#scene/episode order

[gayofthefae]

I guess the set photos with the actors actually like performing in them are just making me reason that season 5 is coming like...season 4 is old news. That already happened and there's more. It isn't some great show that got tragically cancelled and now I'm tasked with giving myself closure, it isn't some shitty queerbait with a terrible ending that I have to fix in my mind, it's just incomplete and it's going to be completed.

It's not done. And also, seeing those photos, it's starting to get into the image because it's been two years now of like "they look so young" in application to season 4. My brain is adjusting and starting to make little comments like "remember when Mike had long hair".

And it's all reworking because I just automatically envisioned everything in their same hair and costumes even though I knew they wouldn't be in those because what would I change it to? But now I have options and logic and it all makes sense and it's coming and season 4 is behind us and they were only 14. Remember when they were only 14? When they didn't know yet how it would all end up when they were older? How much deeper they'd fall in love? God, feels like just yesterday. But no. Time has passed. Mike cut his hair. Will turned invisible, apparently /s, El grew her hair back out. They're all different and they're all older and season 4 already happened.

And it's like I've been rewatching it and looping it in my brain. Because in an artistic way, these characters have souls that have been trapped in this loop of whatever their most recent content is every time I rewatch it. And they aren't resolved yet. But they like...came out of hibernation. And they're filming now and I saw Mike making facial expressions and now the last thing Mike did isn't stand on that hill. Which makes it all the past. And it's all already happened and they aren't stuck anymore. We don't know where they are but they aren't here

I just- I wasn't ready for an updated way to envision them and it's weird. I was still telling myself "[image of Mike] but like pretend he's older".

[kazz-brekker]

each week i tune into shogun in order to see toranaga do the political equivalent of sticking out his leg and making eye contact with yabushige while yabushige trips over him

[riemmetric]

S4E02 || S4E14

[thelassoway]

Jason Sudeikis as Ted Lasso Seasons 1-3 » T-shirts

[iamacolor]

I wanted to thank you for being alive. You went through so much today. Now, it's all over. It's okay.

CASTAWAY DIVA - EPISODES 7&9

[its-your-mind]

HEY. HEY.

HEY @re-dracula WHAT GAVE YOU THE RIGHT TO HAVE JONATHAN ACTUALLY READING THAT PASSAGE OUT LOUD BEHIND SEWARD DESCRIBING THE SCENE, HUH? WITH THE TEARS IN HIS VOICE AND THE PAUSING AND THE SHORT LITTLE INHALES AND THE VOICE CRACKS? WAS IT TRULY NECESSARY??? I WAS ALREADY CRYING. I DIDN'T NEED THIS TOO. WHAT THE FUCK.

[mikimeiko]

Our Flag Means Death Season 2 - one gif per episode (with the first gif from their first scene and the last gif from their last scene) | Buttons

[captain-astors]

Lifeline

[kybercrystals94]

“Please don’t.”

Read here on Ao3!

Febuwhump 2024 | Day 19 | Prompt 19: “Please don’t.”

Rated: G | Words: 497 | Summary: Set during Season 1 Episode 1 “Aftermath” [Character Focus: Crosshair, Omega, *other Batchers mentioned*]

Crosshair has experienced headaches. More than his fair share with his optical enhancement. While they were never near as severe as Hunter’s over the years, he’d learned to take them in stride, work through the pain. But this time is different. It is insistent. A sharp, isolated pain that feels as though a blade is being driven through his skull. It’s putting him on edge.

Well, this and Hunter.

Hunter has been off since Kaller with his blatant disregard for their purpose. They were created to serve, not question orders because of political changes in the senate. Republic or Empire…it didn’t matter. Shouldn’t matter.

They’re soldiers. That hasn’t changed.

And now they’ve been arrested for treason. Because of Hunter. Because of that girl that stepped into their proximity at the most inconvenient time.

He sits down on the bench, digging his fingertips into the side of his head where the pain is driving him mad. He doesn’t notice that the girl sits down next to him until she speaks.

“You’re angry.”

He is caught off guard, glances down at her in surprise before catching himself. He sneers, “How perceptive.”

She is unaffected by his tone, staring up at him with a sad, deliberate gaze. “I know what you’re going to do, but please…don’t.”

“What do you know?” Crosshair asks sarcastically.

She takes the question seriously. “I know…it’s not your fault.” She puts a hand on his shoulder, a comforting touch. “You can’t help it.”

He is taken aback. Wants to ask what she means, what she knows. Because she does, he realizes. She knows something. She understands. He doesn’t know how or why, but she does.

He is taken away before he can ask.

<<>><<>><<>><<>><<>><<>>

It’s excruciating at first; however, the pain goes numb. His mind goes numb. The sensation is better than the alternative. But it’s not.

Please don’t.

Crosshair is given back his armor, told his brothers escaped holding, and ordered to track them down. Arrest them. Rampart and Tarkin read his report from Kaller, they know it wasn’t his fault – it was Hunter’s decision. Hunter’s orders. Crosshair will be given leniency, as long as he continues to demonstrate his loyalty to the Empire.

He can do that.

He can do what Hunter couldn’t.

He can make his brothers understand that there’s another way, another path, besides the one they are blindly following Hunter down. Hunter is spiraling. Hunter doesn’t know, doesn’t understand.

Please…don’t.

It doesn’t take a genius to know where his brothers will go, to anticipate their plan.

But his brothers don’t listen.

They’re traitors.

To the Empire.

To him.

Please.

Don’t.

He shoots Wrecker.

Tries to shoot the others.

Not to kill. To incapacitate. He’d never kill his brothers. But these aren’t his brothers anymore. They are traitors.

Don’t.

Don’t.

Don’t.

Please.

They escape. Narrowly. Like they always do. Did. Together.

Apart.

He watches the Marauder leave him behind.

They left him behind.

The traitors. His brothers.

Please, don’t.

END

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[baynton]

thomas thorne in every episode -> 1.01

[bumblingbabooshka]

Janeway in 'Nothing Human' vs Tuvok in 'Resolutions' There's something here I know there is I can almost wrap my teeth around it.

[noctusfury]

Fishlegs IS an Ingerman, Though? by Noctus Fury

When I saw this scene in Season 6's "Loyal Order of Ingerman," I was like, "Bruh, seriously? They even have the same body and helmet! How could he NOT be an Ingerman?!" lol 🤦‍♂️😂

Anyway, hope you guys like this edit. Please give kudos and reblogs to support my blog. 😘

Long Live the Night!

— Noctus Fury

[kuruk]

oh my god I know like it sounds weird to say this when it's just avatar but the original show has aang go back to the southern air temple to show katara and sokka his home only to find evidence of the genocide of his people and the loss of his loved ones and it's quiet until you see his grief and his rage but you just see the aftermath a hundred years later and the netflix adaptation makes it feel like they wanted it to be a cool action movie with an epic scene showing the fighting and running of the airbenders like that side by side with aang running away and it's like ??? okay it's "darker" congratulations I can see that's what the goal is based on the differences in firebending and early on screen deaths go and focus on every bit of violence for the audience's lazy sadistic pleasure instead of any of the characters personal narratives especially the women that can all be taken right out + the discovery of different places all over the world in the earth kingdom and outside of it. put everything in omashu so they don't get to meet people and see the diversity of the world and each town and SEE what life is like for them under war and have these experiences with all these people build up to something bigger at the end

[expelliarmus]

[guardian-angle22]

TK/Carlos + Touch

↳ 3.04 Push -> The Reunion Scene

[hungryandtiredgay]

Episode 5 of Ahsoka reminded me so much of the moment in Jedi: Fallen Order where Cal too confronts a vision of his master who died long before.

Both padawans had their training cut short. Both masters have one last lesson to teach them about forgiveness and moving forward. Or maybe they're just visions their padawans are imagining to deal with their grief, ptsd and guilt (in Ahsoka's case for abandoning Anakin and not preventing his fall, in Cal's case because Jaro Tapal died to protect him). Maybe this lesson comes from the Force itself.

Both protagonists are at a moment in their journey in which these negative emotions and immense pain are pushing them dangerously close to the dark side, both outside of their visions (Ahsoka threw Shin like a ragdoll in a fit of anger, Cal grew resentful towards Cere) and inside of them (Ahsoka got Sith eyes when she briefly considered slaying Anakin, Cal destroyed his lightsaber). Both masters turn against their students, but the solution is not to kill them, rather to forgive them (and forgive themselves).

The main difference is of course that, where Cal needed to learn to pick his battles and truly think about the consequences of his fight and fighting for fighting's sake, Ahsoka needed to be reminded why she was fighting, what her end goal was and why it was important for her to keep going. Cal learns to live with his powerless young self and Ahsoka learns to live with the powerhouse that is Vader.