#the connections I could make!

[hidefdoritos]

GUYS GUESS WHAT

I took my friend (who doesn't get out much and needs to have a quiet retreat space) to the library today.

I FORGOT HOW RAD THE LIBRARY IS.

-My library has private rooms with locking doors that you check out with your library card and then have keycard access to.

-These rooms are made of plexiglass for Obvious Reasons, but still. Rooms.

-I checked out a Lounge space and, guys, it's a balcony.

-It's over the main entrance to the library so you can see everyone coming in and out. The door locks so it's private, but it's also open air to the tall ceilings and has SO MUCH natural light.

-literally so much natural light the one exterior wall is floor-to-ceiling windows with a view over a fountain and a courtyard and the local shopping district. the sunset was rad.

-My laptop connected directly to the WiFi.

-There were so many people there! There are chairs spread throughout and a bunch of computers and people just chilled and hung out!

-My friend was thrilled to be able to navigate a quiet space with strangers who didn't speak to her, and then to have a retreat space.

-My library also has a Makerspace (!!!) and a Cricut machine (!!!) and I can email someone and get trained in how to use it!

-Someone was in the recording booth and I couldn't tell what she was reading but it sounded cool.

-There's a whole room along the side of the upstairs that's just for teens. Like literally just. The sign says that if you're not a teenager you should see the staff for other rooms. There wasn't anyone there when I stuck my head in but there's a giant whiteboard and orb-style chairs and

-sorry I forgot to mention that my balcony has not only a couch but also several big comfy chairs (like, I can sit on my chair and put my feet on it too and balance my book on my knees and it's STILL not too small of a chair) and a couple coffee tables and a corner where the sunlight isn't direct y'all it's so nice

-I'm so glad my tax dollars went to this, guys. We're stuck on campus for Thanksgiving break and we desperately needed to go somewhere that didn't cost money.

-for as much as I get on about the necessity of Third Spaces, you think I'd remember this.

-I also found out my friend likes Agatha Christie novels. She read me a section while I washed dishes tonight, and I think I'm gonna like them too.

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[serotoninisheldinkiwis]

im on my bs yall /lh/j

sorry im gonna be not normal abt tf:one but i watched the trailer again and realized somethin wasn't quite right w the way elita-1/ariel moved

and yall

I REALIZED IT LOOKED OFF AND I ZOOMED IN AND???

SHE ROUNDHOUSE KICKS BUT SHE KEEPS A FOOT F I R M L Y PLANTED. HOMEGIRL SWIVELS HER HIPS INDEPENDENTLY OF HER TORSO AND LEG TO GET POWER BEHIND THE KICK. IT MAKES TOTAL SENSE SHE'S A ROBOT SHES NOT A HUMAN HER JOINTS ARE DIFFERENT THAN OURS.

STILL. THATS SO COOL AND IT ALSO ISNT ANYTHING I WOULD HAVE THOUGHT OF MYSELF. THATS SO COOL.

[artharakka]

Beautiful, But Broken

[bookstoresmp3]

it really pisses me off when people say “aang is a human trying to be the avatar and korra is the avatar trying to be human” because it ignores the fact that the “avatar” as a mantle is not something anyone naturally embodies. it’s a responsibility you’re randomly picked for, and every single avatar’s character arc is about learning how to “be the avatar.” that statement makes it seem like korra is just this unfeeling, piece of brawn that only knows how to punch things (which are things ppl already say about korra anyway) and that depiction of her versus aang feels….super off.

it just really dehumanizes korra, and ignores the fact that korra’s confidence and strong sense of self in season 1 especially is because she was surrounded by community and her parents were deeply involved in her life. korra grew up experiencing the best parts of humanity and one of her major character strengths is how much of a light she is. thats why the trauma she goes through in later seasons strikes her so intensely, because prior to that she was very sheltered and wasn’t expecting the extreme sacrifice and trauma that comes with having to bear the title of “Avatar.”

[fayzart136]

This is not for you.

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[sorbeau]

oh my god adaine has blue hair and pronouns now

[thejasontoddarchives]

Gotham War is really playing out like God’s plan, ain’t it now

Task Force Z #4 (2022)

[glitterghost]

Being ace can be pretty isolating at various times, for varying reasons that I don't feel like I have to explain because if you are ace, you probably get it.

[tierracottas]

made something for the bear! so deeply enamored with the whole show :•)

[phoenixkaptain]

A story like Thousand Autumns is very subtle in its romance.

Shen Qiao has only ever known his sect. He knows it very well, because of this fact. He knows the people, he knows the rules, he knows the daily doings and who is doing them. He knows every blade of grass and every stone. He’s like a lonely mountain flower, on the highest peak, unseen by any but a few birds and unknowing that there’s more it might never know.

When he finds himself away from his sect for the first time, he’s confused. At most, he’s gone to the base of the mountain, maybe the fields surrounding that, but no further. The flower was plucked and tossed aside.

For a man stumbling blindly in the world, literally and figuratively, there really isn’t a better guide than one that knows just about everything. And that’s, without a doubt, Yan Wushi.

Yan Wushi has lived longer than Shen Qiao, has been more places than Shen Qiao, and has fought more battles than Shen Qiao. Yan Wushi is the perfect example of something out of reach even for someone out of reach. He’s the only one who could answer any questions asked of him, but especially the questions that Shen Qiao would want to ask him.

And there’s no question in my mind that Yan Wushi doesn’t fall for Shen Qiao at first sight, but he’s certainly attracted to him. Not in an overtly sexual or emotional way, but Yan Wushi, the way his character is set up? It’s impossible for him not to be fascinated by Shen Qiao.

He knows Shen Qiao is the very picture of a peerless immortal. He’s well aware that Shen Qiao is considered untouchable by even the people closest to Shen Qiao. He’s most aware that Shen Qiao is Qi Fengge’s (coughhndisputedcough) favourite disciple, and honestly that’s enough for him to overwhemingly want to mess with Shen Qiao.

There are a lot of reasons for Yan Wushi to fall for Shen Qiao. Most of the people in the novel fall for Shen Qiao, after all, there is a precedent.

But the one I’ve seen questioned is Shen Qiao’s affection for Yan Wushi. Where does it come from? When did it start? Does Shen Qiao even fucking like that asshole?

The easy answer is: yes, he does. The novel tells us that. Shen Qiao, despite everything, does fall for Yan Wushi’s, um, “charms” in the end. This is made clear.

But why? A thousand voices cry out. Why the fuck would any reasonable person like Yan goddamn Wushi in any capacity?

Well, there’s your first mistake. Shen Qiao is not a reasonable person.

Shen Qiao as a character is absolutely terrifying. He could absolutely destroy the world given half the inclination, but he just doesn’t want to. He’s already considered unmatched before he’s pushed unceremoniously off of a mountain, and his journey only increases his strength. He isn’t quite equal to Yan Wushi, but he’s the only person Yan Wushi ever sees as equal to himself.

Shen Qiao’s best and worst trait is his patience. He’s unwavering. He really just embodies taoism, especially as it’s presented in the novels. He is the picture of a river that doesn’t stray from its path.

Which is why it’s hard for him to reconcile his own attraction to Yan Wushi, but let’s all be clear here. Yan Wushi absolutely starts seducing Shen Qiao on day fucking one. If he could’ve (if Qi Fengge hadn’t been there) he would’ve tried to eat that cabbage when it was just a little sprout. Shen Qiao is unpracticed in most social interactions, to be frank, but he’s especially unused to romance and Yan Wushi really is his first introduction to being hit on.

Yan Wushi is far from good, at really any point, to anybody but especially to Shen Qiao. But that doesn’t particularly matter because Shen Qiao chooses to forgive him, again and again. And I really think, after giving Shen Qiao to a confirmed terrible, awful person who has already promised to do terrible thing to Shen Qiao, that Shen Qiao himself wouldn’t forgive literally anyone else for doing that. And he shouldn’t, because it was really fucked up, but that still doesn’t matter because Shen Qiao ultimately DOES forgive Yan Wushi.

What am I saying? I’m saying that Shen Qiao fell for Yan Wushi first. It is the only way the story makes any sense. Shen Qiao is annoyed at him, he’s furious at him, he’s so fucking pissed he could kill that man, but he likes him. He likes Yan Wushi’s company. He likes that Yan Wushi gives him a challenge. He’s exasperated, but he likes it.

Shen Qiao forgives Yan Wushi SO MANY TIMES. Yan Wushi humiliates him and mocks him and is the absolute worst, but Shen Qiao forgives him and more than that, Shen Qiao always is waiting for Yan Wushi to come back to bother him more.

Is there more to Shen Qiao’s attraction? Probably. Is it a daddy kink? It could be. But I honestly can’t help but read it as Shen Qiao falling for the absolute pits of a man that is Yan Wushi. Shen Qiao likes that old bastard and decides to spend the rest of his life with the fucker and he is just too much of a block of ice to show it.

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

[poorly-drawn-mdzs]

Jin Ling: Master Sleuth

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