#that whole scene was written based on this song

[34choco]

So sorry to report to my fellow live-action remake haters but... My older sister wanted to go see TLM with me so i did and........

IT'S REALLY REALLY REALLY GOOD

[neo-kid-funk]

Based on Chapter 7 of Kissed by the Sunburn by my bestie @rafyki !!!!

Okay so my expertise is not in doing landscapes but I tried my best!! This scene was just so amazingly written that I just HAD to draw it!!! Ive never been so excited to draw something that my hands were literally shaking the whole time and I was lowkey kinda struggling haha;;; But the whole time I kept listening to this song and I'm not crying I swear 😭😭😭

[seangelfish]

What they do for White Day (pt.3)

❥ Featured characters: Hiiro Amagi, Leo Tsukinaga, Kanata Shinkai, Ibara Saegusa, Yuzuru Fushimi

❥ Tags: Fluff, established relationships/mutual crushes, stories are based on the !! era, no mention of pronouns

❥ A/N: The final part of my What they do for White Day Enstars special! I hope everyone has a wonderful White Day even if you don't celebrate it! Decided on these characters for last because 1. everyone likes Hiiro and Leo and 2. I haven't written for Kanata, Ibara and Yuzuru in such a long time!

Please check out part 1 and part 2 if you haven't already~

🤍 HIIRO AMAGI

This was Hiiro's first time celebrating Valentine's Day, so when you gifted him your chocolates after school, he was appreciative that you thought of him. He didn't understand the implications of the gift until you confessed your feelings which made him feel awkward as his cheeks blushed.

Deep down, he knew he liked you romantically too. That's why he stuck to you like glue, greeting you a lively good morning and helping you in any way he can.

But he didn't know that he had to reciprocate your gifts until Aira told him about White Day. He thought your confession had already established a relationship together, but if that's what the customs here are and if it would make you happy, then he'll do his best to make White Day a special day for you!

Thankfully, Aira was there to guide him so he wouldn't mess up. During lunch, he asked you to go meet him by the fountain where he gifted you a silver bracelet and a box of white chocolates. Surprisingly, he didn't need Aira's help in choosing the jewellery because he knew what looked best on you.

"Let me help you put it on!" he said happily. "There. Haha, it looks pretty, don't you think? Happy White Day, (Y/N). I hope we can celebrate even more holidays together!"

🤍 LEO TSUKINAGA

Leo jumped up and down excitedly when he received those Valentine's chocolates from you. He bragged about it the whole day, annoying the NEW DI idols in the process.

"Uwaaa! Thank you, (Y/N)!" he beamed, hugging you tightly. "Hahaha, I like you too, you know? What else should we do today? Should we go to..."

So a relationship was established with Leo almost immediately. The two of you were already close to begin with, so it wasn't too much of a surprise to others. Shockingly, he was a pretty attentive boyfriend. He always found time to check up on you during work and would provide you with drinks and snacks. Sometimes he'd leave notes, some of which were lyrics about you, and others were just stick drawings of the two of you.

These little things would always make you smile. Therefore, for White Day, Leo bought you a box of White Day-themed cookies that the two of you shared together. And of course, he had composed you a song so beautiful that it made you shed a few tears.

"Hahaha, Happy White Day, (Y/N)!" he exclaimed as he wiped your tears away. "I love you so so much! Anyway, is there anything else you'd like to do? We can do everything you want!"

🤍 KANATA SHINKAI

Kanata was new to the whole romance scene, so when you gifted him chocolates for Valentine's Day, he wondered what the occasion was.

"Oh, I see! So that's what you do on 'Valentine's Day'~" he said excitedly. "Thank you for the 'chocolates', (Y/N). Let's share them, okay~?"

However, that didn't mean he was oblivious to everything. He knew about White Day since Kaoru used to participate in it a lot back in school, so he had some idea of what to do. Additionally, he asked around because he wanted to give you, his lover, the best he could.

So on White Day, the two of you spent time together by the sea, lighting sparklers and giggling to each other's stories. He had gifted you a pearl necklace and a koi plushie from AOUMI Aquarium.

"Koi fishes symbolise love~" he explained, smiling from ear to ear. "I love you, (Y/N). Happy White Day!"

🤍 IBARA SAEGUSA

As he expected, the chocolates you made him for Valentine's Day were alluring and sweet, but what he liked most of all was the love letter you wrote for him. He would keep it in his pocket, rereading the contents when he took his short breaks at work. A smile would always appear when he did so which made coworkers wonder what he was reading.

He had planned everything out before White Day like it was a project that needed to be executed perfectly. He wrote down timeframes, date ideas, and gifts that you might like. Everything had its own section in his 'White Day' binder.

If he could give you everything in the world, he would.

On White Day, he took the day off so that the two of you were able to do everything on his schedule. First was to do an activity that you liked whether it was arts and crafts or something sports related. Second, he brought you on a lunch cruise where the two of you had lunch together on the river. However, when the third activity came, he realised you were getting tired, so he brought you home to relax and watch a movie together.

That was when he gifted you a silver necklace, and of course, he wasn't going to forget the big bouquet of white flowers he had ordered.

You appreciated everything he had done for you today even those he was kind of excessive.

"Happy White Day, my dearest (Y/N). I love you from the bottom of my heart. I hope today was satisfactory. Apologies if it was too much, but I hope we can do this again soon."

🤍 YUZURU FUSHIMI

Everyone knew you were childhood friends with Yuzuru, but they didn't expect you to hand him chocolates on Valentine's Day. Because you were so bold about it, you handed them to him in class resulting in cheers from friends and classmates. This embarrassed him greatly, but his heart had skipped a beat.

"Woo-woo!" Subaru whistled. "Congrats, Fusshi!"

He accepted your chocolates, thanking you for them, but he also scolded you for being so brash.

"I appreciate it, (Y/N), but don't do that again."

However, in private, he did accept your feelings. Unexpectedly, he had feelings for you too, but with how good he was at hiding them, you were left speechless – both figuratively and literally because he had left to go find Tori.

But he wasn't going to leave it at that. He wanted to do something for you too. After all, his purpose was to serve. On White Day, he gifted you a bento box he had cooked and white roses he grew and picked. It was sweet until he presented you with the last item – a drawing he did of you.

Nevertheless, it was cute.

"Happy White Day, (Y/N)," he smiled. "I've always loved you and will always keep loving you. I'm free after school, so let's go to that place you keep pestering me about."

Intro page | Ensemble Stars masterlist | Rules

[daddywright]

daddywright fall fic writing challenge

Because the Organization that Shall Not Be Named has embraced AI (among other sins), I decided I wanted to create a little challenge of my own that isn't just for November and contains prompts that I'd actually want to do as a fic writer. I did this for myself, but if anyone wants to try out any of these prompts, you're welcome to! Because I'm lazy, I'll be trying to commit to this all fall, and give myself a goal of 30,000 words. We'll see how that goes!

Some of these are 18+ prompt ideas, because I like to write explicit material. Take or leave them as you like.

As a way to get myself excited, I'm going to commit and post something by 12AM tonight (!) that falls along one of these guidelines. Stay tuned!

Write from a character's POV you've never attempted before.

Write for a ship you've never written.

Resurrect a character from the grave.

KILL a character DEAD.

Back to the Future: time travel shenanigans!

Share and develop a WIP that's at least 2+ years old

Fic inspired by a song you love.

Write a fic in future tense.

"He asked for no pickles" - Character A defending Character B (any level of seriousness)

Publish something from a fandom you've never released anything for.

Ask an artist if you could write a fic based one of their pieces you love!

For Want of a Nail: change one little thing from canon, and see what happens.

Write a crossover - if not a whole fic, then an interaction between characters from two different pieces of media

This Town Ain't Big Enough for the Two of Us: write a scene between enemies.

Self-Care: write a character getting comfort you could use in your life

Career AU: write a character with an entirely different career than their canon job

Babysitter Required: write a scene with a character that's been de-aged (through ageswap or magical means!)

Kryptonite: a character of choice encounters the one thing they can't tolerate

Live Cringe, Die Free: write an original character self-insert and have them interact in a scene with your blorbos

Knife to a Gunfight: write a scene where a character loses a fight

Passport: have your character travel somewhere you've been before

Because You Should: write a scene where the overlooked female character of a popular piece of media is the main focus

The Godfather: have a minor character play mom or dad to a child character for a day (reluctantly if necessary)

5+1 things: a classic

(18+) Laios Touden-core: Write an explicit scene with monstrous elements.

(18+) That Could've Gone Better: Write a scene that features some elements of bad sex. (Not sex written poorly, but sex that is in fact not good. They can talk about it, even.)

(18+) Write a scene featuring a kink that you've not written yet.

Werewolves of London: Your character has been struck by a curse. What is their terrible affliction?

AO3 Trope Bingo: write for a popular ao3 trend that's been around awhile (i.e., Sentinel/Guide, Hanahaki, Soulmate Writing)

To Shreds, You Say?: write a scene where a character absolutely ruins somebody else (ruin can mean whatever you want it to)

Halloween Special: write something spooky!

[niko-sasaki-dbd]

I'm still thinking about Death's words in Episode 1, and the way I think she was not just talking to Wilfred (the soldier), but indirectly, she was talking to Edwin and Charles too.

Let me explain...

"You've been fighting old battles for too long (...) you died over a hundred years ago"

"I came for you then, but you were so confused, so filled with anger and with hate, you seem a lot better now"

I wonder if they overheard her, if that's even possible, or if it was something purely directed to us, as an audience.

It just makes me think quite a lot, because her words were so on point for the way the boys' arc was going to develop. In one side, Edwin fighting against his own mindset in order to face his own identity and his feelings, and then Charles, facing his trauma, and the frustration and anger that he had been carrying since he died.

Oh, and then there's the poem:

They will come back - come back again, as long as the red Earth rolls.

He never wasted a leaf or a tree. Do you think He would squander souls?

[Source: The Sack of the Gods, Rudyard Kipling]

This is not the whole version, only the last verse that Death recites in that scene. I would like to mention the story behind it too, because I find the connections curious.

The Kipling Society refers that this poem—most probably—was written as a form of celebration, "in lofty cosmic terms" of Kipling’s partnership with his friend Wolcott Balestier, who died unexpectedly in December 1891.

Together, it passionately asserts, the two young comrades had fought to conquer the heights, an endeavour which seems long ago now that Wolcott is dead.

[Source: The Sack of the Gods – Background (notes by Jan Montefiore and John Radcliffe)]

Also, about the lofty cosmic terms, these are found in the following verses of the poem:

Under the stars beyond our stars where the new-forged meteors glow,

(...)

Dust of the stars was under our feet, glitter of stars above—

Wrecks of our wrath dropped reeling down as we fought and we spurned and we strove.

Worlds upon worlds we tossed aside, and scattered them to and fro.

I don't know if the connection between the poem and the song that plays in the background of Charles' memories in Episode 7, was intentional or no.

And it's something quite peculiar,

Something shimmering and white

It leads you here, despite your destination,

Under the Milky Way tonight.

[Source: Under The Milky Way - The Church]

But I think is beautiful, if you take into account that the meaning of that poem revolves around the idea of deja-vu, "hearking back to an experience in an earlier life, based on reincarnation"; and that there's always that possibility.

Is this something? Am I even making sense?

[milgram-tournament]

MILGRAM Best Song Tournament, Round 2, Match 2 BRING IT ON vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

---

- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

---

"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

[eleanor-bradstreet]

Thoughts on Bridgerton season 3

No one asked, but putting it out there. (Written after viewing part 1.)

The Good

Polin - it’s their season after all. There is plenty of them and a lot of scenes pulled right from the book. I don’t think Colin/Newts is all that charismatic or great at acting tbh, but Pen/Nic is carrying the season. Seeing through her eyes, there is a compelling story of self-acceptance, struggle and romance. I was whooping whenever she got steamy with her man.

Debling - wonderfully acted and such an interesting addition to the ton, I love this character. He is so kind and honest, he deserves the world.

Francesca & John - Hannah Dodd is doing a wonderful job. We get to see the one and only shy Bridgerton, which is novel. Her odd chemistry with John is magical and I am already fucked up about them. I’m more invested in them than Polin 😅

Eloise - we are seeing more facets of Eloise which is wonderful. That she is willing to look deeper at peoples’ true character - including Cressida and Pen, though the reconciliation with Pen isn’t finalized yet. Cressida also makes Eloise check herself, her assumptions and privileges which is crucial for her development. She’s growing this season.

The Cowpers - redemption arc for Cressida incoming! We are learning that her bitchiness stems from a competitive nature, which she feels she must have to secure a good match thanks to pressures from her awful parents. This is interesting in its own right but please please please have Sophie also being mistreated in their household. That would be the bow on top.

Marcus Anderson - hello handsome! He is wonderfully acted and immediately has a warm spark with Violet. The mystery is built as to why Lady D is so aggravated by him. What has he done in the past that makes her wary of him?

The music - great instrumental covers of on-point pop songs and revisiting a few tried and true Bridgerton original themes.

The Bad

Kanthony - But only for part 1. I'm guessing they had to work around JB's busy shooting schedule, but it sucks they found a lame way to essentially write them out of episodes 2-4. I'm happy to see from the trailer there will be more of them in part 2.

Benedict - for fucks sake, he does nothing. Season 2 might as well not have happened. Not only is he not sad nor frustrated with Anthony about art school, he has no introspection or personal development in part 1. He’s just shoved in the background again, making sassy little comments and fucking a random lady. Where is this ‘crucial role’ the showrunner mentioned? What ‘comes to a head’ for him as Luke keeps alluding to? All of his material must happen in part 2 because there is nothing in part 1.

The fucking Featheringtons - I know the entail is a plot line set up by season 2, but getting into microscopic detail about the sex lives of the elder two Featherington sisters is not the comic relief the show thinks it is. It actually makes me nauseous. The whole ‘race to produce an heir’ could have been a single line explanation from Portia and screen time with the Featherington couples could have been spent on more Benedict.

The sex - part 2 better be mind blowing because Nicola’s claim that Polin has ‘won the steamy battle’ is unfounded based on the first four episodes. Okay we’ve got Anthony and Benedict each with a scene between the sheets kissing ladies but not a single Bridgerbum to be seen. The claims of ‘threesomes’ and ‘lesbian sex’ are extremely generous. It’s 5 seconds of Colin kissing sex workers and them peformatively kissing each other. I know we have the mirror scene coming in part 2 which threatens to blow the roof off anything Saphne and Kanthony did but thus far, I am unimpressed. It feels more buttoned up than ever.

Now, I have also watched part 2 in its entirety. Without spoiling any details, see below the cut for a general note.

Part 2 contains some MAJOR twists that I feel are going to fracture the fandom. Brace yourselves.

[alyona11]

Hi! So I am very new to Hadestown and I am watching the bootleg. I really love the dynamic between Hades and Persephone, but there is one thing that kind of rub me in not so good way, is Hey Little Song Bird implied that Hades and Eurydice slept together? I am seeing a lot of interpretation and it genuinely confused the hell out of me asdfghk

Hi! Well, tbf it's a tricky question, but the short answer is that Hadestown suggests that something might have happened behind closed doors. The rest is up to audience and actor's interpretation.

For example, Anaïs Mitchell often mentions in Working On a Song that in early workshops she often went with the idea that Hades cheats and pretty regularly even though these affairs mean nothing to him since the only person he loves is Persephone. It even had a cut song:

In her early drafts/productions of Hadestown you can often get the vibe that from her point of view it doesn't matter as much because they are eternal beings and love each other since the world began so does it even matter for them?

However, by NYTW this story line was cut apart from Persephone's line in How Long:

"I don't mind if you look at other girls, now and then"

"The girl means nothing to me"

"I know"

Plus the staging in NYTW Papers and Hades' protective peacock behavior with Eurydice around Orpheus in the scene also gives you a thought that they might have had an affair? Plus some bits like the fact that she has a line in Why We Build a Wall and her words "But don't you see? That's different with me!" - "Different than who? They thought they were different too!" Could also be interpreted as Hades suggesting some special conditions by granting her a role of a romantic interest. Whether the interest is real or not and did he use it or not is again up to your interpretation of NYTW Hades. He is more of a morally dubious guy (as all ht Hades are) so it's more up to you to either believe he would have cheated to put Persephone in her place or would just use showing off Eurydice as a brutal way to get Persephone's interest.

As for Broadway, I think it's still suggested and you can find profs in the lyrics but I think that they are what they are - suggestive and leave you to interprete it whichever way you feel comfortable. I think the biggest suggestion remains in Flowers with the line:

'I trembled when he laid me out

"You won’t feel a thing," he said, "when you go down"'

Which kinda can have a death meaning and sex meaning, tbf someone could have written a good article on how those topics are connected in Hadestown. So here, again chose one of the two or both.

But again, Broadway also changed the lyrics in How Long and the whole staging in Papers so it's less suggestive.

My personal opinion based on Broadway production is that it all depends on how the actor plays it and whether you believe this particular Hades is the type to sleep with Eurydice to get Persephone's attention and prove he is still attractive or he is more of a person who doesn't care about having the affair and his only goal is to get Persephone to react somehow by composing such a messed up hurtful plan. Personally, I prefer the second option maybe because I'm a pussy or maybe because I see Hades (whom I mostly base on Patrick Page ht Broadway previews) like a person who is desperate to get Persephone's attention in such a radical way like a cat pushing objects from your table to see your reaction. He wants to be stopped, he wants any reaction from Persephone. He even touches her by the shoulder before going into the office like "Look!! Look! I'm absolutely totally leaving! To cheat! See! Hey come on! I'll even take off my tie to show that I'm serious! Don't you wanna stop me???". Seems kinda way too extra to me. Like he could have just gotten to the office after parading a pretty girl in front of her and it would be understood that it's for an affair. But he takes so much time to make sure she understands that he can find himself someone when all he wants is for her to come back to him with open arms. I'm not sure he has the guts to actually damage his relationship to an irreversible degree (considering Broadway Hades is never stated as a cheater before the Eurydice sub-plot). Like it's one thing to take a mortal before her time and parade her in front of your wife (because what is a mortal life after all?) as a "replacement" and it's the other way to actually cheat on her and deal with the fact that she might never forgive him again if it is a deal-breaker for her considering they seem to be true to each other for all these years.

One interesting thing to note here as well is how Hades actors play the reaction to Persephone's line in How Long:

"He has the kind if love that you and I once had"

Because his instant reaction is "OH SHIT once had?? Does she think I don't love her still?? OH SHIT I BROUGHT THE GIRL THIS IS WHY SHE MIGHT THINK THAT", so he answers to that:

"The girl means nothing to me!"

Depending on the actor and she show the line sounds either scared, confused, angry, undignified etc. So it's once again up to you to interprete why he reacts this way: is he angry because she suggested he would actually cheated on her? Is he angry because she called him out on that affair? Is he confused and scared because she thinks he doesn't love her anymore because of his foolish decision to tease her in such a cruel way?

That's up to you.

P.S. I think one of the most interesting studies of the subject and Hades' character that I've read in a fic for that matter was the Songbird chapter of Winters Nigh and Summers O're. You can check it out, but I will warn you that it's probably one of the heaviest chapters of that fic in the emotional sense and it has explicit parts (don't worry, nothing bad happens to Eurydice. Well...apart from dying, I guess), so check out the warnings if you decide to read it.

[jack-kellys]

i hate the song something to believe in dearly and truly. it’s the one part of newsies i cannot reconcile because it’s just so bad

please fix it. or do something with it

it’s just not a banger i agree. alright.

send me issues from the Plot or Script of this darn show. and i’ll fix them onstage

so my rules for this is that i cannot cut the song. i cannot invent a scene bc i did that already & that’s cheating.

i do think tho that the key to being… fine with something to believe in is the scene right before. i think that scene MUST be fucking stellar in order for the song to be passable. and the scene before…augh. it could also be written better. the positionally of it and the context and the stakes are more interesting than what they say to each other. except. for.

“don’t say it like it happens every day. i’m not an idiot- i know girls like you don’t wind up with guys like me. i don’t want you promising nothing you’re just gonna have to take back later. but standing here tonight, looking at you… i’m afraid tomorrow’s gonna come and change everything.” EATS.

what’s rly important abt jatherine to me is that jack like. literally does not express his fears to anyone else except her. he talks about regret and anger with davey in wwh(r), i’m not counting that as fear. kath is the only person in the show he shares this with. and what he’s afraid of is being alone.

tomorrow coming means he did vote for the disbanding of the union, it means all the kids he loves are angry and done with him, tomorrow means everyone is gone from his life. (in his pov).

so katherine has a job with this song. she has to refute those fears, finally admit that she’s fallen for him, which means he won’t be alone, even if he leaves. he’ll be in her heart, he’ll have a home there, even if he were to get on a train the next day. she initially comes into this scene demanding something of him, but when she learns his actions were done out of this loyalty and his fear for others & himself… wow. “you snuck up on me, jack kelly. i didn’t even see it coming.” YOU KNOW?? going from “cocky little sonofa” to “of course there’s something” is wild for her

she needs to see him FULLY and completely by this point. idt she does until now, it has to be here for this scene & song to mean anything. this is her almost like. protecting his scared little heart. she says she’s in love (he doesn’t), she assures him it’s okay that it might be for a short time, that it’s random, that things like this CAN be something that happens any day. she offers terms that are accessible to jack, that can let him love her. belief conquers fear, undermines it, and if there’s something reporters are good at it’s getting to the root of something. she just has to take an angle that she didn’t expect from herself.

i think honestly the only line that genuinely bugs me abt this song is jack calling her “an angel come to save him”…. especially cause that boy ain’t white anymore we’ve grown passed that as a community so now it’s like. eugh like SURE, sure, but jack u did lead the strike. with ur boys. and ur leadership skills. and ur love for them. so i think this can be said as a knowing tease and she can wave it off and blush and whatever. u can make it cute i promise.

smth abt uksies that was stellar (wow what a shocker rizz is praising uk newsies…) was how emotive and present bronté’s kath was thru this song, she reacted to every word jack said to her. as long as she’s present i think this scene and consequentially the song can work. u just cannot forget abt katherine’s stakes and her journey of learning abt who jack kelly really is. it’s not a bad song bc it’s a love song it’s bad bc it’s not…. actually about how THEY fell in love. the courage and fear line from seize the day should’ve had a reprise moment here bc that’s what their relationship is based on.

if newsies rly was a love story i think that would be the proper theme through their whole arc together. jatherine is about fear and courage. and so is the show. tbh. just saying

[suzy-queued]

DVD Commentary: Out of Nowhere

I got a request from @doshiart for behind-the-scenes commentary from Out of Nowhere. @shamelessdvdcommentary

Give us some stats - (when you wrote it, word count, how long it took to finish, is it a one-shot/multi-chapter, etc) 86,511 words, 15-chapters. I wrote it between November 2022 - January 2024.

What was the initial inspiration for your story? I love murder ballads. I love graphic novels. So when I saw the book In the Pines at my local library, I snatched it up. This book takes old murder ballads and turns them into short stories, told in graphic format. My favorite one was "Where the Wild Roses Grow," based on the Nick Cave song.

I took some very loose elements from this story: A secluded property, a guy escaping from prison, a person protecting their family's gold. The prisoner wooing the gold protector in order to get close enough to rob them. Doesn't that scream Gallavich?

In the murder ballad there's, well, murder. The prisoner dies by the end. Boy, was I tempted to do that in my story.

What was your favorite scene to write? In each story, there's a scene that pops in my head early on that I base the whole setup around. It's the one that I'm gleefully waiting to write. For this story, it was the "cleaning guns" scene in chapter 7, when the sexual tension is high and Ian tantalizes Mickey as he works.

How did you come up with the title? My favorite murder ballad of all time is "El Paso" by Marty Robbins. There's a line in that song, "From out of nowhere, Felina has found me."

The placeholder title was "Gallagher Gold."

Are there any little moments or references you hope readers will notice? I made this note early on: "Ian has a high PHYSICAL IQ. Mickey has a high VISUAL IQ." I used that to make character decisions throughout. Ian was good with his body and his posture. He was good at carrying things and balancing things, climbing and shooting. Mickey was obsessive about patterns and puzzles and solving challenges.

Was there anything you struggled to write? If so, how did you overcome this? Chapter 13, oh my god. That's the hardest thing I've ever written. I was dreading it for months. It's a tense culmination of everything the story has been building to: love, betrayal, physical and emotional pain. The land gets torn up, and so does their relationship. I overcame it by taking lots of deep breaths and writing small chunks every day. I made sure that every sentence was exactly what I wanted to convey, without letting the prose take its own (lazier) path.

Favorite line in the story? “I’m not a fucking Viper.”

Did the storyline change in any way as you wrote the story? When I started this story, I was sure that I didn't want to do another long multi-chap fic. I outlined it as a 5-chapter short, maybe 30,000 words. Then the "what if" whispers started happening, and it grew to a full 15-chapter outline. Most of the chapters had very short descriptions. One was just "fun and games on the land." One was just "This wasn’t supposed to happen, Gallagher."

Other possible settings included: an abandoned church with a small cemetery, and old hospital, a forgotten amusement park. I wrote "somewhere old-timey that would have land."

What are you most proud about in the story? (plot, characterization, dialogue, twist/cliffhanger, etc) The art! I had so much fun with it. I based the style off the old Penguin classics, like the Grapes of Wrath cover below. (Where they had the little penguin, I put the double-triangle Viper tattoo). I'm also showing my concept sketch for chapter 1 art.

Are there any ‘behind the scenes’ info you’d like to share? I hand-wrote the story first, and it filled two notebooks:

Here are some research shots on the land and the equipment:

I took this photo while I was working. Welcome to the inside of my brain:

Reading back the story now, is there anything you’d change or add? I was itching to dramatize more of Ian and Mickey's lives while they were apart. It would have been fun to have 5-6 chapters of them learning to be whole humans again. But ultimately, that wouldn't serve the story. I did a time jump instead.

Are there any ‘easter eggs’ in your story - e.g. references to other stories you’ve written, a trope you often use etc? The story is set in Fox River Grove. This entirely happened because @lalazeewrites introduced me to the town in their comments on Estate of Blood and Trust. So the events of EOBAT and OON are taking place in neighboring towns!

Did you have a beta or a friend who helped you as you wrote? @mzshko helped me figure out the best way to structure chapters 2 & 3. She was patient enough to read an alternate fully-written version of both chapters and tell me which option worked best.

Anything else you’d like the readers to know about the story? Three months into writing this story, I stopped and did a self-analysis because it wasn't igniting. I wrote, "Could it be that I haven't put enough of myself into it?" So I re-evaluated and dug deeper and made it as personal as I could.

I can't emphasize enough how interwoven details of my own life were in this story. I helped my dad install that big aluminum gate in the woods. I used 5-gallon jugs of water to brush my teeth and sponges to bathe. I washed clothes by hand and cooked on a propane stove. I hauled and stacked logs from fallen trees. I had a love/hate relationship with my family's land and ached to be back in civilization, like Ian. My dad used to tell me bedtime stories about escaped prisoners (Mickey?!) roaming the woods and killing small children.

This story is a love letter to my dad, who was dying the entire time I was writing. He passed away in May of 2024.

This is open to all writers! Pick your favorite story you’ve written or your most popular or the one you think deserves some more love! Or ask your followers to suggest their favorite fic of yours!

[thebisexualdogdad]

Would do you a spider- reader X spider Gwen? Like how they met and kinda just how they got together?

*I haven't seen the new movie yet this is slightly comics based*

Gwen Stacy x GN!reader

● you met Gwen after being pulled from your universe and into earth-1610

● you fell for her hard and even kissed but thought it would be too difficult to date across the multiverse

● so you stayed just friends

● when she returned to Earth-65 and you to your own Earth you kept in touch

● visiting each other every chance you got

● you quickly bonded over both your love of music

● you go see her play the drums in her band all the time

● you've written so many songs together some of which the Mary Janes play

● speaking of, Mary Jane hits on you a lot at the shows

● "what? If Gwen isn't going to date them why can't I?"

● Betty "because Gwen and Y/N are perfect for each other and eventually they will figure that out"

● Gwen tries so hard to get you to do an open mic night with your guitar

● "I don't know Gwen, I can't play in front of people"

● "I used to have stage fright too but look at me now! Seriously Y/N you'd be so amazing"

● "I'll think about it"

● "that's not a no, I'll take it!"

● when her pink hair starts to fade she asks for your help in re-dyeing it

● she also surprises you with a tube of red hair dye that matches your own spider suit

● her dad comes home from work to pink and red dye all over the bathroom

● it's also the first time you happen to meet her dad

● "what did you two do? It's like a crime scene in here"

● Gwen "sorry dad… this is Y/N by the way they're from Earth-732"

● "do you have any friends that aren't spider-people??"

● you hang out a lot with Miles too

● always crossing over into each other's earth's to fight bad guys

● it's fun seeing how different your enemies are in other universes

● Gwen "wait that's your Bodega bandit?? And he's actually cool?? Mine can't even get away with stealing a hot dog that costs a dollar"

● or "Wait you guys don't have a Lorenzo's here?? But he makes the best pizza in New York!"

● Miles is always bugging you about when you're finally going to ask Gwen out

● "dating across different dimensions is a whole new meaning to the term long distance"

● "come on Y/N, it's Gwen, isn't she worth at least trying?"

● "I hate it when you're right"

● you finally sign up for an open mic night on your earth

● and Gwen is so excited

● she's standing in the crowd cheering you on

● and you play a song you wrote confessing your feelings for her

● you're looking at her the entire song and it's like you're the only two in the room

● after your set she finds you backstage

● "was that song about me?"

● "who else would it be about? Miles? He's cute but not really my type"

● "very funny so are you going to ask me out or not?"

● "Gwen Stacy would you like to go on a date with me?"

● "I'd love to"

[chaosgremlinmunson]

Rocker Stevie

Might be part one.

Diane: So let's set the scene, it's 1988, you're newly 21. You are top of the charts bubblegum pop princess Stevie Hendrix. You're married to top selling actor Tommy Hagan known for his action films and beach body. You just won two Grammys that year, and then, what happened?

Stevie: So, like you said. I was newly 21, I married my highschool sweetheart who'd reached stardom right alongside me as an actor instead of in music, which, honestly Diane, thank God for that. The man has no idea how to hold a tune, he'd likely make a dying cat sound like a siren. Laugh No, really! It's that bad! Anyway, I was fresh off my latest tour for Rainbows and Leather and came home to see my darling husband. I was so excited I'd been missing him, you know. Well, I walked into the house and what did I find? My husband, in bed butt naked with my Best friend and his personal assistant at my behest, Carol Perkins. To tell you the fallout from that was anything less than apocalyptic would be selling it short.

Diane: So after the absolutely dramatic divorce, you decided to change genres? Why Rock?

Stevie: Rock spoke to my soul, I wrote ‘I wanna ghost myself’ one night drunk on apple spritzers with my sister Robin, and her best friend Eddie. They'd been in my corner from the start, but Eddie and I always nipped at each other about our music tastes, then that night he picked up his guitar and started playing and ‘I wanna ghost myself' just flowed out. I was laid out on the floor by the ending between lighter and tears, and just felt so free. So like myself. And that was it, Stevie hung up her rainbows and sunshine and embraced her chaos and revenge.

Diane: So where did the lyrics 'think I'll take my heart and throw it off a cliff, yeah I have a feeling that it won't be missed” come from?

Stevie: You have to understand, I was devastated by what Tommy did. I had only ever been with him to that point in my life, he'd made me believe he was the only one for me. That without him my life would feel meaningless because up to that point every moment together he showered me in affection and praise. He was the ideal husband on the surface, and then I found out he'd been having an affair with Carol for literal years. Everyone knew except for me, and I was crushed. ‘Think I'll take my heart and throw it off a cliff’ was me almost literally saying my heart is broken and I don't want to feel anymore. I became wild and lost myself to the music. Eddie wrapped me in leather and lace and asked me to be the front woman for his band. I was shocked, because honestly was I going to make it delving into a whole new genre? I'd already come to the end of my contract with Upside Down records, so I wasn't concerned about what my team thought. However, my fan base? Would they still love me the same, would I make it? I was scared, and then we had our first show. It was small, and it was a test for me to see if I could do this. The world caught fire for me that night, and I never looked back.

Diane: So let's fast forward, finally Devil's Prey became a household name, and Stevie Hendrix was a sensation. What happened the night of the music awards, in your own words.

Stevie: So, for years I'd gone by Stevie Hendrix so no one would know who I was. It was mid set for ‘Bulletproof’ and as I turned the lights cut out and a picture lit up the screen. It was a photo of me on my wedding day, my eyes crossed out and ‘Stefania Harrington the Whore’ written across my body as I stood between Tommy, his old friend Billy, and Jason Carver. I screamed, and looked back at the audience just as Eddie tackled me to the ground and a shot whipped past my head.

Diane: So Eddie Munson saved you that day?

Stevie: Yes, he did. He held me while I sobbed in the green room. I never knew someone could be so hateful just because my songs brought what they'd done to light, but there I was running for my life while the security detail searched for the gunman. Eddie was furious, he held onto me and told me we were going to my place with his security, to pack up my things and come to his. See, Eddie lived in a damn near impenetrable home, there was no way anyone could get to me there. Of course I wanted to fight him on it, but I'm just a girl at the end of the day, and Eddie Munson has an energy you just don't fight when it's directed at you.

Diane: So you moved in that night?

Stevie: Yes. Eddie was my shadow for days, I barely could use the restroom without him following me around. It was aggravating at times, but I saw how scared he was when he wasn't in the spot he could see me.

Diane: He was traumatized.

Stevie: He was traumatized and he was ready to follow me to hell if he needed just to make sure I was safe. I never knew what love was until I was met with the force of Eddie Munson’s protection. He woke my dead heart up again, and I was doomed from the start.

Diane: So eventually the agents you had investigating the shooting found out who shot that gun, and who hired him.

Stevie: I need a minute before we talk about this. Let me just grab a water and ask Eddie to come sit with me.

Diane: Take your time.

Stevie and Eddie walk back in, they're holding hands and Eddie is murmuring to Stevie who's looking like she may just pass out from nerves. She squeezes Eddie's hand and takes a seat, Eddie sits beside her his fingers laced with hers.

Stevie: Okay, I'm ready. Breathes in deeply So Jim Hopper was the head agent on the investigative team. He had become something like a father figure to Robin and I over the years after my parents’ accident. When Jim came into Eddie's house his face was drawn, and I knew then that the people who had attacked me knew me. He sat me down and told me as gently as possible that Tommy had asked Billy to do the job. He was furious at my songs, and apparently the fan base put two and two together and his career began to tank. People were boycotting his movies. I didn't know, I swear, I just wanted my freedom and an outlet for all my pain. I deserve to have that without someone threatening me, you know? Tommy had hired Jason who was in tech support to upload the photo in the middle of our set. It was this whole plot. Make me pay in the most public way possible.

Eddie: I wanted to rip them apart. Stevie was distraught, she is such a good person. And if I could take her pain away I would, happily.

Stevie: I know you would, but you going to prison wouldn't have helped me. I need you here Eddie.

Eddie: I'm not leaving, not ever.

Stevie: So the trial came and went. They'd found loads of evidence in Tommy's apartment, through the baking records, phone records. I mean they pretty much wrote out in neon lights that they planned to kill me. Laughs incredulously All because Tommy couldn't handle the consequences of being a shitty husband?

Eddie: He never deserved you, Stevie.

Stevie: blushes and ducks her head Oh hush you big sap.

Diane: So the bad guys are caught, you're safe now, what does the future hold for Stevie Hendrix?

Stevie: More Rock and Roll obviously, but therapy to deal with the trauma. Mandatory family nights. Just things to help me feel back to myself.

Eddie: Hopefully a wedding soon, too. That is if you say yes. Eddie Munson sank to one knee reaching into his pocket and pulling out a ring. Stevie stared at him, her eyes glassy before grabbing him by his curls and kissing him, she giggled a yes, and he slipped the ring on her finger. She said yes!

Stevie: I said yes. I love you Eddie Munson.

Diane: I'm so happy for you both!

Eddie: I love you Stevie Hendrix, I can't wait to be Mr. Hendrix!

Diane: Well, It was lovely sitting with you for this interview. Thank you for agreeing to be on my show, and I can't wait to see the wedding photos one day.

Stevie: See the photos? Diane, you're invited to the wedding!

Diane: Oh wow! I'd be honored.

Stevie and Eddie stood and walked off the stage where Robin stood, her face lit in a blinding grin, she embraced her sister letting out a laugh and they both turned to wave to Diane who smiled and waved back. The show was over, but Stevie’s life was only just beginning.

[not-handsome-enough]

DICK KNUBBLER MAYE STILL BE ALIVE

Kinda

Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.

Alright! So!

On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.

NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it

Songs with “ * “ are canon, the rest are personal interpretation.

DURING ARMY OF THE DOOMSTAR:

* Aortic Desecration ( the first song of salvation but obviously not )

* SOS ( song of salvation )

Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )

Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )

BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )

Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )

POST ARMY OF THE DOOMSTAR:

* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )

DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )

Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)

I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )

Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )

Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.

Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.

ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know

Let’s look at them.

Dethalbum I ^

Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.

I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it

Anyways

Dethalbum II

Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus

Dethalbum III

Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.

So what about Dethalbum IV

Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..

Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.

If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.

Which leads to 3 possibilities.

Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it

Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.

It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.

I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla

something fun to think about tho yk?

TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray

[haloxsaisha]

So Good.

[Lewis Hamilton x Actress!Reader]

Based on: So Good by Halsey.

Warnings: Angst, Abu Dhabi and Monza 2021 (I'm so sorry), some fluff, few cheesy dialogues (cause I'm a dumbass), depression, insomnia, eating disorder and weight loss.

Word Count: 15.5K words (I've never written this much in my life so far, I'm so proud of myself).

A/N: My first Lewis fic, I wasn't expecting it to be done with during the Abu Dhabi race week but oh well💀 I'm personally quite happy with how this turned out! I hope y'all like it <33

Bold and italicized font: song lyrics.

Italicized font: flashbacks.

“I remember the night, I was so frustrated.”

You could only bury your hands, head filled with shock and completely blank.

You never thought this would ever happen to anybody, let alone just him. Nobody who had watched the sport did.

Everything inside you began to sink in the moment the whole mess about unlapping the cars started and as the rest of the race unfolded, you felt yourself crumbling.

Lewis staying in his car in silence, in disbelief at the parc ferme had been playing on your mind again and again.

You were supposed to be there. You had to be there for him.

You had apologized to him multiple times for not being there in a championship decider race, especially at a win that was so historically important but he dismissed your countless apologies saying that he could understand. You had been shooting for a movie in London since November, which also meant that you hadn't met each other in more than a month, work and COVID restrictions making its way in. There was one thing that you and Lewis always stood by, which was that your jobs would be given the first priority. Understandable from both sides because your works usually involve a lot of people, meaning that compromising on it was quite hard and it was also very important to both of you from an emotional perspective, although you had to admit the Formula 1 driver was reaching an equivalent position to your work in your heart.

You watched him speak in the post race interview and then the moment he shared with his father, leaning his head as he took in the encouraging words being whispered in his ear. He had always been so strong and it was something you admired about him.

You sent him a message (which you hoped would provide a bit of comfort), mentioning that what happened was unfair, he deserved that win after everything he'd been through the entire season and that night and how proud you were of him. Also adding that he could call you when he felt like doing so because he wouldn't be in the headspace to talk to people at the time.

Seven hours later, you were done with your scenes for the day at ten in the night. The first thing you did after entering the vanity was checking your phone and your message to him was still at 'delivered', which increased your worry and anxiety.

After a bit, you got the idea of dropping a message to Angela, who was somebody you were close to too. You knew the Wolffs, Miles and Daniel, you even met his parents, stepmum and his siblings too when you'd been to the Silverstone race but Angela was somebody you bonded along with very well. She was one of the sweetest persons you'd met and also took care of you like an older sister would whenever you were around.

But you'll only get a response a while later since it's probably the wee hours at Abu Dhabi right now, you thought as you sighed. The race and your work has already drained out all your energy and despite your mind being absolutely restless because of how anxious you felt, but you had to drive yourself to sleep somehow. The director wouldn't be happy seeing her lead actress with puffy eyes and barely any energy the next day.

By the time you landed on your bed, it struck midnight and your phone let out the notification sound, showing the message from Angela which said that Lewis wasn't doing great and hadn't spoken to anybody yet.

Now how were you going to be able to sleep after knowing that?

“I touch your hand for the first time, I see it on your face, then another lifetime's flashin' by.”

"You see the star there? That one's called Sirius." he tells you, pointing to a specific region in the night sky.

"I didn't peg you to be somebody who was familiar with Harry Potter references, Hamilton." you give him a surprised, yet impressed look.

"There's a lot more to me than meets the eye darling, you'll see." he tells you cockily and you playfully rolled your eyes, shaking your head.

"This might just be one of the most beautiful things I've ever seen." you said in awe, your eyes fixed at the sparkling stars laid on an endless canvas of the dark blue sky.

"Mhm yeah, it definitely is." the sweet and distracted voice of the man who'd been surrounding you and your thoughts for the past couple of months came through and you turned your head towards him, finding him looking at you.

You felt your cheeks heat and you could only let out a giggle in response, not knowing how to respond because of how flustered he made you feel.

Lewis Hamilton was definitely a lot more cheesy than one would ever assume.

"I'm sorry I couldn't plan anything fun, there's pandemic restrictions so everything around is almost shut." he apologizes and you melt at how heartful he sounds about it.

"Don't be ridiculous Lew, I've loved every moment of this date so far." you assure him with a soft smile. Star gazing with somebody you've admired for so long as a first date was something that nobody could beat.

"Well, how can I make the date better?" he asks and your eyes light up in silent laughter thinking he's joking but then you look at him, it turns out that he was actually being serious.

Dear god, what type of dates had this man been on?

"Well that's a hard one because I feel like the date has already met the standards." you pretend to think for a moment "Maybe you could let Roscoe join us?" you ask him, giving him a grin which made him fall for you even more.

"Now that's not fair." he playfully whines "This time is for us. He loves you too much, will take away all your attention from me." he said, referring to all the times the both of you spend with your mutual friends. He was right, the bulldog did take a lot of your time.

"Well I've at least gotta win over one heart right?" you said, reflecting your doubts about him considering if the thing between the both you was anything serious or not.

"Well in that case, his heart will be the second one you've won over from this house." he said and you looked at him, your eyes softening with warmth and your cheeks turning red as you move closer to him.

He feels it too, you thought as he wrapped his arm around you, making you sigh in bliss.

Nearly two years later, the morning after the catastrophic race, the first thing you saw after waking up were the words "I don't think I can do this anymore, I need some space and time away." on your phone and at that moment, you had been absolutely destroyed.

It felt like everything in you had just been dropped down and shattered without any noise, you just feel so hollow and empty on the inside.

You couldn't ridicule him for feeling devastated, anybody would understand how much yesterday meant to him and how it affected him even if they didn't know him personally.

But you believed that you were comfortable enough to be with each other through any situation, happiness or despair. You believed that he found the same comfort, solace and safety that you found in him.

But it turns out that he didn't. The both of you went all the way from a video call like a regular couple would before the race to a text like somebody that didn't really mean anything to him a later, he pushed you out.

“I bet you're happy and that's fine. But I regret just one thing, I never got to change your mind”

He'd been back on the screens for the next season. Despite all the news about him discontinuing racing, you knew he'd go back.

Racing was everything to him, it was quite literally everything he'd known. He'd spoken openly about the struggles that him and his dad faced to reach where he was in the racing industry.

He knew how to rise up from the worst moments, he always had it in him.

You were still a mess. It had been almost three months since the text which broke everything in you. But there he was, having interviews with his teammate, a happy grin on his face.

Being an F1 fan for a long time, you always kept up with whatever news was on about the grid and Lewis had quite the spotlight when it came to headlines about his professional life or personal life.

You knew that he wasn't really the person for serious relationships after a point in his career. All of his focus was on Formula 1, rightfully so, which was why one night stands and short flings were what he went for.

You knew that even before you met him, you knew it whilst being friends but you still agreed to date him despite that one thing freaking you out. He had a hold on you, such an aura around him. You were always in this bubble of happiness, positivity and peace when you were with him.

Although his past relationships made you think about a lot of 'what if-s', how could you say no to a guy who made you feel like that?

Well, this was the consequence of giving in to emotions rather than logic. Your heart had been shattered like fritted glass, while he was back to normal like the break up was nothing but a minor collateral damage.

Work was always a top priority but all those moments that the both of you shared had a lot of meaning right?

“And I'm doin' okay. In the back of my mind, all I hear is your name”

The last time you slept well was the night before the Abu Dhabi race. You were normally a light sleeper, which gave you a pretty decent amount of sleep to feel good the next day.

But ever since that night, your sleep had come down only a few hours every week. You'd just walk about the room feeling restless, scroll through your phone or laptop or the television to pass time, there were some days where you just stared at the ceiling, the thoughts in your head just rushing in with memories of Lewis and you'd end up bursting into tears, sleeping over taking you after your eyes would turn red and puffy. And after two or three hours, you'd be awake again, tossing and turning around the bed.

And it was safe to say the sight of food started making you feel sick, your face would literally scrunch at the sight of it. But you still had to eat a minimum amount of food that would help you survive a day at work. Completely cutting out on food, which you had the urge to do, would completely affect the image on you and your career, which you felt was too risky.

Everybody had noticed you spiralled down, you could feel it too but you just stopped caring about anything after a point, you just felt so empty in your head to push yourself. Acting was the only thing that had you taking steps forward in life.

Soon enough, there were articles out on the news about you, commenting on the drastic weight loss that had been noticed in you, caused by the change in your eating habits. Your fans also began to notice how your use of social media had come down drastically, since you always had the habit of interacting with them frequently and also shared random pictures and videos from your day at work, especially if it was in a place far from home.

And that made the pressure from the people close to you increase. After getting to know about your break up with Lewis, your parents and close friends urged you to talk more, to let out how you were feeling. But you always convinced them by saying that you were alright, that you understood why he needed the break up and you just went along with life, your work satisfying you at the moment.

The moment you came back home after you were done with the movie you were working on for the past couple of months, the first thing your mum did was make you sit next to her and reminded you of all the hard times you'd been through, of all the people you had in your life who still cared for you and loved you, about how there were people out there who admired your work.

And that's when it struck you, that yes, you did lose a particular feeling love in your life. But there was so much more to life that made living your life whole heartedly rather than making it more painful for you, more that you'd already been through because of your heart getting broken by a certain British man.

You took a small break from your work and the fast life around you, spending the time with your family and friends, parallelly going to therapy as well. Although the scar of that heartbreak was always going to remain, the slow paced yet quality time helped your wounds heal little by little.

And then you were back to work, feeling better than you'd been for the past couple of months. You were able to breathe freely, feeling the light weighted space in you.

But there were still certain things that reminded you of him. One day, you saw a bull dog being taken on a walk by its owner, your mind would fly to how Roscoe would lie down in between you and Lewis, snuggling in the night. The smell or sight of tea would remind you about how the both of you would keep arguing about whether tea or coffee was better, you loving coffee and him being always so British and loving tea. But nevertheless he knew how to make coffee the way you liked it and you knew the same for his tea. The sound of a piano would remind you of the times he would play it and sing his favourite songs, even teaching you the basics of how to play it sometimes. Stargazing and watching Formula 1 was something you just stopped altogether, not being able to handle the intensity of the emotions it brought in you.

If there was anything that made you feel relieved now, it was about how it didn't hurt as much as it used to and how the control he had your thoughts had come down.

"Talkin' wildly out of context, I wish things were different. But I'll never know”

What the hell just happened, you thought as you looked at the screen of the TV in the garage.

It took you everything to not break into a string of curse words but if anything, you were really worried if Lewis was okay.

The man literally had a car on top of his with the tyres nearly touching his head, dear god.

And you had no clue how he would react after coming back to the garage. He wasn't the one to tantrums but was he somebody who just stayed quiet? Did he deal with the anger he felt? Would he like having anybody around him to comfort him? Or did he prefer being alone?

You had spent a good number of days with him, an amount of time that could turn into a bunch of months if you added them up, but all the races you'd been to for the past year were always good ones. You were there when he won his seventh world championship but this was the first time you were around during a bad race, a one with a scary DNF.

He didn't know you were here for the race. Due to the COVID protocols, you had to quarantine for a few days before being able to meet Lewis and you didn't have a break or gap of that many days that often which made being at his races quite hard. So you thought that you could surprise him at the Monza GP, coming into the garage after he got into the car.

What you planned was to hide in some corner of the Mercedes garage and meet him in his driver's room after he went there, yelling a cheerful "surprise!". But you obviously couldn't do that now, considering what just happened. How you would meet him was barely on your mind now, you were scared about how he was after the crash.

"Hey, he's back in his driver's room. You can go and meet him now." Angela came and told you, a few minutes after you were restlessly tapping your feet up and down.

"Oh thank god, how is he? No injuries right?" you ask her anxiously, a shaky breath leaving your body.

"He's alright now, nothing serious has happened to him. He has some headache and pain in the neck, he'll be back to normal in a matter of some time." she assures you, giving you a comforting smile and places her around your shoulder, knowing how worried you get about him.

"Would he be alright with having me around now Ange? I think he'd want some silence for now." you said, giving her an unconvincing smile.

"Don't be ridiculous, he just had a scary race. None of his family and close friends are around now either, he'll obviously love to have you around now. You'll make his day better and he'll calm down." Angela convinces you and you walk towards his driver's room, still debating in your mind if you should step in or not.

Angela knocks the door and speaks out so that Lewis thinks it her, rushing towards the team before Lewis opens the door so that the both of you can have your space.

The sound of the room's door opening brings you out of your over thinking. "Um, hey?" you tell him in a shaky voice, eyes scanning over him to see if he was alright. Of course Angela wouldn't lie to you but for some reason, it wasn't sinking in your mind until you saw him.

His eyes widened in surprise "You're here? Wait a minute- you're actually here." he says and his reaction made your nerves calmed down a bit.

"Well, the plan was to keep a rather happy surprise." you say, giving him a weak smile "If you want to be alone for some time, I'll go back and sit with Ange, I totally understand-" he cut off your rambling by taking your hand in his and pulling you in for a hug.

"Don't be ridiculous, I'm glad you're here. C'mon in." he said, wrapping his arms around your waist and placing his forehead on your shoulder "missed you and that scent so much." he mumbles as you place your hand through his braids, running your fingers through his hair to calm him down, like he always liked it.

"I can feel your heartbeat and it's going crazy. We've been together for a year and I still scare you?" he teases you, referring to the initial days of knowing him. Timid was an understatement. Having been a huge fan of the sport and him for years before you first met him, you always shared many shy smiles and few words with him, scared that your rather talkative side which always went on rambling would annoy him.

"I don't know- that just, that was scary. I'm so worried baby, the tyre was literally so close to your head." you sighed as he sat on the couch, placing you on his lap.

"Stuff like this happens time and again in racing, you've watched it over the years. At that moment I tried to shuffle inside the car as much as possible and lowered my head down, so nothing from the car reached my head. Don't worry sweetheart, I'm totally alright." he says, rubbing circles on your waist in the hopes of calming you down.

"Ange told me you have a headache and neck pain though, don't lie to me." you mumbled, pushing away the braids to a side and placing a small kiss on his forehead. He just gives you a reassuring smile, his eyes signifying that it'll be gone soon and he places his head on your shoulder, snuggling in for comfort as you placed your hand on his back and rubbing it up and down.

Thinking of the memory from that day made you wonder only one thing. Would the both of you still be together if you were together? If he would've seeked your comfort or just push you away nevertheless.

You guess you'd never know, Monza was one DNF while what happened at Abu Dhabi was something brought in such loss and affected his perspective about his career and life.

You knew it didn't end well, there were so many things left unspoken between the two of you. It was bad, but both of you would've been so good together.

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 2 BRING IT ON vs. AFTER PAIN

Propaganda for both options under the cut!

Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

---

- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

---

"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for AFTER PAIN:

"so here is why people should vote for AFTER PAIN !!"

Muu's vocals. Need I say more?

The bridge to it is absolutely wonderfully done, the way she softens her vocals to an almost creepy point is incredible

during the final chorus you can hear the desperation in her voice and it’s very well portrayed

The coloring in this music video were phenomenal

The overlapping vocals at the end of the song just have a really really nice effect

Its just a pure banger

In some parts of the song there’s the sound of a clock ticking in the background used as a sort of beatline… GENIUS??

Its just a banger

even with what we found out about Muu in her second trial, After Pain on its own portrayed bullying in a very realisitc and artistic way (from someone who deals with it regularly)

---

"After pain propoganda: She just girlbossed too close to the sun and happened to be holding a knife at the time"

---

"Gosh everything about After Pain... How can you NOT like it? It's literally such a good song and is very singable. The instrumentation is absolutely amazing and I've listened to it on loop so much."

[theredhoodedcryptid]

Alrighty, here's more notes from my Jason Gotham Knights playthrough. I'm not finished yet, but what I've found so far is interesting. Also here's the link to my other post about the Labyrinth which I'll be referencing.

Starting off with basic observations:

When Jason first encounters an Owl's nest he states "Hello? I'm selling owl scout cookies."

Jason can somewhat play the piano. We only encounter playable pianos in Gotham Knights whenever you're infiltrating either an Owl base or the Monarch Theater, regardless both are one time story plots, making the the ability to play them very limited. While I haven't tried this with Babs and Dick yet, Tim can't (or won't) play. He just takes his hand and swipes it down the keys, whereas Jason plays a small part of a song. I don't know which one though.

The cutscene where Jason and Tim are bonding and working on Jason's weapons. This one is pretty familiar, Jason's weapons are leaning a little to far on the dangerous side of non-lethal. When Tim brings this up Jason dismiss it, stating most of their enemies wear heavy armor so it's fine. To make his point, Tim gets in front of Jason when he goes to shoot at a practice dummy, stating that if he really believes they're safe then to shoot him. Now the major thing people will notice with this scene is that Jason hesitates for a moment (I think he's remembering something, perhaps Titan's Tower if that happened in this universe?) before pointing his weapon away. Another interesting thing I noticed in this scene is that after he points his weapon away, Jason goes as far as removing the clip and also removing the rubber bullets. It's possible he's just doing this so they can work on it, but I think Jason is going to these lengths to show to Tim he won't hurt him (again). It's clear from an earlier cutscene where Jason had a knife and he absentminded pointed it at Tim to make a point about the conversation , but Tim flinched back and Dick subtly intervened. Something along Titan's Tower happened here, but to what extent I have no clue.

So far during my League of Assassins stuff they've not ambushed Jason. If you've played or watched the game then you might remember The Court and the League sometimes set up little traps to attack you while you're patrolling. Sometimes it's a hostage, but mainly it's a few dead bodies of the local gangs and a trapped chest with a bomb. In my other play throughs I've encountered a lot of this from both sides, but Jason's a little different. The traps are still there from the League, but nothing happens. I open a chest and it doesn't go off, it's a normal chest. And it's clearly the LOA because you can see black smoke hanging around the scene, which indicates their presence. With Jason they just back off and only interact during the main storyline. Is this perhaps because he was in the League of Assassins after his little bath in the green jello? Or maybe I'm not far enough in the plot for the League to really start attacking me, or maybe I'm experiencing glitches. Whose to say, but I found it very interesting.

I was kinda disappointed with Harley's and Jason's interactions. I mean, Jason was pretty chill and civil around her which is totally fine, but I was hoping for a bit more backstory nods. We have a lot to assume about the Gotham Knights universe, so any little bit helps. But nothing really was mentioned between those two. Even stuff with Talia hasn't been very fruitful so far. If cutscenes don't show me anything I'll have to do a deep dive in the audio files, codex, wiki, and any written materiel about GK. I need to know these people's back stories!

(A small side note of how I had this whole theory written out on how Tim might have been apart of the family before Jason died based on a cutscene, but then I remembered that Bruce's audio files explicitly state otherwise. Also that'd make my Titan's Tower theory have to many holes.)

Now for my favorite part, The Labyrinth!

(This is where my previous post mentioned before comes into play)

Now, during my last few playthorughs I've been trying to map out the reason behind how certain hallucinations happen, whether it's truly random or if it depends on which direction you take in the labyrinth. I haven't cracked it yet, but I hope that after playing as Dick and Babs I'll figure it out. Right now this is just my observations.

Everything in general has stayed the same, except for the order of what happens. Here's how this time went: Turned right at the Spike room, turned left at the phonograph room, weird floating vision, (accidentally walked into some spikes and got sent to the beginning but it lead to the next room without backtracking), turned right at Bruce's Grave, turned left at the Table Room, Vision of Jason in an Owl mask, Turned right at the Pit Room, vision of Bruce and the ending sequence. I got a couple of things different then my last analysis for Jason, but I'm leaning more on the different paths direction then the randomized. We'll see though.

As for the things Fake!Bruce says, it's pretty much the same thing as he said to Tim, only in a slightly different order. The only thing that was different was in the Pit Room, where he says "You were the worst Robin, no better then a killer. Now you're just nothing."

Anywho, I'm not done with Jaybirds playthrough yet, so I'll add to this post if I find anything else.