"I don't hate him. I loved him until I figured out it hurts a lot less to just not care. You don't expect him to turn up to your football match? No disappointments. You don't expect a call on your birthday, don't expect to see him for months? No disappointments. You want us to go make up? Sink a few beers together, nice family hug? I've given him enough hugs. He's given me enough disappointments." - Chase (Cursed [1.13])
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Write the thrawn and vader fic izzy. You know their bromance must be shown
The villain bromance we need but not the one we deserve.
I honestly feel like a lot of the reason I'm not that interested in the Thrawn trilogy (beyond general Legends weirdness and the fact that I've aged past the point where I would have really enjoyed it) is the fact that Thrawn apparently never meets Luke and Leia in-person? Which feels like...a total waste of the whole conceit of post-ROTJ Imperial villains? You gotta have them meet Luke and be deeply confused as to how short sunshine boy is Vader's son (or in the case of Thrawn, not be surprised because he met Padmé who was smol.)
As I have said in the past, SW supporting characters really only interest me in how they serve the stories of the Skywalker clan.
I'm surprised with the sheer volume of Vader-captures-Luke fic out there I'm not able to find one that incorporated Thrawn...though I am also the only person, as far as I know, to use Hondo Ohnaka in that scenario. Which now seems like the most obvious thing in the world to me!
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IMO, Artemis i, ii, and Angeline are codependent in a way that doesn't result in yelling matches per se, but rather codependent in the sense of, “I love you so much I want to put you in a snow globe and look at it for hours in a quiet room”.
On the one hand, Artemis II acts like he's the parent despite being 15-17 — and then on the other hand, Angeline and Artemis I see every awful thing that happens with the People as if it were happening to Artemis circa age 6.
All this is complicated by Artemis being thee baby of the family/the Original Heir***. There’s a tension in Artemis thinking that he needs to puppeteer his parents for the good of The Family, whereas his parents hold that maybe the world did end when Artemis died (TLG) and to pretend otherwise is insane.
***"Thee baby" not in the sense of youngest or most infantilized. Of course, in TEC, Fowl Sr grieves at the sight of the adult-like Artemis in front of him during the hospital visit, as does Angeline in TAI during a phone call.
Rather, I joke about this in the sense that like... Angeline and Artemis I never get to see Artemis grow up. Not to mention, Artemis was born into an era of the Fowls where it would be reasonable to worry that someone would do ill by Artemis to hurt the family due to him being the only heir (at the time). Myles and Beckett are born into a wholly different world than Artemis was. So much of the anguish over Artemis has to do with that context!
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i think one of the things i find compelling about rhaegar is that he’s a very good example of how selfish and destructive a martyr complex is. from what we know, it doesn’t feel like his obsession with the prophecy was overtly egotistical — less ‘i’m great ergo i’m the prince that is promised’, more ‘oh fuck, if this is true then unless i do these very specific things everyone and everything i know is doomed’.
and yet. there’s still something selfish about that. about assuming you have to be the one to solve the world’s problems. even when it eats you up, even when it isn’t some glorious purpose but a terrible shadow hanging over you. to assume you’re the only person who can do something — and, ironically, in trying to fulfil the prophecy and prevent the destruction of everyone he lover, he doomed pretty much all of them.
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Let's worship at the church of Paul's private grief, feat. the McCartney brothers, fathers and sons
About 10 years ago Paul released the ‘Chaos and Creation in the Backyard’ album. The cover was one of the evocative photos that you did in the early 60s. For me it’s the composition of the photo that makes it, taking it behind the window frames.
Mike: It’s through me mum’s net curtains. She made them. She died when we were in Forthlin Road when I was 12 years of age. They are very important to me and our family. So my mum had died and there’s our kid sitting on the deck chair in our back garden with his guitar. He used to get lost in his guitar and there he is, miles away, sitting on a deck chair with the washing above his head. It’s such a lovely picture. I took it through the gap in the curtains.
In fact years later, James, our kid’s son. He’s a great musician and singer. He was up and said “Uncle Mike, can I see your’s and dad’s old house?” So I took him and there is the photograph on the wall. They’d put a deck chair in the yard and the washing on the line so you can look out and imagine our kid in the deck chair. I said to the guy running the house “Have you got a guitar?” He said “It’s an old one upstairs. It’s all out of tune.” Eventually he brought it down. I said “Here you are James. Look at the picture. See the way he’s holding it and looking.” You go be your dad.” So I sent him outside and took his picture, exactly the same way all those years later. I gave it to him and our kid as a present, the two of them together.
(Mike McCartney on the Strange Brew Podcast)
(photograph by Mike McCartney)
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thinking about how expectant of her own death scully always was, but how completely struck by shock she was in mulder’s, despite how clear it had always been that he would one day die for the cause. tragedy in the x-files as something you should have been prepared for, but never could be, in scully standing at a funeral, as her mother had stood at her father’s, and barely being able to speak. she should be able to do this? bred to be a war widow, attached to an endless line. but no matter how many times she saw him put that gun to himself, or run off in front of another, she really did believe that he would always come back. she really did believe that there would never be a day where he didn’t just appear in the doorway again.
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