"Are you waiting on a train?"
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Some context for the image under the cut:
It was common for Pokemon and items to slip through the space-time distortions. What made this occasion memorable was that an entire train station platform slipped through during the night.
Akari went to investigate when she heard the report. Despite it being early in the morning, she wasn't the first one to arrive. Ingo was there, sitting on a bench, deep in thought.
"Hey, Ingo," Akari greeted as she sat down beside him, cradling her sleeping Rowlet, "Are you waiting on a train?"
"Good morning, Miss Akari," Ingo said, blinking as if waking from a dream. "I'm afraid no trains will be coming into the station today. The tracks stop after a point, uncoupling this station from its sister stop."
"Maybe they'll be reconnected one day? After we sort out this whole space-time distortion stuff."
"That would be the most favorable outcome, yes."
Ingo relapsed into his thoughts, a shadow cast over him. A hush fell over the trio.
When the sun rose far enough into the sky to burn away some of the fog hanging around the station, Ingo finally stood up and readjusted his worn out hat.
"Let's prepare for departure, Miss Akari! It's an excellent day to make tracks in your journey."
"Yes, let's!" Akari sprang up, eager to start the day.
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sure, "I'm part of this marginalized group that I'm writing about" isn't a get out of jail free card for all bigotry, but if someone says "I'm portraying an exact experience I've had, this literally happened to me" and your response is "okayyy but think of the optics of showing that that happens? maybe keep that to yourself?" it might be time to reconsider your approach.
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They call me millions knives cos that's how many knives it takes me to make a sandwich cos I keep putting them in the fuckin sink
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Words to Use Instead Of...
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Cute
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Shy
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but i dont wanna practice anatomy to make epic stuff :((((
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scar eyes studies in varying levels of completeness :)
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i haven't watched pearl's episode yet. but there's something to be said about the fact that she knew scar well enough to know that, when it was the two of them, he would have too much pride to accept a sacrifice.
she doesn't want to win, and she tells him at first before she quietly tucks that secret back into its shell after scar's indignant reaction to her first attempt at self-sacrifice. she lets scar forget about it as they kill gem, and then as scar kills pearl. at no point does she try to say here, let me give this to you. she knows scar, but she also knows the pain of an ending like that.
but she misses a few swings, doesn't she? her legs don't move as quickly to duck away from his arrows. and isn't that familiar? isn't that something like a cactus ring, with two unrelenting fists and two half-hearted ones: a fight with two unwilling participants, a fight that was over before it ever really began at the insistence of one of its patrons
pearl is all too familiar with the sting of sacrifice, but then on the other side of things... scar knows all too well the tragedy of gifted victory, doesn't he?
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