#sorry for the long post this episode made me insane

[vvitchllng]

In addition to Everything Else that happened this episode, I can’t stop thinking about the moment where Laudna asks him why Seedling isn’t enough why he wants This sword and Orym’s whole demeanor shifts and he looks Laudna dead in the eyes and says you’re right why Would you reach for a darker power.

Orym and Laudna are the characters with the most interparty conflict and they’re the same!!!!!!! At their core their strongest motivation is their drive to protect the ones they love at the cost of themselves if necessary. We see it all the time with Orym throwing himself in front of his friends over and over again, making deals with fae to try and keep them safe. And we see it all the time with Laudna and Delilah, where over and Over again she lures Laudna with the promise of being strong enough to protect her friends, to keep them safe. We saw it again tonight when Delilah manipulated her to get the sword by telling her it was a danger to Orym!!

Both of them looked at the power that caused their pain and decided to take it for their own, to use it to protect their loved ones instead, because if it was capable of such devastation against them, it was capable of delivering that same devastation to their enemies. Laudna asking why seedling isn’t enough (why he isn’t enough, the frustrated self-deprecating response “I have Push-ups!”) and Orym returning the question because Laudna Does have her own power separate from Delilah, she just doesn’t think its enough for what’s coming!!!

They both lost their families, but where Orym had the rest of his family, a purpose, a home, Laudna lost Everything and only had the voice of her murderer as comfort in the cold. So now they’re both taking on the power that destroyed their lives, but Orym can be rational and willing to have a discussion about doing so, while Laudna absolutely Cannot do the same because of how entwined she is with Delilah (with Delilah quite literally guiding her actions in addition to the years of psychological manipulation and abuse), and so they’re the same and yet so utterly different that they keep coming up against this fundamental inability to understand the other’s position because despite the same underlying motivations, their responses are so different.

Why would you reach for a darker power, why can you not understand why I’m doing this, why can you not see I’m doing this For You. Distorted reflections of each other wanting to be understood and at a loss when faced with the differences between them, what a fucking dynamic.

[yashley]

“I’m really sorry.” “So am I.”

[chinko-kun]

i just want to live somewhere where no one can hear your screams and i can make little pottery.

[dangermousie]

2023 End of Year Post - kdrama edition

Yes, we have a some of December left, and I want to check out Death's Game but whatever. I got time for this now and not sure if I will have later so here goes.

This is only going to cover kdramas that aired in 2023; if I watched it but it was made in a different year, it’s not on the list. This was an excellent kdrama year, the likes of which we hadn't had in a long time.

DRAMAS WATCHED

In order of liking from least to most as opposed to pure quality so pls don't come for me, fans of some popular dramas that are on my nope list. Also, I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list.

33. The Escape of the Seven - this is so aggressively stupid and mean that it feels like the makers are playing a practical joke seeing how much their audience will take. This has a season 2 coming, so the answer is a lot.

32. Behind Your Touch - the FL gets superpowers by touching people's and animals' butts. Yes, you read this right. Do I really need to add anything?

31. King the Land - yes, it was a hit. Yes, it stars popular actors. I HATED IT LIKE IT TOUCHED MY BUTT TO GET SUPERPOWERS!!! Plastic people in paint by the numbers story, with about as much genuineness or retability as a barbie aisle in walmart. I never expect much from Yoona so whatever, but to have LJH go from The Red Sleeve to this boggles the mind.

30. Mrs Durian - this is so dumb that I think I lost a few IQ points watching this, but its insanity becomes entertaining - I mean what kdrama can you name where a daughter in law declares her love and lust for her mother in law at a family dinner?

29. The Matchmakers - there is nothing offensive about this drama at all. But there is nothing in the least interesting either. If elevator music took drama shape, it would be this show.

28. Destined with You - sorry, Rowoon, I am still fond of you, but you are two for two in drama duds department this year. This is a drama where I loved ep 1, liked ep 2, was indifferent to 3 and...you get the point. Each ep was worse than the one before, and I bailed before I was dragged into a cosmic singularity.

27. Oasis - great first two episodes. Unfortunately it was not a two ep show. The performances are solid but the story is just not there - the effect is like a fancy chef making an amazing sauce to put on pig slop.

26. Boyhood - it's not you, it's me in action. I can see why people would like it but a 34-year old playing a high schooler in a Weak Hero Class 1 Slapstick Edition is no go for me.

25. Castaway Diva - it's so precious and kooky in the most annoying ways, with the most well-adjusted abused castaway in history. I like magic realism when done by Jorge Amado, but this ain't Amado.

24. Island - it had a good concept, good cast and fun visuals but the execution deserved one of ML's swords through the neck.

23. The Worst of Evil - if I wanted an American show, I'd watch one. Very solid performances though.

22. Song of the Bandits - period edition of what I said about The Worst of Evil.

21. Welcome to Samdalri - and goodbye to any hope of emotional involvement.

20. Joseon Attorney - I have yet to like a single sageuk centered around a profession and this was not an exception. I guess it could be worse but it also could have been so much better.

19. Twinkling Watermelon - everyone loved this drama. Everyone except for me. It's the kind of precious that sets my teeth on edge and I couldn't stand half the main characters we were supposed to root for. I guess I like my fruits to shine steadily.

18. Our Blooming Youth - probably the biggest disappointment on this list. This is not a bad drama by any means, but with that cast and that story (I loved the novel), I was hoping for a memorable sageuk not merely all right.

17. Vigilante - it has the emotional complexity and nuance of a punch to the throat but it gives us quasi-gay openly-murderous dudes going after psychos and Yoo Ji Tae holding feral Nam Joo Hyuk by his hoodie at his feet.

16. The Forbidden Marriage - expected nothing but it was a surprisingly enjoyable trifle of a costume drama that was also quite pretty.

15. Arthdal Chronicles: Sword of Aramun - a hot mess but such an entertaining epic one. And it gave us TWO Lee Jun Kis in period gear and who am I to cavil at the bounty of God?

14. The Story of Park's Marriage - it's a trifle, a souffle, so light it might blow away, but it keeps my attention and is so fun and sweet.

13. My Lovely Liar - a huge surprise, that manages to mix a murder mystery and a romcom, and shocked me by showing Hwang Minhyun can act.

12. Tale of the Nine Tailed 1938 - the original ToNT was my fave drama of its year and I did not think it needed a sequel. But this is not a sequel but more of a side-quel and is such a total delight with brotherly love, adventures, romance and hijinks. It's a joy.

11. Perfect Marriage Revenge - it's actually very hard to do a soap right but this slim 12 ep drama managed. So fun, so crazy, such a good ship!

10. My Lovely Boxer - not really about sports, but about two broken people finding salvation because of and in each other. Also, if you like age gap romances, this is delicious. Sort of loses steam by the end but c’est la vie.

9. The Secret Romantic Guesthouse - this was a sageuk that was not on my radar with a bunch of actors I was not familiar with but it took my heart away. A good plot that was perfectly paced, characters and ships I adored, a logical ending. This is one of the biggest positive surprises of the year for me.

8. Tell Me That You Love Me - a slice of life remake (sort of, it's more "inspired by") of my favorite jdrama of all time. It's not as good as the jdrama because nothing could be, but it's an aching lovely story with some incredible performances.

7. See You In My 19th Life - funny and romantic and haunting and hopeful and odd. This was one of my favorites of the year.

6. Alchemy of Souls: Light and Shadow - it's rare for me to like a (1) sequel (2) with FL actress change (3) that is a Hong Sisters drama. But this was such a gorgeous, surprisingly achy story of love and loss and love regained with some cool monster fighting in the middle. Between the two seasons, this is the first Hong Sisters' drama I enjoyed from beginning to end in well over a decade.

5. My Demon - so tropey (chaebols, supernaturals) but it proves that these tropes are popular for a reason. The chemistry is fire, the story is unpredictable and the whole thing is an addictive delight. A rare drama where I like each new ep more than the last one.

4. Goryeo Khitan War - an old school sageuk in every meaning of the term (no romance, no eye candy, lots of bearded men, battles and politics), this feels like watching an epic movie more than a drama. The vast cast all earns their place and the performances (mainly from character actors given a chance to shine) are incredible.

3. Call It Love - two very very damaged people finding love and healing with each other. This is a narrative very hard to do to my satisfaction but when it's done well, as here, there are few things that can hold a candle to it.

2. My Dearest - a masterpiece of cinematography, narrative, performances. This is an old-school epic romance in the best sense of the term. If it doesn't make you swoon or break your heart, there is something wrong with you. A story of two untraditional, strong-willed, flawed people who fall in love in the middle of the horrifying Qing invasion of Korea and have to deal with all that the world throws at them, this is a bona fide masterpiece.

1 - Moon in the Day - who knew my favorite kdrama of the year will star a store brand Domyoji from Extraordinary You and an actress I was never familiar with. But this part period/part modern fantasy tale of doomed cursed lovers is everything I knew I wanted and everything I didn't know I wanted but did. Two lovers where their love did not save them and in modern day it might not again, has got me obsessed the way I haven't been in years.

FAVORITE DRAMA

Moon in the Day - if there is such a thing as a drama made perfectly for me, this gorgeous, emotionally haunting, utterly romantic, twisty tale is it.

WORST DRAMA

The Escape of the Seven. This drama is proof that demons exist and not sexy ones like Song Kang but horrible nasty ones who delight in the torment this hot mess inflicted on its viewers.

FAVORITE MALE CHARACTER

Do Ha, Moon in the Day - a Silla general and a consummate killer who committed atrocities on the orders of his monster father and yearned to die for them, who found the meaning in life in loving his enemy but it did not make him better, a man so obsessed he literally was around for 1500 years of horrifying ghostly existence and still went "worth it" for a woman who killed him as long as he knew she loved him while she did it. He's intense and competent and beyond fucked up and has never had a normal day and I love him so so so very much from a safe distance.

FAVORITE FEMALE CHARACTER

Gil Chae, My Dearest - she starts out as vain and spoiled but the horrors that break so many others bring out all her fierce survivor potential and she becomes such a force of nature - capable of incredible love but also sacrifice and strength and compassion.

Runner Up: Shin Hye Sun's reincarnator in See You In My 19th Life - quirky, damaged, strong, so odd and so vulnerable at once.

NEEDS TO BE MURDERED

There are a lot of characters who fit that category (King Injo in My Dearest? My God) but the crown belongs to So Ri Bu from Moon in the Day. You think you've seen abusive parents but until you've seen a man abuse his son his whole life and then continue for 1500 years after his death, you ain't seen nothing!

FAVORITE SHIP

The doomed by the narrative OTP of Moon in The Day. Only thing that's better than enemies to lovers is enemies while lovers and their impossible relationship where her killing him is a supreme act of love and his refusing to let go is so strong that he stays around for 1500 years watching her, helpless as she dies over and over again, is everything you ever want.

Runner up: Jang Hyun/Gil Chae, My Dearest. They are so strong and so damaged and it takes them so long to figure out what they feel and what the other person feels but their love and sacrifice and complexities are perfect.

FAVORITE SECONDARY OTP

Kim Shi Yeol/Hong Joo, The Secret Romantic Guesthouse - an assassin bodyguard pretending to be a carefree scholar and a widow of the man he killed to protect his king (and whose life was destroyed as a result.) I enjoyed the main OTP of this drama but I was utterly and completely unhinged for the secondary couple.

I'd have probably picked Rang and his mermaid from TotNT 1938 even over them, but they really were the main OTP of that drama.

NOTP

King the Land couple seems like an easy target but honestly, they are both so terribly bland and antiseptic and marketing by committee, they kinda deserve each other. So I am gonna go with Destined with You, one half of which thinks supernaturally roofying someone into loving them is cute and the other half thinks dating one woman while wooing another is totally a-ok. Ugh.

FAVORITE SCENE

There is no competition for the scene in the slave market in My Dearest, where Jang Hyun finds Gil Chae - the way he screams and tries to clutch the hem of her skirt will live in my head forever.

And the scene where he 'wins' that horrifying bet, or the scene where she finds him in a pile of bodies - they are as good also. Or when he fights off a squad to protect her even though he's sick. That whole drama is perfect.

Runner up: the scene of Do Ha executing Ri Ta's family, covered in blood, as she looks at him from the crowd in Moon in the Day.

Or the scene where he talks about how he cannot live as a person but at least maybe she will kill him and he will die as one. Or when her confession in the past intercuts with his walking in the present, or when he comes home in his bloodied armor and she finds he has a fever and it's the first tender touch he's probably ever known. Her murdering So Ri Bu saying she knows she's going against filial piety in loving her parents' murderer, the way they hug, both bloody, as he says "let's live." The way she says she can't go on as she's hit rock bottom and he replies she cannot quit because she must accompany him to his rock bottom now. Honestly, the drama is a font of amazingness.

Also, the opening scene of Goryeo Khitan War or the scene of Yang Gyu ordering to shoot the captives and having to do so himself.

The OTP meeting again at the intersection at the end of ep 1 of Tell Me That You Love Me. SHS comforting ABH as he's having a traumatic breakdown in 19th Life. The love-making scene in Call It Love. There were a lot of great scenes this year.

BIGGEST CRUSH

Lee Jang Hyun, My Dearest - is that even a competition? He's flawed - vain, often emotionally closed off, not great at processing emotions, lashing out when hurt. He is also incredibly heroic in a real, knows the cost but bears it, kind of way. Whatever he does, he commits utterly but it's never without understanding the cost. He felt both larger than life and utterly real. He went through hell and maintained his soul and the way he loved Gil Chae was breath-taking to behold.

Runner Up: Yang Gyu, Goryeo Khitan War - an experienced military commander who wins an impossible victory even as it ravages his soul. Competence is sexy as fuck.

BEST SCENE STEALER CHARACTER

Rang, Tale of the Nine Tailed 1938 - 1938 really was Rang's chance to shine and he took it. For a character I started out disliking in the original, he really stole my entire heart in this drama. I am so glad he got his happy ending with his brother and his girl.

Runner Up: Crown Prince, My Dearest. He started out as a sheltered, spoiled aristocrat, convinced the world owed him for existing. He grew up slowly and painfully into an amazing man. And then was murdered for it and I cried.

NEEDS A SEQUEL

Arthdal - it leaves the story at a good stopping point but it's very much a "world in flux, adventures and conflicts continue" ending and I would love to see more of these characters. I know we won't but it would have been nice.

NEEDS SCISSORS TAKEN TO IT

Behind Your Touch - should have been snipped at birth.

TOO MANY SCISSORS TAKEN TO IT

Vigilante - I don't mean it had scissors taken to it because it's not cdrama and there is no NRTA, but this drama would have benefitted from being longer. I mean, I love fights and gay polycules as much as the next tumblr person but a bit more character development would not have come amiss. (ahaha - I said come. Leave me alone.)

TROPE THAT NEEDS TO DIE

I don't care about cops/doctors/trash collectors/whoever - workplace drama centering on their "cases" needs to die. I hate procedurals from any country and Korea is no exception.

FAVORITE TROPE WE’VE SEEN A LOT OF

Supernatural critter devoted to their OTP with all the power of their long life.

BIGGEST DISAPPOINTMENT

Our Blooming Youth - it was far from terrible but it was a giant meh. I was so excited to see Park Hyung Sik in a sageuk (that wasn't the hot mess that was Hwarang) and I adored the source novel. It actually started well and then...it's like Revenge of the Beige!

BIGGEST GOOD SURPRISE

I want to say Moon in the Day but to be honest, I was excited by posters and trailers so it wasn't wholly a surprise despite not having much of an opinion on the actors before I saw them. So I am going to say My Demon. I was bored by the trailers, I can't remember the last time I enjoyed a Kim Yoo Jung drama and before this year I would have said Song Kang was an incredibly limited actor in everything I've seen him in and not appealing to me at all. And here I am rabidly rabiding for this drama!

If I am not limiting myself to dramas but can use this for actors - Hwang Minhyun in My Lovely Liar. I genuinely did not think the man could act and then he gave such a pitch-perfect, nuanced performance out of nowhere!

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

I have actually watched all the kdramas that aired this year that I wanted to check out except for Evilive. I am saving this for when I have time.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

I don't know if I'd say it's the best but Say You Love Me (2004) with Kim Rae Won as a quasi monk seduced away from his true love by an evil older woman was a hell of a ride.

MOST ANTICIPATED

Love Song for Illusion (Lady assassin falls for her royal target who has two personalities), Captivating the King (lady spy falls for her royal target who is tormented) - notice a theme? Also Flower that Blooms at Night because Honey Lee in a sageuk, The Life of Mrs Ock (Lim Ji Yeon in a sageuk), The Love Story of Chun Hwa (an "erotic" sageuk, hmmmm, what?!), Hong Rang (Lee Jae Wook in a super angst sageuk), Queen Woo (that cast and set in Goguryeo!), Wong Kyung (about Lee Bang Won's wife and I love the cast.) Basically, if it's period, I am there with bells on.

[one-of-tankhuns-neurons]

I cannot let this show go without writing my goodbyes... Deep Night Final EP

Deep night was everything and more. It was a show that was made with insane love, thought and care and it fucking shows. That loves shines through the screen and it is GUARANTEED to warm your cold dead heart. Cheewin has always made his shows a bit more grounded, a bit more queer, a bit more real. Since YYY you can just tell there's someone in the crew that understands queer experience and this was it again. The good parts, the sad parts, the struggle without exploting it for pity. It showcased confusion and acceptance and love and love and love. So many different kinds of love.

Wela and Khemtid

These two developed so beautifully, from people who misunderstood eachother, to people who felt attracted to each other but still didn't get it, to people who listened, apologized, leaned on, supported, loved, cared for eachother. Khemtid's enchantment with wela blossomed after they fought about Wela's job, he realized that acceptance was the better route to take and he just worked hard to get it right, to make up for it, to help. Wela at the same time tried so hard as well to understand Khem's feelings, making it easier for them to reach the middle ground. He worked so hard with Khem to keep the club afloat, he was never mean to his coworkers, he carried the whole world on his back and still stood proud. They went from strangers to these two adorable dorks who hold hands and smile while kissing. I'm sorry but Khemtid smiling like he just won the world while giving his injured bboyfriend a handjob at the back of the club made my heart burn. That's complicity and partnership and mischief and intimacy. They stand on equal ground and that's so meaningful to me.

Then we have these three dorks

The true rivals to lovers. I talked about this in my previous Deep Night post but it was brilliant. Their storyline developed so subtly and naturally I cried last week. The way Japan and Ken's love bloomed out of love for Seiji... like it's not that they're just dating Seiji, they're dating eachother and that comes from a trust that developed from and understanding, that grew from care into desire. Last week's episode showing Japan as the center of his fantasy showed that, Japan is also attracted to Ken, and Ken's heart has melted for Japan as well, unknowingly. The talk they had was so necessary, so respectful and rooted on concern and an actual attempt to build something that left no one out. Seriously the way they're sitting in the end, with Ken brushing Japans hand, the way Japan held Ken's hand and brought him into the hug to welcome him, to shelter him. I love that it wasn't fetishized. (Because we've tackeled threesomes before in other shows but not romantic love) I love them, they love each other, this is healing.

Freya and Meiji

They are EVERYTHING. Honestly the role of women, specifically queer women in queer spaces has been overlooked for way too long. They take on the role of caring, protecting and supporting the whole club, the boys themselves and themselves. The fact that Freya's character was divorced and was constantly under attack from her ex-husbands family now existing with a same-sex partner was so complex yet beautifuly handled. Meiji was not just some random chic they threw in to gay it up, she was important to Freya, she helped at the club, she wasn't much around but when she was on screen she was Freya's rock. The talk on age... bro that shook me to the bone. Media is so focused on youth their questioning was so valid and so painful to watch... but it healed. Fuck I'm crying watching this. Everyone deserves to be loved by THEMSELVES.

Khem and Freya

gET TF OUT I WANT TO BE ALONE this mother-son relationship was amazing. Both characters grew so much out of love for each other I want to swallow a shotgun. The was it was alway Freya trying to gain Khemtids approval was so heartbreaking, and watching Khemtid LEARN to accept and love his mom, accept and love the club, accept and love the role they play... fuck. FUCK FUCK FUCK

Also we cannot forget Dai

I don't even have words to explain how great this character was. Outfits on point, personality strong and unmoving, loud and authentic and accepted and part of everything and capable and necessary and just EVERYTHING. And the fact that Dai was perceived as a potential love interest for Freya without it being a joke or mockery was gold. Apart from that, all of these characters and storylines are interwoven in a net of complexity, social norms, real struggles but also real coping mechanisms. I also want to LOUDLY RECOGNIZE the work put into it, as they all worked hard to actually get on stage and perform acrobatics like their characters. There was just so much attention to detail and to making things right I want to cry just thinking about it. Please please please if you havent... Watch it. It may not be revolutionary but it's perfect to me. Deep night is a very queer show that decided to open a lot of wounds just to let them heal properly. THANK YOU DEEP NIGHT. I expected nothing from you and you're now part of me.

[theidiotwhowritesthings]

A Fresh Start [17]

Din Djarin x F!Reader

Warnings: losing tempers, arguing, mentions of alcohol and a bit of binge drinking, angst, people getting drunk

Word Count: 15k (i am so so so sorry, i know y'all said you wanted long but this is probably insane. i just needed to end it in that specific place to get the theme i wanted to touch on finished😭 i think you'll like the content if you can bear through it lolol)

Summary: When you made plans for your future they never involved being hired by a Mandalorian to baby-sit his adorable, green gremlin of a child. However, after your life fell apart in the span of one disastrous night,  you found it to be the only feasible option you had left. Nevarro was a  far cry from Coruscant, but the thriving community turned out to be  exactly what you needed. Every day you spend in Nevarro you  fall more  and more in love with your new life, but when your past rears its ugly head you find that perhaps peace wasn’t meant  for everyone.

#17: CLOSE YOUR EYES, NER KAR'TA

"to be in love with you is to know that even on the days you make me so mad i could scream, i still want to kiss the hell out of your face." ⏤Beau Taplin. "it's the way you wrinkle your nose when you're disappointed in me."

a/n: y'all would not believe the trouble tumblr gave me in posting this smh anyways sorry again this is stupid long (i did warn y'all im a mouthy motherfucker) but hopefully it can make up for the absolutely heartbreaking episode we all suffered thru today :)

.

“If I asked you to kick Karga’s ass, would you?”

“Without hesitation, ner kar’ta.”

You couldn’t help but snicker under your breath at his quick answer. Din was lying reclined in the cot beside you with Grogu napping on his chest. It was an entertaining contrast. The soft father rubbing his son’s back as the child snored while promising immediate violence at a single word from you. The awkwardness of yesterday morning seemed to have dispersed after your confession to him. Add to that the fact that Nima was sleeping in a medically induced coma on the cot you sat on the edge of, and you were on cloud nine. There was still a ways to go and you hated that your close friend⏤ your family⏤ had been injured in such a traumatizing way, but her arm would be saved.

The bacta tank had healed what it needed to. It fixed bone, muscle, and tissue nearly 80%. You didn’t want to risk letting the tank manage the injury to the full 100%. Repairing hand injuries was a tricky thing simply because the tendons and muscles in the hand were so complicated. You’d rather set her hand the old fashioned way⏤ make sure she didn’t lose any function. Nima would be devastated if her dexterity was compromised. Her job, her passion, relied on her hands.

“Anything else I can add to our to-do list today other than fighting the High Magistrate of Nevarro?” Din asked with a hum.

You grinned at him. “I’ll let you know if I think of anything.”

Din nodded his head once. Your eyes glanced down at the hardware holding Nima’s hand motionless so it could heal properly. You had already adjusted them, applied a healing paste, then wrapped it, but you couldn't help but re-check your work over and over again. Your obsessive behavior came in handy when Karga had stepped in ten minutes or so ago to check in on Nima. Though his ‘checking in’ had turned into offering you a job once more. It seemed like every type of denial you had he had a counterpoint.

Your main one being that legally you weren’t allowed to practice medicine. You still had a license because the trial questioning whether or not you were ethically to blame for Soran’s death had ended in your favor. However, one stipulation⏤ which had come from a psychological evaluation the hospital made you go through after you were attacked⏤ was that until Kurt’s trial was over you shouldn’t be in the position of making medical decisions. It had been something you were more than happy to abide by as you ran from your life.

Karga’s cheeky reply had been that he was the High Magistrate and as such he could allow you to do anything you wanted to do. Especially if that thing you wanted to do was be his city’s physician. 

A thought formed in your mind and you huffed out a sigh. You could see Din tilt his head toward you in question. You faced him, “Would I be crazy for considering taking Karga up on his offer?”

“I wouldn’t say crazy.” Din replied. “But why? I don’t want you to feel obligated because Karga won’t leave you alone.”

“It’s not that.” You said. The thought grew in your mind, a chaotic frenzy that wouldn’t leave you alone. “If I hadn’t been here, Nima would’ve lost her arm. She might have even died. I stopped that.” Din remained silent and let you think aloud. “I can keep making that difference. I have to. If I don’t then… If something terrible happens then isn’t that my fault?”

Din sat up, holding Grogu to his chest so the boy didn’t fall, “No. No, it’s not. Thinking like that, taking on that guilt, isn’t healthy.” He threw his legs over the side of the bed so he was sitting up and facing you. “Don’t make a decision based on guilt, ner kar’ta.”

“I guess you’re right.” You mumbled.

He stayed silent for a beat before reaching a hand out to you. You stood and took the singular step that would get you close enough to settle your hand in his. Din pulled you forward so you stood between his legs. The cot was on a lower setting which left you staring down at Din while he was forced to tilt his head to stare up at you. 

“Take guilt out of it. Pretend like you’re one of many that Karga is trying to hire for this job.” Din said. You lifted the hand Din wasn’t holding so you could scratch Grogu’s head. His mid-afternoon nap would be over soon and he’d be awake and bouncing off the walls with energy. “Would getting this job make you happy?”

You pondered over the question. There was a thrill in medicine. One you quite enjoyed when you weren’t forced to care for the people who meant the most in the world to you. Plus, thinking long term, you couldn’t be Grogu’s nanny forever. It wasn’t feasible. Not that you wanted out of their lives. You were so entangled in the web of their lives that that was hardly an option anymore. But, if you wanted a real relationship with Din one day, you couldn’t be his employee. You’d have to find a different way to make credits and support yourself. 

“I think so.” You nodded.

“As long as you're happy, then I think you should do it.” Din replied, but the sigh he released didn’t match the approval of his words. “I just don’t want you to make yourself sick with stress.”

“Worrywart.” You teased. Din chuckled and the rumbling in his chest must have roused Grogu. The boy began to rub his face against the metal he was lying on sleepily. You ran a finger alongside his ear. “Hi, baby boy. Was buir too loud? Did he wake you up?”

Grogu mumbled, then turned with outstretched arms. Din lifted him as you reached out. When you pulled the small child to your chest he leaned his head against your shoulder but you knew he wasn’t sleep based on the way he let his small fingers rub against your shoulder back and forth⏤ just like you and Din would do to him. Grogu was mumbling soft words you didn’t recognize.

“Mhmm, tell mama all about it.” You hummed.

Din’s hands had rested on your hips when he didn’t have Grogu to hold. His thumbs tracing circles over your shirt right above your belt. He nodded, “Do you want children of your own one day?”

Your eyes widened in surprise at his sudden question. It was the last direction you expected this conversation to go. Your jaw popped open slightly. “Uh, wh⏤what?”

“Just curious.” Din shrugged nonchalantly.

To be honest, you had never given it any thought. That was a future decision for future you to make. While in training, you told yourself it wouldn’t be something you needed to even think about until after training was over. Then when you were working in the hospital, you told yourself you needed to get settled in your job first. Finally, your life spiraled apart and during the last year that was hardly something that was on your mind. It was funny that you went full circle and all of that led you to standing in Nevarro’s clinic thinking about a future with children of your own. 

Taking care of Grogu was an experience that had given you more factors and variables to consider, but still you weren’t sure what to say. You shook your head and spoke the truth. “To be honest, I haven’t thought much about it.”

“You’re so good with Grogu, is all.” Din replied.

“What about you?” You paused. “Er, that’s not what I⏤ Obviously you already have a child. You have Grogu.” Din chuckled at your babbling. “I meant, would you want… more?”

Din tilted his head and a very casual nod. “I think so. I like the idea of a big family.”

“Do you have siblings?” You asked suddenly. “I’m realizing just now that I don’t know a lot about your life before Nevarro⏤ other than Grogu and the bounty hunting.”

“No siblings.” Din shook his head. “Not by blood at least. After I was brought in by the Mandalorians, as a foundling, I grew up with a few other kids I considered to be siblings on Concordia.”

“Wait, you were a foundling? Like Grogu?”

“Yes.” Din nodded. “I was born on Aq Ventina, but when I was young… My town was destroyed in a Separatist attack. Battle droids destroyed everything. They… I lost my parents. I would’ve been killed myself if a Mandalorian hadn’t saved me.”

You stepped around him so you could sit down on the cot beside Din. He followed your movements with his t-shape visor. You lifted the hand not holding Grogu to settle on his knee. “Din, I am so sorry. I had no idea, I⏤ I wouldn’t have asked⏤ I shouldn’t have asked⏤”

“It’s alright, ner kar’ta.” Din chuckled and set his hand on top of yours. “I knew you didn’t know, but I wanted you to know. Besides, I started this line of questioning.” He squeezed his fingers around your own. “I know you said you were from Naboo. Can you tell me more? Do you still have family there?”

You fell into a casual conversation with him telling him about the family you still had there. Sharing a few memories that couldn't help but slip out when they came to mind. You felt bad that you were talking about happy memories when Din had just admitted to a tragedy, but he continued to ask question after question leading you into them. Which led to him sharing a few memories of his own from both worlds that he walked. Din lingered on a story about his parents⏤ a happy one he held close to his heart based on the soft tone he spoke in.

“How much do you remember of them?” You asked.

“Enough to know they were good parents.”

“I’m sorry you didn’t get to spend more time with them.” You replied softly.

In response, Din lifted the hand on top of yours to bury it in the hair at the nape of your neck. He leaned you toward him and set his forehead against yours. The two of you only remained that way for a moment before Grogu sat up and rested one hand on your cheek and the other on his father’s.

“Skraan.” He blurted. Din and you broke apart, laughing, but Grogu was solely serious as he repeated himself. “Skraan, skraan, skraan.”

Din knew what he had to do. The part he was struggling with was the how. Oddly, in his mind, the first step was going to be the hardest bit. Steps two through whatever included taking the N1 out to Mandalore, find the living waters, bathe in said living waters, bring back proof to the Armorer, be redeemed in the eyes of his Covert, return to you as a full fledged Mandalorian rather than Apostate, and request to court you properly. Simple. Easy to remember. Din didn’t even need to write it down. However, step one involved telling you that he was leaving Nevarro and that was going to be tough.

At first he thought he’d just bring you with him, but then you told him you wanted to try being Nevarro’s physician. Din couldn’t pull you away from your home right as you had grown comfortable enough with your past to retry medicine. So, that was out. Then, when he had worked up the courage to say good-bye, Cara quit. That one had caught Din off guard. It happened days after Nima’s accident. Cara claimed she got an offer to be part of special forces with the New Republic⏤ an offer she couldn’t turn down. She even took the time to remind him that this was never a permanent thing anyways. 

However, Cara left in the dead of night without even taking the time to wait until Nima woke up. Din didn’t believe that was a coincidence. He was more than familiar with the concept of running from emotions. When Nima finally did wake up, the look of heartbreak on her features when he had to answer her question of where Cara was had been tough to handle. Din reminded himself that his plan was not the same as Cara’s. He was not leaving you to stay away. Din was not running from you. If anything he was running to you. He just wanted to be the very best version of himself before propositioning you, and Din wanted to do this right.

Before he left, he was going to explain this to you⏤ in great detail. And, if you truly meant what you said about allowing him to uphold his Creed, you’d understand. Din repeated that to himself over and over again like a mantra.

Regardless of how that played out, Din was stuck. It was one thing when he was leaving Nevarro short one marshal temporarily. Now the city would be missing him and Cara, and in good conscious he couldn’t let that be.

Mayfeld, hands laced behind his head as his feet were kicked up on his desk, called out. “Come on, Mando. What? You don’t trust me to hold down the fort while you’re gone?”

“Exactly.”

“Uh, ow.” Mayfeld complained. “You could’ve at least pretended to think about it before answering so fast.”

Din chuckled under his breath. Honestly, his relationship with Mayfeld had come a long way. How he felt now was a stark difference in comparison to how badly Din wanted to shoot him in the face when they first met. After what happened on Morak, after revealing his face in front of Mayfeld, Din truly respected the man⏤ trusted him. The truth is he would never forgive himself to leave Mayfeld here to deal with all the responsibilities alone. That wasn’t fair to his friend. All those facts didn’t deter Din from mocking and mildly bullying the man though. That was much too fun to give up.

“I have a friend flying in today to baby-sit you.”

“Nice. Got me a nanny too?” Mayfeld replied. “Hope she’s as pretty as yours.”

Din knew the man was only trying to rile him up, and he technically had picked the exact topic that could do it. But, Din didn’t take the bait. He shrugged. “He’s not really my type, but I’ll let you make the call on that.”

“Alright. So I’ll be the Marshal, and he’ll be my Deputy?”

“No. He’ll be Marshal, and you’ll still be Deputy.”

Mayfeld dropped his feet off the desk, hands falling to his side, and his jaw popped open in shock. “Hold on! The new guy gets to be Marshal before I do?? You’re just gonna promote him over me? Immediately.”

“Exactly.”

The man scoffed in response and crossed his arms like a petulant child. It reminded Din of the way Grogu would pout when you told him you couldn’t snack on cookies or cakes right before dinner time or when Din would wrestle a full sized critter out of his son’s mouth before Grogu could swallow it whole. Mayfeld shoved up from his seat to cross the room and pour himself a cup of caf. Din stayed where he was⏤ leaning against Cara’s old desk.

“You tell your girl that you’re leaving yet? Or is that still a secret?”

“I’m going to tell her.” Din said firmly.

Mayfeld slurped out of his mug, purposely trying to annoy him, “You said that four days ago, then three days ago, then two⏤”

“Keep talking and I’ll demote you from Deputy.”

“Is there even a level below deputy??”

“I can make one.” Din replied dryly. A wide grin crossed Mayfeld’s face and Din shook his head with a grumble. “Today. I’ll tell her today.” Mayfeld just stared at him from above the rim of his mug. Din pushed off the desk. “I’m going to do it.”

Mayfeld shrugged in response and Din resisted the urge to throw something at the man. He huffed and turned to leave. Mayfeld called out behind him, a teasing comment, and Din threw him a crude hand gesture over his shoulder causing the man to burst out in laughter. 

It barely took him any time to get from the station to the clinic. When he stepped through the front doors he was greeted by Aayla and one other worker he wasn’t familiar with. The Twi’lek waved him in and hit a button on the desk to unlock the backroom doors. It was the sound of your voice that greeted him first.

“⏤and if you pull those staples out, you’ll be dealing with me.” You stood at the end of a bed with your hands on your hips and your face drawn in concentration. Aayla had found and wrestled you into a white coat when you started and Din would be lying if he said he didn’t like the look on you. Din especially liked watching you take control of a room. You could command a scene with voice and stare alone, and Din really, really liked watching you do it.

“Baby girl,” A vaguely familiar voice chimed and Din frowned at the nickname, “Dealing with you would be my absolute pleasure.”

Din stepped further into the room to see that a worker from the hanger, a Trandoshan man he couldn’t recall the name of, was sitting on a cot with a long cut from wrist to elbow. A line of staples was holding it closed. Din crossed his arms and tilted his head. “Yeah? How about dealing with me?”

The Trandoshan looked to him at the same time you did, and he found it comical how different the reactions were. Your face split into a bright, gorgeous smile while the hangar worker stiffened up and averted his eyes.

“Well, hi there, Marshal.” You cooed and stuck your hands into the pockets of your white coat.

“Do we have a problem?” Din asked, trying to keep the amusement out of his voice.

You turned to look at your patient and raised an eyebrow in question. The Trandoshan glanced at him before looking back to you and shaking his head rapidly. You nodded and reached out to set a hand on Din’s forearm. “I think we’re okay here.”

“Can⏤ Can I⏤?” The worker pointed to the door.

“Yupp. Keep it dry. Come back in a week, and I’ll see if you’re healed enough to take the staples out.”

The Trandoshan jumped up but paused when he realized he was going to have to pass Din in order to get out. Even though Din was technically blocking the way, he kept his position so the man was forced to squeeze around him. When the man was finally out, your laugh filled the air and Din sighed in admiration. You shrugged, smile still in place, “That was kind of fun.”

“How’re you doing?” Din asked.

“I’m okay.” You nodded and then scrunched your nose once. “It’s so weird. I’m still not used to this, but at the same time I am?” You motioned around yourself. “It’s familiar, but it’s not. Am I crazy?”

Din shook his head, “Of course not.”

“Hmm,” You took a step closer to him so you had to lift your face to meet his visor, “I think you’re biased.”

He grinned under his helmet then shrugged. “Maybe.”

“So, what can I do for you, Marshal?”

“Have you had lunch yet?” He asked, and you shook your head in response. “Can I walk with you to get some? You aren’t busy are you?”

You shrugged out of your white coat and tossed it onto a cot. “That’s the beauty of working for a man who is super desperate to keep you around. I can do what I want.” Din chuckled and followed you out of the room. As you passed the front desk, you called out, “Aayla, I’m going. Just call me if any real emergencies come in. Okay?”

“You got it, doc!”

As you both stepped out, Din offered you his arm and you slipped yours through it. He nodded back toward the clinic. “Who is the new girl?”

“Miriam.” You answered. “Aayla is training her to work the front desk so I can train Aayla. She’ll be able to help me with little stuff. I think she’s got a lot of potential.” Din nodded toward a stand merchant who greeted him first. “We’ll be able to see more if I have an assistant, but we still can’t do any routine kind of work. Karga still needs to get another physician to work that side of things.”

Din hummed. “I hear he’s working on it, but I’ll… encourage him to work faster.”

“Oh, don’t worry about it.” You shook your head. “I can be plenty annoying on my own. You should’ve seen how much I bothered Admin back in Coruscant when I wanted them to buy the emergency department a whole set of ultrasounds.”

Din could imagine the scene and he wished he could’ve seen it. He’d have to make sure he had a front row seat for when you began to hound Karga for this. Without even discussing it, it seemed you both had the same sandwich place in mind⏤ the one that sold the cookies Grogu liked. Din didn’t bother ordering for himself. He wasn’t overly hungry. He mostly just wanted to spend time with you and make sure you took a break to eat. Din watched as you greeted the owners by name and after ordering your food you ordered a pack of cookies for Grogu as well. He could barely even pay attention to the conversation at hand because he was so busy watching you.

Even when the owners offered you the meal for free as a thank you for taking the job in town, you insisted on paying the full price. As you walked out, you frowned at him. “Are you sure you don’t want something to eat?”

“I’m fine, ner kar’ta.” He replied. Din planned finding a bench where you could sit and eat⏤ you had commented about how much you loved the current weather this morning⏤ but the sound of his communicator made him groan.

“What’s going on?” You asked.

Din lifted his vambrace to see he was being hailed to the hanger. “Oh. I have a, uh, friend visiting today. He’s here early.”

“Really?” Your eyes widened.

“Yeah. I’m sorry. I have to go meet him.”

Din had begun to pull his arm away, but you kept your grip around it and briefly bit down on your lower lip drawing all his attention to the shape of the lips he loved so much⏤ the lips that haunted his every dream. You pleaded, “Can I please come with you?”

“You want to?” Din was surprised.

“Yeah!” You bounced in place. “I’d love to meet your friend. I mean, if that’s okay?”

“Always. You should start eating while we walk.” Din nodded.

You snickered. “Okay. Bossy.”

Din’s eyes snapped to you, and he chuckled. The two of you changed direction toward the hanger. 

It wasn’t like you weren’t going to meet Cobb Vanth eventually.

The week had gone shockingly well. Better than you could’ve hoped, but then again your expectations were incredibly low. Working in the emergency clinic was actually enjoyable. Karga had tried to rope you into doing everything, but you put a hard stop on that for obvious reasons. Nevarro was still relatively small so when it came to emergencies⏤ there really were not many emergencies. Only a patch up job here and there like with the Trandoshan this morning. Again the bar was low considering you started this job with Nima nearly losing her arm.

Nima had been doing very well physically, but, as much as she tried to hide it, emotionally she had taken a toll. You weren’t sure why Cara left so abruptly. Din and you had talked about it in depth one night after dinner and he seemed to think it was because she had cared too much for Nima too fast. The only opinion you had on the matter was that Cara had certainly gotten on your bad side. You were loyal to your oldest friend and it irked you beyond belief that the once deputy of Nevarro had left when Nima needed her most.

“Where’s your friend from?” You asked as Din and you neared the landing pad.

“Tatooine.”

“Ah, my neck of the woods.”

Din chuckled. “Were you even there long enough to call it your neck of the woods?”

“I lived in Mos Espa for at least half a year. In Tatooine years, that feels like a decade.” You replied and the laugh that left him made your cheeks warm. 

He glanced over at you, your arm still looped through his, “What made you choose Tatooine, anyways?”

“It’s kind of a depressing answer. Definitely a mood killer.” You winced. Din’s feet came to an abrupt stop and he turned so he was facing you entirely. You should’ve guessed he’d have that kind of reaction. You shook your head. “I took care of a patient who said Mos Espa was where lowlifes and runaways escaped to when they had no other world to call home. So…” You shrugged. “I went to Mos Espa.”

“Ner kar’ta⏤”

“I don’t feel that way now. A lot has changed, and I’m not the person who initially fled to Tatooine,” You said quickly, “But you asked why I went, so I said.” With your next words, you kept your voice low so only he could hear you. “I promise I’m okay, Din.”

Din gave you a curt nod. With an amused shake of your head, you slipped your arm through his once more and tugged him toward the landing pad. The Mandalorian warrior let you drag him along, and you could’ve swore he was dragging his feet on purpose to make it more difficult for you. The chuckle that left his helmet confirmed this for you. 

“How long is your friend staying for?” You asked, and Din stayed quiet. “And is his visit a social call? I imagine he’s heartbroken being away from the sands of Tatooine.”

Din’s feet came to a stop once more, but this time it came as a surprise. You paused with him and gave him a curious look. He tilted his head. “About that, I wanted to talk to you about⏤”

“Mando!”

You and Din both turned at the voice. Walking in your direction was a very familiar face. Cobb Vanth? The marshal of Mos Pelgo was a far way from home, but he looked no different than the day you last saw him. His signature red scarf around his neck acting as a homing beacon for your eyes. Vanth’s eyes were initially focused on Din, but then they dragged over to you and he shook his head in surprise.

“Little lady!? Is that you??” Vanth grinned. 

Din and you both snapped to look at one another again rather than the new arrival. At the same time, the same words left your lips. “You know Cobb Vanth!?”

Vanth spread his arms out as he continued to approach, a large duffel bag hanging from his back, “Well, ain’t this a surprise!”

The shock wore off and it finally occurred to you that Cobb Vanth was here. Right here, right in front of you. You let out a laugh and rushed to meet him halfway. He greeted you by wrapping his arms around you in a tight grin⏤ a laugh leaving him as well. What felt like another lifetime ago, you had met Cobb Vanth on your arrival to Tatooine. Though your plan had been to settle in Mos Espa you had accidentally ended up in Mos Eisley. In an attempt to get from one place to the other you got lost in the desert briefly after the land speeder you rented ran out of fuel halfway. It had been your fault for trusting the man you got the speeder from. Rather than dying you were saved by the man you were now hugging. Vanth had even been kind enough to get you to Mos Espa eventually.

You pulled away from Vanth. “It’s so good to see you! You look great.”

“Oh, I know, darling.” Vanth winked. “But still not holding a flame to you.” You chuckled and a hand settled on your shoulder. Din had walked over and you took a step back so you stood right beside him. Vanth motioned to the Mandalorian. “You never told me you knew Mando.”

“I didn’t back when I was with you, Vanth.” You glanced between the two men. “How do you guys know each other?”

Vanth readjusted the bag around his shoulders. “Now that, little lady, is quite the story.” He continued on talking about how Din came looking for a Mandalorian and found Vanth decked out in Mandalorian armor. He followed it by describing how Din ended up flying into a krayt dragon to kill it from inside out. A detail you did not love to hear. “We’ve been best buddies since. Right, pal?”

Din didn’t respond. You were still in awe at the coincidence of it all. You missed your Mandalorian by literal months. Din had swung through Mos Pelgo right before you had. What would’ve happened if you met him then rather than now? 

“Mando?” Vanth questioned. Waving his hand once in front of the helmet. “You alright?”

“I’m fine.” Din replied and you wondered where the tension in his voice had come from. You slipped your arm around his once more and he seemed to relax marginally. He cleared his throat before nodding. “How was your trip, Vanth?”

Vanth’s lips stretched back out into a charming grin. “Hey, I can’t complain. Gotta say Nevarro looks better than I thought it would. I’m excited to explore it.” He chuckled. “The weather ain’t too bad either. I was worried I’d miss that desert air.”

“Don’t worry. These lava plains are plenty hot enough.” You replied. “How long are you here for?”

“Suppose 'til Mando here gets back.”

It took a second for the words to register in your mind, but Din picked it up much faster based on the way his entire body tensed once more. Until he gets back. Gets back? You slowly pulled your arm away from so you could turn and look at him. Before your hand could fall away entirely, Din caught it with his own⏤ holding it against his arm. 

“Wait⏤”

“You’re going somewhere?” You furrowed your brow in confusion. He hadn’t mentioned anything about a trip. Din paused and somehow his hesitance irritated you. “Where?”

Din sighed. “Mandalore.”

Your eyes widened, “Manda⏤ The Mandalore that may or may not be poisoned still?”

“Um. Yes.”

“Okay.” You replied. “Alright.” You pulled your hand out from under Din’s hand and shot Vanth a quick, firm smile. “It was really good to see you, Vanth. Welcome to Nevarro! I guess I’ll be seeing you around.” Din took a step toward you, his nickname for you leaving his lips, but you took a step back. “I need to get back to work, but I’ll see you at home?”

You didn’t give him the chance to answer and turned to leave. If Din called out after you, you didn’t hear him. Your footsteps were rushed as you tried to wrap your head around the information you had just learned. Were you angry? Maybe. It wasn’t a clear cut anger though⏤ it was muddled. There were too many other emotions swirling in your head, but the main one that started to push to the front was disappointment. Every time you thought you understood where you stood with Din it seemed like something happened that made you question it all. Had he just planned on leaving the planet without telling you? Or maybe he wanted to wait until the last second and just wave to you as he took off, or hang a note on the fridge for you to find the morning of. Even if you weren’t in this weird back and forth romantic thing with him, as someone who literally lived in his home and helped care for his child you were incredibly involved in his life. If you were a team, then you needed to know the plan.

More irritation boiled up in your blood, and you found yourself changing direction from the clinic to a familiar house. Your fist was banging on Nima’s door before you fully even registered what it was you wanted to say. Nima opened the door, in her pajamas, and your eyes glanced at the metal brace surrounding her right arm out of habit. 

Nima deflated and whined, “Please, please, please, please tell me you’re here to clear me for work.”

“No. Two more weeks. I’m not changing my mind on that.” You replied and she groaned. “I’m here because apparently Marshal Mando is leaving the planet and hired a replacement marshal but didn’t think to tell me any of this.”

“Come on in. I have alcohol.”

“I told you! I told you⏤ didn’t I tell you??” Mayfeld cried then spun to look at Vanth who was leaning against the wall. “I kriffing told him. Days ago.”

“Please stop talking.” Din groaned as he hung his head back while slouching in the seat. Din thought that the worst part of learning you and Vanth already knew one another would be the tight hug you literally ran to give him. Vanth had pulled you up off your toes in the hug, and the primal side of him yearned for a fight. His hand literally twitched toward his blaster⏤ his kriffing blaster. As if he was going to shoot down his good friend Cobb Vanth who left his town to do him a favor. 

Din had a problem. He was a problem. Growing up the way he had, with the losses he faced, he tended to be possessive of what he considered his own. Din liked to think over the years he had gotten good at reigning that behavior in. He didn’t shoot Vanth, after all. Still, that side of him didn’t hesitate in rearing it’s ugly head in moments like when he watched Cobb Vanth hold you for what he considered to be a second too long. It wasn’t until your arm slipped through his, a soft smile on your face, that he felt the logical side of him slip back into control.

Then, of course, it all went downhill when Vanth accidentally admitted the thing he had yet to tell you. Watching that smile fall off your features, feeling you try to slowly pull away, felt like he had taken blunt force trauma to the chest. It physically hurt and left a raw, aching wound and it only got worse as he watched you walk away. Din put the pain pretty high on the list of ones he experienced, and this was coming from someone who had a job that led him to be stabbed repeatedly. 

“I am sorry about that, Mando.” Vanth spoke up.

“It’s not your fault.” Din straightened his posture and shook his head. “I should’ve told her ages ago. That’s on me.” Vanth had apologized to him multiple times during the walk from the tarmac to the station. He’d do so between asking questions about the town that Din was supposed to be giving him a better tour on. Din rested his elbows on knees. It dawned on him that there was a question he hadn’t asked in his distress. “How do you know her?”

Vanth crossed his arms. “It was a couple months after you left, actually. She got lost between Mos Eisley and Mos Espa.” Din’s eyes widened at the thought of you getting lost in that Maker forsaken desert. Vanth chuckled. “Her land speeder ran out of fuel. It was by pure chance I ran into her. She stayed in Mos Pelgo for a few days then I took her the rest of the way to Mos Espa. We stayed in touch though⏤ here and there.”

Briefly, Din wondered what his life would’ve looked like if the two of you had been in Mos Pelgo at the same time. It was a curious thought but he knew both of you had been different people at that time. Even if it, in the great scheme of things, wasn’t that long ago. Less than a year. Then again, as quickly as you had wormed your way in his heart he couldn’t imagine meeting you months ago would’ve been that different. Din sighed and stood, he grabbed a holopad off the desk remembering that despite his dilemma in breaking your heart today he still had work to do. 

“Yeah.” Vanth hummed. “Little lady and I didn’t see each other often, but she’d visit me or I’d visit her for the occasional hook up.”

Din’s head snapped to glare at Vanth and, in an attempt to ensure his hands were free, he slammed the holopad back down onto the desk⏤ ignoring the tell tale sound of cracking glass. Vanth’s lips curled up into a mischievous grin and Din was half tempted to drag him back to the tarmac and ship his ass to Tatooine. Mayfeld burst into laughter and Din just shook his head.

“Sorry, brother.” Vanth chuckled. “I saw how up in arms you got out on the tarmac. Couldn’t help myself.”

“Hilarious.” Din replied. 

Eventually, Mayfeld and Vanth wandered out so the newest temporary marshal could get acquainted with the town and meet Karga. It gave Din a couple of hours to work though he spent most of it internally spiraling over the moment your entire face fell. He hated that he had been the cause of that⏤ just because he had been too scared to fess up. His communicator began to go off and Din answered it.

“Hi, Marshal?” A woman’s voice said. Din confirmed who it was. “This is Ms. Wynn, I’m in charge of Grogu’s class. Everything's still fine, but class ended about twenty minutes ago and I haven’t seen you or Soran. Is everything alright?”

Din shoved up from his desk’s chair. “I’ll be right there.”

On his way out the door, he called Aayla at the clinic to see if you had just gotten caught up with a patient, but the woman claimed she hadn’t seen you since he took you out for lunch. The clinic had been quiet otherwise. Din’s stomach churned uncomfortably as he hurried to pick up his son. Were you alright? Or were you so upset that you refused to even care for Grogu? Din knew the moment that thought crossed his mind that he was wrong. Regardless of how upset you were with him, you’d never take it out on the little boy. Din just hoped you were okay.

You narrowed your eyes at Nima as she downed the last of her beer, “Is this all you’ve been doing all day? Drinking?”

“Well, I can’t work, so…” Nima shrugged. When she offered you a drink you had turned it down, technically still on shift as the physician, but she hadn’t stopped from drinking herself. You had come here to rant about Din, but as it turned out you both had plenty to complain about. For hours, you and her had sat on the back porch of her house . The last thirty minutes or so you were trying to pry information out of Nima about how she felt about the Cara situation, but the mechanic would simply shrug it away. You knew she was hurting more than she claimed though. “Do the skies look gross to you?”

“What?” You blurted and slumped down in your seat.

“The sky. It looks…icky.”

You peered up best you could, and in her defense icky was probably the best word. The day had started clear, but the sky now had a greenish tinge to it. It reminded you of the beginnings of a storm, but you couldn’t see any clouds. You leaned out further to look and by doing so it gave you a clear view of Nima’s kitchen through a side window where you saw a clock resting against her wall. 3:37. Dank farrik. You jumped up.

“Karking⏤ Grogu!” You panicked. Shit, shit, shit. “Stop drinking, Nima.”

She mumbled a confirmation that you didn’t firmly believe then started sprinting back to the center of town. You had never, ever been late to pick up Grogu before. Guilt gnawed at you imagining Grogu looking for you in a crowd of parents and not being able to find you. Maker, how could you lose track of time like that? You got to the school in record time to find that all the kids were gone. Ms. Wynn was cleaning up around a room and she said Din had come and picked him up about ten minutes ago. 

As much as you wanted to avoid Din for a little while longer, you needed to see Grogu so you could apologize to him. On your way in you passed Mayfeld and Vanth who were standing in the lobby. They both raised their hands to greet you and you blew past them without preamble. You were a woman on a mission. 

“Grogu?” You called out, searching the room. Faintly, you could hear Grogu calling back to you and he waddled into the room a second later. You breathed a sigh of relief and knelt down to scoop him up into a hug. “I’m so sorry, baby. I am so, so sorry.”

“No sorry.” Grogu hummed giving your cheek a small pat making you chuckle.

The sound of a throat clearing had you glancing up to see Din leaning against the doorway that would lead back to his office. You were in an odd position because you were still upset at him from leaving you in the dark, but you were also ashamed and embarrassed at missing Grogu’s pick up time.

“Hi.” You mumbled awkwardly.

“I’m sorry.” Din blurted. Your eyes narrowed. Was he not going to address the ‘you abandoned Grogu’ thing first? “I should’ve told you sooner that Grogu and I are going to Mandalore.”

You slowly stood up with the cooing child in your arms. “You and… You’re taking Grogu?? To Mandalore??” If he heard the rising anger in your voice, he didn’t show it. “The planet that, again, we don’t know is even habitable?”

“Of course. Where I go, he goes.” Din shrugged nonchalantly. You blinked once, and Din finally seemed to catch onto at least one of the thoughts you had. “I want you to go, but I can’t pull you away from Nevarro. Not when you just started working in the clinic, and if I did choose to leave Grogu here that would just be added stress for you.”

Right. Because worrying about Din and Grogu on some wasteland of a planet wasn’t a stress factor. You locked your jaw and let out a slow breath through your nose. The boy in your arms seemed to latch onto the tension faster than his father did based on the worried looks he was bouncing between the two of you. Finally, you found your voice, “I forgot Grogu at school. I lost track of time. I⏤”

“It was an accident, I know. I’m not mad.” Din said calmly. 

He wasn’t mad. Din wasn’t mad, and somehow that made you even angrier. A part of you wondered if he was purposely not showing any anger in an attempt to keep you from being angry. One mistake for another mistake. Tit for tat. Maybe he was trying to make up for the fact that he knew he upset you, but you hated the calm demeanor he still seemed to carry. It occurred to you then, that you wanted him to be angry. You wanted to argue. The Mandalorian in front of you was the picture perfect example of composure and it pissed you off.

“You’re not angry.” You enunciated each word.

“Of course not, ner kar’ta.” Din shook his head. He drifted closer. “We should talk more about this trip⏤”

“Why?” You shrugged and pasted a large smile on your face. If he wanted to be composed then you’d be composed too. “I should check on the clinic one last time before heading home. I’ll take Grogu with me. Get as much time with him as I can before you boys go on your little adventure.”

Din shifted his weight from one foot to the other, a nervous tic you usually only saw at home, “Yeah. I might be late getting back. It looks like there might be a volcanic ash storm rolling in soon. Nevarro hasn’t seen one since before the guild left here.”

“No problem.” You said. “I’ll see you at home.”

Din began to take a step toward you, but you turned on your heel to leave with Grogu. You knew you were being petty, but right now you didn’t really care. If the two of you were playing mistake for mistake then this seemed fair too. You were petty to him and he didn’t tell you that he planned to leave you alone on this planet without him or Grogu. Tit for tat.

Din watched you leave with the sinking feeling that the interaction between the two of you had not gone well. Mayfeld stepped in with an incredulous look while Din continued to just stand with his arms crossed over his chest.

Mayfeld scoffed and motioned behind him, “How in the hell did you make it worse?”

Din mumbled a string of curses in every language he was familiar with and pushed past Mayfeld to leave. The man fell into step beside him. As much as he wanted to chase after you, he needed to help get the city prepped for the oncoming storm. Mayfeld, never able to take a hint, shook his head, “I mean, geez Mando. How is it you can string up a quarry in seconds, but can’t figure out how to apologize to a woman?”

“Where is Vanth?” Din asked, ignoring Mayfeld’s own line of questioning.

“Walking your girl to the clinic then home.”

Din locked his jaw. That was good to hear. He wanted to be the one to walk you and his son back to the safety of your shared home, but considering the circumstance he was just glad you weren’t alone. Din ordered Mayfeld to take the eastern side of the city and warn all citizens to bring in or tie down their outdoor belongings while he took the west. 

He didn’t get it. Had you wanted him to be angry at you? Din was a little peeved, it’d be a lie to say that he wasn’t. He had to leave work to pick up Grogu despite you taking on that responsibility this morning. Since starting at the clinic, you and him had taken turns, but Din liked to know beforehand so he wasn’t just up and leaving the station. If an emergency happened, where you were needed with a patient, that was more than understandable, but that hadn’t been the case. You had just lost track of time. A very human mistake to make, and honestly it was your first when it came to Grogu. So, yes, Din was a little peeved, but he wasn’t angry.

Din pushed it out of mind. You knew the truth, and he could better explain himself tonight when he got home. Right now, he needed to focus on the task at hand. 

According to Karga, the volcanic ash storms were quick but deadly. The closest volcano would spew out a hot and devastating breath of ash. It’d roll over the city, blanketing everything in darkness, but it usually was blown away and gone in a matter of hours. Din had heard plenty about them, but they had never occurred while he was planet side. As long as there was proper prep to begin with then it should be a smooth transition. Karga, ever the planner, had built the city buildings with proper metal shields to roll down over windows and doors in the case of a storm. Everybody would stay indoors for a half a day, and then they’d spend the rest cleaning up.

Din wondered if his helmet was equipped to withstand the ash. It should be. The beskar and his flight suit would keep the hot ash from burning his skin, and if his helmet worked correctly then the filter should keep out most of the dangerous ash. He only wondered in case he needed to venture out to save a citizen or two. They were making the rounds to tell everyone that staying indoors was an order, but Din knew with his luck one or two people would ignore the warning.

It took hours to ensure the entire city was ready to be locked down and make sure that Vanth found his place and that it worked for the man. Din had simply housed him in Cara’s old place. It was still furnished and it wasn’t like Vanth needed anything permanent. The storm was still being estimated at being 24 or 36 hours out. It would give Din, Mayfeld, and Vanth time in the morning and afternoon to run through the city once more for final checks.

“Hey,” Din called out as he stepped into the house with a sigh. When he rounded the corner he noted that you were in the kitchen alone and cleaning up. He glanced around, “Grogu?”

“Bathed and in bed.” You replied without missing a beat. “It’s late.”

“Yeah, sorry, getting the city prepped took longer than I thought it would.” Din groaned. “How was⏤”

“I have leftover dinner for you.” You interrupted him and motioned to the stove. “But I figure you’ll want to clean up first.”

Din nodded in relief, “Thank you.” You gave him a tight nod, a smile that didn’t reach your eyes painted your lips, and he paused before heading back to the shower. “Hey, you’re not going to bed are you? I wanted to talk.”

“I’m not going to bed.” You shook your head.

“Good.” Din turned and hurried off. From the moment Vanth let slip that he was leaving, Din had been craving to sit down next to you and explain everything. He wanted to take your hand in his and reassure you that everything was going to be okay, they wouldn't be gone long, and it killed him to leave you behind. Din wanted to explain that he was leaving to find redemption and revenge. Though, he wasn’t quite sure how you’d handle that information.

As Din washed the day off of him, he wondered how you’d feel about that? If he told you the absolute truth that he planned to find redemption in part so he could court you. If he told you that he planned on tracking down Daelar to rip the man’s throat out. He wasn’t positive how you’d handle either fact, but he was positive that he needed to tell you. Din was human, he made mistakes, but he made it a mission in life to not make the same mistake twice.

After getting dressed, Din carried all his armor, sans his helmet, into the room to set aside. He paused long enough to check in on Grogu and tuck the blanket thrown haphazardly around the hammock around the boy’s small body. “Nuhoy morut'yc, adi’ka.” Din readjusted the stuffed frog in Grogu’s hammock with a smile and left the room as quietly as possible. A nervous energy settled along his skin and he rolled his shoulders once, “Ner kar’ta?”

The kitchen was empty and Din titled his head in confusion at the finding. His eyes landed on a plate of food waiting for him on the island counter and drifted closer. Sitting beside the plate was a small note with the most passive aggressive of all smiley faces he had seen drawn.

‘Went out with Nima. Don’t wait up’.

Din aggressively tore his helmet off and the only thing that kept him from slamming it onto the counter was the knowledge that the sound would wake up Grogu. His nervous energy melted into irritation. Sure, he hadn’t clarified that he wanted to talk when he asked if you were going to bed, but Din knew his intentions had been clear. That’s why you had deliberately answered his question in such a specific manner. His hands clenched and unclenched as he took a slow and steadying breath. 

He wasn’t angry. He wasn’t. Din repeated this under his breath in an attempt to convince himself of it.

It was funny. The last time you sat in this cantina with Nima, in these exact chairs, the two of you had also been talking about Din. The subject last time was how awkward it was to tiptoe around him in his own home. Mashal Daddy, is what Nima had called him last time.

“Marshal Dickhead.” Nima scoffed before taking the shot in front of her. She pushed your shot glass closer to you and you tossed it back as well. The liquid burned the entire way down and you grimaced. It had been ages since you drank to this degree⏤ you were a light weight now. “That’s what he is.”

You shook your head. “No, he isn’t.”

“Okay, I need you to work on your shit talk.” Nima pointed at you. “Defending the person you’re complaining about is kind of redundant.”

You tapped your glass and the bartender wandered back over to pour the both of you another shot which you took without hesitation. Nima tried to get them to pour another, but you shook your head and ordered two mixed drinks instead. At least those had something other than straight liquor in it. 

“I’m pissed at him, but I don’t wanna shit talk him.” You replied.

“Then what do you want to do?”

“I don’t know.” You sighed. “I want to fight.” Nima gave you a questionable look and you shook your head. “Not physically. Maker, I don’t have a death wish.” Picking to tussle with a Mandalorian could possibly be the stupidest choice in the galaxy. “But I want to argue with him.”

Nima narrowed her eyes. “Why?”

“Because I⏤ I⏤” Your words got caught in your throat and you tried to wash it down with a large swig of your drink, to no avail. It was dumb to want to argue, wasn’t it? Couples tried to avoid that. Not that the two of you were an official couple. You groaned and buried your face into your hands⏤ already feeling dizzy from the drinks. You wanted him to be upset with you, to feel comfortable enough around you to show that he was upset. Up until now, the two of you hadn’t had any real arguments. Sure, there were little tiffs here and there about nothing important, and it typically always ended with Din conceding the point with a shrug. Despite what most people seemed to think, you knew that towering wall of beskar had emotions. He had a lot of kriffing emotions, and you wanted to see all of them. Even the negative ones. 

“I think I get it. The ‘wanting to argue’ thing.” Nima said softly. You lifted your head to look at her and she gave you a small smile. The Twi’lek reached out to set her hand on your shoulder with a comforting squeeze. “You want to have hot, angry make-up sex.”

Despite the sullen thoughts weighing you down, her words made a loud laugh slip from your lips. Nima look affronted that you were laughing at her theory, but you just shook your head and let the laughter die down to chuckles.

“I was serious.”

“I know you were. That’s why it’s funny.” You replied and took another sip of your drink. “But, I think I want to have not angry sex with him before I go for the other stuff.”

Nima’s eyes widened, “Wait, you guys haven’t⏤” You shook your head. “What the kriff are you waiting for!?”

“I don’t know.” You admitted. It was a fair question. “I think we’re going slow.”

“But, why?” Nima replied. “It’s obvious the two of you wanna jump each other’s bones. Half the city thinks you’re already married to him.”

You furrowed your brow, “Yeah, why is that? I get that the evidence stacked against us is damning, but to just assume we’re married?”

“Oh, I’ve been telling everyone the two of you are married.” Nima replied.

“What? Why??”

“I don’t know.” Nima shrugged. “Seemed fun. Figure it’ll be true one day.”

You scoffed, “Well, it won’t be if he disappears on the cursed world of Mandalore.” 

The words fell out of your lips with more pain than you meant to convey. Nima’s face fell and you lifted your drink to knock back the rest of it. That was a possibility, wasn’t it? Din and Grogu leave you to never return. Then what? You live in the house you shared with them alone? Listening to the ghostly echoes of where they used to be?

“Shots.” Nima called out to the bartender. “We need more shots.”

The two of you were four more shots in when a familiar face wandered toward you. Vanth leaned against the bar on your other side with a smile that you could tell was concerned. “Hey there, ladies.”

“Whoa, whoa, whoa, buddy!” Nima drunkenly lifted herself from her seat, nearly toppling over, and pointed at Vanth. “We aren’t interested. She’s married,” Nima pointed to you then pointed back to herself, “And I like pussy.”

Vanth’s eyes widened and you dragged her back down into her seat. “First, stop telling people I’m married. Second, stop announcing to the bar that you like pussy. And, third,” You motioned for Vanth to take a seat beside you which he did, “This is Cobb Vanth. He’s a friend from Tatooine and the replacement Marshal while Di⏤ Mando is gone.”

In your own tipsy stupor, you had nearly said Din’s name aloud. Luckily, Nima was too gone to notice and Vanth didn’t seem to care. He leaned over to over his hand in greeting. “It’s nice to meet you…?”

“Nima.” She replied curtly and held her hand out like a queen offering it to a peasant. You rolled your eyes, but Vanth just changed the position of his own hand to take hers with a small shake.

“Nima.” Vanth said. “Can I buy you two drinks?”

“I insist you do.” Nima nodded and pulled her hand away.

You chuckled with a shake of your head and tossed back the rest of the one in front of you so Vanth could get you a fresh one. Nima was babbling about something mechanical that you couldn’t follow along with and directing her words to anyone who glanced her way. 

“I’ve already apologized to Mando, but I feel like I owe you an apology too.” Vanth said. “I’m sorry about what happened on the tarmac.”

You snorted. “It wasn’t your fault for assuming Mando wasn’t keeping secrets.”

“I don’t know if I’d call it a secret.” Vanth shrugged, catching the bartender’s eye and holding up three fingers. He turned back to you. “I think the poor guy was just scared.”

“Mandalorians don’t feel fear.” Nima blurted out from behind you, apparently a part of the conversation now.

You shook your head. “I don’t care if he was scared as long as he tells me that he is.”

“Fair request.” Vanth shrugged. The drinks were brought over and you took a small sip of yours. The tipsy buzz floating in your skull was slowly shifting to just plain drunk, and a sadness crept in alongside it. You suddenly wished you were at home curled in bed⏤ curled in his bed. Listening to the soft snores of both him and Grogu. “So,” Vanth’s voice snapped you out of Din’s dark and safe room and back into the noisy cantina, “Where does that leave the two of you?”

“She’s dropping his ass.” Nima barked.

“Nima⏤” You whirled on her.

“You don’t need him! He’s abandoning you!” Nima cried and you took in the way her lower lip quivered for just a moment. “We don’t need either of them! They can⏤ They can go explore the kriffing galaxy or join the New Republic’s special forces team or whatever it is they want to do! We don’t care. We’re better than that. We don’t need them.” She turned and shook her head before taking a large sip of her drink. “I’m better off without her.”

You reached out, wordlessly, and pulled her hand away from the glass so you could hold it. Nima tangled her fingers with yours and squeezed once⏤ hers eyes glistening with unshed tears. You knew she had taken Cara’s departure worse than she wanted to admit. Nima was right. She didn’t need Cara. Nima was strong and beautiful and smart and incredible. Cara had been a friend but she had also been a bump in the road. She left selfishly when Nima needed her most, but Nima was going to rise above it. However, she had been wrong about you.

You did need Din. That’s why the thought of him leaving Nevarro was so jarring and painful. Coming here had been a way to escape your past and hide out, but you had never expected to find someone who would grow to be so important. Honestly, it was a bit scary if you thought about it for too long, but the truth was that you needed Din in your life. Him and Grogu. Without them, you’d have a gaping hole in your heart and you weren’t sure there was anything else in the universe that could fill that. Din hadn’t fully explained his reasoning, you hadn’t given him the chance, but you knew he wasn’t leaving you. Nima had been blindsided by Cara and left with nothing. Maybe it would’ve taken him forever, but Din wouldn’t leave without saying good-bye and you knew⏤ deep, deep down⏤ that he’d fight tooth and nail to return to you. 

“I’m sorry to ruin your night, Vanth.” You said, ��But I think we’re gonna call it quits.”

“Don’t be silly.” Vanth shook his head. He tossed back his drink before rising himself. “I’ll walk you ladies home.”

You gave him a thankful smile knowing you were in no state to navigate to Nima’s house in the dark, put her to rest, then find your way back home yourself. Vanth chose to help Nima walk considering you had at least a little better control over your legs. The three of you stumbled out of the cantina into the warm night air⏤ it was time to go home.

Din didn’t have the time to put all his armor on, it was nearing one in the morning when his communicator went off, so he had simply thrown on the upper half of his flight suit, gloves, and boots. It left him in one of the more ridiculous outfits he wore considering his sweatpants did not match any item he adorned, but he just needed to get the door.

When he swung it open, Vanth stood on his porch with you in his arms sleeping soundly. He nodded toward your figure, “She was wide awake when we dropped off her friend, and was doing decent on the way here, but by time I reached the end of you street she was dozing off on her feet.”

“Thank you.” Din mumbled. He was quick to step forward and take you into his arms⏤ not enjoying the way you were snuggled into Vanth. Though he did appreciate the man bringing you home. “I really do appreciate this.” You shifted so you could bury your head into the crook of his neck and Din sighed. “Was she… How was she when you found her at the cantina?”

Vanth didn’t answer at first. He stared at Din for what felt like a long moment before looking at you then back to him again. Vanth chuckled, “I know I’m new to town, brother, so take this with a grain of salt.” He shook his head. “But it’s obvious she cares about you as much as you care about her. A fight now and then is normal, but don’t let it go on for too long. You don’t get time wasted back.”

“Thanks for the tip.” Din mumbled. 

Vanth gave him a quick nod before turning on his heel and leaving. Din shut the front door with his foot and carried you through the quiet house until he reached your room. The thought that you spent the night drinking until you were too inebriated to get home yourself bothered him more than he wanted to admit. You were a grown woman who could do what you wanted, but you had gone to specifically avoid talking to him. He found that incredibly annoying. 

It was like you were purposefully trying to rile him into lashing out, and that’s the last thing Din wanted to do. Din had a temper, but back during his bounty hunting years that was easily handled. He’d get angry, he’d go hunt a quarry and burn that emotion right out of himself. Now, he was in a setting where he didn’t have an outlet and he worked hard to keep that temper under wraps. Din had lashed out at Karga a time or two since his arrival, but that was expected and Karga was no stranger to his anger. 

Din settled you on your bed and began to carefully take off your boots followed by your socks and pants. He kept his gaze off your lower half as his only goal was to make you more comfortable. He stood and pulled your covers up to tuck you in. Din paused for a moment before pulling his helmet off and tucking it under one arm. He ran a hand through his messy hair and sighed. Maker, you were driving him up the wall. You had no idea the kind of fire you were playing with. It’s not like you were in danger, Din would tear his own heart out before hurting you, but he didn’t want to yell at you. 

“Ni aalar sha yaim ti gar.” Din sighed aloud. A reminder. He leaned forward to press his lips against your temple. Din would not lose his temper with you because he could not afford to lose you. He turned off your automatic alarm sitting on the night stand by the bed and wished you the same farewell he had to Grogu earlier in the night. “Nuhoy morut’yc, ner kar’ta.”

The headache you woke up with was nasty, and you swore in that moment to never drink again. Probably a fruitless promise to yourself, and not the first time you had claimed it, but right now you were miserable. You groaned and rubbed your face in your pillow before sitting up with a grunt. There was a weird amount of sunlight in your room and not just in ‘my poor hungover eyes are overly sensitive’ kind of way. You rubbed your face, glancing around, and it was then you realized the alarm sitting by your bed was off.

“Shit.” You breathed and jumped out of bed. The sheets tangled around your lower leg and you hit the floor with a curse. First you forgot to pick Grogu up from school and now you’d be late to taking him to school. Maker, you were so stupid. As reliving as it had been to drink and talk to Nima last night, it hadn’t been worth it for this. The speed in which you got dressed was startling and you burst into Din’s room to find it empty.

Your hungover brain realized much too late that this could’ve been bad if Din were in here with his helmet off. “Grogu??” You hurried out of the room and into the hall. When you stepped into the kitchen you were met with the smell of food and the sound of babbling. Grogu sat in his high chair eating with his father right beside him dressed and ready for work. “Grogu.”

“Ma!” Grogu greeted briefly before diving back into his food.

Din turned to stare at you and you rubbed your face in embarrassment, “I’m sorry. I don’t know why my alarm wasn’t on.”

“I turned it off.” Din shrugged. “Vanth brought you home late. Figured you needed to sleep in.” Din rose from his seat and began to try and clean Grogu up from the mess he had made of breakfast. “You’re fine. I can take Grogu to school this morning.”

“What?” You gaped in disbelief. 

“What?” Din echoed. 

“You hired me to take care of Grogu while you worked and I am failing at that right now.” You spat.

Din scoffed. “Failing is a bit dramatic. You made a mistake. It happens.”

“I show up passed out from drinking on a work night, and your response was to tuck me in and turn off my alarm??” You said as your voice began to raise. “Seriously??”

“Wasn’t a work night.” Din replied calmly. “I wasn’t on schedule.”

You groaned in frustration, “That’s not the damn point, Din!”

“Then what is the point?”

“The point is you’re supposed to be upset! You’re supposed to be angry!” You snapped. Grogu cooed nervously from his seat and you bit back as much of your anger as you could. “It’s a normal human response. Why can’t you just admit that you’re angry at me!?”

Din set his hands on his hips and shook his head. “Why do you want me to be angry at you so badly?”

“Because I want you to be human around me!” You snapped.

Din stiffened, and as much as you hated the way you worded that, you thought maybe it would be the line that pushed him over the edge. Instead, he just gave you a tight shrug. “Sorry. I didn’t realize I wasn’t being human around you.”

“Really?” You laughed in broken disbelief. “You’re not even going to react to that shitty thing I just said?” Din remained silent. “Whatever. I’m taking Grogu to school.”

“You don’t have to do that⏤”

“Actually, I do.” You replied sharply and scooped the boy up from the chair. Grogu reached up to set a hand on your face and you sighed⏤ momentarily finding peace. When your gaze lifted up to spot Din once more the peace fell away. “It’s my job. Remember? Might as well do what I was hired to do while Grogu is still in Nevarro.”

Din didn’t respond. He stood stock still. Enough so that a stranger could walk in and confuse him for a droid. On your way out, you scooped up Grogu’s bag by the door and hurried out. There was a sharp, acidic tang in the air that greeted you and you flinched at the smell. The sky was uglier than it had been yesterday, but you were already late so you pressed on. 

The entire rushed walk to school, you spent it apologizing to Grogu for yelling at his father in front of him. You shouldn’t have lost your temper in front of the child. As if he understood the situation entirely, Grogu babbled along with you and continued to give your face small pats of reassurance. Right outside of the school, Ms. Wynn stuck her head out to greet you.

“Hey, Wynn. I am so sorry about yesterday and for being late this⏤”

“Hurry, get in.” She grasped you by the wrist and tugged you inside. She shut the door tightly behind you and you glanced around the room to see all the children being kept busy by the other school workers. You gave Ms. Wynn a confused look and she sighed. “The storm is coming sooner than everyone thought. The watch people are estimating it to hit city center in the next twenty minutes or so. You can’t be outside.”

You shrugged, “I can get to clinic in fifteen.”

Grogu wiggled and whined in your arms so you set him down so he could run off to play with his friends. Ms. Wynn shook her head. “No. It’s not worth the risk. Volcanic ash storms are incredibly dangerous. The entire city is locking up right now.” You still thought you’d be able to make it, but before you could argue further your communicator began to beep. “I’ll let you take that. I need to start class.”

You nodded and watched her walk off before activating your communicator. “Hello⏤”

“Ner kar’ta?” Din’s voice crackled to life⏤ panic evident. “Where are you and Grogu??”

“At school. Wynn just locked us in for the storm.”

“Good.” You heard Din breathe out a breath of relief. “Just stay there until the storm passes. It should be over by this evening.” There was an awkward pause of silence before he cleared his throat. “If you need anything, call me. Please.”

“I will.” You replied. Then added, “You’ll be safe at home, right?”

“Yes.”

“Good.” You hummed. “I’ll, uh, talk to you later.”

The call ended miserably and you wandered to the side of the room where you could drop into a chair. The good news was you wouldn’t have to worry about Grogu like some parents probably worried about their kids. Minutes later, the sound of strong wind and debris rattled the metal sheet covering the window you sat by. It made you jump in alarm and you silently thanked Wynn for stopping you.

That had come much sooner than twenty minutes.

You had to applaud Ms. Wynn and the other workers for their tenacity. The storm outside sounded miserable and terrifying, but the kids seemed nonplussed by it with the way the teachers distracted them. Around the end of the first hour, Aayla contacted you to ask about a few people who had wandered out into the storm and then stumbled into the clinic. Most of the injuries had been superficial⏤ the exposure short term as they came from nearby buildings. You walked her through how to mix some paste for burns.

It was during the second hour that the patients got too complicated for Aayla.

“I don’t know what to do, Doc.” Aayla’s voice shook. “I keep having him use his inhaler, but after a few minutes he ends up needing it again.”

“I’m worried he’s scorched his lungs. His asthma making it that much worse.”

“Do I mix a paste? Or⏤ Or make a solution?”

You sank in your seat. It was a solution that needed to be made, which you trusted Aayla to do, but that fluid then needed to be aerosolized. That way the patient could breathe it right into his lungs. Working with the machine that did so was tricky and even you weren’t the best at it. You hated the idea of getting Aayla to attempt it only to make a mistake and take on that guilt herself. She was still new to medicine. That kind of guilt shouldn’t be weighed on her conscience considering she hadn’t been trained for this.

“What’s his oxygen status right now?” You asked.

“It’s in the mid-80s and that’s with an oxygen mask on.”

Dank farrik. He might not make it to the end of this storm. The patient could crash much sooner than that. You gave Aayla a few orders to keep the man stable then pushed to stand. You caught Wynn’s attention and the woman drifted closer after helping a child with a small task. She gave you a warm smile, and you returned a skeptical one.

“Hi. So, I need a jacket, scarf, and some sunglasses.”

Wynn warned you against your idea, but you were dead set. You had no choice. So, ignoring her advice, you pressed on. You soaked the scarf in cold water then wrapped it a few times around your mouth and nose to use as a makeshift filter. The glasses would hopefully at least protect your eyes a little, and the jacket was to cover up the remainder of your skin. You were thankful you hadn’t worn shorts today. 

You had traveled to the back door to leave that way none of the ash would slip into the same room as the kids. It would take you 15 minutes to get to the clinic. It was now or never, you supposed.

Din was furious. His temper running hotter than the volcanic ash whipping around him. As it turned out, his helmet would keep out the dangerous conditions surrounding him. Grogu’s teacher had reached out to him to let him know that you had traveled out into the storm to reach a patient. She had done so to ensure that someone else was aware of the situation. Din had thanked her before rushing out himself. 

He asked one thing of you today. One. 

He just wanted you to stay inside the kriffing school with Grogu. It wasn’t asking a lot considering the literal fire and ash raining outside. It was common sense for someone to stay inside. Din was literally just asking you to follow common human survival instincts, yet you still left. You left, not protected in beskar as he was, but rather dressed in a wet scarf and jacket. As if that was going to help a karking thing.

Din tried to hail you over the communicator but it never got through. He told himself it was because of the storm. If even a little ash got into the communicator it’d glitch. That had to be it. Din refused to believe anything could have happened to you. Still, fear mingled with his rage, but he chose to ignore that for the time being.

Black and gray wind swirled around him, whipping his cloak in every direction, as flickers of burning ash drifted in the air. It was so thick that he could barely see a few feet in front of him. If he wasn’t careful, he could step right over you on accident and not even know it. The thick ash was beginning to settle on the ground in thick piles like the snow of Hoth. When he reached the clinic doors, he saw the metal shutters were down. Din didn’t hesitate to slam his hand against the metal as hard as he could.

If nobody opened the door soon he’d break through the shutters. Sure, ash would collect in the clinic lobby, but he’d deal with that problem later. Luckily for everyone, the shudders cracked open and Din quickly slipped through. Miriam, the new girl, had opened the door for him. Din didn’t mean to blow her off, but he sped past her. She was clever enough to open the second set of doors without him having to have asked. 

Inside the room, were a few people sitting on the cots or against the wall with a pink paste rubbed into splotches on their skin. Aayla stood in front of an older man who was struggling to breathe. A nebulizer, the same kind of machine that blasted a mist of medicine for Grogu, was being held up in front of his mouth.

“Where the kriff is she?” Din snapped.

Aayla nervously stiffened in place. She pointed out of the room, “There’s a small break room down the hall. She’s⏤She’s in there.” Din spun to leave, but Aalya called out to him. He nearly ignored her until she spoke again. “I think she’s more injured than she lets on. There’s some leftover pink paste from the last batch for her skin burns. Right now, she’s using the other nebulizer.”

Din huffed out a small thanks before snatching the jar off a side table and following her instructions out of the room. He wasn’t familiar with the back halls of the clinic, but he didn’t need any more clues to find you. Halfway down the hall he could hear a barking cough. Din picked up his pace then threw the break room door open hard enough that it slammed into the wall.

You startled where you were sitting at a table with a nebulizer mask held in front of your face. Your eyes widened in surprise and you opened your mouth to begin to say his name only for you to begin coughing violently. Just for a moment, his anger subsided. Din hurried over and set a hand on your shoulder to evaluate your injuries.

“Injuries. What’s wrong?”

“Just⏤ Just some burns.” Your voice was hoarse. “Worst of it⏤,” You began to cough again, “Lungs. In my lungs. Medicine will help.”

You took a few more deep breaths of the nebulizer and Din let his eyes trace your exposed skin. There were patches of mildly burned skin on your hands and on your forehead and upper cheeks. The pattern made it clear to see the shape of the sunglasses you had worn. Din tore off his glove and threw it aside rougher than he intended. Your eyes widened but you didn’t say anything. Din dug his fingers into the paste and began to rub it over every single burn he could see on you⏤ no matter how small. 

When he was appeased that he got every single injury, Din shoved the jar aside angrily and huffed, “Are you out of your damn mind?”

“No.” You replied. Your voice already sounding better. “It’s not like I had a choice.”

“Excuse me?” Din narrowed his eyes at you.

“I had a patient who needed me.” You shrugged. Then, you had the audacity to roll your eyes and mutter under your breath, “Just relax, Din.”

Din pushed to stand so fast that the chair he sat in went sprawling back and you jumped at the sound. He set his hands on the table and leaned toward you. “Relax? Did you just tell me to kriffing relax??” You stared at him silently, and Din took a step back with a shake of his head. He scoffed. “Relax.” Din felt his blood boiling under his skin. “Bic ni skana'din.”

“Din⏤”

“No.” Din snapped. “You’re going to sit there, and you’re going to listen to me.” He leaned in once more. “You wanted me angry? Well, now I’m angry! Dank farrik! What the kriff were you thinking!? I told you to stay in the school. I made myself very clear.” He slammed a hand down onto the table in frustration. “Do you realize how badly that could’ve ended?!”

You set down the nebulizer mask, “Din, I had to⏤”

He reached out to snatch the mask from the table where you set it and forced it back into your hand. Din shoved your hand up so it was holding the mask by your mouth once more. “No, you didn’t. Those patients look fine in there.”

“The old man wasn’t.” You snapped back with a glare of your own. “He might not have made it till the end of the storm.”

“Was there a chance he could’ve?”

“I mean, I guess, but there was just as equal of a chance that he wouldn’t. I⏤”

“Then that’s the risk that gets made.” Din yelled. “You don’t risk your life like that ever again. Do you hear me!?”

“I’m a physician!” You cried. “What would you have me do, Din? Risk him dying⏤”

“Yes.” Din reached out and wrapped his hand gently on the side of your face. Din was breathing hard, his rage making him shake, but he kept his touch soft as he forced you to face him. “That’s exactly what I would have you do. I don’t give two shits about him, but you I can’t live without, ner kar’ta. Is that not clear to you!?” 

You shook your head. “You don’t mean that. You wouldn’t risk him dying.”

“Wouldn’t I?” Din let out a harsh laugh. He wouldn’t risk one of the citizens of his city dying. In your shoes, he probably would’ve done the same thing⏤ but that wasn’t the point. Din sucked in a sharp breath trying to get back to the point he was making. “If I tell you to stay put, in order to keep you safe, you will listen to me. Do you understand?” Your eyebrows furrowed deeper and Din understood the immediate distaste for his words, but he didn’t care. “I said, do you kriffing understand?”

The nebulizer stopped on it’s own and you tossed aside the mask before standing up with a scoff, “I understand, but I’m not promising you I won’t do the exact same thing again.” You tried to walk around the table, out of his reach, but Din mirrored your movements and met you on the other side to block you in. You shook your head. “This is my job. Helping people is what I do. I’m not going to put people at risk just because you don’t trust me to be competent enough to succeed.”

Maker, you were the most frustrating woman⏤ Din’s hands found his hips as he leaned into your space. “You think it’s a trust thing?” He barked out an angry laugh. “All it takes is one mistake, one miscalculated step, and that’s it. It’s not about competence or about trust. It’s about gambling, and I’m not going to let you gamble your life away for a stranger.”

“As if you’ve never gambled your life for a stranger before?? I highly doubt that.” You spat. “Din, you’re a good man and if you think⏤”

“No.”

You narrowed your eyes. “What?”

“I said, no. I’m not.” Din said through clenched teeth. You were going to be the death of him. He was vibrating with frustration. Fear grabbed control of him at the realization that this was who you were. You were good, to your core, and this was going to keep happening. It was clear on your face that you didn’t believe his words. You weren’t getting this, and Din wasn’t good enough with words to get you to. Resolution settled in his mind, determination, and his next words came out in a low growl. “Close your eyes.”

You blinked almost owlishly. “Huh?”

“Close your eyes, ner kar’ta.” Din demanded, his hands traveling to his helmet without pause. Your eyes widened in alarm before shutting tight. It scrunched your features up. Din tore his helmet off and slammed it onto the table before closing the space between the two of you.

Din had never kissed someone before, which seemed ridiculous considering the other acts he had performed, but the idea of it seemed easy enough. His hands found your jaw and he tilted your head up enough that he could press his lips firmly against yours. Din held them there until he felt your entire body slowly relax. He pulled back just a bit and opened his eyes to see your features had softened though your eyes remained closed. Din’s nose brushed against yours, unable to bring himself to pull away from you any further. He mumbled the next words out, exhausted, but tightened his grip around your face in hopes to get his message across loud and clear, “I am not a good man. I’m a selfish man, and there is nothing I wouldn’t do⏤ no line I wouldn’t cross⏤ to keep you and Grogu safe.” Din leaned his forehead against yours and sighed. “I’m sorry. I’m sorry I kissed you without asking permission. I just… Ner kar’ta, I cannot lose you and I didn’t know how to…”

“It’s okay.” You mumbled. “I��ll forgive you on one condition.”

“And that is?”

“Kiss me again.” You breathed. You wrapped your arms around his neck, pulling yourself up to your toes, and Din didn’t hesitate to meet you halfway. His lips pressed against yours once more, but this time it wasn't so simple. It was messy, for lack of a better word. Your lips moved against his, furiously, and Din mimicked every action. It was as if the anger of your argument had shifted and transformed into this moment right here. Teeth clashing against teeth, tongue pressing against tongue. The kiss was desperate and felt like a battle. You versus him in a competition to devour the other, and Din was never one to back away from a challenge. 

He hooked his arms under your legs, lifting and turning, so he could set you on the table. Din’s hands shoved aside the nebulizer machine that sat in the way and he heard the device clatter against the tile floor. He’d buy the clinic a new one. Din pressed into you forcing you to either catch yourself by reaching back or continue clinging to him. You chose to keep your arms around his neck, wrapping around even tighter, and Din had to readjust and wrap his arms around your waist to keep you both from collapsing onto the table.

Din took a chance by nipping on your lower lip and the moan that left you was the perfect reward. He licked into your open mouth, a similar action you had done to him, and it deepened the kiss once more. Finally, breathlessly, Din was forced to pull back just enough to get air. You were panting as well⏤ the only sound in the room being the heavy breaths you shared between one another and the howling storm outside.

“I’m sorry I forgot to pick up Grogu.” You said and the disappointment in your whispered words made his chest ache. “I’m sorry I left last night instead of staying to talk. I’m sorry for yelling at you this morning.”

“No, I’m sorry.” Din replied. “All of this could’ve been avoided if I had just told you about Mandalore. I also promise to get more angry at you if you promise it’ll always end like this.” The soft, breathy laugh that left your lips was like a reassuring melody. You were safe. You were in his arms. You were okay. Din let out a breath of relief. “Ner kar’ta…”

You tilted your mouth against his to let a soft kiss linger against his. The exact opposite of the kind of kiss the two of you had shared. You sighed, “Why did it have to come to this? Why wouldn't you just admit you were upset with me?”

“I… I was worried about scaring you away if I lost my temper.” He admitted. “Things felt so good between us, so perfect, I didn’t want to ruin it.”

“Telling me how you really feel is never going to ruin anything, Din. I want that. I want to know what you’re thinking.” You replied. “Fighting isn’t always a bad thing.”

Din pressed his lips softly against yours once⏤ twice⏤ three times. “I can see that.” Maker, maybe taking his helmet off was a bad idea. After getting to feel your lips against his it was going to be twice as difficult to maintain his control. “I need to put my helmet back on, ner kar’ta.”

You chuckled and set a soft kiss against his cheek before releasing him. Din took one more second to stare at you, unhindered by his visor, and he loved the way your lips were swollen from his. He grabbed his helmet and tugged it back on. When it was back in place he let you know. It was cute the way you peeked out of only one eye, just in case, before letting both open. 

“I think I’m ready to talk about Mandalore now.” You shrugged. “Unless, you have something better to talk about?”

Din chuckled and gave you a small shrug. “We can talk about how you were my first kiss, if you’d like.”

“I am?” Your eyes widened. “Seriously?” He nervously gave you a small nod⏤ face burning under his helmet. “Oh man, I am so sorry. If I had know I would’ve⏤ would’ve⏤ I don’t know. Been gentler?” Din laughed at the concern drawn all over your face. Your lips twitched up but you gave him a small shove. “I’m serious! Maker, I was basically going for your tonsils…”

Din lifted a hand to hold your chin. “I’m not complaining.” He leaned his cold forehead against yours. “And by the way, I am proud of you. I’m so proud of everything you do. I… Can you promise to at least call me before you do something risky?”

“Yeah.” You nodded. “I can promise that.”

Din would take the victory where he could.

mando'a translations:

Nuhoy morut'yc, adi’ka

Sleep safe, little one.

Ni aalar sha yaim ti gar

I feel at home with you.  

Nuhoy morut’yc, ner kar’ta.

Sleep safe, my heart.

Bic ni skana'din.

Expression of being angry or repelled, i.e. ‘that really ticks me off’

@aheadfullofsteverogers @yyiikes @kneelforloki @c-ms1ut @sgt-morgan @luthienaliceisilra @fawn-kitten @missbabyjay @coldlamaspersonspy @dilfsaremyfavourite @jamesbuckybarnes @yorkeylover @teawrites01 @emily-roberts @djarinxore @impala1967666 @shelbyteller @faithrenner @dindjarindude @dankfarrick29 @rh1nestonecowg1rl @garbo-lesbo @anythingforattention @tearfulsolace @onceinamando @catharinaroxastovaova @uwu-i-purple-youu @modiddys-blog @harriedandharassedd @stagerightlauren @mini-bees @xxinvisblexx @adoringanakin @sagegreensensei @spidey-3 @sydney-1209 @thepascalofus @hrtsforpascal

[yeyinde]

i’m so sorry i have literally no other social media what’s going on with shane?? feel free to ignore if you don’t feel like answering LMAO i know it’s not ur job to be Reporter for the Amish (me) i’m just sooo curious

no worries, i got you!!!

it's nothing that Shane did alone, per se. but basically, Watcher hyped up this big announcement that they had (w a countdown even, which—hindsight?? oof) and it ended up being that they were leaving YouTube (a la Dropout, but without the money, the decades-long support from fans, the cultural status, the portfolio diversity, and a mega-rich owner to bail them out if things went bad) and starting their OWN streaming service/platform. it's like, $82CAD a year, and maybe $8.27CAD a month (or $60USD/year or $5.99/month). that's what they're asking their fans to pay. and in a global cost of living crisis where rent has easily surpassed income by a margin that fills me with existential dread just thinking about lmao

but post-backlash, they updated their pinned post on YouTube and said that they would release the first episode of each series on YouTube (AND keep their backlog of work up, for free—how generous), but the rest of the episodes, and any new shows moving forward, will be on their streaming service exclusively.

the gist of the move is for better "production quality" which is ridiculous. it's almost as if they have no idea what made them special in the first place. and, IMO, its just (wheeze). that's it. that's all they needed. i'd watch Ryan and Shane sit in a basement and bicker back and forth about cryptids or DB Cooper any day over this.

and i fully get supporting your favourite creators, but this move was just. not it :/ not when they don't have a fraction of the backlog to justify such an insanely high subscription price when people can barely afford to live.

[vidavalor]

Hey Vida, I have some milk chocolate sea salt caramels to share. *Passes the canister*

Have you written about this moment yet? I'm guessing it has come up but I can't recall specifics.

The time loop hypothesis that includes the idea that Crowley figures out what is happening and starts actively trying to influence things helps me understand why Crowley would say this - that he would despair after having been unsuccessful in every attempt he'd made to change the final outcome, to save Aziraphale's life. I know Crowley has some timey-wimey stuff going on generally, like his knowing the future and making all sorts of references to things that don't exist yet... I am very curious to know what you think Crowley's deal is and what is happening for him here.

...

Also, do you think Aziraphale knows from the beginning of S2 that he has fallen? I mean, the other angels refer to Aziraphale as a former angel and principality right to his face, don't they? I remember wondering about this the first time I watched the second series. I kept waiting for the show to clarify just what exactly Aziraphale's status was...

Well, this is a more oddly worded question than I remembered. One cannot simply be "a bit of" a fallen angel wtf game are you guys (gn) playing at? Leave that perfectly frosted cinnamon roll alone!

...

Also, I am still full of so much anticipation wondering what I asked you last time! I am positive it had to do with innuendo lol

Hello to you, my fave @iammyownproblematicfave! 💕I am SO sorry about the other Ask-- I determined you asked about the innuendo in the "very nice" scene & I'm going to whip you up a batch of etymology around the insanely complicated history of the word "nice." It got lost in my Drafts folder for a little while there and I overlooked it-- will remedy that shortly! Here's thoughts on these questions and thanks for asking.

On Crowley, time & "too late" and Aziraphale, fallen angels & heavenly rank under the cut.

First, time loop idea and Crowley's "too late" comments... So, anything is possible, right? That said, I don't think it's a time loop because I think there are scenes that explain why Crowley says "too late" at the end of that episode. I wrote about how it ties to unicorns & Wee Morag a bit in another post and I'll link it at the bottom of this one.

Basically, Crowley's anxious in that scene where he threatens Gabriel and then says that "it's always too late." Crowley's memory is iffy-- he admits as much to Gabriel later in S2-- and even if he was lying to Saraqael and/or Furfur about not remembering them, we know he struggles to recall all of his memories from when he was an angel. One memory that he felt confident about was the one he told Beez earlier in the season-- that The Book of Life is bunk that he and Beez made up to tease some of the more innocent angels. It is likely that this memory of Crowley's is correct. I say that because Beez seemed to think it possible when they heard it-- but then Beez felt like a fool at the thought that they'd been threatened by Heaven with something that didn't exist and that they themselves and Crowley made up. They doubled-down and insisted to Crowley that The Book of Life was real.

Crowley suddenly thought that Beez might be right because, hey, they'd run Hell for so long, they'd know more than he would, right? He starts to doubt his own recollection and he rushes back to the bookshop to help protect Gabriel as a way of protecting Aziraphale because he now is terrified that Aziraphale could be erased from existence if he is caught helping Gabriel. He doesn't want to tell Aziraphale that Beez reached out to him because he knows Aziraphale is sensitive about the fact that none of the angels have talked to Aziraphale in years and that their only source of intel is a demon with a thing for Crowley (Shax) so Crowley doesn't ever tell Aziraphale how scared he is about The Book of Life. Meanwhile, even though Gabriel is basically on their side now, Crowley can't exactly ask him if it's real or not because dude only knows Buddy Holly songs for basically the whole season lol.

So, in addition to worrying that Aziraphale is spiraling (because he is) and that helping Gabriel could mean that Aziraphale is risking his mental health and a fall, Crowley is also now terrified that Aziraphale could be made to have never existed. It's on his mind so much that he growls at Gabriel in that episode-ending scene that Aziraphale could be "risking his existence" for Gabriel and then muses about how it might be "too late-- it's always too late..." I don't think this is a time loop indication. I think it's a reference to other times Crowley has said "too late" in the past, like the unicorns and when Wee Morag died. It's about how it might be too late for him and Aziraphale and they might be running out of time and be on a collision course with death while not knowing it-- like how Elspeth never saw the fact that it was her last night with Wee Morag coming. It's Crowley's anxiety talking. Crowley thinks it's too late to turn back now because they're already helping Gabriel and Shax is sniffing around and they might be nearly out of time.

Crowley does have some time-related stuff happening in his story and the ability to control it but it seems to me more likely that Crowley's ability to remember that he has control of it has been taken from him in the present in S2 than it is that he's in a time loop. In the disaster kiss scene with Aziraphale, Aziraphale is really obviously signaling to Crowley a request that he freeze time. (It's obvious to us, I mean-- Aziraphale hid it from The Metatron by curving his hand.) He was trying to get Crowley to do what he did on the tarmac in S1 when he stopped everything and took them and Adam to a little time out cloud to help Adam figure out how to deal with Satan.

Crowley, though, just kind of stares at Aziraphale, even though this is literally one of the most recognizable hand signals on the planet. He also didn't just do it himself at the start of the conversation. If I were the villains, I'd be damn sure that Crowley didn't remember that he could freeze time after S1 and Crowley was gone all night before this scene (which he also doesn't seem to totally realize, no matter how many people around him keep commenting on how it's now morning.) The story, to me, seems to be suggesting that the Crowley & time stuff in S2 is that he doesn't recall that he can control it.

re: Aziraphale and what his angelic status/rank is in S1-- the cherub/principality/"you've been a bit of a fallen angel" bit...

When Michael and the other angels corner Aziraphale in S1 and Michael says that they've been learning some "disturbing things" about Aziraphale and that he's "been a bit of a fallen angel", the disturbing things are, imo, the photos of Aziraphale and Crowley that Michael has dug up. (Hypocritical much on Michael's part? Their phone chats with Ligur? That Gabriel knows about and lets them get away with but Michael wants to go after Aziraphale for having a relationship with Crowley? Yeah. Gross.) Michael and Uriel are threatening Aziraphale with a fall in the scene when they corner him. Uriel says "and don't think your boyfriend in the dark sunglasses will get you special treatment in Hell." They're using their power to threaten to cast him out as a way of trying to intimidate Aziraphale, which is another way of showing how political falling is and how it's all kind of b.s..

A demon is a fallen angel, by definition. That's the definition of a demon. Heaven has socialized angels to believe that the demons are all evil-- that they're devout followers of Satan and horrible people and to associate with them is to sully yourself with their satanicness and all that lol. In reality, there are some evil demons-- Satan is evil, Ligur was pretty bad-- but there are also some evil as fuck angels... The Metatron at the top of that list. In reality, the demons are the angels who put notes in the metaphorical suggestion box. They stood up and spoke out and questioned things. They're the curious, free-thinking "troublemakers" whose questioning of authority threatened to crumble The Metatron's power so he reacted by ostracizing them. He made a sense of the demons being "other" and evil. He invented Hell and banished them all to it-- lumping curious rebels like Crowley in with evil like Lucifer/Satan and using them as examples of what happens to those who dare to question. There really is no such thing as "a demon"-- there are just angels who have been told they're no good and that they've been cast out and are part of the collective owned by and working for Satan.

In S2, we get another bit of info about a fall when Gabriel falls. The Metatron can't send Gabriel to Hell like he would other angels because he did that once with Lucifer/Satan-- the last one to have Gabriel's job before Gabriel-- and once is "a good story" (meaning, once is a cautionary tale that keeps angels in line) but twice would suggest "an institutional problem"... twice would cause a rebellion. Twice would show that the problem is really Heaven. But, The Metatron has to do something with Gabriel, so he's going to erase Gabriel's memories (he tries to before Gabriel enacts Operation Fly and saves his memories thanks to Beez) and cast him down to a new rank of angel that they've just added to the bottom of the pile-- just for Gabriel lol. It's all political, which is how Crowley and Beez fell back in the day as well. They were caught up with Lucifer and held up as examples of evil when it seems that they really were just looking for others who were questioning things, too.

Does Aziraphale realize he's falling in S2? I think there's some language in the kiss disaster scene that indicates he suspects he might be and that he doesn't fully trust in what The Metatron is offering him-- or that that's really The Metatron. I don't think he realized he was falling until that point. It's a question, though, of what a fall really is. There are many ways to fall. You can literally fall from a great height. You can fall in rank. Both of these things happen during a fall from Heaven, in Good Omens, from what we've been told, but there are other types of fall. You can also fall in love. You can fall into despair. These ones? Aziraphale knew about. He fell in love with Crowley a long time ago and despair is always something he's working at keeping at bay, sometimes more successfully than others. In the end, his fall from Heaven is tied to both of those other kinds of falls.

But is Aziraphale already something of a fallen angel, like you asked? What of the fact that he was a cherub at one point and is a principality? Which is higher rank? We are told in the book that people "make jokes" about the fact that Aziraphale has both of those ranks. The word 'joke' comes from the Latin jocus, which literally means 'wordplay' and I think maybe looking at the different kinds of rank in Heaven through that angle might be worth a look. (Me? Taking a wordplay angle? Who would've ever thought? lol)

Who outranks who can be shown to us by how the characters behave in the scenes but the ranks of angels are more about what the words mean than about exactly which level that rank is, I think. For instance, there is some evidence that a throne and a dominion are the same level of rank-- that an angel can be both at once... which makes more sense when you consider the power aspects of those words and that here's our throne/dominion leaving his chair to dominate his plants in S1:

People are complex and need more words than one title might allow.

Aziraphale can be a cherub and a principality because once you start to get into the meanings of all of these words, you can see that which ones are given to Crowley and Aziraphale are done because of how they support who the characters are-- and how they overlap. I have a meta that I've been playing with from time to time about the different meanings of principality/dominion/throne and how Crowley and Aziraphale are both really all of them. I'll try to finish that one up soon. If you look at wordplay around the word "rank" itself, though...

...a rank is a placement or a position in military order, yeah, but it's also a bad smell. Something that is rank is something that is foul and offensive. One of the themes of the show to me seems to be that, whether you're an angel or a demon or a human, you possess your own power and no one can take that away from you unless you let them. Empowerment and freedom is the realization of that. We're all equal beings. The characters who are the least interested with power systems-- the ones who have freed themselves from concern about it and live as independently as they are able-- are the ones who view others as autonomous beings and do not support oppression of others. They are the least rank because they are dismissive of the idea of rank itself.

So, while we're having fun with words here... those who are the least rank are also probably not rank in the scent sense of the word, too lol. This would be why we have a multiple scenes devoted to how everyone is in a faint over how great Crowley smells. He's the least rank of them all-- in every way possible. 😉

The other "too late"-related meta:

[theerurishipper]

Hi~ Hope you have a lovely day. I want to get your opinions on my rant lol and ask.

Marinette is such a disappointment of a lead female character in a western magical girl cartoon. She isn't a good leader and all her team consist of yes men and women and sidekick Chat Noir where her real partner Alya is standing over to the side. I liked her in the first two season and maybe some in s3 but the s4 and onward just got to me ngl. It's her world and we're all just living in it. Miraculous is so weird when it comes to team dynamics because I get she's guardian but I really wished it were someone else and not her because she chooses people she already get along great with. It fun for team dynamics to add be different and broader.

The whole she's just 14 the fandom spouts only goes so far how many messes do you do until you realise you need to own up to them even at that age when you should know better on your conduct ?

I get it hard to communicate but onwards I always thought the bigger of the two in the conflict was her because of her secrecy and her controlling tendencies. I disliked it so much in the ephemeral episode and her betraying her partner disgusted me. Sorry to those who like or defend her character this much but I can't stan or like a character that does this much crap to a friend let alone a love interest and then gloss over or minimize it and not be called out for it. Like, are people standards that low they think she's a good leader or a good proper representation on feminism when this show reeks of misogyny and misandry. She's the ultimatum voice for Astruc.

A communication issue with her Chat was fine a long time ago but now in s5 she crossed it hell nah how do people still support a ship with her knowing she followed Hawkmoth command for Adrien. I literally can't anymore with this show. Every guy she likes gotta be so 100 percent in effort and like in the Shadybug special him always comforting her makes me so jaded whenever she cries what about a change in dynamics had we ever seen her comfort him in turn how are people invested in this ship? Like that time in the bench and she just thought of ways to woo or give presents instead of just comforting him is so sad to watch.

She really followed in Master Fu steps. The bar is in hell and she crossed it in the finale. There is no excuse no handwaving it away and i know in my heart they gonna minimize it for Adrien own good. Everything is for his own good huh? What good is it rooting for a ship that just reeks of pity points. Like, she was never my favorite but who knew 8 years ago she'd pull a stunt like this and people bending over and doing mental gymnastics to rationalise this insanity. She really is a good foil to Gabriel ironically to bad she has no sway in this family drama we call the Agreste.

I know she has good intentions and it's not wrong for her to wish to save her prince but like thats all that is intention. Her actions are also important and the effects she's done is so bad that if she weren't the Main character and we haven't spent the chunk of the majority in her pov alone she'd be disliked.

I feel like compared to other respective series Winx Club s1-3 Bloom, Danny Phantom, Ben 10, Totally Spies they have it much more harder and so many more all show the consequences of your actions and how you do them right and they're her age. I feel like whenever someone bring up consequences it's like people in this particular fandom think we do it to punish Marinette but no I just never ever saw it properly done in this show because she's very coddled in the narrative. I don't see other MC as coddled as her before in a show where when they MESS UP it's actually integral and important.

Rant over.

You encapsulated all my thoughts perfectly, anon. I've said so many times before that I loved Marinette from Season 1-3 and even during Season 4 as it aired. What made me fall out of love with her character post Season 4 was the utter lack of acknowledgement of her actions and the insistence in portraying her as in the right at all times. Like you said, it's not just your intentions that matter. Your actions and the effects that they have on the people around you also matter. The writers don't seem to understand this, and it hits Marinette's character worst of all. She had so much potential to be such a great character, which is why I feel so sad seeing just how badly the writing failed her. Marinette deserved better.

Thank you for your ask!

[cannibalovers]

Hannibal song of the day : song no. 5

a bit about the song:

"Breezeblocks"(released in 2012) is song by alt-J, written by Thom Sonny Green, Gwilym Sainsbury, Gus Unger-Hamilton & Joe Newman(the whole group), most likely their most popular song. It starts off mellow and quiet guitar, interchanging between build ups and drops with synthesisers and a lot of deep bass, drums and other percussion instruments till the end of the song, which ends with an arrangement of overlapping vocals, like a choir. It fits genres like indie rock, indie pop, art rock and folktronica. The song itself tells a story of two lovers, where one of them wants to leave the relationship, feeling unsafe and unfulfilled but the other is obsessive and deranged and so in love that they don't let the other leave, the desire and love being so strong that they dare to hurt their lover and themselves just to make them stay. There can be another meaning to the song when taking the music video into the account(that the group themselves said is kind of different but managed to fit the vibe), which is filmed in reverse, presenting a narrative where a man kills a woman(maybe an ex or smth) who was most likely keeping his wife hostage. Since the chain of events is presented in reverse, it looks as if the man is the abusive lover trying to kill his wife, although by the end we find out he was actually defending his wife and killed the woman that kidnapped his wife, sending a message to not judge a book by its cover - don't assume and judge until you know the full story. It also references a book "Where the Wild Things Are" by Maurice Sendak, talking about a young boy who misbehaved badly at home and got scolded for it. His hostile and intense emotions sent him to an imaginary jungle with creatures called "The Wild Things". In this world, he feels appreciated and powerful as the wild things make him a king, but as soon as he realises the responsibilities a king has are hard, he wants to leave and go back home, to his loving mother who took care of him and coudl depend on, but the creatures don't want him to leave, threatening cannibalism (woah i wonder why I am writing this), saying "Oh, please don’t go! We’ll eat you whole! We love you so!". The band thought of it as a very powerful image and referenced these words in the song. In the end, the boy does manage to get away, unlike the lover of this song.

yeah sorry for the long intro to the song um. i've loved this song for years I swear I could listen to it forever so.

overall the song creates such a chilling mix between aggression and affection it's just so fucking insane and well. very hannigram. I think that was expected. Tbh i feel like it's prob known to fannibals, i made a post once asking ppl for song recommendations for hannibal and this song has shown up a few times and honestly? it fits them SO. WELL. especially when you think about the whole mizumono episode. The music video reminded me of mizumono a lot... so I'll be basing this on that episode a lot...

Pardon me for the pain i'm gonna provide today<3

------------------------------

Verse 1

"She may contain the urge to run away But hold her down with soggy clothes and breezeblocks"

The girl doesn't want to be in the relationship with the man anymore, maybe recognizing that he is not in a good state of mind or she just believes they're not fit for each other anymore, whichever it is, she is contemplating getting out of the relationship, which she feels trapped in, or the man feels like he's scaring her away, hence her "running away"; He doesn't like this, being way too attached for her, he can't just let her run away after the comfort she brought him and the strong emotions he developed towards her, so he decided to weigh her down (literally) by drowning her with breezeblocks. Metaphorically, Breezeblocks are blocks used for building houses and are supposed to represent foundation here, so perhaps he has been making her stay by guilt tripping her about everything that they have built together and the fact that she can't just "leave behind" the trust, support, stability and safety that they have gained from each other - the foundation of their relationship. After she wasn't giving her idea of leaving up, he decided to actually weight her down with their foundation in forms of breezeblocks. In my eyes, the soggy clothes could also have a little bit of meaning, soggy clothes being quite uncomfortable and probably clinging to her(just like he does) - perhaps they're soggy from the times he was guilt tripping her, perhaps tears were shed and her clothes getting soggy just represent the manipulation and fakeness of them, or the severity of the situation and how long it has been going on and how this has affected her (made her feel heavy at heart and uncomfortable)

I think these lyrics summarise THE monologue in Mizumono and hannigram's plans quite perfectly. Will wanting to run away (from hannibal unfortunately...) and as Hannibal realised his plan of betrayal, reacted very aggressively by literally gutting him (sogging his clothes with blood ig) and breaking down the foundation they have built, more or so with words, but also the knife he uses. At this point I have no idea if its a linoleum knife (knife used for building, houses, rugs and FOUNDATIONS OF A BUILDING.) or a kerambit or smth else but I'll stick to the linoleum here(also check out this post about his choice for the knife, it drives me fucking insane) and say that this is how Hannibal tears down the foundation they have built together. Not only does he gut him, he talks to Will about how betrayed he feels that he was planning to leave him, after letting Will see him, after building this foundation of trust and support for each other. Hannibal was there, understanding Will and offering support and stability and he saw that Will could provide it for him back, which he chose to do only to get closer to him to betray him and take away his happiness (Will...) and stable, carefully crafted life he had. Will was something very important to Hannibal, a person that changed him and made him feel love for once, and then he lied about accepting him. He can't handle losing Will so he would make him stay and tear him down, hurt him, if that's what it would take.

"Cetirizine, your fever’s gripped me again Never kisses, all you ever send are fullstops (La la la la)"

Citrizine is a medicine used for fevers, suggesting the man is so obsessed with her that she makes him ill and stressed (overheated and overwhelmed and overthinking, hence the fever) and he needs medicine. She is constantly rejecting him, rejecting his affections and never giving any to him but instead stopping him, although it can also allude to texts, her not ending them with "xx" (kisses) but with full stops, being quite cold and distant with him.

well first, for the show it can allude to how Hannibal literally gave Will a fever and the amount of aspirin Will took cuz of that if we take this literally, but that mean the roles would have to switch so, instead in my eyes I think of how bothered and overwhelmed Will probably made Hannibal feel the more interested and obsessive he got over Will. I can't imagine how many times this man probably thought of him everyday and overthought stuff (jesus seriously hes obsessed) and how ill and diseased (although alive) Hannibal probably felt (maybe diseased and ill after he knew Will's plan...); the affections the girl is rejecting from her lover could represent how distant Will was with Hannibal at first.

"Do you know where the wild things go? They go along to take your honey (La la la la)"

This is a reference from the book "Where the Wild Things Are". The band suggested that the lyrics are about jealousy, the protagonist being jealous of other people who are catching his lovers attention instead of him, maybe this is a conversation between them about this concern, telling his lover that those people are bad and will use her and leave her(take away her honey); Maybe he's trying to convince her that he would never do that - although he technically is, eating away at whatever support and love(the honey) she has to offer for him.

I feel like this presents why Hannibal decided to isolate Will in the first place, taking away everything from him (or at least how he wants Will to see it, as we know that he was just trying to make his plan come true and return some of the things Will cared about so much). He saw everything that Will had interest in (Alana, Abigail, although he kept her for Will, Margot's child etc) as a threat to his plan of having Will all to himself and so he took them away - because he believed that they were both bad for Will but also because they were not in Hannibal's best interest. Also doesn't he like kill Will's wife in season 3 idk yet dont tell me

"Break down, now weep, build up breakfast Now let’s eat, my love, my love, love, love (La la la la)"

This probably references the many fights the couple had and protagonist's method of trying to make it up to her by trying to get back into a loving, normal routine, forgetting the fights, doing things such as letting her sleep it off and making a breakfast, starting the day over - The breakfast being his love for her. This is most likely to say that acts of service for her would be his love language and he would feel loved if she accepted his services, as well as offerings(his love) he makes for her.

for Hannibal:

do i like. have to explain this one

first of all lets be real cooking and making ppl commit accidental cannibalism is his love language (even better when they are aware of it and accept it knowingly so u dont have to make them commit accidental cannibalism to feel like u're normal for enjoying it and ure not a monster and God didn't punish u by making u eat ur own sister and enjoy it and that they accept and understand u for this and are def not doing it as a manipulation tactic to get u closer to them... that's not smth Will would do to Hannibal wdym)

------------------------------

Chorus

"Muscle to muscle and toe to toe The fear has gripped me, but here I go My heart sinks as I jump up Your hand grips hand as my eyes shut And I, ah-ah-ah-ah"

The chorus seems to depict the the physical fight going between the two lovers. The protagonist doesn't seem to be in his right mind as he says that even though the fear tried to stop him, he has lost control and is now hurting his loved one (or himself) - His fear of rejection making him not handle this situation well and taking the last leap of faith to "save" the relationship by physically forcing her into it. The harm can either be to himself or her, maybe threatenening suicide and her gripping his hand to stop him, or him hitting her and her trying to deflect his hand with her own.

For Hannibal, it's literally,,gutting Will. Or any physical fight or holding each other at gun point or any murder attempt they had. In mizumono, Hannibal is visibly heartbroken by Will's decisions, maybe regretting the choices hes about to take. Maybe for once he felt some fear hurting another person, the person being Will, but he pushes through it, knowing it had to be done, to show Will how he made him feel. The physical contact in this chorus could represent the hug that they shared (the most heartbreaking hug in tv history). His feelings seem to contrast with the violence in that scene so much it makes me so fucking depressed

------------------------------

Verse 2

"[...}She bruises, coughs, she splutters pistol shots Hold her down with soggy clothes and breezeblocks"

The words have a violent imagery to them, maybe to show the lover fighting back and still not agreeing to stay, maybe even trying to hurt him, her words feeling like pistol shots to him, or it could represent her drowning, trying to catch a breath. If that's what is happening, then he tries to remind himself of his point and to not help her, because she will run away - it's better to hold her down and make her stay.

Will's most common weapons is a gun or his hands and words, so i guess it fits his image quite well(not to mention the amounts of time he held Hannibal at gun point lol). These clearly never seemed to have affected Hannibal (until the last supper) and he continues through with his plan of taking everything away from Will, showing what he has lost by not staying by Hannibal's side.

"She’s morphine, queen of my vaccine My love, my love, love, love (La la la la)"

The protagonist compares her to morphine, a drug used to help with pain - clearly he is very dependent on her and uses her for emotional stability and support, losing that would make him insecure and breakdown, he can't lose her after the vulnerability he shared with her. This also fits with the expression "Love is a drug", which to him, her love is clearly like a drug, he has become obsessed, needing her love all the time, addicted to her, suggesting the intensity of emotions she makes him feel and just how obsessed he is - that's why he can't let her go.

The contrast between the dark, violent and destructive comparisons he makes of her, ignoring those destructive feelings and calling her his "love" really deepens the juxtaposition between aggression and affection the song potrays and shows just how blind the protagonist is.

I feel like this fits Hannibal's feelings about Will quite well, considering how obsessed he is with him, to the point of destruction and isolating him to have him all to himself (and also the fact that my man was CRYING after putting Will in prison, missing their therapy sessions. LIKE BITCH). He really puts Will high up on a pedestal, suggesting just how important and addictive Will is to him and how dependent he has become on Will after opening up to him, maybe even feeling like Will numbs his pain and loneliness of never being accepted for who he actually was.

------------------------------

Verse 3

"[...]Germolene, disinfect the scene, my love, my love, love, love But please don't go, I love you so, my lovely"

This is the aftermath of the protagonist killing his lover. He realises that he killed her, getting an anticeptic(clearly unprepared for this and panicking, using some at-home antiseptic instead of something proper) to disinfect the scene off of his DNA. The realisation quickly hits him of what he has done, making him spiral into a breakdown as he realises that his actions didn't make her stay, they made her dead forever.

Hannibal clearly doesn't disinfect the scene in mizumono, he doesn't even wear his plastic suit or use the cloth that he always uses to not leave finger prints, there was no point in hiding anything anymore, Will helped FBI see through him, although we do see him "cleansing" himself off of the events by walking in the rain and trying to "comfort" Will, telling him to "wade into the quiet of the stream". I don't think these specific lyric apply to the situation much disinfection-wise, although it can represent Hannibal's state of mind, especially after realising everything he has done and the regret that came with it(does he feel guilty tho? i have no idea but the begging and love confessions in this line def represent his obsession and love for Will which left him very heartbroken after everything that was done)

also could represent Will........ him wanting to turn back, if he could only reverse time, undo the events so Abigail lives and everyone else lives..............ouch

------------------------------

Refrain

"Please don't go, please don't go I love you so, I love you so Please don't go, please don't go I love you so, I love you so Please break my heart (Hey!) Please don't go, please don't go I love you so, I love you so Please don't go, please don't go I love you so, I love you so Please break my heart[...]"

the most beautiful part of the song in my opinion tbh. The layers, the build up, the overlapping vocals, it's all just so overwhelming and emotional and vulnerable.

the protagonist spirals, realising what he has done but not wanting it to be true, he's not ready yet to let go of his lover, slowly, he's losing self control and giving into his violent desires, he threatens cannibalism if she goes away(she can't really do anything my dude...) as he frantically confessse to her that he loves her. He just loves her so much and needs her so much, the desire is so strong that he will consume her if it means that she stays right beside him(or inside him), craving that impossible closeness, it's a way to forever remain with a loved one. This whole refrain is just so incredibly contradicting and depressing and desparate its insane

now, it's no secret that Hannibal doesn't want to let Will go and even consume him. He wants him to live but at the same time he wants to taste him, devour him. To love is to consume, but to consume is to devour and transform in reusable energy. He wants him as close as possible and for Will to accept his desires and give himself up, let him be his - but clearly that's not what Will wanted (yet).

...This one is so straightfoward especially considering Hannibal that I don't even know what to say really. The song itself just says it all perfectly.

in conclusion they are fucking insane for this and breezeblocks is the ultimate hannigram (specifically mizumono) song. 11/10

------------------------------

additional notes:

was so excited for this one but i actually wrote less than i thought wow but maybe thats also cuz most of the song repeats. or im tired

idk if its cuz i literally dont know how to explain cannibalism as a metaphor of love or why but. at the same time the song just describes pretty well on its own

------------------------------

my playlist

hope you enjoyed and thanks for reading<3

[m00nsbaby]

Pedro Pascal STOLE my GIRLFRIEND!

Marc Spector x F!Reader.

This is literally just a post from reddit that I saw and made me think of jealous Marc lol.

SPKTR:

It all started when we watched "Kingsman: The golden circle." I was interested for the plot and Colin Firth but she found Whiskey to be so much better than Harry Hart. Yes, the traitor cowboy was hotter to her than the badass Kingsman Agent Harry Hart. She said girls always found villains hotter than heroes, I was making a huge fuss over it. Okay, true but it's Colin Firth for God's sake! Days later, I catch her watching "Kingsman: The golden circle." again and says she really wasn't paying attention to the plot and wanted to understand it better. The "plot" to her was Pedro Pascal and his "seductive voice." I didn't get the big appeal when Firth was right there, but whatever, you do you. We usually watch movies when she comes over and she insists on picking the movie one day, I say "Fine, as long as is not Kingsman" thinking her obsession was only caused because of that movie. She puts on this action movie called "Triple frontier." Cool, I love action movies and then PEDRO PASCAL SHOWS UP. I'm sensing a pattern but I quietly observe her reactions when he's on screen. She's giggling, blushing, kicking her feet, the whole shebang whenever he appears and she absolutely loses it during that scene when he speaks spanish and she repeats over and over "I would have folded" NO SHAME. Like, hello? Your boyfriend is right HERE! It takes me a minute to notice she's REPEATING the scene and squealing like a school girl. Her whole face is red by this point and she's just rolling on the bed giggling excitedly, it doesn't end there, though. She starts watching Narcos JUST for Pedro Pascal. It's one thing to watch a movie for an actor but a 3 season show is downright INSANE. She soon forgets I exist and replaces the photo widgets she had of me with Pedro Pascal. That's when she crossed a line. Simping over Pascal I understand but he DOESN'T get to REPLACE ME on her phone like that. Then The Last of Us comes out and never hear the end of it. My girlfriend is a books/movies person and she's never had any interest in videogames but now that "her man", as she's been referring to him for the past week is starring in this NINE EPISODE series about a fungus pandemic, she just HAS to see it. She says it's a good way to catch up on the videogame but we all know the real reason. But fine, we see it and she's so excited the entire time. Seriously, I've never seen him so happy before. So now I'm an idiot who's indulged his girlfriend's obsession with Pedro Pascal for too long and now I'm second to him. But it doesn't end there because WHY WOULD IT END THERE why did nobody warn me about the amount of thirst traps in this series?? Her jaw drop seeing him get aggresive, the words are on the tip of her tongue, I can practically hear her say how much she wants him, so I lean over and whisper in the pettiest tone I could muster "Just fuck him." She gets embarrased and starts giggling nervously while hitting my arm softly saying "Babe, no! What? No" but by her tone it was SO OBVIOUS she was saying "I would if I could." Anyway, we all know Colin Firth is better so count your days Pedro Pascal.

sorry for tagging you in this lol

Mk's tag list :)@ninebluehearts @icreatedthisat317am @onefinnedwonder-fm @shousha133

I couldn't find the original post but here's where I saw it lol <3! https://www.tiktok.com/@requestedreads/video/7279590034729291054?is_from_webapp=1&sender_device=pc&web_id=7179670435260827141

[starsoftheeye]

TMAGP 18 Reaction

Pre-Episode

The tags of this episode are worrying me

Based on the tags and the title I think this episode is gonna have something about Alice maybe investigating whatever she saw, or at least being reminded of it

Pre-Statement

Alice!!

Teddy!!

He didn't recognise her? What does that mean

Only faintly?

Creepy basement nightmare factory is a good name for it

ALICE THINKS CELIAS HOT??? PLEASE SAMALICELIA HAS TO BECOME A THING ATP

aw

Sam and Lena hi

pffft im loving lena more and more with each episode

no celia :(

oh no is jack okay??

"it"??? alice and lena can bond over their inability to talk normally about babies lmao

Statement

oooh augustus statement

i cant remember if willow tree close is a name we recognise but i cant find anything on it on the wiki

wdym "i hope she stays silent"??? what does that mean!!

oh thats what that means

shes just built different its fine

wait thats like the lady alice saw. is this a common occurrence?

omg she walked for so long her feet broke and she died of starvation

now im really starting to believe the "talking dead victims are from the fear domains in tma" theory bc how else can you explain this

"can i have a cigarrette" guy from tma?

wait what was that noise. thats the first time theres been a proper noise separating the reader from sounding more human to their usual monotone voice isnt it?

Post-Statement

sam maybe... dont talk to the recently traumatised woman about the case that is extremely similar to her traumatising experience

alice you're deflecting with humour isn't working we know you're traumatised babe

alice youre way too nonchalant about this

sam honey i get you wanna know things but please stop

curiosity killed the cat

oooh is gwen gonna tell them?

omg she actually is

things are happening so fast im very worried

see i'm kinda hoping she doesnt mention mr bonzo because i think if my coworker told me that the weird tv mascot who liked to prank ppl in the 90s was removing limbs then i would think they were insane

oh god she is gwen honey thats the least plausible example you could ever give. like yeah lady mowbray is a human but shes been involved in a case and celia met her too shes a better example to give

oh god i hate the "someone doesnt get believed when telling others about something supernatural" trope but i hate the "someone gets laughed at when telling others about something supernatural" trope even more

samama "doesnt quite get when to quit" khalid everyone

oh gwen honey :(((

"so... that was weird" bro you just made your coworker cry maybe apologise????

i am not liking sam rn im sorry

alice gnot wanting to interact with gwen rn is killing me since shes the only one who could understand any of it but she refuses to get involved and its killing me. girlie you know its real

GEORGIE AND JACK OMG

CELIAAAA HI

oh does georgie not know about celias little sleepwalking/teleporting habit

nvm she might be about to

lmaoo georgie ilysm

[mamadarama]

I was going through some posts I missed and came across the “tatsumi is mature but still does 19 year old things” and I just wanna say I’ve never been able to put it into words when my friends ask but like. That’s exactly what I love about this game.

We’ve got scandals and drama and weird crypto currencies and convoluted backstories of implied murder or identity theft or military shit or relations to underground gang activity or so SO much more and yet the writers still succeed in reminding you that this is a game full of high schoolers.

Natume was one of the five oddballs and suffered through so much during the war where it affects him to this day, but he also refers to his tech savvy and love of the occult as magic and loves the junior he “adopted” to death. Despite Aira struggling against every odd to become a real idol he still buys merch and looks on the internet to look for content of the ones he likes. Rinne was destined to become the monarch of his homeland but ran away in an attempt to find happiness and acceptance and is an amazing strategist who uses it to take down corruption, but his sense of humor is entirely made up of sex jokes and romantic teasing like Aira being “hiiro’s little girlfriend”. The amount of characters that assign themselves the mom friend role just because. Trickstar. I don’t think I need to explain Trickstar-

Like this game has made me cry so many times and it has its ridiculous moments but it also has its genuine ones while also being the most teenage shit I’ve seen in my life and I feel like so few media can balance those and still have a decent story like that. Sorry for the long ass post I just have so many feelings about this kind of stuff 😭

YEAH this is exactly what i was talking about in a previous ask when i said i have nothing meaningful to add to the enstars cast that isnt a headcanon . its all very well thought out and the interpersonal relationships are nuanced enough to feel realistic but outlandish enough to be interesting .

worldbuilding and character design is one of my special interests and i say this any chance i can get: the most important part of building a character (and a story in general) is realizing the importance of comedic irony and comedy as a whole regardless of genre or tone. it makes characters feel more 3 dimensional and relatable because people arent stagnant and theres multiple facets to any individuals personality (this is also why some of the most popular animes of all time have filler episodes or funny bits that show the characters personalities, every event hits with 3x emotional impact the more you know about the characters as people but that's a different discussion) enstars does a really good job of this . like for example if wataru were to have had a realistic reaction to eichi starting the war it wouldnt be nearly as good of a story. the fact that eichis ridiculous ass backwards plan to get wataru to fall in love with him actually worked is a perfect example of comedy used to make a story more interesting. another thing similar to this is how sometimes its better to not detail something and let characters do things for a mundane reason or even no reason at all . for example subaru hating chiaki just because he annoys him, or shinobu being on the broadcasting team despite his character not being associated with technology otherwise and therefore having no real backstory on why he likes radio stuff. its all really well planned worldbuilding with an insane amount of subtle details , which is why enstars is one of my favorite stories to analyze . the only thing i could possibly want more out of it is hardcore tragedy but thats entirely a personal preference rather than a critique because im a slut for catharsis and i love sad endings , especially ones where characters die . (don't worry im in therapy)

[aftonfamilyvalues]

I have a sort of conspiracy theory about liberal feminism that I need to get off my chest. The whole "pick me vs girls girl" culture is actively creating TiFs.

Women who don't fit into certain standards society holds have been shamed for it since the beginning of time, but now rejecting femininity is being seen as anti feminist. Girls who aren't even putting down other women are called nlogs and pick me's just because they're awkward and kind of tomboyish.

Look at Jlaw. She was shamed out of the public eye for acting like an actual human and not a walking caricature of womanhood (eating pizza and falling down on the red carpet). There's an audio going around being mocked on tiktok where a woman rightfully says "I don't like makeup. I think it's bad for women". I've seen nasty comments under Korean feminist insta posts where the women in question are smashing their makeup or wearing comfortable clothing and talking openly about it.

I genuinely think this is the reason why a lot of girls believe themselves not to be female. Since it's shameful and cringy to not be feminine as a woman in the year of our Lord 2024, it would logically be better to think of yourself as a man or some in between thing. Tomboys are basically an endangered species at this point and it's really really sad. Little girls aren't climbing trees or playing in the mud. They're playing with skincare and makeup. I truly feel like I'm living in a black mirror episode and it's scary.

Sorry for the long winded rant. I'm semi crypto on main and wanted to put this out there. I dunno why I sent this to the "I want to make a milkshake out of copia's cum" account but I don't really know anyone else who gets insane anons like you do. x

i think youre right though, there is definitely a backlash against feminism right now that comes in the form of hyper femininity and capitalism.

if you dont wear makeup, youre a childish loser who needs to learn how to put on eyeliner. if you dont shave, encourage other women to not shave, youre bombarded with women with "sensory issuee" and are just as bad as a patriarchal man. if you dont like pink, you have internalized misogyny. if you say anything about how high heels damage your feet, youre shaming women. if you talk about how womens clothes are made worse than mens, just go shop in the mens section! stop doing anything, stop going against the quo, let women do what they want! dont question anything!

and in more recent years, ive been seeing the evidence of this seeping into girls younger and younger. we now have little girls begging for drunk elephant and sephora items, to shop where the adult women shop. honestly i didnt even know what drunk elephant was until i saw a girls christmas list on here. theyre spending adult with a job money on products, whether it be from saved allowances and or from their parents. i just saw a video about a 9 year old girl getting bullied for having a tumbler from walmart and not one of the expensive trendy stanley cups. there was always an issue with bullying over not having name brand but i feel like its gotten so much worse. and thats not even talking about the "skincare" aspect of it.

theres so much to say about this but they really did rebrand capitalism as being woman positive though.

[consistencydotcom]

Nobody cares about the Muppets humans and that is fair, so today i'm gonna step in and share my top ten Muppets human characters ranking, from best to not B best bc i'm bored (also i didnt watch muppets take manthatam so if theres a memorable human there let me know)

1. Tim curry pirate is one of my favorite muppets villains, he's funny, he's entertaining and his song is silly

2. Mary

I don't even need to explain, she's Mary

5. Lady Hollyday

All she does is sit around and eat up, don't need to elaborate

4. Nadya

She's a girlboss idc

5. Dominic

I normally count him as a duo whit Constantine, but he's entertaining and i like how he reveals against him for a partion of the movie

6. Jean Pierre

Not much to say but same as deal as Dominic, a duo whit Sam the Eagle and really entertaining

7. Max and Moog

Placing them together because they are more of an honorable mention before i go down the characters i don't like or don't stand out that much to me.

They are both funny and silly and nice additions to their respectives show/movie

8. Nora

I'm gonna get a ton of hate for this one, but she's a character that develops under time (just like her sister and Moog) since is a show and i get that, but in the first 4 episodes she's gets too much moments where she's kinda egocentric, she lies about her job that causes Janice to gets sick, refuses to talk over her sister, blames stuffs on other people, etc (also not her characters fault but she gets so much screentime sometimes, even thought the show is called muppets mayhem).

Over time and in the last 3 episodes of she show she gets better and she's a tolerable character. Don't get me wrong, i don't hate her, just saying she's still a character in development and over all a nice character

9. Doc Hopper

He's an insane sales man that wanted to exterminate Kermit and his friends, pulled a gun at him, called a mercenary, got a whole armed gang, and a Russian stereotype scientists just because Kermit didnt want to dance on his commercial; trully a madman. Not much to say outside of that thought and the follow that car joke

10. Richman (can't add an image sorry)

Only memorable thing abt him to me is his song and how deadly pushed him out a building.

11. LADY HOLLYDAYS BROTHER

I HATE HIM, I'M GLAD HE GOT HIS ASS BEATED, AND SHOULD HAVE NOT MADE PIGGY APOLOGIZE

I could talk about more humans but this is an already long post and theres no more characters i even remember so that all for now! Goodbye and i hope someone gets my love for Mary from muppets 2011 (also i hate JJ, i'm not adding him)

[otomelavenderhaze]

I can't stop thinking about the cave dialogue in which Rayan talks about Chloé, his ex wife, therefore I went back to read whole scene back from University Life episode 8, because what Rayan describes in episode 17 of LL is too diferent from that UL episode and from everything I could remember about it.

It's not to say that I caught some sort of insane discrepancy and AHÁ!

It's more because I find it interesting and I thought maybe others would find it interesting as well. So first I wanna show you what Rayan says in episode 8 of UL (which I never translated before until this post):

In my playthrough of it, back in the day, I asked him directly if he have a wife, which he answers yes first and then the proceeds to talk about it...

"And she will forever be my wife. But the last time we saw each other was seven years ago. Already… seven years… My wife, Chloé, died seven years ago. In a terrorist attack. Some savages came in shooting. No fixed target. In shop windows, in people and even in children."

"There were many wounded, and fortunately few dead. But Chloé is one of those who didn't survive… All that happened seven long years ago. It took me time. At first I didn't want to move. I wanted to keep everything, the smallest memory."

Now why I am showing this 4 panells?

This is important to understand how she died, how sad Rayan showed us to be about her death and his attachment towards Chloé.

He even goes as far to say:

"We met in high school and we got married at 23, in a hurry. We didn't tell anyone. But I'm not going to lie to you and say that everything was all roses."

Candy asks him, how so?

"We often quarreled. We stayed together for a long time, we didn't get to know anyone but each other and, sometimes, we even doubted. But when she left… I was torn apart."

Now we will never know why they used to fight, what made them marry so young and so quickly to the point where he implies they didn't even had a wedding ceremony.

Which makes this difficult to understand what compelled both of them to take such actions - maybe they they were just impulsive, but without a reason behind such impulsivity it's hard to tell if it was warrant or not.

But then, the actual panel that made me do this post in the first place eventually comes up in that same conversation with Candy:

"I loved her with all my soul. Before anything else, she was my best friend. But, sorry… I opened up too much…"

And I believe he did, regardless of anything else, because it makes sense for Rayan's character to marry someone for love.

That's the kind of "person" he is, that's why when he falls for Candy, he's ready to assume so many risks and even later talks about leaving his job for her just so they could have a less tense relationship.

This sets up him to be someone that would intensily love another person and do everything for them - they being Chloé or Candy.

I could say this is actually the point of that whole conversation: to show that he isn't someone that takes love lightly or shallowly, which helps us readers to trust his intentions and to believe that, yes, for love he would indeed be honorable, truth and passionate, instead of a player or a man that just wants to have fun with one of his students.

Not mentioning that he presents himself as a tortured soul that lost a wife tragically and never fell in love ever since, but falls in love for you, the reader, because you're special and irreplaceable, is something very flattering and, even, I dare say, romantic.

Meow meow is sad and you're the only one who can fix that for him.

Personally, I don't like how mcl writes grief, I don't think they know how to dose it without losing their hand, so it comes off as shallow for me, but I guess it serves as another thing: Chloe was loved by Rayan, but Candy needs to be special. The player needs to feel special.

Which brings us to this part of the conversation:

"Every women had something of her own. I saw her everywhere. And yet, it's been seven years. Since then, I have been unable to get involved with another woman, in a new relationship. Even in a simple friendship."

"Until… I met you. I don't know… For the first time, I met someone who has none of her. For the first time, I felt entitled not to think about her."

I understand why in an otome game is important to get the romance right and make the player feel compelled to play the character's route, after all, who wouldn't want to feel special, even if it's only on a game - that's why we have so many MCs or main characters in videogames that are heroes, that cares of others or the place they belong to.

However, I will say, maybe they should've worded it differently, maybe it's not so much about feeling entitled to not think about her, but when I realized, I wasn't searching for her traits on you, I wasn't thinking about her anymore, I was ready to move on. But this is just how I would've done it, just so it would come from Rayan the agency of the "healing" - in another words, he had healed himself before he met Candy and falling in love with her was just another evidence of that.

Which brings us back to episode 17 of Love Life, our Honeymoon episode (and pay attention to the parts that I will mark in blue):

"Y'know, I honestly didn't think I would get over losing her. And then after you got in my classroom and into my life. So, yes, I should have a star up there shining for me. Because, with you, I understood the meaning of true love. And it wasn't the same of what I had with Chloé."

"Sometimes, I think, if the story/timeline was another, if I had met you first before I met her... She and I would've been simply friends, without anything else between us. If fate hadn't been so cruel with her, it would've ended like that anyway, actually. I think she would have been happy to see me so happy these days."

"Just like I would have been in seeing her meeting someone else just as important as you're for me. And when I think of her today, is in this way: as a friend that left too soon. And that, of course, I still get a little with my heart tight. She was someone wonderful/beautiful. There's still some of her in me. But, when I met you, I was like a ghost."

Only Rayan to friendzone the dead.

"Thanks to you and our love, she just became a beautiful star, just like my father..."

At first I thought he was saying that he never really loved Chloé and that Candy made him realize that (How? Don't ask me, he doesn't say how), but thinking about this post and re-reading everything made me rethink my first impression of it.

It's not so much that he didn't loved Chloé, but admittedly, and for reasons that Rayan didn't say, he thought love was something else and he thought he loved her because of that notion, and then his notion of love changed because he met Candy and now he thinks that love is truly what he feels for Candy.

I, as someone that played all of his route, can't really say or even figure out how he would've come up with that reasoning.

Was it because for the first time ever, he had put someone else on his top priority, or at least in a more important position than his reputation and career (which he deeply cares for)? But wasn't he a passionate person to begin with? So isn't it natural for him, once he was sure he fell in love for Candy, to put her as his top priority?

Was it Candy presence alone in his life, simply being there, what made him create that notion? How she taught him that?

I don't know, because the way they fell in love was pretty quick and pretty normal I would dare say - normal not in the sense of, he was her teacher, normal in the sense there was nothing remarkable about their dates, the way they sneak around or in their conversations.

I think if he had realize that falling in love with someone new meant that he had "healed" from his past trauma, that he only had feelings for her because he was ready to have feelings for someone again and the sense of normalcy and easiness he felt in being with her was all he ever wanted after going through so much sadness and heartbreak, then, it would make more sense and sound more realistic, maybe?

But again, they wanted to spin that Candy was special, she needed to be the one that changed him, that was like gravity to him and he could not resist the pull of her.

“... It's just that, with you, I never got under the impression of playing any kind of game. Because I had a lot to lose. Before I met you, I had accepted to never love again. I didn’t want to ever risk lose someone ever again... And, above all, you came to enroll in my course. I looked up and knew that my certainties were worthless...” (episode 14 LL)

That's why I talked about his career before.

They set up Rayan to be someone that loves his work, that cares about his reputation and his career, if not, as he only thing he had since he moved away from his family and was living alone.

Risk it all for Candy was to show that he wasn't playing, he wasn't just trying to get a kick out of it.

And knowing how he got after when Marina actually got him fired, how much of a mess it made him, this put things even more in context, it shows that truly, risk it all for her was no joke, even thou, they used to be pretty reckless about it (never gonna forget their first kiss, crazy, both of them).

Which brings me to one of my favorite parts of dialogue in Rayan's route, episode 15 LL, the marriage proposal dialogue:

"It’s funny... for a long time I thought that love was like a burning fire. And I even thought that, in my case, all that was left was ashes of it. Until I met you and I understood that I didn’t know anything. That I have got it wrong in my whole life. With you, I understood that love is like a stream/flow. A wave that breaks again and again without stopping. And that drags everything wherever it goes. You imposed yourself on me like an evidence. In the calm. I knew it right away. But I only understood it this well later on."

Think that love was like a burning fire: it lights up, it shines bright, it consumes itself, then it becomes ashes and there's nothing left of it.

Ouch, Rayan. 😢

Not to mention the destructive nature of fire, but I don't think Rayan or the person who wrote this scene thought it like that necessarily, I think it had more to do with how fragile and how it consume itself, which feels more how like I would expect from how Rayan described his relationship with Chloé before: intense, too quick to think everything through, the fighting, the feeling that it wouldn't last anyway.

Meanwhile Candy is like a strong wave or a strong stream, his love for her dragged everything with it: all his reasoning, his principles and scruples, the risk of losing his reputation, his career, AND breaking again and again, because it didn't matter if he had build any walls to keep her out in the begining, she somehow brought it all down.

Two kinds of love, one feeling less truth and lasting than the other.

While it would've better, in his head, to have remain just a friendship with Chloé, with Candy, there was no way for it to have ended just in friendship, it would always be more.

You can see the contrast between his feelings for Chloé and his feelings for Candy, how it was different and the key word should always be different.

It surprised me to see him talking about their wedding too, Rayan and Chloé married young and in a hurry (we will never know why), meanwhile, Rayan found Candy in a stage of his life when love wasn't even in the table and when it finally came back to the table, Rayan wanted everything, he wanted celebrate it having a proper wedding ceremony and all.

But those are little subtle things that they left out in the air, instead of saying it so clearly like they did so many times before.

Personally, I don't think would've make any sense for Rayan's character to haven't love Chloé, considering they built a life together before he even met Candy, the same way, I don't think we could've ever thought that Rayan loved Chloé more or even the same way he loved Candy.

Cuz, Chloé and Candy not only met him in different moments of his life BUT ALSO, they totally two different women, it would go without saying it.

But I guess, they wanted to make it even more screaming that it was the case, which I can understand why.

I mean, people thought that Rayan had really tried something with Marina, outside of his route: which for those people I always told it would be impossible.

It would go against what they presented to us about him during that first dialogue in episode 8 of UL and it would represent a contradiction in the writing itself. It would bend the rules that they set themselves to follow too grotesquely. Not to mention, MCL never gave other love interests to the Lis that stayed on the side lines.

Unless, of course, they had set things up that we would understand that Marina was such a special existence is moving like Candy - which, okay, I could've accepted it, but they didn't so. That's why I was so sure of it.

Y'know, have to read so much back in his route to make this post made saying goodbye to his route so hurtful but also so fulfilling, I always loved how they wrote him, despite having my criticisms, I am happy that I got to experience Rayan's route from the start to end.

If you haven't played his route like ever, I totally I encourage you to do it now that we got it all. xD