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#she's not associated with the birds really like they don't even know she's there
tbcanary · 7 months
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infinity from birds of prey (1999)
re: my tags on this post... literally girl where are you. what's your deal. she shows up, sees the entire history of a dead guy by touching his head, puts a guy into a coma by phasing a hand through him, phases through the internet to manifest in a hacker's home, impersonates oracle, and stands in front of a laser and survives because bullets cannot touch her.
things we know about infinity: 1) invisible 2) british 3) powers include phasing, and memory-based telepathy, allegedly the result of a curse??
things we don't know about infinity: fucking ANYTHING ELSE. GIRL WHO ARE YOU.
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savannahsdeath · 5 months
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thinking about dealer!ellie, but not the college-little one . . . one, that an innocent girl like you sees on a dark alley and she can't help but instinctively start walking faster. yet, it turns out, she's really a sweetheart when you give her a chance <3
warnings: daddy issues kinda ?? ellie can seem creepy at first but i swear she's not .. thats all for now
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you explored the darkest part of the city, the moonlight not brightening your way at all. you felt lost.
you always defined yourself as fatherless, it was the easiest way to explain the lack of a parent — people thought he died and didn't pursue the topic. after some time passed, you started believing your own lie. deep down, in a strangled part of your brain, you knew he's alive and well. but on the other hand, he wasn't — not for you, not in your life. why would he matter?
until he contacted you. he didn't show up in person, what at first made you think that he's... well, a pussy. but you soon realised it's actually analytical and mindful of him. you could act on impulse, say or do something bad. seeing him for the first time won't be easy. he gave you some time to think, so your emotions didn't get between both of you, and couldn't ruin your relationship from the beginning.
but he could at least leave you his phone number instead of the most complicated address, consisting of, not to be dramatic but, like a hundred numbers.
"can i help you?" you heard a feminine, yet hard and raspy voice.
the unforeseen sound made you jump, your heart beating like a little bird trapped in a cage, trying to get out of your chest. you couldn't let her notice how scared you were, though. you crumpled the letter in your sweaty hand. the yellowish paper felt humid, probably soaking wet from your moist skin.
"i don't think so." your voice trembled with the first vowel but you managed to regain your unbothered, callous posture right after.
"this..." she gestured at the ground and area around you — dark buildings that looked empty, yet you felt watched, in plain sight. "this is a bad place for girls like you."
you nervously cleared your throat, deciding to ignore her opinion, and continued on walking. but you could still hear her echoing footsteps.
"i think that— you shouldn't be there. and you don't want to be there." she crossed her arms.
once you gave up and turned around, you were left surprised by how pretty she was. your expectations were— well, on a way lower level. she looked masculine and you could see the curves of her muscles through her clothes, yet you weren't feeling precarious nor apprehensive by her presence anymore.
"actually," she continued, "i know that. it's painted all over your face. one glance in your direction and i already sense the discomfort."
you sharply inhaled, the air hissing in your nostrils as you mumbled an annoyed "god" under your breath. "are you always like that?"
"no." she shook her head and pursed her lips in a thin line, before realising what you meant and chuckling. "not at all. but you should be fuckin' thankful." she untangled her arms and shoved her hands in the pockets of her jeans. "c'mon, what are you looking for?"
you pinched your nose bridge and closed your eyes with a huff, because why did she have to be so damn persistent and perpetual? but she seemed able to help you, so in a slightly complaining—dissenting tone you murmured your father's name.
and her stubborn smirk faded, her gaze shifted between you and the letter in your hand. "who are you?" she asked, emphasizing each syllable, as if she was talking to a child.
you were dubious and skeptical on what you should say nor should you admit the truth, you just shrugged. a hesitant, mistrustful raise of your shoulders, which even deepened the girl's frown, knitting her eyebrows together. "i dunno..."
"you can't be a sluuu— sorry, a prostitute" she thought aloud, actually considering this option.
"why?" your expression glowered as you scowled. oh, so your father is associated with call girls, how nice! "don't answer. whatever. just— take me to him."
"i can't." she defensively raised her hands. "you could be a... fuck, i don't know, a spy or something!"
"don't be stupid" you scoffed and couldn't help but roll your eyes. "i'm his daughter."
she gulped and her eyes widened. "daughter?..."
✧˖°
PART 2 IS OUT !!
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hitlikehammers · 3 months
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feels like home
rating: t ♥️ cw: coming out, softness, recovering from the upside down ♥️ tags: pre-relationship, post-s4, fluff, hurt/comfort, Eddie is having many feelings, the main one being that Steve feels like home, platonic stobbin, supportive platonic soulmates coming out so Eddie feels safe to do the same, injury recovery, still-so-soft
for @steddielovemonth day seventeen: Love is about a hand reaching out to you so you don't get lost (@yournowheregirl)
this definitely takes place chronologically after this one so: have some of these codependent lovebirds as they start to figure their big feelings out ♥️
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It’s weird, and probably unhealthy, that his hospital room—like this—feels kinda like home.
But he thinks it’s okay, to be fair, because it’s not like he thinks this place is home; the smell of antiseptic is still pretty sharp in the air even as he’s gotten disconnected from one machine, drip, or monitor every day until he’s largely free to toddle to the bathroom on his own as long as there’s someone to watch and make sure he doesn’t fall. Wayne’s there for that when he can be, which explains the home associations, but: the rest of the time, in fact—kinda more often than it isn’t?
It’s Steve.
And Eddie struck a deal with himself—no digging in to the fluttery-gooey-warm-chest-squeezy feelings while he’s laid up in a bed—but when he walks around even under supervision, it’s…feeling like he’s cheating.
Plus the feelings are getting kinda…kinda loud.
Because Steve is always there, sometimes he ever stays when Wayne comes, at least for a while. He leaves to keep an eye on the Party, leaves to check up on Max, hits the community hub: but it’s…it’s such a blip of time, honestly, in comparison to being here, with Eddie.
And when he’s gone, it doesn’t…it doesn’t feel at all like home, it feels kinda fucking horrible, so.
Eddie doesn’t even actually have to dig in to that train of thought. It’s pretty fucking clear as-is.
He’s surfacing from kind of, like, a light doze, not even a full on nap, and he’s gentle with the coming-to of it because he can kinda, like, feel Steve’s presence at his side and he’s talking really low anyway, even if he couldn’t, so Eddie definitely knows it’s him, and he could have guessed the other visitor pretty easy even if it wasn’t her voice that was the first to bleed through with actual words:
“She’s,” Robin makes a little stifled whine; “you’ve seen her.”
“Not my type but,” Steve’s saying from next to Eddie; “ I see your point, yeah.”
“She’s like a,” Robin’s voice goes kinda hazy, a little dreamy; “like a fairy creature, or! Or like a prairie woman with those, those hats—“
“A prairie woman who likes boobi—“
“Stop!” Robin hisses low, and Eddie can feel her knock his mattress a little, she must lean over like she wants to enforce her will somehow: “stop stop stop—“
“If you can’t say it you probably shouldn’t be touchin—“ Steve’s saying and god, his voice is so bitching, and Eddie think he kinda fucking lov—
Oh. Oh, well. Shit.
“I’m not touching!” Robin moans, but kinda frantic with it; “the problem is I am not touching!”
And Eddie, too, is not touching the thought he just had about those four fucking letters that are, that, that are—
“Also it’s a gross, immature word,” Robin’s going on and…oh.
Oh.
Okay, so like: even if he’s just kinda in that liminal space of awareness, they have to know he’s more awake than not; his two remaining monitors are different even when he’s calm and just resting, but as the words themselves sink in, now? His heartbeat’s betraying the hell out of him for the staccato it’s pinging on the screen as he processes it: Robin’s showing her cards, though Eddie’d always figured she might be a bird of his feather, but, like—
“Is it though?” Steve’s murmuring low and so, so judgmental; “seems more immature to not say it at all,” and he, he fucking tsks at her, then, and, and—
And then—
Then Steve’s saying words that make no sense at all, like: sure they’re words. In English. Eddie’s very sure of it. So that means he should definitely comprehend them. But…
“You should listen to me, Robs, seriously. I do still like boobies, too. I have insights.”
And Eddie—Eddie’s eyes fly open, he thinks out of shock? That makes the most sense, like he’s startled into full-wakefulness, that tracks as he blinks up at the water-stainer ceiling with his heart in his throat as he tries to find sense in those words, fails, tries again, fucking fails, all as the Corsican Twins cackle over word choice, good god, and then—
“Hey.”
Steve’s grabbing his hand at the wrist and covering it so gently, fucking…cradles it and stories his thumb over the insistent tap of his pulse and meets his eyes, so wide and honest and earnest and if Eddie’s heart wasn’t already primed toward racing it sure as shit would have started just with those eyes on him, and that touch on him, and:
“You okay, man?” and it’s so simple, and Eddie doesn’t fucking know what’s happening on his face, what kind of of shock or terror or something deeper still is seeping from his expression but Steve’s studying him, watching for long seconds that stretch for-fucking-everbefore his jaw squares and his head tiles, something resolute shining through in him and he moves so slowly, lifts Eddie’s hand in his so slowly and Eddie doesn’t even wholly clock what’s happening, let alone that it’s real, as Steve fucking pauses their hands by his lips, so Eddie can feel his breath so warm and he watches, then, waits, and Eddie doesn’t think through what it means when he nods, like it’s not actually a legitimate thought, exactly, he just knows that, that—
Whatever’s happening, and however terrified he thinks he is: he can trust Steve.
Because somehow: Steve’s home.
It’s still fucking earth-shattering when Steve does lean, when his lips brush against the heel of Eddie’s palm, still scrape-covered, and then he reaches just as slow again for Eddie’s cheek to cup, to fucking cradle that, too, and Jesus H. Goddamn Christ—
“You’re safe, Eddie,” is all he says and maybe, maybe Eddie’s reading into it way beyond what he should, but like, it doesn’t feel like Steve’s telling him he’s safe maybe from the lingering threads of a nightmare, or that he’s safe from the government, from the cops, or from the Upside Down coming for them because they all know it’s still fucking coming but Eddie has felt scared of it once, yet, not like this, not here, with—
But Steve’s tone doesn’t just hold that: it’s bigger. He means…
They had to know he wasn’t really asleep, and so, Eddie, Eddie thinks Steve means…
Yeah.
Fuck.
“You’re outta water,” Steve’s saying and Eddie didn’t even notice he’d been reading to pour Eddie a glass from the ever-present pitcher at his bedside then he’s standing, his hand leaving and fuck all if Eddie doesn’t lean into it before he can think twice but Steve just smiles, soft, as he walks out the door.
“We talked about it.”
He turns to Robin almost violently, head kinda snapping her direction with the speed and force he moves with.
“We weren’t gonna hide it from you, but like,” she mashes her lips together, Eddie can see she’s trying to find a way forward with the least possible rambling, but the clearest possible throughway so she can get what she needs to say out, before Steve comes back.
“You shouldn’t feel like you have to,” she hums a little; “be that, you know, open? With us, if you don’t want to,” her eyes are so big and sincere, and Eddie’s pulse is steadying if only slowing by a fraction, but she does help put him at ease, even as she trips a little over the rest: “if you had any thing that was, y’know, kinda private or, something,” she nods to herself and plays with the hem of her shirt: “yeah.”
Eddie nods to himself, and…he can’t, he can’t not ask her, not in this window, because she said they’d talked and if this wasn’t part of it she loves Steve fierce and he could be still a little fresh off death’s door, she’ll still tell him to fuck off if she needs to, so at least there’s that, at least he knows, like, he won’t be allowed to step where he’s not welcome, and—
“I’m,” and fuck, his voice is a mess, he does need a fucking drink but in the absence of one at hand, he clears his throat hard and accepts that consequences of it burning like hell; “he, umm,” Eddie bits his lip and gestures toward the empty door, eyes Robin kinda pitifully: “he said—“
Robin, thank fuck: Robin is merciful, has to see where he’s going, here, and she points to the doorway indicative of who isn’t in it, yet:
“Very both,” she says simply, then point to herself: “very…”
“Boobies?” Eddie suggests and Robin, she just groans.
“Not you too,” and…okay, shit, umm, well—
Eddie… maybe Eddie can be brave. Like, in small doses.
“Actually, ah, I,” he stumbled but then he makes himself take a breath, makes himself try:
“No, not me too,” he says in a rush and looks up at her through his lashes, so fucking vulnerable: “like, very specifically not, me too.”
And she smiles at him so warm and…like, almost welcoming, which is weird but feels, nice? And she pats his arm kinda affectionately and, just—
“Did you decide to take me up on my wisdom so we can actually accept she’s almost definitely into you, and move on to planning your wedding?” Steve slides back in and shuts the door behind him, getting to pouring Eddie some water before he even sits the fuck down.
His fingers brush Eddie’s as he passes it off and, it probably shouldn’t make Eddie all tingly, Steve did kinda kiss his hand? Like, a little?
But that don’t mean shit: Eddie’s all pins and needles and, like, sparkles.
“He’s the only help you’ve got here, Buckley,” Eddie screws his courage up one more time because…because Steve needs to know, too; Eddie wouldn’t put Robin in the position of not knowing whether she can tell her platonic soulmate something, make her keep a secret even by implication but so much bigger that that is, are—
All the things he doesn’t want to poke at, or dig up and examine, that he’s dodging on the excuse of convalescence: all those things taken into account: he trusts Steve. He feels…so much for Steve already, and he feels weirdly sure that whatever happens next, those feelings are only gonna find ways to grow, so—
Steve has to know, not just because Eddie thinks he suspects it, but because Eddie tells him—because it’s….’cause it’s Steve.
“Feels like it’d be foolish not to take the man up on the offer when he’s definitely the expert in the room,” Eddie pushes on, awkward but determined; “seeing as I don’t, umm, know about,” and his eyes flicker to Robin for a second, before they land on Steve to finish:
“About boobies.”
And Steve does say anything, doesn’t look any way save how he’d looked before: calm, and mostly-relaxed, and right next to Eddie, and Eddie’s eyes drop from Steve’s face and find the collar of his shirt, the peak of hair from in between and, shit, shit, he’s talking about tits and then there’s Steve’s chest hair and holy fucking wow he is staring:
“Umm, I mean,” and fucking fuck, now he’s talking—
“Like, not that kind, at least,” and then he forces his eyes down to the sheets over his lap and considers if it’s possible to dissolve into cotton if it’s startchy and uncomfortable as shit, and you happen to be mortified enough to sink into the fucking threads.
But then; then there’s Steve.
Because of fucking course there’s Steve.
And Steve?
Steve takes his cup from him when he could easily have leaned to put it down himself, but then Steve replaces the cup in Eddie’s grip with his own warm hand, like a tether, like a lifeline, like a…
Like a promise.
And when the conversation turns toward strategizing Robin’s approach for Vickie, Eddie’s, he, he just…
He’s home, y’know?
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tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson
♥️
divider credit here
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nanabansama · 3 months
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Card Set Hanakotoba
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Recently I was discussing with my lovely friend @istoleyourboat about the meanings behind the flowers in this new card set, and I felt the urge to chronicle them somewhere! I thought you guys might get a kick out of it, too, so this seemed as good a place as any to put it.
So without further ado...
1. Hanako-kun - Queen of the Night
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The Queen of the Night (月下美人) is a cactus flower that blooms just once a year for a single night. Because of this, the most heavily associated meanings with the flower are "transient beauty", "fleeting love," and "the urge to see someone just once."
The short-lived life of this flower feels quite fitting for our ghosty boy! I also like how the flower looks both beautiful and unsettling...all around a fantastic choice by AidaIro.
2. Nene Yashiro - Strawberry Blossoms
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If you have paid attention to the Hanakotoba in TBHK before, then Nene being associated with strawberries should be nothing new to you. Regardless, the prevalent Hanakotoba for Strawberry Blossoms (イチゴ) are "love," "innocence," and "you make me happy."
The "you make me happy" one makes me want to kick my feet around and squeal a little. Isn't that cute!? I also feel the strawberry is especially fitting for Nene because it seems like something she would grow in her Gardening Club.
3. Kou - Clivia
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Otherwise known by the names Bush Lily or Natal Lily, the Hanakotoba for Clivia (君子蘭) are "sincere," "noble" and "good-hearted."
I think this all fits very nicely with our resident good boy Kou, hm?
4. Teru - Bird of Paradise
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The Bird of Paradise (ストレリチア) symbolizes "faithfulness," "magnificence," "a bright future" and "superficial love."
Even at a glance this flower really pops out at you, making it a great fit for the ever-impressive Teru. I really, really love this choice!!
5. Sakura - Hellebore
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Otherwise known as the Christmas Rose, the Hellebore (クリスマスローズ) represents "reminiscence," "never forget me" and "notice my woes."
The way this beautiful flower seems to cast its head down makes it look almost sad. I suppose that's why it has such pitiful meanings associated with it!
6. Natsuhiko - King Protea
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King Protea (キングプロテア), also known as the Sugarbush, symbolizes "strength," "courage," "resilience," and "a king's quality."
If you notice, Natsuhiko always has a little crown-shaped tuft hidden in his hair, so AidaIro associating Natsuhiko with a flower that references royalty pleases me. There's still a lot of mystery surrounding him, but we can at least confirm that Natsuhiko is, indeed, strong and resilient.
7. Akane - Ivy
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The plain, non-flowering ivy stands out in stark contrast to the other plants here, but that's because the hanakotoba for it is just that good. Ivy (ヘデラ) means "everlasting love," "I take this feeling to the afterlife," "faithfulness", and "marriage."
Like, if that doesn't scream Akane, I don't know what does.
8. Aoi - Hydrangea
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Again, if you've been paying attention to Hanakotoba in the series, this will not be the first time you've seen Aoi paired with hydrangea. Regardless, hydrangea (アジサイ) represents "enduring love," "mystique," and "fickleness."
The hydrangea is also associated with rejection, more specifically the coldness of a person who rejects the romantic advances of another. It's just such a perfect Aoi flower, there's no wonder AidaIro is so attached to it.
💐🌸🌼🌻🌷🌹🥀🌺
Thank you for reading till the end! And I urge you to look up these flowers yourself and see if you can find any meaning to them I may have missed. You might find something brilliant that I completely overlooked!
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babyyoda234 · 4 months
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Three Times the Batfamily has been disgusted by your love life...
Dating is hard... but dating in Gotham... Oh Brother... Here are all the times the Batfamily has been involved in your love life.
1st time: Valentines Day
I've really gotta stop going for nerdy guys. This never ends the way I want it to.
"You know Eddie. You could have bought me dinner..." I call out to the rambling rogue behind me, "Scratch that... I can list off a hundred different date ideas.... That DO NOT INVOLVE THE BATMAN."
I can hear a swift crack followed by a muffled cry.
"I like flowers... I'm sure there was a way you could incorporate a riddle with those."
Footsteps draw nearer.
"I honestly don't even think you are trying. What does a child make, but never see? Come on dude... Work on on yourself. Restraints are fun, but this is ridiculous."
Suddenly, my restraints loosen. Stumbling to my feet, I swiftly turn around to see Batman's foreboding gaze. Eddie lies face down passed out 3 feet away.
"Are you alright?" Batman questions carefully noting my lacy heart pj's on top my push up bra. My diamond question mark necklace glitters in the darkness.
"Uh... yeah... Guess I should probably find an apartment where the Riddler doesn't live next door."
Batman sighs before patting me on the back. I am weirdly comforted by the paternal look in his eyes.
"That would be for the best."
2nd time:
Nightwing raises a pointed eyebrow before covering Robin’s eyes. Robin smacks his gloved hand away.
“Come on…. Y/N…” Nightwing trails off.
I interrupt him before this can get anymore humiliating. Being left to be eaten by a man sized Venus Flytrap after a date is not how I imagined my night to go.
“I do not need a life lesson; I have work tomorrow.”
Robin dutifully unties my restraints. He carefully looks anywhere else except my green lingerie.
Nightwing clears his throat. Rummaging through fallen leaves, he asks
“Do you know where she might have left your clothes?”
I shake my head before I start searching the drawers to the nightstand. My sweaty palms create some difficulty turning the knobs.
“You know…” Nightwing continues leaning against the wall, “If you ever wanted to go on a date with someone who wasn’t going to be sent to Arkham… I’ve got this brother.”
My heart starts pounding. This is not happening. Robin’s jaw drops in disbelief.
“Are you seriously trying to set up Red Hood right now?” He gasps incredulously.
Both vigilantes listen to something being said into their ear pieces.
“Well, Jaybird. She’s prettier than anyone you’ve been talking to lately.”
My mouth gasps silently like a fish. Robin finally looks me up and down. He nods before agreeing. This child did not just....
Trying to ignore the hot waves of embarrassment, I finally force words to come out.
“GET OUT! I’ll find them myself!”
3rd time:
“Okay… but this time was not my fault.” I explain raising my hands in surrender. “How was I supposed to know that Two Faces favorite song would be ‘22’? I have to make a living somehow!”
Batgirl tries to keep a straight face, but when she glances back at Red Robin… they both burst out laughing.
“I’m sorry….” She says trying to be professional, “This isn’t funny.”
“Uh huh…” I respond narrowing my eyes at them.
Realizing my mortification, their laughter slowly dies down. The teenage vigilantes grow as serious as possible.
“So, Two Face took you captive after you dedicated 22 by Taylor Swift to him?” Robin questions analyzing the crime boss’s de office.
“Yes, I work at the iceberg lounge as a singer.”
“Where you ever an associate of Harvey Dent before his accident?”
My face goes red. This is not how I wanted today to go. I hate adding fuel to their fire.
“Something like that. I made some mistakes early in college.”
Batgirl bites her quivering lip to avoid laughing again. She checks her clip board left by Gordon.
“We’ll make sure GCPD gets back your… 2 themed underwear that went missing?”
I fantasize about those birds that slam their head underground to avoid conflict.
“I just want my computer. He can… keep the rest. I’m sure he’d like wearing it more than me.” I awkwardly trail off wrapping the robe tighter around my body.
Red Robin nods before muttering something into his ear piece.
“Okay, we’ll be on the search for that. I’m sure Red Hood can drop it off when he raids the lair tonight."
I start laughing before taking a step back. Putting my hands up, I interrupt.
“I can pick it up at Gordon’s office tomorrow. There’s… no need for… any of that.”
The two teens share a glance.
“Are you sure?” Batgirl inquires with a knowing smile in my direction.
I raise an eyebrow.
“Leave me out of this. I do not need to end up dead in crime alley because you guys thought it would be a good idea to set me up with your brother.”
Laughter can be heard in their comms. I vaguely make out “She’s got a point” in Nightwing’s voice.
With a reluctant grin, Batgirl shrugs. Before the vigilante duo leave, Red Robin flashes me an ornery grin.
“See you later.”
I respectfully flip them both off. Laughter echoes down the hallway as they leave.
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candycorncrave · 1 month
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So. Let's talk about Penacony and birds.
-Spoilers for the 2.1 quest (and possibly some of 2.2 if my theories and findings are correct)
Hey all! I'm not too good at starting these essay type things, so we're just gonna dive right in. Disclaimer, these are all just theories complied from random (not very in depth) research I did, and my own thoughts, so take it all with a grain of salt. I just wanted to put this out here for funsies!
With that out of the way, let's dive in!
From very early on into the Penacony quests, there was something that just kept nagging at me. Robin's name, (mixed with the fact that shes a singer.) The family's crest being a Nightingale. Aventurine's design very clearly representing a peacock. Ratio's owls.
There were just too many bird references for this all to be a coincidence, so I decided to do some research on bird symbolism and meaning.
And here are some very interesting things I found!
Now a lot of this is quite clear cut, so I won't go into alot of explanation, but I do find the "rebirth" part quite interesting, especially since it is hinted during the 2.1 quest that she came back from "death".
Let's start with Robin, since she's one of the more obvious ones: "Above all, the robin red-breast is a symbol of spring song and good fortune. Additionally, it also symbolises passion, a new beginning, and re-birth. Therefore, if the bird flies into your life you will be blessed with happiness and joy. Subsequently, most of the symbolism of robins is centred on their spiritual meaning which is believed to be a symbol of divine sacrifice." In native American culture, Robins also have strong ties with family and "heart centered connections."
Next up are Owls: Now this one is also pretty obvious. Dr Ratio's design has very heavy Greek inspiration, and owls in Greek mythology are very clearly tied with Athena, knowledge, and wisdom.
The thing I found interesting about this was all over Sunday's mansion, there are owls decorating a lot of the furniture. Could this have been foreshadowing for his "betrayal" and assisting Sunday? I'm not sure. In my opinion, that seems like quite a length to go to mislead players- especially since it's such a niche detail that most people probably won't think twice about. Maybe it will have more meaning in 2.2. Guess we'll wait and see!
3rd, Another obvious one, Black Swan: They symbolize the opposite of what the white swan does, naturally, so death, danger, destruction, suffering, chaos, mystery, etc.
Even more than that though, "The black swan theory of events is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight."
Another one I don't feel the need to dig that deep into. It all pretty much checks out with what we've seen of her character and the events of the story so far. Black Swan is a scary lady....
4th, Let's talk about Peacocks: Now we all know peacocks are commonly associated with general wealth, pride, and flamboyance. I thought that was all there really was to it being such a big contributor to Aventurine's design. But I decided to dig a little deeper and. Oh boy.
Peacocks can also symbolize both death, and life. Now at face value this is quite contrasting, but when you apply it to Adventurine's character- it makes quite a lot of sense. A single coin flip between life and death that keeps landing face up, and yet, it's a gamble he never hesitates to make. Moreso, peacocks can symbolize the freedom and liberation of the soul. (OUCH)
And Let's finish off the doozy. Nightingales: The symbol of the family and the bird constantly following Sunday around and watching everything the entire quest without a sound.
"Nightingales are symbolic of beauty, melody, creativity, purity, and the expression of oneself freely. They are also symbolic of darkness, mysticism, spiritual awakening, and renewal."
Now I found that the latter is often meant when you see a nightingale in your dreams. It is also mentioned if they do not speak back to you in a dream you will soon be betrayed.
,,,, How intriguing.
Also intriguing, Bloodhounds are very well known to be hunting dogs, and birds are prey for dogs.
And speaking of prey,,, are fish not considered birds' prey? And Sparkle, who we see fish around every time she shows up, was the "victim" in Black Swan's quest.
Anyways. I could be grasping at straws with that last part, but I do feel there is alot of stuff going on here with animal symbolism, especially more to dig into with Gallagher and Sparkle. It's all very intriguing
If you read all this here's a cookie! 🍪 Thanks for your time :) I hope you enjoyed the ramblings of a madman. Please feel free to add anything or comment your thoughts! I'd love to discuss
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thaliajoy-blog · 5 months
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Blue Eye Samurai characters and the four elements - some thoughts I've had since there are four core character in the story.
Ringo seems like Earth - he's sturdy, solid, as much physically (despite his disability) as mentally. He is very much grounded in his beliefs and rather is the one who changes others, like Mizu. He is the character in the story whose character & goals don't change immensely, he remains steady - he wants to be great and useful, and despite differences with Mizu he near constantly stands by her and goes back to her. Also he's a cook & a healer , giving him a nurturing aspect.
Taigen : That's were it gets interesting ! Taigen at first seems like fire. Relative to Mizu he's presented as a violent bully, vicious & destructive, and later a proud man, quick to anger and single-minded. But we do see that he has evolved positive qualities too ; he has a sweet relationship with Akemi & truly cares about her. He develops respect for Mizu. Which to me means he's swapped element ; how he complements Akemi matters in this. But his own desire to cut his way "out of the net" of his poor upbringing and seemingly predetermined future makes him close to the element of air, as in like Akemi, he seeks a form of freedom. Him embracing the kind of lif were Akemi & him run away from her family & his duties/honor together, confirms it to me.
Akemi : originally the one I'd associate to air. She's the most constrained out of the three protagonists,and the one yearning the most for freedom. She's associated directly to a bird in a cage, which she sets free and emulates when he flies away. But like Taigen, she shifts ; they actually swap, as Taigen renounces ambition while she embraces it in from of a burning bulding. What element better associated to power than fire, after all ? She literally is compared to a sun goddess in the series (and that is related to her sexuality and the way she wields it to take control).
Mizu : this seems like the most forward given her name, since it means water ; and to first explore that there are some two similar quotes from both Blue Eye Samurai & Memoirs of a Geisha that convey the vibe pretty well : "being on your own, you could be like water. Impossible to catch" (The Tale of the Ronin and the Bride) // "[My mother] she told me I was like water. Water can carve its way even through stone, and when trapped, water makes a new path..." (Memoirs of a Geisha). Especially that bit about being trapped & carving your way out of that situation. Mizu really feels like she's capable of anything with her blade. She can be anything, like water can take any shape ; like water Can find its way anywere, so does she. They are both flexible, obstinate and resilient. But then, there is the burning in Mizu's heart. How Mizu's inner conflict and désire for revenge is likened both to her most naturel element (a storm in the soul, a typhoon, a breaze at sea swallowed by darkness...) And to fire (the fire in you rages beyond control). She is water but she is raised in a forge, she knows fire & how to use it intimately ; her relationship to fire is not just negative and destructive, there is actually a meaningful aspect of creation & art through fire in her story (the 2d and 7th episode show that well) but of course, she is the reason why the city of Edo burns at the end. She is mixed, made of two clashing elements that rage in her, like her japanese side clashes with her white side.
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astralexpressarchives · 7 months
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Bird Symbolism on the Xianzhou
This all started with a question I asked my friend: "Well, have you ever seen a bird on the Xianzhou?"
Birds have played a major role in my very autistic investigations of Xianzhou lore. My intuition just knew that they were important so I started cataloguing every instance of birds appearing on the Xianzhou. I'll start with the more common appearances and then delve into the more obscure ones.
I would also like to preface this by saying I am not a bird scientist nor am I particularly interested in birds outside of the context of HSR. I simply noticed there were some repeating patterns and really wanted to make note of them.
So here's all the times I've seen a bird on the Xianzhou.
The Boring Ones
Sky-faring Commission/Starskiff Bird Symbol
This bird shows up all over the Xianzhou on buildings and signage. It is used on the signs indicating starskiffs but honestly can show up anywhere. Large associations with the sky-faring commission. Highly likely it is inspired by the white bird later in the post.
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Jing Yuan's Finches
Another really obvious one as most people are familiar with his finches. As far as I know, they only appear in relation to Jing Yuan and don't seem to have any meaning outside of sheer vibes.
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Before Dawn Lightcone:
"Do not make this decision lightly, general... Think about how you will be remembered in history..." The general of the Cloud Knights listens to his subordinates' words with eyes half-closed. "History will make its own judgment, but I have no interest in my legacy." "If I succeed, history will state that I am currently supremely confident in my masterful strategy." "But if I fail, then history will state that I am currently neglecting my duties in wanton pleasure, preferring finches over my people." A finch jumps down from his shoulder, and he extends his hand to catch the small creature. "I have simply made my own decision."
Yukong's Kestral
Similar to the bird that appears on Yanqing, Yukong's Kestral is a symbol that is connected to her beloved Caiyi.
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Past and Future Lightcone:
The wings of the paper kite in her hands were broken, brutally reminding her of her beloved's tragic passing. She kneeled next to the fire of war, eyes full of sorrow. "If you are the only one left to do this, then our sacrifice would..." Gunfire raged on, painting the sky red without dampening its majesty. She looked up at the sky, eyes full of fury.
Edit: Qingque and Phoenix
These aren't related to anything as far as I can tell but there is also this bird that appears on Qingque's outfit.
There's also a phoenix that shows up in the Palace of Astrum and again in the Seven Arbiter Generals myriad. It may be something related to the history of the Xianzhou (the planet they came from in particular) because it appears on each of those panels outlining the backstory.
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The Fun Ones
Yanqing's Swallow
Now starting to get into the territory of birds that are actually pretty interesting to the lore. The swallow is a bird that is literally everywhere on Yanqing. The painting is found near the Petrichor Inn. - this is significant because the Petrichor Inn has strong associations with the Vidyadhara. The also appear on the handle of his sword and in his splashart.
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River Flows in Spring Lightcone:
The young boy took a short break from his sword practice. The sunlight was baking his already heated neck. He slowly got into the water, whose coldness touched his bare feet. When the bell chimes and birds tweet, even the people far away would know that springtime had arrived.
The Water Birds
Repeated appearance of birds made of water both in relation to Yanqing and found in cages in the Vidyadhara section of the Xianzhou. I believe these are some kind of spirit birds similar to the water creatures that swim through the Scalegorge Waterscape and Dan Heng's own azure dragon. These are probably similar to the Oceanids of Genshin Impact where they actually contain souls that take whatever shape they want in the water - probably the souls of dead Vidyadhara if I had to guess. Why are they being caged and sold around the Xianzhou in Vidyadhara areas? I have literally no idea at this point.
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Yanqing has these ice swallows appear during his attacks. There's a recurring theme of swords containing souls in Xianxia stories which is also loosely connected to the concept of Blade's sword graveyard in the Hellscape. I think Yanqing's ice birds are somehow souls similar to the water birds caged around the Xianzhou.
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The uber weird part about all of this is how at the end of Yanqing's ultimate you see this image. In the background of the image are the mountains associated strongly with the Vidyadhara and Dan Heng in particular.
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I don't know what this means for Yanqing right now but he is an expy of a pre-existing character from Honkai Impact 3rd: Ma Yanqing. They probably have some plan for him that isn't immediately apparent right now but I would like to point out that his grandmaster, Jingliu, is also heavily associated with the mountain moon realm and can also summon a sword made of water/ice. This does not appear to be a technique known by anyone else and Jingliu herself needed to defeat the abomination in order to acquire her singular ice sword.
The Crane
Appearing initially only on Dan Feng's clothing, the crane has made a comeback in the new Cloud Knights Martial Doctrine, On Swords myriad trailer. They are significant because the also appear among the mountain realm and the moon. Notice the association Jingliu, Yanqing, and Dan Heng in particular.
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The Black Bird
So not all the birds in this picture are distinctly black but their colour is ambiguous and they are similarly shaped so I'm lumping them together. They all appear in association with the mountain area - Blade's sword graveyard is also in the mountain area. The top right picture is from Dan Heng's first fansong.
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The White Bird
Not sure what species of bird this is supposed to be but there's a white bird that appears repeatedly in association with the mountain realm. More specifically, it appears among the clouds and may freely travel from the Scalegorge to the Mountains through the hole in the clouds. Bottom left is from Blade's fansong. I think these birds may represent souls and the dead in the same way that Blade's spiderlilies and swords do.
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There's also this bird above the realm-keeping commission that I'm unsure how to categorize because of it's unique shape but it's also among the mountains and moon.
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Edit: Dan Shu's Bird
This one is actually important for the spirit bird concept. In the Longevous Disciple relic set she tells us of a story that inspires her:
According to the legend, a certain delvemaster saved her partner by placing their soul into a bird, granting them immortality. However, she eventually could not resist the call of the avian and also transformed into a bird, flying alongside them. Over time, the delvemaster became confused and lost her true form, becoming a half-feathered, half-human monster. When her subjects stormed the palace and pierced her with blazing spears and arrows, the two birds sang a final mournful song and turned to ashes together. She loved this story so much that she took the essence and marrow of birds and transformed them in the alchemical furnace, then had someone weave these materials into a luxurious feather coat. She could not see just how beautiful the coat was, but nonetheless enjoyed walking around the house while wearing it — it was meant to be seen by a person who no longer existed. As the garb fluttered, she always felt that a bird-like soul was flying and passing through her hands and shoulders, ever-present.
It's not clear how much of the legend is actually true but it could be inspired by the spirit birds.
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I think I've said just about everything that I wanted to say. I'm curious if anyone else has any thoughts on the birds. I've listed most of them but there are one or two paintings I left out from fear of repetition.
I have a lot of additional Thoughts about the birds but I'll leave that for another post.
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oofins-mcgoofins · 1 month
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Slay the Princess Brainrot
Ok, just discovered Slay the Princess. I looked at it all, but when I came across The Stranger route, I couldn't stop thinking about The Morrigan, a figure in Irish mythology.
I first learned about The Morrigan when I was reading The Secrets of the Immortal Nicholas Flamel (kinda a wild book series, ngl. It's not super relevant to this).
I don't know a lot about The Morrigan or Irish folklore in general, but I know she is a goddess with multiple faces (I'm not sure if this is literal or not, but she is described as a shapeshifter as well.) She's also a trio of individuals.
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The imagery of The Stranger (Also The Shifting Mound) really made me think of the Morrigan. Add in the fact The Morrigan is also associated with war, death, and fate and also shows up as a crow.
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You know who else is a black bird man? The Long Quiet.
And even more obviously, The Narrator looks like a corvid of some kind (with teeth).
I don't know where I'm going with this. But it's been bouncing around my head, and I need somewhere to dump it.
Shout out to my boi, Wikipedia, for being there every single time I need to look over something.
Thank you for coming to my Ted Talk-
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deadbydangit · 8 months
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Hello I was wondering if you could do how The Killers would react to the reader being a very good painter if you haven't done it already if you decide to make it can you add The Knight The twins and The huntress please have a good day :)
I can do that. I'm just going to say a good artist. Sorry this took a while. Haven't felt like myself lately.
With an Artistic Reader
Knight, Twins, Huntress.
Knight
An artist you say?
It's a useless skill, but he won't say that out loud.
He's glad you have something you're passionate about; he just wished it was something more practical.
Like fighting or sword smith.
Tarhos never thinks outside of his duty as a knight.
And, while it may not be very useful skill, others seem to enjoy it.
As does he.
Sometimes he'll go through your sketchbook.
Picture of random things and people.
Many of him.
And he looks handsome and powerful.
The fact that you view him that way is endearing.
Painting, sculpting, drawing, you never cease to amaze him.
He really enjoys your paintings of landscapes.
Add a little bloody detail with freshly slaughtered bodies and he'll just adore it.
He'll even brag about you to others.
"Yes, my S/O is a talented artist. Their work is truly breathtaking."
He might even set you up a little gallery.
Many survivors are forced coming out to see your work.
"Many spectators for your gallery. I should expect nothing less than someone with your passion and talent."
Twins
Art?
They've seen lots of that.
Briefly.
When they're on the run in places like churches.
Because paintings and sculptures are associated with such a negative experience, they don't look upon it fondly.
What they were exposed to was rather vial.
All the paintings in the churches always showed someone suffering.
And they had seen enough suffering.
But yours is oddly relaxing.
Even happy!
They didn't think art could also make you feel better.
Charlotte likes when you paint landscapes.
It helps her see the lands she never got to see.
Victor likes sculptures of little animals.
Animals he would've never been able to meet.
They might even try to paint with you some time.
It's messy and Victor will be covered in paint.
Mainly because he was using his hands to paint.
Charlotte might get some in her hair.
When she's thinking, she has a habit of chewing on the back of the paintbrush.
But, they had fun.
And that's something they never got to do while they weren't in the realm.
It's something that gives them joy.
And, doing it with you?
It's more joy than they could ever hope for.
Huntress
Ohh! Draw a bunny now.
Okay okay! A turtle!
Now a bird!0
Upon learning that you were an artist she'll immediately request a billion drawings.
And I mean a billion.
You'll have to stop her and take a break.
You know she can't help it.
She loves everything you make.
Although fragile sculptures don't last very long around her, so you might want to hide those.
She doesn't mean to, she just doesn't realize her own strength.
While Anna had tried drawing and painting, she prefers sculpting.
To her, it's more wood work.
Making masks and new handles for her hatchets.
She never considered that art until you mentioned how amazing her work looked.
She'll feel super proud and make many more masks and handles.
So many that you'll run out of places to put them.
She's just so excited to share a hobby with you.
Something you two can do together; even if that means you don't actually talk to each other during the process.
Just being around you is perfect for her.
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ashesandhackles · 3 days
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what are your thoughts on the Harry/Dumbledore relationship?
hello! so most of my feelings about harry-dumbledore equation are captured in these metas:
A cold blooded walk to destruction
the lightning struck tower
my favourite moment of Harry and Dumbledore's relationship though is captured in the Life and Lies chapter in Deathly Hallows. I am obsessed with that chapter and obsessed with Harry's feelings in those chapters:
here are my notes from the chapter, cutting it down to Harry-Dumbledore stuff:
The chapter opens with the smallness of Harry against the vast sky, a bird's eye view shot to really highlight how vulnerable he feels. On the heels of the chapters where he sees himself and his family immortalised in statues and have their old home preserved, it feels so stark.
The throughline of connection Harry makes from "People don't like being locked up! You did it to me last summer" to Dumbledore's apparent confinement of Ariana. Unresolved abandonment issues from OOTP, Sirius grief all coming to the surface here.
I am especially struck by the image of Harry's angry shouting making blackbirds fly into the pearly sky, and spiral over him. Blackbirds are associated with mystery, secrets and are seen as messengers to netherworld - this combined with the image of pearly white sky (heavens/God) seems intentional.
Harry and Hermione throughout Dh have oppositional positions: faith vs rationalist (hallows vs horcruxes), acceptance vs fear of death, and here Rita's book lies between them, a line on the ground.
"Look at what he has asked from me!: :The image of Harry, arms flung over his head - "trying to hold in his anger" or "protect himself from the weight of his disillusionment" is the thing that stays with me from this chapter. (it is reminiscent of Snape's "you have used me! I have spied for you, lied for you, put myself in mortal danger for you" - basically, "why have you forsaken me?" moment. The chapter being set in whiteness and emptiness, reminiscent of King's Cross chapter where Harry does get his answers from Dumbledore is very striking)
Hermione, who has modified her parents memories, can confidently assert that "He loved you, I know he loved you", because her love for her parents, for Ron can also be sacrificed at the altar of greater good, even if it means doing things that would hurt them and dismiss their agency (as is with her parents). It doesn't mean she doesn't love them. Harry dropping his arms when she says this - he wants to believe it, he hopes to believe it but doesn't. But with Ron's return in Silver Doe, Harry will be on his path to be Dumbledore's man again.
From the Silver doe chapter: The discussion on Dumbledore with Ron shows the nature of faith Harry has in the moment: "Dumbledore's dead. He's definitely gone" vs in Chamber of Secrets where he says, "he will only be gone from the school when none here are loyal to him". With the faith in Cos, he was rewarded with Fawkes and Sorting Hat. Further illustration of where Harry is - Ron not thinking the Grindelwald stuff was a big deal ("he was really young") vs Harry ("he was our age").
Malfoy Manor chapters: In keeping with the faith aspect of the book, when Harry is at his most helpless- he asks the shard of mirror, where he kept thinking he is seeing Dumbledore's eye -for help. Dobby comes through.
Shell Cottage chapters: Harry understands the path Dumbledore laid out for him, but wishes he could understand Dumbledore himself. ( Ron and Harry's conversation about Voldemort - "You really understand him." "Bits of him -- I wish I understood Dumbledore as much.")
By the chapters where Harry meets Aberforth, Harry gains an understanding of Dumbledore's emotionality - "He was never free... never. The night your brother died - he took a potion that drove him mad. 'Don't hurt them-please, hurt me instead' " Harry points out how watching Aberforth and Ariana being hurt was torture to him, and emphasises his commitment to Dumbledore's cause, "Because sometimes you've got to think of the Greater Good! This is war!"
King's Cross chapter - Harry gets his answers. :)
Harry's journey to understand Dumbledore is extremely profound, and Harry's forgiveness of what Dumbledore put him through (with regards to his agency - which is Harry's main issue) comes from a very reflective, thoughtful space. Therefore, he names his second son after the two men riddled by guilt, seeking to atone for the harmful things they had done by committing to a greater cause.
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popcorn-milk · 1 month
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What did you look like? - Short Zelda fic
“What did you look like? While fighting Ganon?” Zelda blinked at the little girl who sat expectantly in front of her. She and a handful of other children had taken to following her around all day while she and Link were visiting Kakariko Village. When Link had gone off to run late afternoon errands, the children had taken to quizzing Zelda on random things about herself.
Zelda fell silent. How was she supposed to answer that? How would she even supposed to know? She remembered what fighting Ganon felt like, but not specifically seeing it. No; she remembered the claustrophobia of being trapped by tendrils of malice that were burning hot and ice cold at the same time. She remembered constant screams of agony, though half the time she wasn’t sure if it was the environment or her screaming. She remembered how dark and lonely and suffocating it was. But she couldn’t have told you what it looked like, let alone what she looked like.
“Why do you ask?” Zelda finally stammered out. Her gaze dropped to her lap. Moments before, the children had been asking her about her favorite color and her favorite book. She hadn’t expected questions about… this.
“I don’t know.” The girl whispered, clearly picking up on Zelda’s unease. “I’m sorry.” She said even quieter.
“It’s ok,” Zelda said quickly, taking the girl’s hand. “I just… wasn’t expecting something so specific. You’re very curious, and that’s a good thing.” Zelda took a deep breath as she decided how to answer. She looked up as she heard footsteps crunching on the leaf-covered floor. Link was approaching, but when his gaze met hers, he stopped walking and stood patiently back.
Zelda took another deep breath and focused on Link. “I don’t know.” She finally replied, gaze slowly trailing back to the little girl. “I suppose I wasn’t very focused on that.”
“Maybe you looked like an angel! Like the statues of Hylia!” A child called out. Zelda flinched internally. Another comparison to the goddess. As if she didn’t get enough of those pre-Calamity. She scolded herself. They’re just children.
“Maybe you looked like a giant bird or something.” Someone else chimed, making giggles ripple through the crowd.
“Maybe,” Zelda laughed. “I think if I had seen myself, I would have forgotten. I was very… busy.”
“Duh, she was.” A boy piped up from the group. The girl spun around, pouting with half-mocking rage. “Shut up! I was just asking!” She dove for the boy, and the whole herd of kids started running away to go play elsewhere.
Zelda sighed, mostly with relief. Link finally approached, rising his hands to sign in Hylian. He smiled sympathetically. “You had you hands full. I’m sorry I didn’t step in.”
“It’s fine. I figure I need to get used to more… personal questions.” Zelda signed back before standing and brushing any dust off her pants. “Do you have any theories you would like to add?” She signed, half-joking, though curiosity pricked at her as well.
“Doesn’t matter to me. Maybe you looked like the you 100 years ago, maybe not. You were so brave- you’re still so brave. No need to bring your appearance into it. And anyway…” Link smiled widely, suddenly a little bashful. “You’ve always been very beautiful. Giant bird or not.”
“Oh, stop it.” Zelda replied out loud, huffing with a smile on her face. “Or else I’m going to start thinking too hard about the idea of me being a bird.”
Link grinned and interlaced his fingers with Zeldas. The two walked down the road to the inn with the setting sun warming their backs.
-- -- -- -- -- --
Its a Thursday night and I'm really bored so I wrote this in like 20 minutes. Hopefully I'll be getting my ao3 account soon so I don't have to post on this blog, but I just wanted to share this for fun!
Also, yes, I headcannon Link uses sign language to communicate! I believe he has an anxiety disorder called "selective mutism." If you'd like more information on that, there's a whole association dedicated to it.
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vee-crytraps · 1 month
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Kiss Me More | Ch 4-3 | {Ornament}
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{Trigger warning/Themes Masterlist} First | Previous | Next |
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You leave to fix your hair. The light in the powder room is fluorescent, far from the atmospheric glow of the chandelier in the main hall. Your golden pins scatter across the marble counter as you pick them out of your hair one by one, deciding to start from scratch. It’s hard to untangle everything with just your fingers, given the extensions Dick had helped you painstakingly place. Just when you’re about to give up and just leave everything loose, the door opens. Selina slinks in like a cat wherever she goes, toting a confidence that suggests she owns every space she dares to occupy. She greets you, drawing your name out in a sultry tone. You resist the urge to gather your golden pins. You both know she could take them from you if she really wanted to. “Well, well, well.” She all but purrs, opening her clutch. “If it isn’t the bird with the broken wing.”
Selina digs around for a gilded compact. It looks quite valuable, and has initials it them that were definitely not her own. Despite it's antique exterior, the powder inside was fresh, given that she had refurbished her loot for practical use. Woman to woman, you find yourself impressed. Charmed, even. “That puppy dog brother of yours spin you around one too many times?” “Selina,” you greet. “Yeah. You know Dick. For a guy that’s considered suave, he's easy over excited.” Leaning forward in the mirror, Selina paints her lips a bold red before arranging her short, dark hair. You wonder if you should cut yours the same way. You immediately attempt to banish that thought because you were seconds away from treading a truly dark path- spending the night with a pair blunt craft scissors in front of your bathroom mirror. You would rather die than be 14 again, hiding in your room in shame after cutting your bangs too short. “You look like you could use a hand,” she pipes up, observing you play with your hair in the mirror. “You’re driving me nuts batting away at your hair like that, kitten.” She approaches you, deliberately leaving her clutch far away from your expensive hair pins. “Don’t worry about these. I’ve already got several,” Selina prefaced, allowing you to observe each one as she carefully slid them into your newly re-arranged hair. You looked up to her so much, and everything she did, she did swiftly and with purpose. Selfishly, you wish she would give in to Bruce's romantic advances, and you allow yourself to fantasize about her having a major presence in the manor. Mother-daughter trips to the salon and splurging on expensive rings to match your new manicures. She's so fucking gentle with the way she does your hair, you don't know how you mange not to cry. True to her word, you leave the powder room with all of your golden hair pins accounted for. You even reminded yourself to take a quick glance in the mirror, checking that your necklace was still firmly in place. Maybe she really did just want to lend a helping hand. On your way back to the gathering, you’re so lost in your thoughts that you run straight into the chest of Damian, who steadies you at the hip. The corridor is dim and echos with the revelry of the party raging on just down the hall. “Shit, sorry,” you mumble, praying that he won’t start something as you try to move aside. Damian steps back, holding you still. Rare approval flashes in his gaze as he admires your dress. “So. There is a grown woman in there after all. For a second I suspected you had a thing for dressing like a sickly Victorian girl. Looks like we won’t have to make space in Arkham.” The insult has a lot less bite than usual, and you make a very unladylike show as you brush past him, bumping into his shoulder. You manage to fix your face, schooling yourself from the encounter as you try to approach Bruce. It was time to play your role of the doting daughter. Your adoptive dad is making his way through the room, greeting friends and associates, sharing drinks with the shareholders. You catch the tail end of his conversation and resist the urge to neck another glass of champagne. Part 4-4
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beevean · 1 month
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Having Thought again about Hector (and this time I'm talking about the real Hector) being called a child, or implicitly called naive - and how this is an important trait of his character.
Under cut because it's image heavy. Because I cannot and will not shut up :P
The laundry hanging scene is mostly there for fluff after the harrowing Hector vs. Isaac fight, but you can infer a lot from it.
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Hector? Oh, you're in the shade again. It's not healthy. Come on! I need your help with something. The clothesline has broken, and I need a man's help. Ahh, you're pulling too hard, Hector! The branch will break!
Rosaly asks for a "man's help", but discovers that Hector can't do so much as hang laundry. He pulls too hard: Hector is a former fighter, so his first instinct is to use a lot of his strength (and he may even be superhumanly strong due to his powers). He probably never had to calibrate it in his life.
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Rosaly: You’ve never done laundry before, have you? Well, this should be fine, thank you. Hector: Let me help you… Rosaly: No! Stop! That’s my…!
Then he takes Rosaly's clothes without permission: he really wants to help after that first embarrassment, but he doesn't seem to think that maybe it's a bit rude to rummage through a woman's underwear :P
It's all played for laughs, but it's also sad. Hector didn't have the chance to live a normal life. No one taught him how to live in human society, and then he wasted half of his life under Dracula's service. It's all new to him.
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Haha, you’re so funny, Hector. With such pretty silver hair and such a pretty face…
But Rosaly doesn't judge him, doesn't think he's weird: she's honestly endeared by his clumsiness. (get yourself a so that doesn't make you feel bad for being different in common things 🥺) As I said in an older post:
He's not naive in the "easily trusting" sense: he hasn't lived in the human world enough to learn about it, except for hatred and rejection, and even simple things like hanging laundry don't come easy to him. But he wants to learn and he wants to help, much like a child would. And well. Rosaly knows how to take care of children without a home :) Where Hector sees nothing but a curse and sin, Rosaly sees innocence. She's idealistic, perhaps to a fault, but perhaps believing in the inherent goodness of others can pay off.
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Rosaly: You’re just like a child… Hector: Where are my armor and sword? Rosaly: No. You've been bedridden for a week and only woke up yesterday. Hector: But I can't stay here.
Yet, interesting that this is when Hector asks for his sword and armor. He explains that he's afraid of attracting monsters again like the werewolf, but I also read shame in his expression. Rosaly means well, but I can imagine Hector doesn't like being compared to a child (especially if he associated childhood with being weak and hated). Maybe part of him even resents that she is right, and his instinct is to wanting to go back, to hide, to fight.
(or maybe he's just hella embarrassed that he was called "pretty" out of nowhere lol rosaly has excellent tastes)
It's also worth mentioning that, while Rosaly is never explicitly called a "womanchild" or naive, she seems to be considered as such by the others. She is called "too nice", because she overworks herself for little, and most importantly because she is allowing a complete stranger inside her home without knowing anything about him, ignoring the danger.
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(in fact, Ted here calls Rosaly お人好し, which means "good-natured person" but with connotations of being a fool. This is after she brushed off Ted's concerns about Hector because "he has pretty eyes and birds seem to like him" :P)
Even Hector is unnerved by her attitude.
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Rosaly: You were worried about us. Thank you, you are such a kind person. Hector: You take everything as a good thing... No, I'm sorry. Why don't you ask me? Haven't you heard anything from that kid? What did I do, what did I escape from? How did I kill that werewolf? …Who am I and where did I come from?
Rosaly's lack of curiosity and tendency to always assume the best of Hector is terrifying for him. He's waiting for the other shoe to drop, so that she'll know him and then hate him like everyone else. Who does this? Who just allows anyone to help with chores, and then finds cute when they can't do it? Who just welcomes someone in their home without caring about where they came from? It's weird. Rosaly is weird. Just as weird as Hector, a grown man who can't stay with other people and hasn't learned basic matters.
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Being in touch with the blessings of the earth, feeling the seasons in the cold water... Seeing everyone’s smiles, having a meal with someone, going to bed grateful that the day has ended safely... All of these are wonderful things that are hard to come by. I have received everything I want from everyone.
Of course, the difference is that Rosaly is not naive due to lack of experience. She chooses to be stubbornly optimistic. She will love everyone to death. You have no choice.
And her relentless optimism is what allows her to see past Hector's barriers and mistery. He's just a good person to her, nothing more and nothing less.
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Your name is Hector, you have beautiful silver hair, you were injured, you never did laundry, and you helped me and Ted. That's enough for me.
Another thing is that, Rosaly doesn't need Hector for household chores. She seems to be living alone just fine, and in fact she is the one who always helps others. So this is not really for her benefit: it's for Hector's. It's to give him something to do instead of drowning in his own thoughts. It's to make him feel less alone. There is symbolism in how Hector is still standing in the shadow, not hiding but still not ready to face the human world, and Rosaly says it's not healthy and drags him out to enjoy the sunlight, which he eventually accepts.
Hector is a proud, competent, intelligent man and warrior, but he's also a stunted child who has cowered from the world for years. Rosaly, without knowing anything about him and his upbringing, but sensing that something is different about him, is happy to show him the world and let him grow. Not because Hector is needed, but because he is wanted and welcomed.
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My adoptive parents died a long time ago, so now I'm the only one here. So yeah, I would really love it if you stayed here.
Rosaly is used to live alone... but what if two lonely people lived together and helped each other?
In case it wasn't clear, the parallels between the beloveds fill me with warmth and joy :)
PtR gives us a similar concept, but with different characterizations:
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"The unspent ferry fare for the Nether Rivers... to make up for it…"
"Worn-out and shiny? Thank you for the thought, but they'll think I stole it... I wonder if you don't know the world..."
Interestingly, here Hector's naiveté is painted in a more traditional manner. Sure, there's the heartbreaking part of him paying Rosaly for her basic kindness, because he is that foreign to the idea that he can be cared for without giving anything in return; and there's the symbolic part where he refers to the belt as pretty much the Charon's obol he had failed to pay, because he had planned to die but Rosaly saved his life so she is the one who gets to be paid. But Rosaly can't accept the gift for sensible reasons: it's too ostentatious, and she can't go around with it without drawing unwanted attention. Remember that this is also a time of witch hunts, and people are growing angrier and more suspicious, secretly due to the Curse.
Hector wouldn't know it. He lived isolated in the castle for years, so isolated that he couldn't hear the scream inside the stone walls. So for him it's a very straightforward reasoning: this woman is showing kindness to me, so I'll pay her with the most precious thing I own. (and even then I have my own ideas about that belt and why he has it)
Btw, this naiveté is not completely gone by CoD. He's surprisingly earnest with Julia when he meets her, revealing his background to a stranger. Thankfully nothing bad comes from it, but she seems to be much more guarded than him. I like to see this as a sign that he mellowed out after Rosaly :) or maybe he's just a gentleman lol.
Anyway I love Hector so much and I find it a more complex, vulnerable and relatable character than most assume 💖
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notwantedonthemoon · 14 days
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Apparently I have entered a phase in which I cannot draw anything except these two. I love Lucy and her funny best friend. Every time I think about them the chorus of The Boys Are Back from High School Musical 3 starts playing in my head.
Design stuff (and birds) below:
LUCY
Lucy is so tall. To this day I run into the issue of having no clue how to draw her next to any other character without having to imagine the other character standing on a stepstool just to be in frame. The solution to this, I gathered, is to get really used to drawing Lucy carrying people.
I very much intend for Lucy to have a frog vibe since she's thematically associated with transformation and being a part of two worlds at once- but at this point, the frog associations are running on pure vibes alone. I'm leaning more heavily on the extravagant bird associations.
Lucy decides to turn into a cormorant sometimes, so those were a pretty obvious place to turn for inspiration.
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Because of their lighter feathers, I thought I'd give Lucy a lighter patch of hair, too. But then I stumbled upon this absolute majesty of a bird:
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Look at these birds. I know nothing about them, except that they're called ruffs and they look fabulous, and I love them with my whole heart.
So I had to make that hair fluffy. I don't know how to adapt hair into a feathery neck-ruffle/mane but I will figure it out one day.
I don't know how to keep the ruffles for when Lucy eventually gets a Joan-of-Arc haircut, but I was thinking of picking another bird to accompany her wardrobe change: the loggerhead shrike! I'm considering somehow giving her that cool black mask patterning over their eyes that they have:
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But then she might end up looking like a raccoon, or perhaps Batman. Further consideration is needed.
HAM
I had a brief phase in which my perception of Ham's appearance veered wildly off his canon description and I spent that entire phase squinting with increased agitation at Google images of medieval queen portraits.
I figured it would make sense for him to look rather intimidating and unapproachable; he's very intense, and lonely- he’s not good at making friends despite clearly wanting them. This eventually slid into me picturing him with a very regal, queenly vibe... that I absolutely failed to capture here lol he looks so friendly
He doesn't even look like a Ham, he looks more like a Penelope
Like how Hamlet was constantly pestered by his father's ghost badgering him for vengeance, I was badgered by my own thoughts constantly reminding me that Ham makes dad jokes, so my entire focus turned towards making sure that my Ham looks like a guy who makes dad jokes.
But my time spent scouring Google images has not gone completely to waste. It helped me come up with a new colour palette for him and I like it very much. Unfortunately implementing it does mean I have to give up on the walking Valentine's day card colour palette but alas. At least there are the shoes. The shoes can still look like a Valentine's day chocolate box.
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justsasuke · 9 months
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So I know in cannon all the countries are treated as if everyone speaks the same common language (I get it makes story telling easier) BUT lately I've had the brain worm of IF each country did have its own language to go with it's culture....what accents would Taka have?
This made me think about how Sasuke gets a lot of comments about how he's "clearly from Konoha" and in canon it's always because he's a softie or whatever (which, we've all seen how Konoha is, we know being soft isn't a trait that's from there) but what if it's actually because when he speaks he has a very distinct Konoha accent that he never really lost despite years away? And he could lose it, he has a good enough ear to pick up a different accent but what if it's not exactly a Konoha accents so much as it's the Uchiha accent. Because they lived in such a condensed environment there's no way they wouldn't have their own way of speaking that's similar enough to Konoha to get mistaken for it by those who don't know but still different. Sure, this means everyone who meets him will know where he came from but he refuses to lose the accent because it's the way his mother talked, his father talked, his aunts, uncles, and cousins talked. It's the way his brother talks, and it's another reason he's so easily recognizable as an Uchiha.
Suigetsu knows this and respects it (heck, he has a strong Kiri accent that he's not losing because it's where he's from and he wants people to know) but still definitely teases him about it sometimes. That one time he said "you really are from Konoha" wasn't actually commenting on Sasuke's no killing policy, he was saying "your accent is showing, dude" jkjk.
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As for the rest of Taka, I'm not sure how their accents would compare to the ones we have in our world but I do think that Karin would have a southern accent. In my experience southern accents in the languages I know tend to be wider, have more tonal ups and downs, be more dynamic, and carry a lot of emotion which I think would be perfect for Karin. She usually speaks standard* but will slip into her native accent when she's emotionally charged. Only Sasuke and Juugo understand her when this happens, Suigetsu does not.
*Standard being what most people communicate with outside of small villages and in large cities with lots of import/export. It probably started in the Land of Fire and then was generally accepted across the rest of the major 5 nations. Other smaller nations don't use it that much but it is used in Otogakure because Orochimaru is from Konoha. Even though he probably uses old standard so no one understands him anyway.
Suigetsu has a Kiri accent which...probably sounds slightly sinister and a little slippery. It's a fairly well respected accent in the business world because Kiri is known for the quality of their assassins but is heavily associated with organized crime so if you have it civilians won't really trust you.
Juugo has a more rural, rough accent that comes from limited exposure to "modern" civilization and a lot of exposure to mountain villages and farmers (not helped by his time in the northern hideout where most everyone spoke the same except for the employees) He can't speak standard and is embarrassed about it and how rough his language sounds so he doesn't speak a lot at first. His accent is hard to understand for most people in the 5 great nations because it's so rural, but people from smaller countries like the land of birds get it. Sasuke understands it but only because he traveled to the northern hideout with Orochimaru a lot.
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I'm not sure if this correctly corresponds with where each member is from geographically and how the language would be there, tbh I feel like the linguistics of the elemental nations + other countries could be a whole study in and in of itself, but these are my current thoughts on the topic. It's such a fascinating idea and I'll definitely be thinking about it more.
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