#sorry for stupid long post

[that-darn-clown]

Oh yeah vent under the cut time again tldr: I'm gonna take a break from Tumblr for a bit!! I hope to see yall soon <3

I'm gonna vomit everyone is mad at me why can't I do anything right I just want to watch wendigoon and make kandi why do I have to be so bad at everything why am I like this I can't do anything right why why why am I like this I need to leave I need to leave leave leave

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[visismu]

"Bitches know they can't catch me (Vroom, vroom) Cute, sexy and my ride's sporty (Vroom, vroom) Those slugs know they can't catch me (Vroom, vroom) Beep, beep"

[caluski]

would you sample her....

[canon-gabriel-quotes]

[Yes this is a reference to that one superman pic]

Transcript:

*sniff sniff* Is-is that a boy I smell?

*sniff sniff* Mmh yes, I smell it! Boy Smell!

I smell a boy!

Ah! what is a boy doing here?!

Oh my gosh. What am I gonna do? There's a boy here!

I'm freaking out so much!

Calm down, calm down! Calm down and take a nice deep breath.

*sniff sniff* Mmph it smells so good. I love boy smell so much!

It makes me feel so amazing~

I'm getting tingles all over from the delicious boy scent!

IT'S DRIVING ME BOY CRAZY.

Audio source

[ladylightning]

supernatural s2 is SO GOOD because every decision has more weight because the after life is still unknown to us. we know there is something after death but we don't know quite what that is. the season starts with tessa the reaper begging dean to come with her. to where? she cannot say. when john dies it’s devastating to the brothers that he’s no longer here but elsewhere. but it’s even more devastating as they come to the slow realization that elsewhere is probably hell, whatever that looks like. sam and dean don't know anything more than the audience does about hell.

there is an effort to exorcise the possessed and save them instead of letting them die because there is no promise of heaven to be made. the ghost in roadkill wants to know what happens when she crosses over and sam and dean just don’t know. where do the monsters go when they die? are there angels? is there a god? sam and dean don’t know. sam more than anything wants to believe. and secretly dean does too. but they just don’t know.

when sam dies where does he go? dean doesn’t know. we never get to see it. and more than that. does dean truly believe that he would be sent to the same hereafter as his brother after everything he has done? all dean knows is that there is a way to damn your eternal soul to hell and there is a way to bring his brother back from the unknown and he will choose that path without hesitation over and over and over again.

the second the angels are introduced we lose that sense of unknown. while the stakes are higher in seasons 4-5 the second we can see behind the curtain it’s over. yes you can damn the world and start the apocalypse but at least you KNOW. you know there is an afterlife. a heaven. a hell. a hereafter. and all the people who die will end up will end up where they belong so how guilty can you feel using a demon knife to kill an innocent? how wrong is it to drain the host for blood? they’ll end up in heaven after all. no more pain. and that is how only the winchester family drama becomes important to the brothers, because they KNOW the end is not the end. there’s more than just ghosts and demons and reapers. there is a heaven. and if there is a heaven every wrong bad thing in the narrative can be brushed away by the characters or the audience as “well at least they are at peace in heaven now.” they do this to jimmy novak and ash and pamela and lord knows who else.

season 2 sam and dean don’t have this opt out. every choice they make is so much heavier because they just. don’t. know.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[starflungwaddledee]

Hear me out…Meta Knight and Starstruck

✧˖°.✧ gravity ✧˖°.✧ ɡravɪti (noun) 1. the force that attracts a body towards the centre of the earth or towards any other physical body having mass 2. the degree of intensity of gravity, measured by acceleration 3. extreme importance; seriousness 4. solemnity of manner

[revenantghost]

Tristamp Wolfwood is a bit different than his counterparts, yeah? And I don’t mean that in a bad way, Orange is going somewhere with it, but it’s very different from what they’ve done with Vash and Meryl imo. With them, I feel like we got a glimpse of pre-canon. With Wolfwood... Orange is up to something, and it goddamn terrifies me. I love him dearly, he has some many moments that make me smile and go, “Yeah, that’s Wolfwood, my beloved asshole.” But it’s different. Oh so very different.

I’m just gonna point out a few examples of things I think are different enough to note here (drawing comparisons from Trimax since that was the source for Tristamp, but I’ll try not to spoil much--just don’t Google names you don’t recognize), and then go a little off the rails with a couple theories (spoilers there, click the read more at your own peril). This is DEFINITELY not everything, and maybe my takes are a bit off, idk. If there’s something you’ve picked up on, definitely feel free to add it!

Well, here goes:

My dude is a mess. Wolfwood is typically put together and some would call him smooth (he’s a mess inside always, though) in his other incarnations. Orange pointed out at Sakuracon that the characters are supposed to look younger and more immature in Tristamp, and Wolfwood specifically is supposed to look like he can’t dress himself (lmao). They said they have their reasons but just didn’t have time to explore them in canon. So, I can make assumptions, but I’ll wait to see what comes in the future.

Another one that staff talked about in a recent interview is that Wolfwood is technically a priest according to his contract, but he calls himself an undertaker. Yeah, yeah, edgelord Tristamp Wolfwood and all that, but I’ve seen people call back to how, in the manga, it’s Vash that always takes the time to bury the dead. Wolfwood even chews him out a bit for this. But it’s literally in our introduction to him in this version. He carries the weight of the dead with him enough to make it part of his title, and that’s different for him.

I could be misremembering with this one. But I distinctly remember being surprised when I read Trimax because Wolfwood going into the Eye of Michael seemed more of his own choice than it is in Tristamp (not that a literal child could consent to, you know, torture and abuse)? But either way Wolfwood loathes the Eye of Michael from the get-go here, he doesn’t stay by choice and actively tries to escape. Just like all these choices he makes in Tristamp (which is MASSIVELY different in general), he does it for someone else. He can’t try to escape again, because they have Livio.

Speaking of! Livio!!! This was another thing that caught me by surprise going from Tristamp to Trimax, their relationship is so much different here, so much softer and it hurts in a beautiful way. I feel like less is more here to avoid spoilers, but this introduction pre-Trimax-canon and any future conflict with this backstory... is very different.

Holy hell, a moment like this happening so early?! Vash and Wolfwood having ideological differences and not understanding each other takes up so much time in Trimax. But over the course of three episodes, we go from Wolfwood killing someone that Vash wanted to save (props to Tristamp for making that gutpunch even more personal, ouch--though points deducted for not having the, “Shoot,” moment there), to Vash seeing how very similar they are and getting a grasp of why Wolfwood is the way he is. Wolfwood is so much softer in Tristamp. He’s way more emotional, he cares so deeply for things outside of himself, and he doesn’t have that apathetic bitterness. Staff have said that our main characters will be a lot more recognizable post-timeskip, so some shit is gonna happen to this man, but this is a fundamental shift in the early days of their relationship.

AGAIN!!! Wolfwood is doing this whole mission, betraying Vash, to save the orphanage. He didn’t have to listen to Vash trying to save the sandsteamer. It doesn’t matter if Vash is pissy if Wolfwood blew up the ship to save the orphanage, because that’s his end goal. He has a giant laser that just blew through an entire giant worm, this ship is nothing. Wolfwood’s trying to cling to the monster that he sees himself as, trying to stay the Punisher, but he’s not. He already has enough faith in Vash to trust him with everything he cares about. This takes a lot of development time for Wolfwood to trust Vash like this in Trimax--and even in the very end, he still doesn’t trust Vash with this. (If you know, you know.)

AGAIN!!!!! Wolfwood cares!!! He does not need to question if Vash is sure, if he thinks he can make up with or convince Knives or whatever, in fact he shouldn’t. He should give Vash no reason to question getting to July. But Wolfwood, be careful, your feelings are showing. Wolfwood’s getting worried about Vash. Even though all he needs to do is keep his head down and get this dork to July.

This was never Trimax Wolfwood’s motivation. Whatever drove him left him hollow and empty, he did not care. Even when he saw things starting to go south and he wanted out, Vash ended up being right: he was too much of a coward to do anything about it. (If you know, you know.) I had wondered, after Legato tried to bulldoze everything he loved, why the hell didn’t Wolfwood just desert the mission and team up with the gang. He already has such a deep connection with them. But this would be why.

WOLFWOOD IS NO LONGER CONTRACTED BY THE EYE OF MICHAEL AT THE END OF THE SEASON??? Some people say that Wolfwood still works for them, but tbh for what reason? They’re about to end the world. And then what about this line? He wouldn’t exactly have a choice, would he? I do think we’re gonna meet Chapel (right before Livio shoots himself, you’ll hear a voice and see a silhouette (not Razlo, though he’s there too) that seems to be a “new” character), and Wolfwood might end up working under him for some fucked up reason... But if not, this changes everything. It already changes everything considering how big Wolfwood escorting Vash to Knives is. But that’s done now. And because Vash saw right through him the first time, if Wolfwood comes back to do the same thing again, it might feel cheap and a little silly.

MERYL!!! Trimax is basically the Vash and Wolfwood show, right? The girls are around, but mainly their interactions are with Vash. But he and Meryl interact so much just over the course of twelve episodes. They even have that adorable group shot. She matters enough that he came back to rescue her, and the two of them worry about Vash together in the finale. Who knows what happened post-finale, but Wolfwood’s self isolation is already shot to hell. He’s more big brother Nico than he’d had the chance to be in awhile, he has so many people to care for.

So the danger has passed, Vash’s roots are back inside of him, the orphanage should be fine. But Wolfwood comes back for them. Yeah, yeah, the stupid cigarette excuse, but this is Wolfwood, not Vash. He didn’t come back because of the cigarette debt and we all know it. (Also kinda hoping that him saying what he does about fighting Knives being crazy is foreshadowing for some ridiculous 1v1 fight between them, had to throw that in there)

Now, theories Trimax spoiler time bby (I’ll also post any corrections under the cut):

EDIT 1: I was bonkers wrong on the Tristamp timeline (it takes place from May 25th to July 21st, not including the epilogue), so I just deleted that bit from the og post. I cannot remember where I got that number in my brain.

They are doing something with this man and I hate it as much as I love it. Every other character can go off and follow similar paths but they just nuked the entirety of Wolfwood’s storyline by having him be finished getting Vash to Knives and him choosing to trust Vash so goddamn early. And in less than a week of canon time!!! ORANGE WHAT ARE YOU DOING!!!!

They’ve knocked everything out of the park so far, I had so many concerns about what they were doing while watching, and they squashed most of them. So I choose to have faith that Orange has a brilliant plan that will crush my emotions in mind. It will probably eviscerate us just like Trimax did. But I have two theories as to how this could go:

First: And by far the most likely: all roads lead to that goddamned couch. They changed a ton of things, but just to make it all hurt in a new and exciting way. Don’t get me wrong, this was the final straw in making Trimax one of my favorite manga ever--Wolfwood’s character arc is one of the most satisfying things I’ve ever read. I’m a bit nervous because we’ve already shifted that arc so much, but there’s a lot of room to fuck us all up in this one. I imagine the final confrontation will still be between the two brothers, but I imagine the context will be different.

Wolfwood’s already chosen to spare Livio, so that won’t be the clincher, but there are so many things that Wolfwood wants to fight for now to use against him. Something in the timeskip will probably firm up his ideals to be the opposite of Vash’s in a different way than before, but I imagine we’ll get at least a season of them being goofy and learning how to live and regain their humanity together before they’re couched. :’) And now the girls are going to be a bigger part of it to make the grief all that greater :’))) Thanks in advance, Orange :’))))))

Second: No couch??? I know, then what would be the point? He’s doomed in every universe, how will it be as powerful if they don’t do that here??? And I agree, I think this is way less likely. But Wolfwood has already accepted the power of anime Jesus friendship into his life, and that’s a huge part of what lead to his death. Not that I don’t think it’s still likely for Tristamp Wolfwood to think it’s too much to ask Vash to step away from the conflict with Knives for whatever his personal struggles are, but... man that sandsteamer incident is foreshadowing something and I’m afraid. It shifted so much in a way that is so significant, I feel like I’m not doing it justice with my words.

Speaking of possible foreshadowing: Wolfwood isn’t the product of random experimenting like he was in Trimax, he’s the product of plant experimentation. And Vash can heal plants. Again, that’s a big ol’ stretch, as I think that they made the Gung Ho Guns a product of plant experimentation to try and explain the magic powers they all have, and it’s a very smooth idea imo. But it haunts me. Also, given that Conrad has probably been kept alive through fucked up plant methods and how long Rollo remained the same, and Conrad said the only flaw in his experiments were that they had to eat and drink... does Wolfwood and Gung Ho Gun friends have an extended lifespan??? Okay, getting off topic, sorry :’D

Basically, Wolfwood has already made huge leaps and bounds in trusting Vash, even listening to Meryl, and growing a heart for humanity. To the point I was half-afraid this guy was going to die in the finale, because we’ve already seen so much of his character arc. (It would have been a poor choice and I’m happy it didn’t happen EVEN IF I’M STILL AFRAID). And he’s based off of Trimax Wolfwood quite heavily! You can see it in the core of his personality still!!! WHAT ARE THEY GOING TO DO WITH HIM???

I doubt either of these ideas are going to be quite right, watch as Orange works in a secret, third thing that I can’t even imagine lmao. But this has been driving me absolutely bonkers and I had to share. This is still Wolfwood, and I have a feeling he’s only going to be more and more of the lovable asshole from here on out. But I have no idea where we’re going with it.

Holy hell, this was a long post. If you made it to the end of my insane ramblings well, uh... congrats??? I hope it was somewhat worth the read???? I’m so sorry?????? Thank you??????????

[carpathiians]

sketches

ref

[originalaccountname]

putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides

do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?

can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?

why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?

[eggcats]

I do have an idea of Alastor taking Vox pet shopping, because Vox mentioned having a dog when he was alive and missing having a companion

Alastor agrees to get him a pet, as long as it ISN'T a dog

Vox cannot believe THIS is the one line Alastor won't cross, not even using his most adorable digital face changed his mind - but Vox still wants a pet, so he agrees. No dogs.

(They haven't been together long enough for Vox to LEARN why no dogs was such a big deal, here - I kind of think that's something Alastor doesn’t talk about until they've been together for like 10-20 years).

So! They go to a pet store, and Vox immediately wants the giant dog-like shark.

(Alastor tries to say no, but Vox is like "C'mon it's not a dog!!! *insert cute anime eyes before that was even a concept* so Alastor relents).

And the poor shop employee is like, trying to figure out how to tell the fucking Radio Demon and the guy who's starting to take over all the media that they probably don't have the ability to care for the shark-dog thing. (Think, stressed PetSmart employee trying to go "No, a baby bunny isn't a good gift for Easter" except to a serial killer actively covered in blood, here. That's the visual I'm thinking of).

[side note: why do I punish poor minimum wage employees constantly, I promise I have also worked a minimum wage job working for the general public, lol]

But when the employee explains that the shark-dog thing needs a large body of water (probably ocean) to swim in often, Alastor is just like "Oh I can summon that, easily. I'll add it to the guest bedroom since Vox no longer uses it." And Vox is like, what do you MEAN that's something you can do?? You can't just drop casual lore like that at the pet store!

Alastor is like "?? Darling, what do you mean? I have a bayou in my room in the closet? A little beach isn't any more difficult."

And it turns out that when Vox moved in, Alastor told him not to go in that closet. Alastor meant it in a "don't go in there without me, because wandering in a bayou could be dangerous if you don't know where you are/how to do so safely" kind of way.

Vox, however, took it in a Bluebeard kind of way and was like, "Easy, I'm not having him murder me, so he'll be stuck with me forever. Win/win scenario, I solved the fairytale" and just assumed he DID because they're dating now.

And Alastor is left staring with the most confused smile on his face, trying to come to terms with the fact that Vox just casually accepted that he was living in a Bluebeard-like scenario, and his response was to play by the rules so he can stay with Alastor.

(They get the shark-dog. Vox names it Vark. Alastor immediately takes away his "allowed to name new things" privilege, but it's too late. It only responds to Vark).

[losersimonriley]

At the tail end of a long, grueling mission that had them run around half of Eastern Europe, Laswell had given Ghost and Soap three days of leave before they'd be flying back home. She'd even booked them a hotel in a tiny spa town for two nights. Yet even though they arrived early in the day, Soap was still exhausted enough from the mission to just let Ghost handle the check in.

Something was off, though, when Ghost returned to him. He could tell by the square set of his shoulders and the slight frown on his brows. Even without his usual balaclava, his hood and face mask hid most of Ghost's expressions from inexperienced viewers.

"Good news: Laswell's paying for two dinners each at the in house restaurant. It's supposedly very good," Ghost reported.

"And the bad news?"

Ghost subtly shifted his weight. "Only had rooms with double beds left."

"You mind sharing?" Soap raised his eyebrows.

"Nah. Thought you might."

"Nah. Let's get up to our room then. I'm right knackered from the trip."

Ghost rolled his eyes at the phrasing, but didn't comment on it. When Soap punched his shoulder to signal go time, he obediently followed to the elevator.

As forewarned, the room only had one bed. But at least it was the softest, most cloud like bed Soap'd ever had the pleasure of sitting on. He wanted to immediately lie down and never get up. First things first, though.

"Mind if I take the first shower?"

Ghost shrugged. "Feel free. Thought I'd have a look around town. Find the spa. Try the public fountains. Look at the local attractions. Tourist shite."

"Have fun. I'll cover home base while you're out on recon, then."

Ghost huffed out a small laugh as he turned to leave the room.

Soap hopped into the shower for a quick wash, dried himself off with extremely fluffy towels and then got himself comfortable in the bed. He'd planned on a quick nap, but when he woke up again, it was because someone had chucked a paper bag at his head. It smelled deliciously like baked goods.

"Got you lunch, Sleeping Beauty."

"I'd be so mad at you for waking me like that," Soap said as he sat up and bit into the bun that'd smacked him in the ear. "If this weren't so good."

"Up for an afternoon trying all the healing springs? The park is twenty minutes from here and has at least ten different fountains with different properties. Maybe one can cure stupid."

"Maybe one can cure being a dick."

"You'll never know."

They spent the afternoon together trying the water from every single fountain in the park. It had clearly been built sometime in the nineteenth century, Soap pointed out, citing the architecture and decorations. The water was various kinds of salty. More than half the fountains were claimed to have uranium in the water, a fact that led both Ghost and Soap to come up with more and more outrageous movie mutations caused by too much of the spa water. Dinner at the hotel's restaurant was fantastic. The chef didn't skimp on the fat, nor on the herbs and spices.

Soap had almost forgotten about the bed in their room by the time they got ready for bed. "I can still sleep on the floor, LT."

"Why?"

"Dunno." Soap shrugged. "Thought it might be weird to you."

"'s not." Ghost took off his boots, stripped down to his undershirt and briefs before he slipped under the covers. "Fuck. 's like a cloud in here."

Quickly, before either of them could change their mine, Soap undressed and got into bed as well. His hammering heart forced him to keep a fair distance between himself and Ghost.

"Figured you'd be a cuddler," Ghost mused.

"That an offer?"

"Mh." Under the covers, Ghost reached out to pull Soap closer to him. "Don't mind if it's you."

Soap swallowed. He let himself be pulled against Ghost, head resting on a broad chest, hand over a heart that was beating it's staccato rhythm in tandem with Soap's own.

"G'night, Simon," Soap whispered, not trusting his mouth to say more.

"Night, Johnny."

When he woke up the next morning with his Johnny sprawled out on top of him, with his breath hot against his bare neck, Ghost was immensely glad he'd convinced the hotel clerk to give them a room with a double bed. Even if it was just for one more night, he'd treasure this closeness for the rest of his life.

This felt like getting tucked into a comfy warm hotel bed of my very own <3 I hope everyone else enjoys this cloud bed as much as I do god BLESS

[scificrows]

I am going over Murderbot's and ART's first interactions again and it's driving me crazy, so I really need to yell into the void about it.

Alright, so we have ART:

ART, a highly advanced deep space research vessel, who is very attached to its crew and seems to generally do what it's supposed to, especially when not doing so could endanger its mission - but ends up accepting a suspicious looking SecUnit that is lying about being a bot aboard itself. ART is evidently aware that it is directly breaking the rules in doing so. (Aside: How often does ART break the rules?) Why? All for that tempting media package that the SecUnit has to offer?

No.

It was sent off to do some work all alone and got bored and lonely. (I think there are different ways to intepret this, but looking at our super social raised-by-humans loving-its-crew never-shutting-up research vessel, I choose to think that is exactly what it was!)

Anyway, what does ART do now that it has this lying, potentially dangerous rogue SecUnit aboard? It

lets it know that it saw right through its lies and knows exactly what it is

intimidates and threatens it by showing off its own ridiculously extensive superiority (just to be on the safe side ofc)

gets bored after the SecUnit gets too scared to do anything interesting

asks the SecUnit to "stop sulking"

learns that the SecUnit has been through A Lot and seemingly understands how it made it feel and apologizes

gets bored again and starts lurking and harasses convinces the SecUnit to watch media about ships and their crews with it

[gets way too invested and agitated by the media, probably going through its first media-induced emotional crises (but gets through them with the support of the very patient SecUnit)]

tries to have a conversation with the SecUnit to get to know it better

gets offended that the SecUnit is not answering truthfully and won't share sensitive and very private information about itself

lets the SecUnit know it can see through its lies, calling it "inherently inferior" to itself and causing the SecUnit to sulkily shut down for four hours (lol)

immediately calls the SecUnit "unnecessarily childish" upon its awakening four hours later (referring to its own extensive experience with children to really get the point across)

And apparently all of this seemed to be a perfectly pleasant and normal interaction to ART, because:

That's how you make friends, isn't it?!

God, I love ART so so so much and this is SO funny to me! To be fair, I don't think anyone ever really prepared it for an interaction like this. (Probably because its crew did not expect it to pick up a stray rogue SecUnit and try to befriend it).

Bonus:

[purrvaire]

black sails + shitpost I have on my phone (pt. 4/?)

3

[ganondoodle]

i often really do feel like an .. unwanted part of the fandom, i dont draw beautiful landscapes, i have unpopular but strong opinions im constantly annoying about and rarely change, dont like/dont draw the pretty young popular twinks and hot gurls to fanboi over nor do i turn characters into one, the opposite moreso, draw only one ship no ones heard of really, got little energy to interact with the few people that are nice to me and send me asks so it probably looks like im ignoring everyone and unfortunately but still rarely get so stressed i get overwhelmed and emotional about pehaps seemingly minor things and spiral almost into a breakdown feeling super embarrassed about it afterwards but the damage is already done and i look like a freak or agressive weirdo