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im-subtextsexual · 4 months

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I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense.

First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.

*SPOILERS FOR BRIDGERTON SERIES BOOK 5*

In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay.

*Imagine*

Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.

Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).

Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).

After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.

Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.

The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.

Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.

#did i really just fanfic a whole season of Bridgerton to prove a point?#of course i did!#GIVE ME WHAT I WANT!!!#bridgerton #eloise bridgerton #cressida cowper #creloise #eloise x cressida

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duckprintspress · 5 months

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Let’s Go Lesbians! 32 Books for Lesbian Visibility Day

TODAY! is Lesbian Visibility Day, the first day of Lesbian Visibility Week – April 26, 2024. We are, I’m sure you’re shocked to discover, celebrating with LOTS of lesbian books! 15 people contributed to making this list, all of us sharing our absolute faves, from graphic novels to epic novels, from memoirs to horror fiction, with explicit rep and implied. With this many awesome books to share, we’re prepared to guarantee that everyone who loves wlw lit can find something new to them on this amazing list!

Interesting Facts About Space by Emily Austin

The Essential Dykes to Watch Out For by Alison Bechdel

Belle of the Ball by Mari Costa

Kiss Number 8 by Colleen AF Venable & Ellen T. Crenshaw

She Wears the Midnight Crown Anthology

Delilah Green Doesn’t Care by Ashley Herring Blake

The Scapegracers & The Scratch Daughters by H.A. Clarke

Spinning by Tillie Walden

The Girl from the Sea by Molly Knox Ostertag

The Ruin of Angels by Max Gladstone

The Traitor Baru Cormorant by Seth Dickinson

The Red Scholar’s Wake by Aliette de Bodard

Siren Queen by Nghi Vo

She Gets the Girl by Rachael Lippincott & Alyson Derrick

Camp Damascus by Chuck Tingle

One Last Stop by Casey McQuiston

Those Who Wait by Haley Cass

Harrow the Ninth by Tamsyn Muir

Legends & Lattes by Travis Baldree

Into the Bloodred Woods by Martha Brockenbrough

From Here by Luma Mufleh

Alice Isn’t Dead by Joseph Fink

Fun Home: A Family Tragicomic by Alison Bechdel

Are You My Mother? A Comic Drama by Alison Bechdel

A Memory Called Empire & A Desolation Called Peace by Arkady Martine

Female General, Eldest Princess by Please Don’t Laugh

Clear And Muddy Loss of Love by Please Don’t Laugh

This Is How You Lose the Time War by Max Gladstone & Amal El-Mohtar

Down Among the Sticks and Bones by Seanan McGuire

A Restless Truth by Freya Marske

The Princess and the Grilled Cheese Sandwich by Deya Muniz

Everyone in This Room Will Someday Be Dead by Emily Austin

Can’t get enough books with lesbians? Yeah, us neither – this new list for 2024 is on top of THREE rec lists of titles featuring lesbians that we posted last year.

Lesbian Visibility Week Recs Part 1

Lesbian Visibility Week Recs Part 2

Duck Prints Press Short Stories with Lesbian Characters

You can also view this list (along with all our other wlw faves!) as a shelf on Goodreads!

See a book you want to buy? You can grab it through the Duck Prints Press Bookshop.org affiliate shop!

What are YOUR favorite reads with lesbian characters?

#duck prints press #wlw characters #lesbian characters #queer books #queer fiction #queer non-fiction #lesbian visibility day #lesbian visibility week

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drchucktingle · 2 years

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It’s Carly Tingle’s big day, the release of her first traditionally published horror novel, Camp Damascus. Unfortunately, Carly’s having trouble enjoying this moment as fear and chaos begin to swirl around her. She wants the book to do well, of course, but it slowly becomes apparent there’s more to Carly’s ambition than meets the eye.

Things get clearer when Carly revisits an old erotica short she’d written, titled Eaten Right By The Physical Manifestation Of My Pride And Excitement That The Lead Character Of My First Traditionally Published Horror Novel Is On The Autism Spectrum Just Like Me. This sets off a chain of fourth-wall breaking events that will send Carly on an adventure unlike any other.

Now at the book shop, Carly will come face-to-face with the beautiful physical manifestation of her pride and excitement as an autistic artist, culminating in an erotic lesbian encounter that could inspire generations to come.

This erotic tale is 4,300 words of sizzling human on sentient physically manifested excitement in the form of a punctuation mark action and lesbian autistic pride love.

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please enjoy EATEN RIGHT BY THE PHYSICAL MANIFESTATION OF MY PRIDE AND EXCITEMENT THAT THE LEAD CHARACTER OF MY FIRST TRADITIONALLY PUBLISHED HORROR NOVEL IS ON THE AUTISM SPECTRUM JUST LIKE ME out now for free but asking for donation to AUTISTIC SELF ADVOCACY NETWORK

MORE ABOUT THIS TINGLER:

hey there buckaroos i would like to use today to talk on something that is very important to me. i have talked a lot about my journey as a bud on the autism spectrum, and about how I LOVE BEING AUTISTIC.

my story on the spectrum is not a struggle. my way was diagnosed in early twenties, but because of way of masking VERY FEW BUCKAROOS WOULD EVEN NOTICE. it has given me ability to hyper focus and get large amounts of writing done, to find creative ideas neurotypical buds might miss, and to have a unique perspective on life on this timeline.

HOWEVER as man name of chuck my pride in this way used to make me uncomfortable, thinkin i should not share my story. there are many buds on this spectrum who have a MUCH harder time than chuck, and i want to respect the VERY IMPORTANT AND VERY REAL struggles of my fellow autistic buckaroos. for long time i did not feel like it was my place to share and say ‘personally, i wouldnt change my autistic trot for anything. i think being autistic is very cool’

but as tingleverse got more fans and buckaroos started listening to my words more i started thinking: THIS is an opportunity to prove love. part of the reason i am PROUD of my spectrum way is because FIRST INTERACTION with idea of this trot (was called aspergers way back then) was to realize that ALL MY HEROS were on this spectrum: david byrne of band TALKING HEADS being number one.

my FIRST INTERACTION with this idea was not ‘whoa this is tragic’ it was ‘whoa the coolest buckaroo on the PLANET is the same as me’

POINT IS i have been on this timeline a while now and now i am in this position myself. i can be the one buckaroos see when they learn this about themselves and think: WOW LOOK AT THIS WILD ARTIST I ADMIRE BREAKING THE NORMS AND CHARTING A NEW TROT THROUGH THIS TIMELINE WE ARE BOTH AUTISTIC THIS IS THE HECKIN COOLEST

most of the characters i write are probably a little on the spectrum because they are comin from inside chucks head. i look back and notice this and laugh, but other than a single tingler i rare actually OUTRIGHT SAY this character is autistic. i decided that FIRST BIG HORROR NOVEL WITH A TRADITIONAL PUBLISHER was a good time to change this. while i write erotica most of the time which means NO YOUNG BUCKAROOS ALLOWED, horror is a little different. buckaroos young and old can read CAMP DAMASCUS and think ‘i see myself in this autistic hero and I FEEL COOL’

EVEN WRITING THIS NOW makes me get teary eyed and emotional, because these feelings of belonging and positive representation were SO IMPORTANT to me. i would not be trotting here without these autistic heroes, and now i have been given the chance to create one of my own with CAMP DAMASCUS and WITH MYSELF just by being chuck and talking openly about my joyful, exciting, artistic trot on the spectrum.

WITH ALL OF THIS IN MIND i am releasing a brand new tingler called EATEN RIGHT BY THE PHYSICAL MANIFESTATION OF MY PRIDE AND EXCITEMENT THAT THE LEAD CHARACTER OF MY FIRST TRADITIONALLY PUBLISHED HORROR NOVEL IS ON THE AUTISM SPECTRUM JUST LIKE ME for free. HOWEVER i am requesting that if you choose to read you send your three dollars (or whatever donation you would like) to the AUTISTIC SELF ADVOCACY NETWORK. this way 100 percent of all profits will go to them. (WARNING this is actual erotica so no young buckaroos allowed for this one).

all ages (who are old enough to read horror) can preorder CAMP DAMASCUS at any bookstore. i also have a tingler name of NOT POUNDED BY THE PHYSICAL MANIFESTATION OF SOMEONE ELSE'S DOUBT IN MY PLACE ON THE AUTISM SPECTRUM BECAUSE DENYING SOMEONE'S PERSONAL JOURNEY AND IDENTITY LIKE THAT IS INCREDIBLY RUDE SO NO THANKS that is pound free so all ages can read so check that out if you would like.

thank you for blessing me with a space to explore these ideas. i am so thankful to be here with you and you have treated me so well. i am eternally grateful for our tort together and look forward to the future we craft on this timeline.

LOVE IS REAL - chuck

#tingleverse #autism #actually autistic #love is real #chuck tingle #camp damascus #horror #lesbian #queer

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fitz-higgins · 1 year

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LGBT literature of the 1860s–1910s. Part 5

After a long pause, the list is back! Here we have a couple of plays, accounts by two trans women, lesbian poetry, and more.

1. Despised and Rejected, by A.T. Fitzroy (Rose Allatini; 1918). A pacifist novel published during World War One? With gay and lesbian characters? Yes, that was sure to get people in trouble. Its publisher was fined and the judge called it “morally unhealthy and most pernicious”. So, Dennis is a young composer who hates violence and therefore refuses to go to war. He also suffers because he is a “musical man”, that is, gay, and loves Alan, art-loving son of a wealthy businessman. His friend Antoinette, meanwhile, is “strangely attracted” to a woman. Nevertheless, the two attempt to love each other. When the war begins, Alan appears in Dennis’ life again, and they try to avoid being sent to the front together. Alan also persuades Dennis to accept who he is. Edward Carpenter himself defended the novel, saying that “the book is also a plea for toleration of a very much misunderstood section of humanity”. Read online

2. Autobiography of an Androgyne, by Ralph Werther (1918). Ralph Werther, also known as Jennie June, wrote this autobiography for doctors, and it is very revealing. Being a New York fairy (male prostitute) and possibly a trans woman, they tell frankly about the city’s gay underworld of the early 20th century and their personal experience, which is sometimes too frank and dark perhaps, but all the more interesting. Read online

3. Poems by Mikhail Kuzmin. Kuzmin was not just the author of Russia’s first gay novel, but also a poet. Many of his works were dedicated to or mentioned his lovers. I’d recommend Where Will I Find Words (in English and Russian), Night Was Done (both in English and Russian), from the 1906-1907 collection Love of This Summer (available fully in Russian), mostly based on his love affair with Pavel Maslov in 1906. And also If They Say (in English and Russian), which is a great statement.

4. The Loom of Youth, by Alec Waugh (1917). A semi-biographical novel based on Evelyn Waugh’s older brother’s experience at Sherborne School in Dorset. It is a story of Gordon Caruthers’ school years, from the age of 13 to 19, and it is full of different stories typical for public schools, be it pranks and cheating exams or dorm life and sports. Although the homosexual subject was quite understated, the author implied that it was a tradition and open secret in public schools. The book became popular and soon caused a great scandal. Worth noting that before that Alec was expelled for flirting with a boy. Read online

5. Two Speak Together, by Amy Lowell (1919). Lowell was a famous American poet and lesbian. Many of her poems were dedicated to her lover, actress Ada Dwyer Russell, specifically the section Two Speak Together from Pictures of the Floating World. These poems are infused with flower imagery, which wasn’t uncommon for lesbian poetry of the time. Read online

6. De berg van licht/The Mountain of Light, by Louis Couperus (1905-1906). Couperus is called the Dutch Oscar Wilde for a reason: this is one of the first decadent novels in Dutch literature. It is also a historical one, telling about a young androgynous Syrian priest Heliogabalus who then becomes a Roman Emperor. Homoerotism, hedonism, aestheticism: Couperus creates a very vivid world of Ancient Rome. He also covered the topic of androgyny in his novel Noodlot, which was mentioned in Part 3 of this list. Read online in Dutch

7. Frühlings Erwachen/Spring Awakening/The Awakening of Spring, by Frank Wedekind (1891, first performed in 1906). This play criticized the sexually oppressive culture prevalent in Europe at the time through a collection of monologues and short scenes about several troubled teens. Each one of them struggles with their puberty, which often leads to a tragic end. Like in The Loom of Youth, homosexuality is not the central focus of the play, but one character, Hänschen, is homosexual and explores his sexuality through Shakespear and paintings. The play was later turned into a famous musical. Read online in German or in English

8. Twixt Earth and Stars, by Radclyffe Hall (1906). Though it wasn’t known to many at the time, these poems were dedicated to women, some to Hall’s actual lovers. Read online

9. The Secret Confessions of a Parisian: The Countess, 1850-1871, by Arthur Berloget (published in 1895). This account is similar to the Autobiography of an Androgyne, albeit shorter. The author nowadays is thought to be a trans woman. They describe their love for women’s dresses, the euphoria from wearing dresses, makeup and wigs, the life as a “female impersonator” in Parisian cafe-concerts, and their love affair with a fellow prisoner. The autobiography is not available online, but you can read it in Queer Lives: Men’s Autobiographies from Nineteenth-Century France by William Peniston and Nancy Erber.

10. At Saint Judas’s, by Henry Blake Fuller (1896). This is possibly the first American play about homosexuality. It is very short. An excited groom is waiting for his wedding ceremony in the company of his gloomy best man. They are former lovers, and this short scene is not going to end well… Read online

Previous part is here

#lgbt literature #lgbt fiction #queer history #queer fiction #lesbian literature #russian literature #gay literature #gay history #spring awakening #lesbian history #blog: history #blog: literature

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gotouhitori · 6 months

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Okay, so. I'm in Love with the Villainess. Watashi no Oshi wa Akuyaku Reijou. WataOshi. Whichever title you want to refer to it by.

Before reading or watching it, I wondered why the hell people were holding up this random villainess isekai light novel with an over-the-top masochist main character as a landmark yuri title. Okay sure I don't doubt there's yuri going on, but how can it be so special?

Then I watched the anime. "Huh. The series and its main character are clearly and unambiguously lesbian in a way that so many other series can't bring themselves to be. And it has the most frank discussion of queer issues I think I've ever seen in anime or related media. Yeah, I think I see now, it is a cut above." And both because I've heard the novels get into a few things a little more and because the series now has its hooks in me enough for me to want to read the novels anyway, I read the first novel. And yeah, that does add a bit.

And then I read the second novel. The latter bit of the anime does cover the first bit of the second novel, but it's mostly new territory for an anime-only or anime-first such as myself. And holy fucking shit. Spoilers under the cut.

For one thing, the anime/first novel dropped some trans hints about Yu, and that turns out to be a whole transfem allegory - which isn't unheard of by any means, but it's not especially common in a work where that isn't the main focus. And not only that, but there's an actually explicitly textual transmasc in Rae's past life, who forms part of Rae's motivation to make considerable effort and take considerable risk (up to and including treason) to make sure Yu can live as a girl - once Yu states that is what she wants, it is important to note. Random yuri villainess isekai light novel says trans rights, and will absolutely stand by it.

And then all of the stuff about class and inequality comes to a head, and remember how the game that Rae's in the world of is titled "Revolution"? Yeah. One of those happens. Various hints have been dropped about what happens, largely centred on Rae making efforts to save Claire's neck in the most literal way possible when things really go down. But holy shit does that turn out to be more effort and a much more complex endeavour than it appears at first... or for most of the time while it's going on, for that matter. Ultimately she arranges things so that while the revolution still happens (it is basically inevitable), overall loss of life and suffering is minimised, and the general situation is as good as it possibly could be. By the time the proverbial smoke clears, Rae and Claire are openly living as a couple, which is a lot more than you usually see - one of the things Rae comments on is how in per previous life, too much of the yuri she read ended with at least one of the girls either dead or winding up with a man, which annoyed her enough to write fanfic based on series she likes with unsatisfying endings to fix that. And though the game did have a yuri spinoff, the original - the events of which she was living through and manipulating - was het. The character she winds up with was never supposed to be a romanceable character to begin with.

And that's just the first two of the five novels. Living through and changing the course of an actual revolution and settling down with her partner is just 40% of the whole story. (And less if more novels get published.) I've just started the third novel, and it's certainly looking like the rest is going to be at least as much of a ride as the first two were.

This really is an outstanding series. It's Dungeon Meshi levels of "I cannot stop thinking about it" to me, which if you've seen how much I post about that, says a lot. And I haven't read even half of it yet.

#i'm in love with the villainess #watashi no oshi wa akuyaku reijou #wataoshi #yuri #trans rights #lesbianism #lgbtqia

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theriverbeyond · 3 months

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what series scratch the same "itch" as TLT for you? Recently finished the trilogy and feel empty and have found nothing to fill the void in my chest (lol) that TLT had in the weeks I was reading it. I have already experienced homestuck, when thhey cry, and most of the other "big names" of similar media. Any format works as long as its good. I like morally grey characters (Ianthe), well written female leads, character driven narratives and lesbians (in that order.

1. Princess Floralinda and the forty-flight tower (by Tamsyn Muir. excellent audio book narrated by Moira Quirk, same voice actor as TLT)

2. All of Tamsyn Muir's other novellas and short stories (The magician's apprentice, The house that did 16 loops of time, undercover, chew, the deepwater bride, etc)

Next up is entirely my personal and extremely picky and subjective preferences of brain zing, ranked in order of me remembering them

Chainsaw man manga (i read this 5x back to back when I first got into it in 2021. part 1 is complete, part 2 is still updating. part 1 can be experienced as a complete work. the anime is very good but the first episode is not as good as everything after it)

This is how we lose the time war book (feels sorta like fanfiction but the prose is gorgeous)

Interview with the vampire tv show (it's fun, it's camp, there are a lot of gay and bisexual people making really terrible decisions and being very hot)

Gurren Lagann anime (my favorite anime of all time. the women characters are not good, as is typical of many animes. the bathhouse episode can be skipped in its entierty without losing any plot. the overall story is really good and gives me that zing)

Arcane tv show (i watched this in full once and every since have just watched a caitvi + jinx whump clipshow but it did give me that zing. i do not care about the men)

Fullmetal alchemist manga or FMA brotherhood (really good and at this point a classic. royai is the queerplatonic campal blueprint i will not be taking critique at this time)

Revolutionary girl utena anime (watch the sub, do not watch the dub, the dub didn't make them gay. it's really good but heavy TWs and also it is paced like a 90's anime so: slow with a fair amount of filler, which can be good or bad depending on your preferences)

I have complicated feelings about Baru Cormerant and recommend reading up on content warnings if things like violent homophobia and very intimate portrayals of being a colonized subject are things that would upset you. It felt a little too personal to my life for me to like... think it was "fun" or whatever like it felt uncomfortably personal (and also subjectively I didn't super enjoy the pacing of the latter 2 books) but it did make me feel a lot of things and think a lot of thoughts. if the blurb sounds like something you are interested in then I recomend giving it a shot and then you can decide what you think of it yourself

Ancillary justice book (liked this one a lot, but havent felt motivated to read the sequel)

Other fun Studio Trigger animes such as Promare, Cyberpunk 2077, Kill la Kill

Nausicaa and the valley of the wind manga (the movie is good but the manga spanned 10 years, is gorgeously rendered, and goes MUCH more in depth especially wrt climate philosophy and such)

Slay the Princess video game (on steam but also I got into it just by watching letsplays online. It's really good and REALLY interesting, i love how it uses the visual novel format to its story advantage to pull of some incredibly cool story twists. Highly recomend!)

I feel like I am forgetting things that made my brain zing. My childhood special interest was CATS the musical (stage play and 1998 recorded production) and i definitely got brain zing from that but I don't think it has a lot of taste overlaps with tlt. this post really went off the rails but in my defense, it is after midnight

#ask #anon #media blogging

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arienai · 2 years

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You've heard the Miyazawa memes, now it's time to

Read Otherside Picnic

A post by me

What is it? Otherside Picnic is a book series by Japanese author Iori Miyazawa. They are often called light novels for marketing purposes, but are technically considered "full" science fiction novels. The series is loosely based off of Soviet science fiction novel Roadside Picnic, which itself inspired the film Stalker as well as the video game STALKER.

What is it about? At its core, Otherside Picnic is about two girls who stumble into a weird alternate universe filled with creatures from Japanese internet myths and creepypastas. They go into that world frequently to explore it.

It is primarily a series of novels as I mentioned, however, there are also anime and manga adaptations.

Otherside Picnic is yuri (F/F), explicitly so, however, only the novels have reached this point in the story. If you want canon lesbians, you want to read the novels. I cannot stress this enough.

Okay but what about the characters, are they good? I'm super biased but honestly these are some of the most tumblrina characters I've seen in a while and I'm shocked they aren't more popular.

Sorawo Kamikoshi had a deeply traumatic childhood (though she likes to deny it) and today is a self professed "grumpy otaku" at university who is extremely into spooky shit and creepypastas, which she tends to infodump about. She is very bad at making friends and before discovering the Otherside she often spent her time watching Dark Souls Let's Plays and Minecraft build videos. No, like, canonically. She is a huge loser and I love her so much.

Toriko Nishina was born and raised in Canada with her two lesbian moms but now she's going to university in Japan. She is extremely gay and knows it but is also a complete disaster about it. She has an outgoing personality but struggles to make friends unless she's attaching herself to a new cute girl. I don't want to get too far into spoiler territory but she has a violent streak and has some hot and extremely badass Tiktok Lesbian With an Axe moments.

There are a lot of other great characters too, but you'll have to read to meet them!

And it's explicitly gay, you say? YES, this is a lesbian romance story. Girls hold hands. Girls kiss (with tongue!) Girls ogle other girls' boobs. Apparently the latest volume (not yet available in English) amps it up even more 😳

You're telling me it's literally gay despite being written by the meme "yuri is two wild beasts/a field/etc." Guy? Yes.

Where did the memes come from then? They come from a couple of interviews with Miyazawa where he compared various abstract concepts to yuri. Some of this can be seen in his work, but for the most part it is a straightforward and easy to read lesbian story.

Okay! Where do I read it!: Since they are novels you can find them at many bookstores! You can also buy the ebooks for relatively cheap and read them on your phone.

I hate reading, can't I do the manga/anime? You can if you want but the anime doesn't really go beyond flirty territory with the two girls and the manga is still ongoing and hasn't hit the gay stuff yet. So it's up to you.

Is the series finished? No, it's ongoing. There are currently seven volumes available in English. But we have an extremely dedicated fanbase. Join ussssss you know you want to. Look at these two cuties

Anyway I have so many good things to say about this series, I love the way the main characters are outcasts who come together and help each other learn to love themselves. I love the spooky setting, I love the side characters and of course I love how gay it is, I feel like most weirdo disaster gays on here will find something here to like. And the characters are in their 20's!!! That's still relatively young but it's so nice to read gay stuff about people who are old enough to drink (which they do a lot of).

So yes in closing

Read Otherside Picnic

#my posts #otherside picnic #HERE IT IS THE MASTER POST

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yurimother · 2 years

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Yuri of Absence and The Chair of Yuri: Combining Lesbian Manga and Science Fiction - The Secret Garden

This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.

In the “olden days” of Yuri, which is really to say anything in the ‘00s or earlier, there was not much variety in the mainstream Yuri market. If you wanted to read a manga about the romance between two women or watch an anime with clear lesbian elements, choices were between a sweet school story or a classic tragic school Yuri story. As I have mentioned many times recently, one of the most significant advancements in the recent Yuri genre is the advent of sub-genres. Once considered an element or subgenre itself, Yuri hosts various works from isekai to feminist literature. However, one of the most curious and certainly most well-known subgenres is science fiction.

Yuri science fiction is in the spotlight right now, with everything from visual novels like Synergia to webcomics like Ratana Satis’s Soul Drifters. However, one of the most prolific and rightly celebrated titles is Iori Miyazawa’s Otherside Picnic. The series began publishing under Hayakawa’s Bunko JA imprint in 2017, and over the past few years, it exploded onto the scene. It has an upcoming sixth book, a manga adaptation serialized in Monthly Shounen Gangan, healthy overseas publishing, and of course, an anime adaptation helmed by Kase-san and Stiens;Gate director Takuya Sato. It has garnered praise from critics CBR, Anime News Network, and Erica Friedman of Okazu. I wrote glowing reviews for the first few books, complimenting its worldbuilding, pacing, and characters. However, Otherside Picnic did not spring out of anywhere. Indeed, it is the product of gradual shifts in Yuri and sci-fi storytelling and Miyazawa’s genius theories and knowledge of the genres.

The mixture of Yuri and science fiction is not anything new; it predates most other forms of Yuri save Class S school romances. You may not picture many of these when you think of modern Yuri sci-fi, but as early as 1975, we had Yuri stories like Boku no Shotaiken that included small sci-fi elements, in this case, transferring the mind to another body. Over the next two decades or so, a time during which so few Yuri titles surfaced, it is occasionally referred to as Yuri’s “era of Darkness,” multiple titles sci-fi titles including Dirty Pair, Project A-Ko, Bubblegum Crisis, and Iczer featured science fiction settings and Yuri elements. At this time, Yuri was not much of a genre as we think of it today, but more of a factor inserted into a larger narrative. Think of Yayoi and Shion from Psycho-Pass for a more contemporary example. In fact, except for Iczer, none of these titles feature any outright lesbian characters, just female casts with “Yuri-ish” moments of women standing close together and being companions.

These titles feature two key elements that many current series have shifted further away from, soft sci-fi and Weak Yuri. Soft, as opposed to hard science fiction, is the more established of these two scales. Science fiction can be separated between outlandish and impossible ideas, sometimes known as science fantasy, and those based in reality, research, and the hard sciences such as physics, astronomy, and mathematics. Sorting works between these two labels is, ironically, not an exact science, and fans and critics alike argue about their precise definitions. However, let us consider soft and hard science as a spectrum, with outlandish premises like Dragonball on the soft end and the reality-based concepts of Space Brothers at the other. One can sort most titles along this continuum. M Alan Kazlev does an excellent job dissecting this scale in further detail. Many of the titles we enjoy today, including Otherside Picnic, inhabit this transitory space, as it is not fantasy. Still, its reliance on anthropology and psychology’s soft sciences may put it a small step below more grounded hard sci-fi. Still, it is far above the aliens and superpowered robots in ‘80s anime, so we shall consider it hard sci-fi for the sake of this argument.

*Note: Many science fiction circles use the abbreviation sci-fi for soft science fiction and SF for hard science fiction. For ease of readability and common vernacular, this article uses “sci-fi” for both instances.*

Sci-fi Yuri did not break out of soft science fiction territory until very recently. In the 1990s, Yuri underwent dramatic changes thanks to Sailor Moon and Revolutionary Girl Utena, which helped reform it as a genre rather than a feature. Maria Watches Over Us revived S Yuri traditions, and new titles were set in schools and focused on modern girls’ lives. In the 2000s, Yuri magazines began serialization and featured stories such as Kisses, Sighs, and Cheery Blossom Pink and Strawberry Shake Sweet (both serialized under different names). Despite being primarily aimed at adult women, the magazine found success with male audiences, prompting new stories appealing to men and boys. These works reintroduced action and science fiction into the genre with pieces like Kannazuki no Miko: Destiny of the Shrine Maiden, Blue Drop, and Kashimashi: Girl Meets Girl (Yuriboke does a better job breaking all these down). However, all these were still vehemently in soft sci-fi territory, with Kashimashi’s only surreal element being an alien because the author was, to simplify grossly, unable to fathom the existence of transgender people (coming full circle from Boku no Shotaiken). Possibly the only contemporary mainstream hard sci-fi title to include Yuri and enjoy a modicum of success was Qualia The Purple. However, this series did not have the genre-defining power that later works would.

However, what changes between these series and those mentioned earlier is the Yuri itself. The relationships become much more explicit and central to the plot. You can deliberate whether or not Bubblegum Crisis is sapphic, but just try sitting someone down and arguing that Kannazuki no Miko is not built around the crux of two women holding romantic interest in each other. Yuri science fiction author Gengen Kusano proposes a dichotomy similar to soft and hard sci-fi to analyze these titles, Weak and Strong Yuri. He explains it in his own brilliantly convoluted and philosophical way, but in short, Weak Yuri relies on using logic and the mind to make the real imaginary, while strong Yuri is about emotionalism and realism, making fiction into reality.

Strong Yuri is Yuri that focuses on realism through feelings and emotions. Kusano describes it as fiction characters having real emotions. They have strong connections and affection for each other that are real and powerful. The audience experiences the feelings between the characters as they are felt and portrayed. Think of how emotional the exclamations and love, sorrow, confusion, and affection are in titles like Bloom Into You and Citrus. In a sense, they can be so strong that they transcend their fictional confines and become real, as they are experienced by considers, a stage called “radically Strong Yuri.” Most explicit Yuri, which is not subtext or suggestive content but in-your-face lesbianism, is Strong Yuri, although not all Strong Yuri is outright depictions of lesbianism; it is a square rectangle situation, not all rectangles are squares, but all squares are rectangles.

Weak Yuri is cemented in the areas of thought, logic, and epistemology. It deals with the theory of mind, the ability to attribute mental states to others or ourselves. For example, when we see someone smiling or laughing, we may not feel their emotion ourselves, as we do not have direct access to their mind, but we recognize that they are happy. In Weak Yuri, one uses their theory of mind to observe facts and deduce the existence of a Yuri relationship, even if one is not present. So-called “Yuri-ish” titles like Yuru Camp or K-ON! do not outright state or depict romantic or sexual attractions, but is attributed by the viewers onto characters. Said observer witnesses the interactions between girls and, using that factual and observable data, puzzles out a lesbian attraction they prescribe to the subjects, whether real. Shipping culture relies on Weak Yuri’s logic Kusano’s most extreme, “Radical Weak Yuri,” the relationships of real people, like idols, become imaginary through these projections.

Blue Drop and Kashimashi may have been soft Sci-fi, but unlike the soft sci-fi, Weak Yuri series of the twentieth century, they featured Strong Yuri and placed it more as a central aspect of the work with other elements built around, rather than as a side element. The next revolution in sci-fi Yuri came when hard sci-fi titles began production. A few of the principal players here are Kusano himself, Otherside Picnic Creator Iori Miyazawa, and editor Rikimura Mizoguichi, all of whom feature in the viral Yuri Made Me Human interview of Miyazawa. Most of the theories and ideas discussed in this article, including Kusano’s Weak and Strong Yuri arguments, came from these seminars.

It all started with Kusano’s existential widescreen Yuri baroque proletariat hard sci-fi Love Live AU fanfic of the popular ship NicoMaki, consisting of Nico Yazawa and Maki Nishikino. The revised edition of this story, Last and First Idol, was published in 2016 and became the first debut title to win the prestigious Seiun Award in 42 years. Satoshi Maejima’s post-script essay at the end of the Last and First Idol collection gives far more detail into these works’ history. However, Idol was the first prominent story to feature Yuri in a hard sci-fi narrative. It was not perfect. In fact, in its push to feature gruesome content and insane hard sci-fi that Yuri is pushed to the wayside during most of the story.

*Author’s note: The first time I read Last and First Idol, I was completely unaware of its contents, which was a shocking experience; the story comes with a severe content warning).

Last and First Idol did not create a woven hard sci-fi, Strong Yuri narrative. However, it was a definite proof of the concept, a testament that the sprawling details and imagery of hard Sci-Fi could work with Yuri relationships. Kusano’s next short story, Evolution Girls, which would appear alongside Last and First Idol in the collection of the same name, saw the author focus more on emotionalism and create a Strong Yuri work. Nevertheless, Last and First Idol was a massive success. Future hard proof that Yuri hard sci-fi was coming in force came in December 2018, when Hayakawa Shobo ran a special edition of its long-running S-F Magazine featuring Yuri stories. The issue, planned by Rikimura Mizoguchi, proved so popular for the second time in its then 59-year history, the magazine had to reprint before release.

While Kusano was developing theories on Yuri and Hayakawa Shobo worked to push the public eye onto Yuri sci-fi, author Iori Miyazawa was refining his own Yuri premises, ones that, though he did not know it at the time, would not only see Strong Yuri and Hard sci-fi standing side by side in the same story but would synthesis the two into a unique product that could attract new fans and expand the borders of science fiction and Yuri. The work in question, of course, is Otherside Picnic. This light novel series about girls journeying to another world to hunt creatures from occult internet lore is to date Yuri science fiction’s best execution.

As Miyazawa admits, he strives to create Strong Yuri by focusing on emotionalism and realistic characters. However, such character-driven narratives are often at odds with hard science fiction, which requires dense walls of text to explain the complicated science behind its concepts and world. Miyazawa avoids this trap by utilizing Yuri tropes, specifically scenic Yuri and “Yuri of absence,” and integrating Yuri relationship into these explanatory literary lectures. Examining the latter first, rather than using narrative or exposition dialogue to unravel the intelligence behind the world or elements of science fiction, Miyazawa uses the relationship between Sorawo and Toriko.

In Otherside Picnic, explanations of the mysterious Otherside come primarily from two sources, dialogue and Sorawo’s inner monologue. When Sorawo and Torikko discuss a nuance of the paranormal creatures they investigate, it no longer becomes a large infodump but a Yuri scene about their relationship through their interactions and responses. According to both the strong Yuri theory and Yuri’s traditional definition, these emotions and discussions are the crux of the genre – stories about females’ relationships. Similar emotionalism fills Sorawo’s inner monologues, specifically in the frequent romantic admirations of Toriko. Thus, an explanation existing in that same space becomes Yuri, as it mirrors the same emotions and attraction. Merely by placing the usual exposition into interactions and relationships, Miyazawa was able to open hard science fiction to new readers, who may have been apprehensive before because of these text walls.

Miyazawa’s other secret weapon is, as he describes it, “Yuri of absence.” Relying on the principles of Strong Yuri, that Yuri is fiction made real through emotions, Yuri of absence extends these parameters outside of characters. As Strong Yuri relies on feeling, not observable data like characters, anything that invokes two women’s feelings together is Yuri. It could be a song, or an empty bench, as one can imagine two women on it and feel emotions tied to that. Of course, taken to its extreme, nearly anything can then be Yuri, as I have joked before, gesturing to an empty chair proclaiming, “Behold, a Yuri!” However, Miyazawa uses this Yuri of absence sparingly, rendering it closer to scenic Yuri’s intimacy.

Scenic Yuri, a particular type of Yuri of absence, focuses exclusively on setting and imagery, a feature that works particularly well in science fiction as according to Masahiro Noda’s “sci-fi is all about images.” Traditional Yuri uses character interaction and supplements it with images and sights that help communicate characters’ emotions and intimacy, like fleeting shots or descriptions of the sky. Take the shot from Kase-san and Morning Girls where Yamada stands by the bus stop. The distance between the girls, the tree in the foreground on Yamada’s side, and the pole on the right all invoke emotion and help tell the girls’ story, distanced by their differences and upcoming life paths. Now remove the girls, the scene remains, as does its meaning and emotions, whether the characters are present or not.

Scenic Yuri is employed vigorously in more male-targeted S Yuri (a minority of the Class S genre). Here, the imagery provides intimacy so that the voyeuristic viewer could look into the characters’ private and forbidden lives, specifically the girls in all-girls schools. Take the shot from Strawberry “Mo Man May Enter Here” Panic. The sweeping view of the Strawberry Dorms atop Astraea Hill, a place where men are forbidden, gives the consumer an exclusive inside look at the private home of its subjects. Otherside Picnic uses these same scenic Yuri principles in its descriptions. In this case, the intimacy does not come from a place where men are prohibited or a shot describing women’s relationships. Instead, the reports of abandoned ruins and deserted open fields where only Toriko and Sorawo exist provide extreme intimacy. It is an emotional view of two of the few women in this world with nothing but each other; thus, Yuri.

Yuri science fiction is easily the most exciting place in the genre right now. Its creators are experimenting with new theories and storytelling methods to expand the boundaries of what science fiction or Yuri alone could never do. The subgenre has undoubtedly come a long way from its Weak Yuri roots and continues to grow. Industry leaders like Miyazawa and Mizoguichi will continue to push into this excited and uncharted territory, using tactics new and old to bring together Yuri’s emotional and romantic core with science fiction’s epic and provoking imagery. I have few doubts that we have seen all these pioneers have to offer and that Last and First Idol and Otherside Picnic are just the beginning.

Sources

Friedman, Erica, and Kishiji Bando. “Shoujo Yuri Manga Guide.” Yuricon, 29 Mar. 2011, https://www.yuricon.com/oldessays/shoujo-yuri-manga-guide/.

Hanson, Katherine. Yuri No Boke 百合のボケ〜百合が好きだ〜: Sci-Fi Yuri Anime and Manga. 17 Feb. 2012, http://yurinoboke.blogspot.com/2012/02/sci-fi-yuri-anime-and-manga.html.

Kit, et al. Tomo Choco Podcast Episode 58: A Trip to the Otherside. https://directory.libsyn.com/episode/index/show/tomochoco5287491142565609/id/14974343. Accessed 18 Feb. 2021.

Komatsu, Mikikazu. “S-F Magazine’s Yuri-Themed Issue Gets Reprints Before Release.” Crunchyroll, https://www.crunchyroll.com/anime-news/2018/12/18/s-f-magazines-yuri-themed-issue-gets-reprints-before-release. Accessed 18 Feb. 2021.

Kusano, Gengen. “[R-18] #SF #矢澤にこ【SF合同サンプル】最後にして最初の矢澤 - 節足原々（セッソクハラハラ）の小説.” Pixiv, https://www.pixiv.net/novel/show.php?id=4992326. Accessed 18 Feb. 2021.

M Alan Kazlev. “The Scale of Hardness in Science Fiction.” Futurism, https://vocal.media/futurism/the-scale-of-hardness-in-science-fiction. Accessed 18 Feb. 2021.

Masayuki Sakoi. Strawberry Panic S01:E21 - Like a Flower. Madhouse, 2006. tubitv.com, https://tubitv.com/tv-shows/558933/s01-e21-like-a-flower.

Maser, Verena. Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre. ubt.opus.hbz-nrw.de, https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/695. Accessed 18 Feb. 2021.

Miyazawa, Iori, et al. Yuri Made Me Human, Part 2. Translated by Kati_lilian, 24 Aug. 2018, https://teletype.in/@kati_lilian/S1yjBCJgH.

Miyazawa, Iori, and Rikimaru Mizoguchi. Yuri Made Me Human — Interview with Iori Miyazawa. Translated by kati_lilian, May 2018, https://teletype.in/@kati_lilian/SJA8KwjjN.

Moore, Caitlin, et al. “The Winter 2021 Preview Guide - Otherside Picnic.” Anime News Network, https://www.animenewsnetwork.com/preview-guide/2021/winter/otherside-picnic/.167892. Accessed 18 Feb. 2021.

Nicki “YuriMother” Bauman. The History and Future of Transgender Representation in Yuri - The Secret Garden, January 2021 | YuriMother on Patreon. https://www.patreon.com/posts/45495024. Accessed 18 Feb. 2021.

---. “Yuri Is for Everyone: An Analysis of Yuri Demographics and Readership.” Anime Feminist, 12 Feb. 2020, https://www.animefeminist.com/yuri-is-for-everyone-an-analysis-of-yuri-demographics-and-readership/.

Pinansky, Sam. Interview with J-Novel Club’s Sam Pinansky. Interview by Erica Friedman, 1 Oct. 2019, https://okazu.yuricon.com/2019/10/01/interview-with-j-novel-clubs-sam-pinansky/.

Sarantos, Constance. “How Otherside Picnic Breaks the Yuri Genre Mold.” CBR, 10 Jan. 2021, https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/.

“「SF冬の時代」は雪解けを迎えた早川書房・溝口力丸 Vol.1.” KAI-YOU Premium, https://premium.kai-you.net/article/201. Accessed 18 Feb. 2021.

Snapshot. https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/. Accessed 18 Feb. 2021.

Takuya Satou. Watch Kase-San and Morning Glories. Sentai Filmworks, 2018. vrv.co, https://vrv.co/series/GYQWD1X1Y/Kase-san-and-Morning-Glories.

Walter, Damien. “Science Fiction vs SciFi vs SF: What Is the True Definition?” Damien Walter, 7 Aug. 2018, https://damiengwalter.com/2018/08/07/science-fiction-vs-scifi-vs-sf-what-is-the-true-definition/.

YuriMother. “LGBTQ Light Novel Review - Otherside Picnic Vol. 1.” The Holy Mother of Yuri, 12 Dec. 2019, https://yurimother.com/post/189635367305.

#Yuri #otherside picnic #the secret garden #miyazawa yuri #yuri of absence #scenic yuri #lgbt #lgbtq #lgbtq+#queer #gay #lesbian

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basmala260 · 10 days

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Explaining the whole thing abt Hanzawa being a homophobic

1. The oldest glance we got about Hanzawa is that in the Hirakagi light novel Which literally told that Hanzawa Sensitive to homosexuality

The translator I read from explained that with a more spontaneous way saying that he just hates the "Sexual" part of the homosexuality relationship and he just doesn't want any of it at his Dorm

2. But reading ch.24 it seems like things are much bigger than that since he didn't even want to see it even as a joke as he opened one of his eyes, an expression that he only shows in moments of excessive emotion Which seems to be a negative here

3. I also tend to think more that he chose to keep himself always busy to stop himself from over-worrying about his brothers and his friends And even he seems panicking when he learns that Kagiura gave Hirano Earrings and every time he hears anything about Hirano and Kagiura (he does that a lot I couldn't screen them all lmfao)

So we can say that Hanzawa didn't actually hate homosexuality

It's just "Worries" him

4. Hanzawa is an over-protective person

Looking at Hanzawa as a person not as a character, I can actually get him, tho I'm a lesbian woman, I myself used to be cautious, but I did not worry much about those around me

I once knew a Bisexual woman who committed suicide after her homosexuality was revealed and she was humiliated by everyone and abandoned by her parents, this is only an example from how the community is actually heinous

And since this horrible accident I started to be over-protective to my friends and warning them whenever they get into a relationship

So Hanzawa is completely normal at this point

5. Back to Sasaki To Miyano

For sure we all noticed how Hanzawa's attitude changed at Sasaki to Miyano Manga being their no.1 supportive

What changed Hanzawa's reaction to Miyano's orientation towards Sasaki, is actually that he knows both of themI mean, it's really hard to trust your brother's partner when you don't know him, especially when the impression you get from them is Violence -at first when Miyano asked Hanzawa "what does it mean to love someone?" That was the point when Hanzawa learned that Miyano have a feelings for Sasaki, but he chose not to worry instead he tried to help him, because he respected Miyano's reliance on him and because HE KNOWS Sasaki

Let's not forget that he also warned Miyano as a part of his fears after all*

6. After hearing Miyano's words and seeing them together that really seemed to influence Hanzawa and we are able to see a severe shift in his attitude towards homosexuality Which seems to be a little calmer towards this idea

7. Finally

I've seen many people shipping Hanzawa and Tashiro (Tho I've never thought of this ship actually but seeing many people have a Very convincing theories I guess I can go with it) considering this

Hanzawa being the only straight person among his brother puts a real burden on him with his mother being happy to still be able to have grandchildren, even if she didn't mean it

But when his brother offered to talk to their mother if Hanzawa likes Miyano, Hanzawa refused angrily Which appears that he's trying to force himself into being straight even if he wasn't, It seems that in the end, he was convincing himself to stay away from homosexuality by convincing others to do so, Although Hanzawa seems to be resigned to the idea that his friends are homosexual and he can support them, it seems that he still forcing himself to be straight (whether he's so or not) But seeing that he doesn't stop himself from getting close to Tashiro.. Future will only tell !

• So to sum up "The idea of Homosexuality used to worry Hanzawa so much that he didn't want to see or hear anything about it even as a joke especially from close people but at the end SSMY showed him a different side of it so he ended up accepting this and calming his nerves towards the others, but he's still forcing himself"

#I've seen a lot of people questioning abt this so I decided to write this shit #I spent around 3 days writing with re-reading so I hope after all of this time it would be a useful explanation lol #hirano to kagiura #kagiura akira #hirakagi #hirano and kagiura #hanzawa masato #sasaki to miyano

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hoyotournament · 6 months

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Quarterfinals: Bronya Zaychik vs Collei

(Propaganda under the cut)

Bronya Zaychik:

revamping this bc i feel like it could be better: i love her so so bad <3. canonically disabled lesbian who has trouble with feeling intense emotions BUT HER ENTIRE CHARACTER REVOLVES AROUND LOVE!! whether it be from her romantic love of seele in the early game/manhua (it being the primary motivation for her to take care of herself and a partial reflection of her initial goal of saving seele from the quantam space no matter what); familial love surrounding her (her inheritance of the legacy of reason from welt yang who lost his own father, her guardians love for her being the only reason shes survived for so long even after their death <- many examples of that but the most obvious one being alexandra trading her own life for bronya via misteln, cocolia's relationship with bronya being emphasized as complex in part because of the real love they do feel for each other alongside all the other resentment from cocolia's betrayal of her), literally just. the core of reason and its 300,000 minds being representative of welt joyce's decision to fight for humanity because he loved humanity from that. and all of this from (again!!!) a canonically disabled lesbian! who's character and marginalized identities have been dehumanized over and over again in real life and in the plot! this isn't even mentioning how her entire arc exemplifies honkai's theme of agency!! which makes me sob my eyes out bc bronya hasn't really been allowed agency since she came to cocolia's orphanage!! she was a child mercenary who's lost her home and guardians over and over and over again and forced to care for herself when she was young. her first true point of domestic stability was in cocolia's orphanage (which even then wasn't perfect!! cocolia, for how much she loved her children, still asked them to participate in dangerous experiments!) and when that was threatened because of her loss of seele and her trust in cocolia, she chose to leave. her agency is also exemplified with cocolia literally taking over her body in the early chapters of the game and ofc the parallels w wendy. AND DO YOU SEE HOW THIS CONNECTS TO WELT JOYCE, HUMANITY'S ADAM, WHO CHOSE TO FIGHT FOR HUMANITY AND EMBRACE HIMSELF AS A HUMAN INSPITE OF HIS ORIGIN AS THE CURRENT ERA'S FIRST HERRSCHER AND HOW THAT ALSO EXTENDS BACK TO ELYSIA'S SACRIFICE? she's so important to me everyone watch cyberangel rn.

Collei:

MY DEADALIVEGIRL!!!!!!!!!! i genuinely don't even know where to start. collei is such a beautiful beautiful character who's entire story revolves around a girl who's been dehumanized and exploited for her entire life, healing through compassion and a recognition of her own humanity. first of all, when we meet collei in the genshin manhua, she is full of vitriolic anger and hate at both the world and herself. she's been dehumanized over and over and over again and because its a repetitive experience, she fully believes that her lack of worth is something innately true. this only changes when someone (amber) shows her unrelenting compassion and trust. amber goes against everything that collei believed about herself. amber tells her that she is not only capable of good, but she is good. amber reinforces this novel idea that collei deserves goodness. and that realization is the moment that collei begins recognizing her own humanity, and thus, recognizing her own potential to grow, heal, and be the good person that amber knows she is. every moment thus forth is a demonstration of her attempts to grow and be kind!!!! she decides to go through with cyno's sealing ritual even with its conditions! she asks lisa to help her write a letter at the end of the manhua! she mends amber's tattered clothes like she promised! she decides to go to sumeru, a land of wisdom! it's so pertinent to her character that she gains her vision (representative of her ambition) during a show of compassion (protecting a child during a dangerous storm)! it's even in her symbolism with the way she's constantly referred to as a sproutling. NOT EVEN MENTIONING HOW THE REBIRTH METAPHOR THATS APPLIED TO HER CHARACTER (re: sprout of rebirth, revived serval, cyno and anubis and their ritual) IS SO DEEPLY CONNECTED TO SUMERU (her being the first sumeru character we know of and having that rebirth metaphor hinted at in the manhua! that rebirth metaphor carrying over to the actual sumeru plot w nahida! the rebirth metaphor tying in with the snake and cat symbolism that she and the archon residue complete!!!!!!) she's just such a loaded character!! AND collei's one of the few genshin characters with canonical cptsd who has identifiable and realistically common triggers. most importantly, the game acknowledges that its there and in spite of that, shows her resilience in still trying and healing!!!! my disabled deadalive mummygirl i love her so bad.

#hoyoverse women tournament #hoyoverse #tournament poll #honkai impact 3rd #hi3 #bronya zaychik #hi3 bronya #genshin impact #genshin #genshin collei #collei

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ladyloveandjustice · 1 year

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Spring 2023 Anime Overview: Yuri is my Job!

Premise: Hime Shiraki is a high schooler whose life goal is to be always cute and loved by everyone so she can achieve her dream of marrying a millionaire and living the easy life. Who cares if that means she has to lie and pretend? But then she’s roped into working at a café. The waitresses of the cafe playact as students from a fictional all girl’s school from a famous novel that focused on ‘romantic friendships’ between schoolgirls. (It’s a Class S yuri café basically. They put on a show that has the vibes and premise of Maria Watches Over Us for customers.)

Hime’s already great at acting, but she’s flummoxed by her co-worker Mitsuki. Mitsuki acts like a doting upperclassman when they’re in front of customers, but the second they’re off the clock, she’s harsh and cold to Hime. Hime is determined to make Mitsuki like her, but Mitsuki may be more than she appears…

At it's core, Yuri is My Job starts out seeming like a fun gay comedy boasting a cast full of quirky lesbians, but then reveals itself to be a complicated and fascinating examination of performance- as it intersects with queerness, girlhood, and the desire to be "likeable" and "cute," The girls at the cafe "perform" romantic friendships with each other- these friendships that they perform are uncomplicated, cute, and consumable to an audience. But the real relationships they have with each other are much less "safe" and much more complex, and the drama they deal with as real people often interferes with the "act".

Hime's entire life is about putting on a performance to seem likeable and acceptably cute to everyone, and she's terrified of seeing that performance fall to pieces. Mitsuki, in contrast, struggled as a child because she COULDN'T acceptably fake that "likeable" cuteness. She was too honest, too blunt and awkward, too "real". Most queer people know the stress of having to put on an act and hide your real self to be acceptable, and YIMJ explores this wonderfully with these characters.

It's not just Hime and Mitsuki,the rest of the cast struggles too. Kanoko is so invested in her role of "supportive best friend" and being the only one Hime drops the act around, she's also suppressing her real self and her real romantic feelings for Hime. As a result, she becomes possessive, jealous, and expresses her feelings in secretive, unhealthy ways. The irony is that she believes in order to access Hime's "real" self, she has to put on her own mask. She can't picture a life outside her role as pining best friend. The pining, obsessive (sometimes in just a mildly quirky way, sometimes not so much) lesbian best friend with an unrequited crush is a well worn trope both in yuri and non-yuri anime-think Tomoyo from CCS- but YIMJ examines the trauma that comes with that and how suppressing a part of yourself to play a role might feed into that obsessive behavior.

Meanwhile. we have Sumika, who is VERY invested in the romantic friendships of the cafe, and had come to believe real romance is toxic and ruins the purity of those relationships. She panics when confronted with the reality of queerness and when she sees two coworkers enter a blatant queer relationship. Sumika's whole deal is maybe the most fascinating at all, and makes a lot of sense if you look at it as a critique of Class S, "pure" yuri, and the fucked up world of internalized lesbophobia.

In recent years, there's been more yuri critiquing the trappings of "Class S" yuri. Class S is yuri that straddles the line between 'friendship' and 'romance', typically taking place in an all-girl's school sealed off from the rest of society, with an either unspoken or spoken implication that the lesbianism is just a transient phase and all the girls will eventually renter the "real world" have to settle down and marry a man.

There's been some pushback against these ideas, obviously. Bloom into You, Run Away with me Girl and many other yuri examine how harmful 'just a phase' rhetoric is towards lesbians. Flip Flappers famously had the episode where the girls were caught in a creepy Class S school that led them on an endless cycle where nothing ever changed and the days were horribly repetitive. Yurikuma Arashi also gave it's (somewhat muddled) critique of Class S. And it's impossible to fully analyze Yuri is my Job without seeing the skillful critique of Class S that's woven into the narrative.

The trappings of class S aren't confined into the world of manga- the idea that lesbianism is just a phase, that girls expressing real romantic or sexual desire toward each other is toxic and sullies the purity of sisterhood, that it's okay to be a LITTLE gay with your gal pals but you can't cross that line!!!- all of that is part of the stigma real queer women struggle with and sometimes internalize. So when we consider Sumika''s terror of actual "romance" invading the cafe and ruining the sisterhood, her ideas that romance must be toxic, her belief that the cafe is this safe space sealed off from the rest of the world where girls can be a little bit queer, but they musn't let the actual problems and messy realities of romance invade- it's not just a Class S critique, it's about a mindset most queer women are familiar with and have to struggle to unlearn. And seeing Sumika grapple with this makes her a very real and wonderfully realized character. And the manga will only continue to go further with those themes.

But Yuri is my Job doesn't just work as a nuanced examination of queerness- it's also a well told drama full of wonderfully fraught relationships. It's fun to see the growing romances and the sweet connections growing between the characters, as complicated as they are. The backstory reveal that explains the tension between Mitsuki and Hime is top tier drama and relationship writing, and there's also a good dose of comedy to keep viewers entertained. Watching this web of relationships become even more tangled, and discovering the baggage all the girls carry is a good (and sometime heartbreaking) time. They're well-done characters. If you enjoy fucked up girls and don't mind a touch of soapy melodrama, you're in for a treat. These girls are a MESS, but a fascinating one.

I should note that it's also very easy to read these characters as neurodivergent- Hime having to craft a "facade" just to socialize regularly, while Mitsuki very obviously struggles with social cues- well, Vrai wrote a whole article on this with their article What role are you playing? Communication, queerness and nerodivergence in Yuri is My Job, so I'll leave that to them.

Yes, Yuri is My Job has all this amazing nuance...and there's a half an episode where Mitsuki's boobs bounce a bunch. It contains multitudes. The episode does touch on both Hime's obvious fascination with what Mitsuki's packin' and the struggle big chested women face when just wearing normal clothes is seen a "lewd"- but YMMV on how it's resolved. They definitely centered Mitsuki's pain (and Hime's thirst), but also mined it for mild comedic fanservice, and the ending is more "we found a good compromise" than the pure "fuck people for sexualizing you in a normal outfit because you have big boobs, wear whatever you want" message that people might want.

I also saw a lot of people get frustrated with how hard everyone is on Hime in the early episodes when she's new to the job- this pretty much stops after episode 3 and the attitude toward her is fully explained, so please give this four episode watch to fully see if this show is for you. (But of course, if you don't like to see girls sometimes expressing attraction in suppressed, unhealthy ways (eSPECIALLY Kanoko), no matter how it's ultimately examined thematically, this isn't the show for you.)

Overall, the YIMJ anime was a faithful adaptation of a wonderful manga- unfortunately, I worry that we'll never get the season two that gives us some of the best moments of the story so far. But hopefully seeing it will inspire you to check out the manga and see how hard this story can go! It's definitely a special one, and I really recommend it.

#yuri is my job #yuri is my job!#watashi no yuri wa oshigoto desu!#watayuri #watashi no yuri wa oshigoto desu #spring 2023 anime #anime overview #my reviews #yuri #anime

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queerromancerecs · 9 months

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Queer Romance Recs!

is officially open! (Although still new and I am sure there will be issues we discover as we go along.)

This is a blog for readers of queer romance and queer romantic fiction to submit recommendations so that others can discover the treasure trove of queer joy out there.

How does it work? Well, you can follow the blog to receive recs, and hopefully occasionally reblog anything that might strike your fancy, and likewise read anything that looks interesting to you. You can also submit recommendations. All you have to do is follow the format guidelines.

Some quick answers to some possible questions you might have:

Queer means LGBTQIA+. Exclusionists can make their own sad little space.

Romance in this case can mean the genre of Romance (which has certain expectations, like a Happily Ever After or a Happy For Now ending) and other types of fiction with a strong romantic element involving one or many of the main characters. Yes, erotic romance counts.

This means f/f or m/m romance novels, and it can mean a bestselling fantasy or sci fi series with a queer mains and some sort of love story in there. It means gay and lesbian and trans and ace love stories. It means nb stuff. It means aro stuff. It means genderqueer or genderfuck or agender. It means yes polyam too.

And in fact, right now, with the current affairs being what they are, if you have some trans love stories you adore, I'd love to have them recced here.

It also does not just mean written works. Graphic novels and webcomics are welcome! Maybe we can include tv shows or movies in the future but the link part might be tricky? It's possible, anyway.

This blog was originally an idea to help support indie and self-published creators (since a lot of queer creators tend to take that route) but you are welcome to rec traditionally published works too. And original and free stories as long as they are not fanfiction. The more the merrier! This blog is about spreading joy and community support (and a bit about defiance tbh)!

Queer Romance Recs

...but yes this is brand spanking new and there will be a few bugs at the start. Please be patient. :)

#book recs #queer romance #m/m romance #f/f romance #fiction recommendations #intro post

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gay-disabled-characters-showdown · 2 months

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LBGTQ+ Disabled Characters Showdown Round 3, Wave 1, Poll 6

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and prior here.

Harrowhark Nonagesimus-The Locked Tomb

Qualifications:

She's a lesbian and the author Tamsyn Muir has confirmed she's written as schizophrenic, based on her own experience.

Okay SO Harrow is a necromancer nun who is also a huge lesbian. She spends the books of TLT series being super gay and repressed about her emotions for 1. Butch lesbian Jesus and 2. Human Barbie the death of God. She narrates the second book (Harrow the Ninth) and is author-confirmed schizophrenic. She experiences hallucinations thru the whole book and has since childhood. She’s also WIDELY headcannoned as autistic by the fandom (me too) because. Because she IS SO FUCKING AUTISTIC (source: I am autistic too)

Schizophrenic lesbian with a traumatic brain injury

Schizophrenic and sapphic

canonically a schizophrenic lesbian. neither word is used in series, she isn't in a position to get a diagnosis and queer identities are so normalised in the universe that labels just don't get mentioned, but she is written as both by an author who is also both.

Canon schizophrenia

Canon lesbian with canon schizophrenia

She's a schizophrenic lesbian with a traumatic brain injury

Propaganda:

The Locked Tomb is pretty popular on tumblr but I might as well submit her anyway

She’s a lesbian necromancer nun. She’s a saint and also woke up the death of God, who is a human Barbie, who she is in love with, tho she’s also kind of married to lesbian Jesus. She’s schizophrenic. She’s scrungly. She puts bread in a drawer. She’s even autistic

Harrow first started hallucinating (visual and auditory) when she was ten years old! The traumatic brain injury and seizures are much more recent. Unironically gotta love a pov protagonist who makes you struggle along with her in sorting out hallucination and false memory to figure out what's going on. Also while Harrow's disability shapes the narrative, the book isn't at all about her being disabled. It's a fantasy/scifi gothic horror novel about being trapped at a work retreat with God.

so many women want her but she’s determined to be in love with the soul of the dead earth trapped in a 10ft barbie doll instead. she’s a lesbian disaster and is trying to deal with both schizophrenia and over 200 actual ghosts haunting her.

a schizophrenic lesbian, written by a schizophrenic lesbian! she's in love with multiple dead women, but she's also a necromancer so that's not as big of an obstacle as it sounds. weird little bone-obsessed necromancer lesbian. I care about her deeply

Author Tamsyn Muir has discussed how Harrow's schizophrenia is modeled after her own experiences. It matters a lot in her eponymous novel, where her inability to trust what she sees and hears is compounded by her self-inflicted lobotomy to save her girlfriend's soul from getting absorbed into her own.

Harrow is one of the protagonists of her series & both her lesbianism & her schizophrenia play major parts in the story. The author has spoken about how she wrote Harrow based on her own experiences, and the authenticity comes through strongly. Beyond that, she's a teenage gothic nun in love with a holy corpse & she's the greatest bone magician ever born. What more needs be said.

She's a lesbian, she's psychotic, she has seizures, she faints regularly and can't rely on her own memory worth shit. And the only reason she's not going to kill god is so she and her girl can escape the cycle of violence. Basically, Harrowhark Nonagesimus is the entire package.

Anything Else?:

Listen. Listen. I’m not doing Harrow justice here. I LOVE her (Submitter 2)

The author is also schizophrenic! Which is pretty cool. (Submitter 3)

The author of the series is openly schizophrenic, and has mentioned in interviews that she's drawing on that experience when writing Harrow :) (Submitter 8)

Charles Xavier / Professor X-Marvel

Qualifications:

He [uses] a wheelchair. And frequently shipped with Eric Lehnsherr / Magneto.

Propaganda:

Listen, I don't even like this man a lot of the time. But he is gay, and he is disabled. And I love both James McAvoys and Patrick Stewarts portrayal of the character. And as a character I really like him.

#polls #poll #disability #disabled characters #lgbtq #lgbtq characters #id in alt text #lgbtq dcs round 3 #lgbtq dcs r3 wave 1 #harrowhark nonagesimus #the locked tomb #charles xavier #professor x #marvel #marvel comics #x men

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