#sharing more of my writing

[nukacourier]

Mentally calling Arcade a dumbass for this like I'm not the one writing him being a complete fool

[black-quadrant]

sometimes all you need is one passionate person who goes berserk for your work to keep you creating

[alien-slushie]

DPxDC Prompt/Idea

The death of his parents brought in a lot of hidden information to young Timothy Drake. For example, Janet and Jack weren't the only family Tim had. Turns out, Janet Drake had two older sisters, whom she had estranged herself from a long time ago, meaning Tim had two blood aunts, an uncle, and two adult aged older cousins. The discovery of his other family was both joyful, and worrying, making his future uncertain until the social workers could work something out.

After court appearances and jurisdiction issues, Tim was finally plopped in the lap of the relitive that was deemed "most suitable", whatever that meant; his older cousin Danny.

From what Tim had overheard *cough*snooped out*cough, his Aunt Alicia lived in the middle of nowhere without much electricity or even internet, and while she would have taken him in, the social workers worried the drastic, and sudden change in environment, on top of his grief, would make everything even harder on him, especially since Alicia lived hours away from any therapists, which was a requirement due to the situation. His Aunt Maddie and her husband Jack were immediately denied, given the state of their home and the 'open lab' concept they had going on down stairs, not to mention the fact that their own kids had seemingky cut contact as soon as they turned 18. The next person they looked into was his cousin Jazz, Maddie's oldest child, but while she looked like the best fit on paper, given her job as a therapist and psychoanalysis gave her the means and emotional capabilities to raise a child, but Jazz's job wasn't stationary, she helped a lot with the FBI, and more specifically, the rehabilitation of Villains and Rogues, meaning she traveled a lot and tended to have a target on her back due to her Job, it just wasn't safe or consistent enough for rearing a child. That left Danny, Jazz's younger brother. At just 25 years old Danny was a freelance engineer, and consultant that worked according to his own hours, not only did having the ability to chose his own work schedule make it easier for him to spend time with Tim, but the fact that Danny could work anywhere meant that Tim didn't have to leave Gotham, as Danny was willing to move to Gotham so Tim didn't have to change schools, or leave his home.

So here Tim was, in Drake Mansion, sitting across from a cousin he had never meant before, his new guardian, trying to wrap his head around the entire situation as best he could.

--

When Danny heard from Jazz about their estranged younger cousin, he hadn't thought much on it. He felt bad for the kids situation, and he hoped the kid was actually getting looked after, but never in a million years did he expect to be deemed 'most suitable' to care for the kid. Honestly he's thought Jazz, or Aunt Alicia would be best suited, Jazz had the fancy "feelings degrees", and his Aunt had a peaceful farm, Danny was just a freelance engineer that worked out of his condo most days, while portaling back and fourth to the Ghost Zone to help Clockwork, and other Ghosts with whatever wacky hijinks they needed help with.

Phantom had retired, the Portal in his parents house sealed, and their blueprints tampered with just enough to not be obvious, but still make making another portal to Ghost Zone impossible. Danny had graduated with grades passable enough to get a partial scholarship, and then he left Amity, working labor jobs on the weekends to live and pay the rest of his tuition. Once he graduated, Danny started working with a company, before eventually breaking off to start working for himself.

Once Danny had left Amity, he got his name changed. He didnt hate his parents, but Danny had just started to not care, it was painful to yearn for acknowledging repeatedly, only to be ignored in favor of work, so Danny just stopped trying, changed his name, and simply didn't call or visit his parents. Jazz hadn't totally agree with his actions, she'd kept their parents name, but she didn't visit or talk to them much either, not unless they reached out first, so she didnt have much of a leg to stand on.

Given all that, Danny had been surprised when Tim's social worker reached out to him. At first he figured they wanted a character reference for his sister, but to his shock, they wanted to know if he would take Tim in, saying that he, Danny, seemed the most stable for the child. It was a whirlwind of questions, and background checks, and parenting classes, and court dates, but before long Danny found himself staring down at his little cousin in a too big, too cold, too staged mansion in Gotham New Jersy.

[cosycryptid]

Modern AU where the party have a famous paranormal investigation and unsolved mysteries youtube channel. Steve is in the background of their first ghost hunting video because he wasn't going to let them go and stay overnight in an abandoned building without supervision. Their audience finds Steve's sarcastic comments and parental attitude towards the kids really compelling and most of the comments on that video are begging for him to become a regular in their on location videos. Before long, Steve is a reoccurring presence in their videos playing the skeptic/concerned parent role.

For example:

Dustin: I’ve connected the dots guys. This must be the work of a demon.

Steve: You didn’t connect shit. It's just an old creaky building.

Dustin: I’ve connected them.

—————————————

In an abandoned hospital.

Max: Hey this giant metal door has some kind of engraving on it.

Lucas: Oh cool, it looks like old graffiti.

Steve: Yeah that’s great, do you know what else it looks like? Rusty as shit. Now get back here and don’t touch anything because your parents are gonna be so pissed if they find out you had to get tetanus shots at 2am on a Saturday because I let you wander around an abandoned hospital with a bunch of shady ass camera men. No offense.

Camera man: None taken.

Mike (from the doorway): Guys! Will, El and Dustin found an operating theatre and there are a bunch of old scalpels and needles and stuff in there.

Max: Awesome, let’s go.

Steve: No! No! Let’s not go! Let’s stay as far away as possible from the room full of potential infections. Where are Dustin, El and Will? They didn’t go inside the room, did they?

Mike: See, I could answer that, but I don’t think you’re gonna like it.

—————————————

While exploring a ‘haunted’ hotel:

Mike: Hey look, all of Steve’s bitches are in this room.

El: There is nobody in there.

Mike: Exactly.

He turns to look directly into the camera with a sly grin and the others start laughing.

Steve: Yeah, yeah. You’ll be laughing when I drive home without you.

—————————————

At the same hotel.

Steve: Dustin. Your little light box thing is broken, it’s been flashing on and off for the past five minutes.

Dustin: Oh my God, Steve! That means it can sense a spirit. Why didn’t you say anything?! Did you not listen to my long and detailed explanation of how the equipment works?

Steve: I’m gonna be so honest with you. No, I didn’t.

—————————————

On their Mothman episode trip to point pleasant.

Steve, staring at the statue (we all know which one): Ok, but why is he kinda…

Lucas: Please stop talking.

Dustin: No sexualising the cryptids please, Steve.

Steve: If they didn’t want anyone to sexualise Mothman, then why would they give his statue such a defined ass and abs?

Max: I mean, he’s not wrong.

—————————————

Eventually, Steve gets peer pressured by the comments into starting his own channel. And since he still has no idea what he wants to do with his life, he decides to go ahead and do it.

At first his audience are super confused because his content is a hard pivot from the supernatural and unsolved mysteries content people are used to seeing him in. He mainly reacts to DIY haircare videos and gives tips on how to do what the people in the videos were trying to do properly without risking ending up bald.

He also makes wholesome baking videos, and has a side podcast with Robin, where they talk shit for 3 hours about anything they want - usually celebrities and assholes on the internet - as well as having a segment where Robin makes Steve watch a movie he's never seen and they review it. People who came from the paranormal channel still love his content because he’s funny and sassy and his videos are surprisingly helpful at times. He’s soon catching up to his friends in subscriber numbers.

Eddie and his band have a channel where they upload music videos, live performances and backstage/tour vlogs. They also make the occassional song covers where they take requests in the comments for metal versions of pop songs. Eddie also has a side channel where he runs D&D campaigns with other influencers (he hates that word).

One day he’s doing a Q&A and when someone asks which influencers he’d like to invite for his next campaign, he mentions Steve and says he’s been secretly watching his videos for a while and they’re kind of a guilty pleasure. He’s even tried some of Steve’s hair care tips because his hair was looking a bit frazzled under the heat of the lights on stage and it was getting in his way during performances. Now he swears by them because his hair has never looked or felt better.

Steve’s never seen any of Eddie’s videos but he starts watching them after that, he particularly likes the metal versions of pop songs because it makes the genre more accessible to him. Sometimes he makes joke song suggestions in the comments. Every single time, the song he suggested gets covered.

The boys are all insanely jealous of this new development because they’ve been fans of Eddie’s channels for years and have been bringing up references to some of his campaigns in their videos to try and get him to consider them for the next one, but so far have had no luck. Meanwhile, Steve, who doesn’t even know the first thing about D&D has his full attention. Steve was going to ask Eddie to consider asking them out of the kindness of his heart, but after they’ve given him a little too much attitude over it, he decides he’s gonna join the campaign instead just to spite them.

Cue Steve going from completely clueless to kind of a decent player and the two of them going from fascinated with each other to constantly flirting and appearing in each other’s videos.

[archerdepartures116]

Greetings

I love your art and interpretation of the characters. Would you so kindly share some more thoughts on the mass transmigration au? I live for the snippet of lqq flying lbh above his head. Please may we have some more 🥺🥺🥺

AHHHHUWWU THANK YOU I was worried ppl wouldn't fw them but hehe

Anyways, all the transmigrators have some sort of compatibility to the og goods, attributes and traits that make them relatively good matches, for example, SY is sharp-witted, stubborn, is a nerd and intelligent (things that I think match up with SJ) but I also wanted them to kinda be opposites in some aspects

like transmigrator lqg, I made him a 19 year old burnt out college student because I want a certain degree of... patheticness(? because his scenes in the book don't give off wet dog, sad puppy ykwim), something which I feel like canon Liu Qingge lacks (this is a good thing tho because it makes things funnier imo) (this is also to fuck with Luo Bingge's perception of the people around him). YQY doesn't bend over backwards to SQQ's beck and will and has the motivation (and influence) to change lots of things that he didn't like in PIDW.

plus these changes in personalities, at least I think, helps LBG towards his path of becoming better, plus the people around him have to care about him but also do genuinely care about him and I think giving him a support system is what he deserves (ofc this is all my interpretation of the source material) (fucking your way through thousands of women is not a good coping mechinism)

ANYHOW more of the transmigrators quirks and antics will shine through as I hopefully continue the comic for the foreseeable future

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[doverstar]

can't express accurately how happy it makes me that c.s. lewis did not leave room for many interpretations in narnia. it's christian and you can't get around it. susan chose to care more about worldly things than what matters and he said what he said. the lion is Jesus. evil is evil and good is good and people have to choose. and that makes some readers angry because it's nearly impossible to ignore and they want to ignore it. they want it to be something else and they can't make it something else without making it not narnia. love that. that is doing it right

[inthehouseoffinwe]

The ships burn and Fingolfin hates.

…the ships keep burning and Fingolfin fears.

Mad cackling can almost be heard a continent away and he can’t figure out whose it is: Morgoth’s, or his brother’s.

In either case, he knows the people Fëanor has just taken to the other side, Fingolfin’s dear nephews most of all, are in great danger. He knows his brother. And he knows what happens to the people around him when his passion meets rage in a merciless, all-consuming flame.

No one deserves to be in that line of fire.

So when his children and remaining nephews and niece cry out their betrayal and curse their uncle and cousins, he turns a firm eye to them.

“If I’d commanded it, would you not have done the same?”

They begin to shake their heads, and he frowns.

“Do not lie to me, children.”

They turn away. Fingon’s relief at his father’s words breaks his heart, his eldest should know he cares deeply for Fëanor’s sons. Surely? Has he become so distant? Would any of them have confided in him earlier if he’d just opened his arms a little more-

No use in what ifs.

He turns back to the burning ships and sends a small prayer to whoever might still listen to keep his nephews safe. Fëanor is gone, mind shattered with his father’s death, and he’s dragging his children down with him to ash and blood and ruin. They just have to survive long enough for Fingolfin to arrive. He’ll talk sense into his brother, he’s the only one who can. He’ll get the children their father back and fix all of this, pride be damned.

The Helcaraxë is the only option. His nine children spit venom at their half uncle, but no longer complain of their cousins. A year following him into this hellscape, a year of leaving the weakest to the blizzards lest everyone freeze yet refusing to turn back, has shown them exactly what they’d have done were the positions reversed.

It’s a sobering thought. He wonders what he’s done to deserve such dogged loyalty.

Wonders when he started taking advantage of the same things he hated and admired most about his brother.

Time passes. He wakes one day to a coldness in his fëa and sends another desperate prayer. A bad feeling takes route that grows day by day, fear and a strange fire dancing in his periphery urging him and his people on.

Time is running out Nolofinwë.

Ice slowly gives way to solid rock, then slush, then grass and he arrives at Mithrim in relief, all but running to the fortress, only to see little Makalaurë greeting his host. Eyes hardened, crowned in silver, heavy shoulders draped in a frayed red cloak-

And he knows it’s far, far too late.

Agony and despair are hidden behind a stony mask that he sees right through but can no longer reach. His open arms greeted with caution. Watching. Waiting for the other shoe to drop. His kind words with narrowed eyes, all but daring pity, and Fingolfin could weep.

There’s no reconciliation that can prove his love, his understanding, now.

Fëanor is gone.

His children are being consumed in the blaze left behind.

…and Fingolfin doesn’t know how to fix this.

[bixbythemartian]

50+ Ways to Annoy the Death Witch

Chapter 1: Call her a Necromancer

Ch. 2 >>

I was on the porch sketching when Callahan showed up.

Callahan works for the Council and investigates witchy doings. Mostly in the vein of ‘please lets keep the normies from trying to murder us all’, though that concern has gone down a TON in the internet era.

You’d think it would be the opposite, right? Everybody has a camera, all the time. Surely they’d catch actual magic!

Yeah. They do, all the fuckin time, and they call it something else. Or they do call it magic, and they’re called crazy. You've seen 'em. The internet is full of people who think giants or aliens built the pyramids, people who claim they see shadow people, or think their neighbor controls the cows, they just don't stand out.

Anyway, work has dried up for Callahan and people like him, is my point. It's a much slower gig than it was back in the day.

Is he a witch cop? Ehhhh... he’s the closest we come. Mostly he’s just trying to keep us out of the news, like I said. If one of us was really out of line he’d take it to the council and let them handle it (usually by binding the witch’s magic), but that hasn’t happened in a couple of decades.

He still comes and crawls up my ass every time some teenager finds an old grimoire and brings back the family pet, or whatever.

I stood up as his truck came down the drive. That was my last big project, taking the gravel out and putting pavers in for the driveway. It was expensive as hell, but it means that I can just swap a paver out if one cracks, rather than having to have to deal with gravel all the time.

I do kind of miss the noise of the gravel, though.

That payday was from his last visit, come to think- usually he comes out because he's stumped, and after he's done accusing me of atrocities and grave robbing, he hires me to help him figure out who actually did it.

Pretty often it's some kid with too much magic and not enough sense trying to bring back someone they love. It's always sad, but that's easy to handle. By the time we get involved, they're usually pretty anxious for a solution, because it has gotten out of control.

He parked next to my pickup and got out, strolling over like he had all god damned day. He’s probably in his late 30s, dark hair and eyes. He lives up in the city, these days, but his grandparents went to high school with mine, in a town that gets smaller every year, and are buried in the same damned graveyard.

I first met him in that very graveyard.

“Hey there, Miss Tabitha,” he said. “How’s my favorite necromancer?”

I sighed. He annoys me so much.

“I know, I know, you don’t like being called that.”

“I’m not a necromancer,” I said, for probably the thousandth time.

“Sure, you’re a different kind of death magic witch. Whatever.”

“A necromancer is someone who uses magic to control corpses, and can be any type of witch. I’m a death witch, my power source is the death of any and all organic matter. Some witches get their power from the earth or the stars or weather, mine happens to come from a different natural force.” I don’t know where he gets his from. For a while I suspected it was hair gel, but he switched to wearing ballcaps.

I think he’s balding.

“And you use it to keep your neighbor’s chickens from getting sick and that’s it, huh?”

“I buy eggs off her,” I said. “Do you want something, or do you just get itchy if you haven’t accused me of something unholy?”

He clicked his tongue. “Well, now, there’s a cemetery out in Macomb that’s had some bodies dug up.”

“Macomb,” I said. I knew vaguely where it was- south of highway nine, east of where I lived, but pretty easy driving distance. I’d have to look at a map to be sure, but definitely a place I could drive out and back from in a day and still have plenty of time to get up to trouble. “You actually found a local crime to accuse me of, you’re getting a bit better at your job.” He rolled his eyes.

“What’s going on in Macomb?”

“Well, like I said, some bodies went missing. The cops say it’s funny, it’s almost like they dug themselves out."

"Well, they shouldn't be doin that," I said.

"Right? Coffins are there, just the bodies are gone. I know you’re gonna say it wasn’t you, but it wasn’t you, was it? That’s close enough that you probably draw power from that cemetery. Even if it was an accident?”

“There’s closer cemeteries. Norman has at least two that I know of.”

“Well, that’s fair,” he said. “I gotta ask. Necromancy shit in our neck of the woods? I gotta ask, Tabby.”

“Don’t call me that,” I said.

“Was it you?” he insisted.

“No, it wasn’t me,” I said.

“Alright, that’s all I needed to ask.” Once he'd asked and I'd answered, that was it, he didn't pester me about it again.

“Are you trying to get my help, or do you want to wander around with your thumb up your butt for a few days first?”

“Come on, Tabitha. We’ll pay you the usual rates,” he said.

I sighed at him, just so he knew I was annoyed. “Let me put some pants on and run a brush through my hair, and then I need to see the graves.”

“We’re taking my pickup,” he said. “So, if you’ve got a step stool-”

“Ha ha,” I said. “Wait here.” I took my sketchbook inside, and dropped it on the table by the door, went to find a brush and change into jeans. Grabbed my kit- it’s just got standard odds and ends that one might need when casting on the go, some prepared spells, all stuffed in an ancient maroon Jansport.

I’m probably going to have to get a new bag soon, I’ve had this one since 8th grade, and it’s really starting to wear out.

We head out.

He’s got a 70s Ford pickup he’s been restoring, to sell. Well, he’s been ‘restoring’ it about as long as I’ve been cleaning the house out so I can sell it, maybe longer, and I've been living in the house near a decade, so. Take that as you will.

It’s in decent shape on the inside, and the a/c works, and it’s matte primer gray on the outside, has been for years now.

The road out where I live is dirt, and then it goes to gravel, before you get on something paved.

He looked up in the rearview mirror. “You know, I just figured it was someone else who lived out this way when I came out, but I do believe I’m being followed.”

I looked in the sideview mirror. There was someone behind us, but it was hard to see them through all the dust the truck was kicking up.

Magic came rushing at the mirror, and snapped it off.

“Rude,” I said.

“Did they just snap off my mirror?”

I started cranking the window down. “Turn left if you have to turn, warn me if there’s a right curve,” I said, unbuckling my belt, and wrapping it around my leg. “But try to go straight as you can, that’ll help me aim.”

“It’ll help them aim, too.”

“Don’t worry about them.” Magic whined as it pinged off the vehicle. “You really should shield the pickup.”

“I’m just gonna sell it.”

I pulled myself out of the seat to sit on the window, one hand gripping the ‘oh shit’ handle, my legs clenching the door.

Late model SUV, something dark. I could see why he recognized it right away- it was a sort of dark red and had an engine snorkel. Also some extra lights on front- someone goes out in this truck. Mudding, looks like.

They had someone standing up through the sun/moon roof firing spells at us. He was using something that looks like a gun. That’s pretty common, these days, wands resembling guns.

Wands are a type of prepared spell, they hold charges and you fire off the charges until you’re out. Most people mostly use prepared spells.

Most people just can’t hold that much magic inside their bodies- there’s an upper limit- and so the best way to store the magic they gather from the wind or the stars or the grass or whatever their thing is to make spells and put the magic there. Even the more powerful witches, witches like me with a larger capacity for magic, they tend to store a lot in prepared spells.

Most sources trickle it in. So if you blow your magical load, as it were, you have to wait for it to come back. Recharge under a starlit sky where the light pollution is low. Or lay in the tickling grass.

There’s some exceptions. Sun witches- rare- basically can refuel constantly. Oh, it’s night? Oh, it’s cloudy? The heat in the ground beneath your feet comes from the sun. The sun is a constant, even when it’s not out. Sea witches, too- they have to be in range of the coast, but within that range, powerful. There’s also rumor of one lady up in the midwest who gathers her power specifically from the Great Lakes, and she’s supposed to be one of the most powerful witches in the world.

You know what's also around all the time? Dead shit.

If it is now dead and was ever alive, even briefly, it belongs to me.

Like his wand, a bit of dead wood. I sucked the power out of his wand, and whipped it out of his hand. “Knock it the fuck off!” I shout. I could barely see him, but he looked young.

He swore, shaking his hand. “Ram them!”

The driver I could see even less of, but I could see him shaking his head.

“Yeah, I don’t think so,” I said.

It takes a deep spike of power- the older and longer dead something is, the more briefly it was alive, the harder it is to fuck with.

Gasoline, for example, is derived from something that died at least 66 million years ago, so it’s kind of a big one.

The driver managed not to roll the car off the road as the car engine suddenly stopped working, and Callahan came to a stop.

I figured they'd be alright, they go out mudding, they're used to shit going wrong.

“The hell did you do? It took a ton of power. My nose hairs are burning.”

“Turned their gas into mesozoic algae for long enough to shut their car off,” I said.

"What?"

"Gas is made from crude oil. Crude oil is dead shit. Specifically, algae and plankton from the mesozoic."

"Huh. Your nose is bleeding," he said.

I wiped at my nose, untangled myself from the seatbelt, and managed to dismount from the window and land on both feet, which is about as much as I could ask for.

My right eye was throbbing- I’d drained myself to the last drop for that.

Still, there was a dead skunk on the road, and dead tree limbs, and I breathed magic in. The ache receded, but probably wouldn’t go away until I'd slept.

I walked up to their SUV, the driver keeping both hands on the wheel, like I was a cop. “Hey,” I said. “What the fuck?” I put my hand on the car, and converted all the ancient ocean sludge back into gas. That was easier, but it still made my eye throb.

The wand wielder jumped out of the SUV and got up in my face, tried to shove me against the car, but Callahan grabbed him and pulled him back.

“My grandparents crawled out of their grave, and everybody knows they got a pet necromancer around here. I want them back.”

Now, I’m not actually that easy to intimidate, and he was just a snot-nosed kid who’s barely old enough to drink, if that. But he was also angry to cover up being scared.

“Well, we’re on our way to find out what’s happened. Having to stop for your bullshit isn’t helpful," Callahan said.

“Everybody knows it was you.”

“Sweetheart, if I was raising the dead, why would I start with your kin? I don’t know you, I don't know your grandparents."

He looked at the driver. He had bleached his hair and it was a sort of peachy pink that could have been intentional or it could have been to light a pink over too orange a bleach. The driver had blue-black hair that was definitely box dye. They both looked indecisive.

"It’s probably someone who know your grandparents. It’s like a murder- it’s almost always someone who knows the victim,” I said. He's just a grieving kid, they both are.

“But you’re the only necromancer in the state, maybe the country,” he said. His heart wasn't really in it, though. He was just upset.

“I’m not a necromancer,” I said. “I am a death witch. It’s not the same thing. They died recently?”

He nodded. “We spent a lot of time living with em, Mom was in and out of rehab, and Dad… I don’t know. He wasn’t around until we were older.”

“You get your magic from this side, or your Daddy’s side?”

“They had magic, but they say I got mine from Dad, and he gets his from Mom.” He jerked his head at his brother in the driver's seat.

“Okay. Why don’t you get out in front, we’ll head on out to the gas station, because I need a fuckin energy drink, and then we can go take a look. Sometimes I can see stuff nobody else can, and I have a good nose for corpses.”

“You really think you can find them?”

"I don't know for sure about finding their bodies, but I'm positive we'll get to the bottom of this," I said.

He nodded and, almost sheepish, headed back to the SUV.

“Just try and start her again,” I told the driver. “I’ll top you off at the Valero station, that trick probably pulled some out of your tank.”

The car started, and they pulled around us and sped off.

“You think they’ll be at the gas station?” Callahan asked.

“Mmm. Fifty fifty, but they’ll be at the cemetery, which is what I really care about. C’mon, I want a Monster.”

“You keep drinking that crap, your heart’ll stop.”

“Yeah, yeah,” I say, climbing into the truck. “Let’s go.”\

Ch. 2 >>

If you read this and enjoyed it, maybe you want to help out and contribute to my ko-fi? I'm disabled and that's the best way for me to earn a living right now! Check out my masterpost for other fiction.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

Edit: timeline here!!

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[mikakuna]

nothing would be funnier than the bats universe-hopping and finding all these different versions of jason, and shoving in their jason's face that these alternate jasons would not agree with his fatal treatment of criminals (because some of them look straight up happy and have great relationships with bruce + the others).

but then to everybody's surprise, each jason has their own variation of their jason's methods. they literally all have similar opinions, even the ones who didn't die at the joker's hands. some were robin and some were never robin, some were adopted by bruce and others weren't, some lived worse lives than their jason and others lived much better lives-- but they all became their own version of red hood either way.

and jason is just absolutely having the best time looking at the bats' disappointed faces

[whocaresaboutdecent]

Last Line Tagging Game

Rules: Share the last line you wrote, then tag as many ppl as there are words.

Thanks for tagging me @the-written-wyrm :)

This truth Aziraphale hadn’t been able to explain, not to Crowley, not even to himself, loomed between them now, just like that.

Way too many words for tagging (I really should learn how to write shorter sentences), but maybe you'd like to share @rcreveal , @theriverspath, @luv4thethindarkduke, @catsteinbooks, @metalmiez? No pressure :)

And of course if anyone else who wasn’t tagged wants to share, go ahead!

[crunchybeards]

I'm sure this has been beat to death by now, but my favourite aspect of Sam as a character is the fact that he truly does encapsulate one of the most pervasive themes in the game, the theme of being humane. Sorry for the really long ramble but I just wanted to get this off my chest and just genuinely commend the game for what it does with its protagonist. Be warned for spoilers for the whole game and some endings.

From the begining, Sam is shown to be an empathetic character, despite being a pseudo-silent protagonist. As different as every route can be, Sam always feels some form of very human remorse. He feels remorse over killing cursed individuals when he reflects in the mirror. He feels remorse for fucking up the ritual and damning the astronomers. He feels guilty over taking the resources of people who have become cursed, even though he knows that they won't be using them anymore. At least once per playthrough, he experiences some form of remorse towards another party.

As far as a reach as it is for me to say this, I personally saw the dialogue options that players can pick as Sam's own thoughts and the specific thoughts that you choose to pick are the thoughts that become fully realised and are added to his overall character for that playthrough. There are often a lot of dialogue options that are negative or reactionary. Yet every single time, there's at least one positive one, one where he feels empathy, one where he believes there is hope for an individual despite how bleak the situation may seem. Or at the very least he chooses to be civil and non-discriminatory towards a cursed person.

As grotesque as the game is and as twisted as the Cursed become, they're still human, they're still people even if not physically apparent. And 9 times out of 10, they still behave like people. My favourite aspect about the game is that there are some characters that seem like they're too far gone, that they only wish to hurt people and yet if kindness is extended towards them, they can still be saved. We see this with the hidden-away garage. The fish and chips shop. The Cursed are still willing to trade and salvage the situation as best as they can. They're making the most out of a shitty situation despite struggling interally with their sanity and adjusting to newly formed bodies.

Choosing to be humane at the end of the world is one of the best things about Sam's character. Nobody would hold it against him if he were to kill cursed individuals indiscriminately. There are several characters that he can befriend who have done the same like Hellen. But being given the option to negotiate, the option to talk and to extend an olive branch, he takes it. He talks to cursed individuals who are lucid, he even befriends a few like Joel. Even in the ending where he becomes a swarming mass of arms and feels overwhelmed by his new ever expanding form, even though he is so scared, he took a moment to calm himself down, pick himself up and get to work helping people. Even as a borderline Lovecraftian being, he actively chose to be the driving force for good. Even though the prior examples I listed are choices that can be made by the player, this ending proves that Sam is a genuinely good and humane person. In the 104 Gods ending, the gods still destroyed parts of humanity and even divided it further. In the Screaming Sky ending where the astronomers ascend into a unified god like entity as the Exhaulted Four, they were actively destroying the planet and killed random people in an unpredictable bloody purge. Every other instance of people being presented with this awesome change, they were destructive, unintentionally so due to insanity, but ultimately destructive. The sole exception to these realities is Sam. When he's aware of what he's become, he helps, he becomes the Saviour of Humanity. He could've been like any of the 104 Gods, start his own cult/ community, be the supreme ruler of Earth because like with the gods, who could stop him. But he didn't, and that's what truly does differentiate him. The Gods could've been lucid and with how they actively do rule over the earth in their respective zones, it appears as though they are. And yet we have Sam, a god in his own right, but is a good person (well except for the Perfect Ritual ending where he overwhelms the earth Xin Amon style but I attribute that to losing himself completely as opposed to his character's intention).

As corny as it may sound, Sam truly does choose to be kind as opposed to choosing the 'right' option of caving into fear and attacking enemies/ isolating himself. To Sam, being a kind person is not dependent on appearance, it isn't dependent on what you can personally get out of helping another person but it's about being a helper of your fellow man, regardless of everything that is happening. No matter the route, no matter the player's input, that humanity is always there and I admire that about him.

Tldr:

[momotonescreaming]

8x18 coda about Baby Boy Han's name. Angst. Evan Buckley focused. No character hate here please.

The first time Buck hears someone call his nephew Bobby, he flinches. A gut wrenching, muscles seizing, the sharp sting of a slap to the face flinch.

Buck's on Maddie's couch, sharing coffee and freshly baked cookies with her while while Chim takes care of his son in the other room. He listens and chats and smiles until she calls her son Bobby. And then Buck can't move. His muscles are constricting against the sickly whorl of his stomach, his joints locking up, breathing coming faster. Cookie held loosely in his hand, halfway from his plate to his mouth.

He bolds upright, cookie falling from his hand and Buck makes an excuse about an appointment he forgot about. His realtor rescheduled a meeting about his new apartment last minute, and he really needs to run if he wants to make it on time.

Buck stutters out an apology and runs out of Maddie's house.

He drives. Doesn't know where. Doesn't care. He's shaking, knuckles white as he grips the Jeep's steering wheel. Back impossibly straight, tense, muscles locking his shoulders in place. It's going to hurt later. But he doesn't care. He drives. He just needs to get away.

He needs to get as far away from his nephew as possible and he feels sick about it. That's his nephew. Maddie's his sister, been there for him through everyone, she gave him her jeep and got him out. But hearing her call her son Bobby makes him flinch.

He thinks maybe he could've handled them calling him Robby, better.

Buck pulls over. He finds a park on the side of the road outside a laundromat, and hyperventilates. Turns off the engine, and ducks his head, shuts his eyes to block out the light streaming in through the windshield.

He can understand why Chim and Maddie did it. Bobby gave his life for Chim, so he could live to see his son, his family again. Buck can understand why Chim would do this. To honour him, his sacrifice, so his legacy and his memory is carried with them always.

It makes Buck flinch.

He never told anyone — not even Bobby — but he wanted to name his future kids after him. He was more than Buck's captain, he was the father he never had, he loved and cared for him. Buck was going to give his kid the middle name Robert if it was a boy, or Wade if it was a girl. Bobby's middle name was Wade, and it felt gender neutral enough that Buck felt it could work with whatever first name he gave his kids. Or maybe even Robin, for either, if he and his partner felt it worked better.

He wanted to surprise Bobby with it. Make it special.

But he can't do that now. It'll feel cheap. Like he's just copying Chimney.

Buck heaves, nausea swirling at his stomach. He feels sick. Like the rest of his world is crumbling down around him.

He gets broken up with, Bobby dies, no one will let him carry out Bobby's last wish for him to be there for everyone, Eddie tells him he's making the death of his father figure all about himself and then Buck has to move out, Chim gives a speech and pointedly tells him not to transfer, and now Buck can't even name his kids after his own father figure.

If he says anything they'll say he's being selfish. Mean. Cruel. Making everything all about him again.

His phone vibrates, and he doesn't pull it out of his pocket to check who it is. If it's Maddie, or Chimney, he doesn't know if he's going to handle it well. So he doesn't look. Squeezes his eyes shut, presses his face harder against the steering wheel and begs tears not to fall.

He can't fall apart. He can't. He needs to hold it together, so the next time he hears Maddie or Chim or anyone call his nephew Bobby — he won't flinch. No matter how much it feels like its curdling his insides.

[tritoch]

one thing I find neat about Emet-Selch is that his chauvinism is so intense that it actually prevents him from making the strongest possible case for the unique moral goodness of the ancients, and that this same mental distortion ties into his classic final fantasy need to turn into a Horrible Final Form Monstrosity for your final fight

(for my part I think any minor unique moral goodness the ancients possess they have due to their status as demigods living in eden before the fall. even if they really are morally/intellectually/spiritually/magically/etc. superior to every modern eorzean on a 1:1 level it still doesn't change anything because 1) they are mythical and impossible, that's the whole point and 2) even if they weren't, they still have no particular claim to existence that is superior to anyone else's, no matter how good they are. but the point here is the case Emet-Selch is trying to make, which is that they are more "worthy" of life.)

when he's setting you up for the final amaurot sequence, Emet-Selch hits you with this one:

it's a solid line! stops the party cold for a second.

it's also...not that impressive. do I think if we called a big world meeting that half of everyone would just jump up to be chosen? maybe, maybe not. but, sorry: we're having a big world meeting? are we also demigods with their every material need fulfilled in this version? do we have a one world government that almost everyone seems to fully trust telling us that it knows for real a way to stop the meteor heading towards earth? because honestly i think as soon as we start creating structural similarities like that, it becomes a lot more likely. and every step you take towards making the comparison happen on level ground makes the idea that the ancients were possessed of some unique moral fiber that made them capable of this sacrifice (as opposed to the undeniable abilities in magic and global governance that actually enabled it) seem less and less likely.

and especially if you consider it in the context of what actual people are like. human (and presumably eorzean) history is replete with examples of people sacrificing themselves to save others, even though none of us are immortal wizard philosophers. i don't know how the white-room thought-experiment "will half of you die to save the others???" turns out. but do i think, across a grand rolling catastrophe, that half our population would sacrifice itself to save the other half in a million individual acts of sacrifice to save a parent, a child, a lover, a friend, a stranger? that seems significantly more plausible. altruism and sacrifice for others is even pretty frequent in animals! it's not a very unique moral behavior!

(stanford encyclopedia of philosophy on biological altruism)

but that's not the only sacrifice the ancients made. roll the tape, hythlodaeus!

...Yet oh how the star had suffered. So many species lost. The land was blighted, the waters poisoned, and even the wind had ceased to blow. Once more did our people give of themselves to Zodiark. Another half of our race sacrificed to cleanse the world; to ensure that trees and grasses and myriad tiny lives would sprout and grow and flourish.

(every time I read this speech and hit the ff1/3/5 ref about the land and waters and wind i become mylongestyeahboyever.avi)

this is the step beyond, and it's what separates the ancients from modern humans. they viewed themselves as stewards of the star and really meant it; whatever other criticisms you might level, you can't doubt the depths of their commitment. and this i think really does make them morally distinct from modern people, or at least raises that possibility in a much more compelling way than the first sacrifice. half of the living population sacrificing itself not in a moment of duress and apocalypse but in a moment of calm? when the sacrifice isn't for anything but plants and animals and some tiny proto-eorzeans? that kind of cold, calculated, long-term altruism, aimed at people and living beings that are nothing like you...that does feel like something a little more unique, more worth preserving. even in just the text of the game, we can say with real certainty that the ancients were at least more capable of facing their problems and had greater moral integrity and care for the world than, say, the people who made ra-la.

but emet-selch can't ever say that because rejecting and dishonoring the decision the ancients made as stewards of the star is his primary goal.

like, "my people were uniquely morally good. half the living population sacrificed themselves not for their loved ones or for the survival of their people but simply for the world. for the trees and grasses and the wind and the water. for the humblest insects and for the summer breeze and the tides." that fucks! damn, you got me there! i watch enough people throw aluminum cans in the trash on a weekly basis that i find this sincerely moving and beyond the seeming abilities of my own brethren! oh no, i'm being persuaded by the fascist immortal space wizard!

"and therefore, because they are uniquely morally good, we are going to sacrifice and kill the very things they gave their lives to save, so we can have them back :)" well, shit. i'm experiencing some dissonance here.

but you can't actually lie to yourself as long as emet-selch without distorting your understanding of the truth. you cannot choose to see the world falsely half the time and clearly the other half. in committing to self-deceit and willful ignorance regarding the value of the modern world, emet-selch blinds himself not just to the world as it is but to the ancients as they were. if he could describe accurately the ways in which the ancients were genuinely noble and benevolent, he would also have to able to see clearly how he has entirely deviated from that ideal. and he cannot do that and stay on the path he has chosen, so he simply chooses not to see things accurately.

i cannot help but link this blindness of his to his trial. here, at what seems to emet-selch to be the last stand of the ancients, he says to you "to be clear this fight IS a metaphor, and in that metaphor i stand in for the Entire Unsundered World."

and yet, in standing against you, he betrays both the customs of the ancients and his very title, itself a direct signifier of the mission he was charged with as one of the convocation of fourteen: "to ensure that all is right in creation, that our star may know a brighter future." contra elidibus, for whom remembering his duty to the ancients is one and the same act as remembering his name, emet-selch declares his own to be mere pretense. and that's before we even reach the matter of his transformation.

emet-selch believes the only way he can save the ancients is to betray their principles, forget their greatest triumphs, and abandon their trappings. he renounces almost everything of the ancients, save for his pale and sad and faceless amaurot, in the hopes of bringing them back.

i am reminded a little of borges's three versions of judas, a short story which uses the lens of fictional literary criticism (appropriate for a story as interested in competing narrative interpretations as shadowbringers is) to recast the betrayal of christ by judas not as the greatest of sins but as the greatest of sacrifices.

The ascetic, for the greater glory of God, vilifies and mortifies his flesh; Judas did the same with his spirit. He renounced honor, morality, peace and the kingdom of heaven, just as others, less heroically, renounce pleasure. With terrible lucidity he premeditated his sins.

and, in turn, the sardonic footnote to that very same line, which unsettles that sentiment as soon as it has been presented:

Borelius inquires mockingly: “Why didn’t he renounce his renunciation? Or renounce the idea of renouncing his renunciation?”

[katsdynam1ght]

is it time to tell you guys abt my dabihawks kids yet. is it time. can it be time.