#pretends to understand where the writers are going with this

[adriennebarnes]

Can You Be My Boyfriend?

Pairing: Charles Leclerc x Hispanic/Latina! Reader

Summary: Y/N is Ferrari’s social media manager and when one of the mechanics doesn’t take no for an answer, she pretends she’s dating a certain Ferrari driver.

Warning: grammatical and spelling errors cuz I don’t proofread

A/N: i just wanted to say thank you so much for the love y’all gave “Prince of Ferrari”, it means a lot to me as a new Charles Leclerc writer. I hope y’all like this one too, just like Olivia Rodrigo, I am so American,

Y/N walked into Fred’s office.

“Mr. Vasseur, I had an idea for a new C2 challenge.” Y/N said.

“What did you have in mind, Y/N?” Fred asked.

“I was thinking we make dishes from each place we go to. Like Cuban food from Miami, Texas barbecue ribs, paella from Spain, and we have Charles and Carlos match the dishes to their flag. I personally think it would be fun, you know? Or we could do a video where the drivers tell us from which Grand Prix the photo was taken.” Y/N suggested.

“Those are very good ideas, Y/N, see if the boys are up to it, will you? Figure out when the best time is to film that.” Fred said.

“Yes, will do.” Y/N said and left his office. She walked to the living room (does the hospitality have a living room? I don’t know) to see Carlos and Charles chatting to away.

“There she is! Como has estado, hermosa?” Carlos asked Y/N, hugging her and kissing her on the cheek.

“Ha estado súper bien, un poquito cansada, pero nada que no se puede arreglar con un café.” Y/N said, her and Carlos laughed.

“I understand half of that.” Charles said.

“Now you know how I feel when you speak French.” Y/N said. “Anyway, as your social media manager, I had an idea for an upcoming challenge, we have to make the most of this season.” Y/N said.

“We hear you, mon ange, what’s the idea?” Charles asked.

“Can you guys guess what Grand Prix this is based off the picture?” Y/N asked, showing them a picture on her phone.

“That’s when I won in Monza.” Charles answered.

“Good, this is your challenge, guessing Grand Prixs based off a photo.” Y/N said putting her phone away. “It’s not much, but it’s different from what you guys have done in the past. You could also match dishes to their countries.” Y/N said.

“Sounds like a fun challenge.” Carlos said.

“Good to hear. I’m gonna be with the photographer, he’s taking photos of the new livery and I need to approve them before I post them on Instagram. See ya later, okay?” Y/N said, stepping into the garage where she sees the photographer looking over the photos on his camera.

“Y/N! You’re here, tell me what you think, and be brutally honest. Do you think they came out to blurry?” The photographer, Daniel, asked. Y/N started looking them over.

“They look great, honestly, it matches Ferrari’s instagram feed, you did a good job. Can you upload them to the computer?” Y/N asked and Daniel said that he could. He left Y/N alone on the garage and that’s when one of the mechanics, Ruggero, approached her.

“Sei bellissima, a more mío.” Ruggero told her. Y/N rolled her eyes,

“Grazie, Rugge, what do you want?” Y/N asked.

“You are very hostile towards me, you know? I might be able to forgive you if you go out with me.” Ruggero said.

“Not gonna happen, Rugge, aren’t you tired of getting rejected?” Y/N asked.

“I bounce back. Come on, amore, why won’t you let me take you out? You think you’re too good for me?” Ruggero asked.

“What are you talking about? Oh my god, I don’t think I’m too good for you, where the hell did you get that from?” Y/N asked, so confused at the turn this conversation took.

“Well that’s the only thing I could think of, you come from the states, you clearly think you’re better than Europeans.” Ruggero said and Y/N had enough of this nonsense.

“I have a boyfriend! Que pesado eres, me cae.” Y/N said.

“Really, who’s the boyfriend?” Ruggero asked. Y/N saw Charles walking into the garage.

“Muñeco, there you are!” Y/N said loudly, walking up to Charles and kissed him. Charles widened his eyes in shock but kissed her back and they both pulled away, Y/N wrapped her arms around his waist, leaning her head against his chest and Charles rubbed her back.

“Congratulations, does Fred know?” Ruggero asked.

“It’s private right now, we’re just seeing how this goes.” Y/N replied and as soon as Ruggero left, Y/N pulled away from Charles. “I am so sorry! Ruggero wouldn’t leave me alone so I had to tell him I had a boyfriend and honestly whoever walked through that door was going to be the victim of my lie but I am glad it’s you and not Carlos, mainly because Ruggero knows Rebecca is dating him.” Y/N explained quickly but Charles was still distracted, thinking about the kiss Y/N gave him.

“I’m sorry, what?” Charles asked.

“Can you be my boyfriend?” Y/N asked.

“I Don’t think we could pull this off, Y/N. We work together.” Charles said.

“We would only have to pretend we’re dating around Ruggero, no one else has to know, I promise.” Y/N said.

“Okay fine.” Charles said, him and Y/N were walking back to the main area (I don’t know how this works) and Carlos was standing next to Fred and Ruggero with a smile.

“Congratulations, cabrón,” Carlos told charles, hugging him. “You two are adorable.” Charles turned to look at Y/N with a look that said ‘no one will know, yeah right’

“I didn’t know you two were dating.” Fred commented.

“It’s still new.” Charles replied, putting his arm around Y/N.

“As long as it doesn’t interfere with the social media posts, it should be fine.” Fred said before walking away. Ruggero smiled before going back to the garage.

“Now I know why you always called her ‘mon ange’, que coqueto saliste, eh charles.” Carlos said, leaving Y/N and Charles alone, Y/N pulled away to face Charles.

“Well so much for that plan, I really am sorry, Charles.” Y/N said.

“You know what? It’s alright, it’s okay, pretending around here should be easy enough, this can’t get worse, right?” Charles asked.

“I Don’t think it can. How about I buy you lunch for getting you into this situation? I swear I did not mean for this to happen.” Y/N said.

“Yeah, sure let’s get lunch, where do you want to go?” Charles asked.

“Well since this lunch is my treat, you choose where we should go.” Y/N said. Charles and Y/N walked to the parking lot together and Y/N was walking towards her car when Charles grabbed her wrist and pulled her towards his car. “Seriously?”

“Well what kind of boyfriend would I be if we went to lunch in different cars?” Charles asked.

“Yeah, makes sense, Ruggero is watching through the window too, let’s go.” Y/N said. Charles opened the passenger door and Y/N got in, he close the door behind her, ever there gentleman, and he got into the driver seat. He turned on the car, and gave Y/N his phone so she can choose the music.

They arrived at the restaurant and like always, there were fans recording Charles and Y/N in the car, leaving the car, eating at the restaurant, talking, laughing, within the hour, Charles and Y/N were trending on Instagram, Twitter (X), and TikTok. As they waited for the check, Y/N was scrolling on TikTok when she found a video of her and Charles in the car.

“Charles, i think our ‘relationship’ went public.” Y/N said, showing him her phone. Charles’s eyes widened.

“Cant say I’m not surprised, I just thought videos wouldn’t be posted until later, you know?” Charles said and Y/N put her phone away.

“We haven’t even been ‘dating’ two hours and now everyone knows. You have no idea how sorry I am, I feel so bad for dragging you into this.” Y/N said.

“None of this wouldn’t have happened if Ruggero understood the word ‘no’ so you are fine, I’m glad I was able to help. But what was that thing you called me? ‘Muñeco’? Why did you call me that?” Charles asked.

“So ‘muñeco’ means ‘doll’, you have a pretty face, everyone says you’re good looking, you know you’re good looking. So muñeco just suits you, okay, especially with those dimples.” Y/N said, Charles smirked a little.

“You think I have a pretty face?” Charles asked teasingly.

“Great, I boosted your ego, like your head wasn’t big enough already. You literally said in one of those C2 challenges when Carlos had your photo that if you were a woman, you would be in love with yourself.” Y/N said. The waiter came in with the check and Y/N was going to take it but Charles was faster. “Dude, I told you I was gonna pay.”

“It would look good if you paid, there are cameras everywhere apparently.” Charles said, placing his credit card with the check. The waiter took the check.

“Then I’ll Apple Pay you. You gonna train today?” Y/N asked.

“Yes actually, come with me? You could post it to my story.” Charles asked. The waiter came back with Charles’s card.

“Yeah, I can do that. But we gotta go to Scuderia Ferrari for my car.” Y/N said, getting up from the table, Charles getting up as well.

“I think it can stay there overnight.” Charles said.

“You want me to spend the entire day with you? You’re insane.” Y/N commented as they were leaving the restaurant.

“Maybe, but it is to keep up appearances.” Charles said.

“I guess, but how long do we say we’ve been dating?” Y/N asked, getting into Charles’s car, he does the same.

“4 months seems good, don’t you think?” Charles asked.

“I guess that’s plausible.” Y/N said, Charles starts the car and drives off.

“Do you miss New York?” Charles asked.

“What do you mean?” Y/N asked.

“You travel a lot with us and you moved to Monaco for work, but do you ever miss New York? Your family? I know I miss my family when I’m away for races.” Charles said.

“I miss the food in New York, I can’t get decent tacos al pastor in Monaco, I gotta wait til the Mexican Grand Prix for them.” Y/N stated. “But yeah, I do miss New York.”

“You should ask for vacation time so you could go.” Charles said.

“I Don’t think they’ll give it to me, but thanks.” Y/N said.

For a week, Y/N and Charles have been spotted together everywhere, at races obviously, with Joris, Andrea, Doni, and Victoria, even with Charles’s family. Right now Y/N was with Charles at a club in Monaco. Y/N was at a table with Charles was at the bar getting drinks. Y/N noticed a girl flirting with Charles, touching his hand, before he pulled away with two drinks for him and Y/N.

“Charles, can we talk for a second?” Y/N asked.

“Sure, what’s on your mind, mon ange?” Charles asked, the nickname still causing butterflies in Y/N’s stomach.

“If you wanted to hook up with that girl, you can. I don’t want to have you tied down for a fake relationship.” Y/N said.

“I wasn’t interested in her at all, you know.” Charles commented.

“Really? What happens when the next girl that hits on you is more your type? I don’t want to hold you back, we are friends after all.” Y/N said.

“I have a confession to make.” Charles said, Y/N nodded her head for Charles to continue. “I’ve liked you for a while. Before you kissed me, it was a little crush, I thought it would have went away, but being with you this past week made my crush grow stronger. You don’t have to feel the same way, I just wanted to get this off my chest.” Y/N was shocked. Charles usually went for Instagram models, but he actually likes her, this was her dream come true.

“I’ve liked you for a while too, I just never thought you would see me that way.” Y/N said.

“I’m going to kiss you right now, okay?” Charles whispered, getting closer to Y/N, looking at her lips then back into her eyes, Y/N nodded, leaning in until their lips touched. It was a soft, gentle kiss, until Charles gained more confidence to do more. They pulled away. “Will you be my girlfriend? For real, this time?” Charles asked.

“Yes I will.” Y/N responded, they kissed again.

The End

Was this good? I think it was good, the pacing is weird, but I had no idea where this was going, just saying. Was it just as good as “prince of Ferrari”? Probably not, but I hope y’all liked it, should I keep writing Charles Leclerc fanfics?

[chobani-flip]

the disconnect between the storytelling of the show and of the fandom

lately, I've been thinking about storytelling and storytellers in the context of 911.

like, there's two sides to this storytelling business, right?

there's the small group writers and showcreators who have an idea for the characters and plots and have to come up with a way to share those ideas within the constraints of a network television series

and then there's us, a massive international community with a wide-range of life experiences, who watch their show and then go on to tell our own story about it.

and i wonder if we're always watching the story they're telling.

im not even necessarily talking about the buddie goggles right now.

what got me thinking about this was ana flores.

and the one scene the fandom likes to pretend sealed her fate (when in actuality, let's be quite candid, it was the fact that she was a beautiful woman who dared to date eddie instead of allowing him to remain a viable option for canonical/fanonical offscreen cannoodling with buck)

"there's a lot to be said for getting back on the horse, but there's also some value in learning that you don't like horses." eddie: "i'm sorry?" "sometimes, our limitations tell us when to stop. but sometimes, they can show us where to look next." (romantic, feelingsy song starts playing) "today, he falls off the skateboard. but tomorrow, he writes the great american novel."

see, the problem here is that this is CLEARLY meant to be viewed as wise and deep advice. as a moment of connection between ana and eddie... the way the scene is cut, the music that plays in the background, the intense eye-contact between the two characters, the way eddie reacts to her words... we're meant to enjoy the simmering tension and potential between them...

but... it's not great and deep advice, not really. it's been pointed out that it comes off as ableist. and ana is supposed to be a teacher at this excellent inclusive institution; she is meant to have experience with children of different abilities feeling frustrated and wanting to do the same things other children are doing... someone on here pointed out that if they were the teacher, they would seek to understand what need christopher was trying to fullfil by getting on the skateboard and help him achieve it by other means

but what ana comes up with is this awkward horse metaphor that doesn't really make sense for the situation, and a condescending: "awwww, well, im sure he's the next hemingway"

BUT SEE, THAT'S NOT THE STORY THE SHOW IS TELLING US. the show is ostensibly framing this scene as romantic and great and deep. and that is NOT ana's fault. the character of ana didn't travel to our reality, didn't block the scene, didn't cut it and add the soundtrack. that's on the showcreators.

but somehow, it's really difficult for us to see it that way when it comes to ana.

in a way that it's not when it comes to Hen, poor little Mara and the Doberman.

because we know Hen and Karen, and we like them.

so we awkwardly shuffle around, side-eyeing each other, quietly nudging each other and going: "bit of a fail that, huh? kinda a weird thing to do on the part of the show, huh? comparing a little Black girl to a dog...why did they do that???"

or there was an excellent post floating around about whether Buck and Eddie realize they can say no to sex, that their consent matters.

"what if i come home and she wants to haaaaaave..." "well, you'll get through it somehow," says buck with an amused grin on his face.

see, the problem isn't necessarily whether the characters know that their consent matters, but whether the showcreators do. because this is clearly meant to be viewed as a joke.

eddie is a macho guy, who tends to keep his cool in difficult situations, so it's funny when you see him freaking out over the fact that his girlfriend wants to have sex with him and he doesn't want to have sex with her because her former chosen-profession taps into his well of Messy Catholic Feelings.

isn't it? isn't that just fucking hilarious?

and the answer to that is: no. it's not funny to any part of the audience who's ever felt pressured (by a partner, by society, by their own expectations) to want or to have sex.

but does the show realize that?

i'm sorry but i don't think so. this is the show that framed dr.wells sexually assaulting buck during a therapy session as a joke to casually bring up and needle him over later, that felt the need to reassure us that chimney and maddie can and do have wild, passionate monkey sex (you remember, albert teasing chim, then the hotel with the revolving room, etc), that had karen ask hen what the point of a relationship was if the couple weren't having sex...

now, i genuinely don't think the showcreators mean to be hurtful, or harmful. i don't think they realise how all these things come off. because they're a fairly small group of people from Los Angeles, America, and are working within the constraints of a network television show

(and the point of the Eddie and Buck scene was Buck coming out to Eddie, so maybe they felt Buck saying: "you know, you can tell her you don't want to have sex, right? that's allowed." would fraction the focus of it? idk)

but what happens is that there's this disconnect between the story they're telling us and the story we continue to tell among ourselves.

when it comes to the characters we like, we tend to ignore the unpleasant meanings and messages in relation to the character, or we retcon it in fanfic, or we Fix-it with some heart-to-hearts and apologies.

(for example, i haven't seen many fics that show athena being a Cop as not-a-great-thing. but are we really ok with her saying "i wasn't on their side, but i understood their side." when her son expresses some reasonable dissatisfaction with her reaction to a cop pointing a gun at him and michael? or are we just ignoring it because we love angela basset?)

when it comes to characters we are predisposed to dislike, this disconnect makes us dislike them even more. which leads to the writing of bashing fics, and in some cases harassing the performers online jfc do not do that people that's never ok

(of course, some characters are hated justifiedly imao, like the buckley parents and chimney's father...)

maybe this is the frustration that makes for such a prolific and active fandom?

I don't know.

but I think it's something to keep in mind when watching the show. because that disconnect is always going to be there and I know that for my own personal mental health, it's easier and nicer to believe that a group of RL people might be just a bit ignorant at times, than that my favourite characters are massive assholes unpredictably and randomly

[daisyandbilly]

New Daisy Jones & The Six scene — Camila and Daisy talk about kids

[natjennie]

i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.

[darabeatha]

ANYWAYS- I don't have much energy in general but I just wanted to drop by and say I had a thought in regards to the rather unique shape of the scar on his forehead in his fate design (which is a reference to the oftentimes more commonly known version of his story that recounts the motif of his death being by dying from his people throwing rocks at him which is the version f.ate seems to have followed) that it's not just there to represent this version of the story but could also be a reference to an iconographic pre-Hispanic attribute from Tezcatlipoca itself that is called the Ezpitzal, which is this:

(though in this piece, Tezca is shown under the guise of Tepeyollotl, it's still tezca) The Ezpitzal is often shown as a stream of blood that emanates from Tezcatlipoca's head. Professor Batalla pointed out that this term also relates to the Nahuatl concept of expressing anger

'it’s worth remembering that Tezcatlipoca was a god notorious for sowing discord and deceit'

So I just thought of how fitting it would be for Montezuma to have this and how similar it looks to his scar (or well, how fitting it would be to a fictional stylized version of course) as Moctezuma's name is basically a compound of the noun 'lord' and the verb that means 'to frown in anger' which altogether gets interpreted as 'he who frowns like a lord' or 'he who is angry in a noble manner' and well, how this ties back to the Ezpitzal as a symbol that expresses anger

NOW IT COULD just be the shape of his scar and there's no deep meaning behind it but I still think it would be a nice little detail about his design if that was the case (if not then its just me overthinking symbolisms again), not to mention that even after the Spanish conquest took place and how as a consequence, a lot of characteristic traits and symbolisms were lost in regards to images, even then the Ezpitzal was still depicted (though barely there) with these protruding rounded edges

[heartburstings]

like i don't disagree that jason can be an unlikeable little guy (i'd even argue that it is, in some parts, a feature and part of the larger point), but what i don't understand is that the "solution" to this is that the show should not be about him and peter and should instead be about 2 other characters. because it's like. so dismissive to me. like forget jason for a minute and think about the themes of the show as a whole and tell me it would work if jason was not one of the main characters. like how would you build those themes and explore them without just changing the story and characters entirely

[perenlop]

this is kinda just my opinion after secondhand accounts and witnessing discourse secondhand but i feel like the warrior cats fanbase got infinitely worse when they got ahold of online buzzwords. oh the sisters are terfs because they dont like men. oh ashfur was mentally ill so squirrelflight was ableist for dumping him. oh jayfeather had internalized ableism so its okay that he treated brightheart like dogshit. oh nightheart is trans coded so everyone is transphobic for thinking hes poorly written. shut the fuck up!!!!!!!!!!

[jadenvargen]

free online james baldwin stories, essays, videos, and other resources

**edit

James baldwin online archive with his articles and photo archives.

---NOVELS---

Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."

Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."

+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)

Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."

Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."

If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."

also has a film adaptation by moonlight's barry jenkins

Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 

---ESSAYS---

Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film

--DOCUMENTARIES--

Take this hammer, a tour of san Francisco.

Meeting the man

--DEBATES:--

Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )

Debate with William Buckley, 1965. ( historic debate in america. )

Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)

----

apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.

[fratboykate]

I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.

people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.

5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:

10% to our agent

10% to our manager

5% to our entertainment attorney

5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)

most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.

you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.

lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.

this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.

they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)

support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.

[ahegato]

[NSFW] Obey Me - MC begs him to fill them up

I’m sorrrrrryyy I’m really not I had to do this

m.list

TW: unprotected sex, creampie, swearing Characters: demon bros Writer: ahegato

note: basically, it’s the first time MC and him are having sex without protection (it’s of course assumed that both are safe in this case), and at the end, MC asks him to finish inside of them. I can't possibly be the only one into this kinda thing, so here y'all go!

LUCIFER:

“hm?”

he stops and pretends he didn’t hear you, just to make you say it again

as much as his animalistic urges tell him to immediately do it - to physically claim you as his - he also can’t just immediately give in

so he makes you beg even more for it

all while he has a smirk on his lips

you whine as you repeat it again 

“really now?” 

he stares you down, watching you wiggle to get some friction, as he’s still not moving

“yes... please, Lucifer...”

the demon chuckles, gently palming your face with his hand

then he suddenly begins to roughly thrust into you again, leaving you starstruck, eyes rolling up into your skull as you mumble his name

on his very last thrust before reaching his orgasm, he whispers “you’re mine” in your ear, sending you over the edge as well

I wouldn’t be surprised if he wanted to stay inside you for a while

during that time, he’s very affectionate and sweet, more than he usually is, basically drowning you in compliments and kisses

MAMMON:

starts to moan. like a lot

I mean he already was but it definitely got louder and more frequent

like imagine pornstar kind of moans

loud enough to possibly wake up Belphegor in the attic

his trembling knees nearly give in underneath him

he leans down until your noses are almost touching, whispering “i love you” over and over again between his moans

moans your name really loudly when he bottoms out in you, eyes rolling up into his skull as he fills you up

his arms are tightly wrapped around you, and he refuses to move his face currently buried in your neck

you rake your fingers through his hair as you ask him what he’s doing, and that’s when he lets out a sniffle

“i just love you so much” he cries, streams of happy tears running down his face

(post nut crying is surprisingly wholesome and it’s so fucking cute don’t @ me)

LEVIATHAN:

cums on the spot, letting out a whimper as he does so

mumbles incoherent words as he rides through his high

after finally calming down, he just kind of froze

you’re not sure if it’s because he realized what you asked for or because he accidentally finished without you

when it’s been about 10 seconds of complete silence, you start to genuinely get concerned

you’re about to ask if he’s okay when he bursts into a ramble where he profusely apologized, his face red as a tomato

won't look you in the eyes, burying his face into your chest

you try to reassure him that it’s okay and that you understand

…coyly adding that you’re just happy that you got what you wanted *wink wink*

he stares at you, his cheeks basically on fire at this point

guess who’s hard again 😏

SATAN:

slows his movement down

“oh? what was that? did my kitten just ask me to fill them up?”

you quickly nod, to which he leans down, feeling your shaky breath against his face

“who am I to refuse what you so desperately want?”

to which he speeds up again, rutting against you harder and faster, but also taking one of his hands down to stimulate you as well

as much as he desperately wants to release, he wants you to do so as well

won’t let himself finish until you’ve done it first

once you were pushed over the edge he couldn’t hold it back anymore, with your walls clenching around him, and he slams into you one last time before finally releasing

he will keep you in place until you’ve taken every single drop of him

ASMODEUS:

“mmm, of course. anything for you, my darling~”

I think he’d prefer the moment to be slow and deep rather than fast and hard, which usually isn’t the case

but you’re special to him, you’ve touched his heart in a way that no one else ever has

and he wants to show that through his actions

he wants to show that this is not him being the avatar of lust, this is him being absolutely infatuated by you

definitely holding at least one of your hands, the other most likely resting on one side of your face

he wants... no. he needs to see you

"look at me, sweetheart"

like Satan, he starts to touch you to bring you closer to the edge

he wants to finish together with you

the hand holding yours will tighten its grip as you both reach your climax, Asmodeus leaving moans and whines behind him as he does so

lusty boi is all about aftercare, so he brings you to the bathroom to shower off all the stickiness

then he'll snuggle with you in bed until you fall asleep

BEELZEBUB:

this boi has a breeding kink

so many people have mentioned it in their headcanons, and yeah I can kinda see it being true

“really? you really want it?” he asks with a look of surprise

once you confirm it, he wastes no time in speeding up his thrusts, gripping onto you even tighter from the pleasure

“I’m about to finish... I’m going to finish deep inside of you...” he huffs in your ear, “you’re going to be so full once I’m done”

you whine in response, moving into his thrusts to speed it up

with a deep guttural growl, he fills you up

...and I mean really fills you up 

the fluid quickly starts to seep out of you, even while he’s still inside

that’s how much we’re talking about here

he’ll probably change the position so you can snuggle, but he’ll stay inside for as long as you’ll let him

it might even lead to him getting hard again tbh

BELPHEGOR:

at first he doesn’t see it as a super big deal

like it’s definitely an exciting thing, but he’s not crazy about it like some of the others are

he’s still pretty pleased though

because that means there’ll be less for him to clean up

because it’s such a close and intimate thing

“you want it inside?” he whispers softly, and you quickly nod

speeding up his movements, he feels himself get close

he wasn’t prepared for it to feel this good, and he ends up being way louder than he thought

you guys are usually rather quiet, or at least he is

he's practically whining and moaning like a pornstar

it doesn’t take much more for him to get over the edge

“ah fuck MC, ” he moaned as he connected his hips with yours a few more times, letting out spurts of his cum as he did so

his orgasm lasts for way longer than usual, all he can do is let out a few whimpers from the sensation, gripping you tightly

someone definitely heard him

✦ written 06/2023 - 11/2023 ✦ posted 28/11/2023 ✦ ahegato ✦

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[priniya]

okay, so i would like to request a theodore nott x reader where reader is like this kind of shy, studious type of girl and theo has had a crush on her for the longest time? like, he always sees her muttering the answers to professors questions and studying in the library and reading in every corner of the castle. maybe she gets dragged to a party by one of her more extroverted friends and ends up hiding away in the corner where theo comes and puts the moves on her?

i've read a few of your fics and adored them, you are such a good writer <33 if you can't get to this ask, i understand. i hope this finds your well <33

🗺️ SMALL WORLDS

synopsis. being an introvert pushed into a crowd of over extraverts isn’t what you imagined doing on a friday night. good thing that theodore nott seems to be the best extrovert you could ever find to be around.

notes. theodore nott x shy!reader. kind of high school!au

req. i’m like. so in love with that request. liz i love you. its all i needed in my life to feel completed. hope i exceeded ur expectations 🕺 also pride n prejudice reference??

oh.

theo didn’t expect to see you there. you were never a party person, you hardly ever went out to hogsmeade with your friends or paid attention to something that wasn’t your thrifted, muggle books. however now, you were standing all dolled up in the corner of the room, surrounded by gwen and betty, – who wanted to make sure you’d be okay on your own – anxiously scanning the common room, when the two girls left you.

something in his mind could tell him that the party wasn’t exactly your cup of tea, the huge, loud crowd you were pushed into was probably just giving you a hard time adjusting to the atmosphere. it wasn’t hard to notice as your eyes couldn’t focus on one thing, hands trembled and you were getting pale, so you had to sit on the emerald chair.

“it’s not nice to stare.” pansy nudged him in his ribcage teasingly, catching his attention almost immediately. his best friend had her arm wrapped around ginny weasley’s waist and a drunken smile spread over her lips. “go get ‘er tiger.” she added, watching him roll his eyes and walk somewhere.

maybe he stared a little. and maybe he made it a little too obvious — or obvious enough to get teased for it by his friends. he had to keep his cool or he would probably scare the shit out of you for being such a creep who just stared. not only at the moment, but also in class when you sit somewhere in front of him, or at the slytherin table.

and, to just make clear that theo has been interested in the curious creature you were, he even started coming to the library more often, staying there and pretending to read, when he couldn’t, so utterly distracted by the way your eyes move, or the way you have to take breaks to react to the book you’re reading, or the way you sometimes look his way, but look away the second you make eye contact.

theodore nott has never been a shy type of guy — overly confident, always hanging out with the elite, and looking above on everybody. or maybe that’s what everyone thought, because when he was to make a few steps in your direction, all the traits people knows him for were gone. he felt like a little kid, who wanted to ask his mom a big, important question, but couldn’t let it out of him.

his legs felt wobbly, making him as confused as it was possible. he’s never experienced anything like that over a girl who’s doubtlessly more into the book on her lap than she’d ever been into him. a stupid smile appeared on nott’s face the second you brought your gaze higher, falling on his lightly flushed face.

“uh, hi.” you struggled to let out, a little flustered that he came up to you like that. having closed the book, your gaze fell on his face one more time, analysing who you’re talking to, though it didn’t take too long to figure out it was theodore nott.

“hey.” he replied, shamelessly taking a seat next to you. for the fifteen seconds he was walking there, he thought about all the possibilities of conversation, but then? he just sat next to her silently for half a minute. “doin’ alright?” a question left his lips.

“i–, uh. kind of.” you lied, stuttering at the same time.

of course you knew theodore nott, who didn’t? he was a friend of mattheo and draco, a lacrosse player and a smart-talker. never studying, but always perfect on tests. and, in addition to top it all – undeniably handsome that keeping eyes off him was like a death sentence.

his eyes rolled in playfulness. “funny. you look more than just miserable.” the boy commented, his eyes fixated on your face as he speaks. “would you mind if i keep you company?” theo flashed you a cheeky smile and you just shook your head silently, watching him as he took a closer seat.

“you don’t have to speak.” nott added quickly, seeing a piece of distress at him keeping you company, and the way your hands gripped the cup you held. “you can just… act like you listen to whatever i’m sayin’, that’s fine with you?” his head tilted to the side waiting for a most likely short answer.

once you agreed or maybe it’s better to say once you didn’t refuse, he started rambling, rambling and rambling, trying so hard to make you laugh — chuckle, at least. oh and was he so proud of himself when he finally did. and minutes after that, you started replying to him more often, and god, it sent him to heaven, even though he was the one speaking much more, hearing you reply once in a while was enough.

the music was getting louder with each second, and he took you out for a walk, showing you around a little, because you were not exactly from that part of the town. “you smoke?” he asked, and he knew the answer immediately. you didn’t, but you nodded, waiting till he extends his hand with the pack of cigarettes.

you brought the cigarette to your parted lips, feeling his gaze on you. the motive for the whole smoking part was completely unknown to you — you never smoked, neither did you want to, but how could you ever say no to theodore nott, when he ditched the party to talk to you.

so… somehow, it led you to do what you can to impress him. you took a drag, feeling his eyes on you, and… started coughing so much you had to hold his arm for a few seconds to keep your composure. you could see theo trying his best not to laugh at your poor attempt at smoking. his teeth dig into his bottom lip as he bit back a smile, not wanting to make you feel bad.

“it’s better that way.” he nudged your side lightly, trying to cheer you up, seeing the embarrassment painting all over your face. “someone really doesn’t want you to smoke up there.” theo joked, making the corners of your lips curve a little upwards.

there was a comfortable silence between the two of you for some time, just walking around the town, enjoying each other’s presence until he finally decided to give it a break. “you’re not the type to party.” theodore stated, giving you a side glance. “lost a bet or something?” he asked, his left eyebrows lifted.

you walked beside him, hands laced behind your back as he asks the question. you couldn’t help but tilted your head slightly to the side to take a better view of him — of his sharp jawline, high cheekbones, those beautiful eyes of his and those lips— shit. you almost forgot he asked you a question and maybe even worse, noticed you staring.

“no.” he got a little head shake for an answer, before you found yourself revealing even more. “just promised my friends i’d go out with them.”

to theo, it sounded like something you’d do. even though he hardly ever spoke more than few words to you, he’s been perceptive and watching you in class was something he did most of the time, the reason behind it? his crush fell too deep to not continue looking for an opportunity to make a move.

“mhmm.” he mumbled under his breath, turning his face to look at you, a smile creeping onto his lips. “to be fair, despite the visible discomfort on your face, you look real pretty.” theo gave you a cheeky smile, before adding. “though, comfort looks so much better on you.”

shit. this motherfucker. his smooth way with words got you blushing from the top of your head down to your toes. before you could even stutter an answer, you felt the fuzzy insides of his coat on your shoulders. it felt so unreal yet so realistic at the same time. were you dreaming? you wish you weren’t.

“is it really that visible?” a soft sigh has left your lips, stopping in your tracks to look at him. “nah, just if someone has been paying attention to you before, they’ll notice.” the boy shrugged, your cheeks growing even hotter.

he’s been paying attention to you. theodore nott, the slytherin, has been paying enough attention to you to notice how uncomfortable you were in gwen’s dress. his cheeky smile got even cheekier as you were processing everything in your mind, the two of you standing in front of each other in the middle of the pavement.

your lips were slightly parted as you tried to think of something to say without embarrassing yourself more. you didn’t even catch the moment when he leaned a little closer until the two of you were inches away. “theo…?” a quiet whisper escaped your lips, your head tilted upwards to look at him.

“i’ve been infatuated with you for a while now.” confessed theodore, your breath hitching in your throat. what now? “it’s not the ‘i like you’ talk, it’s the mr. darcy’s ‘you’ve bewitched me, body and soul’ talk. i’m not myself when you’re not around.” his words are like honey on your ears, his hand finding yours, your eyes never leaving his.

“you like jane austen?” you giggled, accidentally interrupting his confession.

“y/n.” he groaned. “please, can i kiss you? i don’t think i’ll be able to breathe without it.” theo seemed desperate, but you couldn’t mind, it was theo who wanted to kiss you, the guy you always stared, when no one looked, the only guy that ever appeared in your dreams.

it took him just a small nod from you to lower his head and crush his lips into yours. at first, you could feel all the emotions he wanted you to feel — the desperation, the need, and the happiness that came with finally being able to kiss you. his fingers found its way to your hair, pulling you even closer as your lips moved against his so perfectly.

if it wasn’t for your fist that gripped the fabric of his collar, you’d probably pass out from the sensation of his mouth on yours. you had to break out for a few seconds to catch some air, but this time — you were the one who kissed him, standing on your tiptoes, kissing him like your life depends on it. he tasted like the liquor he had drunk before you two got away, and menthol cigarettes.

his forehead is resting against yours, after the two of you finally pull away yet so slightly. “were you for real?”

“i have never been as for real as i am right now, y/n. if being so enamoured with you was a crime, i’d be facing lifetime.”

[mapiforpresident]

Hi writer, prompt number 16 with Barcelona femeni(maybe platonic)

I'll Try to Behave

fcb femení x teen!reader

warnings: alcohol

The team bus was loud before you even got on it, but as soon as you made your way up the stairs the whole coach cheered. It was a couple hours after Barcelona had won the Supercopa in which you scored three goals.

"I knew I brought you here for a reason" Lucy yelled over the music Patri and Pina were playing on a speaker.

"You didn't do anything, it was mostly Keira and Ona. If anything you were on my con list."

"I'm taking personal offence to that," Lucy said as she slid into the seat next to Ona towards the middle of the bus. Ona was a good friend of yours having played with her during her two years at Man United. You were also close with Lucy and Keira from being on the Lionesses together.

As Lucy and Ona got lost in their own little world of staring into each other's eyes lovingly, you fake gagged at them and continued to the back of the bus where your closest friends Patri, Pina, Mapi, and Cata were all yelling some song in Spanish that you couldn't understand a word of. Alexia and Ingrid were also sat in the back although based on their frowns, you had a feeling they thought the music was a little bit loud.

You dramatically flopped yourself on Alexia's lap who was sat directly in front of Pina and Patri's seat. "Yo Pina play that one I like next please and Patri can you please pass me one of those beers."

"No, absolutely not. Have you lost your mind." Alexia exclaimed while she was trying to push you off of her onto the seat next to her.

"Ale I'm seventeen, I've drank a beer before. Mapi even gave me two at the last team bonding night after you feel asleep like a grandma during The Lion King."

"You were not supposed to tell her that y/n." Mapi angrily whispered at you from across the aisle. "Great now she is going to murder me and never let me within ten feet of you"

"I swear to god Mapi. Why are you corrupting the baby. And you," Alexia said as she turned to you, "no drinking or dating or anything of the sort until you are thirty."

"You do know me and Pina had a beer chugging contest in the locker room before we got on the bus right."

"Claudia Pina." You had never seen anyone glare with as much exasperation at someone until now. Claudia coward under Ale's gaze and pretended to be staring out the window until Alexia was called up to the front of the bus by Jana asking her a question.

Patri decided to break the tension by shouting "truth or dare anyone," down the aisle of the bus to which you immediately agreed.

"Truth or dare, y/n," Patri asked you. You decided to go with truth for the first one knowing if you chose dare already, Patri would mostly likely give you one that would end with Alexia dragging you to the front of the bus and not letting you have anymore fun.

"Have you ever had a crush on anyone on this team." Patri really wanted to know the answer because you rarely talked about crushes or your love life.

You smirked at her. "Yes. Truth or dare Mapi"

"Wait hold on who is it" Patri asked as Pina asks "Do you still have a crush on them."

"That was not part of the question. Truth or dare Mapi." Mapi decided to go with a dare much to the displeasure of her girlfriend sitting next to her.

"I dare you to call your mom and tell her your pregnant"

"You know she is never going to believe me seeing as I'm with Ingrid and all," Mapi replied, but still pulled out her phone and dialed her mother's number not one to back down from a dare.

As Mapi made the call, the rest of the team listening were trying their hardest to contain their fits of laughter, the alcohol already consumed not helping. You couldn't help but chuckle at the absurdity of the situation, watching as Mapi put on her best dramatic performance, her eyes widening in feigned panic as she spoke into the phone.

"Mom, I have something to tell you... I'm pregnant," Mapi announced dramatically, her voice laced with faux distress.

The reaction on the other end of the line was immediate and intense, Mapi's mother launching into a tirade of disbelief and concern that had the entire bus doubled over in laughter. Even Ingrid couldn't contain her amusement, shaking her head in mock disapproval as Mapi continued to play her part until eventually Mapi's mom heard all the laughing and figured out Mapi was pranking her. After she hung up she asked, "Claudia, truth or dare."

"Truth."

"What’s your biggest turn-on?" Mapi asked.

"Um probably eye contact," Claudia replied as she blushed a little. "Ok Cata, truth or dare."

Just as Cata was about to reply dare. Alexia called out to the bus that they had arrived back at the parking lot.

As you stepped off the bus, the night air enveloped you. The laughter and banter of your teammates echoed around you, their voices a comforting melody amidst the bustling streets of Barcelona.

Patri and Pina led the way to Patri's car, the promise of continuing the celebration at a club with friends sparking excitement in the air. You were about to join them, already planning how many shots you'd take, when suddenly, Alexia's firm grip halted you in your tracks.

"Absolutely not, hermanita," Alexia declared, her gaze unwavering. "I already asked Olga to set up the spare room for you. We can watch a movie before you go to bed if you're good on the car ride home."

You pouted playfully, but deep down, you were grateful for Alexia's protective instinct. With a resigned sigh, you agreed, knowing that Alexia always had your best interests at heart.

"Fine," you relented, a smile tugging at the corners of your lips. "As long as I get to pick the movie."

And so, the night continued, filled with laughter, music, and the warmth of friendship that surrounded you like a comforting embrace. As you fell asleep that night, nestled between Alexia and Olga, you couldn't help but feel grateful for the football family you had found at Barcelona, knowing that no matter what the future held, you would always have each other's backs.

---

Let me know if you guys have any tips or comments to improve my writing. Also my requests are open so feel to request anything and I will get it done asap. Thank you!!

[toxicanonymity]

You can totally say no if your not comfy doing it but maybe you can suggest another writer who you may think might? But if yoir request are open is there anyway I can convince you to write on the topic of reader being Sara's best friend and has tried to come onto Joel multiple times (ie sneaking into his room etc) and then escalating to slipping a roofie into his drink one night while her and Sara are home on winter break from college? If you're not comfortable i totally understand and im sorry if I made you uncomfortable its just your writing for the darker stuff is so amazing 💖

locket.

2k, joel miller x dark f!reader | master list A/N: here's your 🕊️ in a pear tree 🖤 in a way, it's kinda the inverse of night talks 😅 didn't overthink this one, so FIWB. this is my 3000th tumblr post! WARNINGS: I8+ big girthy age gap (44/21), drugs, dosing, f masturbation, dubcon unsafe p in v, somnophilia-ish, choking adjacent move, degradation (both), cum, dead dove december ig (idk if i'll do a deader one this month).

You're tired of her hot Dad playing hard-to-get, and you're going to put an end to it tonight. You've come home with your college roommate, as you often do since your family lives far. Once again, her dad is dressed like a piece of meat. Tight, white, ride-me t-shirt. Cock bulging in his slutty joggers. He’s walking around double cheeked up on a Friday night in front of his daughter’s best friend. His daughter’s best friend who thinks about him every time she touches herself. 

Sarah falls asleep fast, and you can still hear the TV downstairs. You put on your locket, take off your underwear, and adjust your oversized, wide neck t-shirt to make a wardrobe malfunction inevitable with the slightest movement.  You creep down the stairs and pause at the landing, where you lightly caress your nipples, bringing them to full attention. You’re already tingling downstairs. You creep up to the edge of the living room with your arms straight down, pushing your boobs together, hands clasped together near your crotch as if you're cold. And to be fair, the air is a little cool on your bare cunt. You’re dripping for him, and the shirt barely covers your asscheeks.  Joel barely glances, then does a double take.  

His eyes fall on your breasts before reaching your face. His jaw clenches. After a few seconds, he asks, "What?" 

"Sorry to bother you. I couldn't sleep."

"What am I s'posed to do about that," he grumbles, looking away from you, resuming his focus on the television. 

You shiver and briskly rub your arms, feeling the air hit your exposed nipple for a moment, and you ask about changing the thermostat. He sighs, braces his hands on his knees, and gets up. You shamelessly ogle the bulge in his gray joggers. While he's on his way to adjust the thermostat, you open your locket and drop a little medicine into his can of beer: half a sleeping pill and half a Viagra. 

In the corner of your eye, Joel is lingering in the hall. He rubs his beard, looking at you while you pretend to look at the TV. He slowly walks forward. "Goddamn slut," he mutters under his breath, and you force away a smile as you sit down.

When Joel returns to the sofa, you're sitting next to his seat.  You bring your knee up to rest on the sofa and feel your pussy exposed.  He picks up a blanket off the other end and sets it in your lap.

"Take this with ya." He picks up his beer, and moves to the easy chair. You don't miss the way he adjusts himself as he settles into the chair. 

You make yourself comfortable, and when you just sit there, he says, "thought ya said ya were cold.”

“I'm comfy now.” 

You sit there in silence watching TV. He finishes his beer and gets another. You keep an eye on him. The sleeping pill seems to hit him first. His eyelids get heavy and he rests his head back on the chair. His breathing is steady. You think you see him getting hard. Yeah, something definitely moves in his joggers. He’s nodding off and jolts awake. He grabs his crotch and mutters, “fuck,” before he remembers you're there. You shift positions to lie on your stomach, facing him, with your ass exposed so he can see your butt cheeks. 

“Go to sleep, darlin’. God damn.” Your heart flutters. Oh, now he’s done for.

“You sure?” You ask and go into a cat pose with your ass higher in the air. 

“Yeah.”  His eyes are half shut. He tries to be subtle about slowly rubbing himself for relief, but you can see just fine.  “Fuck-” he interrupts himself with a yawn.  He shakes his head at you. “gave me somethin’, didn't ya?” 

You wet your lips and look down. “What makes you say that? Do you feel funny?”

“Like you don't know.”

In for a penny, in for a pound. You shift onto your side, then swing your legs around in front of you as you sit up on the sofa. “Well. . .I feel funny, Mr. Miller,” you purr as you spread your legs for him. “Yeah, I feel funny right here.” You slowly, lightly caress your mound near your clit with two fingers, then spread them to trace down your outer lips. 

“Somethin’ wrong with you,” he shakes his head. His brow furrows and he swallows. But he doesn’t leave. . .He looks back at the television. Your body is churning out slick, getting ready for him, but right now it’s going to waste on his sofa. You gather some from your hole and bring it up to your clit. You grab a breast and begin to touch yourself. He’s sleepy, but he's hanging in there. The heel of his palm is planted in his lap. 

When he begins to nod off again, you get up and approach the chair. He stays seated, awake but sleepy, and his breath deepens as you brace your hand on one arm of the chair. You wedge one knee between his outer thigh and the chair’s arm. Then the other side, so you're straddling him. You both look down at his visible erection. He looks up. His lips form a subtle pout, then part slightly. His brown eyes glaze over as he studies your face. 

“Dress like you want it,” you whisper. He closes his eyes and takes a deep breath. You reach for his cock and he gently stops your wrist. 

“I could be your dad,” he mutters, more to himself than to you.

“Please,” you whisper. Your hand doesn't stop, and he doesn't try to stop it anymore as you reach. You grab the rock hard protrusion and he silently grunts from the back of his throat. He’s throbbing against your palm through the thin cotton. Your breath hitches at the first contact. You twitch and ache for him. His brow furrows. 

“‘If you’re gonna do it, do it,” he challenges you in a near whisper. He must be painfully hard. He can't take it. You massage him through the soft fabric. 

Your lips part, and you tilt your head as you read his face. 

He mumbles, “Gonna pussy out?” He cracks a little smile and adds, “with your pussy out?”

You sigh. “You’re so fucking cute.”

“Such a rotten girl,” he murmurs with half lidded eyes as his hands come to your thighs. You shiver in a bolt of pleasure as his hands wrap around the backs of your thighs and slowly run down to your knees, then up to your ass. He squeezes your cheeks, and his cock throbs in your hand. 

“Coward,” he whispers with a snarl and takes his hands away, resting his arms on the chair. 

You brace one hand next to his head on the back of the chair, and your heart shaped locket dangles as you take down his waistband with your free hand. His cock slaps against his white t-shirt, making a wet spot. 

Good Lord. Your mouth falls open. You tug the joggers down more. He grunts softly when you cup his soft, fuzzy balls. Then you release them, grab his shaft, and hear yourself moan. Never felt anything stiffer. It's angry and now the tip is actively oozing. Your mouth waters and your body opens up for him. 

He watches your face, then yawns again. You rub yourself and gather your slick, then wrap your slippery hand around his cock. You scoot your knees forward and hover over it. He inhales through his nose as you lower yourself to make contact. You pause with the tip just inside. It's already a stretch, but deeper inside,  your core is begging for more. Your entrance spasms around his tip.  He gasps and tenses, gripping the arms of the chair as you begin to sink down.  He closes his eyes and winces as his cock divides your walls and you moan as your bodies become flush. You sit on his dick while your body makes space for him and you get even wetter. 

“Fu–ohh” he tilts his head back. His neck veins strain. He's so goddamn hot. 

You slowly tilt your hips and let out only an inch of him before bottoming out again. His cock takes up so much space inside you. You look down between  your bodies. His white shirt has ridden up to expose the happy trail and the slight pudge of his lower belly. His stomach heaves with deep breaths. You begin to move on him, slowly. 

“Ahhh, fuhh-uhhhk,” he sighs. His brows knit together and he watches you ride him. 

You tilt your hips, seeking the pressure of your clit nudging his body. “Yeah,” you breathe and move a little faster. Your necklace swings, the silver heart getting closer and closer to him. Then his hand flies up to wrap around your neck, trapping the chain. His grip isn’t firm, but the presence of his hand around your throat is enough to freeze you on his cock and give you a surge of need. Your pussy spasms, your slick walls begging for the friction they've earned. 

“You’re sick,” he mutters, then his hips punch up and he sighs. He lets go of your throat, then tugs your shirt down under your tits. 

“Fuck,” he sighs, the corners of his mouth glistening with saliva. He reaches out and palms your breasts, then hooks his hands under your arms. He watches your tits move with your rhythm. 

“How many times have you thought about this,” you ask. 

“I don't think about it,” he claims, but his face says constantly. You massage your own breasts as you ride him, and he sighs. Hopefully he can't get enough. Hopefully he comes back for more. You roll your hips with a moan. That's why you didn't use a roofie - He needs to remember this. He needs to need it. “Mmm.” Maybe he’ll be desperate, mad. As he watches you ride him, his eyelids begin to droop again. Maybe he’ll be mad enough to take it. 

You gently slap his cheek. “Stay with me,” you command, and begin to ride him harder. You slot your fingers into his hair. “When's the last time you came,” you ask, massaging his scalp as you move on his cock. “Hmm?” You pause with his cock all the way inside, and he twitches inside you. “Hmm?”

“Days,” he whispers. You start rolling your hips again. “Been days, ohhh–fuck.”

“You're gonna come inside,” you nod. His cock twitches again. 

“Ohh, fuck. Are you–ohhh,” he sighs, “are you–ugghh.” 

“It's okay,” you reassure him, “It's okay.” God, the thought of Mr. Miller nutting in your cunt has gotten you over the edge so many times alone. You're close. You bring your body closer against his and grind your clit into him, your body moving his swollen manhood, subtly rocking it as your clit presses into his pubic hair and your insides swell with the pressure of pent up pleasure. “Ohh, God,” you sigh and feel your body tighten, tighten, almost there. “Ohh, fuck,” you pant. 

“Ohh,” he moans and his hips lift under you. The tension snaps and your clit pulses, making you whine. You grind into him as you pulse, release pressure, pulse, release more, losing yourself in waves of release. 

“Oh, God,” you moan, fluttering around his stiff cock. 

“Ugggh,” he groans and his hands come to your ass. He begins to move you on his cock as your climax wanes. He moves you harder and moans unrestrained. He grits his teeth, and his fingertips dig into the plush of your ass. ”Ohh,” he sighs and fucking erupts. 

“Oh shit,” you whine, and keep clenching around him with warm bursts of him flooding your core. “Ohh God.” 

“Oh, fuck,” he pants, bursting again and again, filling you with his seed. “Ohhh,” his pulses fade and you come to a rest in his lap. He lays back against the chair breathing heavily. You lean forward and hug him. He doesn't have the energy to push you away. Soon, he's snoring and you're just sitting there enjoying the fullness of his cock and cum. 

“Mmm,” you sigh softly and begin to push yourself up. You let his cock out and some of his cum comes with it. You scoop it up from around his tip and draw a heart on his shirt, imagining how cute it'll be when it's dry and hard. Then you get off the chair entirely and draw a few small hearts of cum on his joggers. You pull the waistband up for him, then plant a kiss on his lips before leaving him there. Then you go back upstairs and put on your underwear before you get back in his daughter's bed. 

-----

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Thank you so much for reading, ILY 💖 If you really like dark reader, you might wanna try my ghostface series every inch (there is also some power struggle/shift).

---

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[beauspot]

Good Omens Is a Big Deal

With everything going on I haven’t acknowledged how grateful I am for what Neil (and John) did this season. I always saw Good Omens as a romantic story and everyone involved seemed to be super supportive of that. To actually see a follow through on those themes was wonderful though. To see Aziraphale continue to look at Crowley like he’s the earth, the moon, and the stars. To see Crowley continue to save his angel not because he needs them to, but because they love him.

To see them have their dinners, and give the other access to their prized possessions. To see them dance. They love each other. They are in love with each other and it’s not implied or a throwaway line that can be edited out.

It’s the beating heart at the center of the story.

And they weren’t meant to be. Neil himself will tell you when he and Terry wrote the book Aziraphale and Crowley were meant to be friends and that’s it. Over time their relationship evolved and where a lot of writers would simply ignore that and keep pushing forward Neil pivoted and said “you know what? let’s see where this goes.” The last time I can remember something like this happening was with Hannibal years ago, it’s so rare with queer pairings.

I know everyone was excited about the kiss and it is refreshing to see queer people actually get to kiss, it’s still not something that happens all the time, but that’s not what made them canonically queer to me. If they remained completely asexual and never kissed or showed interest in kissing one another I’d feel the same. While I always felt they were queer what sealed it for me were 3 things:

1. Nina and Maggie, a romantic pairing that parallel our angel and demon break down to Crowley how she and Aziraphale are partners (and it’s clear they don’t mean business partners, does Crowley look like he runs a bookshop?) but they never say what they’re really thinking. They go on to state how that’s all they needed, the obvious implication here being that Nina and Maggie shared their romantic feelings with one another and that Crowley and Aziraphale need to do the same. Upon hearing this Crowley takes that as a sign to confess his feelings.

2. Gabriel and Beelzebub, another pairing that parallels Crowley and Aziraphale who are also clearly in love with one another is something Crowley references while he is confessing his feelings. “If those two lovestruck idiots can go off together, so can we. Because I love you.”

3. Crowley and Aziraphale express plainly to each other that they need the other. Crowley says to Aziraphale he wants to stop pretending they aren’t a team, a group, a them.

Aziraphale says verbatim “We can be together.” and “I need you.” He doesn’t say “We can work together” or “I need you to help me” or some other cop out that a lot of other shows or movies might come up with to continue to bait their fans, while having plausible deniability.

They love each other and it’s not platonic.

To me, the kiss serves as a way to seal the deal for people who only understand queer love when it’s punching them in the face. That’s not to say queer people can’t like the kiss, it’s one of my favorite scenes in the show simply because of how heartbreaking it is, but they were a couple to me long before that. And to add onto that by making every other important pairing in the show queer as well? Nina and Maggie being happy sapphics who don’t die at the end. They’re not together, but the implication is that one day they will be. Two non-binary beings—Gabriel and Beelzebub—falling in love and choosing to be with one another forever. The angels and demons are all genderless and no one misgenders them and no one gives a FUCK.

That means so much to me and I genuinely cannot express how thankful I am that this show and this season were made. The only thing I can say is thank you for standing for something, because not everyone does.

[neptuneiris]

could you pretend to be in love? (02/10)

The Contract

pairing: modern!aemond × fem!reader (fake dating)

summary: there is no turning back now and now you and Aemond set the rules and conditions to start the whole farce.

word count: 4.6k

previous part • next part • series masterlist

HAPPY NEW YEAR!!!🥳

I thought this would be a very nice way to wish happy new year to all of you beautiful people who support me and like what I write, you don't know how much that means to me🥺

thank you for so much support and for so much love, I have loved being here and I definitely plan to stay for longer, seeing how that love evolves and my place here as a writer🥰 so enjoy a lot this new chapter that I really hope you like it a lot❤

many blessings to all of you, my best wishes for your lives in this 2024, I love you all so much!😊❤

enjoy!

It's the first thing you see after turning off the alarm and you curiously enter to read the recent messages from an unknown number, not having the slightest idea of who it might be.

But you let out a long sigh of frustration when you read them and see that it's Aemond, who you don't understand how the fuck he got your number. Of course, it shouldn't have been hard for him, just a few questions and anyone can tell him what he wants to know.

And knowing that you have a long day ahead of you today, you already feel the pressure all over your body when you haven't even left your bed, where you also feel the frustration and all this uncertainty that you thought you had already overcome, but no.

You barely accepted yesterday and suddenly putting the plan into action from one day to the next, it's too much. But without really having a choice, you reluctantly force yourself to get up and start getting ready.

After an hour, you leave your house with the nagging feeling of carrying a weight on your shoulders to school. And all the way there, not even the music in your ears can make your mind calm down for a moment.

Knowing very soon that your whole social life will be a mess and you will no longer be invisible, since after all Aemond was right in that respect, causes you even more uneasiness and also nervousness because you are going to pretend to be the girlfriend of the most popular guy in school.

And once the bus makes its stop, you soon enter the halls of the bustling school. And knowing that a certain silver-haired guy is waiting for you right now, every heavy step you take towards the schoolyard echoes loudly in your ears, increasing your nervousness and anxiety.

You're even tempted to back up and tell him to forget it, but you resist and keep moving forward.

As you walk through the huge doors of the backyard, it's only a matter of time before you make out the figure of Aemond sitting at the same table as yesterday in the distance. Your heart skips a beat and you feel more nervous, but gathering your courage and taking a long breath, you advance towards him, ready but with uncertain steps.

Every step seems heavy, as if you are walking into the unknown and you try to hide the nerves in your gaze, especially when Aemond notices your presence. He watches you and slowly turns to you, a subtle smile on his lips.

Again there is that feeling of telling him to forget it, to find someone else, that you can't do this. But... your mind stops you and screams at you not to be silly, that at the end of it all there will be a reward, a very good reward that getting it by faking a relationship with him, is nothing.

And it's definitely worth it.

So resigned, you reach out to him.

"Hey," he says to you without wiping off his little smile, as you take a seat in front of him and he waits for you to finish settling in, "So you've come."

"Don't bother me," you tell him without humor, definitely contrasting his mood to yours.

"Now what did I do?"

"That," you point to his face, "You're enjoying this, seeing that I haven't backed out."

"Oh, please, I actually thought you wouldn't come and tell me to fuck off after you thought better of it," he justifies himself.

"Yeah? Well, nothing a free admission to your dream college won't do," you say with a slightly sarcastic tone, though implicitly admitting your reasons, "And it's actually not like I like skipping classes, so could we get this started?"

Aemond exhales long, averting his gaze from yours for a moment before returning to watching you.

"You know you'll have to be charming and act like you're completely in love with me in public, right?" he poses, expectantly.

"Yes, I know... in public," you point out to him, "Just now no one knows we're 'dating' genius," you add, underlining the falsity of the situation.

He places a small, amused, smirk on his lips.

"Yet."

He adds with a slightly defiant tone and you roll your eyes.

"Don't get too excited either."

"Are you not?"

"Oh yeah, I can't handle the excitement," you feign in a high-pitched, ironic voice, making exaggerated hand gestures.

Aemond lets out a short but genuine laugh at your gesture. He leans back slightly, his eye revealing a mischievous glint as he watches you.

"Glad to see you're keeping your sense of humor in this," he says with his tone changing slightly to a more relaxed one.

"I don't have much choice, do I?" you reply, accepting his change of mood, but still maintaining a certain emotional distance.

You figure it's just a matter of the two of you getting more into trust, and if you're going to do this with him, you're definitely going to do your part. But for now, this is still a little awkward and unexpected. And the sooner you do this, the better it will be for you.

So you shift your focus and lean forward slightly with a more serious expression on your face.

"So let's get started?"

"Well, making a contract will take up a lot of our time, so I thought it would be easier to just say and agree between us-

"It will be easier this way, to write down and establish the rules and the conditions we want to do during all this, just to have everything clear and not miss anything, Aemond," you interrupt him, taking out a notebook and a pen to start writing.

"Okay, fine," he says, shrugging his shoulders.

"So?" you watch him expectantly with the blank sheet of paper in front of you and your pen in hand, "What do you suggest first?"

"Well... first we need to know when this will all end," he begins to say, adopting a relaxed but firm stance, "And I would say that it may end when it is no longer necessary for both of you to continue pretending. But I think it's a better idea for us to last until graduation."

He proposes, looking at you intently, waiting for your reaction and you can't help but be a little surprised to hear that.

"Until graduation?" you repeat and he nods, "But you really want to do this for almost five months?"

"I know it's a long time, but that time can be beneficial for both of us," he explains, "That's enough time to give our relationship credibility and authenticity and it's also enough time to handle any problems that arise."

He says and you nod cautiously, evaluating his words.

"But if you disagree, tell me," he hurries to say.

His calm tone and your reasons contrast with the uncertainty and indecision you feel. And the two of you have barely started.

Five months is such a compromising situation and it generates some concern, because you know you will face so many things you still have no idea about and every day it could become more complicated to maintain the farce.

"I guess it's okay," you cautiously admit, trying to see the big picture, "But I feel like it's still a long time. But also reducing that time might not be enough," you agree.

"Yes but I'm sure we can handle it. And don't worry, if at some point we feel it's too much or we don't have enough reason to keep pretending anymore, we can talk iand end it."

You remain pondering, considering his words and after a few seconds you nod in agreement, and write it down as the first point on the sheet. But this alone is the first piece of a much more complicated puzzle.

1. Duration of relationship: Until graduation.

And Aemond also brings up the next point of the contract, expressing his ideas with quiet but evident assurance.

"Now, second..." he begins, "As for behavior in public, we should genuinely show affection in the hallways, cafeteria, and at any school activity and event. In a relationship people don't take their hands off each other, so we should smile at each other, hug each other, make subtle gestures, hold hands-

"Don't say kissing, please," you interrupt him, pleading, taking him by surprise.

"Of course, Y/N," he tells you instantly, incredulous, "Obviously we'll have to kiss."

As if having to act completely in love with him and be every moment touching him isn't enough. But the idea of kissing seems a bit much to you.

"I agree about showing affection and all that, but that kissing thing might be awkward and... weird," you say, trying to be sincere but not seeming completely closed off to the idea.

Aemond looks at you incredulously.

"So you don't want us to kiss?"

"I don't think it's necessary, honestly."

"Are you crazy? How are we supposed to pretend if we're not going to kiss? No one's going to believe us if we don't kiss and that's what will literally make the whole relationship believable," he insists, visibly concerned.

"Yeah, I get that it might seem necessary, but...at least I don't want to be having to kiss you every single time."

"You don't want to kiss me?" he asks you, visibly surprised, confused and... maybe a little hurt?

You watch him silently for a moment not understanding his reaction and then watch him with a small amused smile.

"I'm not one of your fans, Targaryen."

"Oh come on, everyone wants to kiss me," he says confused and incredulous, proving his point.

"Even the guys?"

"Well... yeah, I don't know, maybe some of them," he says with a shrug.

"Seven Hells," you mutter, averting your gaze for a moment, "I-I really don't want to do that," you say, speaking seriously and then you let out a sigh, "But you're right that no one's going to believe us-

"Obviously. I always have," he is quick to say.

"So my proposal is this... we'll kiss, yes, but only when it's extremely necessary, and when I say extremely necessary I mean extremely necessary."

You watch him intently, keeping yourself willing with your proposal, waiting for his opinion, which judging by his face, he doesn't quite agree with.

"And what would those extremely necessary moments be exactly?" he inquires, attentive and interested, also still looking slightly worried.

"In the cafeteria or in the hallways when everyone is obviously looking at us and we're attracting attention. Just don't abuse it."

Aemond lets out a long breath.

"Well, let's limit them to extremely necessary moments," he finally says resignedly and you quickly note the second point.

2. Behavior in public: Show affection as genuinely as possible in public, such as gestures, hugs, and holding hands. KISSING ONLY WHEN EXTREMELY NECESSARY.

"But then that second point is also going to apply to the parties you'll be going to with me and my lacrosse games you'll be going to."

You quickly raise your gaze to him.

"What?"

"Yes," he nods, "Going to the parties together will also lend credibility to the relationship and obviously we have to be very close to each other. And it's the same in my games, you must go to support and encourage me, like any girlfriend in love with her boyfriend would."

Aemond's words provoke an instant reaction in you, that confusing you and taking you by surprise.

"But I don't go to parties."

"Now you will," he says with a calm expression, reaching out his hand and taking the pen and your notebook.

"But-

He is already writing in a section further down the sheet which he lists as; 'additional conditions'.

Parties.

Lacrosse games.

"Aemond, I'm not a big fan of parties, really," you insist, "You'll have a bad time if you take me with you and I'll probably ruin everything."

"Don't worry, I'll teach you the trick to having a good time and change that mentality you have. Besides I won't take you to every party, just a few," he assures you, "All while keeping up appearances," he hands you back your notebook and pen, "With me you'll never get bored, I promise," he says with a small smile on his lips.

You let out a sigh, placing the notebook back in front of you, still undecided.

"Yes? Well, we'll see about that. I warned you though."

He lets out a soft little laugh.

"Come on Y/N, you can't be that bad."

"I assure you I can be."

"And so what do you do for fun?" he asks you, keeping his smile, curiosity evident in his gaze.

And there it is, the question that totally describes your personality and that in fact you don't like to answer to just anyone, because then they call you boring. But you can't lie to Aemond, he is astute enough and would notice.

So you decide to be honest.

"I like to read," you reply, lowering your gaze and feeling slightly embarrassed, "And I love going to the movies or watching movies and shows at home, either one is totally fine with me. Oh... and... hm... I also like ice skating, although I don't do that as often but... it's something I like too."

And even though it's only a bit of the world of things you like, Aemond listens to you attentively with a soft expression, saying nothing afterwards, as if he's processing every word you've said, while you only feel more embarrassed by the silence.

You know there's nothing wrong with it but it always made you insecure to share your hobbies, mostly because you know that many girls your age enjoy their teenage years going out with friends to parties and getting drunk.

That didn't and doesn't appeal to you now. You have long been more comfortable with the idea of staying home or going out somewhere else instead of going to parties.

It's not as if you don't attend or avoid every social event, yes you can attend and have a good time depending on who you are with and where, but not as often as every weekend.

However, you understand and recognize the logic behind Aemond's suggestion and that is that attending parties, is essential. And just as he is about to finally speak, you do so first.

"I know they are simple things and are not very exciting for most people. I also know they can be very boring but for me... that's what I like," you shyly confess.

"Hm," he says, taking a small moment, watching you softly, only causing you even more embarrassment, "Well, that's not what I was going to say," he says, catching your attention, "Sometimes it is the simple things that mean the most to everyone and, being honest... I find them interesting," he adds, trying to evaporate any awkwardness and embarrassment you might feel.

You raise your gaze, meeting his bright blue eye watching you softly and with his gaze full of genuine understanding, along with that hint of curiosity. And that gets your attention too.

He's not judging you. And even though it's not something he would do or at least hasn't tried to do yet, he's not judging you for it and you see that genuine interest in his gaze.

"Tell you what, for every party you go to with me, I'll read one of your favorite books or a movie or shows you want me to watch," he says, picking up the notebook and pen again.

"What?" you look at him confused, unable to help but smile in bewilderment, "Are you serious?"

"You must set your own conditions too," he states as he writes, "I already dragged you into my world, so now you're dragging me into yours," he looks up at you, "What do you think? Is it a fair exchange or not?"

His proposal takes you by surprise and also confuses you a little, however, the small smile remains on your face.

The genuine expression of openness on his face and the determination with which he wrote definitely makes you feel more comfortable. His willingness to immerse himself in your interests was not something you had agreed upon from the beginning, nor is it something extremely necessary to fake a relationship.

But it's for the simple reason that you both feel comfortable if you're going to pretend for almost five months and it seems like a nice gesture from him to include it, something you honestly didn't expect from him.

And when he gives you back your notebook, you see the new rule under 'additional conditions'.

For every party Y/N goes to with me, I will read a book or watch one of her favorite movies or shows.

"Yes," you nod, "Sounds like a fair deal to me."

Aemond smiles, pleased with your answer and also seeing the expression on your face.

"Great. We'll see if I discover something new I like. And you too..." he points at you with his index finger, "You won't regret it after you have a great time at my parties," he says enthusiastically, with a sort of complicity in his tone.

"Well, we'll see if you manage to impress me."

And right there, the two of you exchange complicit glances, Aemond having that little smile on his lips while you don't understand this strange new alliance the two of you are building.

But even though you didn't expect it, it's definitely to your liking.

"Now, third..." you point to the notebook with your pen, "Reinforcing the second rule, public appearance," you say, observing him, "We must act as a committed and attentive couple to each other at school and to these parties you want us to go to."

Aemond nods determinedly, thoughtfully.

"Yes, commitment at all times," he states seriously.

"So, that also means that neither of us can be with other people for the duration of all this, not even secretly," you add, making the point clear.

"And you want to write that as a rule too? It's obvious that neither of us should-

"I'll write it as the fourth rule, just to be clear about everything as I told you."

"Oh, fine."

3. Public appearance: Act like a real couple in love, be committed and attentive to each other at school and social events.

4. No involvement with other girls/guys: No casual encounters or texting with anyone else for the duration of the fake relationship.

"Oh and also..." says Aemond, reminding, "Since we're at that point, on additional conditions write that we should both upload photos and videos together on our social media. It's another way to lend credibility to our relationship."

"Photos and videos together on our social media," you repeat, looking at the notebook.

And this catches Aemond's attention.

"Don't tell me you don't use your social media," he says beginning to sound alert and concerned.

"No, no, I-I mean, yes," you hasten to say, "It's just... I don't know, I most likely don't use them as often as you do, besided I have very few followers."

"Don't worry, whatever followers you have are fine. Besides, I'm sure they'll increase when I upload my first photo with you."

You roll your eyes with an amused smile.

"Okay, Mr. Popularity."

"And speaking of that, hand me your Instagram and all your networks," he says instantly, grabbing his cell phone from his front pocket, "We better have that all figured out now."

Obviously Aemond's accounts had to be public while you maintain your privacy, with barely thirteen hundred followers while he has almost the entire school following him and probably from other schools as well.

In fact, your numbers compared to his are embarrassing. But you never really had the interest of having more followers on Instagram or more friends on Facebook, Snapchat is the same and apparently that doesn't matter to Aemond.

Upload photos and videos together to our social media.

"And well, I also think another very important thing is to maintain privacy," you suggest, lifting your gaze to watch him and Aemond gives you a confused look.

"Do you really want to write that down too? It's obvious we can't tell anyone-

"Let me enjoy this, Aemond. It's actually fun and I want to write it all down. So act serious," you ask.

He lets out a choked laugh.

"Well, yes, we must be discreet, no one must know that all this is false, only we know the truth and we must keep it that way," he says and you excitedly write it down.

"We mustn't involve our families in this either," you add, watching him intently, "But that will be difficult because your siblings are here," you grimace.

"We can keep up the farse with them for a while too, I'll convince them not to say anything to my mother or the rest of my family. And once everyone here at school is convinced enough, I'll tell the truth only to them," he say sure and confident, solving the problem.

"And you're sure you'll manage to keep them that way?"

"Yeah," he says with a shrug, "They're my siblings. I know how it works with each one."

5. Maintain privacy: Tell absolutely no one about the fake relationship or involve each other's families in it.

"Oh, right, I almost forgot..." Aemond says as he points to what is already written, "You must also go on each year's trip to Dragonstone with me. That's another additional condition of mine."

"What?" you inquire again, surprised and confused.

"Yes, the trip to Dragonstone," he affirms.

Oh God, the trip to Dragonstone.

Dragonstone is an island not far from King's Landing, where there is an ancient castle with a lot of history but has been modernized with the same name and is open to every visitor.

The school makes an annual trip for educational purposes as the castle has relics and structuring from thousands of years ago. You have seen pictures and videos where everything looks really beautiful, ancestral and almost royalty.

In addition the castle offers other activities, such as rides on its huge luxury yachts, surfing, diving and swimming lessons.

You always had the spirit to go but have always known that the trip is anything but educational. You've heard stories that happen with the students, such as getting drunk, partying on the yachts, hot tubs and obviously you've heard stories of who slept with whom.

Even the most reserved get to have fun and it's not something you're interested in. You know you don't fit in that environment, especially since everyone has to share a room and you're sure that if you go, you'll have to share a room with girls with different tastes and perspectives than yours. They probably won't even let you sleep.

"Come on Y/N, you've never been to Dragonstone?" asks Aemond incredulously, noting the grimace on your face for wanting you to go there with him.

"Well, yeah I've wanted to go but... I-I, I don't know, I've heard that instead of learning about the place, everyone goes to having fun, they party, they get drunk and I-I don't...

"And what do you expect us to do in a modern castle on the shore of the beach with yachts and hot tubs?" he inquires again, expectantly, "The trip is planned for the middle of the last month of these five months and you can't let me go alone with the things that go on in that place."

You make your grimace more visible, revealing your clear indecision. And even though you and Aemond have been at odds lately over the matter of tastes, he still places a soft smile in your direction, understanding that you are not like him and prefer to do other things.

"Look, you don't have to go to the parties and drink if you don't want to," he starts to tell you, "But we can at least go to one of the parties on the yachts and then do the activities they offer on site, swimming, diving and all that," he proposes, "We'll take pictures, tour the castle and we'll both be equally satisfied."

You ponder for a moment, considering his proposal. You know you only have to get your father's signature on the permit to be able to go to the island and it's not like you've gone before so... you can do it now.

"Well, I guess that's fine," you nod, "But really promise you won't leave me alone and we'll take the time to do other activities that aren't related to partying on yachts and hot tubs."

"Please, we'll go as a couple, so of course I won't leave you alone. You'll be stuck with me," he assures you, "And I also promise you that we'll do other activities, not just the parties."

"And..." you start to say, in a serious, warning tone, "Also promise you'll pick me up every morning to bring me to school. That's another one of my additional conditions. The bus isn't very comfortable anymore."

He nods, shrugging, completely unconcerned.

"Sure, it's no problem. Besides it will make the relationship more credible," he says softly.

Despite your doubts, you feel a sense of relief at seeing and acknowledging his commitment. And you also feel more confident knowing that you have his support in all of this, even in your conditions. So you write down the two new additional conditions.

Drive Y/N every morning to school.

Dragonstone trip.

At the end you both sign the sheet, looking honestly ridiculous but being funny, then both seal the whole contract by shaking hands.

"So when do we start all this?" you ask him, putting away your notebook and pen.

"I say tomorrow," he gives you a look of understanding, "But we need to talk now during classes in the hallways or in the cafeteria, so that when they see us together tomorrow, it won't be so surprising and will seem more believable."

You give him an unsure look.

"I think it will still be very surprising, Aemond."

"It doesn't matter, we just have to start showing together today, just talking. But tomorrow is when we really start."

And just as he says those words, with that determination, you feel again those nerves in your lower abdomen and that insecurity. But at least you still have all day today to mentally prepare yourself, and you're grateful for that.

"And before I forget this too..." he says again, "I need you to send me all your academic information to work on your college application now," he tells you seriously and you watch him completely attentively, "The five months will go by fast and during that time college applications will start. So it's best to get it all in now."

At this, you feel your heart start to beat fast and you don't know why, you guess because it's a very important issue for you. And more than anything else it's the reason you agreed to do this with him.

"Yeah, yeah, sure," you say softly, "I-I'll email it all to you."

He smiles softly in your direction.

"Very well," he nods at you, "I'll text you my email."

Despite your slight doubts about whatever is going to happen next, the idea of starting a fake relationship leaving you with a knot in your stomach and feeling your emotions mixed, you know this will all be worth a try.

So you pick up your phone and you start to write in an email all your personal and academic information. While at the same time all is said and done and the fake relationship contract is over.

THE CONTRACT

Duration of relationship: Until graduation.

Behavior in public: Show affection as genuinely as possible in public, such as gestures, hugs, and holding hands. KISSING ONLY WHEN EXTREMELY NECESSARY.

Public appearance: Act like a real couple in love, be committed and attentive to each other at school and social events.

No involvement with other girls/guys: No casual encounters or texting with anyone else for the duration of the fake relationship.

Maintain privacy: Tell absolutely no one about the fake relationship or involve each other's families in it.

ADDITIONAL CONDITIONS

Parties.

Lacrosse games.

For every party Y/N goes to with me, I will read a book or watch one of her favorite movies or shows.

Upload photos and videos together to our social media.

Drive Y/N every morning to school.

Dragonstone trip.

general taglist

@melsunshine @at-a-rax-ia @jxdegodfrey @ttkttt @yentroucnagol @kate-to-the-ki @iamavailablesstuff