Belphie & Satan tried to make the Anti-Lucifer League into an official club at RAD except they named it the Fuck Lucifer Club and Diavolo showed up so they joined the astronomy & literature clubs instead
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Me: hey brain, can we think normal things tonight?
Brain: PALEONTOLOGIST!DEAN FINDS AN ANGEL THAT GOT BURIED DURING THE EXTINCTION OF THE DINOSAURS.
Me: *quietly* ...what the fuck
Brain: Dean is working on an excavation in a cave system when he uncovers this. fcking HUMAN BEING WITH *WINGS* AND *TOO MANY EYES*. PRESERVED IN ROCK IN THE SAME STRATA AS THE DINOSAURS. And ofc Dean is really freaked out and scared of this thing, but then he notices that the figure is curled forward over something, and as he looks closer he sees the skeletons of a nest of baby raptors that the "human" figure was holding tight to its chest, like it was trying to shield them from something. And he realizes that this... Thing... died protecting them.
Except the "human" figure isnt a skeleton, its preserved fully in the rock. Or perhaps...
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U know what actually. Another thing that’s cool abt sex w older partners is that they’re generally more normal about disability. You can say it’s inherently predatory if someone 30+ fucks someone who’s like 25 but a lot of the time they’re a lot more mindful about bodily needs.
I’ll never forget the guy in his 40s who would repeatedly ask which restraints and toys were disability friendly for me and made me feel safe asking to change positions if my muscles hurt, or the woman in her 50s who asked if I had any kind of medical devices implanted or any medical conditions that could be triggered by anything she may do.
Like ok yeah those people “victimized” me but the people in their 20s who would misgender me during sex or say mean things about my body and compare me unfavorably to abled people, are inherently safer. Ok
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those two shots from the first episode of oniakashi showing satoko's reflection as her witch self, as she observes rena spacing out because of her home problems, and the second shot where she's presumably thinking of how she's going to inject rena at the nurse office struck me. satoko is so alienated from her surroundings after looping through her trauma for so long that it feels to her like everything is a 'dream'. she's so emotionally disconnected from the people she cares about as if she were separated by a glass wall. it's a literal interpretation of depersonalization/derealization.
satoko has now entirely compartmentalized the idea that she's doing anything bad. she's completely distanced herself from the violence she's committing towards herself and others. this is no different from a club game or one of her many traps. nothing is real including her friends until she's happy. until the reality wherein she can survive is within her grasp. everything else is a delusion and her friends are just pieces on the gameboard.
still, satoko gives rena the grief and remorse she doesn't give to mion, because rena has always fought against fate - the same fate satoko believes mion has not had to suffer through before that she and rena always do. satoko makes rena much like herself, that way they can be together in this.
rena's reaction to rina and her feeling that she has to kill rina in oniakashi is a parallel to satoko's reaction to rika and st. lucia as a whole. it's this sense that no matter what nothing can get better unless you commit an absolute. a certainty. others will not change or be better if you talk things out with them. satoko sympathizes with rena because she sees much of herself in rena.
it's different with mion whom satoko injects out of curiosity, the curiosity to see something she's never seen before playing out, but that's also an expression of her resentment towards mion - resentment because mion never had to go through what she and the others did while also being complicit in her ostracization and othering as a sonozaki in her mind. there's jealousy there. a bite of biterness. it's why satoko loses all the sympathy she had for rena when she's dealing with mion. satoko feels guilt over making rena go L5, but all of this is goes out of the window when it comes to mion. that's purposeful.
every fragment satoko weaves with eua is just another duel!!!!!!
duels are all about making Duelists and Brides relive anthy and akio's problems. it validates akio's horrible solution as akio is looking for the power to reinforce his worldview that enables his abuse of women and anthy. eua is the same. eua has turned her despair + loneliness into boredom and she sees the world as a stage to relieve that, but she only counts on the cruelty of the children of man. the savagery of the loops reinforces her worldview and validates her manipulation of satoko and her perspective of people.
satoko and anthy are also making them relive their trauma in a similar way, but they're more justified. satoko and anthy are trying to escape, find love, destroy themselves and their loved one. [REDACTED] from umineko is like them too btw.
the akashis are all about the thematics and parallels. gousotsu as a whole is. very utena!
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been having a lot of fun recently shipping polycules that are just full of characters who would be terrible at polyamory and can barely handle a relationship with one person. just enjoying watching the chaos play out in my head. i'm getting over my disinterest in shipping funk by realizing i can do it in a way that makes everything funnier/worse
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"I'd be better off if Harmony was my real mother."
So you'd prefer to go through being sex trafficked, drugged and raped, not to mentioned being thoroughly abused in a sex cult than...be around Nina...
Girl, fuck you.
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