#so i'm just trying to figure out how to deal with it all

[kominigiru]

im gonna start dumping my one-shots here from now on just bc. also posted on ao3!

satoru's guide to wedding day blunders

contains: female reader, fluff, crack, gojo being a menace, reader and toge are siblings, shoko and nanami being so done with satoru's shenanigans part 1 - part 2 (both in ao3)

Gojo Satoru is late to his own wedding.

You stand at the altar, fingers clenched around your bouquet, doing everything you can to keep from grinding your teeth. Shoko, standing to your right as your maid of honor, is shooting you sympathetic looks, while Nanami on the left looks like he's one deep sigh away from physically dragging Satoru here himself.

Your family sits in the front row, their faces showing various degrees of irritation, disappointment, and—worst of all—pity. They're whispering among themselves, making no effort to hide the glances they cast toward you, or the fact that they're annoyed on your behalf.

You close your eyes for a moment, trying to block out the noise. When you open them again, your mother is already halfway up the aisle, moving toward you with a determined look in her eyes.

"Sweetheart," she says, barely acknowledging Shoko and Nanami. "It's been over an hour. I think it's time to accept that maybe this wedding… isn't happening."

You stiffen, fingers going numb around your bouquet. Cancel?

Nanami sighs heavily, crossing his arms. "She has a point. Gojo's behavior today is completely unacceptable. It reflects poorly on him, and worse, on you. We can reschedule."

Shoko snorts in agreement. "Yeah, even I'm tired of waiting, and I'm not the one at the altar. Typical Satoru."

Your mouth opens, but no words come out. You don't speak often—as your Cursed Speech makes casual conversation risky—but the urge to say something now presses hard against your chest. Before you can figure out how to respond, you feel a tug on your gown.

You glance down to see your younger brother, Toge, standing at your side, his tiny arms wrapping around your waist in a comforting hug.

"Aniki's late," Toge mutters, his voice barely audible.

The way he says it tugs at your heartstrings. Even your usually patient brother is starting to lose hope.

Suddenly, with perfect, almost theatrical timing, the heavy church doors burst open, slamming against the walls with a deafening thud. You don't even need to turn around to know who it is.

"Sorry I'm late!" Satoru's voice rings out, loud and unapologetic, echoing through the silent church.

You finally turn, and there he is, Gojo Satoru, standing in the doorway like he's just walked in from some casual errand and not his own wedding. His hair is tousled, his sunglasses perched on top of his head, and he's grinning like this is all some kind of joke.

Satoru saunters down the aisle, waving casually at the guests. "Miss me?"

Your family collectively groans, and you can feel Nanami's simmering rage without even looking at him. Shoko rolls her eyes dramatically, muttering something about "classic Gojo" under her breath. You, however, stay rooted in place, fingers tightening their grip on your bouquet.

Satoru reaches the altar, looking perfectly at ease, as though he hasn't just kept an entire wedding party waiting for over an hour. He slides up next to you, his grin widening when he sees the expression on your face.

"Hey, sweetheart," he says softly, leaning in just enough for only you to hear. "Sorry about that. Had to deal with a curse situation. You know how it is. Life of a sorcerer and all that."

You stare at him, your mouth a tight line.

You've gotten used to Satoru's antics over the years, but even for him, this is too much. Still, speaking directly, even to scold him, could have unintended consequences thanks to your cursed technique, so instead, you breathe deeply through your nose and give him a pointed glare.

"Ah… right," Satoru says, catching on. "You’re upset. Understandable."

Nanami, who's been silent up until now, finally speaks up, his voice thick with irritation. "You're lucky we haven't already canceled the ceremony."

Shoko nods. "An hour late, Satoru? Even for you, that's ridiculous."

Satoru throws up his hands in mock defense. "Okay, okay, I know! But hey, at least I showed up, right? That's what matters."

You can feel the tension radiating from the entire room, but before you can think of how to express your feelings in a way that doesn’t result in your cursed speech accidentally knocking everyone unconscious, you feel a tug at your dress again.

You glance down, and Toge is looking up at you with wide, concerned eyes. "Tuna mayo," he says softly, which is his way of saying, Are you okay?

You crouch down slightly, giving Toge a reassuring smile and patting his head. It's a small moment, but it helps ground you. You straighten up, turning back to Satoru, who's watching the interaction with a sheepish grin.

"Look," he starts, "I know I messed up. Big time. But hey," he adds, flashing a grin, "You know you love me anyway, right?"

You stare at him for a long moment, taking in his disheveled appearance, his unshakable confidence, and his infuriating grin. Despite everything, despite the frustration, the embarrassment, and the whispers from your family, you can’t help but feel the corners of your mouth twitch upward.

Maybe it’s because this is so typically Satoru—unpredictable, chaotic, and yet, somehow, charming in his own way.

You take a deep breath and raise your hand to his chest, pressing two fingers lightly against him. It's a gesture you often use when you can't speak, one that means I forgive you, but don't do it again.

Satoru's grin softens, and he takes your hand, squeezing it gently. "I promise," he says, and for once, there's no teasing in his tone. "I won't mess up again. Well, not today, at least."

Nanami clears his throat. "We'll see about that."

Shoko shrugs. "Honestly, I'm just impressed you got here at all."

Toge, ever the voice of simplicity, tugs on Satoru's sleeve and mutters, "Okaka."

Satoru gasps dramatically. "Betrayed by a child! I thought we were family, Toge!"

Toge just crosses his arms, unimpressed, as you all share a quiet laugh at Satoru's expense.

Satoru turns back to you, his grin back in full force. "So, what do you say we make this official, huh?"

You glance at the altar, the officiant who's been waiting patiently, and then back at Satoru. Slowly, you nod.

Satoru's face lights up, and with a flourish, he turns to the officiant. "Alright! Let's get married before anything else decides to go wrong!"

As the ceremony finally begins, you can't help but feel a mix of exasperation and fondness swelling in your chest. Life with Satoru will never be predictable, but as you look at him now, standing beside you, you know one thing for certain: it will always be interesting.

And in his own chaotic way, you know that Satoru loves you—enough to show up late to your wedding but still make you smile in the end.

You squeeze his hand once more and and he chuckles, leaning down to kiss your forehead and whisper, "I love you, too."

—

Later that night, after the wedding reception winds down and everyone heads home, you and Satoru return to your shared house. You're still wearing your wedding dress, and he's got his suit jacket slung over his shoulder, looking as carefree as ever. He's been trying to sweet-talk you the whole way back, as if he hadn’t shown up an hour late to your own wedding.

"Come on, sweetheart, it wasn't that bad." He grins, nudging you with his elbow. "Everyone had a good laugh, right?"

You give him a sidelong glance, your silence speaking volumes.

"Okay, okay, maybe I pushed it a little. But hey, I made it in the end, didn't I? That's what counts!" He flashes his signature smile, the one that usually gets him out of trouble.

You pause at the front door, turning to look at him. For a moment, he thinks he's won you over. You're smiling, after all. But then, without a word, you toss him a single pillow.

Satoru catches it with a confused look. "Uh…what's this?"

You gesture to the pillow and point to the roof.

His smile falters. "Wait, wait, wait, hold on. You're not serious, right?" His laugh is nervous now. "You forgave me at the altar! We're good! We're married now!"

You shrug and head inside, but before he can follow, you turn around, blocking the doorway with your body. His eyes widen in panic.

"Come on! I can't sleep on the roof on our wedding night! People will talk! Nanami will find out and he will never let me live it down!"

Your only response is a raised eyebrow, and you slowly, deliberately, start to close the door.

Satoru jams his foot in the door with a dramatic gasp. "But I thought you loved me!"

You don't need cursed speech for this one. You give him a sweet, innocent smile—the kind of smile that would normally melt him on the spot. But tonight, it just spells doom for him. He knows that smile. It's the smile that means, "I do love you, but you're not getting away with this."

He groans. "Seriously? After all the curses I've fought, this is how I go down?" He leans his head dramatically against the doorframe, clutching his pillow like a lifeline. "Sleeping on the roof like a stray cat? Come on, babe, be reasonable!"

You sigh, your patience wearing thin. He's still whining.

With a subtle tap into your cursed technique, you say the words that you've been holding back all night. "Sleep on the roof tonight."

The power of your cursed speech echoes through the air, and Satoru visibly flinches. His body moves on its own, turning toward the roof like a puppet on strings.

"W-wait! No! I take it back! I take it back! You don't have to use that—"

But it's too late. His legs betray him, carrying him toward the roof with a dramatic flair, like he's being pulled by some invisible force. You watch as he scrambles helplessly, pillow tucked under one arm as he clambers up to his new "bed" for the night.

From the roof, you hear him groan, his voice tinged with betrayal. "But I'm your husband now! Doesn't that mean anything?!"

You close the door, letting out a small chuckle. Behind it, you hear him muttering to himself in frustration.

"Of all the things to use your cursed speech for..." he grumbles. "Could've just told me you were mad! But noooo, had to make me sleep outside on the night of my own wedding!"

You hear some shuffling from the roof, and then: "At least give me a blanket! It's cold up here!"

You open a window just wide enough to toss him a thin, scratchy blanket, watching it float up to where he's perched.

"Thanks," he mutters sarcastically. "This’ll totally keep me warm."

There's silence for a few moments before his voice drifts down again.

"I'm sorryyyyy!" he yells, his voice carrying through the night air. "I'll never be late again, I swear! I'll be early to everything! Our anniversaries, your birthday, breakfast—you name it! I'll never mess up again!"

You shake your head, smirking to yourself, knowing full well that's a promise he'll break within the month. But for tonight, the roof will teach him a lesson.

From the roof, you hear a long, pitiful sigh. "I thought married life would be more… cozy. Not like… this."

Finally, after what seems like an eternity of grumbling, he goes quiet, probably giving in to the reality of his situation. The stars twinkle overhead, and for a moment, all is peaceful.

Until—

"I bet Nanami's gonna find out and give me that look tomorrow." His voice suddenly perks up again, this time with a hint of dread. "You know the one. The 'I told you so' look. Ugh, I hate that look…"

You roll your eyes, closing the window fully this time, knowing that his whining will eventually tire him out. But still, you can't help but smile.

You know he'll be back to his usual antics by tomorrow, but for now, he can enjoy the roof.

As you settle into bed, you can faintly hear Satoru one last time from outside.

"You'll miss me eventually! No one can resist my charm!"

You smile into your pillow. Not tonight, Satoru. Not tonight.

[poohsources]

🐝  *  ―  𝑬𝑷𝑰𝑪: 𝑻𝑯𝑬 𝑴𝑼𝑺𝑰𝑪𝑨𝑳 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

Troy Saga ❛  do what i say and you'll see them again.  ❜ ❛  what do you live for? what do you try for?  ❜ ❛  say no more, i know tat i'm ready.  ❜ ❛  the blood on your hands is something you won't lose.  ❜ ❛  is the price i pay endless pain?  ❜ ❛  something feels off here, i see fire but there's no smoke.  ❜ ❛  we should try to find a way no one ends up dead.  ❜ ❛  why should we take when we could give?  ❜ ❛  i see in your face, there's so much guilt inside your heart.  ❜ ❛  have you forgotten the lessons i taught you?  ❜

The Cyclops Saga ❛  it's almost too perfect, too god to be true.  ❜ ❛  what gives you the right to deal a pain so deep?  ❜ ❛  your life now is in my hand.  ❜ ❛  remember them, we're the ones who carry on.  ❜ ❛  what good would killing do when mercy is a skill more of this world could learn to use?  ❜ ❛  i am your darkest moment.  ❜ ❛  i don't know where i went wrong but i warned ya', and you failed the test.  ❜ ❛  that's just like you, why should i be surprised?  ❜ ❛  unlike you, every time someone dies i'm left to deal with the strain.  ❜ ❛  i'll remind you i saw you as a friend but now we're done.  ❜

The Ocean Saga ❛  at this rate, we won't make it out alive.  ❜ ❛  please don't tell me you're about to do what i think you'll do.  ❜ ❛  yes, but how much longer til your luck runs out?  ❜ ❛  you rely on wit, and people die on it.  ❜ ❛  you're like the brother i could never do without.  ❜ ❛  and suddenly you doubt that i could figure this out?  ❜ ❛  keep your friends close and your enemies closer, never really know who you can trust.  ❜ ❛  'cause the end always justifies the means.  ❜ ❛  do you know who i am?  ❜ ❛  you are the worst kind of good 'cause you're not even great.  ❜

The Circe Saga ❛  whatever you need to say can wait some more.  ❜ ❛  there's no length i wouldn't go if it was you i had to save.  ❜ ❛  wouldn't you like a taste of the power?  ❜ ❛  don't thank me friend, you very well may die.  ❜ ❛  did you do something to them?  ❜ ❛  if you make one wrong move, then you're done for.  ❜ ❛  you and i are now evenly matched.  ❜ ❛  you've given me no reason to bestow you with my trust.  ❜ ❛  who's to say, with the mistakes i've made that they will be the last mistakes i ever make?  ❜ ❛  this is the price we pay to love.  ❜

The Underworld Saga ❛  all i hear are screams, every time i dare to close my eyes.  ❜ ❛  i no longer dream, only nigtmares of those who've died.  ❜ ❛  when does a man become a monster?  ❜ ❛  now you tell us our effort's are for nothing?  ❜ ❛  how has everything been turned against us?  ❜ ❛  do i need to change?  ❜ ❛  i'm the only one whose line i haven't crossed.  ❜ ❛  what if i'm the problem that's been hiding all along?  ❜ ❛  what if i've been far too kind to foes but a monster to ourselves?  ❜ ❛  if i became the monster and threw that guilt away would that make us stronger?  ❜

The Thunder Saga ❛  you wouldn't have spared me. i made a mistake like this, it almost cost my life.  ❜ ❛  i've got a secret i can no longer keep.  ❜ ❛  you know that we are the same.  ❜ ❛  we must do what it takes to survive.  ❜ ❛  tell me you did not know that would happen.  ❜ ❛  if you want all the power, you must carry all the blame.  ❜ ❛  how are we supposed to trust you now?  ❜ ❛  how much longer must i suffer now?  ❜ ❛  someone's gotta die today and you have got the final say.  ❜ ❛  please don't make me do this.  ❜

The Wisdom Saga ❛  you've made your worst mistake here.  ❜ ❛  this cruel world doesn't give out presents just for being good.  ❜ ❛  you're my friend, i couldn't ask for more.  ❜ ❛  did you know you talk in your sleep?  ❜ ❛  i'm what you want here, i'm what you need here.  ❜ ❛  you don't know what i've gone through.  ❜ ❛  i know your life's been hard, i'll stay inside your heart.  ❜ ❛  life would be so much worse if you had died.  ❜ ❛  you dare to defy me, to make me feel shame?  ❜ ❛  no one beats me, no one wins my game.  ❜

[necromancelena]

where is a good starting point for Touhou? It seems like there's a TON

I'm not really an expert, I've been chipping through the games slowly but I'm only up to 11 so I think that any way I answer is bound to grind the gears of someone that knows better than me. However.

1-5 are the older PC-98 games and unless you're like me and you're specifically interested in seeing how the series developed or you're interested in retro pc98 games I would suggest skipping them. You'd need to emulate a PC-98 (actually that's easier to do than getting the early windows games to work tbh so forget this point) and the games are kind of clunky and also if you're interested specifically because of the characters it doesn't even take place in the same continuity. Touhou 1 isn't even a shmup you play with the ball. And Marisa isn't even there until 2 so wgats the point. They're still fun though i just wouldn't recommend they be your first. unless you wanna. In which case play 1 for 20 minutes and then get into 2 onwards.

First Windows game is 6 (Embodiment of Scarlet Devil) and once you actually get it running it is both the most straightforward gameplay wise and gives you a pretty notorious lineup of girls to like.

It's here that i will say that there isn't actually very much story in the games, most of it is told through brief character interactions at the start of boss fights, and the dialogue can be hard to understand because of a)weird translation b) cultural context you might not have c) pop culture that Zun specifically liked at the time and d) the girls themselves are, in fact, as weird as they sound. So what you're going to do is you're going to play a game to establish your favourite girl from that game based on which was weirdest and then you'll figure out her whole deal by reading the official manga (there are a lot of those and, like the games, I haven't read all of them yet so I'm not even going to try and make a "these are the starter manga you should read" list).

So with that said really the first touhou you should play is whatever you can get your hands on. EoSD is the obvious start, PCB is a bit easier and has fox girls. The early Windows games aren't sold anywhere except japan and are a bit of a hassle to get working on modern devices. So like you can do whatever you want i dunno. You could even start with a fan game if you want. Play the sakuya metroidvania. It's girl osmosis it's fine.

[writingoddess1125]

Deadpool Headcanon

Dad!Deadpool and GN Reader

Fluffy Weirdness

Kinda just came to me so enjoy? 🤷🏼

Masterlist <<

Kofi <<

• Deadpool, finds out that he has a teenage kid, (Y/N) by total accident.

• A relative of a old fling of his telling him they had his kid before disappearing themselves.

• His reaction is a delightful mix of shock, denial, and inappropriate jokes.

"Wait, I'm someone's dad? Damn- They must be fucked up!"

• But underneath all the sarcasm and one-liners, the idea begins to settle into his brain.

• A tinge of fear eats at his brain and itches under his skin..

• When Wade first digs into (Y/N)’s background—using his "very legal" skills—it’s mostly to make sure they’re not a mini supervillain in training.

• But what he finds instead knocks the wind out of him: (Y/N) has been in and out of the foster system for years.

• That hits him harder than he'd like to admit- making him pace a bit back and forth in thought.

• At first, he doesn’t know how to handle it.

• His own past was screwed up, but seeing his kid going through the same kind of instability?

• It messes with him. Wade cracks a joke to numb the ache.

“Of course, my kid’s in the system… couldn’t have inherited my charm or good looks, huh?”

• Deadpool starts paying more attention, following (Y/N) closely.

• He watches them move from one foster home to another, each one more temporary than the last.

• Sometimes (Y/N) would get picked up by a social worker right after school, with nothing more than a worn-out backpack slung over their shoulder.

• Wade stays out of sight, gripping his weapons tighter than he should, resisting the urge to intervene... for now.

• Seeing (Y/N) trying to stay strong, dealing with bullies, shifting from home to home, makes something snap inside Wade.

• He realizes he’s angry, really angry. No kid, especially not ***his kid*** , should have to feel so lost and abandoned.

• He remembers what it was like to feel that way, and no amount of sex, drugs, or killing can take the edge off that pain.

• Wade starts leaving more than just quirky gifts. In (Y/N)’s locker, there’s a new hoodie with a note, “To make you feel less invisible. You’re worth more than these idiots know. ~ D.”

• Another time, a stuffed unicorn with a note, "Even the toughest need a cuddle buddy." One day, Wade overhears (Y/N) talking to a friend about how they’ll probably get moved again soon

"Yeah, these fosters are.. assholes to put it mildly" (Y/N) jest to one of the few friends they have. Not knowing the hoodie that had mysteriously appeared had a wire hidden in it.

• That night, a hefty envelope shows up in their locker, stuffed with cash and a note that says, “You ever need a place to crash? You’ve got options. Let me know when you’re ready. P.S. This is totally not a bribe. ~D”

"I'm probably gonna get moved again-"

• Deadpool even starts anonymously dropping hints to social workers that (Y/N) should stay in one stable placement, using his "subtle" methods to make sure they’re treated better. He also might’ve scared a foster parent or two into straightening up.

• It doesn't take long for (Y/N) to get to notice all the changes- The social workers treating them better, and now getting to stay with an actually nice family.

• He watches (Y/N) cope with it all, still from a distance hkwever, but now more protective than ever. He knows he can’t change the past, but he can sure as hell make sure (Y/N) doesn’t feel abandoned anymore.

Mini Shot

(Y/N) sat on the roof of the foster home, the cool breeze brushing against their face as they stared out into the dimly lit neighborhood wrapping their read hoodie tighter around themselves. As they sat something caught their eye—a shadowy figure across the way from them perfectly out of view, watching them from a distance. Their heart skipped a beat at first in fear, However after a moment a wash of a unknown familiarity seemed to hit.

Before they could stop themselves, (Y/N) called out softly, "Thank you."

The figure stepped into the light just enough for (Y/N) to catch a glimpse of their hand as they gave them a casual thumbs up.

Without a word, he turned and walked away, vanishing into the night as (Y/N) watched. A sense of pride in Wade's step as he headed off. He'd done it—he'd helped his kid in some way.

And that was enough..

For now

[hermitw]

I've been thinking about this reblog of yours for months and I finally figured out how to respond to it.

I went and read No Longer Human by Junji Ito and it was a very upsetting thing to go through. I don't think I can read it again. However, I came out of it thinking that Gege was probably inspired by it.

When Yozo is first introduced, I noticed that Takaba's backstory was very similar. Feeling isolated from others, he decided to become a clown to gain acceptance from others. (Citations in Image Captions)

And later when Yozo was caught "cheating" (it's in quotes because those women are child rapists), I noticed that her face was really similar to the one Higuruma's client made when he felt betrayed by the trial outcome.

There's probably a lot more to say about how themes surrounding CSA and suicide in this work are echoed in JJK, but I'm not able to make the post myself. No Longer Human is too far out of my comfort zone in terms of graphic depiction to delve into it deeper.

But you seem strong enough to handle it, so... Idk maybe run with this some more.

Ohhh this is so interesting! I could definitely read No Longer Human again - tbh I read Junji Ito's version years ago. This year I listened to the audio book and bought a copy - but it's like, a draft in the author's handwriting (bc I thought it would help me study Japanese and if I had an English translation that I'd read it on repeat lmao). But you're real for that - I forget how disturbed people tend to be trying to read through it, I'm sorry that was rough.

I did go back to read the reblog and idk how relevant all that was - I've reread the manga since and felt like, oh I might have been misremembering some things like Uraume - idk if they actually had a freeze response in ch. 219, since they did tell Yorozu to back off though it took a minute - but it's also interesting how their CT deals with ice. Like to have a fight response, they freeze others? It's so interesting but I can't be sure whether it's there at all. (ik that yap II inspired some more coherent posts, like how it influenced Choso's self-image, etc., I linked but didn't tag you back then bc I felt Annoying especially w heavy topics but I can definitely go back and find them if you'd like.)

On a twin peaks note (without spoiling it), I feel like it inspired jjk to some extent - I've been feeling like the last chapter will end the way s2 did. Or at least - with the weird dreamy themes, "we are the dreamer who dreams and who lives inside the dream", etc...

But you're right - Yozo and the others' reactions resemble more jjk characters than I would think to connect. Takaba's jokes are truly a shield... And now I have an excuse to read Junji Ito's version again? Thank u so much (also isn't it funny how September 28 Uzumaki airs and September 30 jjk ends?).

I think gege gets inspired by the most tragic stories, I wonder how much of that is accurate but I can't always be convinced otherwise.... Especially when anime / manga series that he's confirmed as influences often deal with autonomy in ways that I couldn't handle (Evangelion, the night beyond the tricornered window).

By the way - ik we've mentioned elfen lied before, but in the first episode, you know that coffee mug? How it looks like jjk foreshadowing? Even has snail head Mahito - cut off-, the baseball, Panda, the worm (also cut off).... and later the newborn babies that look just like Yuuji...

I swear that elfen lied, Kagewani, and banana fish influenced jjk. It seems so obvious w those, maybe Vampire Princess Miyu as well.

Sorry for getting off topic - I've been looking into why Momotaro keeps coming up in jujutsu kaisen, and in the end it came back full circle to that damn coffee cup. Invest in a baseball team? A zoo? I'm going insane.

All this to say - rereading Junji Ito's version and seeing if I notice similarities between manga panels is so exciting. Gege even made a note that he asked for permission before drawing - I think it was the Uzumaki CT - So we know he's a big fan of Junji Ito. And it seems like there is a rly good chance No Longer Human inspired him as well (though I feel like characters with similar traumas having similar reactions is inevitable to some extent, if they're written in a believable way, it should be clearer when I'm reading both stories in the same format) based on the stories he has officially referenced.

[canablist-clown]

"I've been where you are right now, but there are so many people here and all over that care about you and they need you to come back from this. I just couldn't live with myself if I saw even the faintest Chibo spark in your eye that you were going to try something or do this alone or sacrifice yourself or whatever it was. Without saying something. We're going to figure this out.”

“How do I live with not saving everybody? How does anyone live with that? How do I live with sending Jay off alone into an ambush, where she's going to die? How do I take everyone here down into that... Fucking hole When only I'm the one who's supposed to go down there? Nobody else signed a contract. Nobody else handed Ollie that compass, made the deal? Shit, Arlin's only down there because of me. I was falling and it was raining. I slipped and he threw me back up. It's my fault. All of it. “

“What, do you think we're all here just because you signed a stupid piece of paper

and we really want to see you go into a big fucking hole? No. We're here because of you, Chip. Not because of your mission or your past, but because we care about you and we care about each other. You're not making these choices for people. Everyone wants to help. You've just been handed an impossible one. I know. I know. I know. But it's not your fault. It's not your fault.”

“I just wish I could believe it.”

“ You're here and you want to be everywhere but-“

“Gillion. Look at me.” I take off the bandana. “Really, look at me. I'm not even here anymore.”

“I don't believe that. Despite everything, despite what my eyes see, despite what my oath says, I don't believe that. Bandana or no bandana. You're Chip and you're not going to get through this alone, but you're going to get through this. We're going to find a way.”

“How did you know that I was going to go?”

“You made me a promise. No more lies, no more pranks. I guess I just smelled a prank brewing. I can't watch you throw yourself away. You're worth so much more than that. Just wish you could see it.”

“Thanks, Captain.” 

“No problem, Captain. Do what you got to do.”

[saltedsolenoid]

it's rather hard to share food with someone when there's nobody there

[front-facing-pokemon]

[syn4k]

im out here doing ap level analysis on this series of events trying to figure out how and why a thing happened in a decade old minecraft series

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[aceredshirt13]

gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)

I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.

he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"

[tanicus-caesareth]

guarana drama, damage control

[pandora15]

life is cruel.

it's tragic, horrific, and unfair. it gives us the worst of things, causes us to feel and experience things that are so unspeakably painful that sometimes I can't even. I can't even.

and it seems even more cruel in those moments of pain and grief and loss when you see something beautiful, like fall colors, or the color of the sky at sunset, or how the holidays typically are meant to bring joy to people but all you can think about now is that every year when this time of year comes, you'll just think about how tragic it is.

and cruel.

and horrific.

and unfair.

and beautiful.

[cookiepwee]

yeag so i had a breakdown and completely isolated myself yesterday lmao

idk what to do really i just need to share that i'm sad and i'm sorry

[nervocat]

man.

[izzy-b-hands]

I keep forgetting I can't seem to get the current version of xkit to work on my new laptop and going to do stuff that it let me do fjldksafjdlsaj