Alan Alda Vs. Robin Williams
Propaganda
Alan Alda - (M*A*S*H) - He is both the saddest wettest little meow meow and your kindly grandfather and your favourite eccentric uncle (mom's side). Somehow it works. Passionate Democrat, feminist, great writer, he and his books are hilarious. Did a cartwheel when he won an Emmy! How he met his wife is the best meet cute of the last two centuries, and they've now been married over 60 years!!!
Robin Williams - (Mork & Mindy) - Mork & Mindy will forever be iconic. Robin Williams is such a gem on this show! Nanu Nanu <3
- No Negative Propaganda Please -
Master Poll List | How to submit propaganda | What is vintage? (FAQ)
Additional propaganda below the cut
Alan Alda:
he’s just so good in MASH
he put so much bisexuality into hawkeye i think it fundamentally changed me when i was little and watching mash for the first time. anyway do we all know the story about how he met his wife when they were at a party together and they were the only two people eating the cake that fell on the floor and he fell in love with her over her laugh. i just think hes neat :) i love when theres a strange looking man. also feel it necessary to say that the guy that wrote the book mash was based on wrote himself as hawkeye and HATED alda's hawkeye bc he displayed his morals too much (alda had it in his contract for the show that every episode had to have an operating room scene bc otherwise you arent backdropping the fact that war is Not fun. actually. he almost didnt take the role bc he thought a war comedy would make too much light of the horrors)
please please please use this picture of him, he's so hot in it
His comedic delivery in MASH...
The story of how he met his wife is charming and sweet, and they've now been married 65 years
Just look at him. He's the most beautiful man I've ever seen but also he's completely average. He's got a weak jawlines and a round face and these big soft eyes and he's just so beautiful. He's capable of playing a silly charismatic sitcom protagonist in one scene, and a jaded army surgeon haunted by the deaths he's witnessed in the next. He's so hot that my dad once told me he decided to apply to medical school because of how much he was attracted to Hawkeye Pierce. That's literally how I learned that my father was bisexual.
He's also just a really great dude? He's been outspoken about his political beliefs for a long time, and has always been strongly and vocally anti-war, pro-feminist, and pro lgbt. He served a tour in the Korean war, and his experiences there informed his performance in the show. He (and honestly the entire cast, but especially him) really just soared above and beyond the standard for comedies of the day.
He's so funny and his eyes are pretty
He loves and is a champion of science (Source).
Robin Williams:
93 notes
·
View notes
I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself
I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.
This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.
That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.
I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.
Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.
There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.
I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.
And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.
These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!
38 notes
·
View notes
I was going to save this until I reread Hollowpox, but that last ask reminded me that I should share this here, so I present:
Musings on Maud: Why is she considered so powerful, how does this affect her dynamic with Squall, and why is he so scared of her?
(Bonus: How can I connect it to Silverborn?)
Two disclaimers: I haven't reread Hollowpox in ages, so if there's anything that could prove or disprove stuff in this post, send it my way. Honestly send any discussion my way. I love discussing theories. Second, this was originally a reply to a Reddit comment on a post, to which you can find here. The comment discussed Maud being a signatory for a Squall safeguard, so since this comment is copied verbatim, it references that.
---
If it’s not outright stated, it’s at least heavily implied that Squall helped create/build up the Republic. It’s only existed for about 90 years, and Squall has been exiled for about 100. He mentions in Hollowpox how he knows that Maud’s plan is to take over Nevermoor/The Free State, because the Republic took over the other states in the realm and he “helped them do it.” However, unless Maud is immortal and also 100 years old, she is not the one who started the Republic from the side of the Republic. Also, no clue how long it’s been around, but Squall Industries has likely been around for awhile as well (this is how he gets his connections and power in the Republic), with Squall just constantly grandfathering himself in with the vampire trick or something.
Interestingly, Squall says two things in this scene (Chapter 34 of Hollowpox) that stick out to me:
“I made the so-called Hollowpox,” he raised his voice above hers, “because I was asked to. Because I was compensated handsomely for it. And because when the most powerful person in the realm asks for a favour, even I don’t refuse.
And
“But you’re a Wundersmith.” Morrigan was utterly baffled. “Why can’t you just stop them if they’re such a problem? I don’t understand!”
“Do you THINK I HAVEN’T—“ Squall shouted, then cut himself off abruptly.
He also mentions how the Hollowpox was initially meant for the Republic, but Maud snuck in an infected otter across the border into Nevermoor— “That was never part of our deal.”
There’s definitely a business relationship between the two of them of likely consistent deals, one favor for another, quid pro quo. However, we also see that Squall can’t really go against her, something he seems to have tried before. Two chapters before this scene (Chapter 32), has this moment:
“Yes, shush. Maud said the Wintersea Party might help if there was a squid crow po.”
“Quid pro quo?”
“Right, one of those. She said they won’t do something for nothing, but if we could convince Prime Minister Steed to meet with her, just to have a conversation, then she would try to convince her party to share their cure.”
While it could be easily explained as part of her job, Maud seems to get most of her power and do things by extracting deals from other people. Maybe she’s knackless, or maybe she has some sort of connection to Puppeteering or a knack related to that. Not Mesmerism, but something that allows her to be persuasive, manipulative, convince people of things, and get them to do what she wants. A sort of parallel or companion to Squall’s connection with Puppeteering that we see in Wundersmith.
It’s interesting that when we first meet Maud, there is this exchange directly after she tells Mog that the Wintersea Republic would only agree to help the Free State if there was some sort of deal:
“But they’re your party,” Morrigan pointed out. “Aren’t you the one with the power?
Maud stiffened slightly and cast her a wary, calculating look.
And then soon later she says this:
“Even if I could persuade my party to do the right thing – and I’m not saying I won’t try – there’s no guarantee Steed and his government would come to the table.”
The whole exchange seems very manipulative, like, “oh, I’d LOVE to talk and get this figured out, but I can’t…” There’s a big focus on conversation. Maud is wary when Mog mentions power— she thinks she means a magical power, something secret that gives her an advantage, when really she just means politically— so I wonder if she was worried for a moment that Mog realized she had some sort of coercive power.
I wonder what exactly her power is that makes Squall so scared of her, and why it possibly makes it so that he can’t fight make and overthrow her. Aside from their business relationship, which allows Squall access to Wunder and being a Wundersmith, there’s this other layer as well.
As for safeguard: I don’t know if Maud would be a signatory for a Squall safeguard, as that seems to just be for Wunsoc students, but I think that whatever their deal is and whatever her power is allows her to keep him in check. Jess said that we will learn more about safeguards in Silverborn, and I think it would be interesting if Mog learns more about them from Squall instead of Jupiter— and maybe it does end up being similar to whatever he has going on with Maud, who knows! I don’t really have any safeguard theories myself, but I will keep an eye out for what you add to your comment.
A Silverborn “silver” side note: A “silver tongue” means that someone is persuasive when they speak….. perhaps this idea, theme, power, etc. will be expanded upon in the future 🤔
52 notes
·
View notes
I know it isn’t supposed to be funny but I constantly think about the bit where Yujin said he tried to take Iris back to Japan with him but they wouldn’t let him take her without identification. Like I hope that wasn’t supposed to be framed as purely racism or whatever, because while some of it may indeed have been racism, this is also a certifiably insane thing to attempt. What the hell did you think was going to happen, Yujin? They’d just let you take a random-ass baby overseas with no papers?? How did this man not get arrested?? Was it just like -
Port Official: hello, sir. papers for you and the child please.
Yujin: oh I don’t have any for her.
Port Official, looking at this very white baby and this very non-white man: is this… your baby?
Yujin: she is now.
Port Official: where are her parents??
Yujin: I can’t tell you anything other than that they’re dead.
Port Official: …sir???
Yujin: just. be cool.
30 notes
·
View notes