Love the random censorship in Victorian novels. Mr. ------- came down from -----shire in the summer of 18--. Who? Where? When? Wouldn't you like to know, book boy
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Repeat after me:
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
Remember, the second and third can't happen if you don't have something to work with. Your first draft will always be shit compared to your third, but at least it exists. The worst first draft is an unfinished one. The best first draft is a just completed one.
You read books/stories not in their first draft form-- only in their finished form (third, fourth, sometimes fifteenth draft). So stop comparing your first draft with a final one.
So, just write--you can make it better later. Perfectionism is the greatest weight a creator can carry.
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Eddie, to his followers: Before I say anything, just want everybody to know that I love my husband. I love everything about him.
Eddie: But the thing is, he’s had a few head injuries and sometimes he forgets things. And that is okay!
Eddie: It happens! No one is holding it against him. I’ve got ADHD, I forget shit all the time, but.
Eddie: But he missed a couple shifts at work and a basketball game Lucas was in once thirty years ago, and I’ve been ass deep in calendars ever since.
Eddie: So, we have this *makes background the party’s shared calendar*
Eddie: And Steve has this *holds up Steve’s daily planner that contains all the same information*
Eddie: And this *shows calendar on their fridge that also contains the same information*
Eddie: And this *shows storage boxes labeled ‘Steve’s planners ‘1987-2015’ and ‘2016-‘*
Eddie: You know what that means?
Eddie: It means he’s going to know that I forgot to tell him that I gotta be in LA this weekend. He’s going to be pissy about it.
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What do you think of Rook's savanaclaw card? <333
I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.
and then even the actual moment of the groovy is just like
this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways
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this was published in 1976
(The Winged Dreamers by Jennifer Guttridge, published in Star Trek: The New Voyages)
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losing my mind a little bit at the percy jackson tv show trailer because the quips? the actors?? the goddamn cover of Riptide going on in the background???? Middle school me would’ve been going NUTS and I’d be lying if I said I’m not at least a little delighted I can indulge her with this show
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Impossible Exodus: Iraqi Jews in Israel
By Orit Bashkin (2017, Standford University Press)
Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot, or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place.
Impossible Exodus tells the story of these Iraqi Jews' first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told.
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