#so I skip panels sometimes

[abbeyofcyn]

Krang infection 2

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You know things are bad when Donnie makes the sound instead of saying the word

[necrotic-nephilim]

Nightwing: Brothers In Blood is such a fucking hilarious comic for DickJay content, given the bulk of the plot is Jason deciding to dress up as Nightwing and kill people which, Dick predictably is not fond of, as a concept.

There's so much in that arc that makes me unwell. Dick straight up saying he wishes Jason had died. The way they instantly banter when they run into each other before Dick gets mad at Jason for dressing up as Nightwing, then Jason begs Dick to work with him.

But what I think gets me the most is the outright confirmation of how even now, Jason still has a serious case of hero worship for Dick and just wants to be like him and get his approval.

nightwing (1996) #120

There's such a complex Jason has over Dick and it makes me Unwell. Jason identifying with Dick, wanting his attention, his approval. His love, even. I mean, later on when Jason gets kidnapped, in his mind he hallucinates Dick talking to him and it outright confirms he wants Dick to save him and Jason has a doomsday spiral about Dick not saving him, through his mental image of Dick.

nightwing (1996) #121

Jason wants Dick in his life, there's so much unrequited love and weirdness between them. They're so not normal about each other. Later on he sends Dick a note saying he just wishes they could be family again and I think it's so unhinged of Jason. Dressing up as Dick, just because of how much he loves and respects Dick. So much potential in that.

Also aside from all of that complex this comic is also hilarious for the bit it has where Dick accidentally takes a job as a model and has to dress up as Nightwing, specifically Jason!Nightwing because of the sex appeal Cheyenne (the woman Dick is seeing) thinks it has. And when he's on the runway and sees Jason in the audience he just jumps at Jason, in front of everyone, to beat the shit out of him, while dressed as Nightwing. Which the public thinks is a planned stunt to bank on the weird Sexy Rivalry between the two Nightwings currently running around. It's the most unhinged thing and I think it's so funny. Dick's sort-of-girlfriend makes him dress up as Nightwing!Jason because she thinks it's hot and it'll sell, then Dick beats Jason up in front of everyone, still dressed as Nightwing (specifically Jason), and it reads as a sexy performance modeling piece.

nightwing (1996) #120

Imagine being so weirdly homoerotic about your sort of kind of brother figure that you can't hesitate fighting him when you're supposed to be modeling and everyone thinks the tension is so good it's a part of the show. These two cannot leave each other alone with their weird tangled feelings for each other. I love it dearly.

[cleromancy]

this is the dumbest fucking post ive ever seen

first of all. you got dick and jason mixed up bro.

[whrrlwind]

ofpeachlings replied: YOU'RE LITERALLY TOO POWERFUL omg. gently holds him

somewhereinchaos replied: i forgot he looks this CUTE in archie..... werewhirl bewuwed..

would u still love him ..................... if he was a weird fuckin dog ..................

[cartoonrival]

im stuck

[diseaseriddencube]

i keep going back to read sparklecare thinking i'll like it but i just...don't

maybe i'm silly but it feels very flat? I still have no real grasp on the characters or attachment to them, I have vague ideas of a few of their main traits but not much else. I'm aware the entire comic is basically vent art, it does just read like a child's fanfic though..not to be insulting to fanfiction, but it does have a certain style or writing or joking to it. I don't dislike it either, but the writing and characters just don't vibe with me, i don't have the words to adequately explain why though

[coquelicoq]

Hi again! Thanks for answering my previous ask! I find it funny that I have the opposite thoughts about story formats, feeling more comfortable with static images from manga (or words in a book) than the fluidity of animation/live action series. I guess having read manga since I was like 10 I'm just used to it as a format and don't find the points you make any issue? (Always read top to bottom, then right to left, and dialogue has pointers or an icon in/besides the bubble, rarely left wholly to context.) While in contrast, during dramas I often feel that I didn't get to catch the details before they're gone from the screen. Regardless, it was cool to hear your opinion on manga! 🐰💛

(By the way, yep, natsuyuu simply comes from mashing the words together to make the name shorter, which is pretty standard, especially if there's not enough words to make an interesting acronym. And if I may comment, I love the FMA manga, so if you do get to watch either of the anime version, I would enjoy knowing your opinions on the FMA:B adaptation, since it's the one that's closest to the manga. Only if you decide to watch and share, of course. 🐰💛)

that is really interesting! i like that you're distinguishing between static forms like books/manga and moving forms like animation/live action. that makes a lot of sense. my first instinct is to think of it as forms with pictures (manga/graphic novels/animation/live action) vs. forms without pictures (books), because any time there are words and images, the images become secondary to me. i'm so into words that sometimes i don't even look at the images because i just want to get to the next words! whoops!!

thank you for explaining the whole "natsuyuu" thing because i was almost at the "i don't know what this is and now i'm too afraid to ask" point and then i would have just been suffering in silence lol. i think FMA: Brotherhood is the one that was recommended to me earlier, so hopefully i will get around to watching it someday! thank you for all of this info and for your thought-provoking questions! have a lovely friday <33

[luminarrow]

comic wip *dies*

[plutotheplum]

Felt Good About You

akaashi keiji x fem!reader

summary: delivering a revised manuscript to your editor turns into something more.

cw: nsfw (18+) - mdni!!, smut, fluff, post-time skip, oral sex, vaginal fingering, praise kink, handjob, p in v

wc: 4.8k

a/n: i'm afraid i have the fattest crush on akaashi

also on ao3!

“The romance isn’t working.”

You groan when your editor pushes your manuscript for this week’s chapter towards you. You didn’t need any more bumps in the road, not when you were already running behind on deadlines, with the publishing company breathing down your neck to get the next volume out.

“The romance is fine, Akaashi” you mumble, flicking through the pages of the manuscript to skim through his notes.

“If it was fine, I wouldn’t be here,” he replies dryly.

Akaashi was as blunt as ever. Most of the time you appreciated his honesty, he was the reason for such success with your manga after all, but sometimes he managed to get on your nerves.

“It’s an unnecessary subplot,” he continues, flipping through a couple of pages to show you a few of the panels you had drawn, “there’s just no plausible progression between the two, no chemistry.”

You glare at him. He was really starting to get on your nerves. Akaashi rolls his eyes when he sees your glare, reaching out to flick your forehead.

“You’re already behind on the scheduled publishing date,” he reminds you, crossing his arms over his chest, “and I get the short end of the stick because I’m your editor.”

“The higher-ups love you,” you retort.

You stare pointedly at the small stash of awards that were tucked onto a shelf in his office, the small trophies and plaques a clear display of the company’s commendation for his work. 

“Not enough to let me work in the literature department,” he mutters bitterly.

“I’m right here!” you protest, an exasperated expression spreading across your face.

“Yeah, yeah,” Akaashi murmurs. 

He taps your manuscript a few more times before giving you a stern look.

“Get me the revised version by tonight, otherwise you’ll miss out on this week’s issue.”

You curse him under your breath, giving him one final glare as you gather the pages of your manuscript into your hands. You had come into his office thinking he’d been fine with the story, but now you had somehow ended up with more work than before, and an even tighter deadline.

- 

A few hours later, you end up finding yourself outside Akaashi’s apartment. Guilt had won out in the end, and you figured that it wasn’t fair to let him take the blame for your tardiness. Revised manuscript clutched against your chest, you ring his doorbell.

You can feel your throat dry when he opens up the door. His hair is damp, towel slung around the back of his neck. He’s wearing an old volleyball shirt with sweatpants, and you don’t think you’ll ever get used to him looking so domestic. 

Akaashi stares at you blankly, clearly not expecting you. Usually you would’ve just emailed the revised manuscript over to him, not show up outside his door.

“I felt guilty,” you blurt out, cheeks flushing at the awkwardness in the air, “and- and I ordered gyoza so it should be here in a few minutes.”

“Right,” he says after a moment, “you didn’t have to.”

You stare at each other for a moment longer until he sighs, opening the door wider to let you in.

“You’re just as bad as Bokuto,” he informs you.

The mention of the pro-volleyball player makes a smile spread across your face. You had met Akaashi’s volleyball friends a few times when they had enlisted your help in throwing Akaashi a surprise birthday party - which had maybe ended up in a disaster - as well as when you had wound up to a few of their games.

“He’s a sweet guy,” you reply, handing him your manuscript.

Akaashi only hums in response, walking over to his desk. He hangs his towel on the back of his chair before sitting down. You watch as he slips his glasses on, examining the pages of your now edited work.

“I thought you’d try and fight me about the romance,” he murmurs, his pen making a few adjustments here and there. 

“Figured it wasn’t worth it,” you sigh, slumping on the couch in his living room, “you were right, as always.”

He peers over at you, his eyes narrowing as he watches the sulky look on your face. Despite your random bouts of laziness, even Akaashi had to agree that you were a good mangaka whose popularity had built up a loyal reader base. 

“Look,” Akaashi says, setting his pen down, “if you’re that hung up about cutting those scenes, start drafting it now.”

Your gaze shoots up to meet his eyes.

“Seriously?” you ask, eyeing him suspiciously. 

Akaashi was dedicated, sure, but he wasn’t exactly one to take on extra work. Sometimes  you felt as though he would’ve been right at home in the literature department, editing novels instead of volumes of manga. It was like he worked with you out of obligation, not enjoyment, despite the friendship you had built up over the years.

“Yeah,” he says, pushing his glasses up a bit further to sit better on the slope of his nose, “I’m serious.”

You don’t get to dwell any longer on your editor’s change in mind, the sound of the doorbell piercing through your conversation. Akaashi waves you away when you move towards the door, grabbing the delivered containers of gyoza himself. 

He sits down beside you on the couch, handing you one container whilst he takes the other. For some reason, you’re feeling more on edge than usual. The brush of his arm against yours has heat rising to your cheeks, body growing taut with the way your stomach is swirling with nervousness.

It was no secret that Akaashi was one of the most handsome men in the office, and you had maybe developed a tiny crush on the man, which was now inflating into something that was not so tiny, and much, much harder to control the more time you spent with him. 

“You okay?” Akaashi asks, peering over you.

You don’t trust yourself enough to reply which is why you stuff a gyoza into your mouth and nod rapidly.

Silence lapses over you both as you eat, but you can feel his eyes boring into the side of your head. You pretend not to notice, trying to engross yourself in the taste of the gyoza and the tang of soy sauce.

Akaashi slouches slightly, his body relaxing as time passes. You can see it in the way his shoulders drop, his thighs spreading as he gets more comfortable.

“Instead of adding romance as a subplot, why don’t you make it into another story altogether?”

You blink over at him, surprised. 

“I don’t have time to write another manga,” you say, shaking your head, “I’d have to find another publisher if I wanted to write something that was purely romance.”

“Shonen manga in the romance genre exist,” he replies, running his hand through his hair, “or you could just self-publish.”

You’d been hoping to avoid the topic of self-publishing. Sure, you knew of it, participated in it even. It’d been used as a creative outlet, to get out some ideas that you couldn’t work on when your success as a mangaka had grown. Besides, it wasn’t like you could tell Akaashi that you had drawn up stories that were, well, inappropriate. 

“But that would be too much work,” you sigh, trying to stop his train of thought.

Akaashi stares at you thoughtfully. The more you spend time with him, the more you begin to regret your choice to come here. Emailing the manuscript to him would’ve been the smarter choice, but you just had to feel sorry for the guy.

“I did read one the other day that had a similar art style to yours.”

Fuck, fuck, fuck. You can feel your composure slipping. There was no way he could know that you self-published stories that were practically panel after panel of porn. Maybe he enjoyed it? One thought leads to another and you find yourself imagining Akaashi with his hand wrapped around his cock, his head tipped back as he strokes himself.

“What was it about?” you manage to grit out, trying to see through the haze of your indecent thoughts.

“About a couple,” he says simply, “they ended up fucking.”

You can feel the hope swirling in your mind fade. Akaashi definitely knew. 

“Didn’t know you read that sort of thing.”

“I’m a man, aren’t I? Sometimes porn just doesn’t cut it. The story was pretty great too.”

He thought the story was great? You can’t help yourself from perking up, the compliment making you feel warm. 

“I just find it so strange,” he murmurs, leaning closer to you.

You swallow harshly, mustering up a smile with your trembling lips, “why’s that?”

“The author’s note,” Akaashi says, “the little bunny avatar was the same as yours.”

So, you had messed up. You spy the front door from the corner of your eyes. If you walked, you’d get there in about ten steps, but if you ran, you’d get there in about three - maybe two - strides. Sure, you wouldn’t ever be able to face Akaashi again, but you think you’d be fine with it. Report filed to the higher ups stating creative differences and you’d be able to find a new editor, no problem.

“It’s all probably just a coincidence,” you say nonchalantly, “plenty of people like bunnies.”

“Some of the dialogue was similar to yours, distinct writing and all that.”

You grit your teeth. The man didn’t know when to let go.

“Like I said, coincidence.”

“Right,” he says, nodding along, “a coincidence. Was it also a coincidence that the couple that had sex was a mangaka and her editor?”

You scramble to your feet when he says that. Letting out an awkward laugh, your cheeks heated with embarrassment, you decide that this is the best time to take your leave.

“Have- have a good night!” you say, voice pitching.

Determination has Akaashi’s eyes gleaming and now you’re bolting, feet nearly tripping over each other as you dart towards his apartment door. It seems as though fate isn’t in your favor tonight, Akaashi’s hand curling around your wrist as he catches onto you before you can open the door. You squeak when he slams his hand against the wall, right next to your head as he pushes you up against the door.

“Classic scene,” he murmurs, his eyes narrowing as he takes in your meek expression, “you always use it.”

“Fuck off, Akaashi!” you snap, pushing at his chest.

It’s a struggle, but you reach back behind you, hand grabbing blindly for the door handle. He doesn’t let you reach it, catching your wrist and pinning it against the door.

“You sure?” Akaashi asks, his eyes darkened, “or maybe you want me to fuck you.”

Your breath catches in your throat, mouth opening before closing again. There’s nothing left in you, no retorts, no words to get yourself out of this situation. He lets out a sigh when he feels your body relax, his hand on your wrist loosening as he lets go. You stare up at him, biting your lip nervously.

“You should’ve said something,” he says quietly, adjusting his glasses.

“And embarrass myself?” you mutter, picking at the wool of your sweater.

Akaashi doesn’t say anything, his hand smoothing up your hip and settling on your waist. Your eyes widen, arousal shooting through your body as he presses himself closer, his other hand finding your waist. Akaashi squeezes gently and you bite back a whine, eyes drooping slightly as he just squeezes and pets at your sides.

“It was good,” he says hoarsely, “the story, the details, the sex… came to it a couple of times.”

“You- you liked it?” you whisper, voice airy.

“Yeah,” he whispers back, his eyes meeting yours, “liked it… like you.”

Your eyes flutter shut when he kisses your cheek, your heart thudding in your chest. You never dreamt it’d come down to this, but you find yourself grateful for Akaashi’s observational nature.

He takes his glasses off, placing them into his pocket. Akaashi’s lips drag across your cheek, pressing soft kisses against your skin. He kisses the corner of your mouth, lips brushing against yours gently. 

“Kiss me, Akaashi” you whisper, arms wrapping around his neck.

“Yeah,” Akaashi says softly, “yeah, I’ll kiss you, baby.”

A contented sigh escapes you as he slots his lips over yours, kissing you gently. The heat between you begins to grow, his hands slipping under your sweater to feel your bare skin. You gasp into his mouth, his hands surprisingly warm.

Akaashi smiles against your lips, his hand running up your back as his kisses turn hungrier, his tongue tracing the seam of your lips. You let him lick into your mouth, tugging at his hair desperately. Rocking up onto the tips of your toes, you deepen the kiss, pulling him impossibly closer. 

He wraps his arms around your waist, groaning when your nails scratch his scalp fleetingly. You bite your kiss-swollen lip as he drags his lips down your neck, landing heated kisses to your skin.

Akaashi kisses the pulse of your throat, his lips finding their way back to yours. Soft pants fill the air, his smile hazy as he peers down at you. You smile back, head tilting to the side to let him kiss your cheek again.

“You’re such a dork,” he whispers, his eyes twinkling.

“Shut up,” you whine, pushing at his chest.

He grins, his hands grasping yours. Akaashi pulls you away from the door, his arms wrapping around the backs of your thighs as he picks you up. You laugh, legs wrapping around his waist, lips pressing against his as he carries you to his bed.

Akaashi lays you down on his bed and you watch with half-lidded eyes as he pulls his shirt off. He might not have played as competitively like he did in highschool, but you had been there when he had played with his friends. It’d been entrancing to watch the way he had set the ball for his friends, the ball curving through the air cleanly for the spiker to hit.

“‘s not fair how good you look,” you grumble, pouting.

He rolls his eyes, crawling onto the bed, his body hovering over yours.

“You look pretty good yourself,” Akaashi says, his fingers playing with the hem of your sweater.

You lift your arms for him, letting him pull it off of you. His gaze fixes on the swell of your breasts and you flush, looking away.

“You’re shy now?” He murmurs, a soft laugh escaping him as he kisses your jaw.

“You’re such a jerk,” you huff out.

Akaashi smiles and you don’t think you’ll ever be able to be truly angry with him. He’s patient more than anything, caring and always honest. You’ve never met a man like him, never met someone who could quell your worries the way he could. It makes you want to never let go.

His body settles between your thighs, his nimble fingers pulling your bra free. Your nipples pebble in the cold air and Akaashi leans forward, his hot, wet mouth enveloping a hard bud into his mouth.

You whine brokenly, back arching slightly as he sucks your nipple, tongue swirling around the bud. He groans as you run your fingers through his hair, his mouth suctioning around your breast for a few moments before he pulls off with a pop.

His mouth finds your other breast, kissing the side of it, mouthing at your skin. You can feel his tongue caress the underside of it, laving across your breast before he bites gently at your flesh, his half-lidded eyes meeting yours. 

“You’re a fuckin’ tease,” he whispers against your breast.

You shake your head, mewling when his hand slides up, his fingers pitching at your spit-coated nipples. He rests his head between your breasts, watching you contentedly as you writhe under the onslaught of his touches. 

“A- Akaashi,” you whimper, hips bucking, “want- want more, please.”

“So polite, baby” he coos, his hands groping at your breasts. 

He pulls away from you and you whine, lifting your hips for him when he peels your pants off. There’s a moment of silence and you’re anticipating the feel of his mouth on your body, only for him to let out a low laugh. 

“Bunnies til the end, huh?” Akaashi asks, his fingers playing with the waistband of your panties.

Your brows furrow, not quite sure what he’s talking about until you prop yourself on your elbows and see that you’re wearing a pair of bunny-patterned panties.

“Oh, fuck off,” you groan, slumping back down onto the bed and slinging your arm over your eyes.

“They’re cute,” he smiles, prying your arm away from your face, “just like you, baby.”

Akaashi grasps one of your legs, bringing it to his mouth as he runs his hand along the length of it, kissing the sole of your foot and then your ankle. A soft hum leaves you, watching as he kisses up your leg, his kisses feather-light.

You run your fingers through his hair as he kisses the little bow on your panties, his nose pressing between your clothed folds to breathe you in.

“Pussy’s soaked through,” Akaashi murmurs, pulling back to look at your dampened panties.

“‘s your fault,” you slur, trying to push his face back to where you want it.

“All my fault,” he agrees, his tongue licking up over your panties, “guess I’ll have to take care of you then.”

You nod, trying to stop the little twitches that shoot through your body. Akaashi lets his mouth latch onto you, trying to suck the slick that’s soaked through the fabric of your panties.

“A- ah!” you pant, fingers fisting his hair as he squeezes your hips, his face nuzzling deeper between your thighs.

Akaashi’s lithe fingers pull at your panties, dragging them down your thighs. You don’t miss the way he tucks them into his pocket.

“Always so pretty, baby” he whispers, his thumbs pulling apart your folds to expose your pussy.

He moans when he sees the translucent strings of arousal that cling to your folds, his tongue darting out to lick up the little strings. You whimper when he kisses your clit gently, watching as he rubs the pad of his thumb against your swollen clit. Thighs twitching, you shift, trying to tilt your hips a little higher so you can feel his mouth on you.

“Ask for it,” Akaashi says, his cheek pressing against your thigh as he stares up at you.

“‘m not- ‘m not asking for it,” you retort, glaring at him.

“Bet it’d feel good,” he whispers, his tongue lolling out of his mouth.

You whine when he just keeps his tongue there, saliva dripping from the tip of it and onto your pussy. He makes an obscene noise, gathering some more saliva, spitting on your cunt.

“All you gotta do is ask,” he coaxes, his arms wrapping around your thighs, “clit looks so achy… makes me wanna kiss it better.”

“P- please,” you whisper, your voice barely audible.

“Didn’t quite catch that,” Akaashi smiles up at you, his eyes twinkling.

You’ll have to get him back for his teasing later, but right now you can’t wait.

“Please lick my pussy!”

You squeal when he latches his mouth onto you again, his tongue lapping over your wet pussy. He groans and you tug at his hair, thighs squeezing around his head as he laves his tongue over you greedily, letting his tongue dip into your hole before he sucks your clit into his mouth.

Legs kicking out, you let out a strangled noise as he flicks his tongue over your clit. Akaashi lands the filthiest kisses to your clit, alternating between sucking and little pecks, while he’s sunk two fingers inside of you. They curl up inside of you, grazing your sensitive spot perfectly. He fucks his fingers in and out of you, your wanton noises filling his bedroom.

Akaashi presses his face deeper, his fingers crooking. The feeling of his mouth in tandem with his fingers has you whimpering and whining, airy noises spilling from your lips at his ministrations. You might not ever be able to go without him ever again.

He holds you in place as you thrash, the overwhelming feeling inside of you building and building. Akaashi slips his fingers out of you in favor of devouring your cunt again, licking through your velvety folds, his tongue swirling before he presses it inside of you. 

“Taste so fuckin’ good,” he growls. 

You blink down at him dazedly. There’s a light flush covering his cheeks, his mouth glistening with your wetness. He opens his mouth to say something else but you ignore him, pushing his head so that his lips are flush against your cunt. Akaashi lets out a muffled laugh against your pussy, his tongue licking over you again.

Hand squeezing at your breast, you bite your lip, losing yourself in the caress of his tongue. He laps over you, again and again, pressing sloppy kisses to your clit. 

“Gonna come,” you whisper, feeling the softness of his hair under your palm, “gonna come, ‘kaashi.”

He tilts your hips a little more, rising up onto his knees with your legs slung over his shoulders. You squeal again when he shakes his head, tongue dragging from side to side before he plunges it inside of you, his thumb pressing against your clit at the same time.

Your thighs squeeze tightly around his head as you come, loosening after a while when twitches rack through your body. Akaashi squeezes your thighs, lets your legs slip from his shoulders as he kisses your trembling thighs. 

“Good girl,” he whispers.

Akaashi kisses your cheek and wipes the stray curls of your hair away from your face. A soft sheen of sweat covers your body and he hums, smoothing his thumbs over the underside of your breasts.

He lays down beside you and you curl up beside him, eyes catching on the bulge in his sweatpants.

“Need some help?” you murmur, fingers dragging down his chest.

“If you don’t mind,” he sighs, his arm wrapping around your waist to hold you close to him.

You smile, kissing his jaw gently as your hand slides past his navel, disappearing into his sweatpants. The weight of his cock is heavy and hot and Akaashi moans softly when your hand curls around his length.

“Ask for it, ‘kaashi,” you whisper, voice lilting.

“You’re such a brat,” he mutters.

“Use your manners, Keiji.”

His eyes widen when you use his name and you grin, landing a soft kiss to his cheek as your breasts squish up against his bicep. You squeeze around his cock and he lets out a soft whine, his hips bucking.

“Fuck- fuck hah-,” Akaashi grits out, “stroke my cock, baby, hm? Please?”

You hum softly, beginning to move your hand. His thick cock twitches as you stroke him, your wrist rotating.

He pants softly, his head turning to meet yours. You smile, running your fingers through his hair, brushing the soft strands out of his eyes. Affection bursts inside of you, heart fluttering as the flush on his cheeks deepens.

His brows have drawn together and you smooth your thumb over them, peppering soft kisses over his face, leg slinging over his as you pull down his sweatpants to free his cock completely. Akaashi’s cock has filled out, pre-cum smearing across his abdomen. You caress the head of it, giggling when he lets out a broken moan as you rub your thumb against the tip.

“You look so handsome,” you say, stroking his cock a little faster.

Akaashi smiles and you dip your head, kissing him. He groans, his hips chasing after the feeling of your hand around him as you kiss. Your hand tightens a little, squeezing at the tip of his cock. Pre-cum wets your hand, soft gasps escaping Akaashi as you let your tongue slip into his mouth.

“Keiji,” you whisper, lips brushing over his, “Keiji, will you fuck me?”

You squeak in surprise when he manages to grab onto your waist, lifting you up and placing you on his lap. His cock is snug between your folds and you whine, dragging your hips along the length of it, biting your lip as more pre-cum leaks from him.

“Sit on my cock, baby” he whispers, smoothing his hands up your thighs.

You nod, shifting a little so that you’re up on your knees. Akaashi watches as you grip the base of his cock, moaning when you rub his cock against your pussy, letting it catch on your clit. Akaashi’s head tips back as you sink down, whimpery, little noises leaving you as your pussy swallows up his cock.

It’s so thick inside of you, fitting so snugly that you clench around him. Akaashi wraps an arm around your waist, bringing your front flush against him. He lets you tuck your face into the crook of his neck, his arms tightening around your waist. You can feel him move, his feet flat against the bed as he bends his knees.

“K- Keiji!” you wail when he begins to fuck up into you.

Akaashi grunts, holding you against him as he moves his hips, rutting up into you. His hands grope at your ass, gripping your ass tightly as he moves a little more forcefully. You bury your face deeper into the crook of his neck, pressing sloppy kisses against his skin as you smooth your hand over his hair. 

“Is this- fuck,” Akaashi grits out, “is this what you imagined when you drew up those panels?”

You nod, too far gone to cling onto the remnants of your stubbornness. 

“Yeah?” he whispers, “imagined me fucking up into you, huh?”

“Y- yes!” you cry out, body squirming when he lands a heavy spank to your ass.

“Good fuckin’ girl,” he growls.

A soft mewl leaves you at the praise, your hips swaying back lazily to meet his thrusts. The sound of his hips slapping into your ass echoes through his room, your wetness leaking around his cock and coating his balls.

Your body rocks against his, your hand gripping at the sheets beside his head when he adjusts his grip on you, planting his feet a bit firmer against his mattress to thrust into you harder. You gasp at the sensation, sinking your teeth into his shoulder when his cock hits deep inside of you.

Akaashi hisses at the feeling of your teeth, spanking your ass again before you clench around him with a scream, body shuddering on top of his as you come. 

“Baby, baby, you gotta let go,” he rasps.

You shake your head stubbornly, pushing your hips down so that it swallows his cock all the way to the base.

“Inside, Keiji.”

He groans, his hands kneading at your hips roughly. You can feel the twitch of his cock, a satisfied coo leaving your lips when he comes, spurts of his hot cum filling you up. Akaashi’s hips stutter, thrusting into you unevenly as his cock jerks, more cum flooding your pussy.

You both pant, chests heaving. Akaashi rubs his hand along your back and you emerge from the crook of his neck, a drunken smile on your face.

He laughs hoarsely at your expression, cupping your cheek to guide you into another kiss while his cock softens inside of you. It’s a little uncomfortable, but you don’t mind, losing yourself in the heat of his body as cum leaks from your pussy.

“How long have you known?” you ask, tracing the slope of his nose.

“About a month,” he murmurs.

“A month?” you scoff, hitting his chest, “and you didn’t say anything?”

Akaashi grins, grabbing your hand and bringing it up to his lips to kiss across your knuckles.

“That would ruin the fun.”

You roll your eyes, prodding your fingers into his chest, “it was hardly fun, Keiji.”

“But you got what you wanted, didn’t you?” he whispers.

You laugh when he flips you onto your back, moaning softly when you feel his cock beginning to harden again inside of you.

“Put- put your glasses on,” you whisper, head tipping back as he rolls his hips into you.

Akaashi reaches over to dig his glasses out from the pocket of his discarded sweatpants, pushing them up to sit comfortably on his nose.

You clench around him at the sight, biting your lip as you give him a pleased smile.

“Knew you had a thing for ‘em.”

He grabs at your legs, moving them so that they’re pressed against his chest, your ankles resting on his shoulders.

“Use this as inspiration, baby,” Akaashi smirks, “I’ll even edit it for you.”

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[em-dash-press]

Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing. 

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence. 

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there. 

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing. 

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

[userpeggycarter]

COLORING + SHARPENING TUTORIAL

someone asked for a coloring tutorial and my sharpening settings, so here it is! there are also a few tips to achieve more HQ gifs. :)

tutorial under the cut!

FOR HIGH-QUALITY GIFS

FILE SIZES

it doesn’t matter what your sharpening settings are if the file you’re using to gif is too low quality, so i tend to look for the best that i can get when downloading stuff. 

usually, movies (+2h) look better if they’re 5GB or more, while an episode (40 min/1h) can look good with even 1GB. the minimum definition i try to find is 1080p, but i gif with 2160p (4k) when available. unfortunately, not every computer can handle 4k, but don’t worry, you can gif with 1080p files just fine if they are big enough. contrary to popular belief, size does matter! which means sometimes a bigger 1080p file is better than a smaller 2160p one, for example.

SCREENCAPPING METHOD

this can too influence the quality of your gifs. as a gifmaker, i’ve tried it all: video frames to layers, directly opening video clips, loading files into stack, and i’ve finally settled down with opening screencaps as an image sequence. with bigger files, it doesn’t matter much what technique you use, but i’ve noticed with smaller files you can do wonders if you screencap (either by loading files into stack or opening as an image sequence) instead of using video clips. for example, this gif’s original video file was only 4GB (so smaller than i’ve usually go for), if you can believe it!

here’s a tutorial for setting up and screencapping with MPV, the media player i use to screencap. again, you can keep using video clips for bigger files, but you’ll find this useful when dealing with dire causes. i don't file loads into stack, though, like the video does. i open as an image sequence (open > screencap folder > select any image > click the image sequence button). just select OK for the speed. this will open your screencaps as a video clip (blue bar) in timeline mode (i'm a timeline gifmaker, i don't know about you). you will need this action pack to convert the clip into frames if you're a frames gifmaker. i suggest you convert them into frames even if you're a timeline gifmaker, just convert them into a timeline again at the end. that way you can delete the screencaps right away, otherwise you will delete the screencaps and get a static image as a "gif".

ATTENTION if you’re a Mac Sonoma user, MPV won’t be an option for you unless you downgrade your system. that is, if you have an Intel chip. if you have M1 Max chip (or even a better one), here’s a fix for MPV you can try while keeping that MacOS, because nowadays MPV is skipping frames in its latest build. or you can use MPlayer instead for less hassle. here are two tutorials for setting and using MPlayer. Windows users are fine, you can use MPV without trouble.

FOR EVEN MORE QUALITY

ADD NOISE

here’s a tutorial for adding noise as a way to achieve more HQ gifs if your original material is too low quality.

REDUCE NOISE WITH CAMERA RAW

instead of adding noise, you can reduce it, especially if your gif is very noisy as it is. 

the path is filter > camera raw > detail > nose reduction. i do this before sharpening, but only my video file isn't great to begin with. because it’s a smart filter, you can reduce or increase its opacity by clicking the bars next to its name in the layers panel.

TOPAZ AI

i use Topaz Photo AI to increase the quality of my screencaps when i need to. it’s paid software, but there are… ways to find it for free, usually on t0rrent websites. if someone’s interested, i can make a tutorial solely about it in the future.

SHARPENING SETTINGS

here are my sharpening settings (filter > sharpen > smart sharpen). i sharpen things twice: 500% 0.4px + 10% 10px. here's an action for it, for more convenience. here's a tutorial on how to use Photoshop actions. for animated stuff, i use this action pack.

COLORING

here’s the gif i'm gonna use as a base. it’s already sharpened like the way i always do it.

LIGHTNING THE SHOTS

half of the secret of a good coloring is good lightning. i always useCurves (layers > new adjustment layer > curves) and Brightness & Contrast (layers > new adjustment layer > brightness & contrast). the settings depend on the scene you’re giffing, but i always try make my gifs bright and with high contrast to make the colors pop.

CURVES

besides lighting your scene, the Curves adjustment layer has four automatic options that will color-correct it for you. it’s not always perfect and it doesn’t mean you won’t need to do further coloring, but it’s a great start. it’s a lifesaver for most ridiculously yellow scenes. look at the difference! this gif uses the 3rd automatic option (the screenshot below isn't mine btw so that's why the fourth option is the chosen one), from top to bottom. what automatic option you need to choose depends on the gif.

sometimes i like to tweak my Curves layer. not everybody does that, it’s not that necessary and if you’re not careful, it can screw your gif up. to modify your layer by hand, you will need to click and drag points of that straight line in the position you desire. this is the concept behind it:

basically, the lower part of the line handles the shadows, while the upper part handles the highlights of the image. if you pull a highlight point up, the image’s highlights will be brighter. if you pull it down, it will make them darker. same thing for the shadow points. you should play with it to get a grasp of it, that’s what i did when i first started giffing.

BRIGHTNESS & CONTRAST

then i added a bit of brightness and contrast.

CHANNEL MIXER

the scene looked a bit too yellow, so i used the Channel Mixer (layer > new adjustment layer > channel mixer) adjustment layer. here’s a tutorial of how it works. not every scene needs the Channel Mixer layer though, i mostly use it to remove heavy overall tints. in this particular case, the Curves layer got rid of most of the yellow, but i wanted the gif to be just a bit more blue so the Channel Mixer tweaks are very minimal.

SELECTIVE COLOR

now, this adjustment layer i always use: Selective Color (layer > new adjustment layer > selective color). this is THE adjustment layer to me, alongside the Curves one. this is how it works:

ie, you can separately edit a color this way, giving it tints. for this gif, i wanted to make the colors more vibrant. to achieve that, i edited the selected colors this way:

for the reds, i added even more red in them by moving the first slider to the right, making the color more vibrant. for his hat to have a more warm tint, i added yellow to the reds (third slider, moving it to the right). finally, to make the reds stronger, i moved the last slider to the right (more black).

for the yellows, i made them brighter by adding white to them, thus making the tile wall and Paddington more bright as well.

for the cyans and the blues, i just added the maximum (+100) of black that i could.

i wanted for Paddington's nose to be brighter, so i added more white to the whites.

lastly, i added depth to the blacks by increasing their own blackness.

you should always play with the Selective Colors sliders for a bit, before deciding what you want or need. with time, you will automatically know what to change to correct the color grading. it all takes practice!

HUE/SATURATION

i don’t know if you noticed, but there are some green spots on the blue wall behind Paddington. to correct that, i added a Hue/Saturation adjustment layer (layer > new adjustment layer > hue/saturation) and made the saturation of the greens 0%, making that unwanted green disappear from the background.

while the green spots on the wall are specific for this gif, i use hue/saturation a lot to tweak, well, hue and saturation. sometimes someone’s skin is too yellow, i made it redder by tweaking the reds and the yellows, or vice-versa. the hue bar follows the rainbow bar, so the maximum settings (+100 and -100) give the selected color to change its hue to something more red or pink (the rainbow extremities). changing hue can give pretty whacky results, like turning someone’s skin tone to green, so you will need to play with it to get the hang of it. you can also tweak the opacity of your hue/saturation layer to further improve your gif’s coloring. i didn’t do it in this case, the opacity is still 100%. the reds and the blues had their saturation increased to make them pop just a bit more, without affecting the other colors.

COLOR BALANCE

the highlights of the gif still had a green tint to it due to the automatic correction of the Curves layer, so i used Color Balance. this is how it works: instead of giving specific colors some tints, you can give them to the shadows, highlights, and mid-tones. if your shadows are too blue, you counterbalance them with the opposite color, yellow. same thing with the cyan-red and magenta-green pairings. in my case, i added a bit of magenta.

B&W GRADIENT MAP

now, if this gif was a dish, it’s time for the salt and pepper. i always add a Gradient Map (layer > new adjustment layer > gradient map) (black to white gradient) with the Soft Light blending mode, thus giving my shadows more depth without messing with the mid-tones and highlights. it also doesn’t “deep fry” (you know those memes?) the gif too much by adding even more contrast. usually, the opacity of the layer is between 30% to 70%, it all depends on the gif. it always does wonders, though!

COLOR FILTER

finally, i like to add Color Filters (layer > new adjustment layer > color filter) to my gifs. it’s very handy when giving different scenes for the same minimalistic set because it makes them kind of match despite having completely different colors. in this gif’s case, i added a “deep blue” filter, opacity 50% density 25. you can change the density and the opacity of the layer for further editing, again, it all depends on the gif.

VIBRANCE

if i feel like it, i add a vibrance layer (layer > new adjustment layer > vibrance) to make the colors pop. this can ruin your coloring sometimes, especially when regarding skin color, so be careful. i didn't do it in this gif because i felt i didn't need it.

TA-DA! 🥳

AN OTHER EXAMPLE

the color grading of the original scene it’s pretty good as it is, to be honest. let’s see a worse scenario, a VERY yellow one:

no channel mixer this time because the automatic curves option dealt with the yellowness, but you can see it made the gif too green. i needed to correct that with the following adjustment layers:

curves (automatic option) (gif 2) >> same curves layer (tweaks) (gif 3) >> brightness & contrast (gif 4) >> hue/saturation (tweaked cyan+blue+green) >> selective color >> color balance (gif 5) >> b&w gradient map >> (sepia) filter >> vibrance (gif 6)

i added a hue/saturation layer to remove the blues & greens before my selective color layer because i thought that was more urgent than tweaking the tint of all colors. color balance (gif 4) was the real hero here, though, by removing the green tint. the selective color layer was meant to make the red pop more than anything else, because the rest looked pretty good, especially her skin tone (despite the green tint). you can notice that tweaking the curves layer (small gif 3) also helped A LOT with the green problem.

tl;dr 😵‍💫😵‍💫😵‍💫

here's a list of my go-to's while coloring and lightning gifs. it's not a rule, just a guide. there are gifs in which i don't use all these adjustment layers, or use them in a different order. it all depends!

1. curves (automatic option + tweaks) 2. brightness & contrast 3. channel mixer 4. selective color 5. hue/saturation 6. color balance 7. b&w gradient map 8. color filter 9. vibrance

i'll suggest that you study each adjustment layer listed for more info, either with other Tumblr tutorials or YouTube ones. the YouTube ones focus on images, but you can translate what they teach to gif making very easily. you can ask me to further explain any adjustment layer, too! i was brief to keep this short (which i kinda failed lol).

feel free to ask me for clarification or something else about gifmaking wise, i always like to help. ❤️

[nrdmssgs]

Making Nikto a meal from his homeland 🥺

Maybe learning enough Russian to say that you care for him?

Masterlist

Love, I kinda-sorta have something similar here, but, I'm ready to feed this sweet guy his favorite meals on a daily basis.

Nikto doesn't get sentimental when it comes to his homeland. At least not when others are around. His house is not full of Russian books, shelves are not littered with trinkets from there, he doesn't watch films from his childhood with you. It might seem, that he's just indifferent to his own past, but you suspect, this is not the case.

He's stubborn, headstrong, “don't understand, what's there to miss” each time you ask him about his childhood. But notice little cracks in his demeanor, when he pauses a little too long, seeing something, that reminds him of home. It can be a dilapidated prefab panel block, any other person would avoid looking at. You already remember its funny name - 'panelka'. Sometimes it's just a streetlamp, captivating a gloving cone of snowflakes swirling around. You believe, there is no particular name for this, but in moments like this Nikto's gaze grows distant, and he mutters 'kak v detststve'.

You don't know what that means. The problem with Russian is that it's so terribly complicated to distinguish spoken words, that you fail to even write down what Andre is saying to himself in such situations to try to translate it later. When you ask him to teach you more words - he pulls a pitiful face and huffs.

"You don't need Russian."

It seems, he doesn't realize, how much you do need it. Because the cracks are right there, before your eyes. And behind them - his aching heart. Skipping a beat before an old ugly house, freezing under that streetlamp.

It's enough of joy to him to just open the door of your shared place and hear you there right away. You are enough for him to not be bothered by anything missing from his life.

That is why he's confused, when you meet him at the door and don't let take a single step in, before you recite a little speech, that you brought together with the help of online videos, some of your friends and a good dozen of dictionaries.

"...Ya skuchalali i dumala o tebya i potomy prigotovila odnu vesh`*"

He doesn't care for your little mistakes. Nikto pulls his mask and balaclava off, and you see little crinkles gathering around the corners of pale blue eyes. This man's eyes can scare, paralyze, haunt, but also - smile, shine with a silent, yet obvious gratitude. And something almost elusive - softness grows more present deep in his gaze with each your word.

You finish your speech and take his hand to lead him to the kitchen, but he pulls you back for a hug.

"Idi syuda*." And he hides you in his arms, softly cups the back of your head and buries his face in your hair, inhaling deeply. This phrase you know already: he uses it, when he desperately craves your proximity. His way of calling you to come closer, when all the languages, he speaks, mix together, or he's just tired.

No words shared afterwards - only soft touches, breaths calming down, deepening. Maybe you considered learning a few sentences in Russian not a big deal, but to him this means a lot. You, caring for the parts of his life, that even Nikto himself gave up on.

When you finally pull him to show, what you cooked, he's speechless. It takes some time to convince him to come closer to the dinner table. Such a powerful, dangerous animal, he now walks in the tiniest cautious step. As a wild dog, not sure, if he's about to get a treat or to get captured.

You giggle and point to every bowl, telling him, how you made it. It was a battle to remember, so many youtube vids watched, so many tries and fails now you have mad respect to all those Russian, babushkas...

You fall silent, when he slowly squats down, resting his chin on the edge of the table. He looks struck, disarmed and lost.

"All that... for me?" he asks barely audible, and you nod enthusiastically.

Nikto takes a deep breath and exhales familiar words.

"Kak v detstve*"

You are still not sure, what does it mean, but judging by how much kisses he gives you, this 'kakvdetstve' thing makes him really happy. A kiss after every second bite. Andre can't concentrate on either tasting your delicious food or tasting your soft blushing cheeks, so he combines two experiences.

He doesn't let go of you even a few hours later, when you two are in your bed already. You slowly fall asleep to the low rumble and purr of his breathing. Your face pressed to his chest, and the drape of his arm warmer than any blanket. The span of his fingers over your chest is a heavy comfort. You brought him home today and the only thing, he wishes for is to do the same for you.

...Ya skuchalali i dumala o tebya i potomy prigotovila odnu vesh`* - I missed you and thought about you, so I cooked you something. (although intentionally with mistakes)

Idi syuda* - come here

Kak v detstve* - like it was in the childhood

[huiyi07]

manga spoilers!

sorry but do you ever think about that one panel during the Brazil arc, where Hinata and Oikawa are saying goodbye to each other and Oikawa moves to shake his hand goodbye and is about to say “shrimpy” as he always has, but he corrects himself and refers to Hinata as “Shoyo.” Hinata straight skipped the last- name stage and became on a first name basis immediately despite them spending what, a week together?

And maybe it’s just because of Oikawa’s (sometimes) friendly personality, but no— he keeps nicknames for everyone else, from Kageyama to his fellow Seijoh teammates and even Iwaizumi, but I think Oikawa and Hinata brought so much to each other’s lives in the short time they were together that they transcend any previous tensions or barriers they had, and come to fully respect each other as equals and even more, as good friends, and that respect overcomes even Oikawa’s childishness. God I hate haikyuu

[spicy-apple-pie]

Sorry if this is intrusive, but can you go a little into your art process? I really like your style and it would be cool to see how you do it.

Not intrusive at all! I would love to share some of my art process here. Problem is is that I don't exactly know how to explain everything that I do well.

Here's a speed paint of one of the frames from a tiktok to give you an idea of how I work.

As for making comics and stuff I really should make a note of all my ideas so I can keep track of them. But I usually just think of an idea, sketch out all the panels, type out the dialogue and create the speech bubbles, and then colour.

A big tip I can give to beginner artists is that if something isn't working, like the hand looks weird, or the eyes are crossed, and you can't fix it. Just skip over it for now and come back to it later. Or just leave it fucked up and finish it. Things are going to look fucked up sometimes, and that's okay.

[apple-salad]

Rose Ribbon Embroidery "Mini" Projects (for BABY NYFW) Part 1: Kumya JSK

I decided semi-last minute to attend BABY's fashion show at NYFW!

BABY had mentioned in their NYFW brand description that their newest collection would be a return to their origins, as well as presenting archival items.

You have to dress to impress for NYFW, right? So of course, I had to pull out all the stops and wear my Rose Ribbon Embroidery.

Also at the last minute, I decided to make a few extra complementing items...

A matching RRE kumya JSK, and a bonnet.

What follows is more of a sew-along/journal rather than a tutorial or guide, mainly for my own memory's sake. But if you enjoy looking at my process (sometimes sloppy), I'm happy!

Also feel free to take a look at the more romantic process video I edited.

Part 1: Kumya JSK

Part 2: Bonnet

To make a matching kumya JSK, I first had to investigate the original dress a little! This I found actually very fascinating because I had never bothered to take a very careful look at the construction details of this JSK (it was, and still is always a precious item that I am afraid will get dusty or dirty if I look at it wrong...)

I actually even found a spot where it looks like the material was torn and someone roughly repaired it by hand (laugh). I have a feeling this was a factory mistake/fix (either from fabric manufacture or sewing) because it's hidden beneath some lace ruffle and I don't really think it's something that an owner would let happen, but who knows.

So here's a few details of RRE~

Many people don't know that RRE is made of velveteen! And further, there is sometimes a misconception that it came in a "cotton" and "velvet" version. As far as I know, there is only one version made out of cotton velveteen.

So the white can get dirty and attract dust super easily :')

The bodice has a panel of 3 ruffles + upper "hashigo" (ladder) lace part with ribbon. It is also boned (BABY's crap boning with sharp edges and no channels, meh...) but obviously I can skip that for kumya.

The skirt has a trapezoidal embroidered panel, the star of the show, surrounded by 3 tiers of ruffles that extend all the way around the back. The last "tier" is not gathered and has a smaller ruffle all around the skirt.

While thinking about how to construct something similar in kumya-scale, I found it fascinating that the under-material the ruffles are attached to are cotton! Makes sense to reduce bulk, plus you can't tell when the ruffles cover it.

The density of ruffle starts out quite concentrated, and then reduces as the bottom ruffle is reached. The cotton under-material also seems to have less material gathered than the main velveteen ruffle. This also makes sense to not only reduce material usage but also because having a huge amount of gather on the bottom tier can make the skirt look too heavy.

Knowing this, I fussed out some semi-arbitrary ruffle multipliers for each tier (and lining) in my notebook. Very important to keep tabs on how many fabric strips I need and their exact widths!

Also since everything is in kumya-scale the gathering is generally reduced by a lot. Kumya doesn't need much to have a very full skirt, and with such tiny tiers the effect of the gathering can easily look like overkill. The kumya elizabeth OP gathered lace/tiers very lightly:

As reference dimensions for kumya, I have these two kumya dresses which I used lightly (mostly the sugar bouquet one because it's a JSK). I also have the babydoll kumya, but as it was out of commission for a while (on my christmas tree!😅) I didn't use it for checks at all.

The sugar bouquet "bodice" is about 3cm long. I decided to extend it one more cm to 4cm to make it easier for me to calculate for the ruffles and also leave enough space so the ruffles would be visible and not potentially buried.

I use a cotton velvet fabric and a mixture of cluny and torchon lace I have on hand. This velvet has a noticeable twill weave to it and is thinner than the velvet BABY usually uses, but the thinness is perfect for this purpose. I was originally going to just use cotton sateen but remembered I had this!

You can't see the weave from afar so I tolerate it. I wouldn't have wanted to use polyester velvet/suede-like/minky, I think.

Since the material is still a velvet and does have a thickness compared to cotton, I decided to roughly hem any ruffle edges by hand with a simple once-turned whip stitch. it kind of seals the raw edge and hems it at the same time. Note that this is not a great idea for something that would be worn and washed a lot, but this piece in this specific case won't be.

In general, when it comes to mistakes with this piece I mostly ignore them because it's kumya-scale and not only will most people not notice, but as stated above it's also not a piece that will be worn and washed often so quality of construction isn't much of a concern.

Mentally deconstructing and calculating the construction of the ruffle part was a bit of a pain. My lace was wider that I needed so I had to roughly mark out where it should be sewn into the ruffle, not always with great success.

I'm also not great with working at small scale...much respect to doll clothesmakers.

The bodice of the sugar bouquet kumya JSK is made from a front trapezoidal panel with a strip of fabric attached to the sides that extends all the way around the back, and the skirt attached to that. So I cut some slightly angular side panels to attach to my rectangular/square-ish front ruffle panel.

(I threadmarked approximately where I wanted the seam to go because I don't trust myself to attach the side panel in the right area/dimension otherwise with such a wonky panel)

Simple straps made from strips of fabric. I make these slightly thicker than a regular kumya JSK as well because I feel like RRE has thicker straps too (well, the entire construction of the bodice is a bit different, but ignoring that...)

And a facing layer of ordinary cotton is sewn to the front panel.

For the section of lace at the top, I frankenstein together 2 types of lace that I trimmed to look more like the lace used on the original JSK. It seems the original JSK also has this lace sewn through the lining layer, so the stitching is visible from the inside.

I use the thinnest ribbon I can find--some silk ribbon in this case. It actually works really well because silk ribbon is very thin/flimsy and can be tied and threaded in nicely with relative ease.

By the way, if you aren't aware already, a yarn needle works very well for threading ribbon through lace.

Bodice portion finished. This took way longer than I was hoping, an entire night. Hopefully the results are worth it.

Next I fuss out the skirt. At this point I am working out the calculations and investigations already mentioned previously. I did make a few mistakes and had to re-cut a couple tiers!

I use a different lace from the bodice for the tiers because I thought the shape of this one was closer to what was originally used (it's actually the bilateral ladder lace used for the bodice, but instead of cutting off the lace edges and using the thread-through part, it's just cut in half)

After hemming the ruffle, I attach the lace to the velveteen ruffle with a single gathering stitch (too lazy to use 2, and the thick material makes it hard to gather anyway). The under cotton layer is gathered separately and sandwiched between the cotton layer of the previous tier.

Coming along. I think the lace length for these ruffles is a bit off/uneven/less than ideal, but oh well, can't be bothered to fix it...

After the third tier, a non-gathered velveteen tier is attached with gathered lace.

I also prepare the bottom ruffle, but that will be attached to the completed skirt.

Next, the most exciting but also potentially the most taxing part must be done--the embroidery!

I know that the top of the embroidered panel is basically the same width as the bodice ruffle (referencing the original dress), but the width of the bottom is a bit arbitrary (about 3x the width of the top of the trapezoid)

I mark out everything roughly with water soluble marker (the darker patches are where I messed up and used some water to erase, waiting for it to dry...)

The midlines of the panel as well as the 1/3 lines were marked because I 100% do not trust myself to make the embroidery symmetric without doing so. I'm a beginner and not nearly skilled enough in embroidery to freehand...

I carefully investigated the original embroidery and copied the locations of roses and leaves to my mini-panel. Once I have the general shape that I'm happy with, I start embroidering.

I didn't take too many progress photos of the embroidery, but I also don't think you need them. Because the scale was small, this took an entire evening/night which I think is not too long?

For the roses I use a combination of the "pinwheel" rose method and french knots (+ some additional plain stitches where I wanted more volume).

The nice thing about ribbon embroidery, I think, is that the ribbons add so much texture that even if it's a bit messy it looks very impressive anyways. Plus your mind will mentally interpret some random puffy ribbon lines as a flower anyways.

I use regular DMC 6-strand embroidery thread (split in half, so 3 strands used here) for the vines and leaves. Because I also suck at embroidery and have never embroidered a real project/learned real techniques I mostly kept the leaves simple and slightly abstract with 3 branchlike stitches. I think I currently can't fuss with making nice rounded miniature leaves without messing up every second stitch...

Finished.

I spray water to remove the marker marks and let dry.

Attach embroidered panel to ruffles. I should have double checked where the panel was aligning with the ruffles on each side since it's uneven, but whatever.

Gather bottom ruffle and attach to skirt.

I attach the bodice strip to the front bodice panel as well, and sew the straps down.

I basted the front of the bodice to the skirt by hand because I wanted to make sure they were aligned. Because I messed up sewing the ruffle tiers to the embroidered panel and they are somewhat misaligned, I tried to adjust where the top of the skirt was sewn to the bodice to compensate, it didn't work that well but eh, it's alright.

Gather the skirt and sew to the bodice portion. This was very fiddly and I had to redo some parts several times because the lace wasn't getting sewn down properly. It's still not great but I'll fix any egregious parts by hand.

The gathering is also pretty uneven, but I'm ignoring it...

Looks almost done but not yet!

There is a tiny bit more embroidery on the edges of the middle ruffle tier. I marked approximately where I wanted the roses to be and roughly embroidered them (without a hoop because it's too complicated to figure out alignment before construction, although embroidery is always easier with one).

I also add a back ribbon to simulate waist ties, a detail I notice on a few other BABY kumya JSKs. The waist ties on RRE have a slightly rounded/pointed shape to them, so I freehand this shape for the bow "tails" (because I'm getting tired and lazy, I didn't really measure although I did check that the width was approximately the same throughout). The backside of the waist tie is another layer of cotton, which reduces bulk when turning the shape inside out (the backside of the original JSK is also just lining material). I also folded a long strip over itself and basted it down, creating a loose tube shape to use for the bow part.

It's pretty hard to create defined folds in the bow with such thick fabric, but I tried my best...at least it's likely the back will rarely be seen.

I gave the dress a final allover spray with water to hopefully erase any remaining soluble marker. Also, some interior hand finishing needed to be done (mainly tacking down some unruly seams)

And finally, actually finished. The embroidery thankfully turned out decent enough to distract from any weird spots of construction and so on. It looks quite remarkably like the actual dress, so goal achieved I think!

Extra contents:

I make kumya little wrist cuffs because some of the kumya variations (such as babydoll kumya) come with them, and that's really cute.

BBD kumya seems to use a type of lace that's already elasticated, but I don't have that on hand so I just sew two pieces of the same lace used for the bodice ruffles together to make it bilateral and stitch on an additional elastic with a stretch stitch. And add on a little ribbon bow (I only have silk ribbon in this narrow width, but I think a ribbon with more body such as poly satin or cotton satin would work better)

And I also make two of those little applique ribbon thingies (you can buy them cheaply from craft stores and so on, but whatever) and stitch them temporarily to kumya's bows for an extra accent.

I'm lazy so I use the bloomers that came with the hawase kumya set underneath (I'm sure making a similar pair of bloomers wouldn't be too much work but I have no idea if these are patterned with some kind of shaping/rise and I don't want to deal with that)

This is actually yuefii's kumya that I am still hoarding for whatever reason and has its eye and mouth fur already trimmed.

And now Usakumya is ready to see the runway :)

Part 2 (bonnet making) is here.

Thank you for reading! If you ever decide to take up a similar project, I'd love to see it!