at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
18K notes
·
View notes
[ID: A panel from Dungeon Meshi. It shows the corpses of Senshi, Chilchuck, Izutsumi and Laois all propped up against fancy paintings sitting on the ground against the wall. Marcille is alive but has a reddened, tear-streaked face and a dead-eyed expression as she leans her head against Laios' shoulder, reached out a hand, and says, "Did you give even a moment's thought to how I'd feel surrounded by your corpses...?" End ID.]
God this panel took me right the fuck out. On the one hand, what else can they do? Marcille's the only member of the party skilled enough in magic to do resurrection spells. Laois straight up tells her he's giving her the neck armour because she's the healer, the one they can't afford to lose; she can rez the rest but if she dies, they're all doomed. And it's a uniquely cruel position for Marcille to be in because of her deep, aching fear of outliving everyone she loves, a fear that Laios has to be aware of on some level, even if he doesn't clearly remember the nightmare he rescued Marcille from... but even if he was fully aware of it, that doesn't change the fact that she's the only one of them who can rez. It's inescapable that she has to be in this position, just as, in the end, it's inescapable that she will outlive everyone in this panel even if they live to ripe old ages. Marcille being forced to microdose her inevitable looming grief is a great setup for her making the decision she does when they meet the Winged Lion--how can she go through this again, for real?
3K notes
·
View notes
my brain is saying 141 with a reader that sees dead people. like they notice how respectful she is to the dead. when she kills she moves the bodies, sometimes says a small prayer to herself. they see her looking at things that aren’t there. “Did you see that? Never mind.” or she mentions she feels something weird in the air, or something wrong. talks to the team about the sleep paralysis she gets, always leaving out the grayish dark figure that accompanies her on those nights.
She’s never told anyone until she got drunk enough to were she’s literally laughing saying
“oh yea i see dead people.” And the guys obv think she’s joking and egg her on about said dead people she sees.
but then she tells them about the entities that follow them, the people they’ve killed, always following them around. some are very angry, she feels their malicious intentions. ends up describing them in grave detail, they way they looked, what they wore, the last words they spoke before her teammates pulled the trigger. Something that only THEY would know.
“oh man, let me tell you about Gilbert my sleep paralysis demon. I swear he’s been visiting me more and more recently.”
4K notes
·
View notes