#sorry i'm just ranting

[lost-on-t-umblr]

do you ever. feel like crying because you can't find series or movies built around an actual, canon lesbian ship?

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And who is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[moonhze]

anadius has made it so so easy and safe for people to obtain ts4 and all of its packs without paying for them and i really wish more people knew about this bc the only way to get EA to pay attention to the terrible state of the game is to literally stop giving them money, 🏴‍☠️ the packs to keep playing the game u enjoy but know they only care about appeasing their shareholders/investors/whatever they are and they're all driven by money and have very little interest in the playable state of the game in terms of bugs and features unless the game is so broken that people are actively demanding refunds in mass or just not buying the packs at all.

[quantumshade]

can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[featheredadora]

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[profoundmakerdreamerss-blog]

It is funny to me how Harry Potter is literally the main character, yet people tend to go like he didn't suffer that much or he wasn't "abused"; Like, how can one misunderstand the literal main character of the damn franchise?

He wasn't abused; yes okay. He absolutely did not grow up inside a cupboard; the tiny place that is mostly reserved for brooms or cleaning supply. He absolutely was not treated inferior to the other child who lived in the same house. He was totally was not treated like a "freak" or a "stain" that his family was ashamed off. He grew up inside a cupboard while there was a literal unused bed in the same house. And you want to know what that screamed to a child, a baby — who slept inside a cupboard while there being a perfectly usable room right there? You are worth nothing and we don't love you and we are ashamed of what you are.

He wasn't starved, or at least he was fed; Yeah, no. We see it from the first book. How Vernon was no food for you and in the cupboard you go — and by the looks of it, that was like his most common punishment. And then, in the second book — you practically see it happen. He was locked, inside a room with only a can of soup that he shared with Hedwig. Now, tell me what it would do to a child — to be given food through a cat flap, and fun fact? Harry got to eat less than people on war rations; in short? He was starved, yes.

He wasn't abused physically so it's not abuse; As for people's thinks abuse isn't abuse until it's physical (which is inherently wrong because abuse isn't only physically, fyi); Harry has learned to dodge Vernon and he states that, very proudly when his uncle tries to grab him. He dodges a flying pan and states that fact, again very proudly as if it is the norm; do you know how heavy pans are? And do you know what would happen when one hits you? If you want an even clearer proof; Vernon Dursley strangles Harry in Ootp. There you go. Also, in the first book, we clearly see Vernon encouraging Dudley to hit Harry. Read between the lines and actually try to understand what that signifies.

And favourite part; When he wasn't treated like a prisoner, or a freak— he was their servant. And that is very much canonical. Tending Petunia's garden during summers and drinking from the water hose in the garden because of how hot it was? Having to wake up early so he can tend the kitchen and when he wasn't doing all that he is locked away. And it is all canon.

In conclusion, Harry— not only grew up to think that he was inhumane, undeserving of love, a freak that didn't even get to have his own bed because someone like him didn't deserve it, physically harmed enough times that he dodges them out of reflex and also the Dursleys' glorified servant; that is not even taking into account what Harry went through in Hogwarts. And after all that if someone tells me; this child, right here — didn't go through much then well, maybe read the books again?

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[frownyalfred]

"you're ruining this fandom by posting [headcanon/fic idea]!"

yeah okay. sure. I'm the big bad wolf leading away innocent fans into my den of fanon and OOCness. by posting my silly little fanfic, I am absolutely doing real, actual harm to people online. and I have a...responsibility to....not do that? like, what? do people actually read what they're typing on here?

[alevens]

zolu is maybe one of the easiest ships i've ever liked. they're dating, except when they're not, they're best friends even when they're kissing and they're still captain and first mate when they aren't. they hold hands, they hug. they have sex. they don't.

Luffy can hold Zoro's katanas and Zoro can hold Luffy's strawhat and no one bats an eye. one says "You're so cool!" and the other says "You're strong" and it's just another way to say "I see you, this is why I follow you/this is why I trust you". it's not seeing each other for a long time and still knowing how the other's steps sound like against wood and sand. the captain runs and the first mate follows. it's always "Zoro and the others" and "Where's Luffy?"

if they're just friends, if they're something more, if they don't have a label for it, at its core, it's just about how they get each other. they understand how the other's mind works. however you view them, it doesn't erase they fact that they love each other in a way they don't love other people.

[buggachat]

To be clear, I goddamn hated the finale on first watch. I was withering in my seat. My heart had dropped to my stomach. I had no fucking idea what I was watching in that final scene lmao

and then Adrien said "when Ladybug gave me the rings—" and I was like— wait. LADYBUG? LADYBUG STILL EXISTS?

I THOUGHT THE ENTIRE TIMELINE HAD BEEN REWRITTEN 😭😭😭😭 I THOUGHT LADYBUG AND CHATN OIR DIDNT UFCKING EXIST uNTIL ADRIEN SAID THAT I WAS SO SO SO SCARED

and then I realized, oh wait. This isn't a complete utopian timeline rewrite. This is just a timeskip of a few months and Mme Bustier is just a kickass mayor. In fact, she's only mayor BECAUSE it's still the same timeline. And then I realized, hey, wait, if they didn't rewrite the timeline, then how tf is Emilie casually there with no questions?

And then I realized she was wearing black. And Félix was there. And I remembered Amelie exists.

Basically, I went into the finale chanting to myself "it's okay, it's okay... they probably wont bring Emilie back... they probably won't rewrite the entire timeline permanently.... right? please....", even though I didn't actually expect it to happen, but just because I was terrified that it could. And apparently that fear actually got to me so much that I misinterpreted the episode as being everything I didn't want it to be... when... it actually wasn't that at all

anyway, all of this is to say, everything in the episode happens so fast that it confused and terrified me at first. And when I realized what had happened, my opinion went from "my year is ruined" to "oh. well. okay. kind of disappointing, I guess". And then I kept thinking about it, and the ending, and all that is set up and rewatching the scenes and all the loose ends still in place and.... i realized I loved it?

like, every time I think about this finale, I love it more. every time i rewatch a scene, I get a little obsessed. this episode went from my nightmare to actually really really cool to me, and I'm still kind of reeling from it

Basically, this is why I've been kind of passionately defending the finale— not because I think people who don't like it are """dumb""" or anything, I don't blame people at all for that, and I totally get the confusion. I was confused too. And I know I'm not the only one who went in preparing themselves for the worst, or went in with very specific expectation on what will happen, because this finale has been long awaited for so long. I think everyone was shocked with how it ended. I think most people probably startled at Amelie's face (it's so easy to forget she exists....)

Anyways, I started this post basically as an apology for if I seem too aggressive or defensive about the finale. Because I get it! I get hating it! I get being disappointed or frustrated or confused! Part of why I'm so defensive is because I have all the arguments so ready on the tip of my tongue because I had the very same argument with myself already 😭 So I'm sorry if any of my posts came off as too aggressive and in advance for any future posts that might. I promise promise promise I'm not trying to make anyone feel bad for having bad opinions on the finale! I just think this episode is really cool and the fact I related to a lot of the nay-sayers makes it easy to feel so impassioned about it.

But this post is getting off the rails and I'm just gonna let it, because some of my regrets w my participation in fandom is that I find myself chickening out of actually talking about my thoughts on episodes a lot. I get kind of overwhelmed and overthink everything after I've posted it and I'm a shy person. But my inbox is closed and this is the season 5 finale and I want to ramble and ramble so I will allow myself this

Basically, I went in with some very specific expectations for this episode. We all know about the Hawkmoth defeat story. Many of us have read it in fics over and over again, it was teased in Chat Blanc, we all know what we expect, we all know our favorite beats from it.

And what actually happened....... met virtually none of those beats. (For me, at least).

Like, Adrien wasn't there for the final episode. At all. He was completely absent from the confrontation. He never found out his father was Hawkmoth. He got his rings, but he never found out he was a sentimonster. He is living in the dark.

Ladybug confronted Monarch... alone. Which is sad, when so much of the series is dedicated to the partnership of her and Chat Noir. Them against the world....... and Monarch was "defeated" with nary a Chat Noir in sight.

The whole entire "Gabriel is known as a hero" thing. I don't think anybody was expecting that. Absolutely shocking.

The fact Marinette would lie to Adrien like that. The fact she's keeping so much from him. The fact everyone is. SO MANY people in Adrien's life (Marinette, Plagg, Nathalie, Felix, Amelie, Kagami, probably Alya, maybe more I'm not thinking of....) are just... lying to him, now. He is so in the dark. He knows nothing.

But.........

I kind of like that I didn't predict nearly any of this. I like that it caught me off guard. I love how this show just completely baffles me at every turn, how it will present concepts and ideas to me that I've never read a fic about.

In retrospect, Chat Noir being absent from the final battle... makes sense. It actually makes a lot of sense, if I think about it, because... there is only one possible way that could've gone, right? Chat Noir would not be allowed to have the emotional implosion that he would have to have. This is devastating. This is SO devastating. This is the entire shattering of Adrien's entire world we're talking about, and Chat Blanc is the only real way for that to end. Adrien has an emotional implosion in front of Monarch, he gets akumatized, it turns into an emotion explosion, extinction event. The end. We've already seen it.

And........ even if it didn't end that way, even if he managed to avoid akumatization...... how could the finale satisfyingly end on that note? How could it end in any semblance of a "wrapped up" way, at the very start of Adrien's emotional breakdown? It couldn't. I wouldn't WANT it to. In retrospect, Adrien finding out his dad is Monarch and then.... what? The season ends on a close-up of him crying? The season ends with a time-skip to the new school year where they skipped his entire grieving period!? I would HATE that, actually. I would hate that. I thought I wanted it, but I would hate it. I would hate it so so so much.

What's kind of amazing is that the finale ended with Monarch being defeated.... but Adrien still has those realizations to make. He still has those betrayals to come to terms with. There is time for him to make these realizations, for him to come to these conclusions, perhaps one at a time, perhaps in a more controlled environment.... and that gets me far, far more excited for the seasons to come than an episode that tried to wrap it all up in the last 5 minutes.

Also, the reason Adrien didn't go to the final battle was because he feared becoming Chat Blanc. He didn't know the truth to it, didn't understand that literally, yes, that's what would have happened if he was there, even if he hadn't been under a nightmare curse. But he still knew. He still expected it. He willingly chose to sit it out, no matter how much he hated it, because he knew. And there's something kind of powerful to that, I think, of Adrien making a choice that is so unequivocally the Correct choice, even more than he realized. And the strength it took for him to make that decision...... damn.

As for the lies and the Gabriel statue? I... it's upsetting, but it's supposed to be. And I believe it. I absolutely believe it. I 10000% believe Marinette would keep the secret of Monarch's identity to herself to try to save Adrien the pain. I 10000% believe that the population could easily be led to believe a famous billionaire is a hero. I 10000% believe that Adrien would WANT to believe it. I 10000% believe Tomoe would take advantage of it.

And I can't wait to see that illusion crumble.

Also.... this is the beginning of The Lila arc.

And the Lila arc begins on........ Marinette telling the biggest, boldest face lie she ever told. The Lila arc begins on the most extreme city-wide illusion we've ever seen. It begins on such a huge fabrication and....

..... it's Marinette's lie.

............ and Lila knows that it's a lie.

I'm

!!?!?!?!

This is so fucking cool???? The irony here??? the deceit???? All these loose ends, all the possible confrontations, all the ways this could GO. I don't know where the show is taking this, obviously, because nobody ever can predict where this show is going apparently (and I love it for that), but oh my god. I'm imagining all the fics I could read about this. all the fics I could write. all the thoughts and scenarios that this finale has provided me with to daydream about as I go to sleep.

Adrien, going through the motions of life. Looking up to his father as a hero, despite the fact the last time he saw him, Adrien was sobbing, in tears, and cursing his name. Adrien, after all the abuse he was subject to, having to look up at a statue of his father and...... be forced to think that maybe he was wrong about his father. But he's not wrong. He WASN'T wrong. He just THINKS that he is. His father is going to continue to loom over his life in ways I never expected post-hawkmoth. Adrien's relationship with Gabriel has not ended, a new and terrifying and horrible new chapter of it has simply begun, and Adrien is still as manipulated by his father's ghost as he was by his father himself.

THAT'S. WILD!!!

also, Adrien now believes that MONARCH MURDERED HIS FATHER. Chat Noir now believes that his greatest nemesis KILLED HIS FATHER. CHAT NOIR, resident self-sacrificer, believes that HIS FATHER was a HERO who DIED FIGHTING MONARCH. Adrien thinks that maybe he should be more like his father— more like his father who died in battle. This is. Not Good. For Adrien.

And it's Marinette that started this. Well intentioned Marinette, who doesn't really understand the extent of the horrors. Marinette, Adrien's girlfriend, the person he trusts most. She did this.

And, I mean.... god. I totally get how this sucks for a lot of people, because it's objectively upsetting.... but I LOVE lovesquare tension. Season 4 is probably my favorite season for that reason alone (still mulling over if season 5 beat it for me). I love the relationship drama, I love that it's in character drama, I love how it fits everything we know about them sososo well, I love that it's horrible and it's terrible and it's awful and it's all because Marinette loved Adrien too much to want to hurt him.

I was worried no reveal would mean that season 6 would just be... what? adrienette fluff? not that I don't love that, but where's the drama? well. there it is. that's the drama.

I need to stop typing this. I know this is abysmally long and ranty and if you read all of this then I'm sorry. But I wanted to get some of my thoughts out.

But basically, I was expecting a lot of things for the finale.

In my best case scenario, it would somehow, miraculously tie up and address all the loose ends with Adrien's angst and character arc in two episodes.... and then end with me totally satisfied, ready to only half-heartedly watch season 6 like it was just a small dessert after the main course.

And I already described my worst case scenario (my first impression of the episode lmao)

But it wasn't that. I was expecting a series finale, but I got a season finale. And I love season finales. I love how they keep me wanting more. I love how excited I am for season 6, because in both my best and worst case scenarios, I honestly didn't expect to be. I love all the new ideas and thoughts and scenarios swirling around in my brain. And even if season 6 doesn't address some of the things I want addressed, I'm so excited to see the creative content in this fandom that DOES

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[tippenfunkaport]

That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.

Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."

The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.

And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?