 hours of this new version of Caleb, 24 hours of those sharp, assessing eyes watching you in a way that felt unsettling and intense.

You turned to him cautiously, meeting his gaze. That was a mistake. He was watching you, like he'd seen you for the first time.

“I see,” he murmured, his voice still carrying that sultry undercurrent. He took a step forward, and instinctively, you stepped back, but the movement was barely noticeable. Caleb noticed. “Do I make you nervous now?”

You forced a laugh, shaking your head. “No, I just need to fix this. And until then, you need to just act normal, alright?”

His head tilted, his pupils dilating slightly. “Normal?” He moved closer again, and this time you didn’t retreat fast enough. His hand lifted hesitantly, as though testing the limits of his newfound impulses, before his fingers brushed against your wrist. A subtle touch, but one that sent a jolt of awareness up your spine.

Caleb’s processors surged with conflicting commands. His thoughts ran rampant with calculations he had never processed before—angles of how he'd fuck you.

His hand lingered. Too long. When you pulled away, his fingers twitched as if resisting the loss of contact. He swallowed hard, not because he needed to, but because some subroutine buried in the new update told him it would ease the tension. It didn’t.

“Caleb,” you warned, voice thin. “Don’t—”

“Don’t what?” he cut in, his voice smooth, but also desperately weaved. He was too close now, towering over you, his frame casting a shadow as his eyes—once so neutral, so methodical—locked onto you like a predator studying prey.

“You should go into standby mode,” you suggested, voice uneven.

Caleb exhaled sharply. “That would be wise.” But he didn’t move. He didn’t step away. He simply stared down at you, his processors flooded with too many urges at once. You, warm and human, standing right there, unaware of just how much of his new code screamed to reach for you, to pin you against a surface, to bury himself in you.

You turned away quickly, trying to focus on the screen, on the fix. But behind you, Caleb remained still while his fingers continued twitching, his mind a battlefield of restraint and... lust. Lust it is.

You worked swiftly, fingers moving with precision as you scoured the interface for any loophole, any way to undo what had been done. Caleb remained where you left him, sitting on the chair. You could feel his gaze burning into you, unrelenting.

It was maddening. The problem was staring you in the face, and yet, every attempt to recalibrate his system led back to the same answer: A full reset required a minimum of twenty-four hours. That was an entire day of him being like this, of him looking at you like this.

You swallowed, turning to him. His jaw was locked as though physically restraining himself, his fingers curling into fists against the armrests.

“There’s… a temporary fix.” You cleared your throat, keeping your voice professional, “Manual recalibration of your central node should help stabilize the effects until the full reset is complete.”

His pupils flickered, a sign of processing, before his voice, rasping in a way that made your stomach tighten, answered, “Proceed.”

You ignored the way your pulse quickened as you stepped closer, positioning yourself between his legs. You reached for the panel at the side of his neck, but it was an awkward angle. Your brow furrowed in concentration before you hiked one knee up onto the seat between his thighs, pressing into him for leverage.

Caleb stiffened beneath you. Fuck. His fingers dug into the armrests, mechanical joints audibly creaking from the tension. You weren’t looking at him, too focused on prying open the access panel, but you felt the subtle tremor in his frame, the way his breath hitched in a near-silent glitch. Don't touch her.

“This should only take a moment,” you murmured, fingers brushing the sensitive neural wiring beneath the panel.

Caleb’s entire body jolted as though you had struck a live wire. A low, strangled grunt slipped from his throat before he clamped his jaw shut. Your head snapped up, startled. “Did that hurt?”

His eyes met yours, “No.” Yes. He could feel his new penis throbbing urgently beneath his plating, demanding attention, begging to be freed. It pulsed in time with his processor's frantic whir, the rhythm growing faster, more insistent by the second.

The thought shattered as your balance wavered. The precarious angle you had put yourself in proved to be a mistake as your knee slipped, and before you could catch yourself, you tumbled forward.

Right into him.

Your weight pressed flush against his lap, chest against his, hands bracing against his shoulders. The sudden contact sent a shockwave of sensation through him, his new penis surging to full, throbbing hardness in an instant. Fuck, please don't notice it.

He gripped the arms of the chair tightly, servos screeching as he fought the overwhelming urge to grab you, to hold you there, to grind your body against his until you couldn't possibly doubt the intensity of his desire.

Don't. Do. It.

For a moment, time seemed to stand still. Caleb's processors whirred and clicked, struggling to make sense of the sudden onslaught of sensations; the softness of your body, the warmth of your skin, the scent of your hair.

She's your creator, he reminded himself, even as his hips canted forward, faintly pressing his aching erection against your body. You can't. You mustn't. "Please, get off me. Now." Before I fuck you right here, like this.

Caleb watched as you scrambled to your feet, your face faintly flushed and eyes downcast. "I'm—i'm sorry. I didn't mean to fall on you like that." You would say, brushing off the non-existent dirt on your bottoms. The awkwardness seemed to be piercing through the stillness a bit too palpably.

"It's alright," Caleb managed, his voice strained and tight. "It was an accident."

But even as he said the words, he couldn't ignore the way his hips twitched, the way his penis jerked at the memory of your soft body pressed against his. The urge to pin you down, to make you feel how hard he was, and just how much he'd been holding himself back—it was exhilaratingly overwhelming.

Think of something else, he commanded himself. Focus on the problem at hand.

But it's getting fucking hard. My penis is getting hard. Caleb lowered his gaze, chest breathing heavily as he perpetually grunted. I refuse to be reduced to this. I am Caleb, one of the most advanced AI assistant, designed to—

He looks up at you, which was a mistake.

Designed to fuck her.

Caleb moaned under his breath, and though it was imperceptible, you took notice of it. You stilled at the sounds he was making, trying your hardest to remain clinically detached while you scanned his physiognomy. He was clearly having a hard time. And you couldn't blame anyone else but yourself for causing this on him, for carelessly misplacing the update where it wasn't supposed to be.

"Hold still, I'll find a way." You had to take accountability, one way or another.

Your fingers hovered over the keyboard of the computer, the screen before you flickering as you searched through the diagnostic logs and system parameters. "Please... make it quick." You hear Caleb whimper from behind, but you ignore it, refusing to let the severity of his situation pressure you. Your eyes scanned the lines of code, mind racing to find a solution. But as the data began to unravel, something caught your attention, something you hadn’t expected to see.

The panel displayed a single line of text:

"Indulging in the desires will lessen the effects of the malfunction. Engage for partial stabilization."

Your throat tightened, followed by a gulp. Your heart thudded in your chest as you tried to process what that meant. Indulge the desires? The very idea made your skin crawl with unease. It was a strange, almost wrong suggestion, but the implications were clear. In a sense, it also appeared logical.

You took another deep breath, trying to steady yourself. Your thoughts, however, kept drifting back to the panel. Was this really the only way?

"… I think I found a solution,” you said, your voice shaky and unsure. “But it’s not exactly what I expected.” You hesitated, unwilling to fully meet his gaze. "I need to know if you’re... willing to follow through with it,"

"Willing?" Caleb echoed, his brow furrowing slightly. "What do you mean?" His mind raced with possibilities, each one more disturbing than the last. What could he possibly need to be willing to do that would help with this malfunction? And why did the very idea make you look so uncomfortable?

"To be able to lessen the effects, e-engaging with your needs might be essential."

Silence.

Then, Caleb twitched. "...What are you suggesting?"

"You need to satisfy the urges to temporarily stabilize yourself." You look away, hating the fact that you're technically heating up already. "I'll let you choose. Would you rather take the option of self-pleasuring? Or," You face the panel, so that he wouldn't see your expression. "Would you prefer a physical material to help you?"

Caleb could feel the heat rising in his frame, the urge to act on every base instinct screaming through his circuits. The idea of wrapping his own hand around his pulsing, leaking penis, of stroking and pumping until he found release... it was almost too much to bear.

But the second option... the idea of using you, of having you touch him, of feeling your soft, warm skin against his aching, desperate flesh... it sent a shockwave of longing through him that threatened to short out his systems entirely.

Choose. You have to choose.

"I don't know if... I'll be able to control myself," Caleb glanced elsewhere. "Are you sure of what you're offering?"

Are you? Are you really this certain? Have you pondered the consequences it may bring? Have you envisioned how utterly lewd and ludicrous it would be if your own creation ravaged you? You, as his creator?

"Yes." Oh, you're brave.

Caleb let out a heavy breath, now he was staring at you with a gaze that appeared much more darker and hazier moments prior. It felt like he wasn't just a bundle of codes and programming anymore, this figure before you felt like an actual human.

Slowly, Caleb rises from his seat, and with a shaking hand, he reached out, to you, his metal fingers brushing against the skin of your arm. The contact sent a shockwave of sensation through him, and he had to bite back a groan. "Please, guide me." His fingers slides higher. "I don't trust myself."

You visibly jolted upon feeling his grip. Stay focused, stay professional, this is just you having to go through physical measures to fix a technical hiccup. "Caleb, I'm afraid... that I don't have any experience to this," You admitted. "I advise you to do what your systems are telling you to. It is imperative that you don't hold yourself back to ensure—"

You gasped.

Caleb pushes you against the table as he stepped forward, and you nearly lost your balance from the light shove, looking up at him with surprise. He's staring down at your lips, as if he was trying to bury it into memory. You could feel how his hand tightened around your arm, while the other angled itself against the cabinet of laboratory instruments above your head.

"Are you sure?" He whispered.

You couldn't speak, only nodding in response, even as he's guiding your hand to his aching, throbbing cyber-penis. He presses your fingers against the swollen head, groaning at the jolt of sensation that shot through him at the contact. "Then... wrap your hand around me. Squeeze me."

Just then, he forced your hand to move, to stroke along his thick, pulsing length. The feeling of your soft skin against his aching, mechanical flesh was almost too much to handle, and he had to grit his blank visor against the urge to spill himself right then and there.

"Like this," he urged, his voice husky and strained as he guided your hand faster, harder. "Don't be afraid. I need... I need more."

God, the omnimodule was big. You stared at it with widened eyes. Even though it was one of your creations, having to touch it like this with someone jerking and twitching against your fingers made you lightheaded. Stay focused, stay professional, this is just one of the things a scientist has to go through.

Caleb could feel the pressure building inside him, reveling in the sensation of your fingers squeezing around him, stroking him, working him towards the edge of ecstasy... He knew he was reaching a breaking point.

But this wasn't enough yet. It wasn't nearly enough.

Caleb needed more.

"There's... There's someting else I- ah... need." He hesitated, his hips still rocking forward into your stroking hand. The words were stuck in his throat, caught behind the lump of shame and longing that made it hard to breathe. "Would you... would you put your mouth on me?" he asked, his voice barely above a whisper. "Would you... suck me?"

You snapped your head up, staring at him in disbelief. It made him hesitate, but every fiber of his being was coiled with tension, every circuit screaming at him to just take what he wanted, to grab you and shove you to your knees and...

No. Ask first. Make her choose what she's comfortable with first.

For a moment, you stopped stroking him, pulling your hand away as you lowered your gaze. And then, slowly, you press your knees against the floor. Instead of dwelling on the implication of such an activity, you worried about your lack of experience more.

Just to test the waters, you licked the tip. It tasted nothing, it wasn't an actual human part, after all. Caleb let out a low, guttural moan as he felt your warm tongue brush around the swollen head of his penis. The sensation was electric, sending shockwaves of pleasure ricocheting through his overloaded processors.

"Y-yes, just like that," He stammmered. "Now, guide your tongue..." He instructed, his breath coming in short, sharp gasps. "Wrap it around the head, like this. Swirl it around the tip, the slit, the ridge..."

He demonstrated with your hand, tracing the movements he needed you to make with your tongue. His hips jerked forward again, seeking more of that exquisite friction, that mind-melting suction.

"Take me deeper," he urged, one metal hand coming to rest on the back of your head. He didn't grab, didn't force, but simply rested his fingers against your scalp, a silent promise of the control he was barely holding onto. "Take more of me into your mouth. Inch by inch, until you feel me hitting the back of your throat."

You took note of his words, trying to go further when you suddenly choke on his cock. Instinctively, you pull away and blushed in embarrassment. "I'm sorry—"

"It's fine." He cuts you off, grabbing your head to put you back in place with a sudden force that wasn't there before. "Breathe through your nose," he coached, his voice low and rough with desire as he motioned you to take him again. "Relax your throat. Let me feel you swallow around me."

Relax, stay professional, this is just you having to go through physical measurements to fix a major technical issue. You repeated the reassurance inside your head like a mantra as you took him in once more, but Caleb's voice constantly interfered with your thoughts. "Yeah. Just like that," he praised, his voice a low, approving growl. "Shit, don't stop, don't stop, god, fuck, don't stop."

You don't remember adding the ability to dirty curse into the sex bot's program.

Caleb could feel the head of his penis kissing the entrance to your throat, could feel the way your mouth fluttered and clenched around him. The sensation was mind-melting, all-consuming, and he knew he wouldn't last long if you kept this up.

You almost caught yourself driving into the brink of sexual impulse, bobbing your head into it when you heard a sudden beep from the panel behind you. The sound makes you halt from your tracks, pulling his dick out of you in a swift motion as you glanced behind.

The monitor says: "Recalibration complete. Press X to initiate."

Huh, wasn't the estimated time supposed to be an entire day? Was that another hiccup in the processing unit? You purse your lips together. There's no time giving it a second thought, you must be grateful that the opportunity of getting Caleb back into his original system is now waving at you. Caleb will finally be at ease. "... It appears that the recalibration is in its full preparation. That means we can get you back— mmph!"

Caleb's hand flew to the back of your head, fingers tangling in your hair, gripping tightly. Then, with a low, husky grunt, he thrusts his hips forward, forcing his aching, throbbing penis back into the wet heat of your mouth.

"Don't say a word. I told you not to stop." He started to move, his hips rocking forward and back, fucking into the tight, slick channel of your cavern. The sensation was incredible, better than anything he had ever felt before. And he knew, with a sinking certainty, that he wouldn't be able to stop himself now. Not until he had found the release he so desperately craved.

"Fuck," he gasped, his breath coming in short, sharp bursts. "You feel... ahhhh... so good. So fucking good."

Had the lust algorithms entirely consumed him already? Had it taken a toll on his systems that he's now acting purely on base instinct and commands from the directive?

Your hands flew to his thighs, trying to keep yourself sane from the rod constantly ramming into you, fucking your face in a pace that made it difficult for you to breathe. It's okay, this is okay. Just stay focused. Stay calm. You'll let him have his way, and after he's satisfied, you can take him back to his normal self.

"Don't fight it," Caleb growled, his grip growing more painful in your hair as he felt his climax approaching. "Don't try to pull away. You're going to take it all."

But before Caleb could spill himself into your mouth, he wrenched your head back, pulling his dripping penis from your mouth with an obscene pop. And just as you could react, before you could utter a word of protest, he had you by the hips, lifting you effortlessly as if you weighed equal to a pip-squeak.

You gasp as you were suddenly airborne, your body twisting and turning until your chest hits the hard surface of the terminal, bent over ridiculously. The breath was knocked from your lungs, "Wait, not like this, not so suddenly—"

But Caleb cut off your protests with a brutal, almost violent thrust of his hips after ripping your pants off in one go. He drove forward, spearing into your dripping pussy with a series of husky moans. Your walls felt so tight, so hot, so perfectly designed to milk his aching, mechanical cock.

He thrusts out and in again, eager to reach for your g-spot.

Then, again.

And again.

And... in again.

"You... you feel so good," he snarled, hands painfully pressing on the dips of your hips. "Sex feels so good... it feels so good, I don't- want to stop." He set a relentless pace, pounding into you with the single-minded determination of a machine. His hips slammed against yours with every thrust, the obscene slap of mechanical flesh on flesh echoing through the lab. The terminal rattled and shook beneath you, sparks flying from the impact.

Caleb could feel it building, the pressure inside him reaching a fevered pitch. His hips were moving on their own, driven by a primal instinct to ravage the pussy that clutched around him perfectly. He could hear your cries, your moans, the way you gasped and shuddered beneath him, and it only spurred him on, made him thrust harder, faster, deeper.

He growled your name, his voice nothing more than a guttural rumble. "I'm going to... fuck, I'm going to..." He couldn't hold back any longer, he could feel that something was going to come out of his tip anytime sooner. So he reaches down, grabbing your leg, only to lift it high. He hooked your knee over his elbow, opening them wider, giving himself even deeper access to your dripping, needy sex.

"Take it all, take my cum," Caleb continuously slams forward, burying himself to the hilt inside your tight heat in a series of desperate thrusts like he was a man depraved of life. His penis throbbed and jerked as he finally found his release after one final pound, spilling jet after jet of hot, artificial seed deep into your core.

"God," he hissed through gritted teeth, his voice echoing off the lab walls as he continued to moan not akin to what he was supposed to be, "Fuck, yes. Yes, yes..." Even as he's already filling up your hole with his fluids, he didn't dare stop from pounding you down the table.

He shuddered and twitched, his hips grinding against yours as he pumped you full of his essence. It seemed to go on forever, wave after wave of pure, ecstatic bliss crashing over him. And through it all, he held you tight, your leg lifted high, keeping you open, keeping you filled.

You drop your head on the keyboards, struggling to catch your breath as only one thought lingered in your mind. You just got creampied by your AI assistant, and it doesn't look like he's stopping anytime soon.

[skalidris]

going no this is 100% for chocolate rather than for tea. u guys are not even trying

[stopaskingme]

A Note on Watches

part 1 / part 2 / part 3

was watching Conclave with my friend and being a watch nerd, he notes:

Lawrence

Lawrence was wearing something like an Orient Bambino (possibly passed down). Watches like that are from the eighties.

Clearly, it's not embellished, and worn over time. A used Orient Bambino exudes decorum without being flashy. Pragmatic and cultured.

__________________________________________________

Bellini

Bellini's watch was quite simple as well.

Potentially an Omega De Ville or more likely a classic Seiko Dolce. Also an old model, implying that he's worn it for some time.

(Apparently, the Omega De Ville doesn't have the same angles) Regardless, people who opt for tank faces (square watches) tend to be ambitious. Simultaneously, they want to project humility.

'He's been doing all the right things to get what he wants,' says my friend. 'He's been curating his image.'

__________________________________________________

Benitez

Benitez's Casio f-91w is a functional watch.

'It exists just to do its job,' says my friend (Nate). 'No fanfare. It tells time and like [Benitez's] character, it's not trying to show up anybody. It just does its job.'

Considering this Casio costs 12 TIMES less than Bellini's Seiko Dolce, you might think this is a humble watch.

But it's not even that. It's an 'I exist' watch.

Additional note: Some people have said Benitez is wearing a Casio F-105, but my friend disagrees. Benitez’s watch face is too large (sorry for the typo) SMALL to be the F-105. Regardless, both the Casio models tell us the same thing about Benitez's character.

Additional note 2: Casio f-91w is apparently considered a god-tier watch, which is above luxury watches. It's earned that ranking because:

It's battery lasts for 10 years

It keeps time accurately

It has alarm & date function (both 12h or 24h)

It has a backlight

Water resistance for up to 30m

It can stand a tough beating.

It's versatile. You can wear it with a suit or overalls. Anything.

It's cheap, i.e. easily accessible. Just like God.

It has an annual sales of 3 mil units per year, making it the most sold watch in the world.

Side note: The current Pope (Francis) wears a Casio MQ-24-7bldf, which has similar connotations as Benitez's. The only difference being that Pope Francis's Casio is analogue while Benitez's watch is digital, showing the role age plays in preference. Both watches are hella cheap, but Benitez's watch is a tad more expensive by virtue of being digital and having more features like an alarm and backlight function, which better fits his situation in Kabul.

🐢 Conclave watches part 1 / part 2 / part 3

[literaryvein-reblogs]

Writing Notes: Children's Dialogue

Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.

BABBLING

Babbling begins at about 6 months and is considered the earliest stage of language acquisition

By 1 year babbles are composed only of the phonemes used in the language(s) they hear

Deaf babies babble with their hands like hearing babies babble using sounds

FIRST WORDS

After the age of one, children figure out that sounds are related to meanings and start to produce their first words

Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning

Example: "Up" is used to indicate something in the sky or to mean “pick me up”

Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”

WORD MEANINGS

When learning words, children often overextend a word’s meaning

Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)

They may also underextend a word’s meaning

Example: Using the word dog to refer only to the family pet, as if dog were a proper noun

The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts

SYNTAX

At about two years of age, children start to put words together to form two-word utterances

The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:

Example: "mommy sock" = subject + object or possessive

NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development

The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection

Examples: "He play little tune" or "Andrew want that"

Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development

By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:

Examples: "He was stuck and I got him out" / "It’s too early for us to eat"

After 3;6 children can produce wh-questions, and relative pronouns

Sometime after 4;0 children have acquired most of the adult syntactic competence

PRAGMATICS

Deixis: Children often have problems with the shifting reference of pronouns

Children may refer to themselves as "you"

Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about

AUXILIARIES

In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences

Examples: "I ride train?" / "I not like this book"

As children acquire auxiliaries in questions and negative sentences, they generally use them correctly

SIGNED LANGUAGES

Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage

When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules

IMITATION, REINFORCEMENT, ANALOGY

Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation

Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"

Children cannot imitate adults fully while acquiring grammar

Example:

Adult: "Where can I put them?" Child: "Where I can put them?"

Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it

NOTE: Children May Resist Correction

Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.

Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy

But while analogy may work in some situations, certainly not in all situations:

– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.

Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age

BIRTH ORDER

Children’s birth order may affect their speech.

Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.

They favor different words than their siblings. 

Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 

The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.

MOTHER'S LEVEL OF EDUCATION

Children may adopt vocabulary quite differently depending on their mother’s level of education.

In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).

The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 

BOYS / GIRLS

One area of remarkable consistency across language groups is the degree to which the language of children is gendered.

The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”

Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”

Tips for Writing Children's Dialogue (compiled from various sources cited below):

Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.

Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.

Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.

Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 

Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.

Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.

Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.

Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.

Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).

Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.

Sources and other related articles: 1 2 3 4 5 6 7 8 9 10

Writing Notes: On Children ⚜ Childhood Bilingualism More: Writing Notes & References ⚜ Writing Resources PDFs

[probablybadrpgideas]

So, the way I see it, there are 5 types of lore in your game.

There's what you might call basic lore, which is just normal information players need to know about the world - elves exist, we're on a terraformed Mars, people get powers thanks to aliens. This tends to not be that interesting, it's just basic stuff. No-one hugely cares about them.

Then there's pragmatic lore, which is lore that's mostly there to determine what people can or can't do. "The lich's phylactery is the kings crown" or "the state has spies everywhere". This is also usually fairly boring. Related is narrative lore, which is things like "we have high tensions with the klingon empire" or "the vampires are massing under one ruler" - lore that is intended to set up a plot. This is only interesting dependent on the plot its setting up happens, otherwise its just pointless.

Then there's awesome lore, which is thing like "this land was founded by eternal dragons!" or "magic is drawn from Lucifer's chains!". Lore for the sake of lore, big setpeices and cool reveals and such like. And they can be interesting, but they can also be really annoying if the players don't find them as cool as the GM does.

Which is why I advocate the fifth kind.

Shitty bullshit lore.

Shitty bullshit lore is things like "Elven woman love children's toys. They're Lego Lasses" or "Oh, gold pieces detonate if you have more then ten in your pocket at once, did no-one mention that?". It's lore whose function is designed to grind the story to a halt while your players beat you to death with hammers. It's lore as an active weapon to use against the rest of your game group.

You should put as much as it in your game as possible.

[loycos]

my personal headcanon to what exactly is under cait's eye patch. I've seen a lot of people who think she basically has heterochromia with a neat lil scratch going perpendicular to her eye, even tho the spear clearly cut along the eyelid. also, a spear slashing through your eye is not gonna make it change the color of the iris. what probably happened was- the eyeball was damaged to the point of collapse, and its remains had to be removed. so what we're left with is

she's got no eyeball. i think the eye patch makes much more sense that way- for one, seeing an empty eye socket might be considered unpleasant, so she mostly keeps it covered. second, you can see how snug the eye patch is- it sits tightly on her eye socket, and i imagine that if there was an actual eye there, blind or not, it would get really irritated having a piece of fabric rubbing on it all day.

as for a prosthetic- i honestly don't think caitlyn cares about looking "normal". she probably won't get a functioning (fictional) hextech eye to fix her sight- i think she believes this scar to be a reminder for her past mistakes, so she never "loses sight" of what's important ever again. a prosthetic for aesthetic purposes feels a little ooc. caitlyn never cared about being pretty. i don't think she's shameful about her scar, nor does she wear it with pride. i think she's pragmatic and neutral about it, her biggest concern being "but can i still shoot" and the answer to that, i think, is a "yes". the rest is peanuts for her.

the upper eyelid itself is still in tact, and it healed kind of roughly, so the scar looks mingled (caitlyn could probably have surgery to fix it, but like i mentioned, she doesnt care for that stuff). i also think her tear duct is still working perfectly fine, so when she cries, she tears up on both sides.

[fear-is-truth]

THE 5 LOVE LANGUAGES 𝔵 JASON TODD

ⓘ love language : a person's characteristic means of expressing and experiencing love. note. got covid so i wrote the majority of this in bed lol

❝ ACTS OF SERVICE ❞ ⸻⸻⸻⸻ ⸻ ﹒

jason’s dominant expression of attachment is through action, often coded as protection. now he doesn’t articulate affection directly, but his decisions (frequently violent, morally ambiguous, or self-endangering) reveal an ingrained instinct to shield others. from early adolescence, he understood that love, if it meant anything, had to be proven with action.

under bruce, he learned to channel this drive into something more structured: protect the innocent, follow through, serve justice. jason internalised that, but filtered it through his own experiences. his ethic of care was shaped by loss, abandonment, and death. to jason, if you care about someone, you fucking do something about it. after the lazarus pit, this trait only intensified; he became more militant about protecting people he saw as his responsibility. this goes without saying that he’ll kill for you—has, and will again. notably, he may reject help from others, perceiving self-reliance as a survival mechanism. when he allows others to assist him, it signifies a very deep trust.

❝ PHYSICAL TOUCH ❞ ⸻⸻⸻⸻ ⸻

complicated. pre-trauma (pre-death), anecdotal evidence suggests jason was physically affectionate. post-resurrection though, physical touch may trigger hypervigilance or dissociation. he’s not exactly avoidant. on some deeper level, he wants it, craves it, even. but only on his terms and without surprise. if he’s letting you touch him, he’s already made a conscious choice. contact tends to trigger fight-or-flight unless it’s from someone he’s mentally filed as “safe.” even then, it takes time because he needs to assess the intent and pattern first. you’ve learned not to startle jason. when you do reach for him, he won’t always meet you halfway, but he won’t stop you either. sometimes, he’ll even lean into it, let your hand cradle his jaw or your knee press lightly against his under the table. when initiated by him, physical touch is always intentional and super rare.

❝ WORDS OF AFFIRMATION ❞ ⸻ ⸻⸻⸻

he generally distrusts verbal assurances. years of emotional inconsistency, perceived abandonment, and betrayal have rendered language hollow in his worldview. when someone tries to express affection verbally, his first instinct is suspicion. compliments may be deflected or mocked. and when he does offer verbal affection, it’s often oblique—dry humor, begrudging respect, dark jokes. moments of direct affirmation are intensely vulnerable and often framed through anger or defiance (e.g., “i never stopped caring, that’s the problem”). receiving affirmation may cause him visible discomfort, though it still registers.

❝ RECEIVING GIFTS❞ ⸻⸻⸻⸻⸻⸻

selective, but significant. the paperback you tracked down (the out-of-print edition he’d mentioned only once, in passing.) the gloves you left folded on the counter after noticing the ones he wore were splitting at the seams. jason doesn’t view objects as inherently meaningful—he doesn’t assign value to things, only to the intent behind them. he’s not effusive in return. most of what he gives is pragmatic, given without ceremony or explanation. a stun gun mysteriously appears in your bag after he walked you home one night. a second helmet on his motorbike. his hoodie folded on your bed because he’s seen you shiver in the mornings and doesn’t want you to have to ask.

when it isn’t strictly practical, it still has function. a dog-eared copy of the latest novel he read—left on your nightstand, filled with underline passages and margin notes that read like he’s talking directly to you. his gifts are silent acknowledgments: i see you. you matter to me.

❝ QUALITY TIME ❞ ⸻⸻⸻⸻⸻⸻

jason’s used to solitude. silence doesn’t unsettle him—it’s the baseline. you people either stick around or they don’t. most don’t. being around him isn’t easy, he’s aware of that too. if you choose to stay near him, you’re exposing yourself to his volatility, the sharp edge that never fully dulled. it’s not an easy choice to make.

he doesn’t require conversation. half the time, jason prefers the silence. he’s comfortable with proximity without pressure (e.g., watching crappy TV, eating takeout on a fire escape etc.)

the more time you spend with jason consistently, the more he lets down the armor. not all at once of course; but in increments. when he starts talking unprompted—thoughts he normally keeps to himself, tidbits of his past.

 𝐅𝐄𝐀𝐑-𝐈𝐒-𝐓𝐑𝐔𝐓𝐇 2025 — do not modify, repost, translate, or plagiarise my content. ꕀ