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beejunos · 2 months

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UNKNOWN TO ME AND YOU | Alastor x reader

Summary: As Alastor's shadow starts to act strangely, hidden feelings are brought to light.

This wonderful story was written from @lustylita's wonderful idea! The story is completely theirs; I just had the pleasure of putting it into words. Their original post can be found here.

Tags: Alastor x gn.reader, hidden feelings, angst

The last couple of weeks have been very strange to you.

Well, stranger than the hotel usually was.

Over the past few weeks, you have helped your best friend, Charlie, with her little passion project. The Hazbin Hotel - your only chance at redemption!

While you couldn't say that you inherently believed in her dream, you would have been a poor friend if you hadn't tried to help her—emphasis on tried. Growing up within Hell's elite, where someone always handed you everything on gold platters, didn't foster any usable skills that could help run a severely understaffed hotel. The very thought of having to clean your own room had almost immobilised you.

Did you really need to vacuum the walls and the ceilings every week? How did the cleaning staff back at your parents' manor even do it? The manor was huge!

Thankfully, you had not been forced to clean for long because shortly after Charlie had opened the hotel for business, an unwanted guest had come knocking at the door. Alastor and his somewhat reluctant companies, except for Niffty, who seemed to thrive in the chaos, quickly made themselves at home in the hotel.

The same night they arrived, you and Vaggie had sat Charlie down in their room and begged the princess not to let the radio demon stay. After all, the tales of his deeds had even reached your family's manor in the Envy ring of Hell. But Charlie had been persistent, saying that maybe by staying in the hotel, she could change his ways. You loved your friend; you really did, but sometimes you wanted to shake some sense into her violently.

There was nothing you could do about the radio demon and how he just took over many of the work duties you had at the hotel. Waltzing in as if he owned the hotel, he had taken one look at your work and deemed it unsatisfactory.

"No, no, let me do it, doll!" he would say condescendingly, making rage lick up your spine, "We would want this to be done well for Charlie, now, wouldn't we?"

You had lost count of all the times you fantasised about grabbing a chair and introducing it to his face.

He made you feel incompetent, and worst of all, he was right. Most of the work you had done that he had redone was of better quality, more detailed, and better planned. If you had been a weaker demon, you would have given up, apologised to Charlie and gone home to your parents, but so, if the heavens would be your witnesses, you were going to crush that smug little bastard of a sinner!

And so began your imaginary battle with Alastor about who could be the best executive producer. If you had asked Alastor, he would not have had any clues about what you were doing, only that it finally seemed like you were taking your job seriously. That said, he still did not like you. You were a spoiled little demon brat who had never worked a hard day in your life, and worst of all, you were sloppy with your work.

But time kept ticking. The days passed, the hotel was filled with new residents, and somehow, you and Alastor were able to work together. Nevertheless, you only managed to do it by never being near each other, which worked wonderfully for you because the man could actually be quite okay when he was silent and on the other side of the room.

You could have continued to live like this for as long as Alastor decided to live in the hotel. There was just this teeny tiny thing that perplexed you.

Alastor's shadow liked to be around you.

It had begun quite innocently with the shadow coming over to you one night when you were sitting in one of the armchairs by the fireplace with yesterday's newspaper in your lap since you had started to do the crossword puzzle on the back of the paper. You had been staring at the same clue for what felt like an hour, and you just couldn't figure it out. Out of nowhere, a shadowy finger had tapped on the clue to get your attention, and when you looked up, two empty holes for eyes had looked back at you with the biggest twisted grin full of teeth you had ever seen.

"Fuck! Don't do that!" you whispered forcefully, not wanting to disturb the peace and quiet that finally had fallen over the hotel lobby. "What do you want?"

Prepared to be bothered any second now by the radio demon, you got even more confused when the shadow started doing pantomimes. Why in the seven Hells was it swimming across the wall?

You looked on as the shadow began to swim back to you, tapped on the clue and started to swim again.

"Swimming? But it has nothing to do with activities! It is something about effort," you said as the shadow returned to you. Since it could not speak, the shadow just started to nod its head and tapped on the clue again.

"Is it a word derived from the word swimming?" you asked hesitantly as the shadow continued to nod.

You turned back to the clue before you—a word for no effort needed and swimming.

"Swimmingly?" you asked the shadow, who gave you an even bigger sinister smile and nodded again before it disappeared up the stairs. Again, you were left in the lobby with only the crackling fire as a company, looking over at the stairs after the strange entity that was Alastor's shadow.

The next couple of weeks just grew more and more strange with every day. Out of nowhere, Alastor's shadow started to just interact with you. It began as innocent waves to you behind Alastors back, and at first, you wouldn't wave back, but when you saw how sad the shadow got if you didn't return its greeting, you started to wave back to it. On a few occasions, Alastor had caught you in the act, which quickly prompted you to swat the air around you as if you were trying to get rid of a fly.

When the waves weren't enough for the shadow, it started to appear around you, helping you in various ways. Once, it even helped you find some important paper you needed for your job that you were convinced Alastor had hidden from you.

It turned out that Alastor's shadow was much more pleasant company than its physical part, and you often welcomed the shadow's help with your crosswords during the evenings.

However, you were again thrown for a loop when the shadowed behaviour started to change. It began to interact with you even more, seeking you out during the day and staying for long periods at a time, just hanging around you or observing what you were doing.

One day, it had even brought you a blueberry muffin from the bakery you liked across town. You had no idea how it had even done that. For all you knew, shadows were not physical things and could not interact with the physical world. However, you were promptly proven wrong when Alastor's shadow took your own shadow's hand and pulled you down the hallway to show you the roses that had started to bloom outside of the hotel.

It was a paradox, a mystery that intrigued you. Alastor's shadow, a creature of darkness, was surprisingly sweet, charming, and, at times, downright romantic. How could such a lovely thing be attached to such a vile being?

It had been like any other day. Alastor's shadow had found you in your office early in the morning, going through all the paperwork that needed to get done that day. In its shadowy hand, it held one blueberry muffin and your favourite coffee mug with a sleepy bear on it, along with the text Bearly Awaken written underneath.

The coffee had been divine because, somewhere, the shadow had learned to make a cup of coffee exactly how you wanted it.

You continued with your day in the presence of Alastor's shadow, walking together down the corridor, through the lobby, and out the front door as you chatted with the shadow. You had gotten quite good at interpreting its pantomimes and overexaggerated emotions and often found yourself laughing at any antics the shadow pulled.

It followed you all day as you walked around the city, picking up the materials Charlie needed for her next exercise with the hotel residents. The shadow even helped you pick out the colours for the ribbons and paints.

At one point, the shadow's long finger had brushed against yours. It had been a cold sensation, almost like being touched by mist, but that had not mattered to you as you blushed before looking away. Missing how the shadow practically folded in on itself when it saw your reaction.

Was it possible to date a shadow and not the being it was attached to?

The sun was setting when you and Alastor's shadow got back to the hotel. The lobby was almost empty except for Husk, who was polishing martini glasses by the bar. As soon as he saw the two of you enter the hotel, Husk leapt over the bar and rushed over to you.

"I don't know where the fuck the two of you have been, but you need to leave now before he finds out that your back," Husk whispered to you as he gripped your arm to turn you around towards the door.

"And you!" he said towards the shadow, "What the fuck do you think you're doing?"

The shadow made a high-pitched whine as it stepped closer to you. You were about to ask Husk what he had meant when a loud voice boomed inside the hotel.

"Where are you?"

Husk's hand tightened around your arm as he started to pull you towards the door. You followed after him, paralysed by action, as a stone of fear got stuck in your throat. The shadow looked at you, then back at the stairs and then back at you again with anxious eyes.

Loud steps could be heard from the hallway above the staircase, and Alastor's shadow began to be dragged towards the stairs as if by an invincible force. It desperately dug its claws into the ground, and the shadow let out a wailing scream as it looked at you with big, pleading eyes.

Alastor was calling his shadow back to him.

The shadow continued to fight the force of its master's call, leaving deep claw marks on the floor, and, as if a gunshot had been fired at the room, the force wholly let go of the shadow. The shadow rushed back to you, where it clung to your body like a second skin.

"Get back here, you disgraceful thing!" Alastor could be heard shouting as a massive hand gripped the hallway doorframe and pulled itself forward. It was the hand of Alastor's most demonic form.

Beside you, Husk had begun to shake as his claws dug into your skin.

"You need to run. Now!" he tried to push you towards the door, but it was too late. From around the corner, Alastor stepped from the dark into the light, but as he stepped forward, he shrank in size. Still, he looked terrifying.

His eyes were a deep red with volume controllers as irises, hiding any emotions he may have had. His antlers had grown in size, sharp and imposing, making the sinner look almost regal as he sauntered down the stairs.

"Thank you, Husker." he said, his voice dripping in venom, "I can take over now."

Husk was about to protest loudly when he disappeared in a puff of red smoke, and you were left alone with the enraged sinner.

"What do you think you are doing?" Alastor snarled as you started to shake where you were standing. A small whine could be heard beside your neck as the shadow clung closer to you.

"I don't know..."

"I'm not talking to you!" Alastor's look silenced you but confused you for a second before you saw his eyes drop down to your neck, where the shadow hid.

"Come back here and stop resisting," Alastor snarled again and stepped towards you. The shadow gave away a low whine as it clung closer to your body, and you realised it didn't want to return. In a fit of temporary insanity, you placed a protective hand over the arms of the shadow around you and stepped away from the sinner.

"No!"

"What do you mean no? It's my shadow," asked Alastor as he looked back at you in confused rage.

"He doesn't want to be with you anymore," you snapped and turned your nose up. You stepped to the side to walk around the sinner, effectively walking away with his shadow, but as you walked past Alastor, his hand shot out, and he tried to grab your arm. But you were faster; with your other hand, you slept Alastors hand away from you and the shadow.

"Will you stop it! Don't you understand that we want nothing to do with you, so just leave us alone!"

With determined steps, you started walking over to the staircase to get as far away from the deer demon as possible. However, you didn't get far until you felt the shadow clung even more to you as it let out a pitiful sob. Its head had fallen over your shoulder as it looked up at you with longing eyes—a gaze it shouldn't be giving you since you had just saved it from its cruel master.

"What's the matter?" you asked it as you tried to caress its cheek, and out of the corner of your eye, you saw something that you never thought you would see.

Without a smile and ears hanging low against his head, Alastor looked at you with the same miserable longing that the shadow looked at you with. And that's when you remember something your mother used to say to you when you were a child, a long time ago.

Our deepest desires, our most precious wishes and longings, hide in our shadows. Everything we want follows us within our shadows as the weights of our souls.

You wanted to kick yourself for being so foolish, for not understanding until now. Maybe a small part of you had always known, but it had been easy to ignore in your imaginary rivalry with the sinner. But a shadow never lies. Even the ones who can think and act on their own. They will always mirror their owner's heart's wishes and act upon them when the host won't take charge of getting what they desire.

"You're in love with me," you whispered. It was not a question but a statement—a statement that seemed to hang in the air for an eternity but not long enough.

“How? What? When?” you asked, desperate for answers.

Alastor walked hesitantly towards you, looked you deep into your eyes and did something you never thought he would do. He kissed your cheek.

Your breath hitched in your throat as his warm lips softly touched your cheek, and when he pulled away, you could still feel their presence against your skin. As if you were branded by their sweet touch.

"Come now," was the last thing he said to his shadow as he walked around you and back up the stairs. Alastor's shadow made a melancholic chirping noise before it let go of you and followed its master.

You were left alone in the big hotel lobby. Wishing that it was your lips Alastor had kissed and not your cheek.

PART 2.

I really hope it lived up to the expectations, but I loved writing it! It got a lot more angsty than I first intended...

#alastor x reader #hazbin hotel x reader #hazbin hotel #hazbin hotel fanfiction #alastor x you #x reader #alastor the radio demon #hazbin hotel alastor #hazbin hotel alastor x reader #hazbin alastor x reader #hazbin alastor x you #alastor x reader angst #hazbin hotel alastor x reador angst #hazbin hotel angst

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edenmemes · 9 months

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baldur's gate 3 starters (part 1)

part 1 / ? .

❝ a less trusting person might think this all sounds very suspicious. ❞ ❝ you say all the right words, but i’m not sure you mean the right things. ❞ ❝ i know somewhere quiet. somewhere intimate. somewhere we can…indulge in each other. ❞ ❝ eugh, don’t be nice to me. it makes me want to be nice back. ❞ ❝ we needn’t be enemies. there’s plenty of those to go around already. ❞ ❝ there’s a steeliness to you, an unwavering tenacity in the face of, to be frank, quite dire odds. ❞ ❝ even the waves of fate can break upon the shores of will. ❞ ❝ i appreciate anyone that opens a conversation with threats of bodily harm. ❞ ❝ oh, you know me - ever the optimist. i’m trying to focus on the positives. ❞ ❝ i’m not easily impressed by people, but you’re stronger than i gave you credit for. ❞ ❝ there’s an air about you. something alien. ❞ ❝ loosen the grip on your pride for one blasted moment, won’t you? ❞ ❝ it’s been a long time since someone stuck their neck out for me like that. ❞ ❝ there’s something odd about this village. people skulk around like they’ve something to hide. ❞ ❝ you know, if you want to spend time with me, you only have to say so. ❞ ❝ i want to know what the world sees when it looks at me. what you see. ❞ ❝ what’s better than a devil you don’t know? a devil you do. ❞ ❝ you must know that you’re…that you’re very special to me. ❞ ❝ the gods are nothing if not vindictive in their vengeance. ❞ ❝ stay with me a while, will you? day will come all too soon. ❞ ❝ here’s my little treat with their cheeks all flushed. ❞ ❝ i am terrified. i will not claim otherwise. ❞ ❝ my apologies. i’m not quite myself yet. i had the strangest dream last night. ❞ ❝ we didn’t die today. tomorrow, perhaps. but not today. ❞ ❝ leader’s need to make tough decisions. we do what we must. ❞ ❝ i think that unknowable powers come with unknowable consequences. ❞ ❝ i’ve had a lifetime’s fill of watching little men puff themselves up with grand titles. ❞ ❝ in these times, all we can trust are the blades in our hands. ❞ ❝ it’s not easy to turn away from one you once loved. ❞ ❝ much has been promised to you, hasn’t it? but what has been taken from you? ❞ ❝ damn it all. i can do nothing right - not a damn thing. ❞ ❝ every instinct i have tells me that nothing’s changed. that i’m still just a means to an end. ❞ ❝ do not speak of a story you only know the half of. ❞ ❝ i dreamt every night that you’d come back to me. that somehow it was all a nightmare dawn would undo. ❞ ❝ when the time comes to strike, you must take it. for there may be only one chance. ❞ ❝ your eyes. there is pain, endless and deep. but also devotion - blazing like the sun. ❞ ❝ you’re adorable even when you’re teasing me. ❞ ❝ i don’t need your help, and i don’t need your pity. ❞ ❝ i’m more than what i was. and i’m not afraid of anything any more. ❞ ❝ i said exactly what i meant: i love you. you should never, never doubt that. ❞ ❝ this is all like some sort of terrible dream. but it’s real, isn’t it? ❞ ❝ there is no redemption. can’t you see? it is too late. ❞ ❝ i don’t know that it was brave. i just know that it was right. ❞ ❝ you took those bastards down like it was nothing. it…was amazing. ❞ ❝ they underestimated me. so they paid the price. ❞ ❝ we fight, we die, and we just hope that when our time comes, there is someone else to take our place. ❞ ❝ unfortunately for me, you’re my friend. rescuing you from mortal peril is my right. ❞ ❝ what did you think i was going to say? 'oh, come here, i'll kiss you better'? ❞ ❝ flowers are so overrated. they're bright, gaudy, and almost never make good poisons. ❞ ❝ i’ve been lied to, my whole life. and i was gullible enough to just believe it. ❞ ❝ you know, i never pictured myself as a hero. never thought i'd be the one they toast for saving so many lives. and now that i'm here…i hate it. ❞ ❝ you know, i feel a connection between us. like we're two souls walking the same path. ❞ ❝ the forgiving sort, are you? you should be careful. plenty would take advantage of that. ❞

❝ it’s as if god made you just to ruin me. ❞ ❝ perish the thought. every word i said was nothing less than true. ❞ ❝ you have a manner of irresistible desperation about you. i like it. ❞ ❝ i got my eye on you. you got the look of a troublemaker. ❞ ❝ i’m starting to think you’re my guardian angel. ❞ ❝ it seems you know me better than i know myself. ❞ ❝ you…you have no idea what you’ve done. ❞ ❝ they say madness and genius are separated by but a hair’s breadth. perhaps the same is true of madness and stupidity. ❞ ❝ oh, it’s you. don’t you get tired of telling people how to live their lives? ❞ ❝ good morning! thank you for not killing me the other night. ❞ ❝ when the time comes to strike, you must take it. for there may be only one chance. ❞ ❝ it is good to savour the moment of victory - but pace bg3 syourself. our fight is just beginning. ❞ ❝ i was too hasty to judge you. i thought you were witless, gutless, unimpressivably bland… ❞ ❝ yours is the first happy face i’ve seen in a good while. ❞ ❝ when hope has been whittled down to the very marrow of despair – that’s when you’ll come knocking on my door. ❞ ❝ thank you, my friend. maybe we’ll meet again, in another life. ❞ ❝ you’ll regret sticking your nose in my business. ❞

#roleplay meme #rp meme #rp starters #roleplay starters

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linkspooky · 12 days

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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brucewaynehater101 · 26 days

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Adding onto the ask I ended cuz my brain was melting and also classes

And taking inspiration from "Do Not, Under Any Circumstances, Wake Him Up" by Lulu_Rhythm

What if Jason learned all about Tim's disguise Jane Doe, what he did as Jane, the fact civilians knew and rogues knew Jane was Robin before the Bats, and the rumors flying asking where the Robin went, certain he died?

plus just why he was so precious to Gotham?

And fucking flipped?

Next thing Gotham knows, Red Hood is channelling his inner 'Batman post-Jason's death' by going ballistic on the new Batman (Dick) and cutting all ties with the Bats as a whole

His guilt definitely fuels it as well, he's reaching out to the younger Bats as much as possible to ask if they need help for anything like getting out of the Bat lifestyle of if they're unsafe

Something he wishes he could've done for Tim

He's channeling some of his guilt and rage into bettering his territory in other ways, sure, but there's still a lot of blood spilling going on

Unlike Batman though, Red Hood still (mostly) holds back against anybody who isn't complete and utter scum who has it coming

All of this goes on during BruceQuest alongside the other madness in Gotham

When Tim comes back and Gotham breathes a sigh of relief because their Robin is alive and well?

Jason's is going Full Overprotective Big Brother, much to Tim's annoyance

Doesn't help that the kid is down a spleen

If Gotham thought Red Hood's Wrath was bad before he had Red Robin safe and sound in his nest most secure safehouse in Crime Alley?

They've seen nothing compared to what's coming

What do Gotham's Rogues and civilians, people out of Gotham, The JL, YJ, Batfam individually and Tim most of all think of Jason's Rage-Guilt fueled redemption arc of sorts? Idk, my brains melting

Hell what does Tim think, going from, "I've lost everything but I got Batman back!" To being abducted by Red Hood and smothered with mother henning?

"This is Red Hood, who I'm pretty sure is a demon from actual hell trying to redeem himself, and this is his emotion support victim Red Robin, who gets mother hen'd and doted on to hell and back" —random Gothamite

Ooh? Jason becoming a full mother hen to Tim after this incident is hilarious and adorable. I also imagine, after everything that happened during the BruceQuest, Tim is a feral little bastard with extreme trust issues. He only trusts those that Jane trusts.

So, Red Hood is trying his hardest to domesticate Tim, feed him, and make sure he's protected/has support. While doing this, RH is also turning the streets bloody in an attempt to make them safer. Basically, pure chaos as their conflicting personalities mesh.

I'd also like a cute scene where Jason starts using all pronouns for Tim since they seem comfortable with that. Jason checks Tim's reactions to ensure that's okay while Tim is pleasantly surprised.

#dc comics #tim drake #dc universe #thank you for the ask!!!!#jason todd #dc au

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mostfuckableffvillain · 11 months

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Final Fantasy's Most Fuckable Villain - The Finals

Ysayle Dangoulain:

A) redemption arc, B) she's so terribly wrong yet so terribly well intentioned it's quite tragic in an endearing way

need me a bad bitch who kins a dragon's dead god wife so hard she transforms into her

She's so pretty.. Also she's the only motherfucker in this game that gets my feelings towards some of these dragons except that means she'll probably choose the dragons over me :(

Emet-Selch:

I'm sure other people have submitted him by now, but I'll go ahead and do it anyway. Unhinged manipulative rat bastard of a man who's done some shit and has a deep but tragic connection to the WoL. The sex would be mindblowing, the breakup disastrous.

I love this bitchy wizard grandpa. He has skunk hair and an even stinkier personality. He created an evil empire because he missed his friends from 12k years ago.

divorced old man who resents his own portrayal as a "megalomaniacal madman" (his own words) despite the fact that he entirely chooses to be Like That. He may be the source of pretty much everything wrong with the modern world, but hey, he's got a good voice.

#final fantasy #final fantasy xiv #final fantasy 14 #ffxiv #ff14 #ysayle dangoulain #lady iceheart #emet selch #emet-selch #hades ffxiv #solus zos galvus #polls #round 7 #finals

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ateliersss · 4 months

Text

Red Dead Redemption 2

...is part of The Bookshelf.

Arthur Morgan

He Used To Be Mine

Crimson Snow

Young Love

Hibernate

Just Friends Summary: You’ve been good friends with Arthur for some time, and when he visits Mary, your jealousy gets the better of you.

Happy Ending Summary: When the gang splits and Dutch shows his true colors, you and Arthur grab the gang's money from deep within Murfee Brood Cave and escape to live a happy life together.

A Selfless Act Summary: Your former partners abandon you in the mountains. Luckily, you come across a lonely cowboy who saves you from freezing to death.

Chance Encounter Summary: You have been working on Emerald Ranch as long as you can remember. One day, you notice a cowboy who from this day on seems to appear more often to do business with Seamus. You are not sure why, but this man has your fullest attention.

My Last Confession Summary: A robbery goes awry and you find yourself fighting for your life.

Lost and Found Summary: After getting separated from the gang, you thought you would never see Arthur or any of the other Van Der Linde’s again. That is, until you run into a familiar outlaw in the streets of Rhodes.

The Gala Summary: Dutch and Hosea take you out on your first job to a fancy gala. And Arthur isn’t too happy about it.

First Kisses Summary: Robbing rich folk in Saint Denis takes an unexpected turn, when Arthur and you are running from the law and in order to blend in, Arthur decides to kiss you - not knowing he had taken your first kiss. After finding out about it he hopes for a chance to redeem himself.

Placeholder Summary: You and Arthur have been together for a while, but Arthur gets another letter from Mary and goes to see her. You overhear their conversation, and it wasn't what you were hoping…

The Job Offer Summary: You get an offer for an honest job outside of the gang, making Arthur begin to confront his feelings for you.

No Offense Summary: You unintentionally offend Arthur while out in town.

Violet Flowers Summary: You find John Marston staring at you longer than you'd come to appreciate. As you confront your friend, he can't help but let it slip that Arthur has a big surprise for you.

Our Dear, Green Little Friend Summary: Oh, jealousy. When the thought of you straying too close to the comfort of Charles, the green monster claws its way into Arthur’s head.

The Final Choice Summary: Arthur has to make a choice, you or Mary?

Delicate Summary: When Arthur and the gang are out in Valentine, you can’t help but notice that he left his journal by his bedside, unattended. You’re aware that Arthur is never careless enough to leave something so valuable to him in camp and see you see it as an opportunity. Upon reading his journal, you discover something that changes everything…

Spark (Series) Summary: An impulsive and reckless girl who stands for everything Arthur tries to overcome joins the gang. Even worse, she is related to Micah Bell. What starts off as a relationship of mistrust and hate slowly transforms into a beautiful, deeper connection, as both parties realise that there is more to the other person than what meets the eye at first.

Your Protector Summary: Arthur comes to your rescue while you’re being harassed.

A Proper Woman Summary: After getting all dressed up for a day on the town, you need Arthur's help getting off a corset.

Low Below 0°C Summary: You’ve just escaped from Blackwater, barely ducking from bullets that were shot your way. Your trusted horse, however, wasn’t so lucky. Stuck in Colter with no stables to buy a horse from, Arthur decides to go out and get you one, but not just any one, a White Arabian. Is the horse the only thing he’s bringing back?

A Bastard Child Summary: After finding out that the reader is pregnant with his child, Arthur can’t help but think about Eliza and Isaac. Hosea comes to find him when after Arthur stayed away from camp for a while.

I'll Be Here in the Morning Summary: Words spoken so late at night are not always the most honest.

Accused of Love Summary: It reaches your ears that there in camp goes on a bet that you and Arthur will end up together. You decide that as an involved party you should get a cut from it, and go on to make sure that the bet is won.

Can't Buy Me Love Summary: Almost everyday like clockwork, Arthur brings you gifts like some sort of offerings. Is he trying to win you over? It doesn’t matter though, because you already like him, but a personal conflict is keeping you from telling him that. Until…

Walk Cut Short Summary: The tension hung thick and heavy as you walked down the deserted main street of Rhodes. “This don’t feel right,” said Arthur. That would be an understatement, you thought as you looked around the town that usually bustled with people, currently looking like a ghost town. Suddenly, a gunshot rang, sending everyone in action, and you on the ground. Was this it for you?

Liquid Courage Summary: Confessing your love to Arthur while he’s drunk is a great plan, since he wasn’t going to remember it in the morning, right?

Protector Summary: You can defend yourself. Arthur knows this. But he makes sure Micah knows you aren’t the only reason he should keep his hands to himself.

Defender, Protector, Keeper Summary: Arthur steps in to help you with your son after a run in with Micah.

More Take Than Give Summary: After Blackwater, things are only getting more strained between you and Arthur.

Loyalty and Liabilities Summary: Sometimes you can’t help but to stand up for Arthur when Dutch talks down on him.

Intuition Summary: You fear Arthur may have done something horrible.

Captive Summary: On your way back to camp, the O’Driscolls attack.

Lake Summary: He's walking in on you bathing.

Graphite and Gratitude Summary: After a difficult day in camp coming to a head when Micah crosses a line, Arthur comforts you in an unexpected way - by sharing his journal with you.

Drunken Flirtations Summary: Arthur is drunk, and some drunken flirtation ensues between the two of you.

Downtime and a Bath Summary: You take a part time job at a hotel near camp, hoping to find some leads on potential jobs for the Gang. Being called away from your normal duties to give a gentleman a Deluxe bath, the last person you expect to find in the tub is the Gang's enforcer, Arthur Morgan.

The Art Of Thievery Summary: A curious evening in the Parlour House when you meet a certain deputy.

Charles Smith

Beer Bottles and Broken Fingers Summary: Charles doesn’t like how Micah speaks to you.

Lake Summary: He's walking in on you bathing.

The Protrait of Charles Smith

Dutch Van der Linde

No Title Summary: Dutch seems like a stranger to you now and maybe it’s time to take a step back.

Of Cigars and Delicate Flowers Summary: Dutch just wanted to get new cigars. Who knew you had to save him.

Thus With a Kiss I Die

Bruises

Pregnant?

Micah Bell

Lilacs Summary: Someone keeps leaving flowers on your bedroll. Guess you have a secret admirer.

Lake Summary: He's walking in on you bathing.

Hosea Matthews

That Old Time Feeling

Flaco Hernandez

Home With You Summary: You hadn’t seen Flaco in ages, so decided to pay him a visit.

Mrs. Hernandez Summary: Whilst finally being reunited with your sweetheart, Flaco calls you something that he’s never called you before, and you love it.

Sean MacGuire

I Will Always Come Back

All I Need

Home

No Title Summary: Sean seems to have disappeared, but on his return he seems to have a strange surprise with him, and is it for you?

#red dead redemption 2 #arthur morgan x reader #arthur morgan x you #charles smith x reader #charles smith x you #dutch van der linde x reader #dutch van der linde x you #hosea matthews x reader #hosea matthews x you #javier escuella x reader #javier escuella x you #flaco hernandez x reader #flaco hernandez x you #micah bell x reader #micah bell x you

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deconstructthesoup · 6 months

Text

One thing I really liked about the Scott Pilgrim anime is that Gideon is the only one who remained evil.

Yeah, he got a depression arc, and he got a girlfriend who's scary enough to not take his shit and for him to actually respect her, but he's still evil. He still fully intended to blow up a theater to get back at someone. He got his CEO position back, and we all know that that's only an opportunity for him to be more evil. And if the end credits scene is to go off of, he's got plans.

But the other exes? They got closure. They got character development. They got to move forward. Because they honestly... weren't that bad.

Matthew Patel, who had the biggest glowup, was literally just a middle school thing. Yeah, Ramona ditched him and was kind of sucky, but it probably wouldn't have lasted anyway. And like she said, he didn't really get "evil" until high school, and by then he'd already moved.

Lucas Lee? Maybe he had some mild toxic tendencies when he and Ramona dated, but from what he saw, he was actually pretty sweet during their relationship. In the comics, he's honestly the most reasonable of the exes, deciding to actually have a chat with Scott before Scott convinces him to grind to death. And he didn't do anything to Ramona to make her break up with him---she just dumped him for Todd.

Todd Ingram, while being a little bit obsessive---and based on the comics and the anime, a compulsive cheater---didn't seem that horrible when they were dating, either, unless you count the "punch the hole in the moon" thing. He and Ramona broke up because of a long-distance thing. She went off to college, he went back to Envy. Bit of a douche? Yeah. Actively horrible to her? Not really, honestly.

Roxie Richter, our incredible half-ninja lesbian, is arguably the best out of Ramona's exes. She and Ramona had a genuinely healthy relationship, they actually got along great, and Roxie deeply cared about her... and Ramona straight-up broke her heart. When you look at it, Roxie really is the only ex who fully did nothing wrong. No erratic tendencies that caused Ramona to decide to cut her out, no behaviors that Ramona probably knew would become problematic unless she split. Roxie was sweet, she was Ramona's bi awakening... and Ramona didn't like her as much as Roxie liked her. The whole situation was just mass miscommunication, and it's totally understandable why Roxie is still bitter down the line. Unlike with the others, Ramona's fully in the wrong, which is why they need to reconcile first.

Kyle and Ken---okay, in the comics, they were amazing villains, and it's kind of a crime that they keep getting shafted, but honestly... I get it. Their relationship with Ramona wasn't actually that complicated. They were players, she played them back, they resented her for it until they got over it. Of course they're the exes that are kind of the masterminds in the anime---along with Old Scott---and of course they're the exes that are the most chill.

Gideon, on the other hand, is the only ex who can only be described as a full-on bastard. Out of all seven of the "evil" exes, Gideon's the only one who Ramona outright says was abusive. In the comics, beyond just starting the league, he controlled her and Scott's mind and straight-up imprisoned his own ex-girlfriends, fully intending to do the same to Ramona. He's also the only ex who was defeated by both Scott and Ramona, and it's the most satisfying thing to see him fully get his ass kicked. It's fully unsurprising that his backstory in the anime was that he was an incel who nobody liked, and he got dangerous once he got money.

So of course, when all of the other exes are getting cool redemption arcs, moments of self-actualization, coming-out moments, and instances of actually befriending the heroes, Gideon's the one who stays an asshole. He has a fall from grace and becomes a loser, the girl who he winds up with is also evil and thinks him being evil is hot, and at the end of the series, they're a villain power couple, emphasis on villain. Gideon learned to treat his girlfriend with respect, and probably moved on from Ramona... aaaaaaand that's it. He's still a dick. He's still an evil mastermind.

So... yeah. The Scott Pilgrim anime is great, as are the comics. Check 'em both out.

#the movie's all right I guess #scott pilgrim #scott pilgrim takes off #gideon graves

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stusbunker · 1 month

Text

Spotless: En Cédant

Chapter Twenty Two

Featuring: Dean Winchester/Reader, Dean/Bela

Other characters: Lee, Bobby, Sam, Annie, Kevin (mentioned)

Word Count: 2541

Warnings, etc: Mutual pining, Aromantic Bela, more hints at bisexual Dean, unbeta'd

A/N: Dean's magazine interview is released and he asks a question he regrets.

Series Masterlist

Dean walked into the auditorium they’d been leasing for rehearsals with a gas station coffee and what John would have called a ‘piss-poor’ attitude. Sam had stayed over at Madison’s and gotten his own way to their last pre-tour play through. It was one of those rare mornings where their place felt too big, and Dean couldn’t kick the feeling that something was missing in his daily life. But it was too early for a pity party and too late to turn around and play hookey.

Not that he’d even dare that on this tour, not this close to showtime.

The energy in the hall did little to ease Dean’s annoyance, filled with quiet conspiring. Each person he nodded at seemed to be hiding a smirk or trying not to laugh out loud. Once he got to Lee, he’d had enough.

“Okay, what the fuck is with everybody today?”

Lee shook his head. “You don’t know, you poor bastard. Have you seen Trouble yet?”

“No— whyyyy?” Dean scanned the room littered with roadies and band members, lounging over the stage and the first rows of seats.

“Look, man, it’s easier to show you than tell you.” Lee reached into his back pocket and pulled out a rolled up magazine, which was not what he was expecting. His sources of embarrassment primarily spread online these days.

But then he looked down and saw his own smug face staring back at him.

“Holy shit,” Dean said in a whisper.

“She’s got like a whole box of these, everybody’s read it or is currently reading it. It’s almost like you’re famous or inspirational or some shit.”

“Some shit is more like it,” Dean muttered and flipped to the page number next to the tagline, ‘Phantom Traveler’s frontman Rides the Road to Redemption’.

“Hey! Get your own!” Lee snatched the magazine out of his hand before he could get past the shot of him in Baby’s driver’s seat, eyebrows furrowed in the side view mirror.

“You sonuvabitch,” Dean threatened and went to steal it back when Bobby appeared with his ruffled mustache of disapproval.

“Okay, Fabio, go find Trouble, she’s got a whole case of those you’re supposed to sign before we get started.”

Dean wiped his face with his palm and braced himself for a long ass day. “Okay, any idea where she is?”

“First dressing room,” Bobby replied. “Don’t take too long, we want to run through some old stuff with Kevin so Charlie can plan out some lightwork with it, then we need to talk setlists for this weekend.”

“Yeah, of course, uh, I’ll be right back,” Dean said, turning to head to the pit. He turned and added over his shoulder. “At least I hope so.”

It was worse than Dean thought, but somehow also better than he’d expected from Meg.

Sam sat backwards on an old makeup stool as he read the article out loud, “‘even his timeless good looks couldn’t save him from the storm of controversy he unleashed after punching out photographer, Jared Bender, alienating his keyboardist and lifelong friend, Cas Novak to the point of leaving the band, and forcing his manager and mentor, Bobby Singer, to cancel their last North American tour with two months left.’”

Sam made a visible ‘yikes’ face and continued on as you listened, moving stacks of magazines around into manageable piles along the counter.

“‘The man sitting across from me was neither the cocky dipshit I interviewed six years ago, nor was he the unstable egomaniac who caused those around him to walk on eggshells during their last tour. He was oddly zen, blunt as ever, and refreshingly humble.’---- Ha! Christ, did you pay her off?!”

Dean decided he’d heard enough and cleared his throat. You froze and turned, but Sam just grinned wolfishly at him through the old spotted mirror, completely unsorry about being caught.

“There you are! Hot off the presses, man.” Sam flipped the copy he was reading towards Dean, which he caught against his chest with his free hand.

“Yeah, thanks,” Dean grunted, splashing some of his coffee as he stopped the magazine from falling to the floor. “How bad is it?”

You chuckled. “It’s not— well, for starters, it’s the freakin’ cover! I was not— she was being purposely vague about the whole thing, even which issue it was going to be— I am kind of in shock still.”

“Yeah, tell me about it,” Dean stared at the cover, unsure if he dared read it with an audience. After the silence got too heavy, he buried his own sick curiosity and looked at you to keep busy. “So, Bobby said you’ve got work for me?”

Dean smiled too late, catching you entirely deflate from his terrible segue.

“Uh— yeah, it’s only 100 copies. We’re sending them out to bundle with tickets for radio stations in every city.”

Dean walked across the small room, set down his coffee beside Sam’s rumpled magazine, and picked up one of the metallic Sharpies you had left out. “You sure they want just me signing these?”

“Dude— none of us are in any of the pictures. And besides just verifying some details, she didn’t interview any of us.”

Dean spun on his heel. “She asked you if I was lying about stuff?”

Sam rolled his eyes. “It wasn’t like that— it was more of her trying to catch you in consistencies.”

Dean raised his eyebrows at how that was exactly what he had said.

Sam huffed and started rambling. “I mean it was about the tone of the album and the cohesiveness. It wasn’t bad, God, okay?!”

“You’re not really reassuring me here, Sammy.”

“Look, I’m gonna go set up.” Sam stood up. “But, we’ll talk it out once you’ve read it, okay? Just get these signed, so we can figure out everything upstairs. Maybe then Bobby doesn’t have an aneurysm.”

“We can only hope,” you tucked on, which took the words out of Dean’s mouth.

Dean nodded, sighed, and popped off the cap of the marker. “Alright, let’s do this.”

Sitting around haphazardly sprawled across the theater seats, the band and immediate support personnel plotted the first stretch of the tour. Dates were set, venues, everything important, but the minutia had to be finalized so everyone knew where to be and when.

“We’re doing in studio stops with stations here and Vegas. But we are doing phone in interviews with San Diego, Phoenix and Albuquerque. We’ll talk more, but I think we’ve got stuff lined up once we hit Texas,” you rattled off to the group, pen in hand, laptop on your lap and phone in hand.

Bobby had his day planner open on his lap and Annie added things into her phone as you went. Dean kept his calendar app open, but nothing seemed out of the ordinary yet. Once the tour got underway, things got easier with the practiced dance, but until then he was jittery and brooding.

He hated the build up, but knew it’d be over soon.

“Dean— we gotta talk later, figure out when Bela will need passes. That goes for everyone, please let me know who you’re bringing each night so I can submit the names to each venue.”

“How is that your job on top of everything else?” Bobby asked.

“You want to do it?” You countered, coyly.

Everyone laughed. Lee threw a balled up receipt at the back of Dean’s head, but he just flipped him off.

“Need to get you an assistant,” Bobby muttered, but Dean didn’t think it was a bad idea.

The meeting continued, plans for press stops and casual drop ins for the first leg were cemented with your approval. The band’s image meant everything to you, not just because it was your job, Dean knew it was a deep seated loyalty and faith in them, both as individuals and as a unit, a family. You worked harder for them than any mere publicist would.

And that genuineness came through to the fans.

Then that respect and admiration was reciprocated. Sure, there were ones who were closer to obsessed than others, but even Becky, the fanclub president, had cooled down over the years. Things might get awkward amongst the masses, but it wasn’t dangerous. And it had been awhile since anybody had asked for a lock of his hair during an autograph session.

He didn’t miss that.

Dean switched apps and snapped some quick shots of the group from where he sat, dazed and tired from the meeting, but still together and looking good. He typed a quick caption to the post: ‘Can’t wait to see y’all again soon, we’re back baby.’ He even remembered to tag the band’s account before posting. But he knew you’d go through and add hashtags and pin people’s accounts to their faces in each shot, eventually.

For now, he was just grateful that he was still doing what he loved with his people.

Not much later, Bobby called it and everybody agreed to meet at Elizabeth’s. After securing all the equipment and hugging Charlie goodbye, Dean helped you haul the boxes of magazines to Bobby’s truck to be mailed out later.

“You want to ride with us? Got that scheduling stuff to hammer out anyway,” Dean cleared his throat and nodded towards Baby on the far edge of the parking ramp.

“Uh, Sam left with Kevin, but yeah,” you said, looking over to Bobby and Annie. “See you guys there?”

“Sounds good,” Annie said.

“Drive safe,” Bobby warned and held the door open for his wife.

Dean felt weird with his empty hands and you bent over with your bag and your laptop case, but you seemed to manage. “How are you feeling about things? How long we got before shit explodes with that article?”

You hummed in estimation, “about nine hours? East Coast will get to it first so it’s gonna be another early day.”

“Brutal.”

“It will keep me busy, but it will be a good busy. I’m sure of it,” you promised.

Dean huffed. “If you say so.”

He unlocked the passenger side door and held it open for you, the familiar creak in the hinge the only sound in the cement tomb of the parking garage. But it didn’t feel creepy, it felt nice to be alone and out at night. With you.

He let you drag your stuff into the footwell and made sure not to get your sweater caught in the door as he closed it. He rounded the front bumper and got into his spot. “Alrighty, let’s go get stuck in traffic for an hour.”

You smiled at him, without looking up from swiping through your phone.

“You posted?!” you shrieked in surprise not five minutes later.

“With my own two thumbs and everything,” Dean teased back.

“They are loving this.--- Dean, it’s already got like over a thousand comments.”

Hey, he could do the internet charm, when he wanted to.

“What are they sayin’? They pumped to see us live?”

“Definitely! And then the usual: speculation on Lee and Pam, people begging you to father their children—” you laugh fondly, like at a child showing off a well known skill. “Kevin is starting to get a sort of following, and the younger crowd brings more enthusiasm. Plus, people are already speculating how long during each set before Sam loses his shirt.”

Dean cackled. “Sweaty bastard, even with all the box fans.”

He pulled them onto the freeway and wedged in where he could amongst the chaos, careful to leave breathing room for his girl.

“When you’re all done with that, we can talk Bela at the shows. I’m guessing you meant you want her backstage and easily seen from the audience and all that?”

“Pretty much, but also what works around what she’s doing. She can’t exactly tour with you guys, but we gotta make it look like she’s doing her damndest to.”

You spent a few minutes going through your notifications while Dean turned up the radio a bit to keep him occupied through the stop and go traffic. Must be a game somewhere, he thought passingly.

“So, uh—- how much longer do you think we gotta do this act? Seems like I’m looking pretty good these days in the eyes of the public. And if you’re sure Meg’s article will be good press—”

You put down your phone and turned on the bench seat to lean your arm along the back of it, putting Dean entirely in your focus. He swallowed and looked back at you out of the corner of his eye.

“Where’s this coming from? I thought it was working out good with Bela?” You were trying for neutral, he could feel it. But you were upset. Or alarmed at least.

“It is— just not really sustainable for the long run. Eventually she’s gonna find somebody she actually wants to date and I’m gonna be gone for like the next year.”

You tilted your head to the side. “Bela’s aromantic, Dean. She isn’t interested in relationships at all.”

“Wait— what? That’s a thing? Chicks do that?”

You glared at him. Shit.

He licked his lips and wiped his palm on the thigh of his jeans. “Okay, but people probably know that, right?”

“Yeah, but people have a way of thinking that eventually she’s gonna meet the right person and ‘settle down’.”

Dean groaned. “Are we playing up a shitty stereotype? Am I being a bad ally?”

You rolled your eyes. “Dean, shut up. You didn’t know, which I find odd, but I’ll talk to Bela about that.---- And we’re not getting graded on your allyship, because frankly that is an entirely different conversation.”

Dean closed his eyes against the accusation but got back into driver mode quick enough to remain safe. He sighed.

“Anyway, I was just curious if there is a timeline or an escape clause or something when the label won’t cut off my nuts for being officially single again.”

You turned back to face the dashboard and picked your phone back up. “I cannot believe you can’t keep it in your pants for one tour, Dean. Groupies and fucking syphilis boosters cannot be that fun.”

Dean swerved, but righted the car.

“HEY! Nobody said anything about wanting to get my dick wet! I was just asking a question. You don’t gotta be shitty about it.”

Dean swallowed back his retort about not needing easy hook ups because Bela was more than on board for helping fill that particular outlet, but he had already dug himself into a hole tonight.

He inhaled and worked on calming himself down. He realized he was more hurt than anything, that that’s where your mind went for his reasoning.

That was how you saw him.

He wasn’t a dog, not anymore at least. And if he had been for the few years after Jo’s death, it was something he had to get himself through. He should not feel ashamed for enjoying life.

But apparently somewhere along the line you’d grown a superiority complex.

Your opinion shouldn’t matter. He only had to answer to himself at the end of the day. But shouldn’t didn’t equal doesn’t.

Which made him feel even more pathetic.

Tagging:

@deans-spinster-witch

@mrswhozeewhatsis

@cosicas-cuquis

@fics-pics-andotherthings-i-like

@suckitands33

@ladysparkles78

@deans-baby-momma

@stoneyggirl2

@sassy-pelican

@leigh70

@globetrotter28

@winharry

@lastactiontricia

@rockhoochie

@brightlilith

@coldhearted93

@djs8891

Chapter 23: Furia

#spotless series #dean winchester x reader #dean/reader #dean/bela #slow burn #rockstar au #fake dating #dean x reader #dean angst #dean fluff

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snowyh2o · 5 months

Text

Dumb late night Hazbin ideas:

Ok, so hear me out. What if, Alastor gets a redemption arc? But it happens so slowly and unnoticed that by the end of the series you just turn around and find out that he’s already been redeemed and no one has any clue how it happened.

Alternatively, AU where the hotel’s very presence forces redemption on everyone who stays there whether they want to or not and one day Alastor wakes up and wonders if he should let Vox broadcast his shows uninterrupted that day before promptly glitching out in absolute horror at the thought. And then absolutely going out of his way to decimate one of Vox’s broadcasts just to prove to himself that he’s still just as much of an evil bastard as he always is.

Cue multiple scenarios where Alastor is trying really fucking hard to be eeeeevil and then somehow utterly failing. Watching as he’s slowly forced into being a good person against his will, and knowing there’s nothing he can do to stop it. Oh he’s still just as petty and sassy and sinister as ever, but whatever edge he had ends up lost in the thought of perhaps he should do something special for Charlie and the other residents for their first month of the hotel opening and—GODS BE DAMNED!

No one else notices it, partly because he’s always toned down the Clearly Scheming Aura when he’s around them, but also because he’ll be damned if anyone of them catches on. Husk sees through his bullshit, but ends up with the wrong conclusion and Alastor is happy to let him think whatever about leashes and deals as long as he keeps his mouth shut, buuuuut maybe he’d been a bit too harsh on the barkeep. He should make up for it with some higher quality booze and— really, it’d be nice to have something that’s more to his taste than the stuff that’s usually kept around.

Of course, Alastor’s not the only demon being forced into becoming a good person, he’s just the only one who’s noticed it. Charlie, who is 99% of the time a good person, is absolutely convinced that the better than usual behavior of the residents is a result of her efforts in the hotel. Vaggie’s also already a decent person for the most part, and after that conversation with Husk, Angel’s improved by leaps and bounds. Nifty doesn’t notice anything’s off at all, and Husk just thinks his better mood and temperament in general is because the quality of his liquor’s gone up and the company really ain’t all that bad. Sir Pentious also hasn’t noticed anything, but agrees with Charlie that her efforts have been working.

And then the hotel gets attacked and Alastor discovers this wonderful loophole in whatever spell’s got him entrapped and absolutely decimates the attackers. He’s so gleeful about his discovery and the absolute beat down he gave out without feeling the need to pull his punches that he ends up cooking everyone dinner. Everyone else is understandably very weirded out by this. Alastor couldn’t care less.

Charlie: uh, Alastor? Are you feeling alright there?

Alastor: why Charlie, I’m doing absolutely wonderful! Thank you for asking.

Charlie: oh, that’s uh, that’s great to hear!

Charlie: …

Charlie: so do you mind telling me why you’ve decided to make dinner…?

Alastor: mmmm. Just in the mood for it, I suppose. It’s been a while since I’ve cooked for others, and I’m feeling rather— creative right now!

Alastor: tell me, should I include a portion of today’s unlucky patron into the stew? It’s a bit stringy, but the stew should soften it right up!

Charlie: oh uhm. How about we don’t include any demon parts into the food?

Alastor: *raises eyebrow*

Charlie: I mean, we don’t know where it’s been! He could have had all sorts of diseases inside him. It’d uh, ruin the food if we added…. Bad meat? *nervous smile*

Alastor: mmmmm, fair enough.

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dandylovesturtles · 3 months

Note

Whats Draxum’s redemption arc in sideline look like (if he even gets one lmaooo)

thanks for the ask! this got long so I'm putting a lot of it under a cut

at this point, I have committed to Draxum's redemption arc in Sidelined, because I like Draxum and I love a good redemption arc haha. That said, as I've said a few times before, it wouldn't be easy for him, and it definitely wouldn't go down like in the show, where Mikey just kind of drags him into it. he'd have to work for it himself

it's probably good to start this by talking about my own interpretation of Draxum and the Draxum characterization I'm working with in this AU. while I love a good Evil Bastard Draxum, in canon I read him as more of one of those people who truly believed he was the hero so hard he tipped over into villainy on accident. which doesn't mean he didn't enjoy what he was doing, and he's definitely uncaring of the lives around him (he's got some of that mad scientist spark), but in contrast to the Foot Clan who are actively trying to subjugate the whole world (presumably under the belief that they'll get to be the top brass in the new world order), Draxum is actually just trying to save his people. a noble end, even if the means he's choosing involves eradicating another race of beings entirely. and I'm generally of the belief that if Draxum had actually kept the turtles, if he had been in charge of their raising, he might have initially started out thinking of them purely as warriors to be molded for his aims, but eventually would have come to see them as their own people, as children (yes, it's entirely possible to raise children and still have disregard for them as people, but I'm giving Draxum the benefit of the doubt in this one).

however, Draxum didn't raise them from babies - they just showed up at his house one day, raising weapons against him and blowing up his lab. so he's still thinking of them purely as warriors - young and inexperienced warriors, sure, but warriors nonetheless. he's not really thinking about how they're only teenagers, about how they might have dreams and wants and needs that have nothing to do with fighting, how they actually love and care for each other as a family. I said this in another ask, but Draxum thinks the idea of them calling each other "brothers" and Lou Jitsu "father" is actually laughable. in his mind, it's just pointless to even read any kind of family structure into their relationship. they are at most superiors and subordinates.

when Draxum put Leo in the Dark Armor, Splinter saw it as his fourteen-year-old son, his Baby Blue, being tortured and possibly killed right before his eyes. Draxum saw it as sacrificing a pawn in front of a general.

of course, callous disregard for a living person is bad no matter how you see it, but there's still a definite difference in perception here.

it's not until 1, Draxum realizes he was horribly wrong about what the Armor is and what the consequences of awakening it are, and 2, he witnesses the way the family reacts to what is happening to Leo, not as group of warriors down a man but as a family desperately trying to save a loved one, a piece of themselves, that it finally clicks for him what he's done.

Draxum goes on a long soul-searching retreat after that (he's also hiding from the Hidden City government but that's a side note). how could the love he had for his people drive him down such a dark and reckless path? how could he not see what was right in front of him, until he caused serious damage to the place he was trying so hard to save? how could he be so callous to someone who, annoying as he may be, is ultimately innocent?

initially he does this soul-searching far away from the Hamatos. he still has his powers in this timeline, so he makes do with stealing and finding places to take over and live. but at some point he starts thinking, maybe he wants to try and make amends for what he did, even if it's in just a small way. and even with his humbling he's still a little full of himself, so he's like, of course this ragtag bunch would want the help of Baron Draxum

(they do not)

so he starts by trying to give them practical help. he can imagine that Leonardo has significant medical issues following his time in the armor, and while it's not his primary field he knows enough about healing draughts to get by, and while there's no magic potion that will "fix" Leo, there are ones that can help with the pain and fatigue, in some ways better than human medicines, and that can help strengthen his immune system. He tries to give these to the Hamatos (specifically Mikey and Donnie while they're out scavenging one day) and gets pretty soundly rebuffed. Donnie is in "kill on sight" mode, and while Mikey is more likely to at least hear Draxum out, he also has no reason to trust anything the man gives them, especially when he suggests they feed it to Leo. so they don't take the offerings initially. Draxum eventually settles for leaving them in a cache near one of the sewer tunnel entrances, if they want it.

and then Leo gets really sick, and is in a lot of pain. Leo's immune system, like everything else about his body, is pretty weak following the armor, and he can't fight off the flu or an infection as well as he could before. so Leo is sick and in pain and Donnie and Mikey remember the cache of healing potions.

(I actually considered writing this fic awhile back and then never did haha, but here's what I had in my notes for it:

Splinter kneels on the side of the bed. "I'm sorry, Blue. We'll get you more medicine soon."

Leo reaches one hand out and Splinter takes it quickly. "Daddy," he whines, tears starting to roll down his cheeks, and oh, Donnie realizes, Leo really is hurting.

He quietly and casually deletes the last ten minutes of audio in his recordings. No one else needs to hear this.)

again, they aren't stupid - they aren't just going to feed Leo some random potions given to them by the guy that hurt him in the first place. but they can go find out if the potions are legit. so time for a trip to Witch Town!

they probably have some kind of misadventure while they're there (I'm imagining Mikey is joining Donnie and April this time), but they do manage to ascertain that the potions are legit. still, they end up getting the same potions made by someone else instead, just in case. but they remember that Draxum did try to help them, that time.

I imagine this happens several times, where Draxum just shows up to help them, they tell him to get lost after, before it starts to sink in that maybe Draxum is actually trying to turn things around. I don't think it ever quite gets to "Mikey calling him their second dad" level, but they do start to accept him as a begrudging ally and eventual weird uncle.

he has to seriously and sincerely apologize to Leo first, though. and Leo doesn't want to forgive him at first, and that's okay. these things take time.

anyway that's all. thanks for the ask again!

#sidelined au #I feel like I make Leo's relationship with Draxum wildly different in all my AUs lol #because his eventually relationship with him in 100ft is shaping up to be so much more positive

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lerelene · 5 months

Text

UPD

He's a total asshole

She's a badass softie

He was showing zero redeeming qualities when she fell for him while still pining for her first love - He's getting a perfect redemption arc while retaining his core bitch personality

He had a bit of a soft spot for her from the start (I believe) specifically because she had no problem threatening him with a switchblade - She got a soft spot for him after witnessing firsthand that he can love

She kissed him. Twice

He rejected her. Twice

He kissed her many times after

Oh, he kinda hit her after the first kiss (it was accidental but the asshole still didn't apologize) - She hit him accidentally too (didn't apologize either but came to check on him)

They sang together in an empty nightclub (there were two naked souls on the stage!) - They sang together in a full club (still completely emotionally naked, both of them)

He said that if she was the one to stab him at least he would die with a smile on his face - He said that if they died, they'd die together

She actually stabbed him some time later - She got stabbed in the exact same spot

He said he deserved it and to get away from the scene before someone saw her - She apologized for stabbing him and he said again that he deserved it, unlike her

She was going to but returned and got him to a doctor - He said he was never leaving her and kept his word

He never told anyone who did it but his loving mother found out anyway and knew he did some shit to deserve it

She was so shocked from what she did and hurt from what he did that she spent the whole night out in the cold and fell ill

He snuck from his house and into hers (with a fresh stab wound) to check on her

She was feverish and the only thing she managed to say to him was that she hated him - She was on the verge of dying and the most important thing for her was to tell him that she loved him

He definitely doesn't hate her - Of course he told her that he loves her too

He told her brother figure "she's in love with me" to provoke him into a beating - Her brother figure teases her about their romance now

She tells him off her brother and tells Him to let her go while she's the one who grabbed his collar

He replies that he'll let her go when she does the same (it doesn't feel like he means just her hand on his jacket. especially with the way they're staring at each other. the scene is magical) - He tells her that he cannot let her go in the most romantic circumstance

He's still a total bastard to her loved ones - He's still a sarcastic bastard but now in a much more entertaining way

She sees through him and tells him that he might like getting punished (kinkyyyyyyy) but she doesn't need a dog

He says she's in love with him again - He asks her to repeat her confession or he's not gonna stop trying to snog her

She slams his damn head into a mirror - She jokes she doesn't remember what he's talking about

He's completely feral for this girl - He captures her and kisses her against a wall 😭

There is a group standoff scene where she has her switchblade to his torso and then his throat

They both know she can use it on him (because she already did once) but there's more sexual tension than dangerous tension (even while surrounded by like 40 people including both of their families)

I have a feeling she's gonna be revealed pregnant and it's going to add SO MUCH MORE drama

I'm kinda feasting on this ship it's SO fcked up and delicious!

I don't think there ever was a better written and developed enemies-to-lovers trope than these two

#aslaz #yabani #yabani spoilers

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moeitsu · 2 months

Text

The Tie Which Linked My Soul To Thee

Ch 11 - And Felt The Pulse Beat Fast

Summary: Arthur and Hosea share meaningful conversation after a night of advertising some moonshine. Meanwhile Kate finds herself involved in a dubious mission with John and the boys. She patches up Arthur as the day ends with an air of unspoken desire.

Ao3 Wattpad Masterlist - All Chapters Previous Chapter / Next Chapter

TW: Brief mention of suicide, body image issues, eating disorder. Period typical racism.

A/N: Another long one, ~8k words. The end had me giggling and kicking my feet. I hope you enjoy! Comments and criticism are always welcome :)

Tag List: @photo1030 @ariacherie @thatweirdcatlady @ultraporcelainpig **please let me know if you would like to be tagged in future chapters!

Story Tags: Widowed, Original Character(s), High-Honor!Arthur Morgan, Arthur Morgan Does Not Have Tuberculosis, Arthur Morgan Deserves Happiness, Chubby!Arthur Morgan, Canon Divergence, Mutual Pining, Slow Build, Eventual Smut, Eventual Sex, Eventual Romance, Emotional Sex, Fluff and Angst, Hurt/Comfort,Touch-Starved, Sexual Tension, Friends to Lovers, Child Loss, Infant Death, Trauma, Canon-Typical Violence, Emotional Hurt/Comfort, Slow Burn, Torture, Blood and Violence, Survivor Guilt, Aftermath of Torture, Caretaking, Injury Recovery, Period-Typical Racism, Anxiety, Self-Hatred, Night Terrors, Emotional Constipation, Self-Doubt, Men Crying, Bathing/Washing, Sweet/Hot, Romantic Angst, Romantic Fluff

Kate and I met this strange young bastard, Beau, and his forbidden love Penelope. Poor kids are just lookin’ for freedom but they’re stuck in some old family feud they ain’t even a part of. We delivered some letters for them, Kate insisted on it. I gave her grief about it at first, but she was determined to go out of her way for these kids. Woman’s got a heart of gold.

Somehow, I ended up marching as a suffragette, the looks of loathing on the face of the locals amused me. I don’t know much about good causes, but I enjoyed my little experience riding alongside them. Kate showed me there’s more than one path, she chose to do the right thing and we still managed to gather some useful information.

She makes my head dizzy sometimes, this woman. Came right out and asked to kiss me again! I choked up bad. She’s always speaking her mind, like she ain’t afraid of nothing. I love that about her. I wanted to kiss her, but I knew I couldn’t. I just can not do that to her. She’s been through too much already, and she deserves a good man.

And I don’t deserve that kinda happiness.

Arthur woke the next morning with a heavy weight on his chest, the remnants of a sleepless night etched into the lines of his weary face. Kate's tender words echoed in his mind like a haunting melody, refusing to fade with the dawn. No one had spoken to him with such honesty and vulnerability in ages, and Arthur couldn't shake the memory of disappointment flickering in Kate's eyes when he couldn't reciprocate her feelings. As much as his heart longed to kiss and hold her again.

As he lay there, Arthur's thoughts drifted back to Mary, the woman he once loved. He recalled the night he proposed to her, the anticipation heavy in the air, only to be met with the sting of rejection. Mary wanted him to leave behind his life of danger, to embrace a quieter existence with her, far from the chaos of the gang. Arthur understood her desire for simplicity, but he couldn't abandon the gang; the family that needed him. He pleaded with Mary to join him, but she refused, unwilling to sever ties with her own family, especially her younger brother.

Now, years later, Arthur felt he had strayed too far down a path of darkness to ever deserve happiness again. The memory of Mary's rejection lingered as a painful reminder of his inability to change, to be the man she needed. He believed himself beyond redemption, resigned to a life devoid of the joy he once craved.

To his surprise, Kate appeared unfazed by Arthur's refusal the previous night. She greeted him in the morning with her usual warmth, as if their conversation had not left a lingering tension between them. They shared breakfast together, engaging in easy conversation that helped ease some of the weight on Arthur's shoulders. Kate mentioned that she had already discussed their findings with Hosea, who wanted to meet with Arthur later that evening regarding a potential job at the Braithwaite estate.

Her calm demeanor brought Arthur a sense of comfort amid his inner turmoil. As they finished their meal, Kate gracefully excused herself to resume her tasks with the other girls. She promised to join him for dinner as usual, maintaining their routine without skipping a beat. Arthur watched her go about her duties with a mixture of admiration and gratitude. Despite his fears of pushing her away, Kate seemed to understand. And didn’t think ill of him for it.

As the day unfolded, Arthur found himself immersed in a job orchestrated by Uncle—an opportunity to stage a simple yet lucrative payroll robbery. He teamed up with Charles and together they executed the heist with precision. The stagecoach robbery went off without a hitch, yielding a substantial sum that brought a brief sense of satisfaction to Arthur, feeling like a proper thief he was raised to be.

As the sun began its descent, Arthur sought out Hosea near the hidden stash of stolen moonshine. He detailed his failed attempt to sell back the stolen moonshine to the Braithwaites. Hosea recounted how they had approached the Braithwaite matriarch with an offer, only to be met with a cold rejection. The old woman haughtily declared that they deserved no reward for returning what she considered rightfully hers. Instead, in a spiteful act of retribution, she offered a meager ten dollars to distribute the moonshine for free at Mr. Gray's saloon.

Arthur was puzzled by the Braithwaite's response. Hosea clarified that it was a calculated move—a means of exacting revenge on the Grays and the town drunks. By turning the intoxicated patrons into even greater fools for the night, the Braithwaites hoped to incite chaos and leave Sheriff Gray to deal with the ensuing fallout.

Amidst the chaos of the moonshine-fueled night at Mr. Gray's saloon, Arthur assumed his familiar role as "Fenton," a persona he had adopted in previous schemes alongside Hosea. The act required him to play the part of Hosea’s younger idiot brother, who also happened to be mute. His only job was keeping glasses filled without uttering a single word. Though Arthur despised the charade, he couldn't suppress a chuckle at the absurdity of their antics—the lengths they would go to for a successful heist.

Draped in the guise of Fenton, Arthur navigated the rowdy patrons, handing out moonshine liberally as the atmosphere inside the saloon grew increasingly raucous. The scene was a stark reminder of earlier days, when he and Hosea were younger and life seemed simpler, despite the risks they took.

As the night wore on, the situation escalated when Sheriff Gray himself appeared, prompting Hosea and Arthur to spring into action. Shots rang out, echoing through the old saloon as lawmen pursued them. With practiced ease, they slipped through the back door, disappearing into the shadows and swiftly making their way to the waiting wagon. In the chaos that ensued, Arthur expertly handled their pursuers while Hosea skillfully guided the reins.

A small shootout erupted as the Grays chased them through the winding back roads and fields leading out of Rhodes. Arthur remained focused, taking down their adversaries while Hosea expertly navigated the terrain. The tension was palpable, the thrill of the night's escapade mingling with the danger of their flight.

Approaching the train tracks, Arthur spotted a train. With precise timing, they crossed just as the locomotive barreled through, cutting off their pursuers. The lawmen were left stranded on the other side, unable to follow.

Once they were safely beyond reach, away from the danger that had pursued them, laughter erupted between Arthur and Hosea. It was a release of pent-up tension, the adrenaline-fueled joy of a successful escape mingling with the shared camaraderie of outlaws.

“Remind me to never take up a career in…what was it? Bartending,” Arthur chuckled, glancing back at the remaining clinking bottles they were unable to distribute.

“I didn’t know they’d throw so much of a fuss over booze, this town is odd,” Hosea answered, shaking his head as he cracked the reins of the wagon.

Arthur furrowed his brow, considering the surplus moonshine. “What should we do with all the shine we still have left?”

Hosea’s expression turned grim. “That miserable Braithewaite woman wants us to burn the Grays' tobacco fields with it, I was hoping you and Sean could handle that tomorrow night.”

“Damn, ain’t that makin’ a bit too much noise? I thought we were tryin’ to lay low in all this. These fellas may be drunks and racists, but they ain’t afraid to kill, you saw them back there,” Arthur expressed his concern.

Hosea sighed, revealing a hint of hesitation. “Dutch thinks there's money in this somewhere. His plan is to get them all riled up on each other and use that as an opportunity to slip in and rob ‘em.”

Arthur fell silent, contemplating the dangerous path they were treading by getting involved in a longstanding blood feud. “Things could get real ugly, Hosea. Do you really think one of these families is sitting on a pile of money?”

“Can’t say. But the cash box is getting full again, Arthur. We’ve been doing well on making money. With just a bit more cash, we’ll be out of here,” Hosea replied, injecting a note of hope into the conversation. Sensing Arthur's unease, he changed the subject. “Kate told me about your adventures yesterday. How are things going between you two?”

As their wagon rattled down the road, illuminated by the soft glow of the full moon, Arthur felt a sense of comfort settle over him. He glanced over at Hosea, his trusted father figure, and knew that he could confide in him about anything. The old man had a way of understanding Arthur's thoughts and feelings without needing them spelled out.

Arthur shifted uneasily in his seat, rubbing his palms together nervously, the words weighing heavily on his mind. It wouldn't escape Hosea's notice that Arthur was quite sweet on Kate. After all, it had been Hosea's idea to pair them up for the day, hoping to give Arthur a chance to spend time with her away from the group.

“I kissed her the other night, when she was singin’ a lullaby for Jack,” Arthur began, the words spilling out into the night air like a secret long kept.“She… she wanted to kiss me again today and, I really wanted to, but I had to let her down easy,” He glanced over at Hosea, seeking some semblance of understanding in the old man's eyes.

Hosea raised an eyebrow in surprise, a playful smirk tugging at the corners of his lips. “You kissed her and ditched her? I thought I raised you better, son,” he teased, his tone light but laced with curiosity.

Arthur chuckled, though there was a tinge of self-deprecation in his amusement. “I know, I’m dumber than a bag of rocks.”

Hosea patted Arthur's shoulder reassuringly, his touch grounding. “You may be good at playing an idiot like Fenton,” he remarked, referencing their recent job, “but you’re a smart boy. What harm could come if you just let it happen and see where it takes you?”

With a heavy sigh, Arthur leaned back in the seat, his gaze drifting up to the blinking stars above, memories of Kate’s confession flooding his thoughts. “I just don’t wanna hurt her. And… I don’t wanna feel that kinda hurt again.”

Nodding in understanding, Hosea's expression softened with a paternal concern for the young cowboy. “I’m not gonna live forever, son. I’d just like to see you be happy with someone before I go.”

“I was happy once. I had a woman who loved me, and she left me because I couldn’t change for her.” Arthur admitted, his voice giving away the deep sorrow he still harbored about his young love.

“Mary was a good woman, I did like her. You were both so young and naive, still navigating your own lives,” Hosea mused, his voice carrying the weight of hindsight. His gaze softened with memories. “But I don’t think she was the right one for you. She couldn’t tame that wild heart of yours.”

Arthur listened, his eyes fixed on the road ahead, the wagon jostling over uneven terrain. “Sometimes, I feel like I can’t even tame it myself,” he confessed, his tone tinged with resignation.

Hosea's eyes twinkled with a knowing glint. “That's why you need someone strong enough to stand in the ring with you,” he remarked, his voice brimming with wisdom, “and face down the beast with a heart just as wild.”

Arthur nodded slowly, the words sinking in like stones dropped into a still pond. He mulled over Hosea's advice, feeling the weight of his own heart's desires. The night enveloped them in a cocoon of shared understanding, the stars above bearing witness to their quiet contemplation.

Arthur’s confession hung heavy in the air, his words weighed down by the burden of his past. “Once she knows what I’ve done, I don’t think she can forgive me for it,” he admitted, his voice barely above a whisper, like a man confessing his sins.

Hosea let out a light scoff, his eyes bright with a hint of amusement. “Son, your bounty has been posted in almost every town in the west,” he remarked wryly. “She knows we’re outlaws, I think she’s probably aware you’ve killed some folk.”

Shaking his head slowly, Arthur gathered his thoughts, his gaze fixed on the horizon ahead. “No, no it ain’t that,” he muttered, his words heavy with hesitation. Taking a deep breath, he continued, “Kate told me ‘bout her family, how they all passed from accidents or disease. She even had to bury her own daughter. I just…” His voice trailed off, grappling with the weight of his own truth. “I just don’t know how to tell her about my own. About my son, Isaac. Or Eliza.”

Hosea leaned back against the wagon’s seat, his expression thoughtful. “What’s stopping you from telling her? That’s something you two have in common,” he pointed out gently.

“Because I–I can’t tell her I’m the reason they’re dead,” Arthur confessed, his voice thick with emotion. “Family means so much to her, she’d never forgive me for throwing it away.”

The old man regarded Arthur with a mixture of sympathy and understanding. “Son, if you’re so worried about her turning the other cheek on you, I think you need to tell her the truth,” Hosea advised, his tone earnest. “She’s going to find out eventually, and you know she’s a smart woman. She understands what you are and still chooses to be by your side. And I’d be surprised if she draws the line at something that happened in the past. You're too hard on yourself, Arthur. What happened to Eliza and Isaac was terrible, but it was not your fault.”

Arthur rarely spoke about his son, Isaac, even with Hosea, his closest confidant. The weight of their deaths bore heavily on his heart, like an anchor dragging him into the depths of guilt and regret. Isaac's passing had transformed Arthur into a different man, one hardened by grief and the burden of responsibility.

Hosea had witnessed the change in Arthur firsthand. Before the tragedy that befell Eliza and Isaac, Arthur was more carefree, with a spark of youthful innocence in his eyes. But as time wore on, a darkness crept into his demeanor, a shadow that never quite lifted. He carried their deaths like a scar, a permanent mark etched upon his soul.

In moments of vulnerability, Arthur would let slip glimpses of his sorrow, revealing the cracks in his stoic facade. He blamed himself for their deaths, convinced that if he had been a better man, a different man, things might have turned out differently. It was a burden he carried alone, tucked away behind layers of bravado and hardened resolve.

Hosea understood the depth of Arthur's pain, but he also recognized the resilience that lay beneath. Arthur's reluctance to share his grief spoke volumes about the depth of his sorrow. It was a wound that time could not heal, a wound that had shaped the man Arthur had become.

As the wagon turned down the familiar winding road that led to their camp, the night's chorus surrounded them with the faint hum of a crackling fire and the warm glow as it cast dancing shadows across the clearing.

Arthur broke the moment of silence, his voice tinged with vulnerability. "I should’ve been there for them, Pa," he confessed, his eyes fixed on the dark silhouette of the trees passing by.

Hosea sighed, the years etched into the lines of his face. "Yes, son, but life has a way of throwing us off course, even when we try our best," he replied, his voice carrying the weight of wisdom earned through hardship. "This world can be cruel, as you well know."

"I can’t be a bad man and expect good things like Kate to happen to me. It just don’t work that way," Arthur continued, his words laced with self-doubt.

Hosea placed a reassuring hand on Arthur's shoulder, his touch a welcome comfort. "Kate sees something good in you, son," his tone was gentle yet firm. "Maybe it's time you started seeing it too."

━━━━━༻❁༺━━━━━

Kate scrubbed diligently, the soap creating frothy suds as she ran the bar along the stretched cotton over the washboard. She sat on a small stool in the shade beneath a sprawling tree, her trousers dotted with darkened spots from the splashing water. The air was heavy with heat, but the coolness of the water in the small washtub offered a brief respite. With each steady motion, her fingers became slightly more pruned from the repeated immersion.

Beside her, Mary-Beth was busy ringing out the soapy cloth and dipping it into a clean bucket, the rhythmic process mirroring Kate's own. The girls found solace in their shared task, engaged in easy conversation to while away the chore.

“So,” Kate began, a mischievous glint in her eye, “I saw you talking to Kieran the other day. Want to spill the beans on what’s really going on there?” She nudged Mary-Beth playfully with her knee.

The young girl looked down, a faint blush tinting her cheeks as she tried to hide her face from Kate's teasing gaze. “He was just curious about the book I was reading, that’s all,” she admitted bashfully, her voice carrying a hint of embarrassment.

Kate knew Mary-Beth's romantic tendencies well. From the moment they met, it was clear that she had a penchant for love affairs and romantic tales—her nose buried in romance novels and dreams of penning her own someday.

“That’s all?” Kate teased, a playful glint in her eye. “I see you watching him groom those horses every day. Somebody's got eyes for the O’Driscoll boy,” she added, splashing a bit of water in jest.

Mary-Beth retaliated with a laugh, “He ain’t an O’Driscoll!” Her grin gave away any attempt at concealing her feelings. She glanced over towards the horses, and Kate followed her gaze to where Kieran Duffy was tending to the animals. “He’s been talkin’ to me a lot recently. I just think he’s sweet.”

Kate's eyes lingered on the scene, noticing Lenny and Javier saddling their horses nearby, while John caught her gaze as he approached them.

Just as Kate was about to respond, John called out to her, “Kate! You busy right now?”

She looked up, eyes squinting as the sun glowed behind his frame. She gestured with open palms towards the wash bin. “You need somethin’?” she asked.

John tipped his hat to Mary-Beth, who waved politely in return. “We’re heading out to the Braithwaite manor to check out some horses. Thought you might wanna come,” he explained, nodding back to where Lenny and Javier were waiting.

Kate chuckled, her tone lighthearted. “You plan on stealing them or something?”

John crossed his arms casually, “well, you know,” he trailed, “if the opportunity presents itself.” Not bothering to hide their dubious intentions. Kate has to remind herself sometimes that she is running with outlaws. For them, a job doesn't mean checking out the goods, it means stealing goods.

He cleared his throat and explained the situation seriously, “some fella from the Gray family told us he’d pay to have their horses stolen. Also mentioned they go for $1000 a piece.”

Kate raised a brow of suspicion, “and you believe him?”

John only shrugged, “it's worth looking into.”

She waved him off with a touch of concern, “I don’t want no trouble John, I’m sure you boys will manage fine without me.”

John persisted, his voice reassuring. “It won’t be no trouble at all. We’ll be in and out, they won’t even know we’re there,” he said, adding an enticing detail, “word is they got some pretty nice gypsy horses. Real purebreds too.”

Kate found herself caught in the web of temptation. Stealing horses was not something she relished, but the promise of seeing such a purebred up close was alluring. If they pulled it off successfully, she knew the money would help the gang alot. She figured it wouldn't be so bad to help them in one little heist.

As if Mary-Beth could sense her conflicting ideas, she interrupted the silence, "I can finish up here, Kate. You should go. They'll have a better chance of pulling it off with you." She winked knowingly, seeming to support Kate's unspoken decision.

She made up her mind, fixing John with a pointed look. "No trouble," she repeated firmly, more as a command than a question.

"No trouble," John assured her with a nod of understanding.

Kate wiped her damp arms across her shirt, bidding Mary-Beth farewell and promising to catch up with her later. As she approached her midnight mare, the horse whinnied in recognition, sensing the upcoming adventure. Javier and Lenny greeted her from their saddles, both looking ready for action.

Javier tipped his hat with a charming smile. "Nice of you to join us, cariño," he said, his tone warm and inviting.

Kate swiftly mounted her horse, adjusting herself in the saddle. "You boys better hope this goes smoothly," she remarked with a playful smirk, her eyes scanning the group with a hint of caution.

Lenny rode his stallion closer to Kate's, "I gotta say, having you with us doubles our luck, don't you think?" he replied, his tone light-hearted but with an underlying sense of confidence.

She smiled fondly. Together the four of them took off down the lush green path and onto the dirt road. Kate was glad for the invitation, it made her feel good that the gang trusted her enough to include her in such tasks, that they were confident in her ability to work alongside them. She felt a new sense of trust among them, and camaraderie. She felt like she was becoming a real member, and not just some lone traveler like she had been nearly a month ago.

The journey to the Braithwaite manor was uneventful, the cool breeze of the afternoon air was refreshing against their skin as they rode. As they arrived at the manor from the south side, away from the prying gaze of the property guards. The grand estate loomed before them, a testament to the family's wealth and power. They dismounted their horses in a secluded spot, ensuring they wouldn't draw too much attention.

Kate's mind wandered briefly, wondering if Penelope would be out in her gazebo enjoying the afternoon sun.

John's voice interrupted her thoughts, his tone matter-of-fact as he laid out the plan. "Let's keep this nice and easy. No need to rush. We're here on behalf of a buyer, looking to make a significant investment," he explained as they followed him toward the barn.

Outside the stable doors, a worker paused in his tasks, eyeing them with suspicion. "Can I help you fellas?" he asked, his tone wary.

"I hope so," John replied amiably, trying to appear non-threatening. "Heard you got some horses?"

"We always got horses," the man responded gruffly.

"Fine horses, I mean," John clarified.

The worker's expression soured, his eyes narrowing as he glanced at the group. "I don't know whatchu’ talkin' 'bout, friend. Why don't you take that hoyden wench, yer greaser buddy, and his darkie friend and get off the property ‘fore I blow your face off," he retorted, spitting at their feet.

Kate raised her eyebrows in surprise at the man's unabashed racism and arrogance toward strangers. Suddenly understanding Tilly’s hesitation about being so far south. Javier quickly raised his hands in a conciliatory gesture. "Whoa, take it easy there, amigo," he interjected, trying to diffuse the tension.

John remained unfazed by the man's hostility. "Come on now, partner. We're just looking to do some business. Inquire about a purchase," he persisted.

The worker let out an annoyed sigh. "Fine, follow me, Scarface," he grumbled, the insults never ceasing.

The ranch hand, ever welcoming, led them into the barn, his voice a steady stream of information about the horses—names, breeds, and abilities. She noticed they were not the purebreds John had heard rumors about. Still beautiful, strong horses nonetheless.

Kate observed John and Javier exchanging a look as they walked deeper into the dimly lit space. When the man paused to pet a horse, John subtly motioned to Javier, who deftly moved behind the unsuspecting worker.

Meanwhile, Lenny smoothly interjected with feigned interest. "Wow, look at the balls on that one," he chuckled, pointing in another direction. The ranch hand followed his gaze, oblivious to the danger lurking behind him.

With his back turned, Javier seized the opportunity, drawing his pistol from his belt. "Greaser, huh?" he muttered bitterly before striking the bottom of the iron against the man's head, knocking him out instantly. John and Javier wasted no time, swiftly moving the unconscious body to a hidden spot while Lenny began unlocking the stable gates.

Kate stood in stunned silence for a moment, her voice barely audible as she tried to suppress her surprise. "What happened to nice and easy?" she muttered.

Her comment elicited a chuckle from Lenny, who had already mounted one of the horses. "Can't get any easier than this. Let’s try to get 'em out of here without drawing too much attention," he replied casually.

Despite her swirling thoughts and unease, Kate pushed her concerns aside and mounted one of the horses. Following the three bandits out of the barn, she joined them as they sped off through the sprawling property, the rush of adrenaline mixing with a sense of trepidation.

The thundering hooves of their stolen horses echoed through the property. Behind them, shouts and the pounding of boots indicated that their presence had been discovered. Several ranch hands emerged from the buildings, brandishing rifles and shouting warnings.

John, Kate, Javier, and Lenny spurred their horses into a full gallop, kicking up dust and dirt as they raced across the open fields. The pursuing ranch hands fired off a few rounds in their direction, but the distance and the speed of their mounts made accurate shooting difficult.

As they reached the fence at the edge of the property, they leapt over the barrier. The group plunged into a dense thicket of trees, the branches clawing at their faces and clothes. The sounds of pursuit faded behind them as the guards were forced to slow down and eventually give up the chase. They whistled loudly, and soon their own horses caught up and began to follow in tow.

Javier led the way as they made their way through the landscape to find the supposed buyers at Clemens Cove.

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The encounter with the buyers proved to be an intriguing yet unsettling experience. They were met by a pair of brothers who seemed to operate in uncanny harmony, sometimes speaking in unison and shrouding their business with secrecy. Details about their clientele and operations were kept hidden, with only a vague promise that one of them would be available for future dealings, if they wished to become business partners.

During the negotiation, one of the brothers made a direct offer to purchase Kate’s prized black Hungarian outright, offering her a substantial sum. However, Kate politely declined without hesitation. Her bond with the mare ran deep, and no amount of money could sway her decision to part with her cherished companion.

The brothers’ offer of 50 cents on the dollar for the stolen horses was not quite what John had anticipated, but it still amounted to a respectable deal given the circumstances.

After concluding their business at Clemens Cove, the posse set off back towards the rolling plains. The sun had dipped low on the horizon, casting a warm and serene glow over the lush green hills. Their horses trotted steadily along the trail as the landscape unfolded around them, painted in hues of amber and gold, as they made their way back to camp.

"Hoyden wench…" Kate echoed with a chuckle, mimicking the ranch hand's harsh drawl. "I've been called a lot of things, but that sure is a first."

Javier, riding alongside her, piped up from the saddle, his expression puzzled. "What the hell does that mean, anyway?"

Lenny let out an exasperated sigh. " 'Wench' was a term used by slavers for black women. And 'hoyden' means she's too much of a 'tomboy’,'' he explained.

"Well, I can understand the 'tomboy' part, but she's not even—"

"Doesn't matter, amigo," John interjected, his tone matter-of-fact. "If ya skin ain't as white as a baby's bottom, it's all the same to them."

Kate nodded in agreement, her thoughts drifting back to the locals she had observed while running letters with Arthur. Witnessing their prejudice up close and personal was a stark reminder of the challenges faced by Lenny and Tilly in this region. As a woman of Italian descent, her skin carried a honey-brown hue, bronzed by the Lemoyne sun. Even this slight difference posed a threat to the narrow-minded locals, a reality that churned her stomach with discomfort.

"I'm ‘bout ready to get the hell out of dodge," Lenny added, his voice tinged with exasperation. "Speakin’ of racist hillbillies, Javier and I are heading out to Shady Belle. Got a tip there's some raiders sittin’ on guns and ammo. You guys want in?" He turned to John and Kate with a casual invitation.

Kate shook her head, "thanks Lenny, but I think I'll pass this time."

John chimed in with a polite refusal. "As much as I love killing racists, I gotta get back to Abigail for dinner."

Javier and Lenny exchanged nods of understanding. "No worries, compadres," Javier replied. "We'll catch up with you later."

As they bid farewell, Kate and John veered onto the familiar dirt path that led back to Clemens Point.

The gentle melody of song birds and the steady pounding of hooves on the dry soil filled the atmosphere. Before they could approach the camp, John's voice broke the peaceful ambiance.

"Hey, I know I sound stupid for saying this, but thank you for being a friend to Abigail. All of this has been really hard on her," he explained, his tone earnest and reflective. He glanced ahead, his thoughts drifting to his woman back at camp. "I know it may not look like it, but I'm trying—I'm working on being the kind of father she wants me to be and the husband she needs."

Kate gave him a sympathetic look, her eyes softening. “You don't sound stupid, John. This life ain’t easy for nobody, especially when there's a child in the mix.” She was slightly surprised to hear him open up to her.

John sighed, his expression heavy with regret. “Still, I know you and I ain’t all that close, but, I did somethin’ pretty bad. I worry she might never forgive me for it.”

With a sideways glance, Kate nodded reluctantly. “Yeahhh, Abigail already told me ‘bout all that.”

“Shit, she did?” John's eyes widened in surprise.

She couldn't help but chuckle, a hint of mischief in her voice. “Oh yeah, she’s told me everything John.” Abigail didn't babble to Kate just for the sake of gossip; she understood that Abigail needed someone to confide in, someone to listen and truly hear her. She needed to feel seen, heard, and understood. Especially in times like these.

“Well goddamn, now I feel like a proper dumbass.”

“She still loves you, John, and your boy does too. But love doesn’t come for free—it takes a lot of effort. Keep pushin’ to be a better man, she sees your effort. I promise you.” Kate's words were gentle yet firm,

"Thanks, Kate. Say, you’ve been ridin’ with us for a while now. You think you’re stickin’ ‘round for the long haul?” John asked, his tone curious.

Kate shrugged, a small smile playing on her lips. “I can’t say for certain. But for now, that’s the plan. Never thought I’d be workin’ with outlaws, but I guess it’s sometimes kinda fun,” she replied, hinting at their recent endeavor. Though petty horse theft was one thing, running from the law for murder was another.

“I noticed you and Arthur get along pretty well. He the reason you're stayin’ put?” John probed further. No doubt trying to get a grasp on his brother's affairs.

“Arthur’s a bit of a mystery to me. But we’re just friends, is all,” Kate answered, her tone casual yet guarded. She knew things between her and Arthur were only just beginning, but it was still undoubtedly complicated. The fact that some of the members had taken notice of their relationship sparked a tinge of worry.

“You’re a tough woman to read sometimes,” he smirked, the scar on his cheek crinkled slightly. “Well, whatever the case. Take care of yourself, ya hear?” He expressed a genuine smile as he rode ahead back into camp.

Kate followed behind, the aroma of Pearson’s signature stew filling her lungs with its savory fragrance. She left Lorena to graze peacefully among her own four-legged companions and headed toward the chuck wagon, eager to enjoy a well-earned meal after a day filled with adventure. The camp was alive with the usual sounds—crackling fire, distant chatter, and the occasional whinny of horses—creating a familiar and comforting backdrop to the evening.

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As Arthur returned to camp under the blanket of stars, the world seemed silent except for the faint rustle of night creatures and the distant crackle of a dying fire. He dismounted his mare with practiced quiet, the shadows of night his ally in avoiding unwanted company.

Exhaustion weighed heavily on him, his frustration palpable in the tight set of his jaw and the weariness etched in his movements. Tonight, he had no patience for idle chatter or bullshit from the guys. Especially the ones awake at this hour.

Burning the tobacco fields with Sean had proven to be no easy task. Though never any job orchestrated by Dutch ever was. It was nights like these where Arthur questioned when all the shooting and robbing would end. What the point of it all was.

Behind his tent, the open end of the wagon served as a makeshift wall. Arthur rummaged through crates, finding what he needed—a needle, thread, alcohol, and cloth. Wincing as he prodded the bullet graze just under his armpit.

“I’m gettin’ too old for this shit” he mumbled to himself.

Getting shot had never been part of Arthur's plan on any job. He prided himself on his quick draw and accuracy, always aiming to fire first and hit his mark before danger could strike him. But shooting under cover of night, navigating through a blazing tobacco field while avoiding being burned alive—such challenges could make even the finest gunslinger stumble.

The guards had descended upon them as soon as the smoke rose, but Sean had urged them to press on, insisting they keep pouring the moonshine without hesitation. Arthur couldn't help but worry that the young Irishman's ambition might one day lead him into an early grave.

Surprisingly, the only injury Arthur had sustained was a bullet graze, still needing a few stitches but nothing life-threatening. Meanwhile, Sean had returned unscathed, already regaling their escapade around the campfire with a bottle in hand.

Under the cool night air, Arthur peeled off his sweat-dampened shirt, the chill of the air contrasting sharply with the warmth of his body. The lantern's dim glow cast shadows, highlighting the glistening of sweat on his chest and stomach.

He dipped the cloth into the alcohol, its sharp scent biting into his senses. As he attempted to clean the wound tucked under his arm, frustration crept in. The injury was beyond his line of sight, a challenge exacerbated by his own size.

Placing one arm against the side of the wagon for support, Arthur tried again, unaware of Kate's quiet approach behind him amidst the backdrop of the night's stillness.

“Need some help there, big guy?” Kate's voice was endearing, soft, almost motherly. The tone made Arthur's knees weak and his face grow warm.

Startled, Arthur nearly leapt out of his skin, quickly lowering his arm and stepping back, almost out of the lamplight. The nickname, though used innocently, stirred something akin to shame in his belly.

"What're you doin' up?" Arthur asked, attempting to appear unbothered.

Kate shrugged, her demeanor relaxed. "Couldn’t sleep. I was brushing Lorena when I saw you come in. Figured I’d say hi," she explained. "You want some help with that?" She gestured to where small trickles of blood traced down his side, her eyes lingering slowly over his bare torso.

If it weren’t for the cover of night, Kate would have seen the deep blush that crept up to his ears. "I think I’ll be alright," Arthur managed, his mouth suddenly dry.

Kate took a step closer, her gaze shifting to his shirt hanging from the side of the wagon, a round, deep red stain contrasting against its usual pale blue.

"Well, it sure don't look alright," she noted, her eyes returning to his side. "Tough spot to reach too."

Arthur's breath quickened. "I’m fine, don’t worry 'bout me," he replied, a hint of nervousness creeping into his tone.

Kate only brushed him off with a playful wave of her arm, “oh quit it! You stitched me up before, let me return the favor.” Before Arthur could react she placed a gentle hand on his bicep, “here, turn around.” She said quietly.

He complied, turning his back to her. His body froze when her fingers returned with the wet alcohol cloth. Barely noticing the sting, as her hands alone felt like fire against his cold skin. Her warmth is intoxicating.

A moment's silence embraced them, and Arthur prayed she couldn’t hear the beat of his heart as it raced in his chest.

Her words startled him from his thoughts, “see, ain’t so bad,” her tone soft like she was comforting a child. “Why’d ya hesitate?” A hint of curiosity and concern filled her voice from behind him.

Arthur lowered his head slightly, “I um, well I know I ain’t much to look at.” He mumbled.

Kate continued to clean his wound tenderly, “what do you mean by that?”

He let out a deep sigh, there was no point in being dishonest with her, “I…I just don’t like folk seein’ me without a shirt. I ain’t what I used to be. I’m gettin’ old, gettin’ heavy too.” His hand subconsciously rubbed over his belly.

Arthur's weight was his biggest insecurity, a constant reminder of his struggles and the pain he carried. Years had passed since Eliza and Isaac's deaths, but part of him had withered away back then. The guilt had gnawed at him, devouring his spirit day by day. He sought solace in alcohol, drowning himself in the numbness it offered. His relationship with food became a twisted dance of indulgence and deprivation.

Some days, he ate to fill the emptiness inside, seeking comfort in the fleeting sensation of fullness. Other days, food seemed an enemy, a symbol of his lack of control. He despised his belly, the way it was soft and curved, a stark contrast to the man he once knew in the mirror. His size served as a relentless reminder of his deepest failure, haunting him with each glance.

Each morning he woke, Arthur grappled with the weight of existence. The world, in its merciless ways, kept him breathing, a living monument to his own remorse. He often wondered if the world would be better off without him, a sentiment that lingered like a dark cloud over his soul.

Kate sensed Arthur's tension, the silent turmoil that echoed beneath the pads of her fingers as she tended to his wound. She felt the subtle movement of his muscles, synchronized with the rise and fall of his breath. "You're a strong man, Arthur. Age and scars don't make you any less handsome," she reassured him with genuine honesty, her voice a soothing balm.

With practiced ease, Kate finished cleaning his wound and reached for the needle and thread. She gently maneuvered his arm to rest on the side of the wagon, adjusting her position for a better angle to begin stitching. Arthur's nerves betrayed him, his hand clenching into a tight fist at his side as he tried to compose himself. His head felt dizzy, as if he had been holding his breath all this time.

"I reckon you're just sayin' that to be kind," Arthur finally admitted, his self-doubt palpable in the air.

Kate chuckled softly, the sound carrying warmth and sincerity. "I've met my fair share of ugly bastards in my lifetime, but believe me, you are certainly not one of them," she assured him, her voice like a gentle flame against his skin. Her words were a rare gift, stirring something deep within him that he had long kept hidden. Arthur closed his eyes briefly, letting her words sink in.

"You're a very handsome cowboy, wrinkles, scars, size and all. I think you're a lovely man," Kate affirmed, her words carrying a sincerity that tugged at Arthur's heart. "Besides, I know I'm not the picturesque woman myself. I'm no stranger to the cruel effects of time and livin' rough. Today, I was even called a ‘hoyden wench’ by some bona fide racist ranch hand," she added with a light laugh, as if brushing off the insult.

Kate had a way of making Arthur feel like they had known each other for a lifetime. Since the day she opened up to him about her life, she had been unapologetically honest with him. It was as if she already knew she could trust him with her personal tragedies.

Hosea's words echoed in Arthur's mind, a comforting reminder of the wisdom his old father figure imparted. Hosea simply wanted happiness for him—not wealth in money, but richness in love. He wanted Arthur to find purpose and meaning in life, to share that journey with another soul.

As Kate's needle deftly worked the thread through his skin, Arthur felt a warmth bloom in his chest. Kate's words eased a heavy burden, if only momentarily.

He shrugged his shoulders slightly, summoning the courage to speak. “Well, I’ll say this. There ain’t nothin’ wrong with a lady who can hold her own,” he began, his voice laced with sincerity. “You’ve got a strength and beauty that’s hard to come by. I think it’s pretty admirable.”

Kate giggled softly, the sound sending a warm flutter through Arthur’s chest. “Thanks, Arthur. First time I’ve heard that in a while,” she replied, her eyes meeting his.

Arthur marveled at how he had summoned the courage to kiss her the other night, feeling as if he could barely face her now. Yet, if she leaned in to kiss him at this moment, he knew he would succumb to his desire, despite what he had told her before. She lit a fire in him.

“S’true. You’re the prettiest girl in the whole damn holler,” Arthur said, unable to hide the light chortle that escaped him.

Kate leaned closer, her breath tickling his neck as she whispered, “You have quite a sweet side, Arthur. I adore that about you,” her hand lightly squeezing his arm.

His heart swelled, and Arthur knew this was the moment. He needed to tell her, despite the nerves that threatened to overpower him. Hosea may have been right; she had stayed by his side despite everything. But as he searched for the words, unsure of how to broach the subject, his nerves got the better of him once again. There was never an easy way to say it. Just the memories of them alone felt like acid in his throat.

Kate took a step back, placing her tools down on the back of the wagon. “I reckon I’m about done stitching this. Try to stay out of the crossfire next time, yeah?” She teased, holding up his bloody shirt with a knowing look as she handed it back to him.

Arthur felt a pang of regret. “Wasn’t my intention to get shot,” he admitted, his voice tinged with frustration. He slipped the shirt over his shoulders, tugging the sleeves down his arms.

“Nobody intends to get shot,” Kate mused, taking a step back to give him space.

Turning to face her, Arthur was struck by the sight of her eyes, a sadness that mirrored his own that evening under the moonlit sky when they kissed. His heart throbbed at the sight. Since the day he met her at Emerald Ranch, she had a welcoming presence that drew him in, along with a deep sorrow that resonated with his own. It was as if she knew him before she even met him.

He looked down, running a hand over the back of his neck. “I appreciate your help, darlin’,” he murmured. Then, letting out a deep breath, he added, “though, I really don’t deserve it.”

Kate brushed off his self-doubt. “Don’t fuss over it, Arthur. I’m here whenever you need a hand,” she assured him. “I think you should get some rest though; from Sean’s stories, it sounds like it’s been a long day.”

Arthur nodded silently, watching as Kate bid him farewell and faded back into the night. His heart silently begged, please don’t go. But she was gone, leaving him alone with his thoughts under the blanket of stars.

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Kate lay beneath the star-studded sky, her eyes fixed on the milky purple and white swirl above, like celestial clouds in motion. Her heart echoed the rhythm of hooves against her ribs. Thoughts of Arthur filled her mind, his presence vivid in her thoughts.

The image of his body lingered before her, along with the stories he shared about himself. A longing surged within her to reveal how beautiful she found him, to explore him with kisses and her wandering hands.

Patience wavered as a persistent ache in her belly reminded her of the closeness she craved. Intimate moments with Arthur kindled her core, igniting a blaze of desire. Each quiet, vulnerable encounter with him deepened their connection. Funny how his true colors always showed when he was alone with her.

Kate smiled to herself, feeling a rush of desire she hadn't known for what felt like a century. As good as she was on her own. She felt like life had finally granted her an anecdote to her lonely heart.

---

AN: Phew, its out there. I know that was pretty dialogue heavy, so I hope I didn't bore you guys. Next chapter is going to be a long one, and may take me awhile. But it will be worth it, I promise!

As always, thanks for all the love!

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