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#sorry if i made some mistakes with the references ive played through it once a month ago but its such a good game i think about it a lot
sheepalmighty · 2 years
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I've been thinking about the context of the music in Disco Elysium and how a portion of it seems kind of diegetic. Like, you have the Whirling-in-Rags music playing diegetically and if you go to the harbour parts of it still linger among the industrial ambience. One way I see it is that part of the music is sticking around in Harry's mind like the catchy tune it is, making it another application of diegetic music in the game (music's important to Harry it wouldn't be a stretch to say).
So, like, specifically I was thinking about the track Live With Me, and how it plays when you have to inform Billie of the news (and another time I think) and how the piano only seems to have been made to evoke a dour atmosphere. But then, like the rest of the threads in the narrative and gameplay which culminate at or near the end, Harry puts on SadFM, obviously a station he's as familiar with as Kim is to SpeedFM, on the boat ride and that same piano kicks in near the end of the song with some hopeful yet bittersweet lyrics. And it makes the usage of Live With Me have more meaning within the narrative and helps add another facet to Harry.
I can imagine he has that song in his head during those emotionally tough times. It's a poignant part of the song that can't help but be evoked as it seems so familiar to him. The track now has this extra layer of hoping/wishing for better, especially when you could consider it an active choice on Harry's part to "play" in this moment. It possibly also links to that A New World artwork referenced earlier in the game and which seems important to Harry (I'm a little fuzzy on the details).
Overall, it seems like another intentional choice to portray a softer aspect of Harry, and just goes to show the care and attention the devs and artists put into the placement and meaning of the music throughout the game.
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ssa-thotchnerr · 4 years
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Nerve Gas - Chapter One
Word Count: 1500 words
Warnings: Violence, swearing, angry!hotch, angst, saw references
A/N: lmao this was legit only supposed to be a one shot but welcome to the SAW series!
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"Y/N, I know that you're mad at me, but just...answer your phone? I won't be mad at you, I just wanna know that you're alright,"
Hotch sighed as he threw his phone down on the desk in front of him. You'd stormed out after an argument about your midterm grades that the school had sent your dad, he wasn't too happy with your grades, to which you blamed it on stress from both him and school before you left. And now?
It seemed like you were off the grid completely.
"Still nothing?" Prentiss asked, standing at the doorway of Hotch's office. He looked up at her and saw the look on her face, she looked sorry.
"Zip," He said, looking back at his phone as if he could manifest you picking up your phone and calling him back. "Judging but that look on your face I have a feeling that there's something you wanna tell me?" Emily nodded.
"Yeah, Garcia located Ben Rogers, he's at the old Wilson Steel factory," She told him. Hotch nodded as he he stood up, taking his phone with him just in case you did call.
"And she's positive she's got him this time?" Hotch asked Emily.
"Positive"
You let out a groan as you woke up, a sickly yellow light barely illuminated the room you were in. As you looked around, you saw 4 other people in the room with you, none of them you knew.
It felt as though you couldn’t remember what you knew.
You pushed yourself up the wall and onto your feet, trying to stay as quiet as possible to not alert the intimidating looking people around you.
"What's this, house arrest?" One of the women asked, another one was pacing around in the corner opposite your own.
"No, this is far worse than any jail you could even think of," Someone said. Looking up, you saw a man standing at the door, trying to open it. "Shit, it's locked." He said, making another futile attempt to rattle the door open, the noise making you screw your face up
"Look, people must be watching us," The other woman said, pointing up at the camera in the corner, the red glow of its lens catching your attention. "Hey! Let us out!" She yelled. You looked over at her and shook your head, hiding your face in your hands as you tried to take in what was actually going on, since you weren’t quite sure that it had hit you yet.
"Do you really think that they're gonna help us? The person on the other side of the camera's probably the person that got us here on the first place," You said, stepping back as everyone in the room looked at you weirdly.
"Oh yeah? How'd you know that?" The last man asked. You looked around at everyone else, they looked at you with suspicion in their eyes, like you were part of some masterplan.
Oh yeah, because you, a small 15 year old of average intelligence could be able to think of something as elaborate as this. And anyway, why would you put yourself through this?
"I don't know, it was just an idea," You mumbled, a scowl on your face as you looked around. In the wooden crate beside you, you caught a glimpse of a tape player inside of it, you reached in to grab it, glimpsing at the key hanging on to the bottom of the ancient device. "And whoever put us in here needs a reality check into the 21st century." You said, pulling it out and pressing the play button. The small tape inside begun to spin, a voice coming from it as it played.
"Hello and welcome. I am confident that you are all wondering where you are. I can tell you that, while your location is not of great importance, what these walls offer for you is important: salvation... if you earn it. Three hours from now, the door to this house will open. Unfortunately, you only have two hours to live. Right now, you are breathing in a deadly nerve agent. You've been breathing it since you arrived here.
You looked up at the ceiling grate above you and stepped away from it to try and avoid the glass that would inevitably be entering your lungs anyway.
"The only way to overcome it and walk out that door is to find an antidote. Several are hidden around this house. One is inside the safe in front of you. You all possess the combination to the safe. Think hard. The numbers are in the back of your mind. Once you realize what you all have in common, you will be in a better understanding of why you're here. X marks the spot for that crucial clue. Let the game begin."
One of the men aggressively stepped towards you, you took a step back, only to come into contact with the wall behind you. You yelped as he pushed you against the wall roughly, your head bouncing as it smacked against the concrete behind you.
"How'd you know how to find that?" He growled, his hands having a bruising grip on your shoulders, making you wince as you tried to get away from him.
"It was in the box," You told him, shaking as he gripped you harder. “H-Here, take-take it.” You stuttered, flinching back when he grabbed the tape recorder and the key attached to the bottom of it.
“What are you doing?” One of the girls asked, watching as he lunged towards the door and shoved the key in, desperate to escape from the room you were all entrapped in. As he twisted it, it must have been connected to a mechanism, because a shot from a gun behind the door went off. You screamed as his body turned around, a bloody hole in his head where his eye used to be. You used to think that you would know what to do in this situation, especially with your dads line of work. You thought you’d be able to be brave and take charge, be a superhero and save the day just like your dad. But you were wrong, so, so wrong.
But hey, you knew what you wanted now.
You wanted your dad.
-
“Do not even think about moving, Rogers,” Derek called out to the figure sitting on the chair. Ben Rogers smirked as he looked up at the FBI agents, a sick, twisted, malicious grin, aimed at one SSA Hotchner. “Cuff him, take him back to Quantico.” Derek said.
“I’m afraid I’ll have to stay here, Agent Morgan,” Ben said. Derek, Hotch and Emily were in charge of the case, and they were the only ones at the building. “And besides, I’m sure you’ll be much busier with the other problem that should be much more concerning than little old me.” He said, nodding over to the sheet covering a row of computer monitors in the security office. The three kept a watchful eye on Rogers, despite knowing that he wouldn’t be able to get anywhere. He was stuck on an IV drip and looked half alive. As they entered the room, Emily pulled the sheet away from the monitors, Derek flipping the switch on and watching as they whirred to life.
“Hotch,” Emily said, getting his attention. Hotch furrowed his eyebrows as he loooked at the monitor in front of him, hearing your voice coming from the speaker made his stomach dropped.
“Y/N,” Hotch breathed out. “Call Garcia.” He ordered, marching back into the room to see Ben sitting with that same twisted grin on his face.
“Hotch, be careful,” Derek warned him. Hotch briefly turned back to nod at him, but he felt too overcome with anger, this was the very man who’d kidnapped his daughter.
“What the hell was that?” Hotch asked, placing his hands on the table and staring down the man in front of him.
“That was your daughter, Y/N, you know her, don’t you?” Ben asked, tilting his head at Hotch. Hotch let out a scoff as he shook his head.
“Of course I know who she is, now tell me where the hell she is!” Hotch yelled angrily. Derek called Garcia while Emily stood outside, watching through the window.
“She’s in a safe place, Mr. Hotchner, no need to worry,” Ben said, shaking his head and smiling. “Well, I made a bit of a mistake there. You do have to worry. You see, Y/N has about 2 hours before the deadly gas she’s breathing in in that house begins to close off her airways and cause a very, very painful death. And there will be blood.”
Taglist - Open!
@psych0crybaby @laiba-the-person
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aclosetfan · 3 years
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8
And Np
(ask game)
haha dude you’re like my new best friend now lmao thanks so much for being interested enough to ask about my dumb ideas!
Eight is titled “Artistic Aspirations” which isn’t a creative title at all. It’s another multi-chapter, no powers au, blues fic!! Personally, I think it's too safe and boring to write. The story spans a few years; I’ve shortened the outline to make it readable, but it still ended up being too long, sorry.
Background on the girls at the start of the story:
Bubbles is 21 and a broke, struggling artist finishing/right out of undergrad. Lives in Cityville. she’s on the verge of having to crawl home to her family with her tail between her legs
BC is 23 and finishing her physical therapy program in Townsville. Still lives with the Professor, but she practically lives full time at her boyfriend's place. She’s semi-neurotic about her relationship, not because it’s unstable, but b/c she thinks it’s too good to be true. Butch, for what it’s worth, doesn’t blink an eye—just a chill dude in this one. VERY into BC.
Blossom is 25 and starting her law career. Lives on the East Coast, working for a successful firm. Would like to move back home at one point, but she hasn’t really had the “right” reason to.
Plot (under the cut!)
It opens with Bubbles at a diner waiting for her sisters at their regular booth. Life isn’t all rainbows and sunshine like she had hoped. At the diner, Buttercup announces that she and her long-term boyfriend are finally engaged! Bubbles has met Butch plenty of time as well as Brick, Butch’s older brother, but she has yet to meet his youngest brother. In fact, Bubbles doesn’t even know his name. Butch just affectionately refers to him as “my dumbass little brother,” which Brick (a defense lawyer here in Townsville) wholeheartedly agrees with. Butch has also said “he’s into all that artsy stuff like you. Draws and shit.”
Until they finally meet at the wedding
He wasn’t there for the wedding rehearsal because his flight was delayed—he was somewhere “fancy” according to Butch b/c of some “art thing, idk, he’ll be here.” “He better be!” Cries HIM, who is one of Butch’s dads, but Bubbles doesn’t really know how exactly b/c everyone is adamant that HIM and Mojo (their other eccentric father) have never once been in a relationship
So when Bubs finally meets the brother she’s walking down the aisle with, she—a person who has an undergrad degree in art (haven’t decided what kind yet lol)—is like WAIT BOOMER JOJO THE BOOMER JOJO?!?! He’s like, “lol sup” and she loses her mind because Butch’s dumbass little brother doesn’t just “draw and shit,” he’s actually an art world prodigy, who despite being very young and very alive, is considered very renowned in major art circles.
(Not Banksy per se, but he’s like one of those Bad Boy artists that would make other artists roll their eyes) (also a man of many projects but doesn’t have the follow-through for a lot of them—which if he wasn’t so good at the stuff he actually finishes, would bite him in the ass; he’s flaky, gets bored easily).
Bubbles is amazed she hasn’t made the connection between the brothers and Boomer just laughs.
There’s, quite predictably, an instant connection between the blues. Butch, who cares for his sister-in-law, is like “Bubs don’t date my brother. He’s not mature enough to be dating anyone.” And Bubbles doesn’t listen!! Because she’s desperate for love and this could also mean she’s finally getting her big break!! Their relationship is really intense and Boomer does end up getting her a nice cushy job at some indie gaming company that he’s dipping his toes in. But just a quick as the flame is lit, it goes out. Boomer gets bored, Bubbles’ art isn’t being taken seriously, and she ends up getting fired for creative differences. Fired and despondent, she gets her break-up text from Boomer the next day. The day after that, he’s dating a model.
Absolutely crushed, Bubbles packs up her bags, leaves his apartment, and moves back in with the Professor. Butch and Buttercup (and Brick—but he’s at work) are ready to kick ass. Bubbles though would rather forget about it and holes up in her childhood bedroom. Eventually, BC gets her out of the room, brings her to Butch and her’s home, and is like “listen I know you’re heartbroken, but ima need you to do something for me—“ and Bubbles is like omg srsly?? Right now?? And BC is like “I need a mural on that wall, something cutesy, ya kno a stork or something?” And Bubbles is about to snap but then, she's like WAIT A STORK!!! And a new baby on the way really brings Bubbles out of her stupor—it gets her painting again. (Bubbles is full of love and you can’t tell me she doesn’t love babies)
So the mural is a hit at the baby shower and Robin (longtime best friend, also pregnant), is like Bubbles please paint me one, and her partner Princess is like MONEY IS NO OBJECT IF ROBIN WANTS IT SHE GETS IT. And then, subsequently, Robin’s (and Princess’s) mural takes off in the rich, white lady community, and soon enough Bubbles is being commissioned for more than just Baby Murals. Princess goes around bragging that she was the one who “discovered her,” and becomes Bubbles' “business agent.”
Basically, Bubbles is on the rise. As opposed to Boomer, who is on the fall. He’s hit an art block. It’s really bad. His melancholy is really bad. Very much plays the “woe is me" card. Hasn’t been back to Townsville in a while, so when his nephew (who he’s met briefly over facetime lol) turns one, he decides to fly in for his birthday.
Plans to mope and bum off his brothers for a bit, but is shocked to see Bubbles, who he then realizes he shouldn’t be so shocked to see. Has a ream “this was a mistake, she’ll make scene” moment, but Bubbles greets him as if nothing between them had ever happened (LIKE A QUEEN). Boomer takes this personally. Then Boomer meets Princess, who gloats about Bubbles, and then, looks at the award-winning boy and goes, “so anyway, who are you again?”
This pisses Boomer off even more and then, over the course of the week he stays with the greens, this anger builds up. He eventually takes it out on Bubbles, like, “you wouldn’t be who you are without me.”
[cue that one blinking gif] Bubbles goes off. Boomer storms off. Romance is in the air.
Jk
[well I guess the reds are hitting it off, but that’s c-plot and who cares]
Princess isn’t privy to this growing resentment and only sees an Opportunity™. She reaches out to Boomer’s agent. Then, she reaches out to a museum, and is like “I’ve got the most BITCHING exhibit for you.” Then, she tells Bubbles about the gig she booked for her.
Bubbles and Boomer are like no way am I doing a collab with them. Boomer’s agent is like “chief ima be real with you, it’s this or nothing.” Princess looks at Bubbles and tells her to suck it up. So, they end up working together, which means Boomer is back in Townsville.
Cue lovers to enemies to friends back to lovers speedrun. Hello yes.
Because they’re forced to collaborate, because Bubbles is more confident, and because Boomer has been knocked down a peg or two, they actually (finally) get to know each other on a personal level. And being closer to family helps Boomer, in some ways, mature. It’s a whole connecting back to your roots “ive grown and im better now” character development for Boomer.
Ends ambiguous ;) but it's happy.
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Bodyguard IV: Vegas Lights (Chapter Seven) (B. Urie x Reader)
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"WE NEED TO RECONVENE UPSTAIRS. COME ON."
Brendon's words echoed in your head, yet failed to properly sink in. Your feet moved on their own accord, instinctively following in the steps of the agent ahead of you. The hotel's various entertainment areas and their accents faded into a swirl of blurred colours and patterns; you shut your eyes and pinched the bridge of your nose in hopes that it would recalibrate your vision.
It might have been all those tequila shots you'd taken with Ambrose, or the exceptional kiss you'd received a few moments earlier, but you were fairly certain that it was Brendon and his mesmerising, unnecessarily flirtatious performance that was responsible for your current state of disorientation.
A frown crept its way onto your face as you played back the last fifteen minutes in your mind – specifically, the parts where your bodyguard had gotten a bit too up close and personal with the hotel's female guests.
You were still following Brendon's lead, however your stride had slowed down enough so as to allow a couple feet of distance between the two of you. Sensing the change in proximity, the agent halted his movements and spun around to address you.
"Why the frown?"
Shaking your head, you avoided eye contact. "Just... thinking about your little... show."
His left eyebrow arched and there was a smirk playing on his lips. "You didn't like it?" he queried, feigning hurt, "It was for you."
Snapping your head back to look at him, you furrowed your brows and scoffed, stretching your arm out to gesture at the music lounge. "You sang to every girlin there."
"Yeah." He walked forward to minimize the distance between you and whispered lowly. "But where'd I end, though?"
With the intention of delivering a clever retort, you immediately opened your mouth to respond. Sadly for you, you couldn't think of a single thing to say in return, and instead resigned yourself to clicking your tongue at him irritatedly.
Satisfied with his little win, the brooding agent straightened himself up and smoothed his jacket. "Exactly. Besides..."
He started making his way to the elevator and you followed suit, leaning in slightly to ensure that you heard everything he was about to say.
"...not liked I danced with them. Unlike some people."
His voiced dropped to a low hum for that last sentence, but you caught it nontheless. You caught it, and you once again stopped dead in your tracks.
"What did you just say?"
"You heard me."
It was abundantly clear that his quip was in reference to the whole "went-out-to-a-karaoke-bar-and-let-Aaron-Ross-serenade-you" thing, and honestly, you were insanely annoyed that he had brought it up.
After all, pretending to be dead and disappearing for eleven months was far worse.
"Oh, I'm sorry," you scoffed, clutching at your chest and widening your eyes, "I wasn't aware that dancing is a crime."
"It isn't," he shook his head, then tilted it to the side and stuffed his hands into his pockets, "Unless you do it without me."
"Oh, is that so?" you mumbled, skewing your face mockingly as you proceeded to overtake the agent in heading for the elevator. "Well maybe, if you had beenthere..."
Holding up his hands in a silent plea for you to stop talking, Brendon resumed his stride and sidled up next to you. Now that he was close enough to do so, he spoke into your ear.
"I don't intend on ever making that mistake again, believe me."
The two of you stepped into the elevator, standing shoulder-to-shoulder after pressing the button for your floor.
"I knew you sang," you scoffed, "You tried to deny it all those times, but I knew."
"Obviously. I literally sang you back to sleep once. What did you think that was, sweetheart? A dream?"
The elevator doors opened with a ding and seconds later, Brendon slipped out and down the hallway, leaving you to gawk after him.
"You literally said- UGH!"
✧✧✧
Minutes later. Your and Brendon's hotel suite.
"...so to summarise," Rollins made a circle with his hands, signifying that his recount of the last hour was coming to a pinnacle, "the lead was a bust and we just wasted a perfectly good distraction technique on nothing."
From the other side of the suite, over by the bar cart, Ambrose piped up. "On the bright side, we did bust a drug operation." Drink in hand, the Hound nudged Brendon with his elbow and leaned in to mutter some words. "I swiped a couple grams, if you wanna have a party later."
Already annoyed due to the fact that no one had managed to get anywhere with this case, Brendon clenched his jaw and exhaled fumingly at the Lunatic's immaturity. Turning his head sharply, he delivered a glare so deadly that it could be felt all throughout the suite.
Stepping back, Ambrose held up his free hand in a show of surrender, raising his brows. "Kidding. Jesus, lighten up a bit."
"I'll lighten up when we finally find a lead that's an actual fucking lead," the agent growled, grabbing Ambrose's drink out of his hand and downing it before rubbing his hands over his face.
"That was the closest thing we've had," Reigns reminded everyone, shaking his head in disdain, "I can't believe weof all people are in a rut."
Sick of the heavy, pessimistic aura in the room, you stood up and clapped your hands together once. Making sure that you looked each man in the eye, you called them down.
"We are not in a rut. We've been in Vegas for all of what, three days? Not all missions are walks in the park – you guys of all people should know that."
You were met with silence and four downcast gazes, and so you continued.
"Today was a particularly draining one; we're all tired, not thinking clearly, and some of us are still slightly inebriated so," you made your way over to the bathroom and placed on hand on the doorframe as you finished addressing your teammates, "let's all just call it a night, get some rest and then discuss our next move in the morning, okay? Okay. Wonderful. Now get out of my room, I need to take a shower."
A resounding slam echoed around the room as you emphasised your point by shutting the bathroom door. The lock clicked and taking that as their final cue, the four agents shifted from their respective spots around the suite and headed for the exit.
Given that there was twenty feet and a thick plastered wall seperating you and your teammates, it wasn't at all possible for you to overhear any conversation that arose between them. Nevertheless, Brendon waited to hear the water spouting from the shower head before he started speaking.
"Since this case is clearly going nowhere slowly..." Brendon stopped in front of the door, running a hand through his hair before placing both hands on his hips. The Hounds ceased their steps and listened intently. "I'm gonna call Weekes. In the meantime, I want you guys to keep looking for Mason."
Ambrose made no effort to hide his disdain over the request, letting his body go limp as he expelled a throaty groan.
"Big brother duty again? Dude, we told you that he's dead."
Brendon responded with an icy glare. "You also told me that the kidnappers were operating from an underground lair here in the casino. So forgive me if I'm a bit untrusting of your sources and their intel."
"Fair enough."
Always the rational one, Rollins nodded his head and gave Brendon a firm pat on the back as reassurance.
"We'll handle it. Let us know what Weekes says."
Nodding, the brooding agent opened the door to allow his colleagues to leave, each of them mumbling goodnights as they did so. He locked the door, making sure that it was properly secure before moving off to grab another drink from the bar cart.
The pattering of water against shower tiles continued to filter through from the bathroom and concluding that you'd most likely still be in there for a while, Brendon decided it'd be best if he called HQ then.
He picked up the suit jacket strewn across a chair in the corner of the room and ruffled through the inside pockets in search of his phone. Once he found it, he walked over to the compact dining area, i.e. the most secluded part of the suite and tapped the screen a couple times to ring Dallon.
Setting it down on the small table, Brendon tooks sips of his whiskey as he waited for the techie to answer. There was complete silence in the suite, save for the distant pattering of the water from the shower and the trill of the phone; the sounds fell in and out of sync with one another, giving the agent something to listen to until the cheery voice of his comrade – accompanied by his hologram – pierced through the air.  
"Hey, handsome! I was wondering when you'd call!"
Just barely managing to fight back a chuckle and a smile, Brendon cocked his head up in greeting.
"Hey, Weekes. Listen, everything has pretty much gone to shit over here. We've got no leads, no intel, nothing. So..."
It took a second for the penny to drop but once the techie fully caught on to what his brooding counterpart was insinuating, he dropped the Scooby-Doo mug he'd had in his hand. The broken pieces of ceramic and milky coffee painted the linoleum floor of the tech room in an unappealing mixture of browns and blues.
Scooting as close to his desk as the roller chair would allow, Dallon leaned in closer still as he readjusted the glasses in front of his wide eyes. Eyes that were sparkling with excitement and a hint of mischief.
"Are you saying what I think you're saying?" He was practically squealing, forcing Brendon to recoil and shut his eyes. "We're gonna do the-"
"Yes." The agent cut his colleague off, partly out of fear that he'd overspeak and say something he shouldn't and partly because he was still squealing. "I hate to say it but... we're in a rut, and this might be our only option."
Dallon's hologram cheered triumphantly. Brendon winced. The techie was far too invested in this, and that unsettled him a great deal. Especially since it was purely for the sake of the mission, and not for the reason Dallon was not-so-secretly vouching for.
"So," Brendon cleared his throat, tossing a quick glance over in the direction of the bedroom to make sure that you weren't out yet; you weren't, and he looked back to the hologram, "Can you get that suitcase here by morning?"
"How do you know me, bro?" Dallon scoffed, then leaned back in his chair and cracked his knuckles, "Already on its way."
✧✧✧
The next morning.
The tiny crack in the hotel's curtains allowed for rays of morning light to filter into the bedroom, illuminating the space in a soft glow. Your eyelids rose with ease, grateful to finally reopen after a good night's sleep. Stretching out your limbs, you shook off the remnants of your slumber.
You had gone to bed right after your shower the previous night, calling out a goodnight to Brendon as you crawled beneath the covers. A low mumble was all you'd received in response. He was hunched over his phone, busy with what was undoubtedly mission-related things; you assumed he'd come to bed as soon as he finished whatever it was he needed to do.
Looking over at the space next to you, a frown found its way onto your face. The bed looked completely untouched, not a crinkle in the bedding nor a dent in the pillow. Your fingers trailed along the crisp duvet, hoping that you would somehow feelhim – feel that he had been there – and that it would prove that your thoughts of him chosing to sleep on the sofa rather than next to you were nothing but pesky anxieties.
Sadly, you found no such reassurance.
Heaving a sad sigh, you rolled over to face the other side. Your eyes fixed on the compact bedside table – or more specifically, what was on top of it. The frown you  were wearing slowly morphed into a soft smile as you took in the sight of the still-steaming cup of coffee.
There was your reassurance.
While it was evident that he hadn't slept next to you, the familiar gesture of bringing you your morning coffee was proof enough that he cared.
Pushing yourself up into a sitting position, you called out to him. "Bren?"
Your voice was hoarse from sleep, and you cleared your throat while reaching over to pick up the mug. After taking a sip, you tried again.
"Brendon?"
No response. Knitting your brows together, you peeled back the covers and tentatively slid out of bed, trying not to spill any coffee. The complimentary hotel slippers laid by your feet; you slid them on and started for the living area of the suite.
There was no sign of your bodyguard, however there was a note on the coffee table. Picking it up, you read over the slanted handwriting.
'Needed to run a couple errands. Be back soon.
                                                                     -B'
"Errands?" you muttered, taking another sip of coffee as you reread the note.
It was odd that the usually mission-orientated agent would take time off to do personal things, which led you to conclude that whatever he was doing was somehow tied to the case. It was even more odd, then, that he hadn't informed you of what exactly the errands entailed.
Chalking it up to his lone-wolf, arrogant nature, you dropped the note back onto the coffee table and walked back to the bedroom. You picked up your cellphone from the side table and sat yourself on the edge of the bed, scrolling through your notifications while you slugged down the remainder of your coffee.
Not long after, you were headed for the bathroom to freshen up and get ready for the day. You shut and locked the door out of habit, ensuring your privacy despite the fact that you were alone in the suite. When you emerged from the bathroom a half hour later, though, you realised that that was no longer the case.
You stopped in your tracks when you saw the dress splayed across the made-up bed. Knitting your brows together, you approached the bed with cautious steps and an inquisitive gaze.
Now that you were close enough to properly examine the dress – which was covered in a transparent dress protector to preserve its delicateness – you were quite easily the most confused you had ever been.
"Uh... Brendon?"
"Heads up."
You spun around just in time to catch the airborne object he had tossed across the room. Clutching the bunch of tulle in both hands, you lowered it down to inspect it.
"What's this?" you asked, fondling the material as you tried to make sense of it.
"A veil." His words caused you to freeze, your eyes the only part of you that moved as you looked up at him. He nodded to the item of clothing on the bed. "And that's a dress. Get changed. We have an appointment."
Tilting your head, you gave the agent a skeptical look. "Where?"
"The altar."
"...why?"
"We're getting married."
_______________________________
Thank you for reading x
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musicalreader17 · 4 years
Text
Bare: a pop opera moments that made me cry
It’s basically the entire musical and I haven’t checked for errors but enjoy reading this very long list and feel free to add any moments I missed out!
Epiphany:
- When bare melody starts to play under the priest talking
- Matt’s part in no voice being in epiphany
- ‘Live by our voices’
You & I:
- The first line comparing them being gay to predators ‘hey little boy would you like a ride’
- ‘Forever you and I’ at the end
Role of a Lifetime:
- ‘Everything’s an act when you’re pleasing everyone’
- ‘Play pretend and once again reprise our roles’
- ‘Never really saying what you mean’
- The key change at navigate this maze
- ‘In the silence will he stay’
Auditions:
- ‘Hear my voice’
- ‘No never mind we have to go’
- ‘For stony limits cannot hold love out’
Plain Jane Fat Ass:
- ‘Dad will be excited’
- ‘I’m a caution for the vain’
- ‘Keeping society so ill at ease and loving her role’
- ‘Hurt me, you can’t I have mounds of thick skin’
Wonderland:
- ‘God they’d never understand’
- ‘Life is as it ought to be’
- ‘Too much is a coma breathing slow till you choke’ foreshadowing
Quiet Night at Home:
- ‘Life is lived on other stages’
- ‘Pain adores me god ignores me’
Best Kept Secret:
- ‘All I ever want is there in your eyes’
- ‘To see how deep the world can cut’
- ‘You’re such a coward. And you’re a fool’
- ‘We can’t go on forever all this forever can’t we live for today’ but Jason is the one who introduces ‘forever’ in you & I
Confession:
- Hear my voice tune before Matt and peter go in and when they leave
- ‘If I ever told you’
Portrait of a Girl:
- ‘Now the portrait has captured the girl’
- ‘Add shadows that dance across her skin’
- ‘Stripped bare beneath all the layers would you recognise the girl lying there’
Birthday, Bitch!:
- ‘Why are you so happy’
- Ever after playing at ‘I want to go back to the rave’
- ‘Like what? Like your boyfriend’
One Kiss:
- ‘Why should I be frightened’
- ‘You do know I’m misunderstood’
- The kiss at the end
Are You There?:
- ‘Wish you didn’t hurt so much you cried’
- ‘And if it’s in your power how can you sit idly by’
- ‘They said that things would get better but I guess they lied’
- End of the song is the melody for bare
Reputation Stain’d:
- ‘I need to tell her and I need you to be with me when I do it’
- Jason’s rant when Peter asks him what he’s doing for spring break ‘yes let’s tell your mother so she can call my mother...’
- The argument
- The push
Ever After:
- Just the entire song
- The tempo and melody change from Peter singing to Jason
- ‘You stand before me and I barely know you’
- ‘You slew all my giants ignoring your own’
- ‘You’re such a fool’
- ‘There’s no such thing as heroes who are queer’
- ‘You can’t be the same boy Ive followed’
- ‘You’ve hurt me more than you know’
One:
- ‘But why? There’s something about you Jason’
- ‘Kiss you is what I’m supposed to do’
- ‘Lie with me’
- ‘God you have such pretty eyes’
- ‘Once I had a hero I guess he couldn’t stay’
Wedding Bells:
- See me tune playing at the start
- Bare playing under the vows
- ‘Forever’ sounds like a recurring echo
Touch My Soul:
- ‘Lonely blue eyes’
- ‘Yeah...once’
- ‘I wish to god I felt that way’
- All grown up music at the end
See Me:
- ‘Mom this is important mom you need to listen’
- ‘Mom you need to see me’
- Key change
- ‘Mother you know nothing of them’
- ‘You don’t want to hear it you don’t want to see me can’t bear to see me’
- ‘Open your eyes’
- ‘Please see me’
Warning:
- ‘Did I ever know my son at all’
- ‘Lost in words I cannot say’
- ‘All alone and scared’
- ‘His father will die’
- ‘I don’t want their pity I just want my son’
Pilgrims Hands:
- ‘Lest... lest faith turn to despair’
God Don’t Make No Trash:
- ‘Some folks will act the fool’
- ‘Love is love love is truth’
- The hug
- Absolution music
- ‘If you hide from yourself be someone else for someone else’s sake that would be the greatest mistake’
- ‘Gods got your back and so do I’
- Sister Chantelle was the only person to say gay in the entire show
All Grown Up:
- the entire song just makes me bawl
- ‘Poor ivy stuck wanting the one thing she can’t have’
- ‘Memories that fade and flicker burn again when I pretend’
- ‘Times have changed they rearrange’
- ‘Life is there to interrupt’
- ‘Dream a dream then dash another’
- ‘Story ends in total damage. It’s an unforgiving world’
Promise:
- ‘You have no idea what I’m going through’
- Tune of ever after
- ‘You wanted real well god you give them that’
- Reputation stain’d mimicking
- ‘I’m sorry... No. You know what I’m not’
- ‘I need you to help me. I tried’
- No voice at the end
Once Upon a Time:
- ‘Once upon a time I first held held your hand and love was not a crime’
- ‘Trapped alone here’
- ‘Cold church soul search’
- ‘Could you really love someone like me’
- ‘It’s so hard’
Cross:
- ‘I’ve tried to be strong I’ve tried to belong’
- ‘I can’t I can’t’
- ‘Not okay not for me’
- ‘I’m in such a desperate place’
- ‘I don’t belong I always thought this was wrong’
- ‘Am I okay is it okay’
- Bare playing at the end
Two Households:
- Role of a lifetime plays when Lucas gives Jason the drugs
- Role of a lifetime ‘what if we escape this’
- ‘Just think about it please’
- Hear my voice tune when Jason takes the drugs
Bare:
- The entire song knowing Jason is going to die
- ‘How did I unlearn the truth you have to me’
- ‘The moment of truth when I knew who I was’
- ‘A parting of souls as I try to move on’
- ‘I’ve never been this bare’
- ‘Knowing who we have to be’
- ‘We’re Forever you and I’
- ‘Please understand that I tried’
- ‘It’s not goodbye’
- ‘Here in a world where there’s safety in falsehood I have discovered the one thing that’s real’
- ‘That I love you’
- ‘Please know I loved you’
- The kiss at the end
Queen Mab:
- ‘Tis no wit to go’
- All the references to dreams
- ‘And sleeps again’
- ‘Peace, Mercutio peace’
- ‘God Jason you’re flying’
- Bare playing
- Jason collapsing
- Peter removing his mask as Jason dies
A Glooming Peace:
- The lyrics
- No backing music
Absolution:
- role of a lifetime music
- ‘You hid behind a screen knowing how much empathy might mean’
- ‘That’s natural’ - unlike how the church see their relationship
- ‘Did you know how much he loved’
- ‘Lost in the teachings was a boy so all alone and scared’
- ‘Nothing else brought me closer to god’
- ‘And I forgive you father’
No Voice:
- ‘I’ll leave a chair for you’
- ‘I never found the words to say always thought we’d talk some day’
- ‘How do I make sense of what I’ve gained and what I’ve lost’
- ‘Perfect mess’
- Matts speech coming back
- ‘If maybe we were silent or we had spoken’
- ‘All done in your name’ referring to god
- ‘How did a simple love get complicated’
- ‘In a world that’s quick to judge’
- ‘It’s so hard to find your way when you have no voice to guide you’
- Change from saying no to saying one
- ‘One voice’
- That cadence at the end leaving it open
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bladekindeyewear · 4 years
Text
HS^2 bloggin’ mainline 2020-05-19
Figured an upd8 was coming, it’s felt like enough time has passed for one.
Huh, looking at my last post I’d completely forgotten I was supposed to play through Pesterquest sometime... work is busy and stressing me out a bit, I’m not sure when I’ll have the energy on the side to do that.  (Maybe I’ll livetweet it like I did Undertale a while ago, but this time not looking at my twitter replies so I don’t get spoiled by One Guy™?)
Also, including bonus commentary on A Threat Sensed.
Okay, going in completely blind.  I’d guessed from context that we’re hopping over to Meat side to get a chapter there before we can come back to actually see Yiffy?
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Yep.  Okay, what is this about exactly?
(Agh, dammit, I’ve been copying and pasting so much at work remoting into Windows lately that now I’m automatically trying to hit control-C instead of command-C to copy.)
> CHAPTER 9. How Goes The Eulogizing, Dear?
CONTENT NOTE: This chapter contains Child Abuse.
Which one???
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Wait
JANE: (Where is he?) JANE: (It's a question I've found myself asking many times in recent days.)
Holy SHIT we get two Candy chapters in a row???  So we might see her right away??  No, it’s gotta just be another tiny glimpse.
(Has two Candy chapters in a row happened before?  Future Boots, scroll back up and put this here. FUTURE BOOTS: “I forgot to scroll back up and put that here.” EDIT: Also, not the first time with two in a row, but it IS the first time with THREE in a row, huh.)
So Jane has to be talking about either Tavros or Dave.  --Oh, if this was a Candy Side chapter title, I guess Rose or Jade is eulogizing Dave for John?
> (==>)
JANE: (Where now is our merry savior?) JANE: (Where is the horn that was honking?) JANE: (Where is the cape and the codpiece, and the...) JANE: (The...) JANE: (Oh, fiddlesticks.)
What?  Is she reading a childrens’ book?  --Oh.  She’s eulogizing Gamzee.  So that gives us a third option, where the rebellion crashes the funeral somehow, probably audiovisually rather than in person.  (Which would make sense, given Candy practically began with Gamzee crashing Dirk’s funeral.)
> (==>)
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Ah never mind, she’s still writing it.
That sure is a single button drama-remote that’s going to be pressed at some point.  Oh, and who the fuck keeps a spork in a pen cup???  --No no, don’t say it’s one of those pens with a spork at the eraser end, either ready-made or rubber-banded to the side.  That would make sense.  You totally know it isn’t that and is just a spork.
JANE: (Okay, poetry is out.) JANE: (What else?) JANE: (Hrm...) JANE: (I've always been pretty good at crying on cue.) JANE: (Could I try staging an emotional breakdown?) JANE: (That could work; playing to people's humanity.)
Why were you crying in Jake’s arms about his death if you didn’t care that much?  Did you just want him to hold you and kinda make him feel in on things again?  Or did you just cry yourself out about him?
JANE: (Or whatever is the more inclusive term.)
I bet the rest of Earth C figured out a more inclusive term millenia ago FUCK I accidentally added millennia to my dictionary misspelled instead of correcting it hold on--
...There, killed the entry for it.  ...Huh.  Take a look at my Chrome dictionary’s custom-added words over the years, apparently:
Caliborn Eridan Kanaya Matriorb Meenah Tavros alchemiter dichotomic nephilim reblogged uncaptchalogues uncaptchaloguing
That’s fun.
Okay back to reading. Millennia.  Phew!  Where was I.
JANE: (One really good and calculated weep could do it, I think.) JANE: (But then there's the danger that I might get carried away and do it for real.) JANE: (And I can't risk that.)
So still feeling something, just too used to calculating over the past years.
JANE: (What can I say about him that will stir up their emotions?) JANE: (Do I mention the stuff about the milk?) JANE: (Think Crocker, think.)
WHY would you-- how much did Gamzee normalize adult breastfeeding?!
JAKE: Ahoy over there!
Not the best time.
(The thing with the divorce papers from the Epilogue and John implying he was planning with Jake to execute something that sounds like a divorce... is that going to be sprung here?  Did her lawyers send the divorce papers way back when she was in a fit of pique, and he just had them available to sign now at the tactical moment? Or... let me pull the exact text...)
JOHN: now, harry anderson, i know that you and tavros haven't always gotten along. JOHN: but i am going to have to ask you to try and look out for him for the time being. JOHN: your uncle jake and i... well, i'll explain later. JOHN: let's just say that gamzee isn't the only family member jane is losing today.
(So is John going to submit the papers? Or did they already go through a while ago and default custody to John or something who’s going to adopt him too or some nonsense?  And did he plan this out with Jake NOW, or a while ago, and if only a while ago, is Jake going to KNOW whatever John’s about to pull in that respect is about to happen??)
> (==>)
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Butte
Janepalme
> (==>)
JAKE: Er... how goes the eulogizing, dear?
Gah.  I completely forgot again that capitalized-first-letter chapter names don’t mean KANAYA is saying them.  That probably makes a lot more sense out of my wondering about the chapter title earlier to those of you who didn’t realize I was making that mistake.
JANE: It turns out that it's mighty difficult to find touching things to say about a person, the relationship with whom was predicated on deep-seated mutual loathing.
Hah!
--A loathing you regarded as largely more important to you than Jake ever was, by the way.  You asshole.
JANE: I imagine this is one of the reasons no funerary tradition was ever established on Alternia, besides the barbarism of their culture. DIRK: Jesus christ. JANE: Not only did a significant proportion of their interpersonality depend on romance in the form of hatred, but it was a society based on cruelty and violence. JANE: What reason could they have had to provide for the dead? JANE: What kind of last rites could they have even imagined?
I wondered for a moment why (bg!)Dirk of all people would react to a single line of her starting to bring up prejudices, but then I realized that (1) Brain Ghost Dirk is a little more Jakey, and (2) Dirk knew that more ranting would follow the first line.
JANE: I can't think of anything good to write about him because deep down, I hated his guts. JANE: But he was and is beloved of the multitude, so I have to think of something regardless. JAKE: Im not sure i understand. JANE: Don't worry your pretty little head about it. JANE: This is politics, Jakey. JANE: Lying through your two front teeth about people you hate is about as good a definition as it's possible to get. JANE: But, by gum, is it tiring work.
Mm.  It’s a position Jane put herself in, but it’s still a legitimate position once you’re there.
JANE: The funeral is tomorrow, after all.
Got it.
DIRK: Dude, the bowl. JAKE: Hm? JAKE: Oh, right. JANE: What is it now, Jake. JAKE: I brought something for our guest as well. JANE: You mean the prisoner. JAKE: Y...es.
Wait, bowl?
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Oh god damnit which of you had the idea to feed her with a DOG BOWL.  Either of you could have thought of it, and either of you would be horrible for it.
> (==>)
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Huh, that outfit on Yiffy looks familiar, like a reference to something.  And a black tail?  This definitely isn’t quite the look I was expecting from Jade Plus Rose, but I suppose the snazzy tie is a Roseish vibe.  Also reminiscent of Jade’s old Dead Shuffle dress.  Formal wear and soccer cleats??
JANE: She's over in the corner. JANE: Don't worry, she won't bite. JANE: I've seen to that already.
WHAT THE FUCK DOES THAT MEAN.  I don’t see anything over her mouth!  Did she stick something in it, or drug her?  File her fucking teeth???
I mean I did forget the Child Abuse trigger warning to be fair.  Hoping whatever would be on her mouth is just not shown in-panel yet for stylistic reasons.
> (==>)
JAKE: Its only mac and cheese, sorry. JAKE: Its all I know how to make, haha. JAKE: ... JAKE: I um... hope you can safely partake of cheese? JAKE: ... JAKE: Well, JAKE: Bon appetit.
How the fuck did Jake eat on his island then?  --Oh right, preserved food cans that Grandma Jade stored up, I think I remember.  Why would cheese not be a thing for them, if it’s fine for Jade?  I know he’s probably not just worried about lactose intolerance.
Either way, if she’s drugged here, that’ll mean we won’t get a good idea of her for a while, so which is it...
> (==>)
DIRK: Bon appetit. DIRK: Seriously dude? JAKE: (What? Did i pronounce it wrong?) DIRK: Jake. DIRK: You put the food in a fucking dog bowl. JAKE: (It was all there was, ok???) JAKE: (I feel awful enough as it is without you getting on my case about it.)
Ah, missed the bone pun.  AND, yeah, Jake, you’re a fucking idiot, you could have put it in a cup or something.
JAKE: (So far ive yet to see anything come of that brilliant plan of yours.) JAKE: (Are you sure sending that message to the others was enough?)
Okay, so he IS coordinating this slightly.
> (==>)
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Horrifying image to contemplate, eh Jane?
Or anger-inducing?
> (==>)
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Seems about right!
> (==>)
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Oh that’s a GREAT exasperated Jane face.
JANE: I hope you're not expecting dessert, young lady.
I like how Jane didn’t notice, comment on, or care about the bowl.  How can you hate a kid so much??
> (==>)
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Oh I know why I felt like I recognized the outfit style, it’s because it’s ANIME AS FUCK.  Feels like some Persona 4 Arena nonsense, and I say that not having played any of those games or even remembering what they looked like.  Also, white hair, black fur’d dog parts?  Nice change of pace.
YIFFY: GRRRRRRRRR... JANE: Oh no you don't.
Red text?  What color exactly... “#D00009”?  Huh.  That’s nowhere near Alt-Callie’s #FF0000, and darker than Dave’s #E00707.  In fact, let me go back and check those spilled color pins the commentary pointed out from an update or two ago...  no, the red pin is #E63225, closer to Dave’s color.  (Also, is Yiffy blocking the doorway out?  That’s a pretty slack chain then.)
Did Jane see to it that she wouldn’t bite with like, a water spray bottle?
(EDIT: Oh my FUCKING GOD, THAT's why it's #D00009...)
> (==>)
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FUCK I didn’t notice the shock collar in the Yiffy image!  FUCK YOU, Jane.
> (==>)
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Keeping someone in line with collars, especially ones that punish whenever one strays out of line, has always been a decent way for her to mix in some Doomy control of others to show how she’s “grown” to balance her main role and her Tiara-controlled-like inverse for more power.  Doom in part represents boundaries that you can’t cross without getting hurt or punished.
> (==>)
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FUCK, those little buck teeth!?  D’:
JANE: That's more like it.
She HAS to have more of a reason for hating her than hating her parents, right?  Like, more than that and general racism applying to partdogfolk?
> (==>)
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Hey fuck off with that!
> (==>)
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This is a pretty cool ima-- are those piercings on her dog ear?  I didn’t notice that in the first shot, neat.
JANE: You've been a thorn in my side ever since I agreed to enroll you at the academy, little madam. JANE: Back then, I was doing a favor for two old friends who made a disgusting mistake. JANE: I'm no longer going to play nice with you just because of your parents, however. JANE: That truce is over. JANE: Do I make myself understood?
What the fuck?  WHY would you do that?  Why does Jane run "Ms. Paint’s Home for Inconvenient Girls”?  What did Yiffy do to piss her off so much there, how much trouble could she have caused?
I don’t know if she’s referring to the behind-Kanaya’s-back part as disgusting or she’s just being MORE racist.
> (==>)
JANE: We don't want you passing out during the ceremony, do we?
Oh, just showing the hostage off during the clown funeral, huh?  Classy much?
> (==>)
JANE: Now, be a good hostage and get some rest, Yiffany dear. JANE: We've got a big day tomorrow.
For a politician, Jane’s not good at looking at herself in a mirror.
> (==>)
JANE: Night night. JANE: Hoo hoo.
> (Yiffy: Lights out.)
Huh, dream stuff is gonna be relevant out in Candy then? *click*
Okay, dark background all of a sudden.  Properly dramatic?  You even have to highlight the non-link “>” part of the Next link to see it.
> (==>)
-- thespiansGlamor [TG] began pestering adamantGriftress [AG] --
Well, I don’t know WHY it’s happening, but the white-backed pesterlog suddenly on the dark site framing is certainly evocative.  Of like, a mood, or something.
TG: i thought he was pretty quiet down there. TG: we'll make a rebel of him yet! AG: Lol. AG: I think it's more that he can't sleep. AG: I know how he feels. TG: yeah. TG: today was a lot. AG: ... TG: do you wanna talk about it? AG: Ugh, not you as well.
It’s really jarring to transition between Homestuck’s “kids jarringly mentally resistant to freaking out about the end of the world” to HS^2′s more realistic “kids traumatized by their first firefight even though it was an overwhelming victory-escape”.
TG: but seriously, do you? AG: Not really. TG: not even about... you know? TG: her? AG: No. TG: ... are you sure? AG: A8solutely. AG: What are you, my moirail? AG: Just leave it, Harry. TG: ok.
Are they about to have an “I wonder what Yiffy’s like” talk?
> (==>)
Very similar Tav/Vrissy convo to the previous one.
GG: I havent ever shared a bedroom before,,, GG: Not even for a slumber party,,, AG: Tavvy, you are just a8out the saddest person I've ever met.
Well, we have an even better idea how horrible Jane can be with kids, now.  From Nanna to THIS is quite jarring.  I wonder how the double Nannasprites that must still be around here somewhere feel?
> (==>)
TG: nothing about my dad is cute. TG: what are you even saying. AG: Lmao. TG: seriously! TG: i think he has something against that word, even. he gets super weird about it. AG: He's a strange and funny m8n. TG: yeah. TG: ... TG: i think something bad must have happened.
...um.  What?  Why would John have some sort of trauma about the word cute or being called it?
Did John dress up as a hint of his buried June ambitions as a kid and Dad lavish him with “SO CUTE” praise in an epic supportiveness backfire that caused him to shelve the idea of wearing non-masc clothes and being happier on the flipside of gender ever again???  Because if that’s how June gets canonized as promised, it’s a little harsher than the back of my mind was hoping.  I guess it kind of had to be though from the premise of how it was read into his childhood for the original idea, though.  Fuck, I hope this Cute business is about something different from that (like a Terezi reference or such) just to get less John Sads.  (But still June.  Definitely still want to get June.)
> (==>)
Oh, and now Vrissy is doing nothing but talking about what she said she didn’t want to talk about, of course.  (Also I like how JANE’s now being called the Batterwitch.)
AG: And the worst part was they didn't even fight a8out it! AG: That made me madder than 8nything else. AG: It felt like I was the only person who even W8S mad! GG: I dont think thats true,,, AG: What would you know a8out it?! GG: Maybe nothing,,, GG: Sorry,,, GG: Its just,,, GG: To me,,, all the way through the conversation,,, aunt kanaya looked even angrier than you,,, AG: ... AG: Adults are so fucking weird.
Guh, I don’t want to be reminded how hurt a good chunk of the fanbase is by Kanaya getting hurt this badly.
Original Tavros was always SLIGHTLY perceptive of others sometimes, but maybe perceptiveness is being hinted at as a Tavros specialty?  We still don’t know his classpect/hero-title or have any firm guesses based on purely him evidence.  (Also, frightened kids of abusive households tend to learn to get perceptive pretty fucking quickly I hear.)
> (==>)
TG: dad was sitting in the cafeteria with aunt jade and your moms. TG: it looked like they were discussing something important... they were whispering and stuff.
[etc etc] Alright, the what-happened-to-Dave bit.  And I imagine they’re kind of helping John grieve there, since Rose and Jade have talked that out already.
TG: aunt kanaya's was the only face i could see. TG: she was standing next to them, but she wasn't looking at what was going on. TG: almost like she couldn't bear to. AG: I doubt it. Kanaya's got a8out as much Emotivity as a very reclusive stone. TG: ok, i think that is bullshit but whatever. TG: she saw me standing there, but didn't say anything. she just shook her head slightly, and pointed back out into the hallway i came down.
Yep, giving them some space to grieve.  Also-- gosh, shouldn’t Vrissy have the same emotive senses that Aranea implied Vriska shared with her?  Kanaya isn’t that EXPRESSIVE but she’s certainly full of emotion.  Also, I hope part of her not bearing to watch wasn’t lingering anger toward Jade and Rose mixing with that, but there probably was a bit of that too, though Dave being gone is so much harsher than that. --I just realized they might not have broken the news to Karkat yet, either.
AG: I guesadxcxzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz TG: vrissy?
Put to sleep by someone slumping down on your phone keypad, or surprised by something about the other conversation?
Oh shit, “other conversation” reminded me I didn’t look at Tavros’s chumhandle:
glutinousGymnast [GG]
HHHHHhhhhuh.  Hm... huh? hhhh.  huh?  what, but.  Why would.  ?????
I really don’t understand what that chumhandle or any of its entendres should signify in this context.
Also, this means for our new four kids we have TG, GG, AG, and ??.
> (==>)
GG: I think she might have succumbed to sleep quite suddenly,,, GG: It would explain the,,,,,, interesting messages I've been getting for a while,,, TG: hehe. TG: i guess that tracks. TG: she does that from time to time.
That’s... strange.  Homestuck’s taught us to be suspicious of that.
TG: ... TG: tav? GG: Yes,,, harry anderson,,,? TG: what does it feel like to know someone who's died?
Who is Harry referring to? (EDIT: Yes I know Gamzee for Tavros, but I meant Harry talks like he's worried he'll have to feel that way soon?)  Is he just kind of inferring that something bad might have happened to Uncle Dave?  Got that perceptive “parents are about to tell me about a death in the family” vibe?  Or did he overhear more than he let on to Vrissy?
...alright, that’s the last page of this update.  Looks like this chapter is going to continue to have a good bunch of grieving, or talk around it.
---
Now for Bonus Commentary for A Threat, Sensed.  For some reason I have a dim memory of like... reading this myself without commenting on it?  Or skimming it?  But I’m pretty sure I didn’t do that.  Weird.  Must have imagined doing it.
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Ah, I think I saw the opening paragraph scrolling Patreon, and my mind kinda filled in the blanks, this is still looking new to me.
Okay, mostly banter and japes in the commentary here.  About Dirk “throwing a huge tantrum in his philosophy cave”.
We’ve had quite a bit of speculation on whether this is “really” Andrew. To that, I think we’d say that it doesn’t “really” matter.
Really?  That was speculated about?  :/
Here we discover that Dirk has not, as some people have speculated, been directly intervening into the Candy timeline, or influencing it in any way. In fact, he has a very hard time seeing anything going on there at all.
Mhmm, and that was a pretty important thing to learn.
A couple of years ago I might have agreed with the take that everything happening in Candy is simply too outlandish to ever happen naturally, without direct, villainous interference, but that was before literally every fucking batshit insane thing that has happened on Real Life Earth started going down, and now I will believe literally anything. 
This is a nice bit of distraction from the idea that at least the opening parts of the Candy story were written/narrated by Original, Alive Calliope over on meat side.  To refresh your memory of what was pointed out to me:
ROXY: back when jade first got all effed up callie saw somethin and it made them freak out ROXY: it took me weeks to convince them that it was safe to come home ROXY: but now we got the opposite problem and they arent leavin the house at all ROXY: they stay home all day with the blinds drawn paintin some weird ass shit on the walls TEREZI: WH4T? ROXY: its not as bad as it sounds i promise ROXY: some of it is like ROXY: weird and violent?? ROXY: like lotsa nasty purple blood and um ROXY: nudity???? TEREZI: >:? ROXY: yeah yikes ROXY: but MOST of it is cute stuff like... various combos of all of us being happy and gettin married and shit ROXY: anyway thats kept callie kinda busy
Which tracks with the initial out-of-character-seemingness of almost everyone at the start of Candy, and how they kind of tried to railroad things back onto the “Happy??” track after Dirk derailed it with his weird self-accumulation suicide, along with some of the flowery-idyllic descriptions of characters seeing each other bathed in a halo of light and such.
Of course, they’re not going to out-and-out STATE that Calliope was at fault for that narration, helping the Candy story not necessarily fall out the way it did “naturally”, until we finally get a glimpse of her on the heroes’ ship in Meat probably still painting the continuing Candy events, inspiring them into the void of the singularity with her latent powers.  Til then, it’s a bit of misdirection whenever the topic is to be brought up.  Along with a mix of Roxy’s late-Candy point to John of more or less “why COULDN’T we have done this naturally? you don’t know”.
He might even think that he has more direct power over the narrative than Hussie does himself. Surprise, motherfucker, you are a fictional character. 
:p
I’ll quote this next part in full:
There’s been talk of whether or not this bonus was written in the two days between its release and the Yiffy reveal chapter. The answer is--no. It was written over a month ago. But I think the things it addresses were not difficult to suss out. Obviously, Dirk is highlighting the issues that the readership are having with Yiffy, in his typical Dirk fashion. If it seems a little defensive, well...I suppose it is. Yiffy is one of the two hard lines drawn in the sand, and all of us love her, and we’re hoping that everyone else will love her too. But more than that, it focuses on the fact that update culture has a rhythm to it--shock, revulsion, acceptance (or not), and then excitement (or not). Will it follow that pattern this time? Who knows. I guess we’ll find out. 
Yeah, given what was going to be dropped on us I expected they would have had exactly this lined up, especially because Andrew specifically mandated Yiffy.  --I wonder why they aren’t mentioning that somewhere in the commentary and only on one of their Twitters?
Also quoting this:
There’s something both incredibly “cringe” and self-indulgent, as well as philosophically intriguing, about the author arguing with his villain, especially since he’s writing both halves of the conversation himself. You are, for all intents and purposes, trying to solve a problem that you have created for yourself. You are looking an aspect of your personality in the eye and asking, hey, what the fuck, man?
But in the end, isn’t that what every story is? Trying to untie knots that you put in the rope yourself?
Since it’s part of the central struggle of this story, and kind of the question Andrew’s tried to imply with every Homestuck work about what right we have to keep these characters trapped in a story, and if they’d be better off escaping it.
I’m really trying to avoid quoting so much of this, since the commentary is paid...  but I think we can make an exception here?  I’ll have only quoted about half of it; just, the really plot-important half.  Plus, I left out a LOOOT of japes.
Dirk has a certain idea of how stories are supposed to go. That’s pretty much what the Epilogues is about. The audience also has a certain expectation of how a story is supposed to go. In a way, the Epilogues were also about that. They were taking a story that had reached the traditionally “acceptable” happily ever after, and saying, wait, no. What happens next? Thinking past happily ever after in any story is a terrifying prospect. Once Cinderella marries the prince, what then? Sure, she got what she wanted, but who knows that it will be everything she dreamt it would? What if she changes her mind, if not today, what about ten years from now? What if the prince dies of malaria? 
And I’m...
Yeah I don’t have anything else to add here, I’m kind of out of brain juice to think about this tonight.  BUSY day I had.  Y’all take care!
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Untold Tales of Spider-Man 08: The Liar – by Ann Nocenti
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I enjoyed this story a lot but objectively it’s very mixed.
Peter Parker watches off and on as a spider spends the day making a web. Later he watches as she waits patiently for a moth to be trapped, feeding on it. "How could I have anything in common with her?" Peter thinks. He both admires and shudders at the spider's "round-the-clock surveillance." And the web itself: "Her beautifully constructed home is also a death trap...The spider's elegantly poised web is a lie." Peter jumps up and destroys the web, then feels guilt about it, knowing the spider will just create another. "She can't help it. Lie or die."As Peter starts to leave, he receives a visit from Aunt May. She tells him that Empire State University contacted her because he missed several days of classes. She also asks if he washed something red at her house. Peter was gone for three days, confronting the Red Skull in Algiers and he washed his mask at May's place but he lies to her, telling her the school made a mistake and that the red came from a nosebleed.
At ESU, Ms. O'Grady, Peter's advisor, tells him that she talked to Aunt May about his absences and that May didn't seem to know about that. Peter tells her that May's memory isn't what it used to be. Ms. O'Grady tells him she's sorry to hear that. Peter thinks, "A big one. The two this morning to Aunt May were little enough, but this lie is a big one." Ann elaborates, "The little fibs are like annoying black moths, fluttering at the edges of his consciousness; shadows that flit about and dog his heels, they haunt him when he least expects it. The big ones are like rocks tied to his feet, that he has to drag with him wherever he goes."
Through the course of the day, Peter promises May he'll join her at 4PM to help with groceries and makes a date with Mary Jane over a fudge sundae at 6PM. Now he tells Gwen he'll join her for a 5PM revival showing of her favorite film, "Casablanca." "How," asks Ann, "will he pull this off?"
Not long after lying to his history prof to explain being late for the class, Peter is at the market with May. It is a warm day but he sees a man in the parking lot in a wool cap. Lying to Aunt May about needing to make a phone call, he leaves her in the market and changes to Spider-Man. He re-enters the market just as the thief pulls a gun and tries to rob the place. Spidey easily takes care of him. The store manager gratefully offers him "a cart of food, on the house." Spidey takes a look at May and says, "Hey, I just ate. But it looks like this poor woman got the worst fright. Maybe you could take care of her?" Which makes him look like an altruist when he's actually just helping out his relative. Back home, Aunt May tells the story to Peter for the third time. Peter notes that the story never changes. She tells it straight, never embellishing. She is grateful to Spider-Man but notes that his manners are terrible. "I just wanted to thank him properly. But he just turned his back on me!" When Peter tells her he has to meet Gwen at the movies, she comments that she thought he was meeting Mary Jane. "Oh yeah. Did I say Gwen? I meant Mary Jane," says Pete as the lies mount up.
At Casablanca, Pete enjoys sitting next to Gwen. "She's like a warm bed you don't want to get out of in the morning," he thinks. But he still needs to meet Mary Jane. So, telling Gwen he has to go to the bathroom, he slips away. He joins MJ for ice cream during which she almost lets her "party mask" slip when she refers to her repressive father. Peter notices a large bird in the sky and realizes it is the Vulture. Coming up with yet another ridiculous lie ("I promised this guy, I'd help him move his birds...he's got a pet shop, and he's got a big delivery of birds.") Peter promises MJ he'll be back in 20 minutes. MJ doesn't seem to mind. In fact, Peter thinks that she is acting as if she expected this. But he doesn't think about it long. He has to change into his Spidey duds and tackle the Vulture. 
Unfortunately, the Vulture has recruited four partners and provided them with wings. The five Vultures beat him up, carry him into the air and drop him over the river, too far away from any buildings on which Spidey can web-swing. As he falls, he realizes his identity will be revealed after his death. "They'll all know what a liar I was. A lowlife fibster with a devil's tongue. A mendacious arachnid. A lousy deceitful cock-and-bull jerk. A two-faced stinker." Then he passes out.
While unconscious, he dreams about his Mom and Dad, telling him conflicting stories about their impending trip; the trip that leads to their deaths. "I was three years old when I noticed the first little lies," he thinks, "By the time I was six, nothing quite added up...All those lies. I guess they thought they were protecting me. Benevolent lying. I know all about it."He awakens seventeen feet above the water. There is a tug boat right below him and he webs the smokestack, saving himself, ending up in the river, then climbing up onto the tug. The tug's captain, Gallager, tells him he saw him falling and swung around to help. As they sail back to port, Spidey notices how capable Gallager is and he envies his straightforward life. "What do you think of liars?" Spidey asks him. Gallager replies that it depends on what kind of lying, adding that he lies all day. "Every time I give an order," he says, "it's to save the ship but risk the man. ..They trust me and I send them to risk death with every command...Well then, a few lies along the way aren't really lies, are they? Not if you bring all your men home alive." Spidey thinks about this as Gallager docks his tug.
He gets back to MJ who asks him if he had a nice swim. "What swim?" he asks, then he notices that his bookbag, containing his costume, has created a puddle on the ground. MJ, playing along, kicks at the puddle and says, "Rained while you were gone."From there, Pete returns to the movies, tells Gwen he couldn't find their seats in the dark and watched the rest of the movie from the back. "What a perfect ending," Gwen says. "Yeah," Peter replies, "I love happy endings." "Gwen looks at him queerly, then smiles. They walk on silently for a while. Soon, it begins to rain."
Let me say up top, this is the best Spider-Man story of Ann Nocenti’s career.
This is owed to the prose, dialogue and over all narrative being fairly straightforward and not told as through you’d skipped a beat. Everyone sounds like a normal person ( for a super hero story) and there are no weird lines making you ask ‘who talks like this?’
I should also point out the subject matter of this story is something Nocenti has explored in her other Spider work as well as her famous Daredevil run, chiefly through her most enduring creation, Typhoid Mary.
The theme of the story, as the title implies, is lying. Lying is practically systemic in super hero stories as characters maintain their secret identities.
It’s an interesting idea to expand upon that idea and examine the psychological ramifications of lying upon the individual and the impact it might have on their interpersonal relationships. For example could lying about your identity cause you to become a habitual liar about other things? Could this seep into that age old human story of the unfaithful lover?
That’s what Nocenti explored in her Daredevil run when she had Matt Murdock (ironically, or appropriately depending upon your POV, a lawyer and Catholic) cheat on Karen page with Typhoid’s alter ego; she was in fact lying to him at the same time and having an affair with the Kingpin at the same time.
In her ‘Return to Mad Dog Ward’ storyline in the 1990s Peter lied to MJ and Aunt May in such a way that MJ mistakenly believed he was cheating on him and considered running off with someone else.
In an even earlier story she did, a back-up from Web of Spider-Man Annual #2, she had Peter endure a nightmare where he was haunted by the fact he lied all the time.
Personally I think her focus upon the subject, especially in regards to cheating, raises some uncomfortable questions about her personal life, but I’m not interested in that right now.
The problem with all those stories and this one as far as Spidey is concerned is that she…goes way too far.
The fact is lying can and does take a toll on Spidey but it doesn’t open him up to lying as second nature about anything. He lies to protect his identity and anything else he lies about is just what any of us might lie about in the course of our lives. He hasn’t got ‘a problem’. And the idea it’s rooted in his parents being spies is pretty ridiculous and a massive reach.
I think what’s most problematic about this story in regards to the theme is that Peter would absolutely NEVER knowingly cheat on a woman. He’s just not that kind of person and yet here he is on 2 dates with MJ and Gwen at once like it’s a sitcom or Superman IV: the Quest for Peace.
In terms of Spider-Man’s personality and characterization this is just more evidence that Nocenti simply never grasped the character. Which is a shame given how she has written more Spider-Man stories than any female author ever; though Houser might’ve overtaken her by this point.
Her idea that Peter’s ‘problem with lying’ stems from his parents is also kind of contradicted by various stories that establish Peter was just too young to even remember his parents. This in particular includes ASM Annual #5 which she references in this story. I’m not going to hold that against this story too much because honestly no one keeps Peter’s parents consistent.*
Other continuity hiccups include when the annual happens in relation to Peter meeting Captain Stacy and MJ’s job as a go-go dancer.
However, this book has by now long established that these stories are not meant to fit into 616 canon but more a generalized idea of Spidey’s canon. If you try putting this story into strict continuity Peter was firmly interested in Gwen over MJ and the Betty/Veronica choice he had had been resolved for a good while.
This story though is meant more to touch upon the Betty/Veronica aspect of the Romita era and admittedly 2 dates at once seems like a typical Archie story. If you accept this as just a general AU version of Peter and don’t try to compare him to his canon characterization this is a perfectly legitimate idea. By  extension the psychological complexity of this story works if you treat take this story in isolation or in isolation of the anthology as a whole.
Nocenti DOES to her credit explore the theme very well, the scenes with his parents and their lies resonates very well and speaks honestly to childhood hurts.
The hints that MJ knows Peter’s identity and her own family history are done very well. They are subtle, romantic and in fact so good I WISH there was a story that played with the idea. Although it does contradict later stories because Peter clearly suspects MJ is aware of his secret but ignores it.
It’s ironic actually that those scenes ultimately make this more an MJ story than a Gwen/MJ story in spite of that being the point of the narrative.  Nocenti just charcaterizees her very well and even does Gwen a service. She is very much the early days Romita Gwen and there is a wonderful passage comparing the two and likening MJ to the sun and Gwen to the moon. I never thought of that kind of dichotomy but (before she became a water works) it’s a brilliant observation of the two women. She also does a great job of capturing the flirtatious nature of Silver Age MJ.
However, where this story falters (evene when taken unto itself) is in Noenti likening spider webs to ‘lies’ and the scenes on the boat.
For the former she is just over reaching. ‘What a tangled web we weave when we first choose to lie and deceive’. It’s a famous phrase but it isn’t actually saying a spiders web is akin to a lie. It’s saying the ACT of lying is like the ACT of spinning a tangled web. An insect isn’t metaphorically ‘caught in a lie’ when it’s ensnared in a spider’s web.  Yet that’s what Nocenti goes for at the start of the story.
And the stuff on the boat is just…I don’t know what it means. The lies Peter engages in in are simply not comparable to the lies the boat captain engages in. Even if you lean hard on the idea of Peter lying about his identity for the greater good, what has that got to do with lying to MJ and Gwen?
Regardless, I think this story is mostly well told for what it is and I very much enjoyed it in spite of the mischaracterization.
*Personally though I defer to Stan’s stories that state he was too young to remember them.
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mattygraygubler · 5 years
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our campus: chapter 8 (tom holland fic)
summary: frat!tom and reader go to the same college and y/n is tasked with being his tutor, they don’t really get along at first (because i love reader and tom hating each other trope)
warnings: drinking, drinking, more drinking, mentions of sex
word count: 2.6
a/n: sort of a cliff hanger at the end???? we’ll see what happens! 
as always texts are bolded
for a list of characters click here
to be added to the tag list send me an ask !
masterlist
✰✰✰✰✰
You slowly opened your eyes and were immediately confused. You were in your room, but you felt someone’s arms around you. 
You drank almost an entire bottle of wine last night, so needless to say, you didn’t really remember anything. You didn’t think you slept with someone… But did you? 
The body groaned, but you still couldn’t figure out who it was because the lights were off and blackout curtains closed. You pushed their shoulder a bit and heard a british voice say “Whaa?” 
“Tom?” You asked incredulously. 
“Good morning, darling,” he said. His voice was raspy and low, so incredibly sexy. 
“What are you doing here? Why are you shirtless, where are my pants?! Did we- ohmigod tell me we didn’t…” 
“You don’t remember?” He asked and you shook your head, still very aware that his arm was around you and your legs were intertwined. “Relax, we didn’t have sex, love. We just hung out and then watched a movie and fell asleep.”
“Then where’s your shirt?” He laughed. 
“You’re wearing it. You were cold and wouldn’t let me leave the bed, so I gave it to you.” You bit your lip, very uncomfortable. It was one thing to sleep with someone and not remember it, but to spend the entire night cuddling? You weren’t a couple, who does that?!
“Oh. I’m sorry.” You said and sat up, untangling your body from his.
“What are you apologizing for?” He asked. 
“I mean… I’m your tutor, we’re just becoming friends, it’s weird for us to-to sleep in the same bed together and-” 
“Y/N, slow down. We’re friends. It’s really not a big deal, totally platonic. I mean, c’mon, you’ve never slept in the same bed as Kyle? Or Emily?” 
“No, I have…” “Then what’s the big deal?” He asked. 
“I guess there isn’t one…” You replied. Tom swung his leg over the side of the bed, stretching and getting his stuff together. You couldn’t help but watch his back muscles flex when he stretched. You wanted to run your fingernails along it. 
“I gotta take care of some stuff, I’ll see you later today?” He asked. You nodded. 
“Sure, I’ll see you later. Wait, Tom!” You said before he could walk out the door.  
“Yes?” He turned back to look at you. 
“You’re, uhm… You need your sweatshirt back.” You started to take it off. 
“I’m only going down two floors. You look comfy anyway.” He said and smiled at you before walking out. 
You lied back down in bed, picking up your phone and checking the alerts. You scrolled through all the drunk texts from last night, laughing at a lot of them. 
♡girly girls♡
Em
GUYS
Al
whaaaaaat em
Em
GUYS GUYS GUYS
Iz
em what happened
Em
NOTHING HAPPENED
YET
CHECK THE WEATHER REPORT
You rolled your eyes and checked the weather report, unsure of what she was referring to. It was the first weekend in February, so you weren’t expecting your weather app to show you a 100% chance of snow starting in a few hours and lasting until Monday night. 
Em
THATS RIGHT LADIES
SNOOOOOOWWWW DAAAAYYYYYY
Al
Y/N we’ll be over at 9 to play games, iz you and i are goin to grab the booze, em youre in charge of food
You
what am i in charge of? 
Al 
dont you have homework? plus were using your room, we can take care of all the stuff
Iz
are we inviting anyone else?
Em
thank you for asking i would love to invite harrison
Iz
im fine with that if i can invite cal
Cal was the nerdy boy from delt who Isabelle was seeing. It was really low key, they’d only gone on a few dates, and things hadn’t gotten physical yet. 
Em
Y/N! invite tom and we’ll make it a total delt nite !!!
You
yeah ok ill invite him. were gonna be studying anyway. 
Al
wow i expected more push back
You
were friends now, it wont be weird. its not like its a quintouple date
Iz
it is if one of those delt boys has a gay sister
Al
not interested. besides i doubt more than 7 people can fit comfortably in Y/N’s room
You
fine ill see you guys tonight.
You hopped in the shower, putting on a pair of leggings and a cropped sweatshirt. You decided to text Tom. 
You
hey so it looks like its gonna snow i was wondering if we could work at my place instead?
also ive been told to invite you to our game night tonight
Tom
interesting, because i was already invited
what took you so long Y/L/N?
You
sorry i was in the shower
Tom
likely story
but yeah that sounds great ill see you in a few hours
A few hours. That’s plenty of time for you to put your glasses on, earbuds in, and really focus on your homework. 
* * *
You were pulled from your law reading by a knock at the door. You opened it, seeing Tom in a soccer tee shirt and gray sweatpants. His hair was wet and he ran his fingers through it. 
You hoped he didn’t see the fact that you bit your lip, but you couldn’t help yourself. He just looked so incredibly sexy. 
“You look... “ His eyes scanned your body and you immediately wrapped your arms around you, insecure. 
“What?”
“No, you just never wear stuff like this in front of me. You’re always so put together.” 
“Your point?” 
“You look cute, that’s all.” Tom said and walked into the room. He thought you were cute? No, you needed to calm down, he’s the biggest player ever, he didn’t mean anything. Just some accidental flirting. 
“I brought tequila, Harrison said it’s your favorite.” He said and dropped his backpack on the floor and put the tequila on the table where you kept your booze. 
“That’s sweet of you, thank you, it is my favorite.” “Really? I thought he was joking.” “No, why?” 
“You’re just… you’re really something else, Y/N.” He said with a laugh. 
You grabbed your notebooks and started the session, you checking his homework, him redoing the mistakes, and you answering any questions he had about the material. 
“You’ve definitely made an improvement,” you said as you finished reading his essay on the power shifts in England from the 1600s to today. 
“Thank you? I think?” 
“You’re welcome. You’re almost there, but you’re still not incorporating this source correctly.” 
“That’s because that source makes no sense. The writing is so convoluted, it’s mental!” 
“Then why don’t you find a new source?” You asked. 
“Well… I thought I’d be easier if I just stuck with this one.” Normally you would have rolled your eyes at that, but instead you found yourself laughing. 
“Read it again,” You said and handed him the library book he was using as his last source, “And if you still can’t understand it, I can explain it or we can just find a new source.” 
You grabbed your own book, Rage Becomes Her, which you were reading for your Women, Politics, and Public Policy class, and started highlighting right where you left off. 
You both got lost in your books, highlighting and annotating in silence. Every once in a while Tom would stop to ask you about a particular passage. 
It was another hour or so before you both heard a knock on your door. You got up to open it, and as soon as you did Emily burst into the room, Harrison right behind her holding three pizzas. 
“TOM!” Emily said and tackled him in a hug. “It’s so good to see you again!” “I didn’t realize you two had met,” you said and helped Harrison with the pizzas. 
“Just once,” Tom said with a laugh. He made himself comfortable on your bed instead of the floor, Harrison took a seat on your comfy chair and Emily made herself comfortable on his lap. 
“I better leave this unlocked,” you said. “I would offer you guys a drink, but Isabelle and Ally are-” 
“Did someone say something about a drink?” Isabelle said, pushing the door opened. 
“What’s up bitches,” Ally said and put a bottle of wine, svedka, prosecco, and a 30 on the booze table. 
“How long do you guys anticipate this storm lasting, because that is a LOT of booze for 7 people,” you commented. 
“Lighten up, babe, it’s not like we have to drink it all tonight.” Isabelle responded. 
“Better to be safe than sorry.” Ally said with a mischievous grin. They greeted the others in the room when you heard a knock on your door. 
“I heard there was a party happening here?” Cal said as he pushed open the door. You closed it all the way behind him so no one else could stumble in. 
After everyone introduced themselves to each other, Harrison said “So what does everyone want to play first?” 
“Oh, you’re new.” Ally said. “See, we kinda of have an agenda.” “Is that so?” Harrison asked. Emily kissed his cheek. “Tell me more.”
“Well the first time we had a snow day, we took turns picking our favorite games, and then we just stuck with that formula. First is A which means kings,” Isabelle said. “Then Emily, which means never have I ever. Then me, which means truth or dare. And then Y/N.” 
“And what does Y/N pick?” Tom asked.
“Y/N picks poker, of course. But most of the time were too drunk to get there.” Ally said. 
“Yeah I really got the short end of the stick there. It’s a good formula, though.” You replied and grabbed a deck of cards and a beer. 
“Let’s go, boys and girls.” You said. Everyone sat in a circle, the beer in the middle like you were worshipping it, and you spread out the cards in a circle around it. You saw Tom and Harrison exchange a look across the circle. 
“Something wrong?” You asked. 
“Well… Don’t judge us, but we’ve never played this game before. They don’t have it in England.” Everyone else laughed quietly at Harrison’s statement. 
“It’s easy. Everyone picks a card, and each card has an action assigned to it. Ace is waterfall,” You said. 
“Two is you, so you pick someone to drink.” Isabelle said.
“Three is me, so you drink.” Cal said as you went around the circle explaining the rules. 
“Four is floor, so the last person to slap the floor loses.” Emily said. 
“Five is guys,” Ally said. 
“Six is chicks,” You said and the circle started again. 
“Seven is heaven, so last person to touch the ceiling drinks.” 
“Eight is date, so you pick someone and whenever one of you drinks the other has to too, for the rest of the game.” 
“Nine is rhyme, so you go around the circle saying words that rhyme and the person who can’t continue the rhymes drinks.” 
“Ten is categories, so it’s the same as nine but with a category of something, like animals.” 
“Jack is never have I ever.” 
“Queen is questions, so the next person who answers a question they ask drinks.” 
“And finally, king is the ruler, so you make a rule that everyone has to follow until the next king is pulled.” 
“Make sense?” You asked. 
“Not one bit.” Tom responded. 
“You’ll get the hang of it, I promise it gets easier.” You said. “Al goes first.” 
“Why?” Harrison asked. 
“Gay goes first.” The four of you said in unison. The boys looked scared. They had no idea what they had gotten themselves into. 
“One last rule. First drink is a shot of your chosen poison. After that, you can drink whatever you want.” You explained as Isabelle gave each person a shot glass and the handles of hard liquor were passed around.
“Four,” Ally said and everyone slapped the floor except Tom and Harrison. Harrison realized first, so you watched as Tom downed the shot across the circle. He tensed his jaw after, which made you wet already. When he saw you looking at him, he winked at you.
Your turn was next, so you quickly pulled a card, a six, so you and the other girls did your shots and then began to pour yourselves your chosen drinks. For you, that was a second shot of tequila and then a rum and orange soda.
“Two.” Isabelle said with a grin. “I choose our kings sponsor, miss Alexandria Park.” Everyone whooped as Ally dramatically took a sip of her beer. 
“Five,” Cal said. The boys took their shots, except Tom who took a sip of his beer. 
“My turn then?” Tom said and drew a card. “Eight. Which one is that?” 
“Date. You pick someone and for the rest of the game whenever one of you drinks, the other has to too.” Cal explained. Tom looked around the circle, but you already suspected who he was going to pick. 
“Y/N,” he said. “Would you care to be my date?” 
“You’re exhausting, Holland. What, are you trying to get me drunk or something?” That shut him up, right as Harrison said ‘seven’ and everyone reached for the ceiling except Tom, who groaned and complained about having to drink again. 
Cal was the one who finally popped the beer and had to chug it. You put the cards to the side and everyone held up ten fingers, already ready for never have I ever. 
Things started off innocent enough, with Emily sharing that she had never peed in a pool. By the time you all went once and it was Harrison’s turn, he made things more interesting. 
“Never have I ever slept with more than 15 different people.” You and Tom were the only ones who clapped. 
Harrison rolled his eyes. “Jesus fucking christ, it’s like you guys were made for each other.” He commented. Your face got red, which Emily noticed, so she went quickly next. 
You finally lost, getting rid of your ten fingers before anyone else. You were always a bag of secrets, and Tom found himself learning more and more things about you he didn’t know. Like that you had a tattoo, or that you’ve gone skinny dipping, or that you’ve never had a gin and tonic. 
You were all wasted, that was clear. Isabelle was in between Cal’s legs on the floor, leaning her back against his chest. Ally was lying on the couch all by herself, upside down. Harrison was in your big chair with Emily on his lap, and you and Tom were on your bed, you lying on your stomach and him sitting against the headboard. 
“Isabelle, truth or dare?” Cal asked. 
“Dare,” she said, looking back at him. 
“I dare you to ditch your friends and come back to my room with me.” He said. 
Isabelle shared a look with all of you before saying “Sorry guys, I’m not one to turn down a dare.” They grabbed the half-drunk bottle of prosecco on their way out. 
“Al, truth or dare?” Emily asked. This went on until Ally passed out from drinking, still upside down. 
“We’ll get her home.” Harrison said. He picked Ally up as Emily collected their stuff and bid you and Tom good night. You both sat in silence for a few minutes, when Tom’s phone lit up. 
“Do you mind if I chill here for a while? I’ll stay on the couch if you want to go to sleep, but Harrison just said him and Emily want some alone time and her roommate is home.” 
“Of course, I don’t mind.” You responded. You stumbled off the bed, going to pour yourself another drink. 
“Ok, Y/N.” Tom said, moving so he was sitting on the edge of the bed. “Truth or dare?” You turned to look at him and saw a dark look in his brown eyes. 
“Dare.” 
“I dare you to kiss me.” 
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So I’m finally getting around to writing out a bunch of info about my Sander Sides au so I hope youre all ready--(its like 1 am im so sorry for any spelling mistakes and missed tags)
So its 1 am on a work night and I cant sleep and I’ve had lots of ideas and canon things for this au bouncing around my head for days and now TONIGHTS THE NIGHT ITS HAPPENING IM DELIVERING YOU ALL THE DETAILS AND EVERYTHING I CAN THINK OF AND TYPE 
Also please feel free to ask about this! I know I got a few new followers from all my recent sander sides art and also thanks to @sugarglider9603 reblogging some art I made of their au I got the biggest flood of exposure and attention on my art ive ever had and I have so much to thank them for, for all recent exposure ive gotten the past couple days( theyre so sweet and lovely and easy to talk to sugar deserves all the love--) and its given me a huge surge of motivation and confidence to post this. And please, my inbox is always open to talk about my aus or my art! Ask questions, send requests, send headcanons or ideas, send fluff angst im open to anything and I try to do all requests sent to me(sooner or later)
Oh oh! and please id you catch any and all the little inspirations or anything let me know
And finally this au is a LAMP au with Remile and Demus on the side
Ahem ahem anyway onto the au!!!
More under the cut so I dont flood your screen too bad!
Ok so! 
This Au was originally inspired by @residentanchor‘s amazing fanfic A Lesson in Practicality and also a little bit by @prettyinaccurate‘s fanged virgil au( I’ll get more into that further down) 
So it takes place in a (currently) unnamed bigger city I based off San Francisco and Sacramento( because I live in Cali and those are the two major cities ive really visited ya know?) The boys are all in various stages of their twenties when they move into a four bedroom apartment together: Patton Foster is the oldest of the roomies at 27, then Logan Masters at 26, Roman Prince at 24, and finally Virgil Collins at 22. They move in together because it all works out for them really, the apartment is in a good distance to all their current jobs, whether by bus or even in Pat’s case in walking distance and with all four of them it was well affordable and was pretty nice. I mean hey it even came with a little communal balcony ( since theyre on third floor of the building) 
Things are understandably a little rocky at first , i mean isnt it always though?
Virgil has alot of anxiety and so he tends not to talk really at all at the beginning unless he ABSOLUTELY had to, mostly communicating in noncomittal noises and soft grumbles, and he was fresh out of collage and barely two years into his job and out on his own for the first time and he wasnt really ready for it either like christ too many people
Patton was bright bubbly and caring. This wasnt his first rodeo with roomies, I mean cmon, hes been sharing a room with his older brother Damian(deceit) on and off almost all his freakin life, nor was it his first time living on his own with strangers(hes lived in two different parts of two when he was job hopping before he settled down in his current part time job)
Roman was extroverted loud and exciteable, he too was used to sharing his living space( he had TWO siblings after all) and before he had moved into the apartment he had tried living on his own and with other roommates while he attended collage, but those just didnt work out well ( he ended up staying with his older brother Remy in his studio apartment across the city while he finished out that semester and searched for a job to keep an income.
Logan was serious minded stern toned and confident, he had a minor degree in teaching that he was slowly repursueing and had been out on his own for awhile before he had moved in. And though cold at first he soon found his group of housemates...enjoyable.
Its about a month into them living together that they learn exactly why despite slowly getting close and getting to know each other Virgil still kept a wide distance: He had entirely sharp teeth.
“ I dunno....I was born with them..theyve always been a sharp pain in my ass...” - virgil, about his teeth
Of course just having sharp teeth wasnt bad enough oh no. You see a few years back when he was about 18 he was young and dumb and made horrifically stupid and reckless decisions under peer pressure and ended up doing something that not only pointedly (haha oh god im not funny) chipped his front teeth but it fucked up his teeth pretty majorly, he went from having a normal overbite to almost having a goddamn underbite and crooked all his teeth, and the only way to fix it( because somehow miraculous for all the damage done it turned out to be mostly reversable aside from the chipping) was getting braces to realign his teeth. So he’s had pretty purple braces over his fangs since he was 18 and they werent expected to come off until he was AT LEAST 25 and he was insecure about them. ( he got mocked for them through his two and a half years of junior collage)
Once the gang finds out they are understanding and helpful and dont make a big deal about it( though virgil gains a significant amount of more vampire related nicknames from roman)
Once they get close and comfortable around each other the apartment is pretty warm and lively! 
Virgil works at the art store as an assistant manager and head stocker( a bit of a dream come true since he was an art student)
Roman works as a part time waiter at a family resturant as well as working at a nearby theater( he was of course a lovely theater major) 
Patton worked at a nearby cafe and bakery as a bit of everything! He helped wait tables, serve behind the counter, and helped in the back in the kitchen( the owners were family friends and he’d been working there almost four to five years at that point, boi knows how to do everything) 
Logan worked at a big name bookstore, and also provided tutoring sessions for highschool students on the side by commision
More FACTS~~
Family ages for the big families go as follows:
Fosters: Damian(28), Patton(27)
Prince: Remy(26), Roman(24, older twin by 10 minutes), Remus(24, younger twin)
Emile is 27 and is a licensed therapist and works as a counselor for young adults that volunteers at the nearby library to ready to children
Remy works as a coffee barista in Emile’s building
Remus does alot of odd jobs, kinda working as an independent for hire and gets a surprising steady flow of work and pay. Hes still a trash man though, but hes a successful trash man( partly thanks to Damian calling in favors with connections)
Damian works at a law firm slowly moving into the position of prosecutor
Virgil doesnt really get along with his family and at some point Emile offers to take virgil in as his adopted brother, with Damian assuring him if he wanted concrete legal papers to start changing his last name, cutting ties with his family, anything needed for it he’d see to it that they’d be providing(something our boi really appreciates)
Remy visits Emile on his breaks since hes literally just...two hallways down and vice versa
Damian and Remus live together in the next, slightly smaller city over because Damian’s work transferred him to a different office in order for him to keep moving up in the ranks so to speak. 
Hes also good at what he does.
Family nights happen whenever they can
Patton got to teach them how to cook alot of complicatied dishes from scratch, a bonding time he adores
Roman got Virgil an Espeon hoodie after they all start dating and virgil loves it and wears it alot around the house because its a thicker hoodie and warm( though he tries to ignore the big ears and the obnovious tail
Virgil also loves visiting Roman’s work on what Ro likes to refer to as “ hellish days” AKA kids day which means goofy kid friendly theme days. His favorite was probably alice in wonderland day when Roman was Tweedle Dee
Roman played J.D at the local theater and likes to hum some of the his songs to switch up the Disney
The balcony is covered in houseplants and and a corner of old blankets and pillows to sit and chill on
Once a month Logan and Patton have what is affectionately referred to as the Cat Discourse
After any particularly rough days at work Patton tends to massage Logan’s shoulders and back to make sure Lo doesnt get any really bad stress knots
in return when Logan sees Patton’s head a hard day he makes Patton’s favorite drink and pulls him into a hug and let the older man fall asleep in his arms while they watch movies
Pat and roman sense each other’s bad days and order in some cliche diner food and hole up in pattons room with Pattons computer and relax the shittiness away with comedy specials and movies 
Likewise Virgil has a knack of picking up Roman’s bad days and always grabs a couple glasses and a bottle kinda cheap wine and they end up curling up together on Romans bed marathoning Disney movies on Virgil’s laptop 
and when Virgil closes himself off more than normal Logan manages to lure him out of his room and they end up sitting out on the balcony quietly talking and stargazing
so loving and fond and soft with each other
you hurt one of them you gonna get BEAT by the others. 
Speaking of getting beat, never EVER mess with Roman or Remus in Remy’s proximity
Remy Andrew Prince can and WILL fuck you right up if you hurt his little brothers. He’s protective.
and where Remy will rearrange your face Damian will ruin you mentally and legally if you so much as mistreat a single freckle on his little brother’s face, despite knowing that Patton is fully capable of taking care of himself. 
Everyone protects Virgil, dont mess with or hurt virgil or you have the pack coming for ya throat
aaaaaaaaaaaaaand thats all I have for right now! Of course more will be added but now its almost three in the morning and I have work at 1:30pm and im sleepy finally! But I hope you guys like this! And please, feel free to talk to me about it, my inbox is always open!!
Taglist: @phantommoonpeople @sweetsweetemo @loganberrysanders
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thebeethathums · 6 years
Text
Broken Together - 3
Pairing: Bucky x Reader (EVENTUAL)
Warning: Mentions of prior torture
A/N: Again... sorry for lack of Bucky. Setting shit up is hard guys. I just want it to be right. Also bad joke. but hey thats my signature style.
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Before Maria could get into it, the owner of the deeper voice returned with a woman in a lab coat who pursed her lips at you, “You shouldn’t be up.”
You shrugged a little, rolling your shoulders as you eyed the blonde that had retrieved her while she looked you over. He caught you staring but you didn’t look away, maintaining eye contact as you sized him up like you come to do with most people you met. He looked tense, you assumed he probably still hadn’t had time to fully debrief after the whole mess at the base, and you offered a small smile, “I’m a fan of the new scruff, Captain. Suits y- ah!”
Unwittingly breaking eye contact as the doctor gripped your forearm a bit too tightly, you quickly snatched it away from her grasp, “Don’t.”
She had already seen the needle marks and bruises that went with them up your arm, narrowing her eyes as she asked in an even tone, “Track marks… do I need to worry about withdrawals?”
“A Hydra scientist shooting her own medicine. That explains some things,” Steve rumbled as he crossed his arms and you shot him a glare that could kill, “Excuse me?”
He shrugged, “Wouldn’t be the first time.”
Maria cleared her throat, trying to cut through the tension, “(F/n)... we don’t know what to think…”
You could feel yourself already shutting down- of course, this was too good to be true. You had just traded one bad situation for another. You hugged yourself a little, staring at the blankets, “No withdrawals. Not drugs... I can assure you of that.”
The doctor nodded, “Any pain?”
“Nothing I can’t handle,” you hummed softly, from your tone it was clear you wanted her to leave, and her eyes flicked to Maria for approval. She nodded once and the doctor left. Once she was gone, Maria pulled up a chair next to you, “What happened to List?”
“He’s dead. A year ago at least. Strucker didn’t see any need for him when I started cooperating and he found out List was passing my research off as his own… that and once you play for both sides who knows where your loyalties lie. He said he was a liability.”
She nodded, recording it on her tablet, “How long were you there? How did you end up there?”
“I… I’m a bit fuzzy on the how. I was working with List in our lab on base, we touched on something brilliant, and then… it's a blank. The next thing I remember is my cell at the facility,” you admitted, rubbing your temple lightly.
“That was over two years ago,” Maria noted, “Could you give us a timeline since then?”
“Sure… I think I lost a few days in the beginning… after that…,” you shifted uncomfortably, thinking about how days had seemed to run together when they had been trying to get you to cooperate. 
Shaking your head, you took a slow breath in and then out, ‘Endure’ mantra ringing through your head before you continued, “It’s hard to say. If I had to estimate… four to five months of the cell… one or two months i-in a d-different room… then a year and a half working.”
“Different room?” Steve pressed, still not convinced.
You took a few slow breaths, in and out, and Maria reached for your hand only to have you snatch it away, “I’m fine. It was hard to tell if it was one room or a couple. The main one was… no windows. Completely dark.”
Maria hummed, frowning as she made a note of it, “Sensory deprivation?”
You nodded a little, trying not to think about it, “Once I had access to the lab it was easier to keep track.”
“What about your research?”
Just wanting to get it over with, you shrugged, “Safe. Only one copy on a tablet with someone I trust, heavily encrypted. Five test subjects. Daniel Fredriske. Deceased. Gemma Stall. Deceased. Klaus Stansi. Deceased. Wanda and Pietro Maximoff… Unknown.”
Steve tensed, “Unknown? As in still under Hydra control?”
“I sure as fuck hope not, Sir. I bought them as much time as I could but I don’t know what happened after they left the testing room,” you answered, rubbing your hands down your face.
Maria hesitated, “About that...”
You tensed a little, knowing exactly what she was referring to, “My mistake... Six test subjects if you include me. Pyrokinesis and energy manipulation… I think. I’m not sure the specifics or extent. That was the first time I’ve attempted to use them.”
Maria wrote it down and Steve watched you carefully, voice coming out less hostile now, “You experimented on yourself?”
“Not for the reasons you think. After Klaus… I couldn’t lose the twins. I ran everything I intended to do to them on myself first. To be sure. It wasn’t a perfect system. Everyone reacts differently. But it was the only failsafe I could provide,” you shrugged, smoothing the blanket tensely as a long silence enveloped the room. 
Maria was about to continue when a voice abruptly erupted from the ceiling, connection a bit rough, “Hey Capsicle… we’ve got a bit of a problem.”
“Kinda busy here, Stark,” Steve huffed, looking up at the ceiling.
Tony’s voice came through a little garbled this time, “With Baby Blue. Yeah. Gotcha. Strucker escaped after wiping the data banks.” “So go after him.”
“See that’s the problem. We’re pinned down. Something like the Tasmanian devil mixed with red lightning.”
Your eyes snapped up, already trying to get out of the bed, “That’s the twins. Stark, don’t engage!”
“Excuse me, Miss, but I give the orders here,” Steve said firmly but you ignored him.
“DON’T ENGAGE!” you ripped the IV out of your arm, Maria trying to stop you as Steve tensed to block the door.
“Is that the Blue Fairy?”
Steve went to respond and you grabbed his arm with a hiss, “You don’t understand. They will end him. Please. Tell him to stand down.”
Something in your voice and the look in your eyes when they locked with his made him nod, “Stand down until we know more, Tony.”
You visibly relaxed before gripping his arm a little bit tighter, the pain in your side making your knees weak. The blonde steadied you gently, “I’m going to need an explanation, Dr. (L/n).”
“R-Right… sorry. Just not looking to have anyone else die on my watch. The twins… they hate Stark. It’s complicated. Somebody else needs to engage. Basically anyone else. Mr. Stark needs to keep as much distance as he can. Wanda should be able to tell they mean no harm… If she’s stable…”
It was quiet for a moment and then Natasha’s voice came across the com clearly, “Stark’s backed off and gone radio silent. Any advice on how to bring them in peacefully?”
You wracked your brain for a minute. You hadn’t even thought about this situation, having always assumed that if the opportunity did come up to get them out… you wouldn’t survive it. After a moment, you went red and cursed under your breath, “You have to tell them…. Tell… them…” Steve looked down at you expectantly, “What, Doctor?”
You sighed, covering your face with your free hand in embarrassment, “Tell them ‘The moons are rising over Uranus.’ ”
There was a brief moment of silence and then some distant laughter through the com before Natasha responded, “You can’t be serious.”
“I didn’t pick it!” you hissed, letting out an exasperated huff as you aggressively avoided Steve’s gaze. The room went quiet for another long moment before Natasha announced, “They’re coming in willingly. Avenger team headed back to base.”
You breathed out the air you had been holding in, “Thank god he remembered.”
“What does that even mean?” Steve mumbled and Natasha sighed, “Barton says he’ll explain it to you when we get there.”
He nodded, looking up again, “We’ll see you back here then. Over and out.”
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Congratulations, Marie! You’ve been accepted to play Sofia Costello. Your request to change her FC to Zoey Deutch, has also been accepted. Please make your page and send it in within 24 hours.
Admin note: This audition was incredible, and it was so hard to pick from because we had three different Sofia auditions. You were so detailed, even just in describing Sofia’s names. You’re an incredible writer - welcome to the group! - Admin V
CHARACTER DESIRED.
I will be applying for the lovely Sofia Costello.
SOFIA ( soh - fee - uh ) — “wisdom, skill” :
Not many people see it, the intelligence that hides in Sofia Costello’s eyes. When they hear that she’s a socialite, and aside from that, uninvolved in the family business, frivolous to a fault and with a dramatic streak to boost, it’s not exactly something they look for. But there’s a reason Sofia practically breezed through private school, there’s a reason she does live up to her first name, even without her parents knowing when they picked it out what she’d turn out to be like. When she applies herself to something Sofia can be a whirlwind of ambition and determination, pushing herself until she masters whatever her goal is.
GUINEVERE ( gwin - iv - eer ) — “white enchantress” :
There was no surprise that her middle name became a tribute to her recently deceased mother. The terrible accident, the twins’ first few weeks of life spent in the NICU, Sofia still believes there must have been some higher power, someone watching over them, to make sure they actually made it out of that hospital alive. In her heart, she believes it was Guinevere herself, who couldn’t pass on to the afterlife until she knew her babies were safe. Not one typically for religion, this is the one belief she clings onto tightly, with both her hands and one that has made her carry the middle name with nothing but absolute pride.
COSTELLO ( cos - tell - oh ) — “little castle” :
Despite her never caring much about the family business, Sofia would do anything, absolutely anything, for the other Costellos. Much like her middle name, she wears the surname with pride, not for the power it’s associated with ( though, despite her disregard for the business, she still quite liked that part ) but for the people. Her parents, her siblings, her cousin — she loves them dearly, which is quite possibly also why she’s so against her darling brother, her twin, her Luca marrying Paisley Sinclair, not when Juliet already brought him so much heartache. Not when he deserved so much better than that.
DESCRIBE THE CHARACTER IN YOUR OWN WORDS.
There are so many things Sofia Costello is to me. From reading her biography, I immediately got the sense that she is not the type of girl that can be described with a single trope, that she is probably a lot more than people give her credit for, too. Then I started reading through the other biographies related to her own, saw that Marcel saw her as assertive & unafraid of a challenge and that Luca’s noted that the twins could get away with almost anything, especially when Sofia flashed the doe eyes her parents adored. I kind of fell in love with her even more, and I also started to understand just how broad this character is.
I think the first thing that came to mind for me when looking at Sofia was mafia princess, though mostly focussing on the latter part. A socialite, who basically ignored her family’s business, but enjoyed the luxuries of it anyway. Taking after the mother that raised her, being good at getting what she wanted, and throwing a fit when she didn’t. I think I’d build on this by saying that Sofia is probably very dramatic and overindulged, but also that she is very confident and charismatic. That there is a regal air around her, and that it makes it easy for people to have a skewed perception of who she really is, for people to underestimate her, but never test out of she is really naive, in fear of her family’s rage. I also think that it makes her powerful in social situations, knowing she can snag the attention of a room with just a few quick gestures, knowing she can play the game of power struggles as well as anyone.
The second thing I really thought about was her being a bit of a trouble maker. Sure, she focussed on her studies and goals enough to make sure she was the best, but when she could talk herself out of almost anything — how does it not become tempting to try and indulge. I think she kind of embodies that ( I hate myself for making a Gossip Girl reference in the year of our lord 2019 but it’s been burned into my head and I can not get it out ) Serena van der Woodsen feel, where she is legendary for partying and getting into trouble, but still beloved enough for none of it to really matter. I also think that like Luca, she probably held the Costello name over her peers, letting them know that she could do anything, get away with anything, because of the family she hails from.
Finally, I think that currently, at this moment in time, Sofia is changing. I think she realized that with her twin brothers’ marriage to their enemy, she could no longer remain uninvolved. After never really having any interest in the family business, she suddenly wishes to push herself right into the middle of things, for her brothers’ sake, to keep him out of a loveless marriage, especially when Juliet Carmichael had already dragged him down a hole of addiction and obsession. I think her interest in their family affairs is also growing, and I think that once all of this is done, there is no way for her to go back to her regular life.
WRITING SAMPLE.
writing sample one.
So. Getting involved in underage drinking and then mistaking a police officer for a stripper, Sofia could admit it to herself, this was not exactly one of her finest moments. She had done worse things, of course, but those her parents did not find out about. Yet. This one, unfortunately for her, they had. In her defense, the police officer looked exactly like that new stripper at the Venetian, and she’d thought he’d definitely recognize his owners’ daughter. Also in her defense, the drinks at Sapphire were not to be messed with. She’d only had a few glasses, but was already swaying on her feet — and considering someone had tried to champagne shower her, she now reeked of alcohol too. “Please officer — I’m so sorry”, Sofia had looked at him with those pleading eyes that only very rarely were denied. Apparently, the cop was a little too insulted at how she’d tried to use his handcuffs in ways they definitely weren’t meant for because he wasn’t buying it. Not even the slightest bit.
She’d considered calling Luca, or even Mia when she reached the station, hoping they could just come get her out without much hassle, but as soon as she entered the building, one of the officers’ superiors recognized her, and after berating the man for picking up Marcel Costello’s daughter, he placed her at his desk, a blanket to keep her warm wrapped tightly around her shoulders and a mug of hot chocolate in her hands as he called a secure contact to connect him to her parents. “Damn it”, she swore under her breath, knowing that all she wanted to do was fall into her bed and sleep for the next ten hours — not being forced to work her magic on both her parents in the middle of the night.
Luckily for her, it was not her parents that came to pick her up, but one of their underlings, so she had time to prepare the speech. I just went out for a little celebratory drink, I promise. My friend Nadine got engaged yesterday, and us girls had to take her out for the night, of course! She’s absolutely ecstatic about it, I’ll make sure to get some extra invitations to the wedding, her father is the CEO of some large, Fortune 500 company, so you know the nuptials will be lavish. Sorry, I’ll get back to the story. So, Christie — you know her right, with the nose job? She ordered the drinks, and I guess there was alcohol in them, I didn’t even taste any, I swear! And then we get outside, and Nadine thinks that lovely police officer was a stripper we hired just for her, and when we realized he wasn’t, it was already too late. At that point, she’d let those beautiful doe eyes of hers fill with tears, and a regretful expression would fall over her face. She’d apologize at least twice more, come up with some more excuses, and eventually, they’d tell her to just go get some rest, that it was all okay.
And Sofia would never hear about it again.
writing sample two.
Her rage was like a burning, living thing. It was fire, coursing down her veins, into every single cell of her being, taking over, turning her into pure, undiluted anger. It had been building from the moment the family discussion about this betrothal had started. She’d seen some slivers of feelings about this whole situation in her family’s eyes, some of her own feelings reflected in those, too, but she didn’t think any of them were as powerful as hers. Sofia had retreated into herself, the rage building up as she sat there, silently, barely being able to hear what anyone was saying over those feelings. When finally the attention shifted to her, to the way she seemed to glow red hot, she’d looked up at her father, her words almost like the hiss of a viper, so sharp. “You are not whoring out my brother to some enemy bitch,” The last word had been spat out, and it was like her self control snapped. She’d raged and cried and yes, even begged, but there was no budging, not this time. So she’d stormed out, telling them they’d all rot in hell for this and didn’t let anyone near her for weeks.
It had been hell — absolute torture for her to refuse contact with her family. She did not want to see any of their faces, did not want to hear any of their pleas to just come back, to just talk to them, at least. She flinched every time she saw Luca’s name pop up on her phone screen, and wanted to smash her phone against the wall every time she pressed the deny call button. Sofia learned a surprising lot about her own power of self-restraint during those weeks, how long she could hold out, how to hide her hurt and anger behind a blank, emotionless face. Let them see her empty space at the table and realize what they’d done. Just like her father, she refused to budge on this, and only when she realized it herself, by her own intelligence and being let alone with her thoughts for so long, did she return to them.
When she barged in after weeks of no contact, Sofia strutted towards her father with that sense of confidence she had always possessed, showing absolutely no sign of anger or how upset she was, she just looked him into the eyes and told him that if this was happening, she wanted to be more involved in the business. She only offered a brief ‘family duty’ as an explanation of why. To be fair, it was true. But it was her loyalty towards Luca, specifically, that was the reason behind it. During her self-imposed exile, Sofia had realized that they all probably just saw this as the only solution to their troubles with the Sinclairs, and if she wanted to get her brother out of it, she’d have to know all the pieces involved in the game they’ve been playing since the Medici’s were chased out of Chicago.
After all, you can’t win in chess unless you have a proper view of the entire gameboard.
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smallerinfinities · 6 years
Text
Gin and Juice: Part IV
a/n: In which a meeting takes place, Reader lies (again), and Shawn plays a big game.
The response to this series has been truly, truly incredible. I’ve gotten so much unexpected feedback and I love all of it. Keep liking, reblogging, and commenting! I always want to hear from you!
Previous parts are on my MASTERLIST
warnings: American football content, sorry for the jargon 😬
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Shawn was pacing with nervous energy, jangling his keys in his pocket. Checking the time on his phone, he huffed and unlocked it, making sure that he’d sent her the right room number.
Study Room B038. Friday 5 PM.
It was 5:04. She was late. He had chosen this time specifically because he had an easy out if he needed to leave. Every Friday before a game, he had team dinner at Coach’s house at 7 PM, then the whole team left on buses to stay off-campus at a hotel to rest up and stay on curfew before the game. But, this girl, whoever she was, probably didn’t know the schedule, so he was free to make up any time that he had to leave with just a little white lie.
He heard the door knob turn and froze. Her head was bowed, shoulders forward, a posture it looked like she defaulted to, when she walked in. He couldn’t see her face behind the thick waves of soft brown hair hanging in the way. Not two steps into the room, she tripped over the nearest chair, heading straight for the floor.
Shawn took two big strides and caught her by the shoulders mid-fall. Her head popped up, locking wide ocean blue eyes with him. Recognition stirred, flashing images swimming in his vision. A spilled beer. A wet shirt. Looking back at those blue eyes and feeling the blush bloom on his face.
It was her.
He walked out of the living room, swimming with humanity, as fast as possible. Too many people. He could practically see his worth reflected in their eyes. They only saw what he could give them, what he could bring them. None of them knew or cared about him beyond the material or social value he held.
Lost in his thoughts, he rounded a close corner on his way to the kitchen for something harder to drink. It wasn’t until his cup fell out of his hand that he realized someone was there.
“Oh my God, I’m so sorry!” he yelled over the noise of the party. At first, she just stood there, looking him up and down like she wasn’t quite sure if he was real. She swivelled her head up to look at him, and he inwardly gasped at her eyes. They looked like cerulean cut glass, so blue and yet so clear that he felt like he could see straight down to their core. It was as unsettling as it was exhilarating.
She still hadn’t made a move since he spilled his drink all over her. He took a survey of the damage, which allowed him to stare at her petite body for just a second longer  than he probably needed to. She was fucking cute as hell. Where did this girl come from? He realized he was looking at her instead of helping.
His head shot up toward the kitchen, seeing his idiot left tackle walking toward him, “HEY GEOFF!?! CAN YOU BRING ME A RAG OR SOMETHING??”
Shawn turned back to her, noticing her shivering. Why won’t she say something? He pleaded with her to talk to him with his eyes, softening his gaze like he would with a baby deer. She felt so cold, but he could see the sweat starting to collect on her brow.
Geoff finally returned with a rag and he started to help her by dabbing it on her chest. Her eyes widened in momentary panic, and she jumped half a foot away from him, out of his reach.
His face bloomed pink in mortification. He handed the cloth to her, stuttering apologies, clearly dropping the ball and wanting to escape as fast as possible. When he had gotten far enough away for her to not notice, he looked back. She was still standing there with those wide blue eyes staring. He really wished he could have heard her voice.
* * * * * * * * * *  
He held your shoulders for a beat too long. The look on his face reminded you of that night in the bathroom just before he had thrown up, but this time there was confusion mixed with a strange wonderment.
“Uh, Shawn?” you snapped, waving your fingers in his face, really needing him to stop touching you. His imposing figure and rough fingers on your skin made it difficult to breathe, let alone think. He blinked several times and shook his head, “sorry, sorry. Uhh, you’re late.”
“Thanks for pointing that out,” you said with a little edge in your voice, “I’ve been outside the door debating whether or not I should come in.”
The confusion in his face deepened, “you were going to stand me up?” He shook his head again, as if no one on the planet had ever suggested such insanity in his entire life. It would have been annoying if it weren’t so earnest. You rolled your eyes at him.
“It’s not about you...well not 100% about you,” you really weren’t here to divulge the nature of your social anxiety, “just never mind, why are we here?” You looked at him expectantly. The earnest expression had slowly morphed into something timid and slightly...embarrassed?
You were confused. He had wanted you to come here to talk but now he seemed like he was rethinking it. He was nervous about whatever he came to say. His eyes wandered to his feet, bound in leather Chelsea boots, as he kicked the carpet. His athletic legs were wrapped in the skinniest black jeans you’d ever seen. He ran his hands down the fabric clinging to his thighs and finally spoke.
“Uhm, yeah. So,” he looked off past your head, avoiding your eyes at all cost, “how badly would you be offended if I asked you your name?”
His cheeks flushed bright red as he wrung his hands in front of you. He looked like a small boy who knew he’d done something wrong. A very tall, very muscular, very gorgeous small boy. What had happened to that charm? You held your hand up to your face to hide the smile that threatened.
He didn’t remember your name. Did he remember anything about that night? Did you want him to? It had been six days since that night, so if he was going to remember something, it probably would have happened by now. Maybe you could play this off, just tell him your name and make something up about what happened after he blacked out. You could put this whole thing to bed once and for all. It seemed like that might put him at ease.
You let the laughter bubble up to the surface. It sounded strange to your ears, a little too high-pitched and a little too effervescent, but you hoped he wouldn’t notice. You had to make this casual, had to make it believable. He couldn’t know you were lying. You reached out and touched his bicep.
“Oh, it’s fine, Shawn,” you giggled, telling him your name, voice dripping with nonchalance, “you’re a busy guy, and we were both drunk at that party.”
He looked puzzled for a minute, but then smoothed his brow, nodding, “Yeah, yeah we were.”
“You really don’t remember?” you asked, trying for incredulous, “we hung out in the kitchen for a bit. I grabbed your hand and wrote my number. It was innocent.” By the end, the pitch in your voice had climbed three octaves. Maybe he would think you were crazy and that would solve all of your problems.
“But, why didn’t you want to meet with me? In public?” he asked, sounding hurt. Shit. You grasped for idea strings in the giant ball of twine in your mind. This was starting to get complicated and you weren’t sure how long you could keep it up.
“Uhm, I was embarrassed,” you mumbled, sounding more convincing, “I basically threw myself at you and you didn’t want me that night. I really didn’t want to face that in the light of day. I didn’t want anyone who might see me with you to ask questions later.”
“Oh,” he said, scrubbing the nape of his neck and looking almost remorseful. Maybe this was working. He glanced at you out of the side of his eye and you thought he might attempt to poke holes in your story. But instead, he just shrugged violently, “well, I’m sorry I disappointed you.”
He sounded like he might have meant that in some way other than in reference to your lies. Both of you stood there awkwardly, shifting weight in opposite directions. You were getting dizzy from the boat-rocking sensation. He looked placid, blank.
“Well,” he said, exhaling breath he must have been holding, “I have to go to team dinner.” He turned to open the door wide, but before he stepped through, the composed look in his eyes faded and let a pleading traitor in. It reminded you of the look he gave you that night when he spilled his drink on you—like he just needed you to say something to let him in.
It only lasted for a second, replaced by cool detachment, an essential ingredient in his chainmail of charm. He took a stride through the door and called out behind his shoulder, “it was nice meeting you!”
And then he was gone, leaving you alone in the basement study room with a sneaking suspicion that you had just made a huge mistake.
* * * * * * * * * *  
He buckled up his pads over his shoulders and tightened the laces on his cleats. The locker room was noisy, loud rap music playing over the A/V system to pump everyone up. Shawn knew he wasn’t in the right headspace. He knew that he shouldn’t have a pair of blue eyes stuck in his head. He knew he shouldn’t be thinking about her shoulders, so delicate beneath his hands. He knew he shouldn’t be thinking about how she lied to him.
What was she trying to hide?
He couldn’t figure out her angle. She had no idea that he remembered seeing her earlier at the party. The fact that she hadn’t mentioned it was his first red flag. But, she didn’t know that he had a clear memory of her that night. She didn’t know that her behavior in the library betrayed the girl he’d spilled beer on and silently begged to speak to him.
He still felt like he hadn’t heard her real voice.
“OKAY BOYS,” Coach Bradford yelled as the team made its way through the tunnel, getting ready to run out onto the field, “EVERY GAME IS FULL OF INFINITE CHOICES. MAKE SURE YOU CHOOSE THE RIGHT ONES.” Always a last minute cheesy pre-game line to make us think about the philosophical reasons to play the game, “LET’S GO PLAY SOME FOOTBALL.”
Every time Shawn burst out of that tunnel and onto the field, the deafening roar of the crowd took his breath away. It was one of the rushes that kept his running out here every fall, every week, every minute. This week was rivalry week and the crowd was even more live than usual.
He looked out into the crowd, something he wasn’t accustomed to doing. He hated seeing the hungry eyes of all the people there expecting him to win the game for them. But, this week, he scanned for a familiar pair of blue eyes. A crazy endeavor because there was no way he would see her in the ocean of people surrounding the field, but he flipped through a thousand pairs of eyes nonetheless.
“MENDES,” Geoff screamed over the crowd, “GET OVER HERE.” He ran over and butted foreheads with his left tackle, their pre-game ritual. He positioned his mouthguard, made the sign of the cross, and dug his cleats into the turf. The whistle blew, flying high above the cheers.
Shawn should have known it wasn’t going to go his way when he thought he saw her during the first quarter. He lined up at the five-yard-line looked out above the line, called the play, and snapped the ball. Behind his receiver, he caught a flash of blue that made him pause. He took an extra breath, changing his tempo, and let the ball fly directly into the hands of his opponent.
It got worse from there. After three fumbles, two more interceptions, and five missed tackles, Shawn felt like he was taking an ass-kicking. He couldn’t get her out of his head. Somehow they were tied, thanks to a couple of great defensive plays and a lucky run after a handoff, and heading into the two-minute warning, he felt the weight of the world on his shoulders. A loss could jeopardize everything—the conference championship, a national championship bid, his Heisman chances. The weight of the potential disappointment pressed against his chest.
They moved the ball down the field, killing clock until it was the last twenty seconds from the ten. He had one play left to get the ball in the endzone. He dug the ball of his foot into the turf at the line of scrimmage. Crouching behind his lineman, Shawn called the play, “BLUE-42! BLUE-42! HURRY!” He took one last breath in, “HIKE!”
Everything moved in slow motion. He faked the handoff to his running back, leaning back. He pumped once, twice, closed his eyes against the deep blue threatening his vision, and let the ball fly.
to be continued...
So did he win the game? Tell me your theories! 
Taglist: @abigfatmess @lifeofthedarty @coffeebringsmelife @transparentjudgepicklething @super-fire-breathing-girl @infiniteshawn @lietomeat3am @lavieenbananabread @blue-skies-are-alright @song-bird-shawn @disappointingyellowhighlighter @brittanyzelazno @lifeofthedarty @sowhatshawn @stillinskislydia @hiterase 
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evotter · 5 years
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jan, march, sept + one of your choice, love. have a great day, u icon
thank u kyra i adore u
january: what was the first fic you posted this year?
the first fic i posted this year TECHNICALLY was the epilogue of a different path. the first standalone was chewbacca (aka my introduction to the jily world once again and i have such a soft spot for it)
march: do you listen to music whilst writing? 
yes! pretty much always; if it’s not music, it’s a TV show.
september: share a comment or review which still warms your heart?
quite literally anything you’ve left on any of my fics BUT there are a few that i hold dear to my heart. i’ll post them under the cut cause they are LONG :’)
ancient: the first fic you ever posted online?
hahahaaaaaaa. it was my own version of rick riordan’s the son of neptune before the actual book was published. it was on ff.net, and the first chapter got 7 reviews, and i felt so good about myself after that lmfao. who knew i’d still be writing 8 years later?
ask me questions!
OKAY so i have 3 top favorites:
from a different path:
okay so i had seen this in someone else’s bookmarks the other day, thought it was an interesting concept—especially since i too love slytherin!percy and strongly subscribe to ofswordsandpens’ headcanons about it—but didn’t give it another thought until i was listening to a video about the cursed child and went: wait, there’s a percabeth hogwarts au that i saw somewhere. and immediately i hunted this down and i’m just in awe? i tore through it. belatedly, i realized that i made a mistake: i didn’t write down my thoughts as i was reading, which is definitely a disservice to you. however, here are a generalized list of things that i loved.
first of all, with hogwarts au’s, there are three main aspects that i look for: plot, characterization, and quality of writing. normally, fics of this size lack one or more of these key factors, but i was astonished to find that the plot is tremendously tight and intriguing (my lip bled from biting it so much because i’ve been stressed to the max), you write these characters with such distinct voices i can easily picture them saying everything—except, of course, now in a little british accent—and your writing flows so well, it feels almost like i’m reading an actual harry potter book, just with percy and co. you also do a masterful job of weaving together aspects of the pjo universe with the established canon of hp.
and there are so many specific things that i love. primarily, the way you write the relationships in this story; not just concerning percabeth (though i will get to that in a minute), but also with each of the interactions between all of the characters. i applaud you for how you handled luke/annabeth and rachel/percy, and the friendship among them all is just incredibly well done. i especially love how well you wrote connor and zoë and just, a lot of characters that i don’t often think about when i think of pjo. grover and percy’s friendship especially is heartbreaking, i just. he’s so protective because he loves his friends and holy fuck i also love how you wrote grover in this. but i just adored how you wrote annabeth/percy—the love between them, both platonic in its early stages and the romantic all throughout, was doubly apparent. i ached when they kissed each other’s cheeks, and i inwardly cheered when she kissed him in the locker room. there was just such a natural progression, to me, of their relationship. and man did i dig it. i’m excited (and maybe a little scared) to see where you take their relationship in the future.
boy, this is getting long. sorry. but some more just little quick things: loved the b99 reference, with both of their competitive natures playing out in a similar way to jake and amy’s. i kind of want to go back and see if i can find any other references that i missed because i was just too engaged in the story to catch them. also, zoë’s death killed me all over again, thanks for that. i like how you’re working the kronos plot in, and i can’t wait to see how the Final Battle plays out. what else? oh! professor hestia? beautiful. eventual maybe professor percy? outstanding. percy kissing the top of annabeth’s head? breathtaking. rachel being a quidditch commentator? earth shattering. (truly i cackled when i saw that.) mrs. o’leary being a cat? incredible. how you incorporated percy’s water powers? stunning.
ooh, this exchange was beautiful and had me cackling it was so in-character:
“None of us are dying.” Connor clarifies. “Not you, not me, not Annie, not the rest of us.”
“I might have to dispute that.” Annabeth says, from Percy’s other side. “Call me ‘Annie’ one more time, Stoll, and I’ll kill you myself.”
Connor only grins at her. “Sorry, love. No more ‘Annie’. Can I call you Beth?”
“No.”
“Anna?”
“No.”
okay, so i just finished chapter nine and i am blown away. sorry for how long this comment was, but a fic of this magnitude truly warrants it. i can’t wait to see what happens next.
i leave you with just two words: “holy shit.”
from a different path: 
god, oh my god, am i the only dumb bitch who didn’t get what the prophecy was??
anyway, i stumbled on this fic last year, patiently waiting for its completion, and now that i’ve rediscovered it, i’m so glad i finished it all in one go! i couldn’t imagine the tension of waiting for the next chapter, especially since the tension is so well-crafted!! i hardly noticed the tonal shift even as the story got darker and darker as it led up to the war, and in that way i was reminded of how extremely similar it felt to reading the hp books for the first time! you nailed percy very well i might say, and the awkward-yet-caring relationship he has with his dad. i daresay you gave connor and zoe more characterization than rick riordan himself, and the percabeth you wrote is perfect to the nth degree. i appreciate that you didnt bother with all the love triangle and unrequited feelings nonsense as well.
but i have to say, even as i cried at sally and paul’s wedding, or at dionysus’ quiet mourning for castor, what really struck with me most was the way you handled silena. for that, i have no words. that was a job extremely well done. thank you so much for blessing us with this fic.
from chewbacca (a comment from u!): 
A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen. Her coat is dripping all over the floor he’d just cleaned (but it’s fine) and when he leans over the counter he sees that her boots match the coat.
First of all!!! Thats the best opening line in the world and nobody can convince me otherwise. I want to become a publisher just so that if you ever write a book, I’d be able to publish it. ( like omg, what an honor??? )
She looks like sunshine, standing there with the amount of yellow in her wardrobe. Briefly, James wonders if that’s her favorite color. It’s got to be.
Im going to quote this whole fic but I really love these lines? Like, you have this distinct style of writiting that I aim to acheive and you’re literally such a rolemodel!!! These are my favorite kind of fics to read. Funny story but I was going through a ‘no thanks Jily’ mood (  a horror, i know !! ) but your fics are just,,,,exceptions? You could write about trash and I’d love it and ask for you to sign me up.
 “Say it again, but convincingly this time.”
ooof this dialogue??? let me breathe
This is the longest he’s stood still since he started working. It’s actually a miracle.
and the funniest person award goes to YOU. also, the most talented and cutest but thats neither here nor there.
james taking care of fleamont, switching off the lights gives me just a nice and realistic vibe? its so simple but i love how you added it.
honestly at this point, ive been sucked again by the fanfic. it feels less like a fic and more like a masterpiece that belongs in a museum but anyway.
“James is supposed to be helping.
James is on his phone.”
ugh i love ur mind. im rereading and its so nice and lovely. even if its like 1am and im exhausted, this fic is sustaining me.
“Do it off the clock, would you?”
PEAK HUMOR
have i mentioned how much i love that scene with euphemia? she seems like such a lovely mom. i love ur euphemia the most. and ahh, both of them just rushing to the hospital ? another 100% good scene.
“Euphemia smiles too, but looks at Fleamont rather than at her son. “Yes,” she says. “It really does.””
fic? or shakspeare? HMMM
A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen // “Get fucked.”
the fic!! has made a circle!!! i love how it begins and ends along the same lines. I really want to know how??? are you so talented im in love.
i just really love this fic, okay? i love how james is just the kindest, lily is allowed to have feelings, its just so soft and warm. and it makes someone feel loved, want love anyway.
the dynamic between the characters are just so real and great and im astounded, in short.
your sirius is everything. so many fics potray him as a dick??? which is first of all #rude and also, not at all true. you made me love these characters even more so i sincerely hope you never stop writing.
you’re such a beautiful writer and the way you string words together is just poetic and gorgeous and all the other good adjectives you can think of. i read your spiderman x reader too and i was a goner for you. EVERYTHING YOU WRITE IS SO GOOD. i read it so long ago but i can vividly remember peter whipping the mask off and she just going wtf stop on the window ledge. what im trying to say is that you leave this lasting impression on people that make them remember random scenes and words / prose long after they’ve read it which is a remarkable feat, i believe.
and im so sorry im not on tumblr rn bc i cannot keep recing this fic but i have told my friends about your writing and they loved it too. you’ve got like a million fans. when i do get back from my hiatus, im going to keep recing your fics and people will cry because their universe will shift thanks to the newfound joy of your presence in their life.
lastly, im more of a dog person and that, more than anything, should tell you how much i love this fic. i love u. and basee on your writing, i want to hug you, be your best friend and make you cookies bc again
WOW
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Gifts With Meaning
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PART 1 OF 3
Pairing: Liam x Riley 
Summary: Riley has a surprise for Liam's Birthday!
Word Count: 3067
Tagged : @starstruckzonkoperatorbat @drakelover78 @queencatherynerhys @devineinterventions2 @jayjay879  @kawairinrin @hopefulmoonobject @flyawayblue56 @gardeningourmet @blackcatkita @syltti78 @decisso @theroyalweisme @hhiggs @mfackenthal @bruteforcebears @pens-girl-87 @crookedslimecreatorpasta @darley1101​ @starstruckpixelberryhistoryvoid​
 ASK IF YOU WANT TAGGED! SORRY IF I MISSED ANYONE! (USED THE TAGS FROM MY “ALWAYS” SERIES LET ME KNOW IF ANYONE WANTS UNTAGGED!!!)
 I always notice every single spelling mistake or issue after I’ve posted…so apologies in advance! 
Liam and Riley are engaged but riley hasn't moved in to his quarters yet.
It was six am when Riley woke to her alarm going off, she stretched as she rubbed her eyes, normally she wasn’t woken until nine but today was Liam's birthday and she had the perfect gift picked out for him. After letting herself wake up a little Riley climbed out of bed and headed for the bathroom to wash then she dressed for the day. Once she was ready, she headed down to the palace doors where she asked Drake to meet her with his car.
“it’s six in the morning…why am I here?” he asked annoyed as Riley walked down the front steps towards him
“oh, stop complaining grumpy…I have to go and pick up Liam's birthday present” she smiled as she climbed into the passenger seat whilst Drake climbed into the driver’s side.
“at this hour?”
“yeah, it’s about an hour away”
“an hour?!” he complained
“Mhmmm I would have went myself, but I couldn’t get it back myself”
“what did you get him?” he asked as he started the engine and they took off
“I’ll tell you but…but you can’t laugh” she whispered
“no promises” he smirked
“I got him…a puppy”
“A PUPPY!?”
“yeah” she looked at him wearily “do you think he’ll like it…I mean…I’m going to be straight with him and say obviously a puppy is a commitment, it’s for life and he obviously already has so much to deal with so if he doesn’t think it’s a god idea I’ll be happy to find him a good home, he just…has always telling me how much he loves dogs and that he always wanted lots of them”
“I think he’ll love it” Drake smiled “what kind of dog is it?”
“it’s a Bernese Mountain dog, he’s the cutest little thing Drake, has 10 weeks old, the couple that I’m getting him from, I paid them a little extra to try and get him as house trained as possible, he’s still very young though, his names Sammy but has that young Liam could change his name if he wants.”
It was forty-five minutes later that they pulled up into a ranch, they climbed out of the car just as a young couple walked out the front door.
“Riley, it’s so good to see you” the young man embraced her.
“bill, Hi, it lovely to see you too” Riley smiled as she hugged him, then done the same to his wife
“Annie, you look great” Riley gently placed her hand on the woman’s growing stomach.
“not long to go” Annie giggled
After Riley introduced the couple to Drake they all headed inside, the couple offered Riley and Drake some tea and biscuits whilst they went over some last-minute details. Once that was sorted they all made their way out to the pen bill had set up outside for the puppies to play.
“how many do you have left” Riley asked
“after Sammy’s gone, just two” Annie replied sadly originally the couple had planned to keep the puppies however when they found out they were having twins, they just thought it might be too much to have two new-borns and million puppies, so they decided to find them good homes instead.
They all reached the play pen outside; the mother of the puppies lay in the sun whilst her four pups ran rings around her. Bill lifted one of the puppies then smiled “yep this ones Sammy!” he smiled, he placed Sammy on the floor outside of the pen, the puppy looked at Riley then bounded over to her.
“hey buddy, ive missed you! Your so big!!!” Riley giggled as she played with him. She lifted him up, holding him to her chest as she stroked his fur.
“How did he do with his house training?” she asked
“Perfectly, he’s a little angel” the woman smiled “he’s had the odd accident but for 10 weeks he’s caught on pretty fast, he just needs a little extra time, I’d give him a week or so and he’ll be fully trained” she smiled
“that’s great” Riley smiled before she was interrupted by her phone beeping.
“that’s the sound for us to head home” Riley smiled “we have to get back before he wakes”
“of course,” bill smiled, the couple led Riley and Drake with the puppy out to drake’s car then he bid them goodbye.
“Thank you so much” Riley smiled as she shook their hands
“It’s no problem at all, you make sure you come back soon” they smiled as the two climbed into the car rolling the windows down.
“We will, see you later” she smiled as they took off back to the palace. Within ten minutes of being in the car, Sammy was fast asleep on Riley's knee.
“He’s adorable isn’t he” she smirked
“Yes, he is” drake laughed
By the time they reached the palace it was eight am, they had gotten back just in time to stop Liam from being woken up by the palace staff. by this point Sammy was just waking up, so he was a little dazed. Once the car pulled up Riley went to get up, but Drake stayed put.
“you’re not coming in?” she asked
“no, I’m gonna head home…go back to bed for an hour or so” he replied
“okay, thank you Drake…I really appreciate you taking me to the ranch, I owe you” Riley smiled
“no need, your welcome” he smiled “now get out so I can go home” he chuckled
Riley climbed out of the car, with Sammy in her arms, she waved Drake off then she headed inside and up to Liam's quarters. She gently knocked on the door then she walked in to see him fast asleep. She walked over and perched herself beside him on the bed
“Liam” she whispered causing him to stir a little.
“Liam” she said a little louder…loud enough to wake up but not startle him. He turned to lay on his back as he stretched whilst rubbing his hands over his face.
“Good Morning” Riley whispered
“Mhmmm morning” he smiled with his eyes still hazy
“I wanted to be the first to wish you Happy Birthday” she smiled “I have something for you, but you have to close your eyes” he closed his eyes as he sat up leaning against the headboard. Once his eyes were shut properly I riley placed sleepy Sammy on his knees.
“Okay you can open them” she smiled, he opened his eyes smiling then he gasped when he seen the little fluff ball.
“Happy birthday” she smiled before gently pecking his lips “now I know…your gift is quite the commitment so if you don’t think it’s a good idea I can find a good home for him”
“No, I love him…he’s perfect…does he have a name?”
“Well the couple at the ranch he came from called him Sammy, but he’s only 10 weeks old so you could change the name if you wish”
“Sammy?” He smiled “…I like that…Sammy” he smirked as he gently petted him, as Sammy started to wake up a bit more, he started to play with Liam's hand.
“aren’t you just the most adorable little fluff ball Sammy” he smirked
“He’s nearly house trained and everything, so he just needs a friend to look after him” Riley giggled
“Thank you so much Riley this is the best gift anyone’s ever gotten me”
“maybe we could take him for a walk, with bash” Riley asked referring to her corgi
“that sounds great” he smiled
After Riley and Liam ate breakfast together Riley went down to her room to get Bash whilst Liam got ready for the day ahead. Riley headed back to his room where he met her at the door, with Sammy on the leash Bill and Annie gave Riley to take with her.
“you ready” she smiled
“yeah, let’s go” he smiled, bash and Sammy walked a little ahead on their leashes both taking sniffs of each other as they walked.
as they walked through the garden Liam slipped his hand into Riley's, linking their fingers together.
“thank you, Riley…for gifting me with Sammy…being king, when I get gifts…people always get me these expensive gifts that…I never use, and I don’t mean to sound ungrateful or anything about gifts…a gift is a gift it doesn’t matter how much it costs but…Sammy…he means something, you know…there was thought put into him you didn’t just look for the most expensive thing and that’s what makes him so much more special to me than anything else that anyone could get me”
“you’re the most grateful person I know Liam, I understand what you’re saying” she smiled as she leaned up, placing a kiss on Liam's lips.
“Happy Birthday Liam” she whispered
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michams · 4 years
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VIXX “Scentist” analysis based on “Perfume”, by P. Suskind PART III – The tracklist
“Scentist” is definitely one of my favorite songs/ music videos/ concepts in kpop so last year, when I got to know it was based on a book, I went after and read it. Since then I’ve been wanting to share an analysis focused on more direct references to Suskind’s story.
In PART III, I’ll be giving my interpretation on how the tracks in the album fit the same concept.
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*You can check “Part I” for my description of the story (or the book itself) to understand them a little better and also see my thoughts on the lyrics of “Scentist” on “Part II”!
*Sorry again for the long post (I talk too much lol)! :)
Some considerations i. I didn’t originally read the book in English, so I’m using my own translations – wich can differ from other editions.
ii. This is somewhat a personal interpretation; one could read the same book and have different opinions. Feel free to tell me your thoughts about it :^)
iii. Considering that I’m basing this off of a translation and that neither Korean or English are my first languages, it influences in my interpretation.
iv. As referred before, English is not my first language. Feel free to let me know about any mistakes.
v. Mind that this analysis contains SPOILERS of the book.
vi. This post makes reference to sensitive subjects (such as violence), like the book itself.
Intoduction As I’ve explained in Part II, it’s possible to find several references through the lyrics of “Scentist” that contextualize the story of the main character Grenouille, focusing mainly is some of the episodes. But, paying attention to all of the tracks in EAU DE VIXX, we realize all of them add on to work as a complement to the plot.
In my opinion, most of them were made based in themes that can be found as parts of the construction of the book.
I’ll try to explain what’s each of these central points (with exception to “Good Day”, “Navy and Shining Gold” and “Resemble”(닮아)).
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◄◄  ▋▋ ►►….NOW PLAYING –VIXX 3rd ALBUM “EAU DE VIXX”….
TRACK 2: ODD SENSE – The title track wannabe
From a starting point, a thought I had about this song is that, if this album was not inspired by a dark story, and “Perfume” was about a sexy relationship based in scents, “Odd Sense” would have been “Scentist”. And this is one of best forms I can describe it! In a way it’s a kind of twin opposite to the title track.
While “Scentist” is focused on the dark side of his fixation, “Odd Sense” is about intense attraction, approaching more a way of satisfying that compulsion – as, in my opinion, the title track is more observative, more of a threatening idealization of his object of fascination.
It could be very well a representation of a closer look into Grenouille’s logic behind his actions or feelings. The way his extremely sensible ability of smelling (that “Odd sense”) causes him to be completely driven by a hopeless desire or passion.
Again, if we compare: “Scentist” is almost about how he suffers from that longing (and it’s methodical), while “Odd Sense” is about how he is delighted by that provocation (it’s impulse).
It is as if his addiction feeds on itself – which we can see through the lyrics, such as: “Shake hard, I just get more addicted”;
“I crave it, it’s fine if I lose my breath I desire it more, I’ll destroy it with you” or
“Fall into the light that only I can see Like an intense addiction keep breathing in”
Both lyrics go deep in the matter of desire.
But that’s also a self consuming way of living for him (just like the story in the book develops itself), the more he approaches his objectives: “Filled with your scent, I just go crazy You come to me, come closer to me Fill me with your scent, it’s fine even if I disappear”
The two tracks share some things: I believe both surround similar episodes of the book – his seclusion at the cave, where he “drinks up” his scent’s memories; his discovery and chase after the special fragrances (and its owner).
Also common to “Scentist”, there are several repetitions to the idea of permeation. There are also associations with color and light.
What’s interesting for me, is how we completely shift the emotion and impression of the songs by changing the melody and tone.
TRACK 3: SILENCE – The hopeless love
In my opinion, all of the songs can be connected to a fantasy inside Grenouille’s imagination motivated by his (longing for) love – even he says it’s only for the sake of getting the scents.
“Silence” seems to address a hopeless love, once the idealized person he desires “cannot” respond. After all, he’s the one obsessed with something they are not even aware of – in a disturbingly intense way. The love and attention he seeks gives of a sort of reflective feeling. Since he does not have a smell for himself, but keeps on being bewitched by these special fragrances, he figures that’s the way to be loved – to be just like them. And we must remember that, for him, what characterized something in the world as despicable or worthy of affection, was the smell. That’s his unique way of understanding the world. So he is lead to believe that’s a solution (which shows to be slightly true and impossible – due to his specific ability – throughout the book).
The lyrics seem to express the frustration in not being able to be part of this connection, as it looks like he’s wishing to worship that feeling but always ends up destroying it, driven by the pressure caused by his impulsiveness. “The silence suffocates me” and “I’m a Medusa there’s only silence left for my ears” (the idea he kills what he “lays his eyes on”, also interesting due to the repetion of “keep an eye on it babe”, during the song).
He also indicates a belief that he needs that girl to be set free from that prison – and that he’ll for sure accomplish that. “I wait for you While turning round and round in this quietness”
“It seems like you have something too It seems like I’ll have it”
And, at the same time, he’s scared of showing the “imcomplete” and imperfect Grenouille he is without it: “Don’t look at me locked in darkness Imprisoned in silence”
TRACK 4 and 5: MY VALENTINE and CIRCLE – The idealistic love
As we must have realized by now, our main character has some serious problems discerning limits between wanting and getting.
I believe these two tracks stress the idea of how he thinks of these scents (and consequently, in a way, their owners) as complements to his existence. When brought in line with everything worked, that turns into a delusion for an idealistic love. It also revolves to his conception of making them/the girls eternal through a perfume, and his own temporal pace – which seems to operate a little differently, like “true love”.
Like shown in “My Valentine”: “Alone I’m incomplete, emptiness becomes routine”
“Say it one more time That I am everything, that you’ve never stayed In forever like this”
It’s also indifferent for him if they are real or kept in his inner kingdom, as memories (even more connected to idealization): “Whether my eyes are closed or open As long as you are somewhere in my world, it’s fine”
And, once again, that self consumption, that goes along with a similar line in “Odd Sense”, ans points, after all, to and absence of self love; which completes that cycle of needing something to reflect on – the girls: “It’s fine if I disappear while chasing after you”
“Circle” adds up to that conviction that they are a perfect match: “There’s no error when you add us together” and “I want to believe it It’s u and me”
It’s nice to note that the circle symbolism makes reference to perfection, totality, eternity, cycles and even God – which it’s a sort of image the boy had of himself.
TRACK 7: ESCAPE – Grenouille, the runaway by excellence
If we pay attention, Grenouille was, somehow, always on the run. He was getting away from the people who didn’t want him around (and the people he didn’t want around). And most of the book is based of on the story of his journey.
Some of the most remarking ways we see that are: when he goes on a trip in search for learning but, amidst his desperation to get rid of the suffocating human smell, self-isolates in a far mountain. After a long time in there, a need for running away from himself is evoked and he begins a new search in order to, ultimately, transform who he was. When he is targeted as the culprit and, at the end, again drowned is his own thoughts, from his existence.
The lyrics also brings us to think that the internal weight he was constantly under caused a desire to escape. A side of him that wants to get away from that domination he couldn’t control – which was still his inner persona as well. Grenouille’s biggest battle was against himself and the conflicts between his desires, his actions and sudden clashes with reality. The practical importance of his goal versus the limit he can endure.
“The memories we’ve gone through Have no special meaning to me But I’m not saying the time that I loved you Was a lie”
It also reveals his fear of showing himself and of failure – so it’s better to give up and flee: “But if you saw me like this, you would probably have left me”
TRACK 8: TRIGGER – The lack of self control
Lastly, “Trigger” also touches on the topic of the struggle with self. In this track, he assumes he is not the one in charge of taking choices. He’s guided to act by a foreign sort of force (or so he believes).
It also resonates with the concept of playing with desire, but also expecting for it to hit you. He wants to be “shot”, he challenges that force to provide him the feeling the keeps him focused on his objective, like a dangerous game, that requires a proper timing (because, once more, this is a self sufficient obsession). “Like when you have only one shot to hit a target I’m just waiting for you”
In another way, it’s about finding a motive that comes from outside to justify something that’s actually internal. “You stole me in one short moment I even helplessly surrendered”
and “Your focus on me, your choice of me”
Again, if we reflect on the notion of time in this work, “Trigger” strangely looks like, deep inside, in a fraction of second (maybe when he first started detecting the first fragrance in the streets of Paris), there was a part of Grenouille that foresaw what was coming in his way. This song sounds like a prevision of the future and an expectation of “destiny”.
This could have been caused by his unconsciousness, since that was one of the things he expressed aspire – a deeper meaning to being alive. “Our beginning is up to you” and “Shoot accurately at me, leave a trace of yourself So that it can’t be undone, so that I can’t deny it”
Concluding... In my opinion, EAU DE VIXX is a really impressing album when we stop to look at how everything was constructed and put together to form unity around the concept “Perfume” presents.
The lyrics and the vibe the songs express are always in sync with Grenouille’s dark mind, his inner conflict; but also the elegance, detail, nuances or intensity involving the world of perfumes and scents.
Thank you so much for reading! I plan on continuing with this and analyze the other aspects related to “EAU de VIXX”, so please wait for it!
References used: - Book: Perfume, the story of a murderer; by P. Suskind (2007 ed., Editora Record). - 빅스(VIXX) - ‘향 (Scentist)’ Official M/V (YouTube). - Film: Perfume, the story of a murderer (2006). - Translations by TRANSLATED VIXX team (translatedvixx.tumblr.com/lyrics).
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Surgery Update
I’ve been meaning to write this for a while. If you are interested in reading about my recent hysterectomy experience, check it out behind the cut. 
I had a Total Laparoscopic Hysterectomy and Bilateral Salpingo-Oophorectomy with Dr. Jessica Vaught at Winnie Palmer Hospital in Orlando on June 9th, 2017. Dr. Vaught was referred to me by my Gynecologist, Dr. Brenda Barry who also practices in Orlando. I’ve had wonderful experiences with both doctor’s as they are both familiar with transgender medical issues and have several transgender patients (FTM and MTF). 
I had been wanting to get a hysterectomy for a while to deal with some cramping and breakthrough bleeding issues (I’ve been on Testosterone off and on for close to 12 years), but the procedure wasn’t covered by my insurance until April 1st of this year. In the mean time, I met with Dr. Barry to get all of my medical records lined up supporting the necessity of the procedure and then had a consultation with Dr. Vaught at her Orlando Health office. She was very polite, informed me of the different techniques available, and gave her recommendation for the surgery type she thought would work best for my situation. After wrapping up my meetings, the next step was to wait for my insurance company to authorize the procedure. This was by far the most annoying and time consuming aspect of the whole thing. 
My insurance company claimed they were waiting for information from my doctor to start the authorization process, the surgeon wouldn’t schedule the procedure until they received approval from the insurance company, etc. It took a little extra leg work on my part to figure out what order the different players involved in this needed to get the hysterectomy authorized and scheduled, but I made it happen after several phone calls and emails. 
Right after the authorization was granted in May, I scheduled my pre-surgical screening at the hospital for the end of the month. The day of the authorization was hectic since it was actually an entirely different procedure than I was expecting. I had another consultation with Dr. Vaught to go over the procedure specifics (time in the OR, what to expect post-surgery, what to look for if I thought there was a problem, post-surgical restrictions, etc). I filled out surgical paperwork and then had to go to a separate facility for the remaining portion of the pre-surgical screening. While I was there, I filled out more paperwork, had to pay my insurance deductible, had my blood drawn, and was sent on my way. All in all, I think the surgical pre-screen took roughly 2 - 2.5 hours. 
I was instructed to clean my body and navel with Hibiclens soap the evening before surgery and the morning of surgery, and had to sleep in clean clothes on freshly laundered sheets. No problem. I got up early the morning of the 9th to take my second special shower and then we drove to the hospital. Winnie Palmer is an amazing facility for the procedure I had done, but there was one thing that turned me off. After going through security to check in, all patients and visitors are given sticky badges to wear on the shirt. This wouldn’t have been a big deal, but Winnie Palmer’s full name is “Winnie Palmer Hospital for Women and Babies”. As far as I know, the only patients having surgery in this hospital are considered “women”, so the patient tag they slapped on me was white and matched every other female patient in the place. I wasn’t feeling too anxious until Ashley and I took the elevator to get upstairs and we were stopped by a security guard. He said something to the effect of “Wait, this doesn’t look right. You must be playing with me. Which one of you is having surgery today?” My anxiety spiked and I mumbled that I was having surgery, but then he became more insistent. Ashley spoke up and clarified that I was the one having surgery and there was no mistake with my patient tag. The guard was clearly flustered and looked over to the patient liaison to confirm that I was indeed the patient. They said everything was fine and that we could go up. The guard apologized profusely and I could tell he felt genuinely sorry for the incident, but my anxiety spiked and I suddenly felt very dysphoric. 
Once we got to the 4th floor for my procedure, The waiting room was filled with a couple families who were surrounding the patient they were with. Ashley and I swapped name tags after check in just so I could relax a little and then I went to the bathroom to collect myself. About 10 minutes later, my name was called and a tech got me and told me what I needed to do to go back with her to the bathroom. First, I had to brush my teeth with a sponge brush in a special solution and then I had to rub Iodine around the inside of my nostrils, all as part of an attempt to reduce surgical infection. 
After I finished that, I went into a pre-surgical area where I was further instructed to wipe down my body with surgical wipes in a certain order, had to put on my surgical gown, and those surgical socks with the sticky tread. Then I laid down in the bed. That’s when they put on those weird leg cuffs that massage the legs to prevent blood clots and I was given IVs in both hands. I spoke with a couple of anesthesiologists about the procedure and what I could expect pain wise, and was given pain medication and a mild sedative. After that kicked in, I was finally wheeled back to the OR. 
After I woke up, I noticed that my entire stomach from the just below my chest down had been trimmed with clippers, but I wasn’t feeling pain. I was pretty out of it still, but was able to ask my nurse how long the procedure took, which was only about 45 minutes. I promptly fell back asleep after this. It turns out that whatever anesthesia they gave me knocked my ass out and I struggled to keep my oxygen levels up to move into phase 2 of recovery. Instead, I was in Phase 1 doing my best to wake up, but it just wasn’t happening. The worst part was that I have sleep apnea, so I have a CPAP machine that helps me with my oxygen levels when I sleep, but they wouldn’t let me use it. They wanted me to breath on my own. I get it, but if I have trouble breathing on my own when I’m not sedated, how was I supposed to do it when I was super drugged? The whole time Ashley and I were asking to see each other and they finally let her come back briefly, which made it a lot easier for me. 
Anyway, after my oxygen levels were high enough, I was finally moved to phase 2 recovery and could be with Ashley again. That was uneventful and filled with release paperwork, having my IVs literally ripped out because my nurse was in a hurry, and taking a couple pee breaks. Ashley drove me back to her parent’s house where I planned on recovering for a few days and that was basically it. I slept a lot the first few days and had to pee a lot from the IVs, but my pain was minimal in comparison to top surgery. 
I did have an infection spring up a few days after surgery that I’ve written about, and I would say that was hands down the worst part of my surgical experience in addition to constipation. 
I am now 3 weeks post op and no longer spot and the infection has cleared, which is also awesome because I can work and do a little around the house. I do have a weight limit restriction of 10 pounds for what I can lift, push, pull, etc and can’t have sex for another 3 weeks (for a 6 week total). Also, holy fucking hot flashes. I went through that the first time around with Testosterone, but those were baby hot flashes compared to what I’m experiencing post-surgery. Terrible infection aside, I couldn’t be happier with my results and am so stoked that I’ve been fortunate enough to put two gender affirming surgeries behind me! 
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