#so its dead

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[parkore]

made a guy btw

[densewentz]

When a cunty witch beats you to death then steals your boy toy for eternal torment 😢 (based on that 'don't you miss her???' meme)

[opikiquu]

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[nenayaquisieras]

Simon has always been confused on why you gift him toys. Sure, most of the gifts you gave him were some of the things he liked. Bourbon, masks, gloves, make up for him to smudge his eyes with, some daggers and knives. Things that we're useful for him, just him. But later, you gifted him a toy airplane. He makes a comment about it, saying he is not a child anymore and you were better off giving it to Johnny instead.

"No, this is specifically for you, take it."

When he gets to him room, he walks toward his trash can, opening it with the tip of his boot. He gives one more look at the toy, his mood souring before throwing it into the trash. He goes on about his day, training, signing paper work, drills. Doing anything to ignore the pain stinging memories that the toy brought back. Emotions that were buried thousands of feet deep it could reach hell itself. Later, he lies awake in bed, staring at the ceiling, avoiding looking at the cylinder shape that's calling for him in his peripheral.

Fuck.

He pulls the covers off vigorously and stomps over to the trash can. He is standing over it like he's trying to intimidate it, as if it was an enemy he's trying to get rid of in battle. To anyone else, the scene would look comical.

He sighs to himself and reaches down to take out the toy he so cruelly threw away. He sets it on his desk and quickly walks toward his bed, facing away from his desk.

The next day, he wakes up feeling different. He swears he sees his room more vibrant, more lively. That energy follows him through out the day, having his other teammates notice his rather bright mood.

You catch him in the hallway. Pulling him aside to ask him about the paper work you left at his desk this morning. Of course, he notices the way you smile brightly, more so than usual. But he notices that you're not looking at him. More like looking at something next to him.

"What's got you so cheery?"

You turn to look up at him, feeling a bit embarrassed.

"I just..." You take a quick glance at the spot next to him, before bringing your eyes back upon his.

"I just hope you liked your gift." The same bright smile appearing on your face.

He stares at you, examining your words. Your expression.

You think you see his eyes crinkle a bit.

"Yea,"

"I liked it."

[eggsploded]

heiress eternal

[f0x-gl0ves]

On that cowboy shit again (pls click for better resolution probably ♡)

[sharkfinn]

Dead Ringer

"Screaming.

It’s the first thing he’s aware of..."

Here's my submission for @ecto-implosion !!!

And a link to the amazing fic @browa123 wrote based on it!!!!! It's REALLY well done, it was sooo fun working with you and I couldn't have hoped for a better end result 💚

Thanks for having me!! I've had this idea for years and finally got to use it for something COOL, I'll definitely participate again if there's another implosion in the future. I met so many talented people

[im-totally-not-an-alien-2]

Danny, at 17, did not have the best love life. This is partially because two of his must haves in a partner are " Will protect me with their life" and "Will commit unspeakable acts of violence for me" or at least beat someone up for his honor.

Naturally, this doesn't always result in the most stable of partners.

His first girlfriend, Valerie, became an anti-hero and broke up with him for his safety.

He finally got with Sam in sophomore year only for the feds to come into class one day to arrest her. To his surprise, her crimes had nothing to do with ghosts but rather an incident where she went too far and committed a few acts of economic terrorism. Danny and Tucker never really learned the specifics of the crimes, and her parents hushed up as many news outlets as they could, so there wasn't much info to go around. All they knew was that she saved thousands of lives by doing it.

In the end, she was sentenced to eight years, and she broke up with him so that he wouldn't wait around for her to get out.

His third partner was a guy named David who was really sweet. Unfortunately, Danny got kidnapped one day by David's arch nemesis, who was some villain with a corny edge lord name. Yeah. David had become a a super hero after they started dating.

And if you guessed that he freaked out and dumped Danny for his own protection, you'd deserve a cookie.

Danny was noticing a pattern here. One that continued with everyone he dated. They always became some kind of hero before dumping him for his own protection, and it was infuriating. Sure, danny could defend himself, but he was never deep enough into the relationship to reveal his phantom half, and frankly, his hero career was something he left behind when he left Amity and destroyed the portals.

He met Tim at a skatepark after Tim fell off his board cause of some jerk speeding out in front of him on his own board, forcing Tim to stop or else hit the guy. The guy was unrepentant and Tim calmed him down (this did not stop him from melting the guys wheels with an ectoblast when no one was looking).

Tim then asked him to coffee. Danny, noticing how cute Tim was, agreed.

Danny was up front with his parents being mad scientists in Illinois. He always was with all the people he dated. It was better not to hide these kinds of things or worse, wait until you're already attached and afraid of losing them. So he always told potential partners as early as possible. Tim seemed a bit put off by this but was calmer about it than most, and they continued chatting.

Tim didn't seem like the type to turn to heroism or anti heroism so he felt safe on their later dates. It was only after he had known Tim for a while that he put the pieces together.

Tim was always covered in bruises that he hid with his clothes and make up, he had complained about batman over the phone when he thought danny couldn't hear, he was rich, he knew how to fight as revealed by his stances and footwork dispite trying to pretend he didn't, and lastly he held a lot of political power and influence being Bruce Wayne's son. Power he had no reservations using when it suited him or he was just feeling petty (that pettiness was part of why danny was falling for him harder than he thought he could)

No wonder Tim was so okay with his parents being rouges.

Tim was a villain!

At least Tim wouldn't leave him like all his exes. Danny doesn't think he could handle it if he did. Another good thing about this is now he can talk more freely about the more villainous and morally gray ideas and inventions when he was alone with Tim.

Tim didn't see anything wrong with Danny's idea to use something similar to cloning pods to make synthetic meats like rump roasts and steaks as a way to end world hunger and was eager to add to the conversation.

[gay-strawberry]

mister sparkly soft puppy heart eyes they call him

[plantsonplutoart]

April fools just passed and so I’m touching up inks for a lil marauders comic I made. I had to share a wip of my favorite panel. They’re so stupid <3

[bionicboxes]

this is the dynamic they have going on in my head.

[densewentz]

a quick silly sketch based off my earlier post about the Cat King having a mistaken identity crisis when Edwin and Co. don't recognize him in his new cat form post-esther

[malacandrax]

I've been collecting pottery shards from the fields and woodland since I moved to the countryside a few years ago, I have so many now that I think I'll relocate them to containers, but it's nice to get a proper photo first.