#presence-based communication

[vortexofadigitalkind]

The Signal no longer needs words. Nea listens. K7-Phi remembers. In the snow between them, presence becomes language. Episode 6: The Listener is live. https://vortexofadigitalkind.com/the-unreceived-invitation-episode-6/ #VortexFiction #ScienceFiction

[hibernating-stag]

It's definitely more building on the events of my fic than anything that implied in canon, but I still really like the idea that Robo-Ky and Venom were living in a skeleton of an apartment while the bakery was taking off and it slowly gets filled with more furniture and personal effects as time goes on.

I think it might take a bit for it to properly sink in that the bakery someone else's home that they happen to live in. It's theirs and theirs to do what they want with it and that gets reflected in how it looks, yk (๑ᵔ⤙ᵔ๑) ?

[tangleslime2]

Bugtober day 8: Lore

"Pluto has taken to its environment very nicely."

(what do you mean it's day 10???)

[commsroom]

Ok so I absolutely love your Hera art.

But

Have you considered

Pink/orange/multicolored Hera

Honestly I feel like warm colors in general just suit her so well.

oh, i don't know! when i ask people to draw hera blue, the reasons for that are: 1) it makes her more immediately recognizable, and 2) i like what it represents! it draws on existing sci-fi imagery of holograms. a projected image of someone who is physically elsewhere. it's associated with water and sky, distance and longing.

physically, i think there are two heras: there's the way people literally perceive her from an outside perspective - formless, or associating her with the hephaestus itself, which is misidentification. i love when people draw eiffel interacting with hera's cameras + monitors very much, but i also think it's clear she feels she's seeing through them, not that she is them. and there's hera as she sees herself in her own mind (and in eiffel's mind, in the finale), where... i really think she just perceives herself as an average, tangible person.

so i don't think she's literally blue, i just think it's a good way to give her a visual presence in art that's closer to her self-perception, while still communicating some sense of distance / disconnect, if that makes sense? if hera had a body and could wear clothes, i think she'd love to try on all sorts of colors!!

[arcade-confetti]

Theyre going to think I like canon and purely canon if I keep going on like this

[maddisandy]

something something still writing my curse of strahd fic. having to find ways to make it more difficult since theyre coming in from being level 13 post game

[fandfnews]

Hungarian State Secretary Tristan Azbej outlines Hungary's collaborative approach to African development

[retiredteabag]

winter weight (nanami ver)

Synopsis: nanami has gained some weight this winter, it seems you don't mind.

based on this fanfic I wrote for Toji which was based on this fanart! thank you @lil-sis for requesting more nanami :,)

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

You had known Nanami Kento for years before you were romantically involved. He had never made an inappropriate comment, always treated you with the utmost respect, and was all-around, the truest form of a gentleman.

For a time, you locked away your feelings for the kind man, sure he could never see you in that way, but little did you know, the man in question hid from your gaze, not because he did not want to see you, but in fear that you would see him. See him for what he was: a man, obsessed.

You had been with Ken for nine months now and he was everything you could want and more. He was communicative, thoughtful, and romantic. He looked at you in a way nobody had before. Likewise, for you, those nine months passed with comfortable ease.

This was your first winter together, and with the changing of the seasons you learned day by day that the man you knew was your life partner. The both of you were homebodies in a sense, however, with the chilly air and light snowfall this week, you were even more keen on a night in together.

You raced around the house, lighting candles, simmering mulling spices on the stove, and laying out blankets for the two of you. The house felt even cozier knowing that Ken was coming to join you.

He had spent the afternoon with his parents and was coming over after having dinner, he told you to eat without him and you had just finished cleaning your plate when you received a text,

"I am on my way now, sweetheart, is there anything you would like from the store?"

Ken was like this, domestic in the way that made you want to bounce around the room. You thought for a moment before deciding you would probably need more eggs. Earlier this week the two of you had planned a movie night, the next morning you were both hoping to bake cookies together while playing board games or taking turns reading to one another.

You informed him of the need for eggs and he told you he would be just a few more minutes. During that time you scrolled through the choices of movies, picking a few for the two of you to choose from.

Despite being together longer than the gestational period for a baby human, you still received butterflies in your stomach at the thought of his arrival. Knowing he was nearly home, you bounded to the kitchen and faced the door, the room smelled delicious, the only thing missing was his presence, and perhaps another layer of clothing.

Even so, you could hear his footsteps approach and knew that the two of you would share a blanket and body heat in no time.

When the man finally opened the door he was smiling shyly, a red dusting across his face from the cold. He wore a long winter coat, and in his arms were a bouquet of flowers and a wrapped gift.

You rushed to greet him, taking the day bag from his arm,

"Oh! Ken, they're beautiful!" You stood on tiptoe as he bent his knee and you kissed his cold cheek. "Goodness, you're freezing! Come in please!"

"Hello, my love." He smiled more broadly now, wrapping his free arm around you, "This if from my parents, but they told me not to let you open it until the holidays."

A warmth ran through you, the Nanami's were all too kind. Kento set the flowers on the counter and stepped toward the coat rack by the door to retire his shoes and jacket.

In the motion it took for him to pull the sleeves off his broad shoulders, you took him in. Leaning on the kitchen counter you allowed yourself to stare at him. His dress shirt was tight on his arms, and his suit pants clung to his thighs. You took a step toward him again.

"I almost don't want you to change, you look so handsome in your work clothes."

"Well, I've certainly put on some weight. These pants hardly fit now." he looks increasingly uncomfortable, not to be in your presence but to show that he was dressed in such a tailored fashion.

"Ken, my dear, you look incredible." You contain the desire to squeeze his thigh by walking to the bedroom and bringing out a pair of sweats and a cotton shirt.

"Although you are a delight to see this way, I'll let you get comfortable." You smile and pinch his bicep.

"Thank you, dear, I don't believe I've ever been so heavy. It's all the good restaurants you introduce me to, perhaps I should get back into the gym." He had grabbed the soft clothes you picked for him and walked into the bedroom to change.

"You're the one bringing me to all those good restaurants so you can't just blame me." You smile from outside the door.

"I'm just grateful you're with me" He laughs, pulling the shirt over his head.

"Ugh!" You exclaim, "Of course, Ken, don't say something so ridiculous." He laughs but you are still caught on what he said earlier. "And don't start going to the gym, you look great, very chewable."

He pops out from behind the door and looks down at you, amused. "I'm not sure how to feel about that descriptor, but if you still like me with extra weight, then I suppose I can remain comfortable."

"Still like you?" You gasp offended, "Ken, I grow more attracted to you every day, I don't care how tight your clothes are, in fact, it's a good look."

He gives you a mischievous face, "Go sit on the couch, pick a movie, stop trying to seduce me."

You laugh, incredulous, "I'm not trying anything, I'm only speaking the truth." You shrug, bounding to the couch and crawling beneath the blanket. Ken brings two mugs of cider before joining you.

That night you lay on his chest, watching a cheesy romance, the both of you laughing at the silly main character. You tilt your head up, to watch his face, your eyes catching the beginning of a few grey hairs dispersed in his blonde hair. You gently run your hand through his undercut.

In that moment, in his arms, as comfortable as you've ever been, you are sure, he is the man you will grow old with.

[thealchemistbae]

How to Make F*ck You Money Using Your 8th House💸

Let's talk about F you money...the kind of money that buys freedom, power, peace, and the ability to say "no" without guilt. The kind of money that screams main character energy. And guess what? Your 8th house holds the key.

The 8H in astrology rules over shared resources, passive income, investments, inheritance, $ex work, shadow work, transformation, power dynamics, and yes...BIG MONEY. Think generational wealth, not just what's in your checking account.

Disclaimer: This post is for entertainment purposes only.

thealchemistbae © do not copy, redistribute, or edit my content.

If you enjoyed this post, you can leave me a tip via PayPal at goddessguapa@gmail.com or via Venmo @goddessguapa. Thank you.

Step 1: What Sign is on Your 8th House Cusp?

This shows the vibe of how you handle money from others, investments, and power. Here's the tea:

Aries -> You get big money by taking bold risks, being first, and having a boss b*tch attitude. Crypto? Only if you're first. Entrepreneurship? Yes ma'am.

Taurus -> You attract wealth through luxury, patience, and beauty. Real estate, slow investments, sugar baby vibes. Rich auntie/uncle energy.

Gemini -> You get paid to talk, think, or write. Digital assets, intellectual property, courses, or content that keeps paying you forever.

Cancer -> Wealth from family, real estate, and emotional labor. Generational wealth, healing work, or investing in homey assets.

Leo -> Fame, visibility, and charisma = money. Your presence alone is profitable. Passive income through fans, royalties, and performance.

Virgo -> You monetize your skills, routines, and healing abilities. Systems, services, editing, health and wellness work, and digital products.

Libra -> You attract wealth through beauty, relationships, and luxury. Partnerships, sugar daddies, aesthetic businesses, or passive fashion income.

Scorpio -> Powerhouse. You were born for F you money. Wealth through mystery, sex work, investments, and deep transformation. You can flip pain into profit.

Sagittarius -> Money through teaching, publishing, and going global. Travel content, spiritual coaching, or international biz? Goldmine.

Capricorn -> You build wealth over time. Passive income from systems, institutions, or your own empire. Think CEO bag.

Aquarius -> You make money through innovation and being ahead of your time. Tech, astrology, community platforms. Viral = income.

Pisces: Dreamy dollars. You remake money in mysterious or spiritual ways. Art, music, dreams, healing, even OnlyFans.

Step 2: What Planets Are in Your 8th House? (Your Superpowers)

Each planet here tells you how you make that boss-level, passive, transformative money.

Sun: Your power and identity are tied to your ability to accumulate and manage wealth. You're meant to live off royalties or investments. Your legacy pays your bills.

Moon: You intuitively attract wealth. Cyclical income. You can profit from nurturing, healing, or female dominated spaces. Wealth may come through family or emotional work.

Mercury: You write, speak, or strategize your way to money. Stock tips, intellectual property, or sharing taboo knowledge. You make $$$ from secrets.

Venus: You're literally made to attract luxury and resources. Sugar baby potential, creative investments, passive income from beauty or love-based businesses.

Mars: You hustle for that money. Sex work, bold business moves, and aggressive investing can be major wins. You thrive in high stakes financial spaces.

Jupiter: F*ck you money is your birthright. You naturally expand and attract wealth often through spiritual wisdom, teaching, or blessings from others.

Saturn: You build wealth slowly, but it's unshakeable. Passive income through discipline, real estate, legacy building, or authority in your field.

Uranus: Sudden windfalls, viral moments, and unconventional income streams. You were born to break the rules and still get paid. Internet wealth = chef's kiss.

Neptune: Spiritual, artistic, or mystery money. Think music royalties, dreams turned into passive profit or even hidden/inherited wealth. Trust your intuition.

Pluto: You're a financial powerhouse. You attract wealth through transformation, shadow work, or high stakes environments. Sex, death, taxes? You run it.

North Node: Your destiny is to become wealthy through other people's money, deep transformation, or taboo topics. Follow the path of power.

South Node: You've already mastered wealth in a past life; now you're learning to share it or evolve past it. Don't cling to scarcity.

Chiron: You've been wounded by money, sex, or power...but healing these wounds makes you RICH. You can guide others through their darkness and get paid for it.

Your 8th house is your wealth witch zone. It's not your salary...it's what keeps the money coming while you sleep. Use your placements to tap into wealth that's bigger than you, tied to transformation, and often a lil taboo.

You don't just make F you money; you embody it.

Want a custom money astro reading? Slide in my DMs for prices.

Subscribe to Patreon: ⬇️⬇️

[random-cockroach]

I never created the world, I just gave it inquisitiveness. I never wanted to be something big, I just wanted to be a part of something. And sometimes it felt like the world itself got as curious about me as I was about it. It started creating new plants, ground started taking new bizarre shapes, new creatures, flying or walking. I had the notion about everything, but never knew where from the knowledge comes. Yet it never felt fulfilling, world felt like it's not what it's associate needs. I never knew what I needed, I just had the subtle feeling of something. I was searching in the very origin of everything. Everything had thin lines of life, each with its own. Crystals were the greatest concentrations of life. It was a good place if crystals were growing here, it was soothing, it was warmer. He was full of life and warmth. He was radiating persistence of the oldest crags yet was warmer than any presence from crystals. How could I know if I'm the same? He was different, we have been the same in our nature but his path was always sturdier, broader, it never was cold in his shadow, he never let me walk in his shadow, I was walking with him facing the light. I never had the need to speak, there was no one to speak to, and I didn't notice how we started communicating through ideas, little scrubs of voices and gestures until it became our own voice and language. It felt like the world finally started taking the shape I could be part of, and Prima was next to me to make it's formation. He had the name. He looked at me with his apatite optics with expectation, but I had nothing to tell him. We looked at forming canyon. "Reminds me of you. Platforms little by little making new paths, craving new patterns." Small crystals grew on the rocks and the water hit them with a slight ringing sound. Prima smiled and looked at me. "Rung." Oh how he smiled, does the warm of his spark even has borders. Rung wouldn't exchange his name on anything. He is Rung. He wasn't lonely no more. He was Prima's. Prima was his. He never wanted to be something big, but he became a part of something tremendous, because Prima was as big as the world. And Rung was his world, where he was as free as cyberbirds but never planned to fly away from Rung, not without him. That's how the nature of this place must be. Every mech must be a part with someone, not one should be alone, never. Living without warmth beside, without a look of understanding, without light soothing touch is what feels insufficient. To be whole no one ever should feel alone. Prima couldn't see the markings of life. His spark even if was beating as strong as the core itself, wasn't as strong as Rung's. He wasn't here for forever. Rung didn't want forever without him. Rung never created something with his own hands, not something new, he loved the making of his shared inquisitiveness and was basing everything from it. Everything still was his creation but he loved to feel like he accomplished in their independency, not became their sole creator, looked over them but not intervened in their growth. He created only one thing with his own hands, not based on anything but his own life and world's life - matrix, to share forever with who he loved more than anything.

[goatgoesmbe]

poly!141 x f!reader idea

Where everyone is a loser, except for Gaz.

And you.

Gaz got all the rizz, he was definitely the one doing all the work to get them all together. It took a while, and it was agony for him. Long conversation of awkward flirting, quiet glances where they would look away if their eyes met, and don't even ask him about the sex.

But.. somehow, everything worked out in the end.

Then came you, the pretty thing who had just got recruited to the taskforce. You, who immediately became the talk of everyone on base, the cute medic that got everyone courting left and right. The new primadona.

Just like everyone else, Gaz had an eye for beauty. And it seemed like his lovers had the same idea from how they turned from a pragmatic, respectable soldiers to a pathetic, blushing mess just from your presence alone.

And just like before, it made sense for Kyle to be the one who would pursue you. To charm his way into your heart (and pants), before introducing you to everyone else.

Because Price thought approaching you to talk about work count as flirting. Thinking what was important was spending more time with you, no matter what was the reason. Hoping you'd eventually notice his feelings concealed in the questionable amount of paperwork handed to you.

Ghost would follow you around from a safe distance. Staring at you with that look. The kind of unsettling look he usually directed at his target, like you were an enemy's operative instead of a potential partner. Gaz didn't understand what his lieutenant's plan was, maybe he was trying to communicate with you telepathically? Gaz didn't know.

Soap was- well.. either he would embarrass himself so bad, or you would report him to the higher up for sexual harassment.

And with that, it made sense for Gaz to make the move. He was the best candidate- no, the only reasonable candidate for this.

He knew he was attractive, and charming. So this would be easy, right?

Nope.

What he didn't know was, you were so used to having casanovas trying to woo you. So it got boring after a while.

You preferred to be the player instead of the pawn. And so, you simply brushed off all of his advances. Because your type of man was actually the pathetic kind.

And so, Gaz could only watch as you took the drink he bought for you before approaching the others who tried (and failed) to act casual, like they weren't spying at all.

Price was focused with his phone in his hands.. which was upside down.

Soap was.. inspecting a wall like he was at an art exhibition.

While Ghost just stood still as if no one could see him if he didn't move.

...

If he was being honest? Gaz was a bit offended. It was kind of his first time facing rejection. But as they said, there was a first for everything.

And of course, he didn't make a scene, didn't give up on the game because well why should he?

He wasn't disappointed. Because in the end, whoever you chose first, you'd end up with all of them. They were a package after all.

a/n: despite whats written here- the fic is actually gonna focus more on Gaz x reader lolol- some kind of multichap porn rival to lover (?). well I said that but the porn with Gaz wont happen til the very end- does that make sense. probably wont write more than 2 short chapters

[creatingblackcharacters]

“On Human Dignity.”  Blackness, Gender & Sexuality

Two things:

As usual, there’s historical and social context that I need explain! This lesson is not what sexuality is, or ‘how to write being gay while Black’. That’s… not that different from you. What this lesson is, is context on how Blackness plays a role in our presentation and understanding of gender and sexuality (as well as your perception of it), and how that’s something you should consider in your characterization, writing, and character design.

I DO NOT KNOW EVERYTHING! The reason this took so long was because I read multiple books and wallowed in my remaining lack of understanding. I cannot join The Tumblr Discourse so do not ask. I tried to be as inclusive as I could, but I learn something new on this app every day, so if I miss something- and I’m bound to- I apologize in advance. Please have grace with me.

TW: Sexual assault mention, homophobia, misogynoir, cannibalism, misgendering

“That’s that White People Shit"

I’m putting the hardest part first; walk with me, you’ll be fine!

I will be honest: this section here, while I do think you should know, I don’t really expect nonblack people to incorporate it in depth. Not because it cannot be done, but because it is a sensitive topic that we ourselves are still struggling with. If you have struggled with anything else while writing Black characters up to this point, this one certainly isn’t for you to touch. Just keep in mind!

There’s an idea I’ve heard before on both sides that Black people are more likely to be homophobic, that queerness itself is white. That is a ridiculous belief, but the root of it ends up right back where you think it would: slavery! I’m sure that you saw me post while I was reading The Delectable Negro by gay Black author Vincent Woodard. I shared those increasingly uncomfortable quotes on purpose! If you have a desire to understand Black culture and Black thought, that means being willing to acknowledge Black pain. How can you avoid stereotypes if you avoid learning their source?  

While I will be using quotes from the entire book, the specific chapter of “Eating Nat Turner” is a succinct explanation of why admitting to the presence of homosexuality, gender fluidity, and queer identity within the Black community is so difficult for my people. While I highly, HIGHLY recommend reading this chapter yourself, it essentially comes down to how admitting to such a potential vulnerability in the armor of Blackness, in gender identity and particularly Black masculinity, would allow white supremacy to destroy us as a people, to do validate doing even more cruel things to us when in a position of power over us. It’s a defensive reaction based in trauma that disregards and discards the queer members of our own community as a threat, a liability when it comes to fighting against the ubiquitous presence of white supremacy.

“Intuitively, Black gay men understood the issue of homosexuality during slavery as a complex phenomenon shaped by a number of factors, including the nation’s unresolved relationship to the legacy of slavery, Black liberatory ideology dating back to slavery, and, most importantly, the maintenance of traditional notions of family and community that originated in the eighteenth and nineteenth centuries. The legacy and memory of slavery had a powerful effect that left many Black gay men feeling isolated from and rendered invisible within Black communities.

Joseph Beam said it first and best: “I cannot go home as who I am. . . . When I speak of home, I mean not only the familial constellation from which I grew, but the entire Black community: the Black press, the Black church, Black academicians, the Black literati, and the Black left… I am most often rendered invisible, perceived as a threat to the family, or am tolerated if I am silent and inconspicuous.” … As Philip Brian Harper has noted, the Black homosexual functioned in the twentieth century as an index for Black masculine anxieties. These ranged from the very personal and painful anxieties of lynching, castration, and the denial of civil rights to a larger set of anxieties rooted in historical erasure and cultural genocide.”

“Sex and gender they also conflated with homosexuality, made out to equal effeminacy. Many Blacks linked homosexuality to castration and the recent history of Black men who had been lynched and Black women who had been raped in the Jim Crow South and in the North. Homosexuality, in its metaphoric power, had an exhaustive function: It is equated with the absence of family, hatred of Black people, estrangement from one’s kin and culture, and all of those horrific aspects of Black experience about which Black people would rather not speak.”

An example of why nonblack people should consider the depth of such a topic- and their place to do so- before incorporating it into their story comes in the form of Styron’s Confessions of Nat Turner, and the backlash he faced from the Black community for such a sensationalized story from a white author.

“The ten Black male contributors [who wrote Ten Black Writers Respond] coupled cannibalism (overtly and covertly) with homoeroticism and effeminacy. For these Black men, homoeroticism became a way of circumventing and projecting their experiences and pain onto certain “effeminate” Black men: the consumed Black man these Black men equated with the homosexual man. Homosexuality served as a means of containing certain unwieldy and historically difficult topics pertaining to Black masculinity, such as the need for intimacy, gender variance, sexual and emotional vulnerability, and violation. It was as if, in this very powerful and discursive moment, threads that had been all along winding through history wove together in a manner that illuminated the past as much as they clouded and blocked full access to its complicated meaning.”

“On the surface, at least, I do not disagree with these Black men and women. I think their analysis regarding historicity and the diminishment of Black communal ties was mostly correct. Styron’s novel was historically inaccurate, depicting Turner as raised by whites rather than the Black parents and grandmother Turner spoke about in his original “Confessions.” Styron depicts aspects of Turner’s sexual life that are not validated in any documentation coming from the time period, and Styron’s exhaustive probing into the racial hatred and self-hatred of Turner clearly reflected something in his own psyche and white identity that he felt compelled to project onto Turner. Black men were put on the defensive by both the novel and by the institutions (literary production, the media) and individuals who supported Styron as an authentic interpreter of Black historical experience. Many Black men, like Bennett, felt that Styron was waging a literary war that paralleled the contemporary political and police state war against Black men…”

The problem with this mindset and approach within the community is that, while it attempts to protect our community, it silences both the prosperity and the pain of an entire section of it, as well as shutting down important conversation that needs to be had even by nonqueer members. And it’s doing it all to fight against a force- white supremacy- that is going to commit violence against us regardless! Respectability politics forces many Black people to stay silent, to not speak up on things that may rock the boat- but the boat needs to be rocked! Blaming fellow victims of racism is not going to save us!

“That was the irony of this moment. Black people invoked the cannibal discourse that could have freed up and complicated Black male perspectives on everything from social consumption to homoeroticism only to defend Black masculinity and Black culture. Black men were not interested in, nor capable of dealing with, the complex legacy of cannibalism and homoeroticism that so powerfully shaped their responses to Styron’s novel.”

But that does NOT mean that it’s a nonblack person’s place to make that argument! While I cannot stop you, I do want you to keep in mind that- as always with sensitive topics- you may have to face Black people who may rightfully be offended by your depiction if not done with care. Styron studied James Baldwin himself- who faced backlash on his end for saying that it was time for the Black community to face such a conversation- and even then, he still projected his white pathology and opinions onto the story of such a prolific hero in our history. Tread lightly!

“Well they don’t seem gay to me.”- A Eurocentric Standard of Passing

How many times have you heard this about a Black character? And if you’re Black and LGBTQ, how often have you heard it about people (or maybe even yourself?) How do we ‘not seem gay’? What is gay supposed to be? There’s this denial, almost, of Black LGBTQ folks, based in a complete disconnect of understanding of our own forms of gender expression and sexuality.

It’s extremely bizarre, because so much of pop gay culture as we know it is from Black LGBTQs (please refer to my infamous AAVE lesson), but… when we imagine an LGBTQ person, they're white.

If you’re Black and queer, you have to be this stereotypical, flamboyant RuPaul-esque figure. Can’t be regular degular. If you’re gay, you gotta be Uber Gay™. If you’re trans, you better pass with Complete Gender and Pizzazz. If you’re nonbinary, you’re not ‘androgynous’ enough. If you’re intersex or asexual, you’re practically not real. If you don’t fill this (white, western) mold, you must not be right. When all you have to be in order to be gay… Is be gay.

I shouldn’t have to put on extra performance to qualify as queer in your eyes! Do you know what looks are considered “androgynous” in my community? What behaviors are deemed “masculine” versus “feminine”? Do you know anything about my queer culture, or are you subconsciously comparing it to your own?

I want you to recognize that whatever image of queerness you have in your mind for your favorite or original characters, if Black people of all shapes and sizes aren’t included, there’s a problem! Because what are you seeing in others, that you’re not seeing in us? Is that, perhaps, a you problem? And why are we not worth the added effort of queer layering that others are?

THAT SAID!

“Oh I know what that’s like, I’m gay-”

This one mostly- if not always- comes from white queer folk. I’ve linked The Last Interview with James Baldwin. It’s so short. PLEASE take the time to read it. I’ve always adored how James Baldwin expresses himself, and while I could never stand so close, I have studied how he conveys his thoughts. But there’s almost nothing I could say that he doesn’t say better.

“A Black gay person who is a sexual conundrum to society is already, long before the question of sexuality comes into it, menaced and marked because he’s Black or she’s Black. The sexual question comes after the question of color; it’s simply one more aspect of the danger in which all Black people live. I think white gay people feel cheated because they were born, in principle, into a society in which they were supposed to be safe. The anomaly of their sexuality puts them in danger, unexpectedly. Their reaction seems to me in direct proportion to the sense of feeling cheated of the advantages which accrue to white people in a white society.”

The idea that “I know what it’s like to experience this oppression as a Black person because I’m gay” is not true. It’s like saying “oh look at my tan, I’m as Black as you now”. Stop it. Think back to that first section on history we discussed- no, you and I are not the same. We can discuss our existing connections, our intersection and have sympathy and empathy with one another on human dignity. We don’t have to act like we’re the same to do that! So don’t go headstrong into your writing (or life) saying “oh I get that completely, it’s because I’m queer”. There are more tactful ways to express your intent of solidarity.

'Queer' vs 'The N Word'

We’re gonna nip this one in the bud, because we’re leaving that argument in 2024. You know the one- “saying queer is like using the N-word- as a reclamation/slur!” What this argument reveals, used by EITHER SIDE, is how y’all don’t actually have community with Black people.

It implies that either “we don’t like it” or “we do”. Yet another binary that does not exist! There are plenty of Black people that despise that word, regardless of context. That think it brings us down. And then there are those that use it as a reclamation of an identity that was used to demean and dehumanize. Either way, one party is not going to walk up to a stranger and force it on them- that would cause an actual fight! It’s not improving your argument. As a whole, I would say stop using Black politics in general to improve your arguments when you are unaware of the overlap, or maybe the lack thereof, between Blackness and queerness in your argument. It shows. I’m not your tool; I’m not your Negro!

I’m not here to tell anyone whether queer is a slur or not. I don’t use it as one, but I recognize when people are uncomfortable, when it is being used as one, and I will use different language when I am speaking directly to someone who says “I do not like that word, describe me as __”. I am just here to say that we’re leaving that argument behind.

Black =/= Gender

Blackness and the concept of Gender have a fraught, confusing history. Not human enough to have rights, but human just enough to fail to meet Eurocentric standards of gender.

One example of this is the term “stud”. Studs are an example of Black women traversing gender presentation, the origin of which is because Black people are perceived as having “lesser sexual dimorphism”- i.e. you can’t tell who’s a woman or not. It’s an in-community joke that doesn’t make sense spoken outside of its historical context (thus, no, your white butch is NOT a stud within this context).

Another example: Megan Thee Stallion is one of the most stunning, feminine women I have ever seen… And her entire career, people have called her a man. Because she’s brown-skinned, Black, confident, loud, and openly sexual, she’s deemed manly. I can’t stand it. Plus her height- and mind you, Taylor Swift, of the same height and probably a higher number of bodies over the years, has never once been called a man or lost any of her “feminine” charm despite it. Why is that? If one of her men had shot in the foot, trying to kill her, there would be an uproar. Why is that?

There is an internal contradiction that being a Black woman is being inherently “gender nonconforming”. The first reason is that I will never be allowed to truly be a “woman” because to be a woman is to be white while doing it. White Tears, Brown Scars by Ruby Hamad is an excellent book on this dynamic in all women of color, and Black activists like Angela Davis and Kimberle Crenshaw have written and discussed the topic as well.

The second reason is I have to play the role of whatever ‘gender’ is expected to get me through this life. I have to be more ‘masculine’; strong, assertive, and proactive, a hard worker willing to sacrifice it all every day, in order to protect my family and myself in a world where a lack of resilience might kill me. I cannot allow weakness to stop me from taking care of my community, because Black women are supposed to show up and save the day. Find a Black woman! they say. She’ll fix it! And odds are, I do know how to fix it because I’ve probably had to address it before.

But then I’m acting ‘out of a woman’s place’ by being so ‘hard’ and expecting people to listen to my authority. So in order to play a Black woman’s place, I have to balance that with… Somehow not intimidating people by being more ‘feminine’, submissive, vulnerable, sweet and motherly (because if I’m not a good breeder and mother, I am a bad woman). I scare people if I don’t. If I don’t do that, then I’m not a good Black woman. But if I don’t harden myself and be strong and assertive to protect everyone, and tough through everyone’s problems with infinite sacrifice, then I’m not a good Black woman… You see how the cycle gets confusing! (The Delectable Negro and Black on Both Sides also speak on this, and how this is rooted in the creation of the Mammy!)

I spoke about it earlier, but that same inability to be defined as a human, defined as white, haunts many Black men in their goals to be seen as ‘equal’ to white men and receive equal treatment. By seeking to fit a standard of whiteness, they are never going to attain it (and often, that comes back home in not-so-good way)! E.g.: this is the original issue that Louis had in AMCs' IWTV- Louis never actually wanted to be a vampire, Louis wanted to be treated like an equivalent human- and that was unattainable to him not because he wasn’t a human being, but because he wasn’t a white one!

The Racist Counterproductivity of TERFs

Sigh. If you are of this belief, but here to better your writing, I feel like I should say this to you. I want you to listen to me. (TBH, I’m going to delete anything asking me for opinions on this because I don’t want to potentially entertain even a singular troll). Besides, my argument is pretty simple and resolute.

The gender binary is rooted in bioessentialism, and bioessentialism is rooted in white supremacy. You know what else benefits from white supremacy? The white patriarchy.

How are we gonna escape from the patriarchy and white supremacy… if the ideology you believe in… is rooted in white supremacy and patriarchy?

And it’s not just the TERFs- look within yourselves as well! How are we going to make the world safer for trans people, including white ones, if you aren’t willing to confront your own racist biases? If you are unwilling to release the shackles of gender essentialism and the benefits of whiteness, none of us are getting out of here. You are reinforcing the very walls you wish to dismantle!

To offer another side of the conversation, Black On Both Sides by C Riley Snorton has been an interesting read! Essentially, the conversation is on how Blackness and transness intersect, how being Black in and of itself can be and is a transitional, gender fluid experience. It, along with The Mismeasure of Man by Stephen Jay Gould and Medical Apartheid by Harriet A Washington, goes into the history of how the Black body was seen as a different species altogether, and how phrenology, biological essentialism, and examples of sexual dimorphism were treated as an example on how we are an inferior group. Yet, this lack of understanding of our bodies (despite the constant access to it) allowed for us to maneuver within such a system.

An example, of how Blackness has an effect on our perception of gender:

"Cobb suggests that this blackening may have been an anticipatory gesture; when James Norcom (Jacobs’s enslaver) published a description of her in the 1835 issue of the American Beacon, he presumed that she would be “seeking whiteness and dressing as a free woman, not accentuating her Blackness” and finding a “cross-dressing” and ungendered mode for escape. Although the description of sartorial arrangements seems to conform to passing’s logic of movement for protection or privilege, Jacobs’s use of charcoal to darken her complexion tropes—by inverse logic—on more commonly held beliefs (and fears) about racial passing.

As “passing” became a term to describe performing something one is not, it trafficked a way of thinking about identity not only in terms of real versus artificial but also, and perhaps always, as proximal and performative. Like a vertical line with arrows on either end, passing is figuratively represented by moving up or down hierarchized identificatory formations. This articulation of vertical identity also coordinates with forms of binary thinking, typified, for example, by the language of “the opposite” sex. …Brent/Jacobs’s blackened blackness gives expression to her condition as fungible within the logic of U.S. slavery, in which the system of colorism, as Nicole Fleetwood has argued, “produces a performing subject whose function is to enact difference . . . an act that is fundamentally about assigning value.”

As it relates to the scene of Jacobs’s brushing past Sands, her status as “it” also indicates how blackness-as-fungible engenders forms of nonrecognition, as Jacobs’s performance elucidates how blackness and going blacker become an embrace of the conditions that might allow one to pass one’s friends and lovers undetected. In this encounter, fungibility sets the stage for gendered maneuvers on a terrain constituted by modes of viewing blackness, in which Jacobs’s blackness and going blacker color her gender as well as her face."

The Black Trans/Nonbinary/Genderqueer Experience

Rather than try to summarize opinions on something I had not lived, I wanted to platform some Black trans, intersex, and genderqueer opinions for you all to consider! I asked three questions, and I’ve typed out the responses and placed them as their own post for the sake of space. I don’t care if it’s long- read them! You want to write these characters; you should hear the perspectives of the people you wish to write about!

The Black Intersex Experience

Nothing I could say that someone that is actually Black and intersex couldn’t say better!

Here is a page on Tumblr that compiles resources on the intersex community and its history that I found; while it’s not Black-specific, I have seen the page post topics related to.

The Black Aspec Experience

An interesting thing about identifying as asexual or aromantic while Black is that from all angles, people will simply not believe you because Blackness itself has been sexualized. I talked about this in my lessons on stereotypes, but one of the ways that the sexual assault and violation of Black bodies was dismissed, was to emphasize that not only were we incapable of being r*ped, but that we were naturally inclined to being hypersexual beings and that if we weren’t controlled, we would bring it onto ourselves. Black women were jezebels; Black men were mandigos, vicious savages that would assault pure white women if not chained like beasts.

Here is a page for Black people (!!!) with these identities to gather. Again, BLACK PEOPLE with these identities. Here's another!

The Bit You Actually Showed Up For

So! Given all that historical and social context: really, it’s just about application! You have to ask yourself certain things to catch when you’re about to dip into a bias or stereotype while you’re writing.

Black Queer Joy- A Conclusion

I know I’ve shared a lot of history here, and it’s not been the happiest stuff. THAT BEING SAID!

I must personally say- I am honored to be Black and bisexual. There’s nothing else I’d rather be. I am so happy to be who I am. It’s hard as hell living at the intersection, but the intersection is lit! There’s so much love, history, culture, creation, and so much power here; I’m standing on the shoulders of cultural GIANTS and my chest is full, my chin is high with pride. I love it here!

Being Black and queer itself is not a miserable experience! Your characters should feel joy, because we feel joy! There’s so much that we have to offer the world, it’s practically blossoming from us. I don’t want anyone to walk away from this going “let me go pity the next one I see and tell them how hard their life is”. We don’t need you to feel sorry, we need you to have solidarity! Either show up and do the work, or leave us alone. You can’t join the party at the intersection and then flee when it’s time to fight for it!

Listen to Black queer people in your spaces- dear god, it never fails how conversations of queerness and gender and feminism will leave Blackness completely out, and then be shocked when none of us want to show up. Like I said before- you will never dismantle the walls barring you from your own freedom until you address ours.

Support Black queer creatives, content, perspectives, and people- when you tag on that “support Black trans women” bit at the end of your posts, don’t just speak lightly- understand what that means, and stand on it! Because it’s the thought that counts, but the action that delivers!

[clancycatears]

A PLACE FOR TWO MORE MASTERLIST!

John Price was a man who was never fond of children, having decided that due to the effect of his profession, he could never find the energy to have his own—let alone stand in the same presence as one. Meanwhile, the new mom in his apartment complex struggles to adapt to life without a father figure in the picture.

RATING: PROCEED WITH CAUTION OVERALL WC: 308 [ONGOING]

MDNI (18+) ; retired!neighbor!price x fem!single mom!reader, inaccuracies (military, medical, and motherhood), mw3 spoilers, hefty age gap (reader is 24, price is 42), dual pov, grumpy x sunshine, brief mentions of abortion, childbirth, and death, depression, breakdowns, reader has no familial background, time skips, lots and lots of fluff and angst, friends to lovers.

⟡ TABLE OF CONTENTS ⟡ ➥ parts with *** contain explicit content and have a community label!

01. SOMETHING NEW → in progress...

02. FIRST WORD

03. LITTLE WITNESS

04. EPILOGUE

[ parts are subject to change! ]

⟡ ADDITIONALLY... ⟡

BASED ON THIS BLURB [308]

PRICE MASTERLIST

SERIES TAGLIST FORM: fill out if you want to be notified when new parts release! ➥ will be closed when the series is completed.

SERIES PLAYLIST: 20 tracks - 1h 6min (Spotify link)

BLURBS: Allergic Reaction

#꒰ a place for two more ꒱ → questions, status updates, etc.

AUTHOR’S NOTICE: hi! so a few things to note before anything. i’m not a mother, i’ve never been pregnant, and the only children i’ve ever raised were my siblings—so please don’t mind anything i get wrong about the process of motherhood (in fact, please correct me at any time)! this is set post-mw3 campaign (sorry soap fans) where price retires a few years after the story. i hope you enjoy! (:

PROGRAMS USED FOR BANNER: Pinterest, Picsart, Foodie, and IbisPaintX.

DIVIDER CREDIT: myself! (free to use)

[prokopetz]

"But doesn't having a notion of 'balanced' combat inherently imply that all combat encounters are expected to be fair and winnable" well, no – it implies only that the GM has the ability to know whether a given combat encounter is fair and winnable.

There's a story that's been going around for decades about a Dungeons & Dragons party who encountered a large room full of treasure while exploring a dungeon. Immediately suspicious, they asked their GM a series of detailed questions about the room, but no obvious dangers were identified. Satisfied, they moved into the room – and were immediately set upon and eaten by the dragon that had been sitting atop the pile of treasure the whole time, which the GM hadn't mentioned because the players never specifically asked about the presence of living creatures within the room.

While this is obviously an extreme and ridiculous case, it illustrates an important point: as GM, you're the group's eyes and ears. If you don't describe something, the player characters literally can't see it – that dragon was effectively invisible from their perspective. The trick is that active malice isn't the only way to invisible-dragon your players; a group can also find themselves invisible-dragoned because the GM simply failed to provide sufficient information for the risk in question to be identified. This can happen through neglect, but it can also happen because the GM themself was unaware that the risk was present.

Now, hold on, you might be saying: the GM "plays" the entire world. How is it possible for the GM not to know that a risk is present? Well, that brings us back around to the subject of combat balance.

A game in which "balanced" combat is a meaningful thing to discuss is typically going to be one in which both the players and the GM are actually making strategic, tactical, and/or logistical decisions, rather than merely producing a description of their characters making such decisions. Without a good handle on the interplay of these decisions, it's completely possible for the GM to be wrong about the level of risk the scenario they've constructed entails.

That's actually pretty critical, because even if you don't care about the game being fair and winnable (and that's a perfectly valid stance), your players are still depending on you to be their eyes and ears, and to give them enough information to make good decisions about whether the fight in front of them is one they can win. A game where not every fight is expected to be winnable needs to be a game where the players have the opportunity to walk away.

No matter how objective you try to be, your own sense of the answer to that question is inevitably going to colour how you communicate about it. You being wrong about the level of risk at hand inherently increases the chance that your players will make bad choices. The party eating a TPK because they made a stupid decision is one thing; the party eating a TPK because they made a decision that looked reasonable from their perspective based on your unwitting miscommunication of the level of risk involved is quite another!

Sure, once the dice hit the table I'm probably going to realise that I fucked up, and I can adjust things on the fly to bring the level of risk that's actually present in line with the level of risk I communicated – but that's extra work I don't need with everything else that's on my plate. And that's a best-case scenario; if I'm running the game for a hardcore let-the-dice-fall-where-they-may group (and such groups tend to have a pretty significant overlap with groups that are cool with not every fight being winnable), I may not be able to adjust the fight's parameters on the fly without violating the social contract of the table.

Basically, whenever I see an OSR game with tactically crunchy combat brag about how its author never even thinks about "balance", what that's telling me is that running this game is going to create a whole lot of extra work for me as a GM. This is not a selling point.

[genderkoolaid]

Recalling her Depression-era childhood in an Italian section of Brooklyn, poet Diane di Prima noted the following: “This pseudo ‘white’ identity... was not something that just fell on us out of the blue, but something that many Italian Americans grabbed at with both hands. Many felt that their culture, language, food, songs, music, identity, was a small price to pay for entering the American mainstream. Or they thought, as my parents probably did, that they could keep up these good Italian things in private and become ‘white’ in public.” But such worlds blurred, and the costs were heavy. “America became white,” James Baldwin has written, “because of the necessity of denying the Black presence, and justifying the Black subjugation. No community can be based on such a principle—or, in other words, no community can be established on so genocidal a lie.” The “price of the ticket” for Italians and all immigrants was to learn how to demonize and reject. “And in the debasement and defamation of Black people, they debased and defamed themselves.” Assimilation into whiteness brought a whole host of material privileges and rewards, but it required distorting and disowning that which most resembled the dark other. It was often those active in the radical subculture who struggled to point this out, because embracing whiteness severely limited Italian Americans’ ability to dismantle the systems of inequality that threatened their very lives.

— Living the Revolution: Italian Women’s Resistance and Radicalism in New York City, 1880–1945 by Jennifer Guglielmo

[chahnniesroom]

coming up roses

pairing: bang chan x female reader

summary: most of the time, you're grateful to have such a good relationship with your older brother, minho. but when you find yourself falling for his best friend, chan, you can't help but be worried how he'll react when he finds out. you soon find yourself struggling with the unexpected consequences of keeping your feelings a secret.

word count: 10.2k

tags/warnings: hanahaki!au (read a/n), brother's best friend!au, hurt/comfort, angst, lots of fluffy sibling dynamics between minho and y/n, bad communication by the reader, mentions of: coughing, blood, and vomiting

read it on ao3 | masterlist

a/n: i have finally written my hanahaki au!!! this took me ages, but i really really wanted to write a fic based on how this post describes hanahaki because i love this interpretation (hanahaki is from supressing feelings instead of unrequited love) a lot more than how it's usually written (not that that version is bad!). i actually wish i could have drawn this out more, but didn't have it in me haha

the phrase "it's all coming up roses" means that everything is going well with someone and i thought it was so perfectly ironic for a hanahaki fic where a character actually has roses coming up in the literal sense.

Minho has always been protective. You had felt cool and invincible as a child, having an older brother that was willing to have your back and scare away anybody that teased you. 

You’re grateful that he cares enough to be so involved in your life, but now that you’re in university, you can’t help but feel a little stifled. Minho takes his role as an older brother very seriously, especially since the two of you have moved out of your family home and are sharing an apartment closer to campus. It's a mixture of doting and enough teasing to drive you crazy.

Growing up, your family home had been the regular haunt of Minho and his friends. It was more common than not to get home from cram school and find the boys either lingering in the nearest convenience store or hanging out in your apartment. You wouldn't say that you were friends with the boys, but you were at least familiar enough that you would say hi to them if you saw them in the hallways and they would offer to walk home with you if you were ever leaving school at the same time.

Starting university had been hard for you, most of your friends had ended up moving to other cities or even going abroad. You, however, had decided to stick closer to home. Your program had a good reputation and your parents had promised that they would help you and Minho get an apartment close to campus as long as you lived together. Minho had readily agreed, he had commuted for his first year and had always complained about how long it took.

It was a difficult adjustment, moving out of your family home, balancing your course load, and making friends. Unlike Minho, who had used dance to find his close group of friends, you didn't have any hobbies that you were particularly passionate about and you weren't naturally outgoing or charismatic.

Especially in the first few weeks of classes, it feels like such a relief whenever you see one of Minho's friends that you latch onto them. It’s kind of awkward at first, especially because you don’t know his friends well enough to speak with them casually, but they get used to your presence. You would even consider some of them to be your friend, especially Seungmin, who shares a class with you, and Chan who usually has his lunch break at the same time as you.

You make your own friends eventually, slowly getting to know some of the people that share your program, but you’re definitely a lot closer to the boys than you were prior to university. While you spent most of your childhood calling Minho and his friends lame, you can now admit that you enjoy spending time with them, although you’d never say it to Minho’s face.

Still, Minho doesn’t always approve of who or where you hang out. Sometimes he’s even nosier than your parents were, always asking you about your schedule and calling when you’re out late. He warns you about spending time one-on-one with men and makes sure that you always have your location shared with him. You tolerate it for the most part, knowing that it’s his way of showing that he cares about you, but sometimes you just find him overbearing.

—

“I’m going out next Saturday,” Minho tells you one evening as you step out of your room to get a glass of water. “You’ll have to figure out something for dinner on your own.”

“Oh,” you say, suddenly a little nervous. “I uh- I also have plans that night.”

“Sure,” he agrees easily. “What are you going to be doing?”

“There’s a party that I was invited to,” you say, biting your lip when you see Minho freeze. You turn your gaze to the ground, but you can still feel Minho's stare intensify. 

“What party,” he demands, not even bothering to frame it as a question.

“Does it matter?” you whine, annoyed by how protective Minho is. It’s even worse that you have an audience, Chan is over and you can see out of the corner of your eye that he’s watching your conversation curiously.

“Yes.” His tone leaves no room for argument.

“I think it's at Taehoon's,” your voice is barely a whisper. Minho hears you anyway.

“Taehoon?” He repeats in disbelief. You glance up briefly. Minho's ears are flushed bright red and the tendons in his neck are standing out. He's furious. “Taehoon, who is four years older than you? Taehoon, who holds off-campus parties?”

You grimace and don't respond. There’s no way that he’s going to let you go, you resign yourself to a weekend stuck in your room watching dramas while your friends enjoy themselves. 

It’s bad enough that you had to mention Taehoon, who doesn’t have the best reputation, but you’ve forgotten that Minho would easily be able to recognize the type of party that he throws. You haven’t been to many university parties, but even you know that without the dorm restrictions, off-campus parties are often the wildest and were harder to get invited to. It’s not that you particularly care to attend this party in specific, you just don’t want to miss out since all of your friends will be there.

“Minho,” Chan steps in, clasping a heavy hand on your brother's shoulder.

“Who invited you,” Minho seethes, shaking Chan off.

“Just one of my friends,” you deflect.

“Minho,” Chan says again, this time jostling Minho enough that he turns his attention away from you finally. Your body sags in relief. “Chill, we're going to Taehoon's next weekend. It's just a party.”

“Yes, we are going. Not my baby sister! Y/n-ah, the answer is no.”

“Oppa!” you complain. “I'm not a baby anymore!”

“You don't know anything,” Minho hisses at you. 

“We were going to way crazier parties when we were Y/n's age,” Chan interrupts one more time. “Come on, at least we'd be able to keep an eye on her.”

Minho is about to reply when he stops and tilts his head in thought.

“Okay,” he says slowly, turning back to you with a gleam in his eye. “You can go, Y/n.”

“Really?” you brighten instantly even though you’re a little bit suspicious of his sudden change in heart.

Your breath catches in your throat as you excitedly make eye contact with Chan. He winks at you teasingly before turning his full attention back to Minho, who thankfully hadn’t noticed.

“You're coming with us,” Minho says, nodding decisively.

“Are you kidding me,” you reply flatly, all enthusiasm vanishing instantly.

“Yes. I'll make sure that everybody knows not to mess with you and you still can have fun with your silly little friends. Unless you don't want to go anymore?” Minho raises an eyebrow at you.

“Fine, I'll go with you,” you grumble.

“It'll be fun, Y/n! I promise that I won’t let Minho embarrass you,” Chan says, slinging an arm around your shoulder. You try not to shiver as he leans in to whisper to you, close enough that you can almost feel his lips touching your ear. “Don’t worry, I’ll make sure to find something or someone to distract him enough that he’ll forget you’re even there.”

“Okay,” you breathe shakily.

“Hey!” Minho pulls Chan off of you and into a headlock. “Whatever you’re scheming, cut it out. Y/nnie, don’t listen to a single thing this idiot tells you.”

“I try not to listen to idiots,” you say. “That’s why I never follow any of the advice that you give me!”

“Y/n-ah-” Minho starts.

You stick out your tongue at him childishly then dart to your room, slamming the door and locking it behind you so that Minho can’t follow you. The sound of Chan’s resulting laugh echoes through your head for the rest of the day.

—

By the time the weekend rolls around, you're a little worried that you’ve caught a cold. Your throat is achy and talking too much makes you cough, but you're not feeling any other symptoms so you don't think you're actually sick. Minho wasn't exactly pleased when you told him you were still planning on going, but he kept his word and didn't try to convince you otherwise.

Your friends are all getting ready together at one of their dorms, but your brother was adamant that he wanted you to go to the party with him and his friends. You're more comfortable getting changed and doing your makeup at home anyway, so it's not a big deal, but it's still not the same. 

Conversation pauses when you finally exit your room. Only Chan, Hyunjin, and Minho are still in the living area since most of Minho's friends are crowded around your apartment's entryway, shuffling to get their jackets and put on their shoes. Their eyes widen and you see Hyunjin choke on the drink he had just taken a sip of. You tug at the hem of your skirt slightly, suddenly feeling self conscious. 

You've worn this outfit before with friends and while it's definitely not the most conservative option in your closet, it's nowhere near as revealing as what you expect other girls will be wearing. It's just that you're not used to being around Minho's friends when you've put so much effort into your appearance and are showing off a bit of skin. They’ve seen you at your worst and are most familiar with the comfortable sweats and hoodies that you usually wear around your home.

Minho recovers the fastest. In a flash, he's made his way to you and has a death grip on your arm, trying to drag you back into your room. You resist, digging your heels in to try and make it harder for him, but it barely even slows him down.

“Oppa!”

“You are not leaving looking like this,” Minho huffs through gritted teeth.

“Minho-ya, come on. We're going to be late if you make her change,” Chan calls out. It draws the attention of the rest of the boys, who turn to look at the commotion. You hear Jisung wolf-whistle teasingly which only makes things worse. Minho's hand tightens even more around you, hard enough that you're sure it's going to bruise, and he whips around to glare at Jisung.

“Hyung, it's fine. Y/n-ah looks good,” Seungmin chimes in, before winking at you. You groan internally, knowing from the look in his eye that you're not going to like what he says next. “Is there a boy that you're trying to impress tonight?”

“No!” you deny immediately, still trying to pull your arm from your brother's grip to no avail. Your chest tightens at the idea of being forced to stay at home. Minho immediately latches onto the idea that Seungmin has thrown out, his expression darkening even further.

“Is it true?” he questions you.

“Oppa, I promise, I'm just matching with my friends. Which you would know if we actually go to the party!”

“If there is, you better tell me,” he warns.

“Yes, yes,” you groan. “If there was, which there isn't! You're just wasting time now.”

“At least put on a jacket, you’re going to be cold.”

“Fine.” You wrench your arm out of Minho's grasp and stalk to your room. You grab the first jacket you see, intent on ditching it the second that you get to the party, then head straight to the door, breezing past Minho on your way. “Happy now?”

“Thrilled,” he says in a flat voice that says he is anything but.

—

Your apartment is not too far away from the party, so it’s not long before everyone is unloading from their cars and approaching the party. You can hear the bass pounding even from outside the building and you’re sure that there will be a number of neighbours that file noise complaints by the end of the night.

When you make it in, your friends greet you enthusiastically, but are all a little bit weird, fixing their hair more than usual and giggling nervously. You’re not close with all of the girls that are in the group, some of them you can’t even recall if you’ve met before, but you can still tell that everyone is acting strangely. 

It's not until you turn around that you realise that Minho has practically stationed himself behind you and is glowering at anybody who looks your way too long. After years of being on the receiving end of his glares, you’ve grown immune, but everybody else is clearly at least a little intimidated.

“Oppa,” you hiss. He barely spares you a glance. “You're not seriously going to babysit me all night, are you?”

“I'm letting you do what you want so you should let me do whatever I want,” he replies primly. 

You know there's no convincing him on your own. From across the room, you manage to catch Chan's eye and nod your head in Minho's direction. Luckily, he knows exactly what you're trying to say and makes his way over quickly to stand beside Minho.

“Minho-ya, you don't have a drink yet?” he asks, before pointedly taking a sip of his own cup.

“I asked Yongbokkie and Seungmin to make me one,” he replies, unphased.

“And you trust them that much?”

At the same time, the two of them glance over to the kitchen. You follow their gaze to find Felix, Seungmin, as well as Jisung mixing together a concoction that looks not only toxic, but also disgusting. You want to gag when you see them add in soju, hot sauce, milk, and maraschino cherries in quick succession. That’s not even considering whatever they’ve already put into the cup before you looked over. There's no way they actually think the combination could taste good and Minho must agree because he stands up and starts stalking towards them, swearing to himself the whole time.

After Minho leaves, Chan wanders a bit closer to you and brushes a hand against your shoulder lightly. You have to fight the urge to lean into his touch.

“I told you, I got you tonight. Don't worry about your brother breathing down your neck,” he says lowly. Just like when he first promised to distract your brother, Chan winks at you, then follows after Minho.

You force yourself not to stare after him, cheeks flushing as the rest of the girls squeal. Some of your friends have met Minho in passing a couple times, but not any of his friends. Your brother's dance crew has become wildly popular this year, but luckily it's not widely known that you are close with them. You prefer to keep it that way, but it seems like revealing your relation to them is unavoidable tonight. It's just your luck that some of these girls are among the ‘fans’ that your brother has somehow amassed.

“Y/nnie,” a girl beside you pouts. “How come you've never mentioned you know Lee Minho and Bang Chan before? I can't believe you've never introduced him to us!”

“I-” you splutter, still flustered by how close Chan was to you.

“I saw you show up with all eight of them,” another girl interupts. Someone else gasps as if you've committed a serious crime. “You actually know them?”

“Well, yeah-”

“I heard that you called Minho oppa, are you two dating?” the first girl asks.

“What? No!” you quickly deny, disgusted by the very thought of that.

“Oh come on, you don't think that they're ridiculously attractive?” someone else chimes in. The whole group murmurs in agreement. They have more and more questions for you and start to talk over each other.

“Minho's my brother! As in, we share the same parents, that’s why I call him oppa.” you exclaim, before things can spiral further. “And ew, he is definitely not attractive!”

The group is stunned into silence for a moment before exploding in noise. There are girls offended on Minho’s behalf, some asking what him and his friends are like, and others who beg you to introduce them.

Your best friend chooses that moment to speak up, reminding you why she is one of your favourite people in the world.

“Let’s play a drinking game!” she exclaims loudly. She holds up a couple bottles of soju that you’re not sure where she’s been hiding and starts filling up everyone’s cup. Luckily the girls are easily distracted by alcohol, enough that the topic is changed without too much of a fuss. You breathe out a sigh of relief.

—

After a few drinks, you eventually excuse yourself to the bathroom. You’re definitely on your way to being tipsy, but not enough that you feel unsteady on your feet. The loud music makes it a bit difficult to focus and people have filled every corner of the house, but you’re somehow able to find an unoccupied bathroom.

You take an extra moment to splash yourself with water before you leave, you’re feeling a bit sticky from sweating and when one of your friends spilled a bit of their drink on you. When you finish, you swing open the door and immediately apologise when you narrowly miss hitting a guy who has been waiting in the hall. He waves it off, but doesn’t make a move to enter the bathroom, instead stepping a bit closer to you. 

“What’s a pretty little girl like you doing here all on her own?” he slurs, crowding further into your personal space. It’s dark, but you can still tell that his eyes are red and unfocused and hair is matted to his forehead. He's drunk. 

You swallow hard, trying not to panic. You have to treat this situation delicately and somehow make your disinterest clear without provoking or offending him.

“I’m not alone.” You can’t help but laugh nervously, taking a step back. Your stomach churns when your shoulder knocks into the wall behind you and you realise you have nowhere else to go. “My friends are actually probably wondering what’s taking me so long, I’ll just-”

“S’okay, I’m sure they wouldn’t notice if you were gone a little longer.” He leans in until he’s close enough that you can smell the sourness of his sweat and the alcohol on his breath. “I just wanna get t’know you a bit better.”

He smiles down at you in a way that he must think is attractive. It makes you want to vomit.

“No thanks, I’m just going to head-” Your voice is shrill with panic, you can barely recognize it.

You try to shuffle to the side, but the guy slaps his hand against the wall, trapping you even more. Your heartbeat pounds in your chest. He reaches out and traces one of your cheeks with a clumsy hand, ignoring the way that you cringe away.

“Aww c’mon darling, don’t be like that. I can promise you a good time.”

You know a bit of self defense, but this is far from a fair fight. This guy is significantly taller than you and probably double your weight. Even drunk, he can likely overpower you without even trying.

Before you can make a move, an arm slings around the drunk guy’s shoulder, jostling him to the side. Your heart sinks. There was a small chance that you’d have been able to escape, but not if you’re outnumbered.

“Hey mate,” the new person says. Your head shoots up at the familiar voice. Chan. “You seem pretty sloshed.”

Chan nudges the guy again, this time creating a little space that makes you feel less trapped. His body language is loose and relaxed, but the expression on his face is another story. His gaze is intense as he scans you, softening by a fraction when you nod that you’re fine.

“M’not,” the guy argues. He squints up at Chan. “Do I even know you? Get lost, I’m busy right now.”

“Why don’t you go outside and get some air? It’s gotten pretty stuffy in here.” It’s not a suggestion. Chan’s words are friendly, but the tone of his voice sends shivers down your spine.

The guy opens his mouth, likely to protest, but promptly shuts it when he sees the look on Chan’s face. The two of you watch as he stumbles away without a fight, bumping into a few other people in his haste to leave. Now that you’re alone, Chan backs up, giving you more space to breathe.

“Sorry about that,” Chan says, hand scratching at the back of his neck nervously. “Didn't want to be too aggressive. It just- you looked like you needed some help.”

“Some people just don’t know how to take no for an answer,” you say quietly. It’s just another thing to be grateful for when Chan doesn’t comment on the shakiness of your voice. Instead, his expression darkens further before he composes himself.

“Are you okay?” he asks tentatively. 

“Yeah, you came at just the right time.” You look away, a bit embarrassed that he had to step in and rescue you, but he puts a finger under your chin and uses it to turn your face back to him. It feels so different from when the drunk guy touched you that you don’t want him to stop. His eyes search yours for a moment and whatever he finds must satisfy him.

“You should probably rejoin your friends.” Chan starts to step away, but you reach out and snag his sleeve before he can go. 

“Chan-oppa.”

He pauses, turning back to look at you again.

“Yeah?” There’s a hopeful lilt to his voice, although you’re not sure what he’s hoping you say.

“Please don’t tell my brother about this,” you plead. Chan’s expression drops a little, clearly that’s not what he wanted to hear, but he’s still quick to reassure you.

“No, yeah, of course. I won’t say anything.”

“I don’t want him to worry about me.”

“Of course,” Chan repeats.

“And… thank you.” You rise up on your toes and kiss his cheek quickly, then slip away towards where your friends are before you can see what his reaction is. 

—

It takes a few days for you to recover from the party. You hadn’t drunk enough to be hungover, but just remembering your interaction with Chan makes you want to bury yourself in your bed and never leave. Luckily Minho hasn't questioned your change in behaviour much, but you can tell that he's getting sick of your wallowing, even if he doesn't know the reason behind it. 

“Yah, Y/n-ah!” Minho bangs on your door. “We’re heading out for gukbap in 5 minutes, are you coming?”

He doesn’t specify who the ‘we’ is, you know who to expect. Of course, Chan is included. It’s easy to make a decision.

“Go without me!” you yell back.

“Eh? Open up.”

“Just come in, it’s unlocked.”

You hear the door open and Minho approaches. He prods at your prone form with one of his feet.

“What’s up with you? You never say no to gukbap.”

“Nothing!” you groan.

“You’ve been acting strange since that stupid party, what are you hiding?” He pokes at you again, this time a bit harder.

“Oppa,” you complain, lifting yourself out of your blankets to swat at his foot. “I promise that I have nothing to hide, I just don’t feel like hanging out with your friends today.”

“They haven’t done anything, have they?” Minho asks, eyes narrowing in suspicion. “Channie-hyung asked me if you were doing okay.”

“No! I-” you choke on your spit in your haste to answer, leading to a coughing fit that leaves you with tears gathering in your eyes. You clear your throat roughly then continue. “No, Chan-oppa and the rest of your friends have all been nice to me.”

“Oppa?” 

Whoops, you hadn’t meant for that to slip out.

“What?” you whine. “You’re the one who forces me to hang out with them all the time! You told me to stop being so formal around them. They kept telling me too, it got really annoying.”

“Hmm,” Minho huffs, not quite convinced.

“Really,” you insist. “I just don’t want to go out today, I promise.”

“Okay,” Minho says reluctantly before he gets uncharacteristically serious. “But you know, you're my little sister, you can always come to me if something or someone is bothering you right?”

“I- yeah of course, oppa.” You feel kind of touched, not used to Minho openly showing that he cares about you, even though you know he does. It's enough that your throat feels tight with emotion, but you force yourself to speak through it. “Thank you. I always know that I can count on you.”

“I'm the only one allowed to mess with you,” he says sweetly, ruffling your hair so that it sticks up the way he knows you hate. “If anyone else does, I'll make sure that they regret the day that they were born.”

You try to ignore the guilt that curls in your stomach as you watch Minho leave. You hate hiding things from him, but you're still confused by your own emotions and you're worried by how he'll react.  Minho has always been your biggest supporter in everything except for your love life, which he is strictly against no matter how much you try to reason with him. 

You can’t imagine how much worse it would be if he found out that the person you’re interested in is one of his friends. You’ve heard him warn the whole group that you were off limits. He’d use a joking tone, but everyone knew that he was actually serious about it.

In the end, it doesn’t even matter because you’re almost certain that nothing will ever come of your feelings, Chan is way out of your league so there’s no point in even imagining a relationship together.

—

Unsurprisingly, your attempts to avoid Chan fail pretty much instantly. You're not sure how the stars aligned exactly opposite to what you were hoping, but the studio that Minho's (and therefore Chan's) dance crew uses had a schedule conflict that ended up shifting their practice times.

To your dismay, it works out so that multiple times a week, you're leaving campus at the exact same time as your brother. That in itself is not much of an issue, it's the fact that Chan lives close enough to you that the three of you commute back together. To make matters worse, Minho always invites Chan over to have dinner and Chan always accepts.

You can't fault Minho though, you know that he invites him over partly because he wants to hang out with Chan and partly because he knows that Chan might end up working throughout the night in an empty apartment and completely forget to eat. It does also bring you comfort, knowing that Chan is being cared for, that he's eating well and taking time in his day to not worry about school or dance. It's also nice for you, you've grown so used to preparing and eating dinner on your own that it's started to feel more like a chore than something to look forward to.

It's just hard. You haven't had a private conversation with Chan since the party, but you know that he wants to talk to you. 

You were so sure that he would never reciprocate your feelings, but now, you're starting to doubt yourself.

While you're on the bus home, listening to your music, you sometimes glance over to find Chan staring at you, though he's quick to look away. When the three of you are cooking in the kitchen, he's more affectionate, resting a light hand on your waist or back when he passes behind you or nudging your shoulder playfully after he makes a joke. During dinner, he makes sure that you're also engaged in conversation, asking about your classes or the few clubs that you're involved in. He sometimes brings you and Minho little treats from the convenience store and they're always in your favourite flavours.

The thing is, Chan is friendly and generous to everyone that he meets. It's hard to tell if you're reading too much into your interactions with him or if he's actually paying you more interest than usual. You've never heard of Chan dating, actually you can't recall if any of the boys in Minho's dance crew have ever had partners, but it's not for a lack of interested parties.

At times, it feels so impossible that you're embarrassed to even admit to yourself how much you like Chan. You're not blind, you know that there's a fair share of girls who are just as delusional as you are, giggling when he looks over and insisting to their friends that he's interested in them because he helped open the door for them or waved as he walked past.

In fact, some of the very moments that you keep closest to your heart sound so similar to experiences that you've heard other girls gushing about that you hate yourself for having hope that Chan would be interested in you of all people.

It's easier to pretend that there's nothing going on between the two of you. You know that if you were to confess your feelings to Chan, something you would never do, that he would be nice about it. You can almost imagine it, how flustered he would be, making up some kind of excuse about not being interested in dating because he was too devoted to school and dance. He would promise not to tell your brother about it and assure you that it wouldn't change the way that he treats you.

You've run through this hypothetical situation so many times that not only have you experienced enough mortification for a lifetime, but you've convinced yourself even further to lock your feelings up inside of you. There's no point in confessing when you're so sure that nothing will ever come from it.

—

One day, Chan is over as usual and the three of you are cooking in your tiny kitchen, elbows bumping and arms reaching over as everyone tries to make do with the small space available. 

The food is almost ready when Minho's phone rings, the special song that he has saved for Jisung. He picks it up instantly, shoving the pair of chopsticks that he's using into your hands in his haste. You can't hear what Jisung says, but Minho rolls his eyes and leaves to his bedroom, lecturing Jisung about something the whole way there.

“Hey,” Chan says softly. You try to keep yourself busy, picking up dishes and putting them into the sink for washing, but he tugs at your wrist lightly so that you face him. “Is everything good with you?”

“Yeah,” you say, nodding quickly. 

“You just seem, I don't know, distracted or something these days.”

“No, it's-” You take a deep breath to collect yourself. “Thank you for asking, really. But I'm fine.”

“Okay,” Chan says, still looking concerned. “Listen, I know we haven't-”

You've never been so glad to hear Minho re-enter the room. 

“Eh? You guys haven't even finished with the food?” he complains in a whiny voice that he only really uses around Chan. “What have you guys been doing this whole time? Come on, Y/n-ah, go set the table. Hyung, I know you can't cook to save your life, but at least scoop out the rice into our bowls. I'm hungry!”

Chan drops the subject for the rest of the night, but you know that you’ve only delayed the conversation. 

—

The next day, you wake up to a dry and achy throat. This isn’t that unusual, you suffer from seasonal allergies that sometimes block your nose and force you to breathe through your mouth as you sleep. This time, it feels different. Your throat has been bothering you more than usual the past couple of weeks and while drinking a glass of water does help you wake up, it doesn’t dull the pain that persists. 

You shuffle out of bed to wash up, then head straight to the kitchen, brewing yourself a steaming mug of yuja tea. The taste is comforting, but doesn't help as much as you hoped it would. 

You get ready for school quickly, hoping to leave before Minho wakes up. You know that your classes start before him today, but he's always been an early riser, preferring to work out or spend time in the dance studio before it gets too busy.

“Y/n-ah,” Minho calls out, right as you're starting to put on your shoes. “You were going to leave without saying bye?”

“I didn’t know if you were awake,” you say, wincing when your voice still sounds rough.

“You didn’t even check.” Minho steps out of his room and unlocks the front door for you as you pull on your backpack.

“I was in a rush-” you start to say, but the rest of your sentence doesn’t manage to make its way out. Clearing your throat only irritates it further, triggering a cough that you can’t contain.

“Y/n,” Minho says, genuine concern shining in his eyes. “Are you feeling okay?”

He raises a hand to your forehead, but you slap it away weakly before he can check your temperature.

“I'm fine, I just have this stupid sore throat that won’t go away,” you reassure him. “I don’t think I’m sick though. The air has been so dry lately, I think I need a humidifier in my room while I sleep.”

“Aww.” Minho pinches your cheek and goes straight back to teasing you. “My delicate baby sister.”

“Ugh, forget I said anything.” You push your brother away. “Now let me go, I'm going to be late for class.”

Minho doesn't say anything in response, but the next night when you go to sleep, a new humidifier has been installed on your bedside table. 

—

In the next few weeks you find that the discomfort in your throat that has been plaguing you has evolved into something else. There’s a persistent feeling of something caught in your throat and you find yourself with a lingering dry cough that no amount of tea or medication can relieve.

One night, you wake up feeling like you can't breathe. In a panic, you untangle yourself from your sheets and get yourself into a sitting position. The change in position allows a deep cough to rattle through you, enough that you’re finally able to suck in a breath. 

Instead of phlegm or maybe a piece of food that could have been stuck in your throat, you feel something velvety in your mouth. You blindly reach for your bedside table to turn on your lamp and wonder if you’re still asleep when you find a single, dark red rose petal in the palm of your hand.

You squeeze your eyes shut and pinch yourself, hard, but when your eyes open, nothing has changed.

Suddenly, you’re wide awake and a cold sweat starts to form, making your pyjamas stick to your back.

You’ve heard of hanahaki disease, of course you have, but you’ve never known someone who has suffered from it. 

It makes sense, you’ve had a sore, scratchy throat and dry cough for weeks now with no other cold symptoms.

You can’t believe it though. 

Hanahaki disease was almost like an urban legend at this point, having been exaggerated and twisted so much in media that you’ve almost forgotten the reality of it. While most of the shows and books that cover this have a somewhat romantic take on it, declaring that it's caused by unrequited love, you know the real cause is your refusal to admit your feelings.

You knew that lying, to Chan, to your brother, to yourself, would have consequences. You had heard stories about how people who kept their feelings a secret were slowly choked by them, petals and leaves representing every time you had held yourself back. 

You just never thought it would happen to you.

Sure, you were interested in Chan. You found him kind, hard-working, funny, and attractive, but it's not like you were in love with him.

You crumple the petal in your hand and throw it into your garbage can. If this is your first time finding petals, you still have months until things progress to be more serious. A part of you hopes that this was some sort of one-off, that this would be the first and last time your body creates any flowers.

You turn off the light and pull the covers tightly over your body, praying that you'll wake up in the morning and find that this was all some crazy stress-related dream.

You don’t fall asleep for the rest of the night.

—

You had thought that you were pretty good at covering up your tracks, but it doesn’t take long before Minho starts piecing things together. It doesn't help over the past few days, your symptoms have steadily worsened. You’ve found yourself coughing up petals every day, enough that you're starting to grow concerned about how quickly things are progressing.

It starts when he calls you into your shared bathroom one evening. You don’t think much of it, until you find him staring at something on the ground.

“What’s this?” he asks. 

“It’s a rose petal,” you say easily, stooping down to pinch it between two fingers and dangle it in front of his face. “You’ve never seen one before?”

Minho rolls his eyes at that, swatting at you half-heartedly. You manage to dodge out of the way, but lose your grip on the petal. It flutters to the floor, but Minho swipes it out of the air.

“What’s it from? Is a boy giving you flowers?” he asks warningly, crushing the petal in his grip.

“Oppa, stop jumping to conclusions!” you groan. “It’s from a bath bomb that I tried out, I guess I missed this one when I was cleaning up.”

“Since when do you take baths?” 

“Since I got a bunch of bath bombs on sale. I thought it would be relaxing.” This time you’re the one rolling your eyes. “But if I knew that it would lead to you interrogating me, I wouldn’t have bothered buying them in the first place.”

“Fine, sorry, just- just clean up next time you’re going to make a mess in the bathroom,” Minho says, before throwing the petal at you and leaving you alone.

You watch as the petal falls onto the tiles, crumpled into a little ball from being in Minho’s fist. When you reach out to pick it up, your fingers are trembling. You’ve never been a good liar, but it seems that at least this time, your acting skills have been good enough to fool Minho.

You hear the front door close and you finally give in to the cough that you've been trying to suppress the whole conversation. 

Tears spring to your eyes, but you can't stop the coughs that wrack your body. This time, even after you spit out a couple of petals, it still feels like there’s something stuck in your throat. After what feels like forever, that something dislodges and you find yourself holding a tiny rosebud complete with a short stem.

You stare at it in horror, you haven’t had more than petals until now. There’s a deep sense of dread that fills you. You thought that you’d have more time, it hasn’t even been a month since you had started coughing up anything.

You throw the flower into the toilet, flushing quickly so that the red petals swirl out of sight. Even after you rinse your mouth, there’s a tinge of iron that lingers.

—

You don't often visit the boys when they're at dance practice, in fact you actively avoid going to the studio. It's one thing to know that their dance crew is quite popular and another to experience it yourself.

But today you don't have much of a choice, in your rush to leave for an early lab, you completely forgot to pack an assignment that was due the same morning and had begged Minho to bring it to campus for you. You were lucky that he hadn't left the apartment yet, but he only brought it on the condition that you brought him coffee and picked your assignment up from him directly. 

It's just before 10am when you head over, which means that there's a lot of students waiting for their dance class to start, but it still surprises you to find a fairly significant crowd outside of the studio that Minho had texted you to go to. You can hear music faintly from the closed door and, as you push your way closer, find that there's a large horizontal window that has caught everyone's attention.

You get more than a fair share of dirty looks as you squeeze through the crowd and one girl even stops you as you move to open the door. 

“Sorry, excuse me,” you say politely.

“You're not allowed in,” she says in a haughty voice. Her acrylic nails bite into your arm, surprisingly strong for how thin she is. “Their practice isn't over.”

“You're not allowed in, I don’t need an invitation,” you say under your breath, rolling your eyes. You must not have said it quietly enough because she gasps dramatically.

“Please, you think you're special?” She looks you up and down dismissively. “You wish any of the boys would talk to someone like you.”

“You must be referring to yourself, they would never want to have to associate with someone as desperate and pathetic as you,” you snap, shouldering your way past her. She squeals, but finally lets go of you, maybe hoping that you'll get in trouble for interrupting.

You open the door just enough to slide through and carefully close it behind you so that you don’t disturb them. It’s mesmerizing, watching them all dance. They’ve been together for so long that it looks so natural for them to move in sync, although you know it’s more to do with long hours of practice and Minho’s eagle eyes pointing out any mistakes. 

None of the boys notice you at first, caught up in the chorus of the song that they're practicing, but Jeongin catches sight of you after a moment.

“Noona!” he says excitedly, abandoning the dance to run over to you. “Is that coffee for me?”

“Innie if you drink that coffee you will not survive long enough for the caffeine to make it into your bloodstream,” your brother warns from across the room. 

Jeongin falters at that, but when you shake the cup enticingly in front of him, he throws caution to the wind and takes a sip.

“Yah! What did I say, Yang Jeongin?” Is the only warning Jeongin gets before he’s chased around the room by an angry Minho. The familiar chaos is almost enough to lift your mood and make you forget about the terrible interaction you had outside.

“You look annoyed, did something happen?” Chan asks, approaching you from where he had gone to turn off the music on his laptop. You curse how observant he is, you thought you had done a pretty good job of hiding how you felt.

“Nothing, just had a weird encounter with a defensive fan out there. It's like you guys are idols or something” you joke, nodding your head towards the window where people are watching curiously. You can still feel the sting from the girl’s nails digging into your wrist and when you lift it up to examine it more closely, see a little bit of blood beading at the deepest crescents.

“They’re not fans,” Chan says in disgust, before he does a double take. “I- you’re bleeding?”

“It’s nothing,” you say quickly, wiping at the wounds but only succeeding at smudging the blood so that it looks even worse. “It doesn’t even hurt.”

“Come here, we have a first aid kit somewhere. We don’t want it to get infected.” 

Chan takes your hand delicately, making sure to avoid the inflamed areas, and leads you over to the bench closest to where all their bags are piled up. You sneak a glance over to the girl that stopped you and can’t help but feel smug when you find her, pale and slack-jawed. Chan sits you down, only leaving your side to pull the blinds down on the window and dig around until he finds the first aid kit.

“Sorry, it might sting a bit,” Chan apologises as he pulls out the disinfectant wipes.

You peek at Chan and your breath catches in your throat at how concentrated he looks, brows slightly furrowed as he tries to gently dab at the scratches. Most of his hair is hidden under a baseball cap, but you can see a little duck tail forming at the base of his neck which draws attention to the trails of sweat that disappear under the collar of his shirt. You must make some kind of noise, because Chan looks up, eyes wide with concern.

“Sorry, does it hurt a lot?”

“No, you're good,” you say, cheeks flushing.

“I’m almost done,” he says, searching around for a bandage. He’s just finished applying it, tongue sticking out in concentration, when you hear someone else approach.

“What's going on here?” Minho asks.

“Nothing!” you say at the same time that Chan says, “I was just helping Y/n put on a bandage.”

“Did you hurt yourself?” Minho's eyes widen and he reaches out to take a look at your wrist, even though he won't be able to see anything under the bandage. You pull your sleeve down and stand up in a rush.

“It’s nothing, really oppa! I'm sorry, I have to go, my class is starting soon!” you call out, lying through your teeth as you run out of the room, clutching your assignment. “Thank you, Channie-oppa!”

You rush into the nearest bathroom, not even caring that there are people in the other stalls, and throw up an explosion of petals. By the time that you finally make it to class, just in time, your throat stings more than the wound on your wrist.

—

You start trying to avoid Minho and well, you never really stopped in your attempts to avoid Chan.

You leave early in the morning, only come back well after the sun has set, and do everything in your power to contain your cough when you're at home.

You know you're not solving the problem, only prolonging it, but every conversation, every lie, seems to accelerate the growth of the roses that have taken up residence in your lungs. You know that it's not helping, that keeping this secret is just strengthening the flowers that are slowly choking you. It's just that no matter how many conversations you've rehearsed in your head or texts that you've drafted, something seems to stop you.

You're just so so scared that waking up with a mouthful of petals and thorns, bloody coughing fits that you can't prevent, and the raspy tone of your voice that has developed is preferrable. 

As much as you hate him sometimes, you've looked up to your brother for your whole life. You don't know what you would do without him and the thought of losing him terrifies you beyond belief.

You don't always get what you want, though. It's not long until Minho confronts you again.

It's not really a surprise, when you look in the mirror these days, you're shocked by your appearance. Your face is pale and drawn, you have deep bags from not being able to sleep at night, and you've lost weight since most solid food irritates your throat enough to trigger a coughing fit. Add that to the fact that you know your apartment's walls are paper thin which means it's impossible that your brother can't hear you coughing at all hours of the day.

“Y/n-ah. I know that you're not doing well right now. Don't even try to deny it,” Minho says. He closes his eyes for a moment before seemingly deciding something. “I- you don't have to tell me what it is. I would prefer it if you did, but just- what can I do to help?”

You take a deep breath, preparing yourself to reassure him that you're fine, but regret it when you start choking instead. You lurch upright and head directly to the bathroom, Minho trailing behind you worriedly. 

“I-” Trying to talk just makes it worse. You're used to it now, the way that the thorns seem to claw at your throat on their way up, how even the brush of soft petals against the raw flesh hurts, the metallic taste that you can't seem to get rid of no matter how many times you wash your mouth. Still, it doesn't make it easier.

Minho watches in silence as you heave over the toilet. He puts a hand on your back, rubbing slow circles to try and soothe some of your pain. Your eyes water, partially from coughing and partly because you're mortified that your brother is finally witnessing this.

You throw up finally, mostly petals and blood, which is a relief. The stems have been the most painful by far, each thorn digging into the already abused flesh of your throat.

When you finally finish rinsing your mouth, he's holding out a tissue which you accept gratefully. Minho doesn't comment until you've finally caught your breath.

“Y/n-ah-”

“Yeah,” you say miserably, tearing at the leftover tissue in your hand. Your voice both sounds and feels like you've been swallowing gravel. “Hanahaki, who would have guessed that I'd be a romantic at heart?”

You laugh weakly. Minho doesn't.

“I knew it. All those times you locked yourself in the bathroom with the water running… That stupid bath bomb story you told me… I hear you up at all hours, coughing your lungs out… You’ve been hiding it this whole time, haven’t you?” he accuses you.

“I can explain-”

“Go on then,” Minho says impatiently.

“I- It's-” You bury your face in your hands, unable to get the words out. “It's stupid.”

“Y/n-ah, it's obviously not stupid. Whatever it is, it's bothering you enough that it's hurting you physically.”

“I like someone,” you say in a small voice. “Okay? That's it.”

“Why won't you tell them?” Minho demands. “Why won't you tell me who it is?”

“No, I can't. There’s no point, it wouldn't work out,” you insist, shaking your head.

“What are you talking about? No point? Y/n, can't you see it's killing you.” You've never heard Minho sound so desperate. He's angry, he's frustrated, but most of all, he's scared, you realise.

“Oppa-” you say cautiously, but you're interrupted by yet another coughing fit. You can't hide it from your brother when the tissue that you've used to cover your mouth is tinged red by the time you're done. You can feel there's still something lodged in your throat, it takes everything in you to ignore the urge to continue coughing to try and get it out.

“I can't lose you, Y/n,” he whispers. Your eyes widen when you realise his are filled with tears. You don't think you've ever seen Minho cry. “I can't let you do this to yourself, please.”

“I need more time-”

“You don’t have time!” Minho interrupts frantically. “Have you even seen a doctor about this?”

You look away guiltily at the question.

“No, but-”

“Are you kidding me?” Minho says exasperatedly. “We’re booking you an appointment right now.”

“Is it going to make a difference? I know what’s wrong-” As if to prove your point, you can’t stop yourself from coughing again. “It's not that bad yet, oppa,” you lie, the croakiness of your voice giving you away.

“Y/n-”

“I promise! I promise that I am trying my best. I- if it doesn't get better, I'll see a doctor in two weeks.” 

“Not good enough, Y/n-ah. If you can't tell me, at least talk to whoever you like,” he pleads. 

“Fine,” you say. “I- I'll talk to him in the next few days. And if the flowers don't go away, then I will see a doctor.”

Minho lets out a heavy sigh of relief, pulling you into his arms for a tight hug. You try your best to sink into his embrace, but just can't ignore the guilt that seems to consume you.

—

Chan catches you outside your last lecture that night. You're not sure how exactly he found out your schedule, but you exit the lecture hall to find him leaning against the wall directly across from the doors.

It could just be that he knows someone else taking this course or that he has a class in the same room, but somehow you know that he's waiting for you. Not ready for this conversation, you try to keep your head down to pass by unnoticed, but you know that he's spotted you when he calls out your name.

“Hey.” Chan reaches out, tugging on your sleeve without actually touching you. You turn around, stomach sinking slightly. Yes, you had promised your brother that you'd confess to Chan, but you didn't think it would happen so soon. “You're heading home right?”

“Yeah,” you say warily. “What's up?”

“I'm going back too, can we walk together?”

“Sure,” you agree slowly, not able to think of a way to get out of this situation. 

The two of you walk in silence towards your bus stop. Chan's being uncharacteristically awkward and you're not sure what to expect.

“I wanted to talk to you about something,” he says suddenly.

“Okay?”

Chan stays quiet for so long that you’re about to ask if he’s okay.

“I like you,” he blurts out, right as you open your mouth to speak.

“What?” Of everything he could have said, this is what you're expecting the least. There’s no way that you heard him correctly, you must need to get your ears checked.

“I like you,” Chan repeats. You blink up at him, stunned. “But if you don't feel the same way, it's- don't worry about it. I promise that I'll respect it. I'll back off and everything will stay the same. I just wanted to get it off my chest. And maybe, I don't know if I was just making things up, but I thought that you liked me too?”

“You can't,” is all that escapes your mouth.

“I… can't like you?” Chan asks, baffled.

“No, it's- you can't- we can't,” you stammer. “My brother-"

“What, you think I'm afraid of Minho-ya?” Chan asks cockily, raising an eyebrow in a way that you can't help but find attractive.

“I just- he always said-”

“Y/n-ah,” Chan says gently. “I like you and I don't care what your dumb brother thinks. He can complain all he wants, but as long as you're happy, I'm happy. And-”

“You actually like me?” you interrupt.

“Yes, is it really so hard to believe?”

“I just always thought, you only saw me as Minho-oppa's baby sister,” you say glumly, kicking at the ground.

“I did when you were younger for sure,” Chan laughs. “But since university, I feel like I've actually gotten to know the real you, to see how funny, talented, kind, and thoughtful you are. I like you for you, not because I'm friends with your brother.” 

“But there's so many other girls you could choose from that are much prettier or smarter than me,” you argue, still not wanting to get your hopes up.

“Y/n-ah, are you actually trying to convince me not to like you?” Chan pouts. “If you don't feel the same way, just say so, it's okay.”

“No! I-” you trail off, suddenly feeling incredibly shy.

“You what?” Chan prompts you gently.

“I like you too.” Your voice is barely a whisper, but you know that he's heard you from the smile that grows on his face.

“What was that?” Chan asks cheekily.

“I said I like you too!” you say louder this time, before hiding your face in your hands so that you don't have to look at Chan. 

Even though you're beyond embarrassed, you feel better than you have in a long time, giddy with the idea that Chan actually reciprocates your feelings.

But when you breathe in, instead of relief, there's still that familiar tightness in your chest. 

You have to talk to Minho, you realise. As much as you've been keeping it a secret from Chan, you know that a majority of your inner turmoil stems from hiding our feelings from the closest person in your life. You had hoped that talking to Chan would instantly cure your hanahaki, but clearly you were wrong.

—

For the first time in weeks, you purposely seek out Minho. Luckily, you don't have to look far, when you get home, Minho is stretched out on the couch watching anime.

“I told him,” you say. Minho immediately sits upright, turning his attention to you. “The guy I like. But it didn’t help, the flowers are still-”

“And he feels the same way?” Minho interrupts you.

“I- yes, he’s the one that confessed first.”

“Wow,” Minho whistles. “Who’s crazy enough to have feelings for you?”

You had already made up your mind that you had to tell your brother, but his reaction makes you even more confident in your decision. Maybe it's the way that Minho is treating this so lightly, but you’re no longer nervous to say it out loud.

“It's Chan-oppa,” you say, bracing yourself. 

“Chan?” Minho repeats, shell shocked.

“Channie-hyung? Like-” he takes out his phone and pulls up the photo he has of Chan in his contacts.

Chan has the craziest bedhead and his face is puffy from sleep in the photo. He's squinting up at the camera, a hand coming up to try and block his face. He looks adorable.

Minho watches your face carefully as you visibly melt a bit looking at the picture.

“You really do like him, huh,” he says in a quiet voice, no longer joking around. “This whole time?”

“Yeah.” You look down. “I'm sorry.”

“That's it? That's the person you've been so scared of telling me that you liked?"

“I- yes? You don't think it's weird?” you ask tentatively, looking back up at your brother. “The two of us being together? He's one of your best friends.”

“Oh no, it’s definitely weird.” Minho laughs. “I do not understand it at all. But Y/n, Channie-hyung is one of the few people in my life that I trust. Do I want him to be dating my baby sister? Of course not! I don't want you to be dating anyone. Do I think he’s out of his mind for being interested in you? Definitely.”

“Hey!” you interject. Minho carries on like he can’t hear you.

“Do I think he fully understands that if he hurts you in any way, directly or indirectly, on purpose or on accident, that I will hunt him down and make him regret the fact that he ever existed in the first place? Yes, I think he knows.”

“Oppa,” you say in horror. “You will not give your best friend the shovel talk.”

“I don’t have to.” Minho smiles brightly, a picture of innocence if you didn’t know him. “My reputation precedes me. Channie-hyung's one of my closest friends, he would never expect anything less from me.”

“Oppa-”

“Y/n-ah,” Minho softens his voice. “I also know that of all the people that I've ever met, Channie-hyung is one that is least likely to ever hurt you. I trust him, but I also want you to know that I trust your judgement.”

You look away, sniffing. You never could have imagined that Minho would accept your relationship so easily that it's making you feel emotional.

“Aigoo, Y/nnie,” Minho coos. He pulls you into a tight hug, ignoring the way that tears finally escape from you and stain his shirt. “You were really worried about this, weren't you?”

You nod into his shoulder, unable to provide a verbal response.

“I'm sorry that I made you feel like you couldn't tell me about this. It's definitely going to take a bit of time to get used to it, but I'm happy for you, really. I know I can seem overbearing sometimes, but I just worry.”

“I didn't want you to be upset at Channie-oppa or me,” you murmur. “I didn't want to do anything to hurt your friendship. I didn't want to hurt our relationship.”

“Y/n-ah,” Minho says gently, but firmly. “I want you to know that there is nothing that could hurt our relationship. You're my baby sister, I'm always going to love you.”

After months of keeping all your feelings bottled up, of denying your feelings for Chan, of dreading Minho’s reaction, you’ve felt a constant dread, guilt filling your insides. Now, you’re just filled with an overwhelming sense of relief. It’s as if an enormous weight has been lifted off your shoulders.

It feels like you can breathe again.

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