#so it turns out that i might have like... for reals depression

[vidavalor]

The Devil Takes The Hindmost

The Big Damn Post I've promised for ages on all the stuff suggesting that what we're watching in S2 is Aziraphale's mental health crisis leading to his fall...

...with a focus on a religious concept that intersects with secular ideas about mental health-- The Devil Takes The Hindmost-- that was unintentionally mentioned by Mrs. Sandwich and might be what's going on in The Final 15.

Plus, a look at the possible purpose of The Whickber Street Shopkeepers and Traders Association in the story and a dive into the symbolic role in Aziraphale's story played by Muriel... the most adorable Angel of Death anyone's ever seen.

@ao3cassandraic @komorezuki @kayleefansposts @masnadies -- This is basically what I was starting to talk about the other night, if you're interested. @ochre-sunflower -- the meta I mentioned.

TWs: suicide; depression; PTSD; negative self-thoughts... It's optimistic by the end but it's a look at some darker stuff in the story so please take care.

In GO S2, we have a lot of stressors building and overlapping for Aziraphale, with each episode adding new ones, all boiling hotter and hotter until we reach the The Meeting Ball. There, everything stops for the arrival of Shax at the door.

When she turns up, all the other plots cease to be relevant in the moment because the whole story's stakes upon her arrival now come down to a single, pivotal question:

Are these demons going to get into the bookshop?

On the surface, in our plot, Shax, Eric and the smallest number of completely ineffectual demons that a redemptive Furfur could get away with sending without looking like a traitor 😉 are interrupting Aziraphale having turned his first pass at hosting the monthly meeting of The Whickber Street Shopkeepers & Traders Association into a party.

Why is he doing that? For a dizzying number of reasons. So he can try to protect Gabriel by getting Maggie and Nina together and try to be part of his community by using the party to get Maggie and Nina together which is also so he can protect Gabriel... but, let's be real, it's really all so he can dance with Crowley...

Our heads are spinning as much as Aziraphale's is by this point and it's exhausting just to try to recap everything he's dealing with by The Meeting Ball... which is why it probably isn't surprising that all of that story just stops when the brick goes through the window and Shax is at the door. Because, symbolically...

...this is an anxiety attack.

Shax and the demons are Aziraphale's inner demons and they're trying to force their way past the threshold to take control of the bookshop the way that darkness can consume a person...

...as they're trying to take control of the bookshop that is what, symbolically?

Aziraphale, yes.

Aziraphale and Crowley. (And, as we looked at recently, also Maggie, on account of her family's history with it.)

Why this bookshop attack that is a metaphorical anxiety attack at this point in the story?

Because a lot of what Aziraphale wants out of life was happening before the demons that represent his inner demons showed up at the party.

For the first time ever, Aziraphale was no longer compartmentalizing his worlds and hiding parts of his life from people. He had Maggie and Gabriel under the same roof-- his human and angel families together. He had neighbors over and felt brave enough to call himself one of them by hosting the meeting. He was impacting the society around him in a big way by unifying Whickber Street's black market with its "legitimate" front by inviting Mrs. Sandwich to join the group. He was helping Maggie and Nina fall in love.

Most importantly, there was what the whole thing was really for: having all that happen with Crowley there, too, and everyone knowing they are together. Being able to dance with him and be a couple openly like everyone else. This Jane Austen cotillion coming out ball for ladies Maggie and Nina is really a coming out party of sorts for Crowley and Aziraphale. This is like the Christmas party of Aziraphale's dreams here. The one he's never, ever been able to have.

It's a wonderful thing when people who are in a great deal of emotional pain decide they've just had enough and want to break free of their misery and allow themselves to work towards being happier.

It's just a very delicate period because it can go either way, in a hurry. One minute a person can be thinking they're on top of the world and starting to live the life they've been dreaming of but the next minute find themselves freefalling emotionally. This is especially true of people who feel they have to present as cheerful and optimistic for everyone else and who hide their pain behind a smile.

They are some of the most at risk of their lives becoming like the Salinger short story about trauma and suicide referenced in S2-- "A Perfect Day for Bananafish"-- in which a man suffering from PTSD is believed to be fine by himself and those around him, has a nice day at the sea and chats with a symbolic daughter-like character and then, unceremoniously, goes to his hotel room and shoots himself dead.

As Maggie shows us during The Meeting Ball when she parallels Aziraphale's struggle, people get tired of being afraid and want to live-- want Nina, who is coffee, which is freedom-- but they can overdo it, if they're not careful, and wind up taking steps backwards.

Sometimes, the thrill of feeling like they might be on the edge of something good can cause someone to go too far, too fast, and, without the right support, they can find themselves going faster than a rollercoaster-- and right off a cliff as a result.

These people might look at their inner demons and think they're fine, now, actually, and that the darkness doesn't frighten them at all and they're all over their negative stuff-- all good now. No problems here.

Problem is that, sometimes, in the process, they might realize they're lying to themselves when they suddenly tell those inner demons that they can come in and say all that pathetic shit to their face... before they're really ready for that. Maggie, paralleling Aziraphale here, shows that with Shax during the bookshop attack. Not the best way to deal with inner demons, that.

And one person's inner demons can be an unintentional trigger for others, which is one of the things that started off Aziraphale's mental health crisis boiling up into a breakdown earlier in the season.

Aziraphale was already having a terrible week and then he projected his own issues all over his adopted goddaughter when she was having a moment and wound up accidentally saying something about himself that she took to mean about her and that came out sounding incredibly hurtful in a way that Aziraphale didn't mean for it to be. He then sought to make it up to her by finding a way to make her romantic dreams come true but was, all the while, silently berating himself for not having handled it flawlessly in the first place.

And when that got mixed in with trying to *checks Aziraphale's S2 list*... Jesus...

...recover from PTSD, manage all the anxiety and depression that comes along with it, deal with the fallout of his relationships with his abusive family, save his losing it brother from a religious cult/fascist regime trying to kill him and figure out why he's lost his memory, assuage his guilt over the memory-wiped angel that he feels he failed to save that showed up at the door, figure out wtf to do with the bookshop/embassy he's never wanted to run but that has become the M-25 that he's built and is now stuck in and that just reminds him that he hasn't any family to pass it onto, and, most importantly?

Tell his partner that he would like to live openly with him in the a little cottage by the sea in the South Downs...

I mean, by the time Mr. Vacuum showed up and suggested that Aziraphale add to the list that this week also be the first time he's ever hosted the monthly meeting of the business organization of the street he's basically founded but doesn't let himself really feel like he belongs to?

Sure, Mr. Carpet. Sure. Bring it on. Why not, at this point?

But Mr. Vacuum's idea actually caused Aziraphale to think he had the perfect solution-- continue to do what he was doing all week and combine this shit together! Protect Gabriel by tying him to Maggie and Nina and solve Maggie and Nina through the Whickber Street meeting and, well, if he's going to make it romantic for Maggie and Nina, well...

...maybe this is how Aziraphale can solve his biggest problem-- finding more of a way to just be forever near that one, particular person who makes everything okay.

So, by the time we get to The Meeting Ball? Aziraphale is pretty much losing his damn mind.

The heebie jeebies that Crowley gets in the street? It's not the low-rent demons. He knows what they feel like. He can't identify it but the thing that is really, really wrong is Aziraphale himself, in a dark reverse of Aziraphale feeling Crowley's love in S1.

Thousands of years of feeling a lack of enough control over his life have basically led Aziraphale to snap. Parts of it are very funny. Gabriel dressed up as Liberace circling with temptation trays of vol-au-vents is as hilarious as it is loony. Miracling the room so that everyone speaks like it's the 19th century causes a lot of humorous scenes, especially with Mrs. Sandwich... but is also a horror show. Justine loses her ability to speak English well and others have trouble understanding one another. It's like a zanier, more comedic version of Aziraphale's parallel antichrist, Adam, taking over The Them and deciding how, when, and if at all, they could speak.

It's a person in Aziraphale, who is normally very kind to others but not really to themselves, whose pain and anger have built within them to a breaking point and caused them to take that out on others and become, for a moment, almost the exact kind of person from whom he tries to protect others.

During this part of the season, Mrs. Cheng and Mrs. Sandwich have some dialogue that I think might be the whole rest of the season's plot in a nutshell. It happens here:

Mrs. Sandwich being unaware that "seamstress" is a 19th century-era euphemism for a sex worker means that she doesn't realize that she actually is, on one level, telling Mrs. Cheng what she does for a living. Her frustration is coming from the fact that Mrs. Cheng also doesn't know this euphemism and so thinks Mrs. Sandwich is a literal seamstress-- someone who sews and mends clothes-- and not a figurative/euphemistic one. While that and the rest of this scene is worth a whole deep dive in and of itself, it's not the bit I want to focus on here. That bit is what Mrs. Sandwich says as she gets increasingly upset.

Keep in mind as we look at this that the person who is the literal seamstress in this scene is not Mrs. Sandwich. It's the person whose magic is inhibiting her speech-- so, who is speaking, in a roundabout way, through her-- and who is the one changing everyone's outfits as they come through the door.

The seamstress really of note here is Aziraphale.

In the midst of her frustration, Mrs. Sandwich is trying to curse in 2023 terms but they are coming out in 19th century-era equivalents and this means that she says the following things when cursing:

She insists that she's not a godforsaken (abandoned by God; left to Satan) seamstress, that she's not a benighted (taken by darkness) seamstress, and, finally... while probably trying to say "what the hell"... winds up saying the whole season's plot in response to Mrs. Cheng asking her the also rather meta question of "what, in short" the problem is in that moment.

What, in short, is the plot?, asks Mrs. Cheng, on a meta level.

What the fuck is going on in this story?

To which Mrs. Sandwich replies:

"The Devil take it."

The curse "The Devil take it"-- meaning you give so little about something or someone that Satan can have it-- comes from a religious teaching (that works very well from a secular perspective, too) known as "The Devil Takes the Hindmost". It's this teaching that I think is extremely important to S2 and is arguably around what the story is structured.

This teaching argues that people who are excessively self-sacrificing are putting themselves at risk of being taken by darkness/Satan because of the cumulative effects of the anger, anxiety and depression that comes of denying that they are people with wants and needs of their own for too long.

It's about the people who go beyond kindness. It's about those who don't see themselves as part of the pack of people and think that the world isn't for them. They believe that their needs and wants don't matter as much as the need to prove to themselves that they aren't a horrible person-- which they do, in their minds, by denying themselves a full life of their own.

Sound familiar? It should. It's Aziraphale to a T.

Why are these people in "The Hindmost" for Satan to take when they're not terrible people?

Because they fall to the back of the pack of humanity.

Because they are left open to the darkness because they do not allow themselves to have what they work so hard to help others make for themselves.

The pain of that eventually renders them as bad off emotionally as those they counsel, or worse. The more they deny themselves, the more that pain builds and it can push them down dark paths.

They're in "The Hindmost" not because anyone left them behind, exactly, but because they've shut out the people around them.

They aren't letting people in.

It's about here that we can bring up that Good Omens is built around doors and all of S2 is basically about getting in the bookshop that is Aziraphale. It's here that we can mention Shax-- the darkness-- repeating demands to Aziraphale, to Crowley, to Beez to be let in. It's here we can mention The Final 15 and the world's most depressing kiss-- the literal embodiment of "let me in" as a theme-- and the horribleness that followed.

So, if S2 is The Devil Takes the Hindmost and he's headed Aziraphale's way the whole season with a large oat milk latte with a hefty jigger or dash or whatever of almond syrup and the job (the Job...) offer from Hell to tempt him, then we're watching (for now) the last days of the angel Aziraphale because a fall is a form of death.

It doesn't mean it's the end entirely because, as Gabriel discovered, everything goes down but flies? They go up.

Flies are the product of letting someone in and not shutting out the love and care you need. That can only be done through accepting, at least for a little while, that you are allowed to be a person and deserve to be cared for the way you care for others. If a person does that, they can fall but they'll have what they need to get back up and to help them stave off future falls.

Letting people in and talking to people about how you feel-- figuratively: feeding your fellow ducks your frozen peas and listening to theirs--- is how we all defeat the darkness together and make it so that Satan never shows up at any of our doors.

Yes, it is, Crowley. Would have been helpful if you had mentioned any of your own Hell-and-Book-of-Life frozen peas at all to anyone but the audience all S2 but this meta isn't really directly about you so you get a pass for now 😂 Back to your partner...

So, this The Devil Takes The Hindmost stuff? Almost immediately after Mrs. Sandwich says it, the story begins to have the characters literally act it out.

Shax is The Devil in that she's a devout diabolical minister of Satan so she's representing Satan at the door.

First up? Gabriel.

Gabriel mirrors Aziraphale's excessive self-sacrificing. It doesn't matter to him that he just met most of the people in the bookshop an hour or something ago. If that angry mob outside wants him for who fucking knows what reason as this poor bastard can't remember anything 😂 then Gabriel is happy to throw himself on his sword for them.

In reality, no one in the shop should have let Gabriel go out there alone. The whole point of "The Devil Takes The Hindmost" is that if everyone looks after each other the best that they can?

There won't *be* any hindmost.

There will just a pack of people who are all keeping each other safe from the darkness.

Jim is ultimately fine to tussle with Shax, though, because that is the part of the teaching that he exemplifies.

Gabriel has been protected. He's not completely fine-- who ever is, really?-- and he's still not really over this current bout of depression but he's safe from Satan and the darkness.

He's safe because he has Beez, Aziraphale, Crowley, and his new friends on Whickber Street.

Gabriel has a pack and is allowing himself to be part of it. As such?

The Devil can't touch him. Shax can't recognize him and sends him back inside. Gabriel is not in The Hindmost because he's been hidden, safely, by his group.

Gabriel goes back to the middle of the pack where he spends the rest of the attack, helping Aziraphale fight off his metaphorical inner demons by way of aiding Maggie and Nina to save the bookshop.

It's the next to the door, though, who is not so lucky, and gets to be the first example of The Hindmost.

From the way, way back of the pack that has formed of the humans, Gabriel, Crowley and Aziraphale in the middle of the bookshop pushes forward our beloved Mr. Brown of Brown's World of Carpets.

The President of The Whickber Street Shopkeepers and Traders Association-- the Gabriel of the humans-- feels it's his job to sort out this mess... only he has even less clue as to what's going on than Gabriel did... and he's much, much more vulnerable.

Mr. Brown tells Shax that he doesn't know why she is "interfering" with the people in the shop, unknowingly using the word used in religious circles to talk about The Devil coming after people. Mr. Brown is a guy at real risk here. Going into the circle and getting discorporated if you're not prepared? Facing The Devil at the door without preparation is the same, terrible thing. Mr. Carpet has no idea wtf he's up against here and his motivations for going to the door are the heart of The Devil Takes The Hindmost.

What does our lionhearted Mr. Brown do for a living? What is he, symbolically?

He sells carpets, right? What are carpets?

Well, they're rugs, for one thing. They're found in every business and home in existence. They are necessary for living and also an example of having comfort in your life. (They're also walked on and taken for granted, like our Mr. Brown is quite a bit.) You pick out carpets on your own or with the people with whom you are making a life-- and they tend to symbolize that life.

We see, in 2.06, the shot highlighting the lotus flower carpet that Crowley and Aziraphale have in the bookshop, that they use to cover up the Heavenly circle in the floor-- the one they put Gabriel on to do the protection miracle. It symbolizes the life Crowley and Aziraphale have made together to which they've now let Gabriel in.

What else are carpets? In Good Omens' use of language, they're also cars and pets. Rugs, cars and pets... three of the most common things owned by people living a life on Earth, with the word own itself in Mr. Brown's name.

Brown's *World* of *Carpets*... this dude is, symbolically, everyone.

He's life itself.

That's why it's Mr. Brown who gets taken by the demons and, later, saved by Crowley and left in the care of Mutt, who is human magic-- the character who symbolizes the wonder and mystery and joys of being alive.

Mr. Brown-- an extremely common name for a man whose pain is extremely common. He's lonely. He's overlooked. He's the president of this group of apostrophe and Christmas lights-obsessed, irritating and wonderful, typical, human people because he's unflappable and no one else wants to do it. No one else will do all the boring work and hear all the complaints the way he will and he's made that his role and he hates it. In that way, he's the Beez of Whickber Street-- as desperate for appreciation as Aziraphale. He's Burbage and Shakespeare, wanting an audience that isn't sleeping, drunk, or flirting their way through Hamlet. He's Crowley and Aziraphale:

Mmm, good job... Oh, do you really think so?

Mr. Brown of Brown's World of Carpets is a professional carpet salesman. He spends his days selling everyone what they need to make lives of their own but his own life is far lonelier and smaller than he would like it to be. He doesn't have a partner or true friends, just the people of the group into which he's struggled to really fit, despite running it. He's nerdy and awkward. His over-the-top, affected manner of speaking belies the fact that he feels like he's jiggery pokery, through and through. If I took Mr. Brown's name and profession out of this paragraph, I could be describing Aziraphale just as easily, but for the fact that Aziraphale does have Crowley, if not in the open way he wishes for. Because of that, Mr. Brown being taken by The Devil is also foreshadowing the end of S2 for Aziraphale.

Like most, Mr. Vacuum has got some surprising resolve-- some unexpected moxie-- but, fundamentally, this man has spent S2 showing that he is one more papercut away from a nervous breakdown.

So, when he tries to prove his worth to the group by putting himself at risk, it's excessively self-sacrificing. While there are some titters of alarm and warnings to him not to leave the pack, the one who objects the most is Crowley. Mr. Brown, though, doesn't let Crowley in. He doesn't recognize him because it's partially to look good in front of Aziraphale that Mr. Brown has jumped to the front of the pack. It's his loneliness, his lack of his own life, his need to be part of the group and appreciated. His need to be the hero.

Only, Mr. Vacuum is what happens when you aren't prepared for the darkness and you haven't let anyone in to help you. Shax, realizing that Crowley has been lying to her about the threshold by the way that all the humans have been backed into the living room, tests the theory and Mr. Vacuum gets taken by The Devil.

The Devil Takes The Hindmost.

Mr. Brown went from the literal hindmost of the pack inside of the bookshop up to the front to self-sacrifice excessively, got taken by Satan, and then, in a darkly amusing turn, got tossed back through to the hindmost of the pack of demons outside. He's also near the back of the line for coffee the next morning at Nina's.

If The Devil can come for Mr. Carpet, we see, he can come for anybody. Now this lingering and malignant sense of unease we've been feeling throughout The Meeting Ball tips here into real horror.

Crowley is up next to evacuate the rest of the humans in the shop. He's going to walk them all in a pack past The Devil. They go out in mini-groups within a larger pack. He tells them that they need to all stick together and mind each other, not the demons.

If they do that, they live. If they don't, they won't.

It becomes that simple because it is that simple.

Crowley doesn't just tell The Whickbers how to do this, though-- he leads them out. Because he's one of them, too... but really also because this is all a metaphor for Aziraphale's mental health breakdown getting going and what happens when you are having an anxiety attack or a depression episode?

What goes out the door?

The things that keep you alive, right? The good stuff in life. That is defined differently for everyone but a lot of it overlaps for many of us. Many of those things are what The Whickber Street group characters stand for in the story. Aziraphale owns the land for most of Whickber Street so, in addition to being characters in their own right, all of the members of The Whickber Street group represent Aziraphale.

They're all the things he loves the most-- his reasons for living, and what helps keep the darkness away for him. This is really why, symbolically, neither they nor Crowley (symbolically, love) can be present in the shop when Aziraphale is melting down at his worst.

Crowley leads the pack out with Mrs. Sandwich up front. He is allowing himself to be part of the pack here. He might be supernatural and the group human but it doesn't matter. They're all people and there's more to it than miracles. Crowley can't face the darkness on his own-- and neither can Mrs. Sandwich. Neither of them should have to. So, they don't. They choose to be each other's friends and let each other in and they're both better for it and so is the rest of the pack. This is an example of how to deal with darkness in a positive way.

Crowley trusts Mrs. Sandwich in general but for this task, in particular, because who knows best how to deal with the darkness?

Survivors of prior run-ins with darkness, that's who. His fellow "fallen woman", Mrs. Sandwich, has got her hat pin and his back and Crowley has hers.

So, out the door of the bookshop that is Aziraphale goes love, friendship, sex, romance, healthy communication, human magic, community, food, music, and so much more... because not taking care with our mental health issues rob us of what we love.

Left in the shop? Maggie and Gabriel-- Aziraphale's past and his family... and Nina-- the possibility of freedom (her American-themed coffee shop) and what's left of Aziraphale's hope for the future. Nina's decision to stay symbolizes Aziraphale hanging onto some hope.

After Crowley and The Whickbers leave and Maggie accidentally lets in Shax, the demons have gotten in and are advancing. Without those who are no longer in the shop and with Crowley missing, Aziraphale's anxiety ratchets up and the demons-- his inner demons-- gain ground. The goal becomes keeping them from getting into the residence floor upstairs-- to the place to which Aziraphale has let hardly anyone in. The parts of himself that are not public-facing or for acquaintances but only for those he allowed himself to get close to. Maggie and Nina can be on the landing up there. Gabriel can stay in the guest room. They're family. Only Crowley is allowed free reign in the whole of the bookshop.

For the first time, we have an angel not named Aziraphale teaming up with humans to fight for a place on Earth. The start of the 'all of us versus all of them' that Crowley foreshadowed as still to come at the end of S1? It isn't some big battle for the planet. It is a battle for the life of a single person in Aziraphale because every person matters.

It's The Commander of The Heavenly Host rooting around the upstairs rooms of the bookshop collecting all the fire extinguishers bought to help Crowley deal with his trauma that he can find to supply his troops-- the human Maggie and Nina-- on the front lines.

It's Aziraphale's loved ones coming together to fight to save the bookshop that is, symbolically, Aziraphale himself.

Ultimately, though? Crowley, Gabriel, Maggie and Nina can help hold off the demons that are symbolically Aziraphale's inner demons but it's ultimately going to come down to Aziraphale and Aziraphale alone whether or not these demons are going to overrun the bookshop.

We reach the point where Aziraphale has to choose-- is he going to let the demons take him over or is he going to send them back? He decides, in this moment, to blow up his halo.

We learn that Aziraphale's halo isn't divinity floating atop his head-- it's a tight, hard band around his mind. It's mental health issues, in physical form. He is in visible pain and breathing shallowly as he struggles to take it off. If you took away the halo from the picture, it's visually very much like someone having an anxiety attack. He uses it to discorporate the demons-- to send his inner demons packing.

Well, almost all of them...

Shax, the one that voices his darkest inner thoughts, remains. She's unconscious for awhile, lying dormant on Crowley's couch.

Aziraphale tells Maggie and Nina that he thinks blowing up his halo might have "just started a war" and, symbolically, it did.

Because when you blow up your halo, it can work for awhile but if you still aren't able to address the underlying, fundamental issues at the root of why you have a halo in the first place, those dark thoughts will come back.

Those demons are coming back and, sure enough, Aziraphale's bookshop is full of plenty of voices by early the next morning. While he won The Battle of The Bookshop, he loses The Battle of The Bananafish the next morning.

While Aziraphale stopped the attack on the shop-- his anxiety attack-- with the halo, we learn the next morning that then something else happened the prior night that we didn't see that is affecting the rest of 2.06. We hear about it from Aziraphale after Satan shows up in this bit here:

What's this, now? Aziraphale doesn't want to chinwag with The Metatron because they already chatted the night before and our angel doesn't think there's anything left to be said. Our angel says he's made his position quite clear.

So, The Metatron got on the circle thing zoom after Aziraphale discorporated demons with it and blew up his halo and, by that point, Aziraphale had had enough.

Aziraphale told The Metatron, in so many words, to go fuck himself.

This is really what Aziraphale is trying to say when he tells Crowley that he "did the thing with The Halo." Yes, he literally blew up his halo to discorporate the demons and stop the bookshop attack but the halo is his the weight of all of his cumulative trauma from Heaven... which makes it also, symbolically, The Metatron. Aziraphale blew up his ties to Heaven by telling off The Metatron. He told off the floating head hanging over his head as part of blowing up the halo crushing his mind.

So, Aziraphale then spent the whole night assuming correctly that, if you yell at Head Office, he's going to tell Satan that you're fair game.

Aziraphale doesn't want to fall. He doesn't want to be a demon-- not because he thinks of them as lesser beings because he doesn't think of them that way. Because being a demon is a terrible existence and Aziraphale would rather not have his soul be owned for all eternity by his partner's assailant who is also, literally, The Devil. He's a hard pass on that and had a plan to have Crowley help him avoid it.

Satan and other events made sure that he and Crowley couldn't communicate what they were thinking and feeling to one another openly from the time that Crowley left the bookshop with The Whickbers through the end of S2. If they had been able to and if Crowley had any idea what was truly going on, things would have been very different. The story is Aziraphale's fall, though, so it has to be bad for now to improve in S3.

Because it's Satan at the door with the coffee, he uses Crowley to identify him as The Metatron to everyone else and, so, has convinced Crowley that he *is* The Metatron and that Satan is nowhere in sight. Crowley doesn't see Aziraphale's fall coming, as can be the case with many people-- even those who know of the mental health challenges of those close to them.

Crowley thinks that the biggest threat to Aziraphale in The Final 15 is The Book of Life-- and, I suppose, in a symbolic way, it is.

The Book of Life-- in the way that Crowley thinks it exists-- is not real. It's his and Beez's anxieties from when they were angels manifested as a ghost story to tell more impressionable angels. Yet, as a concept? It kind of is sort of exactly what Aziraphale goes through in S2. He feels erased into non-existence by Heaven already and he's fighting for his life.

Right, so, a hundred years ago lol, I mentioned that Muriel is key to this idea. Let's look at how their presence is highlighting Aziraphale's issues and ushering him closer to death/falling.

While two angels with memory issues show up at Aziraphale's door in S2, Gabriel is a tale of hope while Muriel is a cautionary tale.

If your memories are "all your you"-- your sense of self, formed through your history-- then, while Gabriel was preserved in The Fly, the example of what can happen without one?

The horror show of a total and complete, catastrophic loss of a sense of self? So... death?

That's Muriel.

There is an angel named Muriel in some Western Christian traditions who becomes a figure called The Abaddon, which is The Angel of Death. The Abaddon factors into different takes on Revelations and apocryphal Biblical stuff. There are several different ideas on who The Abaddon is, though my understanding is that their role as The Angel of Death who brings souls to their final judgement is pretty universal throughout.

In some traditions, The Abaddon is seen as the antichrist. In others, it's Satan. In S1, Good Omens played around with some characters seeing the role of The Abaddon in these ways during Armageddon: Round One through how the Satanic nuns referred to the antichrist baby and Satan as "The Angel of The Bottomless Pit", which is the descriptive phrase given to The Abaddon in multiple different religious writings.

In other religious traditions, though, The Abaddon is thought to be an angel of Heaven or a trio of angels of Heaven. It's these ideas that I think Good Omens is playing with in S2 with, I feel, the heavier emphasis on the true Abaddon being the one most frequently referred to that way-- Muriel. Also supporting the idea of Muriel as Death is that there is also that a character in Salinger's "A Perfect Day for Bananafish" with that name. Muriel is the one set to inherit the main character's wealth and property after he kills himself at the end of the story.

So, how is our lovebug Muriel The Angel of Death?!

For that, we have to look at what a fall is.

Consider that The Metatron can tell Satan that an angel is fair game but, in order for that angel to actually fall to Hell, they have to fail to resist Satan's temptation. What the show is subtly saying is that every angel who is a demon is not just an angel who got caught out saying or doing something that threatened The Metatron's power but, also, an angel who was also already falling into despair and, so, couldn't resist Satan when he came to claim their soul.

The literal fall that happens-- the "freestyle dive into a pit of boiling sulphur", as Crowley called it-- is a symbolic thing that happens after an angel has been unable to resist Satan and, so, is now considered by Heaven and Hell to be a demon.

If you consider that the way the literal fall has been described-- going off a cliff; the parallels to Gabriel nearly jumping out a window-- all of these are images of ways that people sometimes kill themselves. Heaven and Hell come at angels and demons from a place of abuse that pushes them towards suicide. Even in S1, it wasn't straight out murder that Crowley and Aziraphale faced-- they were both forced into what, to Heaven and Hell, would have seen as committing forms of suicide. Crowley getting into a bath of holy water; Aziraphale stepping into hellfire.

So, we're saying that the physical fall happens after an angel has already fallen, and that, in order to fall to Hell, an angel has to have already first fallen into despair.

If the show wants Aziraphale to fall in the Heaven/Hell sense of it, he has to have a mental health breakdown and I'm reminded that the opening credits of this show are Crowley and Aziraphale walking the Earth with all of their history layering up behind them and following along with them and then they go up and up and up on a track in S2 and stop just prior to?

Falling off the edge. The literal fall is what we've stopped just short of but, all along so far, we've been watching the fall in progress build.

The reason why we've never been "shown a fall" on Good Omens is actually because the whole story to date is Aziraphale's fall. It doesn't even really start with S2-- it started long, long ago. It also, though, really kicked into gear just prior to the start of S2, as is noted a bit in this moment here:

Nina asks if everything being weird started the prior week when the power went out and Aziraphale replies:

Trauma is like that. It can be things that happened in your metaphorical 2500 BC that are coming back to bite you in your 2023 AD. It's cumulative. It builds and pushes. You can go and go and go and then, one day, your power just goes out. Your energy to fight is just gone and a storm is brewing. A series of events can push someone who is in an already vulnerable mental health state towards a full on fall into despair and that is what I think S2 is fundamentally about.

S2 is a suicide narrative. Our Clarence Aziraphale is going a bit George Bailey. Even as, on the one hand, he's taking big steps forward to claim more of the life he wants, it's the underlying trauma that he hasn't yet been able to fully deal with that is making him also, at the same time, begin to quietly wonder if those around him would be better off if he were not in their lives.

This is why the most dangerous character in S2 is not Satan or The Metatron.

It is, quietly, Muriel.

How so?

Because when people begin to have more frequent suicidal thoughts, their reasons for living that usually keep them going begin to change to being more of a list of obstacles that are preventing them from death. As a person falls into depression to a point that they begin to feel like maybe everyone around them would be better off if they weren't there, they begin in their minds to try to "solve" the problems that are keeping them from dying. They try-- not always super-consciously-- to set things up in such a way so as to convince themselves that their ties to the Earth will be neatly resolved with minimal bother for anyone else and, more importantly, that all their loved ones will be set up to be fine without them.

People in despair can-- and will-- come up with what are, objectively, absolutely bonkers rationales because, ultimately, they want coffee but they are in such despair that they thinking about ordering death.

Muriel's arrival means that Aziraphale then basically has a solution to every obstacle in his mind in such a way that he clears a path straight to taking his life. They help solve two of his "obstacles": Crowley and the problem of the bookshop.

Muriel is dangerous because they show up at the door with the same curious, upbeat, enthusiastic personality and sense of wonder at the magic of the world that Crowley both loves in Aziraphale and needs in his life.

Muriel is also who can take the bookshop. They're an angel who needs an escape and who loves books and Earth. They're perfect for it. Aziraphale is also horrified to realize that Muriel doesn't recognize him and what the implications of that are and he feels guilty about not having saved them somehow. They begin to represent his self-determined failures and giving them the shop would be, in his mind, making some of that right.

To Aziraphale, Muriel is the cheer and hope that Crowley needs in his life and they've taken to each other like ducks to water, which is then also coming after Aziraphale has subtly been pairing up his partner with the also-immortal-and-traumatized archangel with whom Crowley has much in common and whom we are told in S2 that Aziraphale knows that Crowley finds attractive.

Shax pops up throughout to help show some of Aziraphale's dark thoughts about himself.

What are you, Aziraphale? Crowley's emotional support angel? The one who went native? Do you need more big, human meals, Aziraphale?

The comments in Edinburgh that are not really about the car. It's really more like Aziraphale calling himself "an old piece of junk" and thinking Crowley deserves the chance to get an upgrade to someone better. Gabriel's good-looking and has been through much of the same as Crowley. Muriel is upbeat and makes Crowley smile. Crowley having friends who are supernatural is a great thing but, under the surface, it's also leading Aziraphale to create an inner narrative where he's telling himself that he's replaceable in parts by Gabriel and Muriel and that he wouldn't be leaving Crowley alone if he were to take his own life.

Aziraphale is telling himself that maybe the best way to love Crowley is to make it so that Crowley doesn't have to deal with him.

What did Crowley say about his stars once? The first time they met?

Six thousand years-- that's nothing.

Engine won't even have properly warmed up by then.

Crowley's borderline-immortal. He'll live forever. Six thousand years is a blink of the eye to them. He'll get over me, Aziraphale is telling himself, and find someone worth spending eternity with.

Aziraphale didn't see a path towards death until Muriel's arrival because he didn't fully have a solution to the bookshop and Crowley. That's what makes that adorable moppet of an angel the deadliest character in S2.

The reason why Muriel leapfrogs over every other character and makes it down to the last, pivotal minutes of Crowley and Aziraphale's story in The Final 15-- in a part of the story where even Gabriel is gone-- is because Muriel is death.

It's because this is all about whether or not Aziraphale is going to take the freedom of coffee from Mr. Six Shots of Espresso and live or whether he's going to take the false freedom of the lies he's telling himself from Satan and die.

Is he going to try to take his own life or is he going to find a way through this time, as he has before?

"It's just you and me, Aziraphale." What a statement that is.

It's both true and a complete lie.

Crowley and Muriel are both still in the room when Satan says that so, objectively, it's not really just him and Aziraphale... except that he is controlling Muriel and Crowley in different ways. In that way, it really is only Satan and Aziraphale left by this point. It's down, by that point, to just whether or not Aziraphale is going to live and since Satan is here for him, it's not looking great.

Satan is the embodiment of Aziraphale's life or death choice here and that choice, in many ways, is the only two other beings left in the shop at that point.

It's Crowley or Muriel. It's life or death.

Satan also as Aziraphale's darkest thoughts, really... as Aziraphale's internal dialogue playing out.

What about my bookshop? he asks himself.

Really: What about my life?

Muriel, replies Satan... replies the darkness... replies Aziraphale to himself.

You could entrust it to Muriel.

They need an escape. You'd be doing them a great favor. You'd be sacrificing yourself for them and redeeming yourself for failing to save them. It'd make what you're thinking of doing noble, actually. It'd make it okay. It'd make you a good person.

Aziraphale struggles, right? He almost doesn't do this. He almost says he thinks he's making a mistake because he knows he is. It's just that his every conflict has come up all at once and overwhelmed him.

Even still, the darkness has him pretty solidly-- but not completely-- until this moment right here:

Aziraphale is no fool and he's questioned the idea that this is The Metatron; he's actually trying to tell Crowley that he thinks it's Satan for much of That Scene in the bookshop and to get Crowley to see it and help him, in case it is. Aziraphale hopes he's wrong, though, because he wants it to be The Metatron because he thinks that is the way to fix things but it's not and he knows it, deep down. He doubles down because he's embarrassed, because he feels foolish and afraid and like he has nothing to offer Crowley without the power he thinks he lacks.

Satan's temptation, though, ultimately works because of the final of the death by a thousand cuts here in the whole "Second Coming" moment.

After Satan gets Aziraphale to leave the shop with him to head to Heaven, he, as The Metatron, flatters Aziraphale a bit. He says the things that Aziraphale has always wanted someone in Heaven to say to him. He tells Aziraphale he's needed and that they specifically need and appreciate who he is-- an angel who knows how things are done on Earth. It's validating who Aziraphale is and who is he proud of being in the way that Aziraphale has always wished would happen.

Aziraphale is hurting so much that he starts to wonder if maybe he was wrong about all of this. He was pretty sure before but, maybe, just maybe, he was wrong and he wants to be wrong because then it means maybe that he'd know who he is. Maybe it would mean he would no longer have to be an angel who goes along with Heaven as far as he can because Heaven would be finally starting to see the light.

Maybe this isn't Satan. Maybe it really is The Metatron. Maybe all of this is real. Maybe he can go to Heaven and take this job and really have the power to protect Crowley and they won't have to be afraid anymore.

Then, Satan drops the bomb. He fires the killshot.

He lets Aziraphale hear him say "we call it 'The Second Coming'" while pretending he didn't mean for Aziraphale to hear it.

This is the moment that Aziraphale knows it was all a lie.

He knows for sure who that is now. He has gone from being 98% sure to a full 100%. He knows that it's not The Metatron but Satan holding open the elevator.

Satan had to tell him, as it's the only thing Satan has to do in some form at the end-- because it has to be Aziraphale's choice. Satan sure as fuck doesn't have to be fair about it-- and he definitely wasn't-- but it's at this moment that Aziraphale knows with absolute certainty that there isn't a job offer.

How could there be if The Second Coming is on the table? They'll never put Aziraphale in charge of Heaven with Armageddon as the agenda. He's the angel who stopped it the last time. It means that Aziraphale knows for sure that, if he gets into the elevator, he's effectively killing himself, because this is all to entrap and kill him, not to promote him.

Satan sets it up so that the final things Aziraphale is thinking about when he makes the choice are that there is no chance that Heaven will ever improve and that they're going to do Armageddon again and just keep doing it until it happens and it's all hopeless and Aziraphale will never have the power to protect Crowley and they're going to just keep living this nightmare forever and he's been doing this for thousands of years and he can't take it anymore.

People who are suicidal are stuck in cycles of their lives they feel they can't get out of and that's exactly what Aziraphale is reminded of in the moment before he gets into the elevator.

He doesn't want death-- he wants coffee.

He wants Crowley, standing appropriately in front of Give Me Coffee or Give Me Death, with the coffee art and the blues and greens of Earth all around him. The canopy plants in the backseat. This is what Aziraphale wants but he just doesn't know how to get there anymore and the darkness wins out. The villains always win a battle at this part of the story or else there's no plot left going forward and there is a forward because it's Aziraphale. There are ways back from this but that's for S3.

Give Me Coffee or Give Me Death, as we know, is substituting the word coffee for the word liberty in the original quote and that's exactly what happens in Aziraphale's decision to get into the elevator. The truth is revealed-- there is no job, which makes him feel like there is no way to ever be free while living. He's exhausted by fighting the same battles, over and over, with no way to escape in sight, and takes what he thinks is the freedom of not suffering anymore.

He chooses the false freedom of death over the true freedom of living-- Satan's coffee over Mr. Six Shots of Espresso in a Big Cup-- because Aziraphale loves that espresso more than anything but he struggles to love himself. He thinks, in that moment of despair, that the best way to love Crowley is to set him free by leaving life.

It's the Job minisode foreshadowing all of it and going back to the start of his story for the end.

It's nothing important, Aziraphale, don't worry...

Just your kids, your house, your businesses, your money, your neighbors, your street, your car, your books, your friends, your community, your Earth and the love of your life.

Just all the love and magic of the world.

Just all your you. Just your life...

When the first shot of the season was the skies sweeping down towards the front of the shop door... and the final shot of the shop in S2 is The Angel of Death-- Muriel-- entering it alone, claiming it and closing the door? When the light goes off in the bookshop window?

When Aziraphale-- after running around with a paralleling clipboard for half an episode-- leaves a note on the dash for his wife, like International Express Delivery Dude did in S1? When his "I love you, Maud" is the car playing Crowley "A Nightingale Sang in Berkeley Square"? That's when we can see why Death appeared to Aziraphale at the end of S1 and has been headed his way since.

Satan's temptation, yes, but executed with the help of The Angel of Death, who helped push Aziraphale into the lift with The Devil and not towards Crowley and The Bentley, where Aziraphale's love has always been willing to give him a lift, anywhere he wants to go.

In a show where people are symbolically what they profess that it is that they do-- midwifery/cobblering, conjuring, "seamstressing" and so on... all of those things are positive. They're about helping others and loving the world. With that in mind?

Go back and look at Muriel's arrival at the bookshop again...

What is adorable is, also, a fucking horror movie of a declaration:

Muriel is a human police officer.

Friends... that's Death.

Muriel is the only one with a horrible self-declared profession. They're not helping birth ideas and babies and art and mending everyone's pain. They're not a working, professional magician helping to develop the street. They're not a healing seamstress. They don't sell old films and records and books. They don't feed anyone at their restaurant or sell musical instruments to nourish their lives. They aren't the best guy on the block-- Mr. Brown and his World of Carpets, giving people what they need to outfit a life of their own. They're the not a member of The Whickber Street Shopkeepers and Traders Association-- like their paralleling Jim becomes as he begins to regain the will to live.

Crowley is worried about caring for Gabriel being too much for Aziraphale but it's really Muriel that is a walking trigger for him.

Gabriel is a character people think is a villain who is really a lovebug; Muriel is a character people think is a lovebug but who is, symbolically, the worst possible thing to ever show up on your doorstep.

Gabriel is saying books are keen and hot chocolate is amazing and live, live, live, live, Aziraphale...

He's the part of Aziraphale's mind that is trying to save himself while Muriel is the part that is luring him towards death.

Muriel is saying the best part of a cupperty is to look at it, Aziraphale.

It's not for you. You're an angel. You aren't supposed to want to live your own life. You aren't supposed to have wants and needs at all. Even if you go into that back room to be with Crowley alone and try to shut me out, I will break down the door and come after both of you before too long is up.

Muriel is cosplaying Earth's most invasive and violent profession and they're so sweet about it that it tends to bury the eeriness of their arrival. In Muriel, Aziraphale is confronted with his paralyzing perfectionism, his negative self-worth, his rampant imposter syndrome, and his excessive self-sacrificing-- all at once.

All his negative feelings are here at the door in the form of this fun house mirror version of himself-- a cheery and also clinically depressed angel, who is actually cosplaying humanity the way Aziraphale always feels like he is, even if he knows at the core that he's every bit as human as the billions on Earth.

The world is for the professional conjurers, for the humans, for everyone but Aziraphale, in his mind. He is supposed to be above needing any of it. He is supposed to never be angry, anxious, tired, depressed, hungry. He isn't supposed to need the home and books and music and food and sex and magic that he lives for. This angel isn't supposed to be a member of The Whickber Street Shopkeepers and Traders Association but he founded the street, let alone the group, and he'll die trying to host a meeting because nothing makes him feel more himself than when he lets himself be a part of the world.

Muriel's presence worsens his depression spiral, which we've seen is what happens when the negative thoughts get to be too much.

In S2, he goes a sherry-and-stomach-settling-drop diet. He doesn't eat the eccles cakes. He doesn't slow down and enjoy much of anything. Part of the joy of the ox rib scene is that Aziraphale isn't really enjoying himself that much in the present in S2 and it's the only thing like it in S2. Aziraphale, in S2, has put himself and his demon on half-rations and talks about his frozen peas to his fellow duck less. He goes back and forth between trying to self-care (Shostakovich and going to the Gabriel statue and brief moments of flirting with Crowley) and self-neglect (the entire rest of the season lol). Mix in too many additional stressors like what S2 had and it goes from the anxious period of fasting in 1967 to the cause for big time alarm that is S2.

Intellectually, Aziraphale knows that mindful human living is prescriptive. He saves Gabriel by starting to teach him what he knows about it. There's always been a little voice whispering at Aziraphale, though, that it might be right for others but that doesn't mean he's supposed to feel or need those things. He should be above it because that, apparently, would make him the good person that he doesn't often believe he is. His feelings aren't even about being an angel in the Heaven sense so much as in the human anxious perfectionist sense, in that he's excessively self-sacrificing because he doesn't fundamentally believe he's a good person.

There's nothing wrong with being as kind and generous to people as you can. It's when you're doing that while also not acknowledging that you are a person with wants and needs at the same time that you can self-sacrifice yourself right off a cliff as a way of trying to convince yourself that you're not a bad person.

You can deny yourself the life you want out of the excuse that it's your purpose only to care for everyone else but it's not really virtuous. It's a form of self-harm.

What hurts so much about S2 is 1941 because the minisode then gives us Crowley and Aziraphale slaying demons left and right. It gives us what a good day looks like in a whole season that is, otherwise, a series of bad days mixed with things that are also not within their control that then lead to the worst, possible ending.

We see, really, how good they are at caring for one another. The kiss scene is made infinitely more painful by us having seen in the 1941 minisode another conversation in the same spot in bookshop when Aziraphale was struggling with these same issues that went so very differently.

Crowley is very good at gently reminding Aziraphale that, not only is he wonderful, but that he's a person, too, and that everyone feels like they are jiggery-pokery sometimes. Everyone struggles with the voices of others and themselves trying to judge them and how that impacts a sense of self. That fighting through that to be able to live and love is, unfortunately, a pretty common experience of being a person.

This is not new for Aziraphale. It's so very old, stirred up hardcore in S2, now that it's been four years since Heaven contacted him. Aziraphale doesn't know that it's because Gabriel is trying to protect him. He thinks he's so inconsequential that Heaven couldn't even be assed to send someone to formally fire him and take the bookshop embassy that, despite being something of an albatross around Aziraphale's neck, he's also really proud of having built.

Aziraphale wants Heaven to fuck off but he also feels embarrassed by the fact that Heaven could fuck off so easily and that he feels like he doesn't have a friend there to speak of after thousands of years. He is ashamed of it needing to be Crowley who gets them a contact for info in Shax because he sees it as more dangerous for Crowley to need to be in contract with the demons and as a failure to protect him-- the thing that's at the core of Satan's temptation at the end of the season. (Also why Crowley is trying not to tell him about Shax taking his job and his conversation with Beez, which is a huge mistake but it's coming from a good place.)

Surely, Aziraphale thinks, if he hasn't fallen and he's still an angel... if he still is one, he's not really sure, as what is a non-working angel?... then, if he were good, there'd be some angel up there who would still be talking to him. He knows Heaven isn't good, exactly, but not all of the angels are terrible. As anyone who has ever had to go no contact with an abusive family knows, the illogical doubts that creep up can make a person think that maybe they're the wrong ones. At your worst, you can wonder: if the whole family thinks you're wrong, are you really right? Aziraphale knows he is right but it gets complicated.

Add to that the stress of worrying that something will happen to Crowley every time he goes out the door (part of Aziraphale's own trauma for millennia, made worse by 1827), and Crowley's PTSD exacerbated by the fire in S1, and Aziraphale's negative self-thoughts are being triggered even worse than usual. He's blaming himself for them not being safe, when that's not fully within his control... which, in Aziraphale's mind, is the whole problem and an example of how he is failing Crowley.

This is all long before Gabriel shows up at the door and the season gets started with a series of events that then worsen Aziraphale's state of mind. By the time Muriel shows up at the door, these negative kinds of thoughts out in full force in Aziraphale and Muriel represents them.

Muriel might be cute as a button and, as a character in their own right, being used left and right by Heaven, but it doesn't change the fact that Muriel is, symbolically, a mashup of the human and supernatural cops trying to kill them that Crowley and Aziraphale have been outrunning their whole lives.

The Angel of Death is a cop because of course they are, right? What other group of people has been existing to entrap, imprison, torture and kill people for eons?

From the book: If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.

S1 was summer. It was the nightingales.

S2 is the lingering doom of preparations for Christmas lights. It's the days getting shorter and colder. The nightingales have flown to warmer climates. Because this is Good Omens so the season of Aziraphale's fall is set in the season of... well, the fall.

The good news is that, both literally and metaphorically?

Summer is always just around the corner.

[answermywearyquery]

eoin flirting with paddy, again

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[nomaishuttle]

im alsp seepy but i cant sleep bc my HAIRS WET!! luckily it dries quicker now Due to rhe haircut but still looking at a 2 hour situation... but also i dont feel like gaming. i might cook I guess. or i could watch el movie 😏 but id have 2 get my laptop and likee. yk.. i could watch downstaurs but id have to be sure my roommates r Fully fully asleep bc i dont have headphones for my laptop (i have my phone headphones but i hate the abominable fucking thinks) so id have to just have that shit open to the elements. rawdogging the sound. caint do that if my roommates are up!

[naughtynoodle056]

take some time to care for yourself. youre hurting rn, so take any and all time to yourself you need. dont be afraid to reach out, and try not to isolate yourself if it can be avoided. take care, sending my best

I wasn't expecting such a sweet ask but thank you anon that means a lot 😭❤️

[queers-gambit]

Curiosity Killed The Cat

prompt: after rescuing you from kidnappers, you overhear your boyfriend-turned-savior complain about how clingy you've become.

pairing: Mafia!Bucky Barnes x female!reader

fandom masterlist: Marvel

collection masterlist: Clingy Baby

word count: 5.1k+

note: author wants things out of her drafts! also don't take this fic too seriously, it's not much at all - just me writing for the fuck of it until i'm ready to focus on my bigger projects.

warnings: modern AU, Mafia AU, obvious cursing, small hurt and comfort, brief depiction of physical violence and self-destruction in the form of: loss of appetite, lack of sleep, other symptoms of depression. NOT edited! author is ashamed because she knows she can give you something better but oh well.

Your feet planted, jarring you to a halt the moment you heard your name in a conversation you were not apart of.

You heard the hammering of your heart, echoing beats of your blood pumping with harrowing desperation. Hands turned cold and clammy, sweat breaking out on your brow and then freezing, feeling as if your throat had swollen to a new restriction and you were anchored in you in place.

Rooted.

But for now, all you could identify was the paralyzing anxiety that anchored you to your spot and made your heartbeat thunder in your ears. You stood outside the lounge, unable to comprehend relevant thought; still listening to low, docile tones continue their conversation, but you couldn't hear real words.

You were stunned. Panicked, confused, hurt - so very hurt. That seemed to register, too; you were really, really hurt.

This was perhaps why curiosity killed the cat.

You reprimanded yourself for listening in - transporting back to childhood during all the times your parents would scold you for eavesdropping. You knew it was wrong, you knew this was a private conversation meant to be shared between trusting confidants, but you couldn't help it - you heard your name and stopped. It was natural, right? To feel curious regarding a conversation seemingly about you that you, yourself, was not apart of?

Curiosity, indeed.

Blinking rapidly, you remembered the only other time you felt such mounting, pressurized fear, and while it might be dramatic, the only other time you could remember this level of anxiety was from about two months ago...

"Yes, baby, I got the bacon."

"And the jalapeños?"

"Uh-huh, the biggest they had."

"Cream cheese?"

"Do you know who you're talking to?" You laughed into the phone. "I'm a professional housewife by now, you can relax. I got all you needed for your fancy little dinner experiment."

Bucky laughed down the phone, "Oh, please, like I didn't see you salivating when we watched the segment on Top Chef."

"Hush," you laughed, too. "I'm leaving the store now," you told him, pushing out of the heavy glass doors, "and should be home in, like, 10 minutes?"

"Lemme pick you up."

"I have legs to walk with, so, no thank you."

He sighed, "Well, I'll open the wine to let it breathe. Red's still good?"

"Let's do a white tonight, please."

"Good deal," he mused softly. "Hey, I was thinking earlier - "

"Hang on," you pleaded.

"What's wrong?"

"No, nothing. There's just a van slowing down, I don't want to get hit," you chuckled some, looking up and down the street before crossing. "Sorry, so, what were you thinking?"

"We haven't been to Paris in months."

You smirked, "I'm sure our plants in the apartment are dead by now."

Bucky laughed, "Oh, I am, too. But, look, how 'bout it, Peach? You, me, all the croissants we can consume this weekend. I'll take Monday and Tuesday off, we can leave tomorrow night."

"Oh, that sounds nice," you moaned. "Paris in the spring? Baby, that's so dreamy!"

"So, is that a yes?"

"It's a hell yes," you grinned. "Do you know the weather?"

"Supposed to be nice and sunny, not too warm or cold. Figured this would be ideal," he chuckled. "But does the weather matter if we're in bed the whole time?"

"No, we're not wasting our time!" You laughed. "We're gonna go do shit, okay? Stereotypical tourist-couple shit."

"I'll bring the camera."

"And I was hoping we could have dinner at that little place we love?"

"I wouldn't take you anywhere else," he mused.

"I think it's - FUCK!" Bucky froze when he heard the screeching of tires; a van coming up to a skidding halt, flurry of voices all yelling but he heard yours clearly. "No, no, no, hey, hey, what the hell's happening? Hey! What's this - hey, hey! Don't touch me! Ow, shit! No! Hey! Fuck's sake - oh, my God! Ow! Hey!"

"Baby!? Peach! Hey! The fuck's going on!?"

There was a thudding over the phone, and Bucky listened to more struggling - more fidgeting and fighting - and then the slamming of a car door. Still calling your name, Bucky heard a scrape over the line before a different voice answered your phone, "James Barnes. On behalf of HYDRA, you're overdue on your payment and we warned you there would be consequences. Deliver the full amount of 17 million - "

"It's 15," he growled.

"Two million more for the inconvenience of stalking your woman."

"If you even so much as touch her, I swear to God - "

"17 million at midnight, at the pier, or every minute you're late, she'll receive the brunt end of our frustration."

"Don't hurt her - "

"Midnight, Mr. Barnes, at the pier - you know where. Don't be late, she looks like she won't last long."

The line went dead after he heard your screech of pain, confusion, and fear. The moment the line cut, he dropped his phone and slowly lowered himself to sit on the kitchen floor, shock coloring his system. It wasn't that he didn't have the money, quite the opposite - but he and his men had a plan in motion to take out HYDRA, their org's competition, and this was totally against all they anticipated. After a minute to sit in his own worry, Bucky jumped to his feet, grabbed his phone, keys, wallet, and two handguns; holstering them both before shrugging his suit jacket on.

He made every phone call he could, gathering the men he trusted most to (one of) his warehouse(s).

For hours, you were strung up by your wrists in a joint-pulling position while the Brooklyn Mafia formulated a plan of attack. It was the most pain you've ever known, but then the abuse started and you were blinded by this new pain. You had bruises most places, cuts that wept blood; scars that would never heal, wounds that wouldn't ever close. You were delirious, miserable, confused, just dazed and confused; praying to a God who didn't listen.

"Oh, look at that," your captor mocked, holding a thick-bladed hunting knife in hand, "it's one minute til midnight, and I don't see your loverboy anywhere."

You sniffled, unable to respond.

He stared out the lone window, tisking and narrating, "Nope, I see not a soul - and with how protective he is over you, you'd think he'd want to ensure your safety. Not leave it to chance, huh?"

You whimpered as the clock struck midnight, your heart hammering in heavy-hung worry. You had tears in your eyes, heart nearly beating out of your chest, feeling incredibly nauseous. The desire to scream never lessened, just fearing what was to come; the men in the room making you fear for the state of your life, their knuckles cracking. You only begged, "Please. Don't."

The main captor laughed, "You can do better than that! C'mon, give me the satisfaction of tellin' ol' James you begged for mercy - but it wasn't enough to sway me. I'll lie, for sure, and say it happened but it will be so much sweeter if you actually do it."

"Please," you shook your head, avoiding eye contact. "Just don't do this, please."

"Oh, honey," he mocked, "it's not our fault he's late. Lads! Have at her, but leave her face for now - she's still real pretty."

You listened as he gave commands in Russian, understanding after the years at Bucky's side; whimpering when the first blow landed to your gut and knocked the wind out of you. The minutes drug by and you felt your resolve crumbling, heart still hammering to a never-before-felt speed that made it feel as if it were jumping out of your very body at every single pulse point. You struggled in your restraints, but it was futile by how tight you were bound; unable to protect yourself.

At 12:03 am, the doors blew open in a resounding blast; concrete crumbling and sprinkling the floor. You cried out as the smoke choked you, coughing through the haze; only barely able to make out certain figures to know Bucky had brought his best men. However, despite the sting to your eyes from the swirling dust and smoke, you saw a lone man stalk through the blasted wall, through the fray, and straight up to you.

"Bu-Bucky!" You choked in relief as he reached to untie your feet first. You dangled for only a moment as his metal prosthetic ripped off whatever held your wrists to the torture contraption. "Oh, my God. Oh, my God, Bucky, holy shit, baby, please, please, please," you rambled as he freed you and instantly caught you on his broad shoulders.

"I got you, Peach, I'm here, I've got you," he promised in your ear, hoisting your legs around his waist so they latched and then wrapping his arms around you securely. "Don't let go and don't look up, okay? Hear me, Peach?"

You nodded into his neck, only able to cry.

Bucky jolted and jerked slightly as he moved through the fight again, but not a minute later, you were stepping outside into the sobering, brisk spring air. This was the moment you understood how dangerous and fleeting life with Bucky could be, making a promise to yourself that if he says take the car, you'll take the fucking car.

And now, here you were, outside the high-rise apartment's lounge (which was just a converted bedroom), listening to your boyfriend complain about you some 2 months after the whole fiasco. HYDRA had been all but wiped out, and in the weeks since, Bucky's men had gone on smaller missions to eradicate the HYDRA members they heard rumor of being local. Yet you didn't feel safe, yet.

You didn't feel safe if you weren't around Bucky.

Everything made you jump: the beep of the done-dryer, that spritz of the automatic fragrance mister in the bathroom, the "duh-dunnn" of a loaded-up Netflix. Keys jingling, car horns, the barking of the dog in the apartment a floor below you... Everything.

Being around Bucky was just like holding a safety blanket. He would always protect you, and for about a week after your rescue, he laid in bed and around the home with you; being lazy; time off work to simply hold you and assure you were safe. Safe in his arms. Safe in his embrace, his presence.

So now... To hear this... You were devastated.

You didn't mean to eavesdrop, it just sort of happened. It was still earlier in the morning, but Bucky hadn't been in bed beside you and based on the feel of the sheets, his body hadn't been there in a while. So, you made some coffee and then ventured around the home in search of your lover; coming upon the lounge and hearing voices from within.

You knew it was common for Steve Rogers and / or Sam Wilson to stay late or visit early, so, you weren't shocked by that, but did falter in announcing yourself when you heard Sam ask how you were doing since the kidnapping. He used your name specifically, making Bucky sigh, and for your curiosity to peak.

"She's different, man."

"How so?" Sam wondered.

"She doesn't like being without me now," he chuckled without humor. "I'm serious, she won't go to the gym until I do, waits to have meals together, won't leave the house if I'm out, and," he scoffed to himself, "you can forget going to the grocery store or anything - she's even stopped going to work - "

"You told her to stop working, like, two years ago when y'all first moved-in together," Sam deadpanned.

"I know," Bucky shrugged, "but it feels tenfold now that she's so reclusive."

"It's normal," Steve sighed gently.

"Yeah? Is it normal that I can't even go take a shit without promising her I'll be right back?" Bucky snapped in exasperation. "It's that bad, she's that fucking clingy, man. I go in the kitchen to make dinner, she's in there 30 seconds later to 'help' me. I take a shower, she finds a reason to linger in the bedroom, but that was better than before, when she wouldn't even shower by herself. It's just a lot, she's everywhere I look. I'm starting to find new reasons not to come home, man, she's always fucking here - and when I walk in the door, she's on me. I need to fucking breathe, but I can't tell her to stop, she'll get her feelings hurt and then I'm the bad guy."

"Man," Steve laughed, "you can't be the bad guy if you go to her in a calm and collected manner, but it's only been two months. She's still recovering."

"Exactly why if I say anything, no matter how calm and collected, I'm the bad guy. I get she's hurting and tryna recover, but Goddamn, does she have to be in every room I'm in? Do everything with me? How do I tell my traumatized girlfriend to back off? Let me breathe?"

Sam laughed, "You don't! You just said it - she's traumatized! Cut the girl some slack, she's got a lot to fuckin' deal with!"

"I'm not negating from that fact," Bucky argued, "I'm just trying to say, the way she's clinging onto me like she can't function without me is just grating at my nerves. I just need to breathe and recharge, but I can't tell her that - fuck's sake."

"Buck," Steve smirked, "you're worried Peach isn't gonna listen, but that's her literal superpower. Just communicate, she can't read your mind, but you need to remember how traumatic all of that was for her to experience - she's scarred from that kidnapping, man. So, sure, you need to recharge, but she needs the support."

"Is it wrong to ask for a day here and there to do that? To recharge?" Bucky asked quietly.

"If you communicate, it's perfectly reasonable to ask for," Sam assured softly. "And whatever you do, don't tell her you think she's clingy. Chicks hate that, that word is, just, like, taboo or something. Real heavy, negative connotations."

"But she is," Bucky growled quietly, "'s like she's afraid to let go 'cause I'll disappear or something."

"Oh, noooo," Sam mocked, "I'm Bucky and my girlfriend loves me too much and trusts me too much and actually feels safe and dependent on me too much - ohhh noooo!"

There was a thump, Sam's cried, "Ow!", and Bucky telling him to shut up. You slowly backed away from the door, trying to settle your breathing as you made your escape down the hall. When back in the kitchen, you whimpered and let the first tears fall... The first of many you shed in the hour it took you to prepare breakfast for everyone; doing your best to eat as you cooked so you didn't have to linger around the men. You took Bucky's words to heart, and maybe you were too sensitive, maybe you should venture outside again.

So, when the lads came out, you set the table without making eye contact with any of them. "Here," you directed, setting the pancakes down, "I made breakfast, come eat, it's still hot."

"Wow," Sam smiled brightly, "thanks, Peach!"

You hummed, still avoiding their eyes as you just set the abundance of food to the table. "You... Cooked without me?" Bucky asked you with skepticism.

"Mhm," you hummed, setting the coffee pot down to a hot pad, "and I'm going out shopping with Nat, so, eat up, lads, I'll do the dishes when I get home. Love you, boys, bye," you waved them off, snatching your keys and then moving to the door to stuff your feet into your sneakers.

"Woah, woah, woah," Bucky left the table, approaching you urgently, "hey, what do you mean? You're goin' out?"

"Yep, figured I've stayed in too long, might as well get out and remember life doesn't stop just 'cause I'm sad."

"Peach - "

"I'll see you when I get home, Buck, okay?" You mumbled, slinging your purse on your shoulder.

"Well, here, here, hey, wait, hang on," he pulled his wallet out, handing you over a wad of big bills. "Spend it all, okay? Have fun, call or text if you need me, yeah?"

"Sure."

Bucky leaned in to kiss you but you just opened the door, ready to leave. He frowned, watching you, barely managing to call a quick, "Love you!"

You didn't return the sentiment, feeling hallow and all too silly to return the affection. In your purse was your laptop, headphones, chargers, and whatever else, so, instead of meeting your friend, Natasha - being just a ruse to avoid Bucky - you started small and just went to the local café. You used to frequent it back in the day, but times were changed, and yet, they were all the happier to serve you the same as before. Getting cozy in the corner, you set up camp and ordered your favorite coffee basically every other hour - letting the day waste away as you caught up on work emails.

Might've wasted time on Instagram and Facebook and Pinterest. Got shopping done on Amazon. Browsed through Target's online selection. Checked out the sale items at Kate Spade. Perused Fenty Lingerie because you could.

Before you knew it, a message was coming in over your MacBook from Bucky, asking where you were - why had you turned your location off?

You packed up and with a to-go cup, made the short trek back home. When you got back, Bucky was pacing in the living room; staring at his phone and typing, then deleting, retyping, groaning, glancing up, typing again, then doing a double take. "Where've you been, Peach? Huh!?" Bucky demanded. "You're late!"

"Out with Nat," you eased.

He huffed through his nose, nodding slowly, "You have a nice time?"

"It was okay," you answered. "I'm gonna go to bed after I shower."

His brows furrowed, "I have a meeting tonight."

"I know."

"O...kay?" He let you go, wanting to ask why you didn't ask him to join like you had so often in the past few weeks.

And it didn't stop there, in fact, it got worse. When Bucky got home from his meeting, he was actually shocked to see you nestled in the bed; teetering on the edge of the shared space while snuggling a weighted body pillow.

When he tried to give you a snuggle, you stirred to life and pushed him back, muttering, "Too hot."

The following morning, he was relatively surprised to see you up and about before him; barely getting a word in before you were slipping out the door to go on a morning jog. He was confused by how all of a sudden, where you were once everywhere he looked, now, you were disappeared and distant and gone. You worked out alone, cooked alone - but always left him a plate, but long gone were the cute little sticky notes you left for him. You once haunted the apartment by never wanting to leave, and now, ghosted in and out of it on a daily basis.

You never bothered to go far from home. You liked hanging at the coffee shop and luckily, your job let you work from home most days, and the rare time you were due back in the office, it was only about a 20 minute walk. You got better at lying, couldn't even remember the last time you and Bucky had sex, and even now, the last time you had a meal together. You didn't text him about your day; where you once might've told him about an adorable dog you saw on the street, now, you only ever texted him if he asked a direct question.

Food lost appeal, your appetite vanished.

Sleep evaded you, plaguing you with nightmares when you did rest.

Interest dulled, passions were snuffed, and only fearful, confused anger remained. It showed in the way weight seemed to shift around your body, thinning; the lack of sleep creating dark rings and bags under your bloodshot eyes.

After two weeks of this, Bucky grew irritated and short with everyone around him. It reflected in his work, the way he spoke to everyone; even Steve and Sam getting the brunt end of his anger. Without you to assure him, Bucky was off his rocker; losing his cool; his patience stretched far too thin. So much so, the two mates approached an outside associate, Natasha Romanoff, after a particularly snappy meeting to plead for her to talk to Bucky.

"James," Nat greeted as she strode into his office without knocking.

"I know you're my oldest friend, but you don't have that privilege yet," he mused, never looking up.

"What?"

"Not knocking. What is it, Nat?"

"Just came to check on you, you know, like friends do."

"Hm," he chuckled without humor, "and what did Peach say to you?"

"About...?"

"Me."

"Nothing, I haven't gotten ahold of her for weeks."

Bucky paused, slowly lifting his head in confusion; brows furrowed and mouth set in a firm, straight line. "What?" He grit.

"Huh?" Nat wondered.

"She's been telling me that she's hanging out with you for the past two weeks," he revealed.

"Nope, not since the incident with HYDRA."

Bucky's (right) flesh hand crushed the pen in his grip, taking a long breath. "All right," he sighed, "so, why come today?"

"What's really going on, Buck?" She worried softly. "Is it really whatever's going on with Peach? You're this pissed off? What'd she even do?"

"She just..." He cut himself off with a long sigh. "It's nothing."

"Bucky," Nat gave a pointed look.

"She's just avoiding me," he muttered. "It's like she's barely home, almost like a ghost."

"Isn't that what you wanted?"

"Yes, and no," Bucky snipped, rolling his neck out. "I'm just worried about her now, she's never not communicated before."

"Something's bothering her," Nat shrugged. "She probably needs you right now, Buck."

"I can't do it all," he whispered. "I can't be who she wants and run this organization at the same time."

"She doesn't need that, she just needs you to be her partner," Natasha spoke softly. "She needs to feel loved and supported, and surely, she maybe felt weird about whatever you were projecting. Instead of taking it out on your men," she smirked, "why don't you just talk to her? 'Cause I hear you're bein' a more-than-usual asshole lately. You need to ease up or get laid, 'cause you're taking it out on good, loyal men, and that's entirely unfair."

"They can take it."

"Sure, but they shouldn't have to," Nat rolled her eyes. "Look, since you won't answer me, I'm assuming the sour mood is in regard to whatever relationship issues you have right now?"

"Sure," he tossed the pen away, opened a skinny drawer to his right and select an identical one.

"Bucky," she growled.

He sighed, "She's lying to me, Nat. Saying she's with you when she's not... Is this an affair? She's gone all the time now."

"No way," Nat laughed. "Baby girl doesn't have the energy to entertain anyone - let alone two men. You're just the exception."

"Why lie, then?"

"Maybe she didn't want you questioning her..."

"No shit."

"Well, did you get into a fight?"

"No."

"Any reason she doesn't want to be home?"

He shook his head with a sigh, "Not that I know of."

"You had to do something."

"Honest, I haven't. She was being all clingy, but then one day, a switch flipped."

Nat frowned, "You think... Your girlfriend is being clingy... Because she was kidnapped and beaten up... Because of your fucking job... And is probably scared...out of...her mind...? I get that correct?"

Bucky paused for a long moment, muttering, "Oh, my God."

"Yeah, you asshole. Think of it that way! She's afraid!" Natasha snapped. "And probably picked up on your energy, so, she made herself scarce."

"I didn't mean - "

"I don't care, go home, apologize to that sweet angel - she doesn't deserve this."

Bucky paused, "What is 'this' exactly?"

"James. Focus on the present - your woman. Go make this right. We all know you're this big, bad dude - but it's okay to be a little sensitive towards the woman who loves you without condition!"

Bucky relented, figuring the redheaded Russian mobster was right.

The entire drive home, Bucky considered the ways you had changed in the few, short weeks since he vented to Sam and Steve about your clinginess. You didn't take meals with him, didn't cook, work-out, or do anything you used to do together. Sex? Forget it. Dates? Nope. Cuddling? No, you're always 'too hot'. And when he thought about it, he remembers seeing the wads of cash he'd leave for you stuffed in his sock drawer - surely trying to make him think it was just another emergency fund he had hidden. You never spent his money, feeling humiliated by his choice of words.

Clingy...

You didn't text or call him when he was gone, you hadn't even so much as kissed him in what felt like ages... Well, more like you hadn't initiated any kisses...

His heart weighed in his chest as he realized he hadn't even so much as hugged you in days. You were rarely in the apartment together, and when you were, you were just silent and busy with chores. It was as if you operated on the exact opposite schedule as he did, went to new extents to avoid him, and his heart clenched in his chest.

When he got home, you were caught cooking in the kitchen - being obvious that you weren't expecting him. The door slammed and his baritone voice snapped, "Peach!"

You gulped, holding the sauce-covered wooden spoon to your chest. When he rounded around the corner, he found you and slowed down, sighing in relief. "What's wrong?" You worried in a timid tone.

He panted lightly, relaying, "Needed to find you."

"I'm here."

"I know," he relented, charging up to you and engulfing you in a tight, heavy hug. "I needed to talk to you, Peach," he whispered.

"What's wrong?"

"You. You're what's wrong."

"What the fuck does that - "

"No, no," he pulled back to stare down at you fondly, "I don't mean it like that, just that... You're struggling. I can see that. But you're not alone, I'm here with you, and I got a little caught up in my head when I realized someone was so very dependent on me - it fucking scared me. But then... Then you just shut yourself off and hid away from me, and oh, my God, it's so much worse, baby. Don't do that," he breathed, "okay? Don't ever shut me out - don't stop loving me, don't stop talking to me, don't give up on us. I can't read your mind, you can't read mine, it's not an excuse - but we understand better when we trust each other enough to communicate what's required. I'm so sorry I got caught up in myself, I didn't know what you needed - but I'm here now, I'm here - I'm not leaving you."

You collapsed into his chest, taking a shuddering breath.

"Don't ever stop talking to me, Peach," Bucky whispered, kissing the top of your head; keeping you close. "I'm so sorry, baby, if I - "

"If?" You snapped, pulling back to glare at him through your tears. "I heard you, Bucky. I heard you talking to Sam and Steve, and about how clingy I am."

"I was wrong," he insisted. "I was overwhelmed and tired and just stretched thin, the easiest thing to do is attack those closest to me, and that's you. It's not right, it's the worst I could do to you after all you've been through, and I'm so sorry. I was wrong, you're not the person to take this out on - and I'm so sorry, Peach."

You sighed, "I don't mean to be... I don't mean to cling - "

"Nah," he chuckled, caressing your cheek, "you cling as much as you want. Cling as tight as you want, baby, don't let me go. I'm sorry for what I said and the way it made you feel, it was wrong - so fucking wrong of me, and I see that. When you pulled away from me, I just... I couldn't think. It felt so wrong, and I knew it was my fault." He took your face in both palms, promising, "I'm so sorry, Peach."

You shrugged meekly, "It's okay."

"It's not."

"No, but apologizing is a step in the right direction."

He nodded, "What else can I do?"

"Nothing - "

"Peach."

You paused to think, smiling shyly, "Movie night?"

"Whatever my pretty girl wants," he nodded.

"Hmm... Get a bath with me?"

"All right... Sure, okay..."

"And face masks."

He sighed, "Okay."

"And mani-pedis."

"Baby."

"You said you were making it up to me, right?"

He smirked, "That's right... All right, yeah, sure, fine, we can..." He sighed again, "We can do all that, Peach, whatever you want."

"I just want you," you told him softly. "I didn't mean to be so clingy. I was just afraid... I felt afraid everyday, just so very unsure in this life. You're the only thing that makes sense to me, Buck, and when I heard you, I just... I guess I realized how dependent I'd been and wanted to give you space. Last thing I want is to smother you, to drive you away from me."

"Not ever gonna happen," he promised softly. "I just didn't handle it like I should've. I'm sorry, Peach, but I'm here now - for whatever you need. Want me to take a few days off, just be together? I'll arrange it. Want to get away for a bit? We can go."

"I just need you," you whispered. "Only you and I should be okay - I can be okay if I have you, but feeling like I lost you? Even a fraction? Buck... James, it was such a harrowing feeling, I wasn't sure what to do to move forward. So, I think I just panicked, shut down; thought if I could just get back to normal, you'd love me again..."

"I never stopped loving you," he swore, "I just had a bad lapse in my own judgement. Nothing against you, baby. Nothing."

You nodded again, letting him tuck you into his chest; perfectly snug under his chin as he coiled his arms around you. He let out a long sigh, his guilt swelling to new heights, but for that present moment, everything seemed okay.

Felt okay.

Appeared okay.

And you'd both do whatever it took to remain as okay as you possibly could.

requesting rules and masterlist

Marvel masterlist

Clingy Baby collection masterlist

[comicaurora]

How do you manage to motivate yourself when you're feeling tired or depressed?

Usually I try to give myself time to rest until those feelings lessen, since they're generally symptomatic of having pushed too hard, but on occasions where tiredness seems to be getting a little too cozy with depression, there's a few things I do.

I've observed in myself a habit of sort of… waiting in a holding pattern for something to push me into action. "Something" isn't defined clearly, but it becomes a real problem on depressed or low-executive-function days. This might just BE what low executive function feels like, tbh; like there's some invisible trigger and I can't Do The Thing until something trips it. When I notice I'm stuck in a holding pattern, I have a few tricks to snap myself out of it:

Flip a coin. Heads I get up and Do The Thing, tails I don't. The simple act of challenging myself is enough to motivate me sometimes, regardless of the outcome, but sometimes this makes me realize that I am legitimately tired, so I stay put and recharge a little until I want to flip for it again.

Set a five- or ten-minute timer and do whatever I need to do until the timer runs out. An artificial deadline can bypass the holding pattern. Sometimes this gives me momentum, and when the timer runs out I keep going. Sometimes this does NOT build momentum, and I crash after the timer runs out - but I crash with five more minutes of progress done. Any progress is better than no progress.

Assume Direct Control. This one only works sometimes, but sometimes it's as simple as breaking down a list of individual units of tangible progress - Get Off Of Bed, Put On Pants, Plug In Tablet, Etc Etc - and just grab the manual controls in my brain and make myself do each thing in turn. Sometimes I'll assume direct control to make myself take a Stupid Mental Health Walk, which has thus far worked every time to improve my mood and energy even though when I am in a Low Mood the last thing I want to do is subject myself to the mortifying ordeal of wearing pants and dealing with people.

I also find that sometimes it's helpful to pull the thread of what you're waiting for. Sometimes I'll realize I've locked myself into a weird paralysis because I've accidentally made something a prerequisite for other tasks. For example, I might realize I'm feeling weirdly frozen and uncomfortable because I haven't taken out the trash, and I've told myself I can't do X Y and Z until the trash is taken out, but I don't want to take out the trash, so I've locked X Y and Z behind Unpleasant Task in a subconscious attempt to motivate myself to Do The Task but instead I've just dramatically reduced the number of things I feel I can do. Often just noticing this pattern is enough to break out of it.

I also find that sometimes the invisible trigger I'm waiting for is just waiting to want to do something. That is unfortunately a trap. There are many things you can enjoy or benefit from without wanting to do them beforehand, because the thought of it is unpleasant or scary or anxiety-inducing or otherwise loaded down with what-ifs and caveats. I will never WANT to have a doctor's appointment, but I feel very good AFTER arranging and going to one. I very rarely WANT to exercise, but after the fact I feel very rewarded and more confident in my abilities. I've only WANTED to go on like a third of the walks I've taken this year, but every single one of them has been pleasant and beneficial to my mental health. Sometimes you just gotta say "I don't WANT to do it, but I'll be glad I did it" and manually pilot yourself into Doing It.

[hazbinwhoree]

Guardian Angel

Part 1/3 Part 2

A/N: Starting a series where f!reader is the child of a demon and a human and Adam’s been tasked with keeping an eye on her. Please leave requests!

“It has recently come to my attention that a demon and a human have reproduced,” Sera announced. 

Adam cocked an eyebrow. “No shit. For real?”

“The spawn is already grown. So far she hasn’t caused any trouble so I do not see the need for actions further than simply keeping an eye on her.”

“Okay and what does that have to do with me?” Adam asked, taking a long sip from his drink.

“You’re going to watch her.”

Adam spit out his drink. “Sorry, what?”

“You’re going to be her guardian angel,” Sera smirked. Adam’s jaw dropped idignantly. “Do I have to?” He whined.

“Yes.”

That’s how Adam found himself on Earth, stalking some random demon/human hybrid.

Although despite his apathy, she wasn’t just some random, a demon/human hybrid was almost unheard of. She was the third documented instance of that happening.

But as far as he could tell, she led a boring, painfully bleak life. Adam almost felt bad for her. She seemed really depressed. But his job was getting boring. Her routine was always the same. Work, sleep, eat, shower. It seemed that the hybrid was completely unaware of her origin and the powers she possessed. It made Adam’s job easy. Easy and boring.

He started fucking with her, using his ability to be invisible to the human eye in order to fuck with things in her apartment to mess with her head.

One day, while her roommate was out, she stood in the middle of her room, staring at nothing. “Come out you annoying fuck!” She called out. It took Adam by surprise. “I know someone is here,” she hissed. “And you’ve been fucking with me, and it’s pissing me off, and I know you’re here right now, so show yourself!”

Adam debated for a moment. Sera had just said to watch over her, she’d never said it had to be no contact. In fact, Adam was pretty sure Sera would prefer he try to bring the hybrid to the light, but she chose the wrong angel for that task.

Tired of watching her while she was unawares, Adam let himself appear to her. He appeared behind her, just to fuck with her one more time. She turned and jumped, and Adam snickered. To his surprise, she recovered rather quickly.

“What the fuck are you?”

Adam was once again taken aback, and then offended. “I’m an angel, babes, could you not tell by the halo and wings?”

“Well you look like a demon," she replied.

Adam scoffed indignantly. “Fuck you.”

“Fuck you! Who are you and why have you been following me?”

“I’m Adam. Like, first man ever, Adam.”

“Wow, I’m so impressed.”

“And who the fuck are you, bitch?”

“Shouldn’t you know that since you’ve been following me?”

Adam was seething. “Yeah well I didn’t give enough of a shit to remember your name when Sera told me.”

The hybrid narrowed her eyes. Adam narrowed his. The attitude on this bitch! He hadn’t seen such life in her in the weeks he’d been watching her. He definitely didn’t enjoy seeing her come to life like this. Totally not (he did).

“Well you might as well tell me cause you’re stuck with me now that you can see me.” Adam smirked.

She huffed. “(Name). I’m (Name). Why am I stuck with you?”

“Because my job is to follow you, babe, orders from the Seraphim herself.”

“But why?”

Adam thought about fucking with her for a moment, before spitting out the truth. “Because you’re a Cambion, and Cambions are dangerous.”

(Name) blinked at him. “The fuck is a Cambion?”

“A demon/human love child.”

“What, so you’re saying one of my parents is a demon and I’m like, half a demon?”

“Basically.”

They stood in silence for a moment while (Name) processed this information.

“So,” Adam broke the silence. “What’s for dinner?”

[rizzkisworld]

exes to lovers

pairing: ex!enhypen x gn!reader

genre: fluff, slight angst if you squint

word count: 2.6k (each member is 300-400)

warnings: mention of princess treatment in Jay's(I don't feel like it implies a female reader, but understand if gendered terms make you uncomfy), Sunghoon's is a little depressing, lmk if there's anything else

Ty to my bae Milan ( @kairoot ) for the help💋

reblogs and feedback are appreciated!

Heeseung

Guess I never got over you

There's never a moment in time where he's not thinking of you. Everything reminds him of you. Whenever he's scrolling through pictures on his phone, he always comes across yours. He could never bring himself to delete them. You were just.....his whole world. You were his everything and even though you broke up he could still feel a piece of you somewhere in his heart.

He doesn't even try to get with anyone else. He might go on dates here and there, but nothing goes anywhere. Not because the date was bad, but none of them are you. He only wants you. He doesn't admit it to anyone else, but you're always on his mind every second.

A year without you felt like hell. It was the biggest surprise to see you out while he was running errands. He wanted to be normal, didn't want to approach you and make you feel awkward. But most importantly, he didn't want to expose that he still had heavy feelings for you. He assumed you got over him, probably dating someone else now. He wouldn't be surprised cause you're so amazing. 

He's in total shock when you approach him. There's a smile stuck on his face the entire time. Talking to you felt as if the gloom in his cloudy brain was overtaken by sunshine. You were his sunshine. You'd invite him to get something to eat after figuring out you both hadn't eaten. Was this for real? Is he dreaming?

You never realized how much you missed him until now. The others never satisfied your needs. Never gave you the proper attention he had, stared at you with loving eyes like he had, going out of their way to make you smile on your worst days like he had. You realized then that Heeseung was made for you. Being together may not have been right a year ago, but now, you knew it was the perfect time.

Jay

Never a moment you're not on my mind

Breakups were difficult, we all know this. But your breakup with Jay broke you. You felt as if a part of you left. You felt as if you were drowning in an ocean and he was the only one who could save you. But he wasn't there. At this point you believed life was unfair. Your first valentine's day without him really reminded you how in love you were.

The sweet gestures he would do, the dates he would plan, the gifts he would get, the princess treatment you received. You felt like you mattered to him. You felt like you were special. And you were. He saw you as more than just his partner. The breakup did a lot of damage to his heart as well. Though he wasn't as broken for long like you were, the impact you left on his life was visible. Especially now that you are gone. 

You miss him everyday. There were times you believed you were over him. Times when you believed you were okay. Suddenly everything would come crashing down again. You just knew he was with someone new. Knew he didn't think about you the way you thought about him. Though not to the same extent as you, he did think about you.

Fate. That's how you'd both describe it when you bumped into each other. It was at a concert for a band you both loved. You'd spend so much time gushing over them together when you were dating. Things were extremely awkward. Actually that's an understatement for the tension between you two. It was as simple as a "hi" and a "how are you" before you had parted ways that day.

Little did you guys know that one occurrence was one of many. Suddenly you guys saw each other five times a month. At that point you knew it had to mean something right? The short conversations turned into long ones. All of a sudden you guys were texting? Then calling? Oh this totally meant something. Let's just say a rekindle of the relationship was the next step and it came faster than you could ever imagine. 

Jake

Are we even exes?

The breakup was unexpected....kind of. Jake couldn't handle seeing you hurt, you couldn't handle seeing him that way either. With that being said, you both agreed to be friends. Friends, that was totally all you were. He was totally your ex. It was normal to still talk everyday, cuddle in bed, watch movies together, say "I love you" to each other, and make out. You know, things exes don't do. 

You both swear up and down that you didn't realize you two were still acting like you guys were together. It took your friend to ask you if you got back with him for you to realize the situation. That's when the real breakup happened. You cried for days after cutting things off. Some days you felt fine and then the next you would feel as if a pile of garbage fell on you. 

This sucked. Everything sucked. Everyone sucked. It took months to finally get over him. You had started going on dates again and let Jake completely leave your mind. Life without him was strange at first, but then it became normal. Even when you first saw him again at your mutual friend's party, you weren't fazed. He didn't seem fazed either. In fact, you saw him dancing around with another girl. That had to be his girlfriend right? 

Didn't matter to you though. Strangely enough, that wasn't a one time thing. You started seeing him everywhere. Like legitimately everywhere. Was this a sign? Nah, it can't be. Things changed fast however. At another one of your friends party's you saw him again.

 This time he was alone. He came up to you first. You guys talked for a bit...maybe one hour... actually for the rest of the party. One thing led to another and you both started talking consistently again. You found out that the other girl wasn't his girlfriend and she was just someone he met at that party. Safe to say you two weren't opposed to the idea of trying to work things out.

Sunghoon

Seems like we both can't move on

You always wondered if he still thought about you. You for sure thought about him. Every single day. There was no proper way to describe the hole you felt in your heart without him around. It made you feel as if you didn't cherish the relationship while it lasted.  Little did you know that Sunghoon had thoughts about you. They were never ending. Whenever he tried to focus on other things, you popped back into his mind. 

Something he's embarrassed to admit is that he has dreams about you. He didn't even realize that he stopped going outside much. He spent most of his time in his bed doing nothing, but thinking about you. You were no better. You were someone he could rely on and be raw and honest to. He was someone you could be your most authentic self with.

When you went on dates with other people, that was the one thing you noticed. None of them made you feel safe the way he did. None of them made you laugh the way he did. Were you ever going to find another like him? The first time you had seen him again, you chose to not speak. You wanted to get over him, talking to him wouldn't help. 

Funny enough, Hoon shared that same thought process. He noticed you, but feared speaking with you would make it harder to get over you. He knew it would. The both of you hated to admit, but you both hoped to see each other again. Unexpectedly, it happened again. This time, you couldn't pretend you didn't see him. He couldn't pretend he didn't see you. Because you both locked eyes the moment you saw each other.

He was about to approach you, but his friend called for him before he could reach you. Feeling somewhat hurt, you went home hoping another occurrence like that would happen. You didn't need to hope, though. Your phone buzzed, and when you checked your notifications, he texted you. 'Wanna talk in person...alone?' That was the message. You couldn't leave him hanging. Better yet, you weren't going to. Maybe, just maybe, this time things would go right.

Sunoo

The words friend and ex don't mix

You never imagined that you could still be friends with your ex, but Sunoo was different....or at least you thought. Everything was mutual, so you guys promised there would be no bad blood. What was meant to be something as simple as being cordial, you found yourself still texting and calling him. 

It's not like he was much better either. He picked up all of your calls and called back when he missed them. He responded to all your text messages and eventually found himself going out of his way to message you. 

One thing led to another, and you guys began to hang out again. Realizing how much you missed him, how much he missed you, all of this became a regular thing. Still at that, you told yourself that you were just friends and nothing more. That was until your friend asked you directly if you still had feelings for him. 

Of course you said no, it was impossible for you to catch feelings for your ex again right? Actually no, not at all. What if he didn't feel that way about you? Wondering if you should cut things once and for all, you then receive a message. From him. He wanted to meet with you. Anxious was somehow an understatement for how you felt. 

You knew just as good that you would regret this. You knew he was going to cut things off, so you were preparing yourself. This last time you would spend together felt so bittersweet. You'd be in for a surprise when Sunoo spoke words you didn't know you desperately wanted to hear. "Wanna try us again?" That sweet smile you missed seeing. His delicate voice you missed hearing. Nothing in the world could compare to this moment. "Of course."

Jungwon

Can't escape you

You hadn't seen him since the breakup. It had been about 2 years since it all happened. It took you some time, but eventually you were able to move on from everything.  You weren't necessarily trying to get back in the dating pool. Everytime your friends tried to set you up on a date you told them you weren't ready. The time just didn't feel right.

But has timing ever been on your side? Six months ago you started a new job at a café. It was mainly so you could build your bank up to help pay for your studies. Your coworker had told you the other day that someone new would be working. You did not expect it to be Jungwon. While you were wiping down the counter, you heard his voice. There was no mistaking his voice. "Hey, I'm Ju- oh.." He paused the moment he noticed who you were.

"Hi." You avoided all eye contact with him. Opening hours were coming up in 15 minutes, so you needed to make sure everything was set up. However, you couldn't take your attention away from him. He couldn't take his eyes away from you. You both failed to notice that neither of you moved. That was until the door opened and customers started coming in. From that day on you realized you'd be seeing him a lot.

For the first 3 months of working together you didn't dare speak to him and neither did he dare speak to you. The only words you'd exchange were work related. One day however, oddly enough, Jungwon approached you. Why? You still don't know, but the conversation was pleasant. You got the chance to catch up on each other's lives and share a few laughs. That's all. At least you thought so.

More months passed, and whenever you saw Jungwon you got that feeling. You know, the one where you can't think straight when your crush is around and your heart feels like it's 3 steps away from a heart attack? But you didn't have a crush on your ex right? Caught up in your thoughts, you never noticed how his eyes shined whenever they landed on you. How he was so eager to see you and hear your voice. He already accepted defeat. He'd fallen for you all over again. Now, all he needed was for you to admit you wanted him too.

Ni-ki

I'm here now

One of the more..."normal" breakups. Things just didn't work out at the time. He was traveling a lot while you were busy studying. You guys barely had time for each other and the relationship turned into a long distance one. You both decided things weren't working out and ultimately decided to break up. It broke your heart, of course it did. No breakup was easy.

You often found yourself reminiscing on the time you had spent together. He did too. Riki found it hard to sleep some nights knowing you weren't in his arms. I mean technically towards the end of the relationship you weren't there often, but being broken up felt different. Slowly but surely you built yourself up again. You weren't crying anymore and you were able to sleep peacefully now. However, you did still think about him from time to time.

It had only been a few months after all. You were still healing and that journey is never finishing quickly. Once you were in a better state your grades had improved, your skin was clear, you really took time to look after yourself. Riki on the other hand was healing slowly too. A few people had approached him, but he wasn't interested. Though he was getting over you, there were times you were on his mind. When a year and 6 months of your breakup passed, the both of you were in better shape. You both felt better and looked better.

Even better news, Riki was no longer traveling like crazy. He knew this was probably going too far, but he needed to see you. He at least wanted to see how you were doing. He claimed he wanted nothing more, but deep down, he wanted to hold you, kiss you, tell you the words you wanted to hear before you guys broke up. 'I'm here to stay.' You were at the library looking for a book you needed for a class when you noticed a familiar figure in your peripheral entering. It was Riki. You couldn't lie and pretend like you weren't excited. Riki didn't even know why he was there.

Something in his body just told him to go to the library. Now he knew why. Upon seeing you, he couldn't resist the urge to let his arms fly open. You found your way into his embrace. His hug was tight. It made you feel secure. Without saying any words, mainly to avoid noise violations, his body did all the talking. The reassurance you wanted from that time, you finally got it. Riki wasn't letting you go anytime soon. He honestly forgot you guys were in public. To make the moment more perfect, he leaned into your ear and spoke those magical words. "I'm here, and I'm going to stay for you.”

[thesirencult]

How Does Your Crush See You

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PILE 1

Your crush sees you as someone giving, forgiving, abundant and grounded. They might find you "too practical" at times, as you are someone who is mostly focused on work/education.

Your person is probably someone you've met through family or is a close family friend. They see you as part of their extended family. This screams "childhood friends to lovers".

I believe that you are aware about their feelings and thoughts about you. Whatever your intuition says, that's it! A few of you have caught this person staring or their hand lingered for too long on your waist. These are clear signs there is something there. If they look indifferent and nonchalant then they do not view you romantically.

For those of you wondering "are those signs they like me?" yes, they are! Your relationship though is making this person feel burdened.

They would love to be with you but are afraid a confession will mess up everything between you. They also might have a few issues in their life right now and they don't want to bring you any drama.

The same might apply to you. Right now you are busy and have other things on your plate, that's what they think about you right now.

All in all, this pile will apply to you if your crush is someone close to you or your family or a coworker who might have taken you under their wing. Sidenote: This person knows you personally so they have a pretty clear image of who you are. Take care xoxo S...

PILE 2

TW: Mention of anxiety, depression and struggle.

Your crush sees you through a blurry lens, for them, nothing is clear about you. You confuse them. If I had to write a short story about you two, it would be titled "The Girl On The Train", you doing a daily activity and they are there too, staring at you from afar, waiting for you to turn and look at them, locating them and as your eyes lock, you know this person lives their life parallel with yours, always there but never touching. Your soundtrack would have been "Poison Tree by Grouper" and "Limerance by Yves Tumor".

This person, based on the feeling I get from these two songs and their overall energy, is someone who feels like they are screaming while being underwater. They need someone who will see the real them, behind the facade. They might struggle with anxiety and depression and they can tell you have a similar vibe to them. There is something about you, they can't put their finger on it. You are like a ghost to them and they are the only ones who have the magical ability to look at you and admire your beauty. They are not doing it in a creepy way though, they are sweet. They also feel quite sad cause they don't know how to approach you.

In their mind they believe you two would have amazing, deep, heartfelt conversations, no judging involved, just two open arms and lots of crying. They are soft in their core and for some reason they believe you would be able to heal them. They fantasize about touching your hair or kissing your face and wiping away tears.

The 10 of Cups also came out though, so I would say they find you very sweet, someone they would love to have as a soulmate, but they think they do not deserve someon as pure and beautiful inside and out. You are their sweet escape and they would love to get lost in your own world. It's like you are underwater and they want to come in with you, even if they drown. This person believes that love can only be felt in the darkness, the quiet, the 3AM when everyone is sleeping or partying but you are together, sitting in silence and staring into eachother's souls.

PILE 3

Pink Matter by Frank Ocean (Slowed...)

BIttersuit by Billie Eilish

This person, ahhhh, your crush is the epitome of a "soft boi" on the inside. They might not look like someone soft or particularly sweet but their eyes, aww, they make you melt! Their exterior makes you wonder "why am I attracted to them? this is wrong!" This person is meant to teach how to fall in love, crazily and with no logical explanation. You are someone who knows how to love but not how to fall in love.

You have the hierophant/ high priestess energy. For them you are way above their level. You are on a different plane, interstellar. Untouchable. You are the keeper of the sacred and that p/d is sacred, damn! In the song above, the man comes to the conclusion that women's bodies are not just vessels for men to fill or for babies to be made, they are sacred. He talks about his lover like a goddess. If you have already slept with this person you have DESTROYED them for others, or if you sleep with them at some point, it's over, you are a Goddess and they have been a lucky mortal that got to touch you.

Also, if you are curvy/thick they actually love that. In the song there is a lyric about "models are for modelling thick girls are for cuddling". I want to say that this person might be a bit toxic when it comes to those stereotypes. They might follow a lot of instagram models who fit the beauty standard, or you know that their previous gf looked like a model yet they don't consider them "marriage material". Like, this person can have bad habits (smoking, drinking, driving fast, p*rn) and this is driving you insane, because they are not your type, but what I'm seeing is that this person is at a point in their lives that they have started reconsidering their actions and you will play a big part in that.

This person is not that experienced in love. They are experienced when it comes to matters of the flesh but once they are in love they turn to jello. They think about you particularly when they get h*gh. They had a revelation about you while being stoned or in a dream. They find you very beautiful and if you walked up to them and told them you want to lose excessive amounts of weight or you don't feel beautiful they would be SHOOK! They are like "why change perfection?" OH, they are also telling me, tell them to not listen to their bad thoughts" and they want to tell you they know that what they think about you doesn't align with how you view yourself. You think you are a goblin and they see you as an Aphrodite/Cleopatra.

They know you are traditional and serious, wise and calm and they want some of that. They want a spiritual person by their side and someone who will look deeper. They are well aware that you are an unlikely match. The chances they get with you are veryyyy slim. I'm hearing "I don't have a chance, but I'll try."

Wow, don't get scared if they approach and do not reject them. They have a huge heart. Also, the miss your presence if they haven't seen you in a while. They have a crush on you and their friends make fun of them, because it started in a joking manner, they might see you in passing. As an example, they might ride a mototrcycle and they see you almost everyday passing by the park or the beach and they tell their friends "Oh I saw my girl yesterday. She's so hot. There is somthing about her" and now they've been telling them "Have you guys seen my wife? I haven't seen her in a week." Their friends think they are joking but they truly miss you !

[shibaraki]

OUT OF MY HEAD, HALF BURSTING ┊ MIDORIYA IZUKU

synopsis: japan’s sweetheart and saviour is in a quirk induced coma. you’re the only one that can bring him back.

tags: GN reader, post canon au, pro hero deku, quirk accidents, fluff + angst, hospitalisation, mutual pining, intimacy, technically doctor/patient but they know each other, friends to lovers, reader has quirk (‘dream walker’), memory/dream sharing, referenced depression, getting together, kissing, cheesy idc idc

wc: 5.2K

In your years wading through patients' memories, you’ve found that people have the most uncanny ability to resign themselves to their fate. You’ve wondered time and time again whether it’s instinctive to ruin things—if humans couldn’t help but stumble and make a mess of the things around them.

You recall that thought process now with a weary sigh, as your eyes skim over the patient's name for the tenth time in as many seconds. Midoriya Izuku.

“Well? Are you gonna do it or not?”

You’ve been staring at the medical file for long enough that an uncomfortable silence has dawned upon your office. Two weeks prior, a villain named Catatonic used her quirk to force Deku into a comatose state, that which he has yet to wake from. Even after the liberal use of quirk inhibitors, countless visits from Eraserhead and the administration of various stimulants, Deku would not stir. Realistically he should’ve roused from the coma naturally as soon as the quirk was cancelled. But he hadn’t, and his doctors can only assume it’s because he can’t, or refuses to.

Thus the case in your lap. A last resort.

“I’ll do it,” you intoned, thumb flicking at the corner of the manila folder. There’s already a deep crease there. The file itself is the heaviest you’ve ever had in your hands. Dense in a way that makes you ache. You and Deku are good friends—the kind of friendship that forms mainly because you frequent the same places. That place in particular being the hospital, except you were there to work, and he was often wandering the hallways listlessly to burn off the dregs of whatever sedatives he’d taken or visiting with patients.

Awkward small talk eventually blossomed into real, fulfilling conversations, and you started to like him, a lot more than you should. You kept the memory of his small, sincere smile close to your chest; nothing like that dazzling grin he wore on duty, it was softer, something private, and you relished being on the receiving end of it.

He was skilled at talking around his injuries. Sometimes if you felt especially bone-weary after a shift you’d be so relieved to see him that you forgot to ask. That sits with you. Deku is a hero. A good one, the best one. He’s brilliant at what he does—keeping people safe, protecting them from harm. In the entirety of his career, it appears he rarely, if ever, turned that care and consideration onto himself. You’re not a licensed therapist, and barely a doctor. Still you contemplate his medical history with a cold sense of regret.

“You realise there’s a large possibility I’ll end up seeing a lot of confidential stuff while I’m in there”.

“Don’t care. S’not like you can tell anyone”.

“I don’t think you understand how invasive this will be. I’ll see personal things. Private things, Bakugo. He won’t be happy”.

“Don’t care. If he doesn’t like it then maybe he should fuckin’ wake up”.

“This might not work, you know,” you finish tiredly.

Bakugo arches his brow at that. Despite the shadows under his eyes there’s no defeated slope to his shoulders, only a fierce scowl. “Either you can do it or you can’t,” he says, voice unsteady as if reeling between rationality and outright aggression. “You’re supposed to be the best at what you do”.

“I am the best at what I do, Bakugo. I can promise you I’ll find him”.

“Then what’s the damn problem?”

The file feels heavier. It feels like a foregone conclusion. You swallow, your throat dry. You don’t bother attempting a smile. You’ve lost the will to maintain your professional veneer.

“I can’t promise he’ll want to come back”.

Dream walker.

At twelve years old you thought it made your quirk sound whimsical, and gentle, and not at all the invasive thing that it actually is. After all, your reach didn’t end only at dreams. You were able to project your consciousness into another’s mind if it pleased you, parse through every memory, ambition, fantasy, trauma and fear, and manipulate them however you liked. Back when your control was non-existent you would drift into people’s heads whenever you slept like some wayward soul and saw far too much far too young.

The need to understand yourself and your quirk is what drove you to studying medicine. Neuropsychology, mainly. You carved meditative techniques into the very recesses of your own brain and learned to keep your consciousness tightly moored but had no real ambition beyond that. After the war and the complete upheaval and reform of hero society, it was difficult to find your place.

Until Okumura Yukiko.

At the small age of eight, Yukiko fell under the effects of a severe nightmare quirk, and despite the quirk being canceled she couldn’t wake up naturally. You had carefully walked through the delicate threads that made up her young mindscape—quirk-infested by formless shadows with knife-sharp teeth and worse, eerie figures that wore the appearance of her father—you found her trembling inside her mothers figmental wardrobe, took her hand, and guided her out.

When you came to she was curled up in the swaddle of your arms, trembling still, but awake. Her timid incantations ring true in your ears even now. Those tiny little thank you, thank you, thank you’s inspired the person you are today. Not quite a doctor, or a therapist. A specialist for special cases.

Something in your gut told you that traipsing into Midoriya Izuku’s mind wouldn’t be simple. That it would permanently change things. This isn’t some stranger, or a patient you’d never cross paths with again. He’s important to you in a way others aren’t.

Your hand hovers over his face, fingertips brushing his temple. You push your fingers into his thick green hair, rich in colour and soft, no knots to catch on your knuckles. His friends have been visiting in shifts, keeping him comfortable and presentable.

Bakugo had managed to keep the Hero Commission at bay for the time being, but if you came back without Midoriya tomorrow there would be far more than one scowling man looming in your office. Though the possibility left a bad taste in your mouth you can admit, in the privacy of your thoughts, that you’ve contemplated prolonging his recovery for the sake of allowing Midoriya rest. There must be something keeping him under, his genuine reluctance or worse; you’ve been reassured repeatedly of All for One’s death and the absence of the previous quirk holders but it’s best to exercise vigilance.

Midoriya does not react, not even a twitch of his nose, but there’s a flutter beneath his eyelids and a sleepy-sweet warmth to him that has you smiling, fond. Tucking your feet around the legs of your chair, you scoot it forward and bend closer, elbows resting on the edge of the hospital bed. “I’m not sure you can hear me in there. Maybe not. But I hope you won’t hate me for this,” you tell him.

Midoriya’s face remains serene as ever—more so than you can remember. It makes you wonder how much pain and discomfort he’s been hiding throughout your interactions. The tension has been sapped from his expression, lashes fanning over his cheeks. You’re close enough to count each individual freckle. Lightly, your thumb taps the space between his brows. “There are a lot of people out here that love you. They’re waiting for you to wake up, so I’ll have to have a look around your head a bit. Okay?”

Nothing. Heartbeat monitor pulsing a healthy rhythm, broad chest rising and falling, Midoriya continues to sleep. You sigh and cast a final glance around the private hospital room. The clock reads 18:22. Outside the window you see a single cloud, wispy as a dandelion, slowly disintegrate across the dusky sky. You make a cradle with your arm, head resting in the crook while you take Midoriya’s hand and try to relax. Anticipation turns in your gut. Years of experience aside, you’ve never really acclimated to the feeling of that first step into another’s subconscious.

Pressure gathers inside your skull as your quirk activates. You inhale a quick, wounded breath at the sensation. Your eyes roll back, vision swallowed by abrupt darkness, and you jerk against the distinct sensation of falling as your stomach roils. You’re overwhelmed by a cacophony of images and sounds—a determination that happiness would come, then moored to the burden of expectation, any optimism muffled under exhaustion and pain, replaced swiftly by a sense of discontent, grief and regret that swelled over time.

And then everything stops.

Your arms feel empty. Your chest feels hungry. You ache with it, the disquieting loneliness. Fog leaks into the memory, surroundings concealed beneath a thick mist. Behind you is a small pond. There’s a notebook soaking in the water. The koi are mouthing curiously at the weathered corners, faint black tendrils of ink curling off the charred pages. Scrawled boldly across the top is ‘Hero Analysis for The Future: No. 13’. Your strikingly young reflection ripples as you plunge your hand in and fish it out, holding it at arm's length as you shake the excess away.

Sufficiently less soaked, you draw the notebook to your front and carefully turn the cover to read the first page. You can feel the slight indentations on the back where a pen has been pressed hard enough to score the words through the page. Written inside, smudged but undeniable, is Midoriya Izuku’s name.

“Uh—excuse me…” a shaky, pitched voice comes from behind you, belonging to a very familiar pair of teary eyes. Midoriya is not just small, he’s scrawny. His hair is longer, unable to decide on which direction it wants to grow, and his middle school uniform is slightly ill-fitting, as though his mother bought it a size bigger for longevity. He ducks into the higher collar to hide his reddened face when you look at him.

The urge to bundle him up and hide him from the world is fierce. The situation is odd, but you offer a smile and his blush worsens. “Is this yours?” you ask, holding up the notebook. You try not to grimace at your own childlike voice. Midoriya nods frantically. His hands flex around the straps of his backpack. Smaller than the broad palms you’re familiar with, neither scarred nor crooked, trembling where they motion to clasp around the notebook. Your fingers brush and he attempts to swallow the yelp that bubbles in his throat.

“Thank you,” he stammers, pressing the notebook flat to his own chest. Midoriya swallows. His gaze never strays from you, growing brighter with each passing second as the idea in his head takes shape.

“Do you go to school here?”

“Oh,” you blink and the shadows have elongated. The pond is now hugging a school building. You recognise it despite never having seen it before. Aldera Junior High. “I don't,” you answer, sounding sorry. He predictably deflates. “I live close by, though!”

Midoriya perks up again. He shifts his weight between each foot. Red faced and unsteady, he quietly asks, “Do you think we could be friends?”

Your mouth slacks a bit, answers dying in your throat. You look down at your hands, palms upturned and unblemished. The dappled sunlight passes through your incorporeal form. Interaction with anything aside from the true patient during your work is incredibly rare though not entirely unfounded; people who daydream in vivid detail or ruminate chronically on old regrets usually had false memories in excess. Their minds seem to naturally meld around your intrusion, but they never went so far as to seamlessly incorporate you. Which can only mean one thing.

You fit because Midoriya has imagined this numerous times before—befriending you as a child.

Before you can respond you’re being dragged abruptly into a memory, the echo of a blinding flash of pain rippling through you. A reflexive gasp has your chest heaving and you curse at your lack of control. There’s barely a shard of light. Behind you is a hard, jagged surface but below is loose, uprooted. Attempts to move are futile, and agonising. You slump into the displaced rubble, silt and icy embrace, and listen. From above there is only a haunting silence but only a few feet ahead you hear muffled crying and Bakugo’s strangely tinny voice.

Your vision adjusts in increments, from pure darkness to a soft outlined blob to a comfortingly familiar silhouette. Midoriya is poised like an Atlantean statue, holding up the creaking structure and keeping it from crushing the young girl cowered in front of him.

Another wave of pain washes over you as the rubble groans. Midoriya bites back a whimper. His body is sinew and bone pulled taut, skin stretched over a drum. Everything seemed to swell dramatically around him.

“We’re almost there, kid. Two minutes,” Bakugo’s voice spills jarringly from the bulky earpiece hugging Midoriya’s ear. “Now look at Deku for me. You lookin’?” the young girl does as he commands. You see her trepidation falter at the easy smile Deku is wearing. “Bet he’s got a big dumb grin on his face right now, yeah?”

“Y—yeah,” she echoes, clutching the dirtied hem of her dress.

“You think he’d be smiling if there was anythin’ to be scared of?”

Her shoulders slant, the tension released, and she offers a tremulous smile of her own, “No”.

But you can feel, quite viscerally, how scared Deku was in that moment. The nauseating pain in his arms has dwindled into numbness and he daren’t spare himself more than the occasional shallow breath, as if the bloating of his lungs alone might disrupt his balance. Not once does his smile falter.

The surroundings warp again. You struggle against the whiplash, flung unwillingly into another memory. Breath forced from your lungs, the echo of Izuku’s pain dissipates in a blink and you land on unsteady feet, coughing and spluttering in the middle of an eclectic café covered in tinsel.

A sign written in cursive above the chalkboard menu reads ‘Mean Mug’. Melodious Christmas music plays quietly overhead, and the bell above the door is soft enough to get lost in the smooth notes. You’re cocooned by heat and met with bold patterned wallpaper. The unifying palette seems to be warm-toned colours; red, orange and brown come together amidst the mismatched decor to create a cosy atmosphere.

A half heartedly disguised Midoriya shuffles awkwardly by the counter, looking up at the door with trepidation every time the bell chimes to signal another customer. He grins once Uravity arrives in a casual disguise of her own, eyes still bright beneath the shadow of his cap.

They order and settle in a quaint alcove away from the windows and any prying eyes. Neither hero notices your presence as you seat yourself at their table and listen to their conversation. There are things you don’t understand. Code words to be used when discussing sensitive matters outside of their agencies. Inside jokes that you weren’t there for. But most curious of all is the knowing look on Uraraka’s face when Midoriya mentions that he saw you at the hospital that day.

“You’re hopeless, Deku-kun,” she says, as fond as she is amused. “What was your excuse this time?”

Midoriya clears his throat. He grips his cup, pressing until his knuckles turn white. It draws your attention to the thin cast splinting his ring and middle fingers together. “I broke my fingers sparring with Kirishima”.

You remember that, though too entrenched in his memory to attempt receding into yours for details.

“So you leapt halfway across the city to have them stuck together despite the fact that your agency has an on-site infirmary,” Uraraka’s hair falls in a gentle swoop beneath her jaw as she laughs. Midoriya shrinks into himself ever so slightly and her eyes soften. She pokes at his forearm. “C’mon Deku—why haven’t you asked yet? Do you really think you’ll get rejected?”

Glancing back and forth between them, your heart beats a tattoo across the inside of your ribs. You feel as if you’ve both missed something quite important and heard too much. You push your chair backwards and fall away from the table, and the memory, before Midoriya can respond.

With renewed determination—and heat rising to your cheeks—you reign in your quirk, steering cautiously through Midoriya’s subconscious mind as you should’ve in the first place. Images flicker in and around your periphery, each as desperate to draw you in as the last.

You see Midoriya crying, bleeding, lashing out in anger. You see him in a sterilised room, lulled by monotonous beeps, flesh stitched back together. You hear the doctor's voices coalesce into white noise. You watch as he’s handed crudely drawn thank you cards, coffee-stained police reports and thick manila envelopes marked as confidential in large red letters.

You turn away as Eraserhead approaches, a solemn expression, a quiet clink accompanying his footsteps, unnaturally heavy to one side, a young girl with silver hair following right behind him.

Your heart leaps to your throat when he screams in agony. You look down. There’s blood running down the street in rivulets, skin coming apart like wet paper.

You close your eyes. Next you risk a glance All Might is there, thinner than ever. He’s sitting in a wheelchair by a large window swaddled in a thick knitted blanket, watching over the city, smiling.

You turn away, feeling a pang of grief. Midoriya is expressionless, examining his battered body in the mirror, condensation still lingering on the glass, tendrils of heat curling upward as the shower drain gurgles.

Then he’s in a dark room bringing a stranger's hand to his mouth, kissing the centre of their palm, drawing the finger into his kiss-bitten mouth and sucking with a hazy gleam in his eyes.

It’s overwhelming. You stumble and suddenly Shouto is eating across from Izuku. He brings his chopsticks to his lips, noodles hung limp between them. “It’s obvious you like each other. You should just confess,” he says before shovelling his food.

Too private. You turn on your heel and find a patient of yours on the bed, unresponsive. Izuku is beside you, muttering under his breath, thumb pressed to the shadow beneath his lip. He reaches back to brush your wrist and offers a tentative touch of reassurance. You watch yourself lean against him for a moment and then retreat, grateful for his consideration, unneeding of it, and desperately wanting it, all at once.

The scene ripples violently. A reporter is staring up at Izuku with sparkling eyes. Her hair cycles through an array of colours as she shakes with excitement. “It’s amazing, Deku-san,” she insists. “For your spirit to be so heroic that it physically steers your body… that’s special!”

Izuku conceded with a strained laugh, rubbing at the back of his neck. You feel how his stomach knots. “I used to think so too,” he says, sounding far away.

It’s the middle of the night somewhere when your search finally comes to a halt. You find you’ve landed on an empty street, in that dense, heavy darkness that makes you feel like the only person in the world who’s awake. There’s a tall residential building hugging the pavement. Intuitively, you know this is where Izuku lives.

Your footsteps are made heavy by Izuku’s lingering hurt and exhaustion. It’s disconcerting, the way he feels about his apartment. Coming home should be effortless. People come home in the same way they draw breath. But to Izuku, it's a weary, miserable journey that he must consciously think about and do. His perennial loneliness is overwhelming, a near physical force repelling you from opening the large glass door.

One foot in the lobby and the surroundings undulate. You’re dropped in the middle of his living room. It’s vacant. There’s a large box of case files tucked under the coffee table, an old takeout box left out on the counter, a blanket strewn haphazardly over the couch cushions. You pinch the soft fabric and rub it between your fingers, bringing it to your nose as you’re overcome by the urge to smell it. Izuku’s warm scent floods your senses.

Something thuds outside, followed by a tinkling of keys on a chain. Your blood runs quicker as the front door abruptly opens. Izuku looks harried as he ducks into the genkan, quite visibly frayed. The upper half of his hero suit is unzipped, pushed down to hang over his hips, littered with debris and dry mud. You hold your breath as he kicks off his shoes and lifts his head, meeting your wide-eyed gaze. The air around you is charged. Trepidation prickles at your nape.

Then the shadows over his stormy face recede. Izuku gentles, light returning to his previously empty eyes. “I’m home,” he breathes. “I missed you”. His voice shivers down your spine—you know in your gut that this is him, the real Izuku, but that fact is hard to believe while he’s looking at you like he wants you.

“Welcome home,” you smile back, slipping the blanket around your shoulders as you move toward him. “Hard day at—?”

Your intentions are to sit him down, keep him calm so as not to be ejected, and explain what’s happening, but before you have the chance his larger body crowds you against the wall—the dull impact reverberates through your ribs, knocking the breath from your lungs and he’s kissing you as if it’s something he always does.

Though it’s more of a collision than a kiss. The sensation is indescribable. Information spills into your mouth, your quirk reflexively absorbing his every fantasy, ache and want. Your knees almost buckle. The blanket puddles at your feet. Fingers snake into his thick hair, nails dig into his roots where skin becomes earth as you try to reciprocate his fervour.

Under your tongue you feel the cut on his lip, under your palms the dark swell across his cheek. You shake off the cloud of desire. Too many lines have already been crossed. “Izuku,” you whine. His name comes naturally now; you know him deeply enough. Blunt teeth graze at your jaw, your throat. You lean away for air only to catch a glimpse of another angry ivory-red bruise peeking from beneath his loose collar. “Izuku,” you tried again. Then louder. “Izuku, that’s enough”.

“What’s wrong? Did I hurt you?” Izuku rasps as he rears up from the crook of your neck with wide, glassy eyes.

“No—I’m,” your heart beats hard in your ears. Dread sinks low in your belly. “It’s me. I’m really here, Izuku. You’ve been away for too long. I had to use my quirk. We need to wake up”.

“Wake up? You’re… oh,” his eyes grow wider, then shutter closed on a shaky exhale. The cut on his bottom lip has started bleeding again. Rivulets seeped into the cracks between his teeth and stained his gums red. You yearn for the searing heat of his hands as he releases you and staggers backwards to scrub at his face. “Oh my god”.

“Wait. Please don’t throw me out,” you say quickly, reaching to clutch at his wrist in case he panicked. Izuku tenses at the contact only to relax a beat later, his fingers spreading over his eyes so he can get a peek at you. “It took me forever to find you here. There’s a lot of stuff in your head”.

“I won’t. I wouldn’t,” he mumbles. You could collapse in relief. He’s not angry, he’s embarrassed.

“Thank you. I promise I tried not to look at anything too private”. Your mind didn’t make it easy, you think. It was almost like he wanted me to see everything.

Izuku groans and lets his hands drop to his sides in defeat, revealing an entirely pink face. You keep your fingers curled around his wrist, his pulse light and fast. “Okay. I’m okay. We should probably sit down for this,” he eventually croaks, a tremulous smile working its way across his lips. “Drink?”

You pick up the blanket and make your way to the couch while he briefly disappears into the kitchen. Around you the apartment takes on a rosy sheen. A dull clink shudders through the silence as Izuku sets a cup on the coffee table in front of you. It’s your favourite work mug down to the smallest details.

“You remembered this old thing?”

Shaped like a cat, the handle curved in and away like a feline’s tail. It’s piping hot, steam already curling up from it like a crooked finger, like the invitation he meant it to be.

Izuku nodded awkwardly, perched so far forward that it stretched credulity to say he was on the couch at all. He tracks your movements with intensity when you lean to pick up the hot drink. The initial sting to your palms quickly dwindles into numbness as you bring it closer and realise what’s inside. Hot chocolate. The surface sprinkled with those small, cube shaped marshmallows that he likes.

You swallow and feel the warmth spread through your body. A smile pulls at the corner of your mouth as the thick, saccharine flavour floods your senses, washing back the bitterness and thawing your anxiety. You can hear the tension in Izuku’s shoulders snap as he slumps forward, arms hung over his knees and head low in relief. His reaction is oddly vindicating, if not contagious.

“How long have I been asleep?” he asks. “Time is weird here”.

“You’ve been comatose for over two weeks,” you reply. “They tried everything they could before Bakugo insisted on bringing me in. You have a lot of people waiting for you”.

Izuku inhales sharply. He makes an aborted motion to scoot closer before thinking better of it. Your attention strays to the nervous wringing of his battle worn hands. Endeared, you put your mug down and close the distance yourself. Pressed thigh to thigh, you envelop his tightly curled fists, bringing them into your lap. The shaky breath he takes is loud in the otherwise quiet room.

“Honestly I’m surprised you’re still working”.

He looks at you with an unsure, watery smile, sunlight caught in glassy eyes. His voice is thick as he asks, “What do you mean?”

You smile sadly and run your thumb over his knuckles. “You’ve been on patrol. I thought you might’ve locked yourself in your head because you needed a proper break—and who could blame you, really. But you’re working yourself thin even in your dreams”.

Izuku huffed a laugh, more breath than humour. “I love being a hero. It’s what I’ve always wanted,” he says, his voice tight. You sink into his side and feel his diaphragm stutter. “But it isn’t everything. It felt like I was suffocating and I needed something more. Something to come home to for a little while…”

His red-rimmed eyes quickly return to his lap when you meet them. “I still can’t believe you’re here. Your quirk really is incredible”.

You can feel the shame swatting at you like a summer-born heatwave, reminded of just how deeply you’ve invaded his privacy, and how easily you overstepped your bounds.

“I’m so sorry,” he continues, at the same time that you tell him, “I’m sorry, Izuku”.

“Please. Let me go first,” he murmurs like a question. You nod your assent. “I’m sorry I forced myself on you. I thought you were a part of my imagination, like the rest of this place. I should have realised you weren’t. I’m sorry,” he rambles on. “I wanted to be closer to you but I got carried away and I’m sorry”.

“You couldn’t have known. I should have told you it was me as soon as you walked in,” you firmly interject. Izuku doesn’t look any less stricken in your periphery, cheek sunken where he’s gnawing at the flesh. “And you didn’t force anything. I hardly pushed you away,” your brow wrinkles and you smile despite yourself. “I got a little lost in your head, too. Not my most professional moment I admit. But I wouldn’t want to leave either, if we were cuddled up in here all day”.

“Really?” Izuku blinks. Hope colours his cheeks. He clears his throat and shifts in place as he tries very hard to appear unaffected. “You don’t think it’s creepy—me picturing all this with you?”

You think of that young boy yoked with the burden of expectation and feel your heart crack. You can still taste his desires. They’re insipid, belying their age, as though they’d lingered long enough to stale. Izuku treasured his friends and fans', their love and loyalty; yet he felt guilty for allowing them to foster such a blind faith in his goodness. He was a man with faults like any other, capable of making mistakes, of inflicting harm. More than anything Izuku longed for someone to see the darker, uglier corners of his life, and make room for all of him. And you wanted to be the one to do it.

“I’ve imagined this with you. This and more,” bolstered by everything you’ve seen, the confession spills out with startling ease. Your eyes squint above the curve of your grin. “I like you too,” you coaxed his fist open as you spoke, mapping out the carved furrows, shallows and depths on his palm. “A lot”.

“Oh,” he exhales, slowly entangling your fingers.

You give an emphatic nod.

“How mad is Kacchan?”

“Pretty mad. But when is he not?” you laugh at his grimace. “I’ll be there as a buffer when you wake up. It’s my professional opinion that you need a few more days to recuperate and take me out for crêpes. So will you come home with me?”

There’s a gleam in his eyes—a combination of warmth and weight that tugs at your chest. His gaze flickers across your face, from your lips to your eyes in askance. You lean in and he kisses you again, sipping gently at your mouth, firm and slightly sticky with congealed blood. Strange. It feels so real. You suppose it is, in all the ways that matter.

“Okay,” he whispers after one last peck to your lips. You get to your feet as he stands and gestures nervously toward the genkan. “I, uh. I don’t really know how to get out of here so… lead the way?”

You laugh and take him by the hand. “Don’t worry. The way home is always a lot faster. It’s a little disorienting—watch your step,” you warn as he follows you through the front door. Rather than the lobby, or a stairwell, both bodies are swallowed up by darkness.

Spat out just as abruptly, your senses return to you piece by piece. Breathing through the vertigo you peel your eyes open to the rapid rise and fall of Izuku’s chest as he reorients himself. A crick in your neck, a knot in your spine. The clock reads 07:12. There are already nurses bustling around the hospital bed, likely alerted by the frantic heart monitor; that which does little to hide the way Izuku’s pulse stutters when you lift your head to get a look at him.

“I’m up,” he says, throat rough from disuse. There’s a shaky smile on his face. “I’m home”.

Your hands are still entwined, albeit a little sweaty. You smile, “Welcome home”.

[bamgyw]

˚₊‧꒰ა ♡ c.bg; six nights ♡ ໒꒱ ‧₊˚

summary: six nights of emo boy gyu sneaking into your room without your daddy knowing. aberrational catholic guilt ridden catcher in the rye wannabe porn document. afab reader x softdom!beomgyu. warnings: everything, unfortunately. minors dni. heavy smut ahead. lots of pretentious writing, too. catholic guilt and imagery. abusive behaviour, parental neglect. drug use. violence. everyone is sad. i’ll keep on updating part-specific tags. index: prologue: the house of god, first night, second night, third night, fourth night, fifth night, sixth night, dawn of the seventh.

prologue: the house of god

when daddy wanted to hide something from you, he would turn to his beloved bible. and ever since you turned fourteen, he had been holding on to a passage that he would repeat to you every night before going to sleep: 

"let no one say when tempted, "i am being tempted by god," for god tempts no one. but each person is tempted when lured by his own desire. then desire gives birth to sin, and sin brings forth death."

that is the only sex talk your daddy ever gave you. it was more of a sex mantra than a talk, or a warning, or even a prohibition. just a rule of nature that he wanted you to have engraved in your mind: desire is sin, and sin is death.

when daddy didn't want you to do something, he'd blame the rule on god. and there's little you could say against that. 

as you grew up, you realised that god might not be real, but daddy most certainly was. a punitive, disciplinary god. and one feels much more compelled to obey divine rule when god lives under your roof. when you can touch him, and he can touch you.

when god lives in your house and his wrath can tear your flesh apart not in hell, not in heaven, but in this life; you become more cautious than the most devoted of christians. so even when everyone in your grade started drinking, dating, having sex; you had it very clear that the priority was to protect yourself. not from the dangers of drinking, dating, or sex; but from daddy, that is to say, from god.

none of your friends from school understood it, that the fear of god was not irrational. you had scars and bruises that god had given you which you could perfectly show them. but then daddy would get in trouble. besides, he wouldn't like you showing your body around. 

none of them could ever understand what living with god was like, so they were the kind of people who would ask that stupid question; if god loves us, why does he hurt us? 

the first person to understand god was a boy called choi soobin. 

daddy had remarried choi soobin’s mom the year before you started college. she was a beautiful woman, lively and hopeful to start a second life after becoming a widow. it must be thrilling to get a chance at a second life when your first one has gone wrong. soobin’s mom could have been very happy in another universe. you felt sorry that she had stepped into daddy‘s trap. 

you had always wondered how daddy had managed to get a woman like her. bright, cultured and affectionate. but then you figured that maybe, as he was god, he didn't necessarily need to be yahweh, or elohim. he could also be zeus and disguise himself as a swan to kidnap and rape leda. 

you found out later that soobin‘s mom had never fully recovered from the passing of her first husband, and she often suffered from major depressive episodes. daddy saw that void in her, and her urgency to fill it. he forced himself into the hollowness of the void, and obstructed her veins, bones, and heart with the word of god.

soon enough, soobin’s mom had no limb or internal organ she controlled herself. she had once had colours, you remembered; rosy cheeks, a hazel head of hair, lips tinted with vibrant red. but daddy had turned her grey. 

soobin’s mom had been kind enough to see the good sides of daddy, you had liked her for that. but you regretted that she hadn't learned to hide her colors so that daddy couldn't steal them away, like you did. 

she became a shadow of herself, an almost non-verbal phantom trapped between the real world –that is, the confines of daddy's house– and the world of hopeful prayers and the salvation of soul.

the boy called choi soobin would never forgive daddy for that. but it was alright. you understood. in a sense, he had killed his mom. you had to love daddy because he had created you, but you didn't think choi soobin was obliged to. 

people said choi soobin had changed, too. that he used to be a gentle kid, polite and sweet, but he had turned hostile. that, like most teens, he had become self-absorbed and belligerent without a cause or that he had gotten those adolescent mood changes so late in his life because he was an attention seeker. people say things like that when they don't understand what living with god is like.

you were the only one who didn't believe daddy when he said that soobin had a demon inside. you knew better than that, you knew that daddy saw demons everywhere. but soobin’s own mom believed it. when daddy tried to exorcise the demon away from soobin with fist and blood, she looked away.

all that soobin had wanted by acting up against daddy was to save his mom. to bring her back from the dead. but after that betrayal, he stopped trying. 

soobin had never been violent towards you, though. not once. not even mean. you were the only one who understood him, the only one who told him he wasn't evil. you knew that god's tyrannical rule could break a person, fill them with hate. and so soobin and you became close, often talking against god. every whispered defamation, every blasphemy, the danger of it felt so exciting. not because of the mischievous sin, or because of the disobedience, but because you felt like you could speak your mind at last.

your first kiss was soobin. you felt loved when it happened, something you realised you weren't used to. the feeling bloomed throughout the following week as you hid from god's watchful eye to be together.

soobin told you a hundred times that you were the most beautiful girl in the world, kissing all over your face, clasping you as close to him as he humanly could. he would sneak his hand under your skirt and whisper, "don't think about him right now. it's just you and me." and though his touch never went very far in the magnitude scale of sin and punishment, it was enough to breathe a new life into you.

you sensed that a big part of why soobin wanted you so bad was because he got turned on at the idea of defying daddy, and groping his holy daughter was the greatest offence he could commit. but that was alright. you felt the same way. and you hoped that that hate-induced lust would turn into love, in time. you could then be happier, even in the house of god. 

or you could have been happier. because god is omnipresent. and he would soon act to see you separated. the blossoming flower was brutally ripped from the soil.

when daddy found out, he locked himself into the master bedroom with soobin one morning and didn't let him go until the sun began to hide. soobin left that room broken and dead in life, just like his mom, but he didn't have one single bruise. maybe daddy really was god, after all.

soobin never talked to you again. spoken, yes, but it was hollow. you never felt loved again. you learned a lesson that day: your pleasure brings pain to everyone around. the mantra became true. desire is sin, and sin is death.

so if there was any need left in your body to touch, to kiss, to lick, to possess or be possessed; you confined it to the darkest pit of your ribcage, way past your heart, never to be accessed again. 

until choi beomgyu came around.

he was the second person to understand god. but he had brought his lesson learned from home. he knew god’s ways even before he met daddy. he had a god of his own. you called yours daddy, he called his ‘that narcissistic sadist’. but strangely enough, you felt like they meant the same thing. 

choi beomgyu was sort of soobin's friend, if you could even call it that. they never labeled each other as such, never sought out each other's company for the sake of friendship. they just wanted to live through their loneliness while sitting in the same room.

beomgyu’s dad was a dealer. he made a living out of ruining people's lives, as beomgyu saw it. growing up, he had promised himself that he would never be like that, the kind of person who doesn't care about poisoning someone's body if that meant keeping the cash flowing. but as he grew up, he learned that it wasn't all black or white. that all of those fools kept showing at his father’s doorstep, like they had no other choice. like they enjoyed hurting themselves. 

beomgyu, like soobin, had become hateful. one of the things that bothered him the most was the "why me?" question. how unlucky he could have been to be born of such a father. but then again, he could run away. he could sort his shit out, get a job, never see his father again. but he kept going back. like he had no choice. like he, too, enjoyed hurting himself.

his dad barely knew he existed, and if beomgyu ever tried to make himself heard, he would silence him in cold blood. so any semblance of love or validation beomgyu could aspire to, he sought out with mathematically strategised plans. he craved the drug of attention and knew exactly where to get it.

he'd linger around fancy schools and church events, scoping out a certain type of girl. there was always a few of them going through a rebellious phase, desperate to go out with a bad boy and piss off their high-official dad. 

it didn't take much effort for him to get what he wanted. he was handsome enough to make it easy, and even though he was a spiteful nihilist, he could be charming on command. just a smirk, a tousle of the hair, and some cheesy lines like, "i'm messed up, but with you, i feel like maybe i could be better," or "you're too beautiful for a screw-up like me." and he would have them wrapped around his finger. 

he would bring them over to his place and fuck them rough on his drug-money-bought mattress. if there was shouting, or a gunshot coming from another part of the house, he'd fuck into them harder, muffling their fear with a rough kiss, using their panic to fuel his own twisted thrill. you fucking scared? i've gone through this crap every day since i was a kid. 

if he could crack the shell of a privileged princess, dragging someone along with him down to his mud, his pain would slightly numb out.

for just a little, but never enough.

that pattern of behavior didn't lead to happiness. not even to satisfaction. it was a vindictive way of muffling his pain with the aching moans of someone who had it easier. but in reality, it only pierced what was left of his soul, making him even more hollow. it was soobin who made him realize that.

until that day, beomgyu saw soobin as almost a kid—pitifully weak and too sheltered. but when he told him about his exploits of going after posh girls, soobin didn't applaud in shared bitterness as he often did.

beomgyu explained to him how hard he got seeing the fear in their eyes as they realised that the life he led, that freedom of the rebel, wasn't as cute and bohemian as they had romanticised.

soobin responded curtly. "and then what? you cum, the spell wears off and you stare at the ceiling in silence, thinking of how miserable you are." he said. "and then you feel guilty for being a piece of shit and using that girl as a blow-up doll. and because of that you feel even worse about yourself, which means becoming more hateful and ruining more people. its not a you thing, you're not that special. that loop has been said and done. probably how your dad feels after beating on you."

beomgyu was taken aback. he didn’t even find it in himself to get offended. he remained pensive for a while before saying, "hyung. do you think i'm a bad person?"

soobin replied; "i think you can choose not to be."

and beomgyu took the advice. he put an end to the hunter-gathering of rich girls. he respected soobin from then on, too. soobin had therefore been a good influence, one could say. or at least an influence beomgyu was willing to accept. he started hanging around your house more, to the point of almost never leaving.

you learned about him as if he were a mythological figure—someone everyone talked about but whose existence you couldn't confirm. as a friend of soobin, beomgyu was bound from the start by an unspoken rule to maintain the least possible contact with you.

beomgyu was made aware of that rule very early on. what he didn't know, because he had been misled, was your age. that's why he didn't think much of it at first; he thought you were a kid. so, whatever—he couldn't talk to soobin’s annoying little stepsister. big deal. he didn't care about kids anyway.

this, combined with the prison-like structure of daily life in that house—minimal time in common areas and endless hours rotting in your own cell—fulfilled daddy's command to keep your life and soobin's, and therefore boemgyu’s, completely separate.

but even though you hadn't seen choi beomgyu in person, you had been able to construct a fairly accurate forensic portrait of him, pieced together from your father's warnings about people like him.

about the piercings, daddy believed that the body is holy, and anyone capable of mutilating within sin. about the music they played when locked up for whole afternoons in soobin’s room, he believed that god is serene, and disturbing that peace is a sign of the devil. he considered long hair on a man an abomination, and much like the eccentric clothes, a mark of a sodomite.

daddy didn't approve of him, and saw him as no more than a threat to the sanctity of his home. but beomgyu was quick to remedy the situation.

beomgyu was most acquainted to the ways of gods. he knew they were capricious, proud and pathologically narcissistic. so he made sure daddy could see he was a troubled young man and played the role of the lamb seeking guidance. he convinced daddy that he could abduct him, like he had done with soobin and his mother.

when soobin recounted the scene to you, his voice had sounded more hopeful, more full of admiration than you had ever heard. "he went to your dad and talked to him as if he was the buddha. said that he was lost and needed someone to guide him on the right path." soobin said. "he had some quotes from the prodigal son parabole learned, and he just delivered so naturally. not a trace of shame because when he lied to his face like that. it was like watching a play. your dad bought everything."

from then on, beomgyu became an unsung hero in your eyes. the boy who had outmanipulated daddy into having it his way. the boy who had defeated god.

around halloween that year, beomgyu and his dad had a terminal fight. it ended on a threat so destructive that beomgyu thought it was for the better if he stayed away from his father's place for a couple days. maybe a week. soobin, knower of the impotence and humiliation of having to sleep under the roof of the one who lacerated you and torn you to pieces, offered him shelter.

daddy's eyes lit up with greed. he saw the definitive chance to welcome a prodigal son into the fold. for beomgyu it was almost a joke. he was amused at how fast daddy allowed him in. so clueless and hasty, like one of the girls he used to charm into his bed.

in truth, beomgyu wasn't even to blame when he inevitably bumped into you. it had been daddy's mistake, he had let him in himself. you thought maybe that made daddy more human, somehow. that he forgot to close the back door to the prison and the devil strolled in.

but it wasn't really a matter of having let his guard down. daddy was still as stern, still as disciplinary, still as paranoid as he had always been. choi beomgyu was just much smarter than daddy.

he was a demigod, he was a promise. he was soon to make you his.

˚ʚ♡ɞ˚ next part

˚ʚ♡ɞ˚ please let me know if you think reading about booty sex is gross (i'm doing market research)

[risuola]

PROMISE — F. READER x GOJO SATORU

You felt sick watching your husband fighting for his life, but your unborn daughter seemed to sleep just fine despite your complete distress. Little that you know, Satoru made some promises to her.

cw: manga spoilers!!! (chapters 223-235 with not much of specific details, but it’s resolved around the events), reader is pregnant — 0,8k words

a/n: this piece has TWO alternative endings — FLUFFY & SWEET & ANGSTY & DEPRESSING — choose your fighter, I guess

Sick. You felt sick, sitting in the room full of people, most of which you didn’t even recognize. You felt sick watching the screens that showcased live what was happening in the middle of Shinjuku. You felt dizzy and nauseous, and so overwhelmingly sick when you heard people betting money, trying to make profit of something that was so painful for you to watch.

“You think he’s gonna win that?” “Nah, he’s dead.” Some men were talking, chuckling like it was entertainment of the highest level for them. And maybe it was, maybe some sorcerers could benefit from the outcome that you considered the worst one, but you felt like the world was crumbling down in real time. Your world was fighting for his life right in front of your eyes.

You sat there paralyzed, unable to move as all of the voices around you slowly became distant. Yuji’s rambling, Kusakabe’s comments and Yuta’s notes all blurred into one, incoherent noise in the background and you wondered what happened, what went so wrong to lead to all of this. Why it felt like you’ll never see Megumi again? You raised that boy, you talked down his teachers in middle school from expelling him when he beat the hell out of other students, you encouraged him to train harder when he felt down, overwhelmed by the comparison to Gojo’s strength. Why now it felt, like you’ll never get to force another hug out of him, like you’ll never see his grumpy face again? You’ve already lost Tsumiki, the tears from that still felt fresh on your face and now you had to watch your husband on the battlefield, being wounded time after time by a cursed spirit that should have been dead thousand years ago.

You felt your insides turning and twisting into a very tight knot, every time Satoru got hit by Sukuna’s attack, every time you saw blood staining his light skin, you felt a little closer to heart attack. It was a sight you could never familiarize yourself with, Gojo never bled. He never was cut, not even punched and now, all of his body was covered in slits. Just once in your life you saw him in a puddle of blood, decade ago while still in high school and after that, never again. Until today.

You were scared. Petrified with the thought that he might not come back, that you might never feel his warmth again. The idea of going further in your life without him spread out in your mind in the colors of the worst kind of nightmare, your throat clenched, tears rolled down your cheeks as you watched his domain shatter. Infinite void fell down in pieces and the reds and blues were not effective either. It’s worse than nightmare. It was torture.

You felt the pain, deep in your heart, spreading in waves to every cell of your body. You wanted to go there, to jump in and help him, to shield him from the attack even if it would cost you your own life. You wanted to go there and slap Sukuna out of Megumi, to hold the boy to your heart and tell him that it wasn’t his fault, that everything’s gonna be alright. But you couldn’t do either of those things. You knew you’d only be an obstacle, a limiting factor to your husband’s abilities. You knew your tears wouldn’t bring Fushiguro back. You were strong on your own, but now, you were helpless just as everyone else. And you had a life to protect.

And so, you sat there, rubbing soft circles into the bump of your stomach that held the little girl that was yet to come to this world, wondering if she’ll get to know her father. She will, you knew that, deep down underneath all of the layers of fear and worry, you knew that Satoru will win, because he has to win. He has to be there with you, he has to know if his daughter has the same blue eyes as him and the same cute nose as you, because he bet on that. He has to be there to take all of those goofy selfies with the newborn, he has to be there to showoff the miracle that he’s created with you, to be able to put new title to his name – the best dad.

The baby seemed to be sleeping, calm in your stomach despite the utter distress that consumed you. She probably knew better than you not to worry about Satoru. She probably knew that her daddy will never leave her. He promised that to her, when before leaving to the Shinjuku district he pressed his lips to the curve of your bump, whispering things you barely heard.

He made a promise so he had to keep it.

[qqueenofhades]

Hello, qqueenofhades!

I just want to say, that ever since I discovered you in the week following Biden stepping down, you've actually made me not dread talking about politics. I look forward to your thoughts on what's going on, and I want to thank you for that.

I would love to know: What do you think of the apparent exhaustion from Republicans/MAGA about Trump? People leaving his rallies (and that's not even covering how few are even coming at all or his supposedly needing to pay people to come), and the slew of formers we see at the DNC openly talking about their change in sides. Do you have any ideas about what might be causing this shift? Was it Harris? Was it Jan. 6th? Was it one singular reason, or multiple at once?

Hope you're having a good day.

I think it's a lot of reasons. First, as I said earlier, the whole theme of the DNC is about reclaiming the USA FREEDOM message from the Republicans, who have had a monopoly on it for the past three decades at least and used it to justify even more antidemocratic fascist militant theocratic hard-right turns. The scenes of joyful people talking rousingly about hope, compassion, morning in America, and breaking out into regular USA! USA! chants appeals a lot to the average American, who doesn't want to hear constant violent and negative bile from the Orange Felonious Traitor, because that is literally the only thing he has to offer and it's getting openly more deranged and dangerous every day. The whole Tough Talking Populist Outsider shtick worked in 2016, when Trump didn't have four years of incompetent chaos as the actual president and was just a theoretical concept who a lot of people thought would "smarten up" and take it seriously if he actually won. Likewise, the backlash of white grievance against Obama and the complacency that Trump didn't actually stand a chance was able to be leveraged against the decades of smears that the GOP had already leveled on HRC. Of course, Trump lost the popular vote by 3 million-plus, but the Electoral College did what it's designed to do and he snuck in anyway. But it wasn't a rousing landslide or a thumping victory.

As such, a lot of Reagan Republicans are now turning to the Democrats as the actual pro-USA party, because Trump trash-talks America, calls it a shithole third-world country, bellows about WWIII and the Great Depression, cozies up to foreign dictators, etc etc. Reagan also pitched the sunny message of America as the shining moral hero of the world (he in fact used the Make America Great Again slogan that Trump repurposed), and that likewise resonated with people after the chaos and unrest of the 1970s. Now, we all know that I hate Reagan's ass and I hope he's burning in hell for so many reasons, but his message was effective because it gave people a soaring rhetorical vision to believe in (even while he was often stripping away their economic prosperity in particular behind the scenes, all together now, FUCK REAGAN). But the Republicans who joined the 1980s party are now seeing Republicanism become a tawdry cult centered on, as Geoff Duncan (GOP former Lt. Gov. of Georgia) put it yesterday, the worship of a felonious thug. Trump is wildly anti-America; he only uses it as a vehicle to get what he wants, because Donald Trump is all that Donald Trump cares about. Yes, there are still plenty of brainwashed cultists in numbers great enough to make this election far, far closer than it should ever be in any sane universe, but increasingly even his own cultists don't want to hear it anymore. They keep leaving before the event is over and he's drawing far smaller crowd sizes than in 2016, which as we know is pretty much all he cares about. He has a desperate need for attention and approval to feed his damaged narcissistic-sociopath dementia-riddled brain, and he's just not getting it, while the very real prospect looms that if he loses this election (and it looks more and more like he will) he will go to jail for the rest of his life. Terrifying.

That's why we have the unprecedented spectacle of lifelong Republicans and former Trump voters flocking to Harris in large numbers. We've had Republican speakers at the DNC every night, and they keep playing video montages of former Trump voters disavowing him or explaining that they won't vote for him. If you consider what propelled Trump in 2016 -- conservative white grievance against a black guy named Barack Obama -- the willingness to unhesitatingly embrace a black/mixed-race WOMAN named Kamala Harris is incredible. Many of them were already planning to vote for Biden before he dropped out, but it was no certain thing that they would move from being willing to vote for an establishment old white guy to also being willing to vote for a woman and a person of color. The fact that we've had so many high-profile affinity group Zoom events for Harris, including from truly unbelievable quarters (Republicans for Harris, Mormons for Harris, EVANGELICAL CHRISTIANS for Harris), shows that there is a country-wide exhaustion with Trump's poisonous selfish grievance performances, where he's willing to do anything to anyone and turn the USA into a fascist dictatorship if it will exempt him, personally, from the consequences of his odious actions. That is not a message that any sane person can support, and more and more, they don't. As I have said before, that is why fascist movements always sow the seeds of their own destruction. They work for a while, but eventually they're boring, they're mean, they're exhausting, and they offer nothing for anyone but being angry all the time at everyone. Most humans don't like that, and eventually, they drift away.

I also think that part of the reason Kamala absolutely nailed it with Tim Walz as VP is because Walz is the literal anti-MAGA in every way. We have seen a lot of similar straight white military-vet football-coach-type Middle America older men drift into MAGA grievance politics because it offers a home for guys like them and feeds on fear of the future and fear of the other. They feel like they're being heard and understood, even if they aren't, and they vote Republican because they've grown up with Republicans being the pro-America party (however defined). But because Walz is a straight white married military-vet football-coach guy who actually models a joyful and compassionate masculinity, an openly emotional and supportive masculinity, who talks movingly about his love for his wife and children, who is a hunter and gun owner who nonetheless loves kids more than guns, who has taken his small-town rural-America values and become an effective and genuinely progressive politician focused on making ordinary people's lives better, he offers a total antidote to MAGAism. He shows that it is possible to be a traditionally manly American straight white guy who is not a gibbering conspiracy theory-addled shitbag dedicated to trampling on everyone else out of reactionary fear. He shows those guys that they can embrace the diverse future and not have to fear it, and he gives them a permission structure to vote for Democrats because it's the right thing to do AND feel that the Democrats are now the real pro-America party.

Basically, right now, Walz is the most popular member on either ticket, and he's crushing Vance into oblivion (there's something like a 27-point difference in their favorable/unfavorable spreads) because Vance is a horrible robotic hateful gremlin and Walz is an authentic and genuine person who a lot of traditionally Republican-affiliated men (and women!) can identify with. He's also the guy who came up with the devastating "weird" attack line that the GOP can do nothing with except splutter and whine, like playground bullies, that no YOU'RE THE WEIRD ONE. He models that it's actually normal to want your leaders to be compassionate human beings who want to use power to make your lives better, and not hateful fascist alt-righters dedicated to making you also hate everyone and be steeped in doom and gloom. That is why people responded so well to Obama in 2008 after the turmoil of the Bush Jr. years, and why this feels even more monumental than Obama. We won't know until the votes are counted, but this giant tsunami just rose out of nowhere when Harris took over, and it's speeding forward in a really incredible way. We've got to do the work and we've got to vote, but if we do, we could absolutely pulverize Trump and MAGA to smithereens in a way that means it wouldn't be able to come back for a good long while, and oh, what a glorious day that would be. So yes.

[moonstruckme]

Glad your back love! I have a request if that’s alright. Remus and reader going on a bookstore date and lunch or something!! That would be so cute. Imagine how excited both of them would be picking out books and being affectionate. Just a lot of fluff and cuteness. Thanks sweetness hope you enjoyed your break!

Thanks for requesting sweetness!

Remus Lupin x fem!reader ♡ 1k words

You’re feeling a bit guilty about the teas you’ve snuck in, but if there are two people who can be trusted around books, it’s you and Remus. He takes a careful sip as he leans in to skim the titles, sticking one hand in the pocket of his pants. 

“Island of Love,” he reads, amusement lilting his tone. “Original.” 

“I think I’ve actually read some of that author’s stuff,” you say. 

Remus quirks a brow at you interestedly, hand coming out of his pocket to pull the novel from the shelf. “Let’s see, a summer wedding, the groom’s brother and bride’s maid of honor hate each other, but—oh, he’s frustratingly attractive…and something about passionate summer heat.” The corner of his mouth twitches. “Wonder what that could be alluding to.” 

“Alright.” You steal the book from him, slotting back into its space. “I never said this stuff was, like, literature to be studied at Oxford. If you’re going to disrespect my section, run along to yours.” 

“Fairly sure it’s considered rude to abandon your date,” he muses. “What’s my section, by the way?”

“Depressing stuff.” 

“Oh?” 

“Mhm.” You take a sip of your own tea, trying not to fluster under his attention. You scan the shelves idly for a distraction. “It’s all rather doom and gloom. Very well-written doom and gloom, to be fair, but I’m not always looking to have my life changed. This stuff is fun, at least.” 

“I see,” he hums. “Oh, this looks familiar.” 

You turn to see him holding up the shiny new version of the worn and waterstained paperback that rests perpetually on your nightstand at home. 

“How do you know about that?” you ask him. 

Remus smiles. Your heart flutters. “It was on the coffee table when I was over last week. Are you rereading it?” 

“Yeah.” You shrug, turning your eyes away from him. “I reread it a lot, it’s my favorite.” 

“Mm, I noticed it looked fairly battered.” 

“Well-loved,” you correct him. 

He chuckles quietly, and you grin because you can’t help it. “Right, so sorry. My mistake.” 

You brush a piece of hair out of your face, slotting it behind your ear. Watch Remus’ eyes track the movement. “So what’s your battered book?” 

“Hm?” 

“Your favorite,” you clarify. “The book that’s all war torn and full of nonsensical annotations.”

He thinks for a minute. “I’m not sure,” he admits. “I have a few I go back and forth between, but lately it’s been The Secret History.” 

You have to cover your mouth with a hand to hide the full breadth of your smile, and Remus narrows his eyes at you. 

“What?” he asks.

“That book is so depressing.” You shake your head, delighted at being so right. “I mean, it’s beautifully written,” you amend. “Really gorgeous. I’m just not sure I found the plot as compelling as the prose.” 

His mouth actually drops open. You can’t tell how much of the shock is teasing and how much is real. “You thought that book had no plot?” 

“No, I mean, plenty happened.” You turn to face him, forgetting about the books around you for a moment to focus on this one. “But I felt like it happened so slowly, and there was so much in between that was just tons of description. It was like they almost skimmed over the murder part! There were so many plotlines that were brought in and then just disappeared, though I guess I can respect the ways in which it reflected real life.”

You think for a second that Remus might argue with you (he should, really—it’s his favorite book and you’re slandering it), but he keeps his mouth shut, watching you interestedly. 

“And don’t you think Richard was a bit passive? Henry and Bunny had so much going on, but the narrator could have literally been a fly on the wall the whole time. He kind of reminds me of Nick Carroway, you know?” 

“From the Great Gastby?” He tilts his head, eyes squinting a bit (it’s devastatingly cute). “How’s that?” 

“Just, they’re both such flat characters.” You frown. “I don’t really think either of them needed to be in the story at all. I mean, having a narrator that’s a character with no personality is effectively the same as having a non-omniscient third-person narrator, right?” 

Remus is biting the inside corner of his lips like he’s trying not to smile. “Right.” 

“What?”

“I’m just thinking that I need to get you talking about books more often,” he says. And that’s real affection in his eyes, mixed in with the humor. 

You look down, grinning at the front of your shirt, but his little smile doesn’t waver. 

“Shouldn’t be hard,” you say. An awkward, obvious sidestep of the compliment, but he lets you get away with it. “Your turn. Let’s go to your section.” 

He shrugs. “If you think you can stand it,” he says, but starts moving in that direction. You notice he’s still holding the copy of your favorite book. 

“Aren’t you going to put that back?” 

“No.” He doesn’t need to look down to know what you’re talking about. “You’ve already torn one of my choice novels to shreds, now it’s my turn to read yours.” 

A little bite of nervousness snips behind your belly button even as his sidelong look lets you know he’s only joking. “You could always borrow mine.” 

Remus blinks. “I’m flattered that you’d trust me with it,” he says, and it almost has you blushing again, that he knows the significance of you offering him your copy, “but I think I’ll read the un-annotated version first. But if the offer still stands after I’m finished, I’d love to read your thoughts on it.” 

He says it like it’s nothing. Like taking the time to read your favorite book twice, just so he can get to know you more thoroughly, isn’t the sweetest thing anyone’s ever so much as thought of doing for you. You worry that if you look down, your heart will be glowing right through your shirt.

“Alright.” You muster your courage, taking him by the hand. “But now we also have to find one to read together.” 

Remus has looked down at your joined hands, something like shyness coloring his expression, but he looks up to quirk an eyebrow at you. “Are you so sure we’ll be able to find something we can agree upon?” “So long as it involves a main character that actually does something, I think we can manage.”

[krewekreep]

Baby Daddy Red Flags: Bleach Edition (😜🤍)

This one…this one for the sluts! 😭💕 I’m an old anime bitch like lemme get it out my system! (We gonna tag this #ToxicTalk lmaoo, this is a safe space)

(If you wanna know who we share 😒, I’ll add an asterisk or whatever. ((They still mine first 😂💝🫡)) (will update and repost with new additions, semi-live post)

***ICHIGO: Lemme get my baby daddy out the way. Biggest issues would be his availability before and after the kid. Probably got pregnant in a makeup sex situation anyway. Ichigo doesn’t seem to type to breakup but will say let’s break. Based on how selfless he is it also can be seen coming from him not being able to save his mom—so he may have a savior complex. It may seem valiant at first like “oh wow you became friends with Chad helping him with bullies? You became closer to Orihime (😒) after helping her grieve her brother? You’re such a good person!” Til you realize seniority is in place and when his friends call he drops whatever he is doing to go help. It’s been time, money, etc and increasingly his selflessness comes off as codependent. Like he can’t stop trying to make up for something that wasn’t his fault.

He will also randomly reserve to right to become reclusive. Not necessarily secretive but less energetic, talkative, or engaged. (You def realize your baby got some functional depression going on. Iykyk). Might not annoy you but the random times he doesn’t want to be touched or seemingly avoids you does hurt…but he sincerely comes back letting you know he was in a weird space etc.

Ichigo’s biggest yes or no is if you’ll be able to sometimes come second or third (likely til you marry and/or have kids with him.) His father and sisters are absolutely #1, his friends are #2, and his oath to the Soul Society and humanity at large is a consequence of him protecting the first two so that’s of course #3. See where I’m going? Even on your best days you might be upset he runs off to Rukia’s or Orihime’s aid. That he has to “save the world,”to save you too. Jealous types might really become frustrated with Ichigo. And tbh I don’t see him breaking out of his ways. He won’t see a need to because there’s real results of his good deeds in his life. He knows he’s saved lives, so he knows he can continue to—so will you be able to handle the fact his duty and mindset will be self sacrificing? I don’t know I think I’d tie him down with a baby and move on.

**KENPACHI: I fully accept and am attracted to his animalistic tendencies. I absolutely can admit that about myself 😭 but…realistically you’d def have to tell him he’s too rough during sessions. He’s grown up wayward, defensive, survival mode, stomach touching his back— during a time so seemingly historical and old who knows how bad the conditions of poverty were—most kids died if they simply weren’t rich and able to eat. Or turned to crime at extremely young ages or exploited….That’s just global history in real life. And the soul society is that much more complex and arduous. Kenpachi will be a man of few words but immense action. If you want someone who will open up even eventually that is not Kenpachi Zaraki. You will highly likely never know of his past because he will never say he is excruciatingly doing everything to never have to. And no, he won’t communicate ever if anything terrible is on his mind. Although kenpachi is coded as barbaric he really is just that protective—he’s as angry as he will be based solely upon someone’s proximity to him emotionally. You and Yaru will be so exclusively held in a regard he won’t even understand. Just the black hole of his awareness he’ll surpass anything to save y’all. He won’t speak on why Lady Unohana isn’t around anymore (new anime, manga lore). But again, when he ends up rough too many nights in a row you distance yourself from him. He can’t admit to you he disassociates and goes back to bad times. He can’t tell you your comfort and warmth makes him remember the times he needed it before—he doesn’t mean to hurt you but he lives for a fight. But he wants to stop making everything and everyone something to “conquer.” He’ll be a real deal handful and it will solely up to you to either tell him you can’t be with him until he figure shit out or you’ll stick beside him and work through it together. (In this case Yaru is the “kid” yall share, I see him being weary of birthing a child and being a dad in such a “visceral” way. Will have total abandonment trauma and just can’t see him getting over it completely to bring new life into a world he already sees the worst in tbh.) but in terms of “baby momma” treatment? Or your prioritized and protected best believe. 💕 he also will force you to learn combat cause you should be able to take care yourself too. Which might either be hot or burdensome. You’re gonna know how to fight. And tbh he might try to bring it into the bedroom on some weird let’s play fight shit so watch yourself. That’s a BIG MAN! 😭😂💕 “HA! Now that you know how do a few things why don’t you test it on me?” Big cheeky sneaky ass grin girl don’t fall for it!

BYAKUYA: This is the guy who will match your freak everywhere but in public. No PDA—actually don’t even look at him or try to talk to him in public…be professional. He will be joking with others and you’ll get upset saying “Hey! You let the other members of the society tease you?” And in private he’ll admit it’s just to keep up appearances and he hates it all. 😭 I think his biggest issue will be coming off fake or disingenuous or you’ll have a hard time sincerely seeing him cause he’ll be so different depending on where y’all are. People wouldn’t know he’s like a mom boyfriend who makes sure you eat, sleep, and keep up with yourself. Yes, he will absolutely unintentionally say something insulting like “This doesn’t suit you. Find something else.” And yes he will be very clearly on guard when in public. People will openly wonder why you’re with him tbh. Which will frustrate the both of you of which neither of you ever bring up to the other. Byakuya has lost a love before—he won’t talk about it ever. You MIGHT get something out of Rukia about it cause it was her sister but I doubt she’ll go super intimate about THEIR relationship cause she respects both his and her sister’s privacy. So you might be stuck on an eavesdropping side quest with Renji that amounts to nothing cause he’ll sense yall. He’ll be amused and somewhat touched you wanted to watch him work though. He’s usually the one keeping check or track of things so he’ll never say he likes that you peep on him and mind his business. You care about him and he knows he’s a bit unfair not allowing any PDA. But he so openly loved on Rukia’s sister he couldn’t help the shameful self imposed embarrassment once he had to walk the halls alone…Byakuya will be a very intentional, quiet lover. I doubt he’ll moan very much tbh unless he’s exhausted and allowing you to take care of him. Sometimes he’ll absolutely disappear all day into work. Other times he’ll be sure to direct his underlings to wait on you in his stead. He’s more manageable if you can accept his sometimes snarky, distant, super private ways. As a father he’ll be annoyingly big on exceptionalism and them being smart and talented. You’ll have to be sure he isn’t burdening your kid when you aren’t around. And you’ll have to be sure he doesn’t inadvertently impart his insensitive habits too. Likewise, you’ll ABSOLUTELY have to “deal or no deal” him about giving affection to your kid in public. You will absolutely have to go off and tell him it’s y’all or his image. And yeah now he’s holding both yall hands albeit defeated. 💕😭

AIZEN: Shit…girl (im black my “girl…” is gender neutral don’t be annoying 💕) you already know what it is. Yandare, selfish, self righteous, MEAN, EVIL…but fine and rich as fuck. 😔🫤 it will be a doozy to be with this one. You literally have to know and accept what you getting into bestie. I can’t even warn you, you know! 😭 but seriously if your an aizen bias you accept him as is 😭 psycho ass. So I wanna just write how’d he be as a baby daddy. Now not to get…too mature…but if you happened to be someone captured/kidnapped by him and pregnant…baby you is a victim! BUT ITS FANFIC SOOO if you were the captured baby momma that’s in his realm with him…well girl you in the realm lord you stuck. “Can I go to the human world?” “For what?” “Uh, sun?” “Humph what do you need sun for…” He’ll look down at your crying child and be like “Ugh okay whatever but Grimmjow is your chaperone.” And you won’t care cause Grimmjow lets you run off and live life. Which Aizen knows but the minute you aren’t overtly scared and submissive to him he’ll lose his weird sense of “power.” You’re man crazy bestie. He’s definitely someone you won’t talk back to until you’re a parent and equally going to advocate for your kid. He’ll realize and laugh to himself “Their not really submissive at all…little minx…” and hold you in completely new regard. “So you took me as is because you wanted to?” He’ll start thinking shit that confuses him and decide to randomly kill a grunt to distract himself like no he’s not gonna reflect into a better person. 😂 you’ll have everything you want cause you can’t go nowhere 😭. Mind you yes the sex is mind blowing so you sadly do take what positives are there…his eyes don’t fall sexually to anyone but you. His body doesn’t respond certain ways to anyone but you. And as you stand next to him more and more he’s leaning into you and your baby’s energy rather than tryna to overtake yall with his. Just don’t speak about the change and it’ll be fine. The minute you tease or openly acknowledge his becoming softer and less controlling you’ll ruin all the progress you made. Let him feel like he’s in control or whatever.

New Additions (1):

Hitsugaya: (adult of course) Hitsu will be a blend of Byakuya and Ichigo. The best aspects of him will be how attentive and actionable he is about his love for you. But — he will shy away from PDA and sometimes have moments of separated solitude. Unlike Byakuya, he will absolutely open up to PDA, just will never be the initiator of it. Maybe grab your hand at the end of the day to hurry back home or stare at you as long as he can while he observes your dutiful working. He’ll be shy always which keeps your love feeling young and refreshed. You’ll always be able to make him blush and unlike Ichigo, he’ll warm up to you imposing yourself on his alone time. He’ll be big on love making and planning when to have a child so it will be less spontaneous. He’ll have the baby registry and wishlists prepared, printed, and passed out to members of the Soul Society. He’ll enjoy trips to the human world to acquire new toys and trinkets for your baby.

As a baby daddy he’s almost too protective. You wonder what he’s been through as he’ll have a firm grip of your hips as you cradle your child. He’ll have a habit of looking at your baby and then between the both of you stunned at how he can see the perfect blend of your features on your child’s face. He’ll be very close to a simp honestly (which I’m a fan of) and be at your beck & call no matter the hour. Definitely the dad to tell you don’t worry about tending to the little one, keep resting cause he knows how tired you get. He’s honestly the perfect idea of a new father as he’ll be bumbling a bit but with so much to prove. I realize I kinda didn’t write red flags cause I truly see Hitsu adjusting to parenthood and a long term relationship the best. Only thing I can think is that he’ll be overtly willing to sacrifice himself for your family’s safety. So any massive issue in the Soul Society will make your heart sink a little because while he’s capable he’s been in enough life threatening predicaments to cause ample, appropriate worry. He’ll be hard to break out of working I think until your child starts schooling which could be frustrating cause he’ll overcompensate parenting in lieu of his work commitments. Overall, I think he’d be the baby daddy with the least to really worry about.

Renji: Oh lord— all tea, all shade this man will STRUGGLE. « What do you mean the baby is hungry AGAIN ? You just breastfed! WAIT DO NOT PULL YOUR TIT OUT IN PUBLIC WOMAN ! » He’ll have a hard time adjusting to your freedom as a breastfeeding mom for sure (if you choose to). Work ? What’s work? One thing you can count on is that he will absolutely commit to being a family man and even a stay at home dad. He’ll take all his PTO or even « quit » (basically will say don’t call me to help unless the Soul Society is about to die.) He will wait on you hand & foot because he can’t imagine how much your body and mind has gone through and the strength it takes to be so tired but smile and laugh with him and your kiddo. But, he may end up a bit controlling about you leaving the house without him. He’ll either become a sad puppy or an angry old man. « Baby…what do you mean you want me to stay home ? 😓🥺 » or «  Woman, what did I tell you about going out without me ? What if a crazy person tried to rob you ? » You laugh at him always being some level of dramatic but it may get annoying how clingy and worried he’ll become. You’ll have to remind him you lived this long for a reason…and plan to live longer, so he can chill out sometimes cause his worried nature worries you…you might benefit from guilt tripping him into apologizing and giving you a breather on leaving the house. But just know someone is watching over you. Renji would be a great cook or a terrible cook who improves over time. He might be great at catching the baby right when they poop or…end up shat on rushing to a sink. I really see him either being weirdly good at being a dad or definitely suffering from the learning curve.

Your baby will definitely be conceived in a wild love making, (maybe rough, passionate sex) session. And you’ll catch him blushing when he holds your baby and looks at you remembering the night you had. You’ll be the type to walk in on them sleeping crazily on the sofa, his arm instinctively holding your baby firm. He’ll be grateful to not have to jump up to go to work honestly. His biggest red flags will be being overbearing, needy, and likely requiring a lot of overt reassurance. (Which isn’t necessarily a red flag given he just will want to be a really good dad and partner.) Otherwise he’ll become a stubborn dad who will try (and fail) to « put his foot down. » Which will likely result in him sleeping on the sofa…💕