#review/rant thing

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[ricky-mortis]

Have some Ted doodles- as a treat.

[so-long-soldier28]

i finished the show 😭 (minor teen wolf spoilers)

it was way less a tragic ending than predicted, thank god. everyone and their mother showed up in the last thirty minutes and i loved it, coach, especially; you CANNOT tell me he didn't know something was up. man was johnny on the spot with that stick. minorly confused on alec, but i think i understand, the more i think about it? oh!, and mason and corey were so cute. scott without eyes is my sleep paralysis demon. they should've kissed in the elevator.

[clarafyer]

So I was bored an hour ago so I went on Steam to look at my recommended and there was this one game that I finally decided to check out after being in my recommended for months; Purrgatory.

OH MY GOD IT IS ONE OF THE CUTEST GAMES I HAVE EVER PLAYED EVERYONE WHO SEES THIS, GET PURRGATORY RIGHT NOW. IT'S FREE.

You play as a random guy who just died and you're sent to Purrgatory and you meet cute animal friends (Oliver and Natalie are my favorites) and there are multiple endings and cat puns and it's the best tiny game I've ever played

[thegrantwater]

new fic alert!!! new fic alert!!!

finally posting something after almost another year long hiatus from writing. i got a little more in depth about where i've been and what it's been like to write this in the end notes of the fic, so if you're curious go there, but i'll definitely be posting about it on here soon. so in the meantime....

we fill the gaps (you and me make three) chapter 1 is posted on my ao3! i've been dropping little hints about it for months, and my story for last years sqsn was the main driving point behind this fic (and yes the title for both fics comes from the same song, in my mind strange birds is a predecessor or sort of outline to this). the intro of strange birds was actually ripped straight from the draft for this, because i started rewriting season 1 almost two years ago and at the time had written some pre-henry-curse regina analysis to tie into it. this first chapter covers the events of s1e1 to about s1e19, and the rest of s1 up to the curse breaking will be chapter 2. consider its length both a treat and a warning that this is going to take a while.

love you guys <3

[charliespringverse]

i think it should be possible to scream without making any noise or disturbing anyone or inviting any questions . just sometimes . as a treat .

[caylinmiraki]

My relationship with The Legend of Zelda: Tears of the Kingdom

I love TotK, I really do. It's fun to play and to explore for a while. But that's it. I kinda have a toxic relationship with this game. It gives me the highest heights just to shove some pretty unnecessary hindrance in my face.

tl;dr: Erasing BotW from TotK was the worst thing they could've done to this game. It's hard to believe that this game's got 5 years of development under its belt. It truly is a disappointing Masterpiece.

I’m just going to head right in.

I absolutely adore a well-written story and exploring new Lands to see what kind of secrets it holds. and am someone who really can't deal with spoilers of any kind, so color me surprised when the second memory I encountered was the one near Lurelin Village where it's exposed that we got a fake Zelda. It felt great to have my theory proven right because I’ve cleared a few Stable Quests before looking for the Tears and figured it out (isn’t very difficult I know). But when I realized that I’d skipped a massive part of this story I was disappointed because I expected a story progression like Botw but ended up spoiling myself with one of the most impactful memories. At the same time, it was so frustrating to see everyone dance on the palm of this impostor's hand while the player knows exactly what's going on and you/Link couldn't do anything about it.

The fact that almost no one recognized Link or even knew of him was also so frustrating; infuriating even. This legendary Hero saved Hyrule along with Princess Zelda in a 100-year-long battle, only to be forgotten? While everyone knows of Zelda? Like, you wanna tell me that the whole time Zelda traveled the lands of Hyrule to learn about the people and forge connections, Link wasn't with her? Her appointed knight that never leaves her side?

I know they chose to basically erase him to make the story less complicated for people who didn't play BotW, but let's be honest the amount of players that fit this criteria can't be more than 5%, and that's thinking generously, so why ruin the experience for the other 95%? Besides a small part of the Zora, the Stableowners, the people at Lookoutlanding, some Shieka, and the Yiga-Clan no one knows about him. In addition to that we also only get two mentions of the champions from botw. Mipha is referenced and I think Daruk gets a mention as well. When I entered Zoras Domain in TotK and saw that they had replaced Miphas Statue with a statue of Link and Sidon (which I find hideous tbh) I was so fucking furious. I adore her and they just pushed her onto some faraway cliff to collect dust. I think Daruk gets referenced in a dialog with Yunobo but that’s it, besides his statue in Goron City. Urbosa and RevalI have been completely forgotten it appears. They could have at least referenced those two regarding their successors having similar powers.

However, I have to say that Gerudo Desert was one of the best areas in TotK with a nice twist to the Questline leading up to the Dungeon. The Desert is being plagued by weird undead monsters and shrouded in a never-ending sandstorm. Gerudo Town is desolated and abandoned and you worry for its citizens. I loved this dreadful approach on the Demon Kings homeland. There are just two things I can't agree with in this new Gerudo Desert.

First, they don't kick Link out of Gerudo Town after the situation is resolved. This clan of proud warriors that cling deeply to their roots and traditions, just let Link walk in and out of Gerudo Town as he likes. It apparently isn't that much of a deal anymore if young VaI were to see a Voi, and saving their Town for the second time after defeating Va Naboris, returning peace to Gerudo Desert, and retrieving their heirloom was now enough to allow him to enter without a disguise? Oh yes, I forgot BotW didn't happen apparently. Secondly, I want female Gerudo clothes for Link. Why would you rob us of this experience? I also strongly feel like they designed the areas in this order Rito>Gerudo>Gorons>Zora it just gets less and less refined throughout the game. I first encountered the Wind Temple and then went to the Water Temple afterward. I felt like I've skydived full speed from the sky islands straight into the depths without a paraglider. Moktoroc was a Boss I'd expect in a meme fight or mod or something, but a fully-fledged dungeon boss..?

Talking about bosses, something I really enjoyed in TotK were the encounters with Master Khoga. He is such a delight to encounter in this game; truly the most polished and lovable character in all of TotK (and BotW in my opinion). He has his purpose, he is silly, sometimes overly so, but all in all, is he a real threat to the inhabitants of Hyrule and Link. For real, Master Khoga and his Clan always recognize Link and engage with him BECAUSE he is Link and not because he just happened to be there. When I encountered Master Khoga for the first time in the depths I was so excited because I remembered that he fell down this chasm in BotW and that the most iconic and best villain in BotW is still alive. I really was just so delighted I think I almost cried (I'm a huge fangirl, leave me alone). He and the Yiga Clan made the Depths their own in the time that passed between those two games. The only thing I would have wished for was that Master Khogas questline could have been a bit longer and that he shouldn't have ended up like in BotW. And what I would have liked was to have one huge Yiga-Clan structure that served as their home base in the depths, like the Yiga Hideout on the surface.

There are just three more things I want to mention that don't sit well with me in this game.

First: the Depths are empty. I want to make each Zelda game my own and play it at least once to 100% in any regard. All Locations, all Shrines, all Lightroots, all chests, all quests, all Koroks (urgh), and so on. I want to harvest everything this game has to offer. But when I was "exploring" the depths in my progressed savestate I just found myself comparing the overworld to the depths to find shrines or lightroots. I traveled from one destination to another just to complete my task and gaining every shrine in the process was a nice addition. Tbh, I don't even know what the reward was for clearing all Shrines. I remember you got some kind of seed or flower from the lightroots tho.

The depths are incredibly dull. What happens in the depths?

1. You get the Autobuild ability

2. Fire Temple (Great design choice btw, very esthetic tho not challenging)

3. Minerus questline

4. Master Khoga and the Yiga-Clan

5. Weird Poe trading Statues (idk if this should count tbh)

6. Lost Woods access

7. Demon King Ganondorf (Daddy)

So we've got 6-7 major events in the depths. An area as big as Hyrule itself filled with almost nothing. You encounter abandoned Mines that always work the same. Search for the chest, pick up some Zonaite, and off you go. Yiga-Clan outposts; kill the Yiga, read the journal, loot the chests, and next. And don't get me started on the recycled dungeon bosses you can now just kill for fun down there. WHY?? I hate when bosses, incredibly strong monsters that are tied to a location as its last obstacle, as its guardian to prevent the Hero from accomplishing his goal, just get reused as an overworld boss. Tho they're so easy to kill a Gleeok is more dangerous. Now that I think about it King Gleeok might just be the most challenging Boss in TotK.

The second thing I would have wished for, but knew it would not happen was for Link to permanently lose his arm and for Zelda to remain a Dragon. I knew it wouldn't happen because Zelda always has a happy ending but it would have solidified TotK as another huge break in the tloz formula. Link losing his arm would have shown just how incredibly dangerous this whole situation really was, even to the Hero of the Wild. A crippled Hero with lost limbs and remains scarred for life (like the theories for the Heros Shade from Twilight Princess) is something Zelda lacks and just solidifies that Link is fucking overpowered and nothing can stop him. Don't get me wrong, I know it's kinda his thing to just be like this and to make the player feel accomplished in saving the land of Hyrule and its Princess, but we’re in the 2020s, and people want some kind of realism, drama, and especially in this case, involvement in the story. The way things are, it just feels like a fever dream sometimes. Might be an unpopular opinion but I'd like to see Link struggle for once in a while. (I know, botw’s basically a summary of Zelda and Links’ struggle to save Hyrule, but that’s not my point here and you know it.)

I know the chances of Zelda remaining a Dragon forever were close to nonexistent, and I think I wouldn't have a problem with this, if the developer had just given us a real explanation as to why, and how this is even possible. Mineru emphasized multiple times, that this forbidden ritual is irreversible and that she would erase herself if she were to proceed. Her decision has such a massive impact on the Story. Zelda went to such lengths to protect her Kingdom and support Link, she gave up everything and she was so terrified but her trust in Link is just so great that she believes that he will at least save Hyrule; her kingdom when she can only provide him with the tool to do so. Only to be reversed because two ghosts appeared. The theory that Sonia and Rauru channeled their energy through Link to reverse Zeldas form like Mineru said is just that, a theory. But aside from Raurus power and spirit residing with Link in his arm, where did Sonia come from? When the imprisoning war happened Sonia was long gone and there were no hints of her spirit being connected to Link or Zelda. It just feels unpolished and the explanation of "magic" isn't satisfying at all.

Lastly, something that bothers me in particular, I don't think many miss this feature. I am a huge fan of the Dark Souls series and challenging games in general. So my disappointment, when I learned that there wasn't a Master Mode for TotK, and there are no plans to implement one in the future, was immense. I would have loved to play through this game with a more challenging note and 100% it that way. I’m really sad about this, would have loved to see improved golden monsters that would have destroyed me and tested my skill.

To end this rant on a positive note, TotK is still one of the best games I've played. Its mechanics and freedom of action are one in a kind and I could spend hours just playing around with ZonaI devices and build the most ridiculous builds. It has really well-thought-out Quests and fun characters to interact with. Link and Zeldas relationship (as an aromantic myself) just feels so fulfilling. I know many people see their relationship and their dependency on each other as signs of a canon love story between these two, and by all means, go for it (that Zelda lives in Links house now is evidence enough. And I ship them occasionally myself)! But for me, the fact that it isn't explicitly said leaves room for interpretation, and, they are just two people who can 100% trust each other and whose lives are so incredibly intertwined that they are just codependent at this point. I love how they've written Zelda and Links relationship.

And my highlight, of course, is Ganondorf and the final boss fight. I adore Ganondorf his design is so incredibly well done, you feel his ambitions and dominance throughout every "encounter" we witness. Though we don't know those ambitions and anything about him besides that he wants to restore the rule of "the survival of the fittest", to be honest. He is pure fanservice I tell you. And I live for this.

The final fight is a (almost) one one-on-one with the Demon King(Just like Twilight Princess, one of the most epic showdowns of all time). An excellent magician who mastered all forms of weaponry just like Link and is even capable of flurry rushing (an ability that many/I thought was Links champion ability in BotW). It's epic, it's cinematic, and filled with surprises. When I fought Ganondorf in the first half, I just assumed we got two phases, and that's it, like in Botw. But holy shit. The second phase started and his health bar just kept going and he looks like THAT with his cocky attitude; brother. The moment you defeat him, and think it's over, you realize what he's about to do but before you can act he just grabs Link, and smashes him through tons of stone, and debris (however he came out of this unscathed; would have loved if he got at least a little injured and then healed by the light dragon or something.) and suddenly you are in the skies facing off against this massive titan of a Dragon. This fight is as challenging as the Dark Beast Ganon fight in BotW but its buildup and the resulting fight high above the surface with the help of Zelda who subconsciously knows it's her destiny to support Link in this fight makes it way better than just a cinematic final showdown. Link manages to defeat the Demon Dragon and after he blows up like a nuke (wtf was that anyway, so awesome!) and Zelda is transformed back to her human form. Link is skydiving to catch Zelda as they plummet from the sky and the moment, he finally reaches her hand and catches her will be forever one of the most emotional and impactful scenes in any Zelda game. Despite its flaws, TotK offers an undeniably captivating experience. With its innovative mechanics, memorable moments, and interesting characters, it carved its own niche within the Zelda universe. While it does leave me a bit disappointed that it ended up like it did, expectations for Zelda Games are always skyrocketing but I still don’t think that we expected too much. I rate this a solid 8.5/10 while every other Zelda entrance is a 10/10.

I love TotK but like I said. It's a toxic relationship and whenever I find myself wanting to revisit this Hyrule I rather play BotW than TotK. Sorry for my rant.

[masterfuldoodler]

If half alive has 1000 fans I am one of them. If half alive has 1 fan, I am that fan

[nostalgicfun]

eBay PLEASE let sellers have promo codes/discount codes/coupons. I want to do a 40% off for Tumblr users SO bad but not extend this to the general public because the general public has been so, so intensely awful for the past year or so. But I'm filled with love for The Tumblr Friends

[14dayswithyou]

are you a compsci major :0

✦゜ANSWERED: I wish I had the brains and dedication for that ^^; If anything, Ren would be the compsci major (if he chose to go to university with you)!! As for me though?? I'm currently double majoring in digital media and social working ;v;

[lizardinkart]

With the heavy caveat that I know people put their heart and soul into this show, having watched 6 seasons of this shit now, The Dragon Prince is just this to me

I root for this show as if it was my child’s little league team playing against the Dodgers. Like, they have the spirit, certainly. Can they actually hit a fastball going over 100mph? I think not.

[pemberlyy]

Wow.

so i just got done listening to Mammalian Sighing Reflex. I tried so hard not to cry listening to it but when I got to Melatonin 130 I just broke down from there and could not stop crying.

the lines in particular;

“the breathing exercises hurt, and dont do fuck all.”

“ill live with you until our bones grow old.”

“help, why the fuck am i feeling self-absorbed when im finally happy.”

hit wayyy too close to home.

the instruments throughout this entire album just tickle a part of my brain that i had no idea existed. they’re beautiful.

THAT FUCKING BRIDGE IN DROPSHIPPED CAT SHIRT! WHAT. IN. THE ACTUAL. FUCK. I ABSOLUTELY LOVE IT MORE THAN ANYTHING RIGHT NOW.

“OHHHHH HOW NICE IT MUST BE TO, FEeEeELL SoOoOo BOREED.”

I always love the trumpets in the background of any of wilburs solo stuff. they just sound so dreamy idk.

FUCK ‘OH DISTANT YOU’ [affectionate] I WANNA CRAWL IN A HOLE AND DIE.

‘mine / yours’ ugh.

“you; Kiss me like it was your job

So tender and carefully, teeth before tongue (I wanna be yours)

Not in the way that the romantics do (I wanna be yours)

But with the grace of a workplace and child dispute”

You know, I don't need much more

But wanna be mine, wanna be yours

You know, I don't need much more

I wanna be mine, wanna be yours

I take you for granted

Because the alternative's far more alarming”

</3

Around the pomegranate lyrics i will relate to until i die;

“I just want to feel normal again

I just want to have meals with my friends

I just can't go through this again

Find my comfort in envisioning the end”

GLASS CHALET. THE LYRICS. THE GUTAIR. THE LITTLE BEEPING BEAT IN THE BACKGROUND NOT SURE WHAT THAT INSTRUMENT IS.

HIS VOCALS ON THIS OH GODS ABOVE. THEY JUST FILL MY EARS.

The vibes i get from this album is mostly; crywank and jack stauber mixed with obviously wilburs own style of writing and music. im not comparing it to those artists or saying he copied those artists but i just get those vibes and they are lovely. i fuckin love it. lol

ANYWAYS. Will Gold has fucking done it again with a masterpiece for the books. cant wait to listen to the album on repeat for the next few months until my brain melts into a puddle of goo.

ranking of favorites on first listen:

Mine / Yours

Glass Chalet

Melatonin 130

Oh distant you

Dropshipped cat shirt

Amazon standing lamp

trying not to think about it

around the pomegranate

i dont think it will ever end

eulogy

10 week rule

[eloise175]

not Callisto asking for a kiss and Penelope telling him to quit joking lmaooo

THE FRICKING CRISTALL BALL PHONE THING! I was wondering what it looked like, it’s finally here (I wonder if you can take pictures with it)

HWAHAAHA THE WAY CEDRIC IS SCOLDING CALLISTO FOR RUNNING OFF LIKE THAT IS PRICELESS

hfhjfjfkdk Callisto tried to cover it up/mute it so Penelope wouldn’t hear, but she did and recognized Cedric’s voice lol

they literally said 🧍‍♀️🧍 hfkdkels they’re so funny

Guess who’s ass is being summoned back to the palace (regrettably) lmao

[socksandbuttons]

I HEARD WE’RE TALKING ABOUT KC USED AS CHARACTER HERE CUZ BOI FO I HAVE LOT IN MY MIND ABOUT THAT (a bit of a rant so uh yeah)

I feel like such, and I mean SUCH a wasted opportunity and potential for KC as a character. Multiple times where I felt like it just so off about how he’s been handle and how it ended. You mean to tell me, this man right here has just gotten his redemption to being good, gone for a few months away from us to see how he’s doing only for us to see one last time before he got straight kill by his own Bloody Son? I mean yeah sure, Im driven for angst but the way they did it for his death just felt not earn, i dont know how to explain it. Im glad that KC at least acknowledge about Bloodmoon’s whole issue but to just die afterwards?? And that’s it?? Yeah ok, he’s a pacifist now and a good guy, but he’s still can defend himself. Maybe came out injured from the fight but still alive. But no…. He just die. Thats it

I cant help but feel like they have been just like, throwing KC’s character around. They either dont know what to do or have other plans for him, but just the way it’s been handle it just. I dont know I gotten a whole rant about this.

I remember when they said that Moon will give KC a proper body but apparently Moon never made that happen. Now, I wanna give the showrunner the benefit of a doubt and cut them some slack cuz Im sure they have other things to do beside the show to even remember that

Idk what else to say. I know for sure there are a lot more in my mind abt this but I cant type it all out atm so take it as you will

Oh yeah no I do feel they didn't know what to do with him other than have him come in once a while and felt the death necessary rather than use him more. (The two voice actors for Sun and Moon have like three channels.) I do feel they haven't been too consistent anyway with KC (the rush of a redemption, no seeming closure for somethings, etc. I could be missing something but yeah) They could've had him for the current astral plot (Given he has star knowledge and *harnessing its power*) PLUS Earth's situation about her feelings about the Creator (I'll keep bringing it up, but Deliberately MADE to be a killing machine is right in her face. I know she has Forgor but once again her whole Need to know and uncomfortable with being out of loop. Her entire encounter with KC would be such a haze to her it'd definitely bother her enough.) KC isn't the first example of not using a character to its full (Solar Flare and Even first Bloodmoon. Literally... literally was taught magic and thats never brought up again). It's also just how numbers work on the channel too. They take most review from youtube and discord from what I understand and from what I see there is a difference with majority and what we're saying most of the time. Lunar was brought back cause he was rather popular already (also he wasn't fully killed either in the same episode).

[possibleblonde]

My Thoughts on Poor Things

This movie was beautiful, and I was mesmerized by nearly every shot; oddly enough, the wide-angle and fish eye shots were my favorite. The unique landscape and vibrant, contrasted world was incredible to see. In some ways the world reminded me of Beau is Afraid, though with a little more garnish whimsy and less outright terror. The fashion, the cinematography, the settings, the score oh my god; technically, this movie is one of my all time favorites

Mark Ruffalo’s character was incredible and he should receive every accolade for his performance. Though I did find it funny to lean over to my sister and say “Hulk SMASH” every time he got into a fight, his embodiment of the character at play was perfect; he felt truly tangible throughout the story. By far, he was my favorite character in the entire movie (his actions despicable, his moral compass disgusting, his arc so fun and nearly theater-esque—“BELLAAA” was one of my favorite scenes, and one I wish lingered longer)

Similarly, Emma Stone’s performance was indescribable. Her physicality and embodiment of Bella was unlike something I’ve ever seen. She was completely believable at every stage in Bella’s journey, and her movement reflected that. Bella’s growing up was so subtle, yet noticeable all at once; by the end of the movie, it was hard to remember where it began.

I can appreciate the subtextual critique of the Born Sexy Yesterday trope, and the feminist themes for what they are. Overall, it was satisfying to see Bella “win” at the end of the day and take control of her narrative. 

However, however.

This trope, this story, is such a unique and powerful metaphor for what women, what girls, go through in their life and in coming to terms with their sexuality, and I was so disappointed by the narrative the movie ended up pushing.

It was so heavy handed at moments when it wanted us to understand what it was trying to tell. When Bella was at the Brothel, after she saw the cruelty in Alexandria, the characters’ practically told us what they wanted us to hear; we nearly had fourth-wall breaks in some of the emotional climaxes of the story.

I wish, I wish, that at any point—towards the end, when Bella learned what she was, towards the beginning, with the proposal of marriage, in the middle, in the climax, during the end credits—that it was a little more directly addressed that these men were in love with a child. Perhaps the absurdity of Mark Ruffalo’s character and his satirical fall to madness, his comedic portrayal and garish nature, was meant as a metaphor to laugh at these men for falling in love with a child. Yet, her true final husband, God’s assistant, is shown in an entirely sympathetic, forgiving and nearly hero-istic light, but he had no qualms with sleeping with her as a child. No, he had issue with sleeping with her out of wedlock. And she is forgiving, understanding, and loving of him (maybe because he doesn’t just love her for her body—but still).

Maybe it is from personal experience, from my own traumatic dealings with sexual assault at a younger age, of my body being treated older than I was in mind, that I find such fault with the message (that I ultimately took away) of “women should be allowed to do what they want with their bodies” and “men should not take advantage of women and treat them as things to be had”. It was a story of one women’s fight for her autonomy; yet at the end, she had no anger, no rage nor hate; she was told by her employer at the brothel that this was the way of things, essentially; she does say at one point that she feels rage—but I don’t think we saw any of that. I think we saw a young woman having a lot of sex in a shitty situation and coming to terms with it, and eventually, making her own way in the world and getting revenge in the ways she could. 

But I wanted to see her cut Mark Ruffalo’s dick off. I wanted to see her scream. I wanted to see her cry tears for her body. I wanted to see her feel something—anything—for the way her autonomy had been taken from her in a tangible way once she came to understand it.

Maybe that was Yorgos’s attempt in the third act, but it was so heavy handed it nearly felt absurd (and not in a good way)—her old husband tried to mutilate her, she turned him into a goat. Girl Power.

This story had such a ripe metaphor for grooming and the sexual exploitation of young girls that it was bursting at the seams. It’s essential to her character the moment she first meets Ruffalo. It is part of her journey, part of her growth; rarely is it addressed directly by the film.

This movie could have been radical, could have been bolder and braver in its message; it had all the makings to do so. It could have been such a moving and empathetic story about the exploitation of young women, of how men have oft viewed girls, of the pain and anger and betrayal of being groomed. And yet, in the third act, it fell flat in the name of a feministic tale it feels has been told through movies throughout time—Barbie, this year, or even Emma Stone’s Easy A. And while these stories are not at fault for their message, and their themes should be shown and are valuable as they are, this movie just had so much potential to do more.

Maybe it is my fault for identifying with aspects of Bella’s character that I felt unexplored. Perhaps it is my undoing that I saw my trauma in hers, that I wanted her to feel the pain that I did when I came to terms with my own experiences. It is possible that I have asserted myself onto Bella, in a lack of feeling that these stories have not been shown so brutally and honestly (as they could’ve been here) before.

Yet I feel it is undeniable that women who have been groomed can watch this movie without seeing Bella, in many ways, as a metaphor of themselves. And it is hurtful that her trauma was left with passive acceptance and forgiveness by all who were there to witness it, that only a man in her past life (a life we did not see) faced true consequence, that at no point in the movie, like other messages, was it directly addressed. Had other themes not been outwardly spoken by the characters so obviously, maybe I would be more forgiving that this one was left to be pieced together.

It is a beautiful and wonderful film that should be awarded for what it is. But I am disappointed for what it could’ve been, and for that it feels hollow. It saddens me more that this metaphor now feels as though it has been used up by this story when it could have been explored for so much more. And now I am left with the feeling that it is my bearing to forgive what I have endured; in many ways this is true, but I somehow leave feeling guilty all the same.

In the end, I am grateful to have watched Poor Things. I would recommend it to the occasionally sexist film buff friend. But I would not recommend it to my youngest sister; though for her, I hope she can watch it and never feel the same as I did. 

[im-still-watching-anime]

i am officially, FINALLY all caught up again in both the manga and the anime for bsd and OH BOY there are thoughts and opinions but also WHO CARES because my tags are finally FREE to be unfiltered