#there are so many characters so obviously I didn't get them all but I feel like these are the ones likely to come up

[zorilleerrant]

Bruce Wayne's relatives, for people who are new to the Batfam or don't want to read the comics, and wonder which relationships are canonical and which are fanonical:

Alfred Pennyworth: Bruce's legal guardian and primary caregiver for most of his childhood. Superhero support role.

Lucius Fox: Not related to Bruce. An employee and later CEO of one or more of Bruce's companies. Superhero support role.

Jim Gordon: Not related to Bruce. Sometimes first responder to Bruce's parents' death. Superhero liaison.

Jacob Kane: Bruce's uncle. The biological brother of Bruce's biological mother. Sometimes villain/antagonist.

Kate Kane: Bruce's cousin. The biological daughter of Bruce's uncle. Batwoman, self-taught and trained by her father.

Selina Kyle: Not related to Bruce. His love interest and frequent wife, mother of his daughter, Helena. Catwoman, self-taught.

Talia Al Ghul: Not related to Bruce. His love interest and mother of his son, Damian. Assassin and sometimes antagonist.

Kathy Kane: Not related to Bruce. (In-law to Kate.) His love interest. Batwoman, self-taught.

Khoa Khan: Not related to Bruce. His friend and implicit love interest. Ghostmaker, various teachers. Currently runs Batman, Inc.

Dick Grayson: Bruce's foster and later adopted son. Robin, later Nightwing, trained by Bruce.

Bette Kane: Not related to Bruce. (Related to Kathy.) Batgirl, trained by Kathy, somewhat trained by Bruce.

Babs Gordon: Not related to Bruce. (Jim's daughter.) Batgirl, trained by Bruce. Later Oracle, self-taught and formal schooling. As a rule, included in both Batfamily and Brucefamily events, and Bruce refers to her as like a daughter. Other Waynes call her family.

Jason Todd: Bruce's adopted son. Robin, trained by Bruce. Later Red Hood, trained by Talia and various villains. Sometimes antagonist.

Tim Drake: Bruce's adopted son. Earlier in his superhero career, only a neighbor and not related to Bruce. Robin, Red Robin, adult identity currently under discussion, trained by Bruce and Dick.

Steph Brown: Not related to Bruce. Spoiler, Robin, Batgirl, self-taught and trained by Bruce and Babs. Usually included in Batfamily and often included in Brucefamily events, and Bruce refers to her as like a daughter. Other characters have called her Bruce's daughter. Other Waynes call her family.

Cass Cain: Bruce's adopted daughter. Black Bat, Orphan, Batgirl, trained by assassins.

Damian Wayne: Bruce's biological son (with Talia). Robin, trained by assassins, Talia, Dick, and Bruce.

Duke Thomas: Bruce's foster son. Signal, self-taught and trained by Bruce. Included in family portraits. Bruce refers to him as a son and other Waynes refer to him as a brother.

Claire Clover: Bruce was her primary caregiver for a while. An alternate universe version of Bruce's father was her legal guardian and primary caregiver for a while as well. Gotham Girl, trained by her brother and Thomas Wayne. Ambiguously part of the Batfamily. As of current, homeless and with no guardian or caretaker.

Luke Fox: Not related to Bruce. (Lucius's son.) Batwing, self-taught and trained by Bruce. Part of the Batfamily, not the Brucefamily.

Jace (formerly Tim) Fox: Not related to Bruce. (Lucius's son.) Batman of New York, various teachers. Ambiguously part of the Batfamily, not part of the Brucefamily.

Tiff Fox: Not related to Bruce. (Lucius's daughter.) Batgirl, Robin of New York, self-taught. Ambiguously part of the Batfamily, not part of the Brucefamily.

Bao Pham: Not related to Bruce. Clownhunter, self-taught and trained by Khoa. Former antagonist. Works for Batman, Inc.

Maps Mizoguchi: Not related to Bruce. Debatably Robin, self-taught. Bruce's neighbor and Damian's classmate for a time.

Helena Wayne: Bruce's biological daughter (with Selina). Huntress, trained by Bruce and Selina.

Helena Kyle: Possibly Bruce's biological daughter, or unrelated to him. Huntress, trained by Selina and Babs.

Helena Bertinelli: Not related to Bruce. (Except under conditions where she's an alternate universe version of Bruce's daughter using a fake name.) Huntress, various teachers. Not necessarily part of the Batfamily, but works with them.

[musical-chick-13]

Being a fan of female characters in 2000-2010 was very tough.

GOD, IT SURE WAS. WE WERE IN THE TRENCHES. 😭😭😭

[not-the-conversation-starter]

I Have Finally Finished Xenogears (1998) And Can Finally Start And Enjoy Xenoblade Chronicles 3 (2022)

YEEEAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

[daydreamerdrew]

From Doc Shaner’s podcast interview with The Comics Cube:

Duy Tano: We've been talking about characters like the Golden Age Captain Marvel, Space Ghost, so we're going really old here, Flash [Gordon] is even older than the Golden Age Captain Marvel- what is the appeal of the retro stuff to you?

Doc Shaner: It's hard to say. Obviously I'm not old enough to have known those characters when they were most popular, or when they first came about, so it's not like I have legit nostalgia for them, per se. But, I think, certainly, it's got to be at least partially an aesthetic that I'm fond of, a lot of the art deco stylings and the simple bold choices made by Beck and Alex Raymond and a lot of those creators is certainly very appealing to me. I like the simplicity of the characters. And they're so big and broad that I think there's a lot of fun to be had and kind of boring down and getting specific with those characters.

Duy Tano: What do you feel about the fact that the Golden Age Captain Marvel was the biggest superhero of the 1940s? And Flash Gordon might have been the biggest "superhero," though the word didn't exist back then, before Superman? And what do you think about the fact that those are like kind of just lost to history, you know, people don't know that? They see a Shazam movie coming out and they're like 'oh, who's Shazam?'

Doc Shaner: It's tough because I think Flash Gordon, certainly, even with a movie in the 80s, that was set in the 80s, it's unambiguously supposed to be of its time, and then the cartoon and what have you, so much of Flash Gordon is caught in his original time period, just the whole notion of him being just a guy who's really capable, that's a very old-school notion. Even with like modern action stars and movies and TV and stuff, there's still something about Flash that feels of it's time. And I think, unfortunately, a lot of that's still stuck on Captain Marvel, too. My theory has always been that Cap got essentially taken off the stands during the Silver Age of Comics, he wasn't able to grow in a lot of the ways Superman did, and Batman and a lot of those characters did. A lot of those DC characters grew and thrived in the Silver Age. And he missed, you know, the advent of Marvel Comics, too. So when DC tried to bring Cap and the family back, he was still very much a 40s character. And I don't want to deny the charm of that because there certainly is. It's what drew me to him in the first place, was that charm. But I think it also stagnated him in a big way, that I think that time period let the greater audience, the greater reader, think of Superman and Batman as being a little more malleable than Captain Marvel. And because of that, creators and readers alike, I think we struggle to let Cap grow naturally, because we want him to be the way he was, cause that's what we like about him. I think after I did Convergence: Shazam! with Jeff, that was why I, for a long time, I think I'd kind of closed the book for me and Shazam. Because I'd gotten my feelings of retro Golden Age nostalgia out of my system with those two issues. Jeff and I knew that it was not an opportunity that was going to come along very often, so we did everything we could to pack as much of our Captain Marvel fanboyism into those two issues. So we put as many villains as we could in there, and the whole family, and Tawky, and even Mr. Morris, and Uncle Dudley. We did everything we could because we knew we weren't going to get another chance like that to work with that version of the character. But yeah, I think for a long time it made me kind of think 'no, I think I'm done with Shazam' because I don't know what we can do with that character and that world, first what DC'll let us do, and what the readers will let us do, because I think a lot of times those are at odds.

[rubys-domain]

okay i'll admit it: i'm a full-on lyney simp now

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

[satoruxx]

PARACOSM OF THE GODS.

PAIRING: gojo satoru x f!reader, geto suguru x f!reader | 11.5k words

SUMMARY: ok here we go, canon au, angst, fluff, best friends being in love, stsg being whipped but unable to express it, reader is clueless as usual, timeskips, canon compliant deaths, bittersweet, longing, mutual pining, emotionally stunted teens, dad!gojo makes an appearance, hopefully that’s it i'm tired of typing

RHEYA'S NOTE: highkey lowkey stressed posting bc this has been sitting in my wips for 4 years now. i honestly didn't have to add much to it i basically just proofread. but yeah when you maladaptive daydream and create a plot where you're a character in jjk and you're also in love with gojo and geto this is what happens. a little sad to let this go but it's time !! plus i can add more parts later. but anyways pls lmk what you think, i'm super curious to know <33

i. the unknown

satoru's first impression of you is anything but kind.  

his words come casually, free into the wind without care, and they aren't meant for you to hear. instead, they fall only to suguru's ears, evoking a deep chuckle and a slight shake of his head. his bangs swish a little with the movement, but satoru is too busy eyeing you over the frame of his shades to notice. 

you're lucky to have not heard it, because the intent with which it was said would have probably made your brow tick with frustration. he says it without a thought, as if he hasn't the slightest bit of interest in you as hints of arrogance fill his tone. 

"who's the rookie?" 

satoru and suguru sit outside against the patio railings of the classroom they had chosen for the day. it overlooks the grounds of the school, where they have a clear view of who approaches the main entrance. suguru absentmindedly clicks his lighter—shoko had gone to get another pack of cigarettes. 

it is from this higher point that they have a clear view of you. you're so obviously new to this, satoru thinks as he watches how you awkwardly stand in front of yaga sensei. 

he already wants to label you as a side character. it's mean, he realizes—cruel even, but he can barely bring himself to care. 

"yaga sensei mentioned that there'd be a new student joining us this week," suguru says, fingering the bangs hanging in front of his eyes. they roam over you with only slight interest before uttering your full name, just as his teacher had said it.

satoru repeats it with a hum. "not a big name or anything. a small-sized family of sorcerers i think." he shrugs carelessly. "but honestly i never really paid attention to all those stupid clan and jujutsu family lessons." 

suguru only responds with a good-natured chuckle, tearing his eyes away from the scene to look at his friend. "no shit." 

the two sit in quiet silence, watching yaga's lips move in structured, emotionless greetings as he shakes your hand. satoru is especially focused on the hunching of your shoulders and the way your eyes nervously dart around. 

suguru is the first to interrupt the peace. 

"maybe she's strong?" 

"are you kidding?" satoru scoffs as he stands up straight, shoving his fists into his pockets. he turns his nose up slightly. "that's not the attitude of someone who's confident in their abilities." 

ii. routine 

"can i ask you guys a question?" 

a cool breeze tickles your skin, goosebumps rising in its wake, and you suppress a shiver. the smell of the air tells you winter is fast approaching. 

"you just did," satoru hums, his snowy hair splayed out against stems of green grass. suguru's chuckle reverberates deep in his chest, and you have to push back an exasperated smile. 

"another one then," you press, leaning over satoru's face to force yourself into his view. his blue eyes pierce through yours over the dark-rimmed frames of his glasses, and even after seeing them so many times, they still feel as dominating as the first. he hums again, and you take that as your cue. 

"what did you first think of me when we met all those months ago?" 

satoru sits up quickly, and you can already feel your shoulders dropping when you catch a glimpse of the teasing smirk on his lips. he shifts so that he's directly facing you, leaning close so that the two of you are barely a palm's distance from one another. 

"thought you were an annoying little rookie~" he sings and you immediately shove at his shoulder.

"'m not a rookie anymore," you huff, and satoru laughs joyously. suguru only grins, his eyes darting between the two of you happily. satoru moves himself into a proper sitting position, digging his long fingers into your bag of chips and popping one into his mouth. you swat at his hand, even though you don't mean it, because though you complain about gojo satoru all the time, you would give him the whole world if you could. 

you and satoru take turns reaching into the bag. you wonder if the sound of crunching disturbs suguru. he's not asleep—he's just doing that thing where he keeps his eyes closed and escapes to his own land of tranquility. you'd like to give him as much peace as you can, so you stay quiet. satoru does too, but you think that's just because you aren't talking to him. 

the quiet is nice when you're with them. sometimes silence makes you feel alone—paranoid. it feels like there is some impending doom hovering over your shoulder, and all you can do is wait for it to come. but with them it is different. you know that any danger in the quiet will be caught by the two of them. maybe that's why it's so easy to let your guard down around them. you trust that they won't let you die.  

"i thought you were weak," satoru pipes up after a few minutes of silence. "you didn't seem like you were confident in your abilities, and that's a sign of weakness." 

after spending so much time with satoru and suguru, the word weak has permeated almost every one of your conversations. later you learned how much more significant it was for them to label someone as strong. you chase after the word—crave it.

"and turns out that wasn't true." suguru adds with a smile, his head leaning back against the trunk of the tree. his eyes are still closed serenely and you wonder if he can feel the way you're gazing at him. 

"yeah and now you act like some big hotshot," satoru grumbles, as though he doesn't want to admit to his old mistake, but you can hear his smile. it annoys you, the way his once degrading little nickname has now somewhat turned into a term of endearment. you would rather die than admit that you like hearing him say it. 

"well, I'm glad that i was able to prove you both wrong."

the conversation ends there. 

shoko returns a few minutes later, tossing you a can of soda and suguru a pack of cigarettes. as soon as she sits down in her spot under the tree you're forcing your head into her lap and kicking your feet onto satoru's legs. you ignore his complaints, because you know that in just a little bit he'll quiet down and his hand will rest over your ankle, fingers soft but firm. they'll occasionally drum some rhythmic tune, or draw nonsensical patterns against your skin.

shoko's fingers thread through your hair, just like they always do, and you know that in a few minutes you'll doze off in her lap, just like you always do. it's clockwork, this thing that you have with them. they make the days keep going—time doesn't stop for you. 

a part of you wishes you could freeze time at that moment. 

but you can't. 

iii. halcyon

"hey suguru?"

"hm?"

"how come you always do your hair the same way?"

suguru glances up from his book. he's seated at your desk, and for a minute, the breeze pushes your curtains so that they block your view of him. satoru groans lightly from your left, turning on his side to snuggle deeper into your pillow, and slumber overtakes him once more. him and shoko remain quiet, faces free of worry as they dream in a land that is so unlike the real world you live in.

"what do you mean?" suguru asks in response to your question. he has an amused smile on his face as he places his book on your desk, though his thumb and pointer finger keep his page.

"well…" you suddenly feel stupid for asking, but he's looking at you so intently now. "you have such nice hair. you could style it in so many different ways."

"are you saying you don't like my hair the way it is?" he frowns.

"no no!" you scramble, shaking your head emphatically. quite the opposite actually you think he's so so attractive—how on earth did you screw this up so badly? "that's not it i just—"

he laughs, tilting his head fondly. "i'm just messing with you, hotshot."

you blanch, before crossing your arms with a huff. "asshole…"

he chuckles, before lifting a calloused hand up to finger the tie that holds his hair in a bun. he glances back at you, before a michevious smile settles on his face. he gives the tie one sharp tug, and the bun falls away. black hair drops, resting on his shoulders, and you stare at him—oddly parched. wind brushes through the open window, tickling your curtains, tickling his now open hair. you had seen his hair down before, of course. in the few seconds after a sparring session when the bun had gotten loose, or when too many strands escaped the tie and fell in front of his face (he always pushed them away with an agitated huff). but now he looks different—good, you realize. he looks good.

"how should i style it then, hotshot?"

his question shakes you out of your daze. you hum in contemplation. "i don't know."

he laughs quietly, as to not wake the other two. "didn't you just say there were so many ways to style it? enlighten me then," he teases, reaching over to grab a small scrap of paper from your desk. he slots it where his fingers are holding place, and then closes the book. he swivels in the chair to face you completely, rolling over so that he's right in front of you.

"well…" you start, biting your lip in thought. "a ponytail maybe?"

suguru bunches his hair into his fist, holding it up against his head. "and? how do i look?"

you grin, eyeing the new style with a stifled laugh. "fantastic."

he laughs again, louder this time, before dropping his hand.

"it looked good though!" you laugh and he rolls his eyes fondly.

"yeah yeah," he dismisses with a wave of his hand. he looks back at you, eyes tracing over your hair before he grins wide.

"i like yours."

you blink. "mine?"

"the way you did your hair today," he points to the half up-half down style you've thrown together. a dark blue ribbon holds the hair in place—satoru had said it matched nicely with your uniform. suguru's eyes gleam as he appraises it. "it's nice. it looks really pretty on you."

something in your chest feels like it fell off a cliff.

"oh—" you stumble, before smiling at him because that's all you can do when he makes you feel like this. "thanks suguru."

"do mine like that," he says quickly.

once again, you blink owlishly and all you can manage is a stupid "huh?"

"do my hair like that," he repeats, getting up from the chair to sit at your feet, back towards you. he crosses his legs and puts his hands in his lap, patiently waiting.

"you can't do it yourself?" you tease, scooting closer to the edge of the bed.

"i can," he replies and you can hear the easy smile in his voice. "but i want you to do it for me."

"okay then!" you laugh before gently parting sections of his hair out. and then you work in silence, putting more effort into his hair than you've ever done with your own.

iv. fragility

"lady riko does not have any relations. when she was young, her family was involved in an accident…since then, i've been her caretaker. so please let her at least spend time with her fr—" 

"—so that makes you her family then." 

suguru's words seem to stun kuroi, the weight of riko's situation finally making itself clear as her face crumbles. 

"…yes." 

you listen to the way her voice wobbles, and try to suppress the poisonous lump forming in your throat. 

"then we do everything we can to make her happy," you say solemnly, leaving no room for argument. suguru seems to agree and says nothing—some deeper part of you feels something more than thankful towards him. 

"you're awfully sensitive for a jujustu sorcerer, you know that?" satoru comments offhandedly. you turn to look at him, meeting his piercing gaze over dark rims. 

"maybe," you concur. "is that considered weak?" 

satoru seems to ponder his answer, before shrugging, a light smile on his face. "to some people, maybe." 

you manage to smile back, and he takes in the expression with an odd look on his face. "say what you want, satoru. but you agree with me, don't you?" 

he looks away, eyes gazing out to the distance where you know riko is currently in class with her friends, trying to live the life she wants, and something in them softens considerably. 

"we'll do things the way she wants us to." 

it's one sentence, said without a smile or laugh, but hearing it fall from satoru's lips makes you beam at him. 

that's just your kindness, isn't it, satoru?

your heart leaps when you notice the tips of his ears tinge with rouge. 

v. longing

riko's hand is warm against the coolness of your fingers. your body feels hyperaware of your surroundings, toes deep in hot sand and salty air sticking to your skin. for some odd reason, you can't seem to relax. unconsciously, you tighten your grip around the young girl's palm. she glances up at you, but when you look down at her, she's wearing the biggest smile you've ever seen. 

satoru's presence makes itself known behind you—his shadow looms over yours in the sand. "it'll be fine," he says.

you can't see his face, nor can you see suguru who stands at his side, but your shoulders drop slightly, and you find yourself smiling back at riko. 

"i'm getting in the water!" she squeals eagerly, before dragging a helpless kuroi with her. satoru laughs—a clear, pristine sound—and follows after her. you watch the three of them with a fond smile, something akin to content settling deep within you.  

"and what are you planning on doing?" suguru asks. you turn to look at him, watching the way his heavy eyes stay focused on you. 

"hmm," you quirk a brow mischievously. "build sandcastles with me?" 

suguru blinks owlishly before he breaks out into a good-natured laugh. 

"deal." he walks closer to the water's edge, where the sand is damper, and crouches down. he turns to look at you over his shoulder. "don't make me do all the work, hotshot." 

you stand there, taking him in—really taking him in. he's just as clear as the sky behind him, and the sun shining on his face makes his smile glow. you want him to continue smiling at you like that well into the future. the waves crash onto the shore, as though the ocean is chasing his radiance, and an overwhelming feeling of unfiltered affection swells in your chest. 

your feet carry you forward, and you think that they might always lead you back to him. 

the sun rises as time passes, and occasionally you spare a glance at satoru and riko, who are screaming as they splash water at one another. and then you catch a glimpse of kuroi, who stands with her feet in the water, a soft smile on her face. 

and in that moment, nothing can be ruined. 

"what's wrong?" suguru's voice calls out, and you tear your gaze away from the others to look back at him. he stands behind you with two strawberry ice cream cones in his hands. 

"nothing," you hum, a serene smile on your face. "everything's perfect."

his eyes trace your face, stopping to linger on your smile, and they soften. "it is, isn't it?" 

he turns to the ocean, watching satoru and riko, and his eyes sparkle. "i hope it stays like this always." 

"me too." 

he bends down to take his place at your side before he hands you a cone. you take it from him. suguru's eyes drift away from you to look down at his castle. 

"i think it looks great," he expresses, before taking a lick of his ice cream. 

you roll your eyes with a huff. "yeah, because you made it look so nice. you're unnecessarily good at this, suguru." 

he laughs, waving his hand dismissively. "no no, we did it together! and yours is nice too!" 

"maybe," you grin, looking at his castle. "but yours is extra pretty." 

he smiles back, before pointing at a small hole in his sand tower. "see this room? it's yours." 

"mine?" you chuckle.

"yeah, all yours," he hums softly. "this is my castle and you get your own room." 

"oh? and why's that?" 

suguru's gaze lingers on you, and his dark eyes soften considerably. "because you'll always have a place in my home." 

you stare at him, speechless—something hammers away at the inner crevices of your chest. 

"and this one—" he points to another hole a few inches away from the first. "—is my room." 

"well in that case, that room is mine too!" you declare.

"what?" he barks out a laugh. "how does that work?" 

"well…" you grin at him, the sun burning into your cheeks. "because my home is wherever you are!" 

suguru's cheeky smile fades and his eyes widen. he looks at you, mouth agape, and you're about to say something else before sticky coolness trickles down your wrist. 

"ack!" you hurry to wipe away the strawberry ice cream dripping down your skin and you completely miss the red that creeps up his neck and seeps into his ears. 

vi. ice bath

shoko's fingers are unbelievably soft. you're grateful that you were unconscious through most of her procedures on your battered body—you don't think you would've handled the pain too well. she's quiet as she works over the large wound that now covers almost half of your torso. the man with the scar on his lip had done quite the number on you, and you don't think you'll ever forget the searing ache of his blade slicing through your flesh. he had left you in a bloodied pile, isolated, and you hadn't seen what had happened to suguru after the man shot riko. you could only lay there, vision swimming as a bitter taste filled your mouth—a reminder of the life you failed to protect.

the pain had been the only thing you could focus on, until satoru was on his knees at your side and tightly gripping your shoulders. your hazy focus was drawn to his lips as he spewed curses and insults at you. 

"why didn't you run away, you little shit," he had shouted, a feral look in his eyes. there was something different about him—a change in his very being that you could see even in the throes of death. "shoko's coming, do you hear me? for fuck's sake, keep your eyes open, hotshot!" 

you swore you saw his eyes shine behind that look of uncontrolled anger. he had been talking a mile a minute and your focus had waned until you could only see his lips move, no sound reaching your ears.

you've never thought satoru looked more godly than he did at that moment.

suguru eventually found his way into your field of vision—knelt at satoru's side. his large hand had squeezed your limp fingers in a death grip. he was sweating, and his eyes were darting back and forth between your pale face and bloodied torso, something akin to guilt swimming in them. you wished that you had the strength in you to squeeze his hand in return. the last thing you remember seeing is his dark hair falling in front of his face as he turned to shout at whoever was approaching.

now you're awake. disoriented and bleary, but awake, and all you can look at is the way shoko's bangs fall over her furrowed brows. she's taken care of the bleeding, and now all that's left is a dull throbbing, reminding you of how close you had toed the line with death. you don't know this yet, but the scar will remain for the rest of your life, and that dull throbbing will be a permanent reminder of your narrow escape. 

shoko hasn't said a word since she noticed your eyelids flutter open. you want to ask her so many things. important things that cannot wait: 

where's satoru? how about suguru? i saw them both. satoru's alive, right? and suguru, too? the man—with the scar. where did he go? he said that satoru—riko….where is riko? and—and kuroi…i—i..couldn't save riko. when did you get here, shoko? and why am i the only one who's being taken care of by you? 

you want to ask her. but she's making a very odd expression as her hands ghost over your body. you've never seen it before, this odd quirking of her lips. her teeth sink into the bottom one, and she chews and bites and nibbles like it's some kind of nervous tell. 

"shoko?" 

it's all you can manage to say—all you dare. your voice is dry, shaky, and sounds almost foreign to your ears. you're going to ask more, at least one of those thousand questions you had asked in your head earlier, but you don't get to because she speaks before you. 

"shut up," she spits, and the wobble in her voice has you pinching your lips shut and feeling closer to death than you did before. 

vii. acid rain

the sound of clapping is deafening. you don't think you've ever heard a sound so horrid in your life before, and you feel as though your ears are bleeding heavily. you can faintly make out the conversation between satoru and suguru, your ears struggling to pick out the tones of their voices. 

"no…" you hear suguru say quietly. "it doesn't matter if I'm fine…"

you can feel satoru's eyes roam over your motionless body, watching the way you gaze out into the crowd impassively. 

"let's get out of here, guys."

your feet carry you numbly, and you aren't aware of anything except the way riko's arm is swinging in front of you lifelessly. there are no mirrors around—no way of catching the track of tears cutting over your cheeks. the places where the salt touches burn like acid. you say nothing. 

satoru's gaze feels intrusive. he doesn't need to ask you anything—he just knows. it's like your body is radiating the emotions tumbling around in your gut. 

you're awfully sensitive for a jujutsu sorcerer, you know that?

"do you want to…kill them all?" 

the question stuns you, and for the first time, you can shake yourself out of your daze to look at satoru directly. blood is smeared over the left side of his face, cerulean eyes dimmed, as though something had pulled the shine out of them. red seeps into the fine hairs of his restless eyebrows. 

"right now, i probably wouldn't even feel anything," he continues, staring at you listlessly.

you think satoru might be feeling just as numb as you are. you don't know what happened to him yet. the last you had heard, gojo satoru had been killed by the man with the scar. he had boasted about it to you before he attempted to kill you too. but then satoru was at your side again, completely alive as he ran your battered body to shoko like a crazed man. 

you'll find out later who the man with the scar on his lip was, and what kind of legacy he had left behind. but for right now, all you see is a teenager with the weight of the world on his shoulders, and you know your answer.

satoru could help the pain go away; he'd be able to make the clapping stop—maybe then your ears wouldn't bleed anymore. but you couldn't ask that of him. 

"forget it. it's pointless," suguru mutters, and you're glad he's on the same page as you. not because any of these people deserve pity, but because satoru deserves a break—one less burden for him to carry. 

you hear suguru say more, but you can't focus. you continue to listen to the sound of the clapping, and once again lose yourself as you stare at riko's bloodied fingertips. 

"pointless, huh?" satoru mumbles in response to suguru's answer. "does there need to be a reason?" 

"of course. it's important," suguru's voice doesn't carry the same pleasant tone it always does. instead, it sounds strained, and tired beyond belief. unsure. "especially as jujutsu sorcerers." 

satoru doesn't respond, but you know that he's measuring the weight of his friend's words. that's how it was with the two of them. they both balance each other out—their moral compasses influenced by one another. but then you feel satoru look up from riko's body and turn to you. suguru follows suit, and before you can wonder why, it hits you: satoru had asked you both. 

you suck a deep breath in, feeling unusually breathless. the flesh of your stomach tingles with a painful reminder of what might've been, and you make up your mind. 

"killing them won't change anything," you say, breaking your silence. the tears on your cheeks have dried, but they leave a rigid trail in their wake—a trail that still stings. "let's just leave it at that." 

viii. fever dreams

satoru lies next to you. 

a few nights have passed since riko's death, and you've chosen to stay holed up in your room. you're not sure why—death has always played a big role in your life. you don't understand why it's different this time. 

tonight is different as well. while you've maintained a distance from everyone since that day, save for classes and passing by people on school grounds, today you've decided to let someone in. satoru's the lucky one, mostly because he would've pestered you until you opened your door for him anyway. 

it's strange though. he had knocked over and over, and when you finally opened up with a snappy jab at his annoying personality, he had brushed straight past you and laid across your bed. he hadn't said a word since then, and you've found yourself lying next to him in silence for quite a while. 

his hand stretches out in the darkness and you can feel his fingertips brush over the skin of your arm. it's delicate, like he's testing his limits, but you understand. it's just to ground himself—to know that you're still here, with him. to be sure that you're still alive.

you think the scar that goes down your body bothers him a lot more than it bothers you. 

"'m here," you mumble sleepily. your fingers reach up to bump against his knuckles, and you hear him inhale deeply. his voice is throaty when he replies. 

"i know." 

ix. doubt

satoru learns that you've never been kissed before and he teases you for it.

not in a mean way, but in a way that has your cheeks heating and your eyes avoiding his. suddenly it feels like the gap between ages 16 and 17 is huge. he's barely even a year older than you and you're in the same year, but it feels as though he knows so much more about the world than you do. you want to ask suguru if it's bad that you've never had a kiss, but you don't. suguru rarely talks these days. sometimes he'll have conversations with you but won't look in your eyes when he speaks. 

"hey listen, hotshot. if you don't get a kiss by…" satoru hums, an eager smile on his face as he swings an arm around your shoulders and contemplates his words. "…let's say 27, then i'll give one to you!" 

there's an odd note of glee in his voice. 

"shut up, toru," you groan, heat flooding your cheeks. "quit joking around." 

he laughs loudly, pulling your cheek teasingly. "aw, i'm just playing. it's not a bad thing i promise!" 

your shoulders relax slightly as the snowy-haired sorcerer continues to speak. 

"i just thought that you would've kissed someone by now," he shrugs. "wasn't there that one guy you went on a few dates with? the one you met when we went to yokohama?" 

there's an almost sour expression on his face as he speaks, but you're too frustrated to care. "just because i went on a couple of dates with him doesn't mean i kissed him!"

a broad teasing smile appears on satoru's face. "is that so?" 

"ugh, i'm only 16!" you hiss, shoving him away from you. "besides i'm saving it for someone special!"

"good," you hear suguru speak up, and you turn to look at him. his fingers are interlocked, elbows resting on his knees, and he's staring down at his hands like they hold the answers to some deep questions he has. "it is something irreplaceable after all." 

x. shadow

satoru's grin is proud as he stands before the three of you, his loose shirt billowing in the summer breeze.

you stare at him, heart thumping as shoko lets out a confused gasp. "huh? what the hell was that?"

"did it automatically choose the target for your technique?" suguru asks.

"yep!" satoru stresses the word, spinning the pencil suguru had thrown as he explains. "though i am the target. i've pretty much automated what i used to have to do manually."

your head is spinning.

"now i can tell an object's danger levels based the strength of its cursed energy, its speed, mass, velocity, shape—whatever. i want to be able to discern poisons too but that's pretty hard right now." satoru's voice is even when he explains, though you can make out the hints of pride that permeate his tones. you think his voice has gotten a little deeper too. "basically this is gonna allow me to keep my limitless technique active all the time!"

"that's gonna fry your brain!" shoko interjects, shaking her hair out of her eyes.

"yeah but i can do it while i continuously generate energy on my own. that way my brain stays fresh."

you can't help but let out an amused scoff. "what brain?"

satoru chucks the eraser at you, and you laugh as it bounces off your shoulder harmlessly.

"i've been working on shortening my hand signals so i can activate red and blue simultaneously." he continues, lips twitching upward as he gives you an exaggerated glare. "after this the only things i need to work on are domain expansion and long-distance teleportation. which i should be able to do if we set up some training courses here at school."

you think if someone examined you closely, they would see the stars in your eyes when you look at satoru.

"shoko~" he calls out, grinning eagerly. "think you could get me some lab rats?"

shoko groans as satoru bounds over to pester her more emphatically. you watch him, thinking you've never seen a person quite so magnificent.

god personified into a 17-year-old body. and yet it is a body that stays so close to you—well within your reach. maybe there's nothing so godly about that at all.

"don't you get tired of getting stronger and stronger, jeez?" you complain, crossing your arms as you raise a brow at him. satoru wets his lips as he throws you a smug smile.

"don't worry hotshot, you'll catch up to me someday!" he gives you an exaggerated wink over the frames of his glasses, and you shake your head somewhat fondly.

"no way! i never want to be at your level," you huff. "i'm very comfortable living in your shadow, thank you very much!"

a strange look passes over his face, almost puzzled, but the dip in his brows melts away as he approaches you. "well—" he slings an arm over your shoulder. "if my shadow makes you happy then you're more than welcome to stay there."

you don't have time to reply. pale lashes flutter at you—a backdrop of cerulean. you think white and blue may be the prettiest combination of colors in the world.

"suguru?" satoru's voice is casual, yet the amusement has dropped from it. his arm is heavy around your shoulders. "have you lost weight? are you okay?"

you look up, seeing tired eyes behind dark stands of hair. suguru's cheekbones are prominent, and you have the sudden urge to reach out and trace your fingers over them.

his lips twitch upward weakly. "it's just the summer heat…"

his lavender eyes drift to your face as he says it, and he tilts his head as he scrutinizes your worried expression. "…i'll be fine."

xi. hellfire

you hear suguru before you see him.

his breaths come loud as he pushes the door to the morgue open, the metal clanging heavily. his eyes bore into your back, taking in your clenched fists and raised shoulders that seem to tremble.

you wonder who told suguru you'd be here. maybe nanami, who was here not long ago, and had sent you a text that merely said: the mission went badly.

or maybe it was satoru, who had been chatting with you near the entrance of campus when he saw the myriad of emotions pass over your face as you read the text. he had probably called suguru as soon as you left.

it doesn't matter—you can't bring yourself to care.

you can only think about the way haibara had smiled at you before he left that morning.

now that smile is covered by a dirty white sheet, and you can't tear your eyes away from it. the taste of blood and vomit is heavy on your tongue.

suguru says your name quietly. you can't even look at him—you're scared that you'll cry if you do.

you don't ever want to cry in front of him. or satoru—so weak in front of those who are so strong.

"he asked if i wanted to go with them and i said no because i was lazy," you hiss, teeth clenched as you spit out the words with venom. "if i had just stopped thinking about myself for a second—"

your fingers dig into the flesh of your palms—deep, deep, deeper.

you hear suguru click his tongue, and his hands wrap around yours. he yanks your fingers apart fiercely, thumbs smoothing over the bloodied indents you've made in your own skin. you tear your eyes away from the body to finally look at him.

"don't—" his breath catches as his thumbs still over your flesh, eyes going hard as he takes in the blood.

he blurs in and out of focus. his head whips up when he hears you sniffle, and his lips slant ruefully. "you—"

"i'm fine," you interrupt, blinking pointedly and taking a deep breath. "it's fine—i mean it's not fine—but i c—"

"stop." suguru grabs your shoulders, giving you an even stare. you don't know how you didn't notice it before, but he looks thinner, older. there are dark circles under his eyes—poison seeping into his skin. "you need to rest."

you stare back at him silently, but you don't feel like you agree. something about this is making you feel restless, like there is so much you need to make up for. his grip tightens, before he's wordlessly leading you to take a seat—he finds his place next to you.

"satoru took over the mission." he stares at the lifeless body on the table as he speaks. you lower your gaze.

"and nanami?" your throat feels like it's closing. suguru inhales deeply.

"he went back to the dorms."

"okay."

you try to figure out if there is any meaning in having this conversation. despite everything, weren't you expected to wake up tomorrow morning and head out on a mission once more? and when you return, you're sure that there'll be another faceless body taking haibara's place.

the cycle continues—clockwork. it scares you, just how replaceable you are.

haibara, nanami, you, another, nameless—interchangeable.

not like satoru. not like suguru. not like the strong.

you lean your head against suguru's shoulder, fingering the hem of your uniform skirt. the fabric is cool to the touch—it seems darker, heavier. heat radiates from the body next to you, and there's something about him that's making your stomach churn with nerves. "suguru?"

his voice sounds far away. "hm?"

"are you okay?"

he stiffens and you suddenly fear you've said too much—nosy, intruding, out of place. you stumble. "it's just, we haven't talked much lately."

"i'm fine," he answers, and you can hear a smile in his voice—whether it's real or fake you can't tell. "just a little tired."

you know there is truth to this. but it scares you, how this tiredness of his has lingered for months. you don't know how to tell him that.

"okay…" your voice is barely a whisper, heavy with unspoken words that you don't know how to formulate. somehow you find that silence has always been your only option.

but like usual, silence with suguru has never once been uncomfortable.

haibara's smile burns behind your eyelids.

"it should be a relatively simple mission. if you're not doing anything today senpai, would you like to come with us?"

his voice tickles your ears.

"that's alright! i'll get going then! oh right, today's mission is a little farther than usual, so we'll probably be back late! what would you like me to bring back for you?" 

hypoxia crushes your lungs, your blood burns. selfish selfish selfish. you've only ever cared about yourself.

suguru's arm curls around your shoulder before you even realize you're crying. his palm is warm as it smooths over your hair, and all you can worry about tainting him with your ridiculous tears.

you don't ever want to burden him—just want to quietly live in his shadow.

"i don't—" you internally cringe at the throaty rasp of your voice, swiping a hand at your nose. "i shouldn't be so sensitive about—"

"it's not your fault." he quietly hushes you, grip tightening imperceptibly. through your tears you can see him adam's apple bob, and for some reason that makes you feel worse. you're too scared to look at his expression, even though his voice is resolute. "none of this is our fault."

something has changed in the way he speaks now. something has settled, a confirmation of some idea that has been brewing for a long time now.

you don't say another word, but somehow he manages to sear himself into your very being. he's warm, and fuzzy, and he smells like sandalwood and incense. 

you don't know how long suguru let's you pathetically sob into his shoulder.

but you think you're embarrassed that he has taken pity on a wounded animal's cries.

xii. split

he looks different, but also the same. you've seen him wear that sweater before. it's plain black, no patterns, and you know that there's a loose string on the inside of the left sleeve that he was always too lazy to cut. you've always liked that sweater—always liked the way he looked in it. 

you liked it so much that you've even stolen it a few times yourself. 

but now it looks different. older and dirtier—as though soiled by some unknown curse. 

that's what everything came down to, right? curses. 

suguru stands in front of you, almost no trace of emotion on his handsome face, and his expression makes you want to turn and run. you miss the calm serenity that normally graced his features, wishing that you had some kind of cursed technique that could turn back time. but you aren't blessed like that—you wonder what sin you might've committed in a past life that made you so unlucky in this one. 

"you look confused," he comments. you reel at how casually he speaks to you, like it's just another afternoon sitting under that stupid tree. like he's leaning his head back against the trunk and watching you and satoru bicker with that fond look in his eye. 

"suguru," you speak, an odd strain in your voice. you struggle to comprehend this odd turn of events. you've had time to understand that he's now a different person than the one you once knew. you know that he's responsible for killing 112 innocents, including his own parents. you know that he's now an enemy to jujutsu society and you know that you should kill him right at this moment.

but he looks so much like suguru, like your suguru, that you can only manage to stand there, frozen in place. his eyes drift over your body, taking in your pajamas, the bath towel in your hands, and the small drops that trickle from your hair, and you can see the familiarity settle in his expression. 

"why are you here?" you choke out. you feel an overwhelming sense of danger in your gut, knowing that your family is just a few rooms over from where he stands now. 

"at your family home, you mean?" he asks casually. a small, almost amused smirk appears on his face. "you said i was always welcome." 

you did say that. sometime last year or the year before, when you had invited satoru, suguru, and shoko over to visit during one of your quick holidays. suguru had sat across from you at your dinner table. he complimented the food and your father smiled one of his rare smiles. you had chewed quietly to hide your grin.

you don't know what to say to him now. 

"everything they said about you," you whisper, taking a step toward him. he remains rooted in place, but his eyes follow your movements. they shift when he catches your fingers gripping your towel tighter. "is it true?" 

"do you think it is?" he asks, and you gulp. it feels like he's baiting you into some kind of trap. 

"i don't want to believe that it is," you answer, voice shaking. "that you would ever do something so…"

the sentence hangs in the air, and he tilts his head imperceptibly. something in his eyes changes as he focuses on the drops falling over your shoulders. 

"well i'm sorry to squash your hope," he raises his arms in a shrug. "but everything you heard is completely true." 

your head aches, but you're not surprised by his confirmation. "why would you…?"

suguru hums, a dark look falling over his face. "do you remember the conversation we had after haibara's funeral? do you remember what i told you when he died?" 

anger flares in your gut at the mention of haibara, and the bath towel crumples in your hold. "don't say his name," you hiss through gritted teeth. "don't act like he's the reason—just…don't bring him into this. please." 

suguru licks his lips, eyes going soft before he tries again. 

"everything used to make sense back then," he sighs. "back when the strong existed to protect the weak. but it's not true." 

"suguru—" 

"the reason why we suffer is because of them," he interjects evenly, though frustration is clearly evident in the curve of his brows and the volume of his voice. "we clean up their messes. they create problems and we die for it." 

you're stunned into silence, at the way he's raising his voice at you, at the way he's speaking so firmly about this horrible topic, at everything. he seems to realize the effect of his speech, and he quells his anger to speak quieter. "that's why i'm doing this. i'm going to create a world without non-sorcerers, so that sorcerers like you and i can live peacefully." 

a lump forms in your throat because god, he's right. he's so right. your life would be a thousand times better without curses. non-sorcerers were the reason curses existed. but the way he's going about this…

"suguru," your voice shakes, but you press on. "i get it. i really do—" 

"i know you do," he interrupts. "you always have. even back then…" 

he takes a step closer to you, reaching out to finger the towel in your hands. "but you don't agree with the way i'm doing it, right?" 

you bite your lip, and he smiles at the sadness in your expression. "you're so easy to read, hotshot." 

you ignore the way the nickname stings. "i just—how could you kill innocent people like that? your own parents, suguru."

he looks away from you, steely resolve in his eyes. "if i made exceptions for my parents, that would kinda make me a hypocrite, wouldn't it?"  

you don't know what to say to that. he doesn't seem to have anything else to add either. 

he looks around your old bedroom, eyes sparkling as they catch a picture of the four of you from your first year. satoru's arm is slung around shoko. the dark-haired female has her elbow resting on your shoulder, her tongue sticking out playfully. you're clinging to suguru's arm, and satoru's free hand is squishing your cheeks together. the four of you are laughing. 

nobody has laughed in a while now. 

you tear your gaze away from the picture frame to look at him. he's so unbelievably close, and he's gazing down at you with this foreign look in his eyes, the picture forgotten behind him. 

he slips his fingers into your hair. his palm is large enough that it can brush the side of your face, and you wonder why your body doesn't flinch away from those bloodstained hands.

"it's okay," he mumbles, a faraway look in his eyes. they remain trained on your hair, but it feels like he's looking straight through you. like you're nothing more than a ghost he wants to erase. he's so close—you can count his dark lashes as they brush against his cheeks. "it's difficult. i don't expect you to understand." 

his words incite a sudden flare of anger in your gut. it burns something fierce, and in that moment you hate him. 

"no, i don't," you reply indignantly. he pauses, now really looking at you, and his brows quirk upward in what seems to be surprise, because—well, he's never seen you make such an expression at him before. "you never tried to help me understand. you just left." 

a strained silence follows. his fingers twitch against your cheek.

"this doesn't concern you," he says finally. "i don't need you to understand my actions." 

you recoil, as though he's physically hurt you, and your expression falls so hard that it almost makes him regret saying it. almost. 

"if it doesn't concern me, then why are you here?" you ask again, and you see suguru's shoulders drop. "you know that i have orders to kill you. i might not be able to because you've always been stronger than me. but you know that i'll…" 

go down fighting you, is what you want to say, but the words leave a nasty taste in your mouth. but suguru seems to know what you're implying because a wry smile appears on his lips. his fingers twirl a strand of your wet hair. 

"i'm here to say goodbye," he says finally. another tense silence fills the space between you both, and suguru can see the way your fingers shake between the folds of your towel. 

"you're a little bit late for that, aren't you?" you choke out, a strange tilt to your voice as you break eye contact with him. "you left school weeks ago, and you didn't say a word to me then." 

"better late than never, right?" 

the softness in his tone makes you turn to look at him again, and you desperately want to ingrain the features of his face into your head. the gentle slope of his eyes and sweetness of his smile. he almost looks like the suguru you once knew, and you suddenly have the urge to mourn his death. 

his face becomes blurry, the edges becoming less pronounced, and you can see the way his expression falls. 

"i didn't come all the way here to make you cry." his hand drops from your face and he takes a step back. your fingers hurry to wipe at your waterline, and you shake your head. 

"'m not crying." 

suguru smiles ruefully, and his eyes suddenly look devoid of life. he takes another step back—your heart plummets.

he says your name once, quietly, and it hangs in the air as you wait for him to say more. 

he doesn't. 

"you know that I'm not supposed to let you leave alive, right?" you mumble, fingers toying with the towel in your hand. "but i can't—i mean—"

"hm," he chuckles. "still as sensitive as ever, huh? s'okay…" 

he moves toward you again and his hand gently cups the back of your neck. "i think it's your best quality. makes you better than most people in our world."

he presses his lips to your forehead tenderly, and you feel your eyes widen behind your tears. 

you probably could've stopped him, because you're aware that he's now suddenly behind you, and that he's raising his hand. you can stop him, but a part of you thinks that if it's death at suguru's hands, maybe it's not such a bad way to go. 

you accept your fate then and there. 

you'll find out later that suguru never had the intention to kill you then. perhaps he was waiting for a more opportune time, waiting for there to be a meaning behind it. you're not sure. but when you wake up tucked in your bed cozily, you'll feel the remnants of him lingering around you.

he was warm, and fuzzy, and he smelled like sandalwood and incense.

xiii. sanctify

satoru's at your door again. 

you've memorized his knock patterns. he always knocks three times, then leaves a pause, then twice more. for someone so erratic, he can be quite predictable. 

"what's up, satoru?" you call out, not looking up from your busy hands. there are a couple of empty cardboard boxes open on your bed, and you've been placing things into them all morning. things that should've been put away a long time ago. you pause on one of your old test papers, and in suguru's dark, blocky handwriting you read: 

YOU GOTTA STUDY MORE DUMBASS.

underneath it, satoru had scrawled: 

hotshot failing class now huh? :P

and shoko had added: 

both of you stfu you're failing too 

you had drawn a heart next to her name. 

"whatcha doin'?" a familiar voice chirps. "spring cleaning?"

satoru stands directly behind you, peering over your shoulder. you can practically feel his aura shift when he notices the items you're putting away. 

"cleaning of some sort," you sigh, before turning to look over your shoulder. "i've been…putting it off." 

he doesn't move—just continues to stare down at the paper in your hands. you think maybe you shouldn't have let him in. sometimes you forget that satoru might have his own sensitivities—you've always viewed him as the strongest.

a few strands of his hair tickle your cheek, and you scrunch your nose in response. he then turns to you, eyes blinding as he studies you over the frames of his shades. 

"want help?" 

"please." you don't intend to sound so needy, but the way you whisper the word has him immediately grabbing your wrist and sitting you down next to him on the bed. 

"how are we sorting this stuff?" he asks, his voice oddly calm. he hasn't let go of your arm yet, and some quiet part of you is grateful. 

"i was putting our old school stuff in that box. books, papers…" you answer softly, and satoru nods in understanding. "and in the other box…" 

you inhale deeply through your nose. satoru waits, strangely patient. you're not sure if you're imagining it, but you think he squeezes your wrist. 

"…are all of suguru's things." 

there's a moment of silence—a quick mourning for what is no longer there. 

"it's stupid stuff that he left behind, you know?" you chuckle, even though nothing is funny. "some old shirts from when you two would sleep over, his old textbooks, a few pictures from our holidays—shit like that." 

satoru hums. he's not looking at you—instead he's staring at the box, a frown on his face. 

"i guess he didn't really need those things for where he was going. or for wherever he is now," you mumble. 

"guess not." 

you're not sure what's going through his head. satoru's reaction to suguru leaving had been chaotic at best. it was so hard to tell how he felt about it. you knew he was angry, confused, betrayed. but he never showed things like that. you think it might have to do with being the strongest. you're not sure though—you never were strong like him.

you wish there was a way to tell him that he could share his feelings with you, but you can't think of a way that won't be awkward. 

a ticklish sensation crawls up your wrist and you look down to watch satoru's first two fingers tap against the inside of your palm. his thumb brushes against yours as he lets out a heavy exhale. 

"let's get started then, hotshot." 

he looks down at you as he says the words, and you think you might cry. but you want to be strong, like him, so you offer him a smile. he gives you one in return. you realize there isn't that much warmth in it, not like it used to have—you're sure that yours isn't that warm either. 

but it's enough for the two of you. 

"you look tired, toru," you chuckle wryly, reaching up to brush a few strands of hair from his face. his eyes flutter at the touch, and you honestly think this might be the most vulnerable you've ever seen him. 

"so do you." 

"i am," you admit honestly. 

"'s okay," he mumbles. his fingers tap against your palm once more. "'m here." 

"i know," you answer. you always are.

nothing more is said as satoru stands up. he makes his way over to your desk and pulls one of suguru's old sweaters from your chair. you watch him fold it neatly, smoothing out the creases with care, before placing it into the box—you smile once more. 

you think the scent of sandalwood tickles your nose, but it's gone in an instant.  

both of you work in relative silence, sorting through the things in your room quickly. you're surprised at how bare it looks as you're nearing the end, as though there's nothing more to your life than old high school recollections. 

you finish putting the last few polaroids into the box when satoru speaks up. 

"hey." 

you look up and find him staring at you, so you turn to face him completely, giving him your full attention. 

"zenin toji—" the name sends a painful tingle up your body. "—left something behind." 

you frown. "what are you talking about?" 

"a kid. he's got a kid. and i was gonna go meet him today," satoru shrugs. you try to read his emotions, but as usual, he's giving you nothing. "the old man said something about the zenin clan buying up his kid before i killed him. i was gonna go see if there's something i could do about that." 

you sigh before raising a brow, an amused lilt to your voice. "and why have you kept this a secret?" 

satoru's trademark smirk appears, and he walks over to sling an arm around your shoulders. "who knows?" he quips nonchalantly. "guess i was waiting until we were bored. we need something to do now, don't we?" 

you glance at the packed boxes on your bed, and then look around your empty room. everything is always changing, but satoru is constant. 

"i guess so," you grin. his eyes shine, and for a second you see a familiar teenager at the beach, and then a familiar teenager under an old tree. you think you hear waves, and the crinkling of a bag of chips. 

"good," he chirps, walking you to the door, the arm around your shoulder secure. "his name's megumi, and we're gonna make sure he gets strong."

xiv. idyll

it takes you a little over four months to get used to megumi's eyes. they aren't unsettling or invading, like a certain snowy haired sorcerer, but they do give you chills when you first notice them. chills and a fleeting feeling of metal slicing up and down through your flesh. you just have to steady your breathing and remind yourself that the son is not the father.

tsumiki is an angel. you didn't think that kids that age could be so emotionally competent, but she's a pleasant surprise. she had been awfully protective over megumi, fidgeting with a firm hand on his shoulder as you and satoru invaded their space and upturned their lives. even after they had settled into the humble apartment satoru had purchased, tsumiki was still so overly cautious. it was obvious she still didn't trust either of you, but you thought it was admirable of her, and you relay this thought to satoru one day.

"think they hate us?" he asks, squishing his cheeks between his lithe fingers as he eyes the different milk cartons over the rims of his glasses.

"i'm pretty sure they just don't trust us that much," you reply, placing a few packs of instant ramen into the cart. "can you blame them? we're just random strangers who came up and basically kidnapped them."

"i'd like to say adopted!" he points out with a grin, before he sighs. "but we've already proved we're just doing this to help them. but they still barely talk at all."

"they're just being careful. megumi's still a little young and he looks like he doesn't give a shit about most stuff anyway," you chuckle as you remember the expression on the first grader's face as he spoke to your cocky friend. "and tsumiki's being cautious for both of them."

"she doesn't need to be cautious of us!" satoru dramatically whines, pulling out a carton of whole milk and placing it into the cart. you shiver as the cold air hits your skin, eyeing the sorcerer with an exasperated smile. he shuts the door with a huff. "i've been such a good dad!"

you roll your eyes, shoving his arm as he starts pushing the cart down the aisle. "she definitely should be cautious of you, you creep."

satoru looks down over his shoulder, appalled, though his eyes sparkle with mirth. "and why do you say that?"

"have you seen yourself? crazy 19 year old man that kidnaps kids," you mutter somewhat sarcastically, falling into step with him like it's normal. satoru grins at that—amused.

"i think it's pretty cool of her to be that responsible though," you continue, voice going softer as you think about them, and satoru hums in what you think might be agreement. you suddenly grab his arm, stopping him in his tracks and he turns to look at you.

"you think we should get another carton of milk?" you question, tilting your head at him. "megumi's been drinking it every day after he comes back from school and tsumiki said she wanted to try making milkshakes."

satoru blinks at you, eyes widening before an amused chuckle escapes his lips. you're about to ask what is so funny but he gestures back down the aisle. "go get some."

he waits for you as you go grab another carton, leaning against the cart easily. when you make it back and place the extra milk in the cart, satoru slings an arm around your shoulders. you raise a brow, but he just continues to push the cart with his free hand and says nothing.

so you don't say anything either.

the two of you continue shopping, trying to remember the things you've noticed the kids enjoying because you know they'll be too uncomfortable to outrightly request them. for every sweet snack satoru puts into the cart, you add something that can pass as somewhat healthy, and he hides a teasing grin behind his fist each time.

when you're almost done, satoru motions to the shelves of snacks, raising a brow at you. "what do you need, hotshot?"

you look up from where you're analyzing the contents of the cart. "hm? oh i don't wanna buy anything for myself. i'm good with the stuff i have back at the dorm."

"great," he shrugs with a subtle shake of his head. "except you're not buying anything this time, i am. so pick something."

"what?" you frown, walking over to him. "we're supposed to split groceries for the kids."

"we can split next time." satoru rolls his eyes at you, as though annoyed by your insistence. "i just got paid yesterday and i wanna waste money. pick something."

you groan. "but there really isn't anything i want. if you're gonna pay yourself then let's just go. i think this is good enough."

satoru looks unamused, his eyes boring into yours—bright, dominating, mesmerizing. "oh really? nothing you want?"

you stare at him in confusion as he walks over to the frozen section and opens the door. after a few seconds of rummaging, he pulls out a box. "not even this?"

your shoulders drop. he's holding a tub of strawberry ice cream.

he casually places it into the cart, eyes trained on your expression as he bends down. "it's your favorite, isn't it?"

your voice comes out throaty, and you wet your lips nervously—his eyes follow the movement at lightning speed. "how'd you know?"

satoru scoffs out a haughty chuckle, reaching up to knock a knuckle at your forehead—it's cold. "i know everything about you, hotshot."

he moves to grip at the cart's handle, standing close enough that you can feel the energy radiating off of him. the side of his hand touches yours, still cold. "now we can go."

he sticks by your side, pushing the cart towards the counters as he casually looks around the store. you briefly realize that his shadow doesn't cover you when you're at his side like this. the thought both scares you and pleases you in a way you didn't think was possible.

"thanks toru," you mumble before you can stop yourself. his gives you a sidelong glance—assessing.

his lips twitch. "it's just ice cream."

"no, it's a lot more than that." you're not really sure why you say it so tragically, and satoru inhales sharply. you notice that his knuckles have turned white as he grips the cart's handles. once again, his eyes dart rapidly over your face—between your eyes and then further down.

then he lets out a hushed laugh, nudging your shoulder with his. "as long as you share with me, hotshot."

everything is always changing, but satoru is constant.

you can't help but smile. "always."

you two don't say much as you head to the counter, taking turns placing all the items on the belt. you quietly watch satoru dig into his wallet, feeling oddly content doing so. you think the stars in your eyes will never disappear.

the clerk eyes you both, and suppresses a fond grin. with your close proximity, shared cart, and satoru's easy going smile, you realize that she's probably misunderstanding, but you don't really know how to correct her. satoru says nothing—he just continues smiling, oddly pleased.

he smiles all the way to the car. you catch yourself doing the same in the rear view mirror.

xv. retribution

the first thing you notice when you kneel in front of suguru is that he's bleeding all over the place. you have the strongest urge to scramble and grip his fingers tightly, just as he had done for you so many years ago—but you don't dare. you're too scared that touching him will ruin you completely.

he says your name quietly, and yet it's the loudest thing in the universe to you—crashing over your ears until you've lost all sense of self.

and then he leans forward, his gaze heavy, and his hand comes up to tangle in your hair. his palm rests on the side of your face just like it did when he visited you at your family home. the last time you saw your geto suguru.

except this time he moves further—crosses a line. presses his lips to yours.

he tastes like blood. you don't pull away.

the feeling of his lips shocks you though, and you stay permanently frozen in place as you feel your eyes glaze over with something you can't put into words.

suguru kisses you slowly, deeply, like he's been waiting but wants to savor it. maybe you've been waiting too. you're not sure. you're so confused.

you don't even process the way his tongue slips past your lips, tasting almost eagerly like your mouth is some kind of conquest he's trying to claim.

it's intrusive, but not unwelcome. slow, but not gentle.

you whimper quietly, feeling acid sting down your cheek as he pulls away and his eyes flutter open. he takes in your expression, and a million emotions pass over his face.

a quiet chuckle. "that bad, huh?"

you shake yourself out of it and try to push away the flush creeping up your neck. "w-what?"

"you're crying," he announces, his furrowed eyebrows paired with a sweet smile that makes him look so unbelievably tragic. "the kiss was that bad?"

your face burns, and you raise a shaking hand up to your cheek—it's wet.

"it wasn't—i didn't—" you struggle. "i mean—"

he smiles ruefully. "i'm sorry. you were saving it for someone special, right?"

there's a charged silence that follows as you scour your brain for the conversation he's referencing. when you find it, your heart sinks.

"you've always been special to me, suguru." your voice comes out quiet, but he hears it all the same. his eyes widen fractionally and you can see a light pink dust his cheeks before he laughs. it's soft, hushed, and looks like it's painful, but he lets it run its course.

it reminds you of a laugh from so long ago, at a beach, with childish screams echoing against the sound of waves. you think you can feel strawberry ice cream dripping down your wrist.

his laughs die down and he's left smiling softly at you. his lavender eyes sparkle with mirth as he tilts his head. "i'm glad. that you were the one i gave a room to."

you can hear waves in your ears, crashing crashing drowning. sand is in your hands, in between your toes, in your eyes.

he coughs, and his palm shakes against your cheek. you wonder why he doesn't just let go already dammit suguru.

you inhale sharply, trying so hard to breathe because what is that stupid thing that's clogging your throat and preventing you from speaking? there's so much you have to say to him. so many questions. so many things left unsaid. your words are failing you.

but silence with suguru has never once been uncomfortable, right?

you raise a shaky hand to press against his where it lays against your neck. "do you regret it?"

he licks his lips, smiling faintly, as though he's enjoying the new taste of you on them. "no."

"why not?" you whisper. your body unconsciously shuffles closer to him, chasing his warmth because gods is he warm. he's always been so warm, even now, in the throes of death.

"my feelings are still the same. i still hate the monkeys for everything they've done, all the crap they cause." he shuts his eyes, smiling that serene smile. you wish he was leaning against a tree trunk. "i still have no resentment to those at jujutsu tech. and you, i still…"

he doesn't continue. you don't think you want him to. there's a flush crawling up his neck, the faint pink a stark contrast to the red of blood. it makes you nauseous.

another deep inhale, and his thumb slides over your jawbone, before brushing under your bottom lip. he stares at the flesh heavily, letting his finger press into it. his tongue swipes over his own lips, eyes darkening further.

and then something shifts in his face, and he smiles mirthlessly. his hand drops from your face—broken contact.

he doesn't tear his gaze away from you, committing your face to memory. it's almost like he wants to say something, but decides against it at the last minute as he slumps further into the wall behind him and shuts his eyes.

when he speaks again, you know that it is all over.

"you're late, satoru."

[churipu]

Hiii!! I can ask for jjk men (your choice!) with a girlfriend who doesn't look like it but is like super strong! ᕦ(ò_óˇ)ᕤ I have a love for those types of characters<3 thanks in advance!

I hope you are getting better ❤️‍🩹

jjk men & their "looks like a cinnamon roll but could kill" you gf

featuring. gojo satoru, toji fushiguro, nanami kento x fem! reader

warnings. cursing

note. anonnn <33 i absolutely love this one, i have so many speculations for different characters about this request omg, thank you for requesting love, i hope this one is up to par, much love xoxo (and i am feeling so much better now, thank you for checking up on me). OH AND GUESS WHAT? u don't understand how thankful i am to reach 300+ followers in the first week??? u guys rock, ilysm

GOJO SATORU. i feel like he'd feel so betrayed after finding out how you're very strong?? one second he's looking away and then the next second, he looks back and a curse is ready to pounce on you. he grits his teeth when he realizes that — but before he could even do anything, there you were, sending out a strong punch that leaves a gust of wind as a cherry on top.

gojo could only stare at you, jaw dropped. all he could think of was how on earth did you do that and how could someone so...cute and adorable like you send out that kind of punch. honestly, on one side he felt so betrayed to only know of your power now — but on the other side, he's so damn proud of you.

after all of that, you still managed to send him your most innocent smile as if you didn't just almost possibly created a hurricane with that punch of yours. skipping happily and then throwing yourself onto the male, "satoru!"

"you never cease to surprise me, baby." he chuckles.

and you blinked at him innocently, a little confused at what he's talking about. at first gojo thought you were just pretending not to know, but when he realized that you actually didn't know, it dawned upon him that maybe you didn't even realize how strong you actually are.

"y/n, you just obliterated a curse."

"oh. oh. yeah! i did."

yeah, you definitely weren't aware of your own strength. which surprised gojo even more.

TOJI FUSHIGURO. he's always thought that protecting you was one of his main duty, and believe me when i say that toji is always on guard for anything that could possibly send harm your way. feral animals, harmful plants, annoying babies, curses, anything he finds annoying — he just assumes you don't like them either.

despite not having a cursed energy, toji is strong. anyone would agree with that. so when he settled in with you, someone who radiates such loving and gentle aura, toji made it his job to keep you out of harm's way.

but apparently, you've got that under covered.

being in a relationship meant going out on dates occasionally, right? however, some people do not understand the meaning of "i have a boyfriend" and it annoys you. so when toji was away to fetch a few things and you were left alone, a stranger felt like it was the best time to hit on you.

"saw ya' from a couple of minutes ago, thought you're cute. we should hang out."

obviously the word "no" didn't work as he kept on bothering you, and you do know how people react when they don't get what they want sometimes? they just plain out throw words to boost up their ego and deny their own embarrassment. it's funny.

"whatever. ya' aren't that cute anyways." everything began out as an exchange of words — until anger consumes the best out of them. the male got ready to swung his hand on you.

and believe me when i say that toji was having the time of his life watching you exchange angry words with the guy, until he saw the male raise his hand. toji was about to drop everything and come to your rescue, but stopped when you smacked the stranger across his face harshly it sent him stumbling over his own feet.

toji chuckled lightly, although surprised. that day, i swore he promised himself not to get on your bad side (also, he thought it was pretty hot of you). he told you he'd been watching from afar, and was so ready to be your knight in shining armor.

apparently, you are your own knight in shining armor.

NANAMI KENTO. for the longest time, nanami has stood his ground in defending you from malices and curses. some of the people do not like the idea of you and him together, especially girls who failed to obtain his attention (obviously). and he'd always be the one to tell them to piss off and not to butt in his relationship.

you were just a normal businesswoman working normal office hours, and nanami — well, he's a pretty busy man. but he has made himself visible to your work environment a couple of times, mostly because you were clumsy enough to forget your bento box that you made for yourself before going to work.

and apparently that few times was enough to make girls swoon over your boyfriend. honestly, you could care less. you trust nanami. but things went rock bottom when this one particular girl, a co-worker who was obviously jealous of you. and she doesn't hesitate in showing that to you.

"accidentally" spilling coffee on you, "accidentally" stepping on your foot with her heels, "accidentally" bumping into you, "accidentally" elbowing your head when she walks by. just everything in an attempt to get a reaction out of you so she could possibly play the victim card.

you brushed her every attempt off, although it bothered you quite a bit. but your last straw was when she "accidentally" ruined the report you've been working on for the past week, sacrificing your rest and sweat for it — only for her to dump down a cup of iced macchiato on it the day you were supposed to hand it in to your boss.

you've just had enough of her, and this was not something you can brush off like her other "accidents" because this report would affect your position in the company (and possibly get you fired). but at this point, do you even care? no, no you don't.

"so, is this the part where i hit her?" you ask another co-worker who was there in the room when everything happened, and they nervously shook their head, "really? i feel like this is the part where i do."

so when you did send a punch to her jaw, your other co-workers were quick to run find help (your boss). and all it took was one punch to make the girl wobble weakly, her knees buckling.

oh, and your boss wasn't too happy about your resort in violence, especially in the work area.

"i don't care, i'm fired anyways." you took off the company's id card that was hanging from around your neck and tossed it onto the table before packing your bag to leave.

your boss wasn't the only unhappy one, you were too. and nanami as well.

"it isn't my fault, kento."

"i know, darling. i'm not saying it's your fault, i'm just surprised...that's all."

well, that was the first time you've ever threw a punch to someone. and the first time you've ever been fired, so yes. it is a surprise to nanami, but to you? you were expecting it sooner or later with the pace of how that co-worker was going in with her shenanigans.

"she was pushing it."

nanami was silently proud of you for being able to defend yourself though, "well, at the end of the day, you won the fight. right?"

© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !

[feline-insolitum]

i was gonna put this on a reblog to this post but i decided it needed to be its own post so here we go

LOOK AT HIM!!!

most other trainers will be super badass or cool whenever theyre terastallizing their pokemon. but kieran just kinda stands there devoid of life. he looks like hes not even there. almost like he's just... dissociating through the whole thing

you can also see eyebags that his teal mask model didn't have. he's been working himself to the absolute bone to get stronger. another character (i forget who) even says hes been sacrificing sleep just to get stronger. its very obviously been taking a toll on him

but looking back on the battle as a whole, this wasnt even the only time where he looked dull and lifeless. for the entire battle, when hes not being dramatic on purpose, he just looks so out of it

you cant look at these pictures and tell me hes mentally present. the left picture isnt even timed to make him look like that. his expression is like that the entire time hes giving that line of dialogue.

and again, you can see visible eyebags!!!

i think part of it is that hes imagined the battle against the protagonist so many times since getting back from kitakami that it's feels like it's already happened to him, and he's just reliving a memory.

maybe another part is since hes gotten back, hes just been battling non stop when he has the chance. to him its just another battle. initiate, defeat, get stronger. rinse and repeat. its so repetitive that half the time he doesnt even know who hes battling. i feel like thats the case here, maybe sometimes he forgets hes even battling the person that he became this strong to defeat in the first place

i think why he did this to himself is because of more than "just getting stronger". after everything that happened in kitakami: gaining a friend, only for them to lie to and betray him about the thing he loves most, then for them to get closer with his sister, who would consistently shut him down, then on top of it all, ogerpon chose us, and even in trying to battle us for her, we beat him.

that is a lot to have happen to you in just a couple days, so i think part of the non stop training is him trying to cope. in trying to make up for "being too weak", hes also trying to escape reality and forget that those things even happened. he looks so out of it for the entire battle because he is. thats why he has such a reaction when we use ogerpon against him in battle. because by doing that, were reminding him

this is all part of why he freaks out so hard when we beat him. aside from his whole complex of getting stronger specifically to beat us, its because hes already imagined beating us so many times that to him, it already kinda happened in his sleep deprived mind. its because hes won battle after battle since getting back from kitakami, so after being in this rinse and repeat cycle of battling and winning, us losing causes him to finally snap out of it.

after the protag wins, hes genuinely confused that he lost. but he knew how strong the protag was going into this. i think its because, for the majority of the battle, due to not being mentally present, he forgot he was battling us.

this, as well as how often he wouldve imagined him beating us, explains very well how surprised and shocked and panicked he is that he lost. "this wasnt supposed to happen" because it was just another battle, and he wins battles. "this wasnt supposed to happen" because he already imagined him beating us so many times that it had to have been real, right?

and because this monotonous cycle he was in that was actively draining him of energy was broken by us beating him, everything that he hadnt had the energy to process since training is hitting him like a truck now. ogerpon, the betrayal, how he kept losing to us, how he just lost to us right this moment, its all too much and he cant handle it. and so he crumples to the ground and has a mental breakdown

i didnt mean to turn this into a whole character analysis on kieran but i have a LOT of thoughts on his character and how hes written

[aangarchy]

I just saw a post from someone saying "zuko obviously never wanted to be firelord" and.... did we watch the same show?

Like at this point i've gotten used to people grossly misunderstanding the show's characters (mainly aang and katara) but i've never seen it happen so blatantly, and to ZUKO of all characters.

Zuko, the guy that asked his uncle to let him into the war meeting when he was only 13 because "he'll be firelord one day" and he wants to learn as quick as possible. Zuko, the guy that interrupted said war meeting also at age 13 because even that young he already felt a massive responsibility for his nation and the people in it, and he couldn't just stand by as these generals were planning on killing them. Zuko, who at age 13 BEGGED his father not to punish him, because he only had the Fire Nation's best interest at heart.

Zuko, who despite what his father did to him, still traveled to the world's most desolate places for a chance of getting his honor, his family and his throne back. Zuko, who at age 16, looked his father in the eye and told him he was going to free his people, and the whole world of his tyranny. Zuko, who at age 16, said he wasn't betraying his nation by joining the Avatar, he's saving it. Zuko, the teenager with so much love for his nation that he questioned his own uncle when he suggested Zuko should be firelord, because he didn't feel like he deserved it, because his people deserve a leader that hasn't made as many mistakes as Zuko.

And you're telling me you think this kid never wanted to be firelord? What version of atla have you watched, genuinely?

[keerysfreckles]

Okay hi I don’t know if I’m doing this right and this is how you rqs something, I saw your cry for help for a luke Castellan fic,

could I pls request something like a daughter of Poseidon reader and her and Luke have been friends for years but haven’t never really seen each other as more than that until some guy starts to hit on her and Luke gets jealous asf and then the Luke starts a fight with him because he said something nasty about reader, and rewarded gets pissed off that Luke’s fighting and it’s super angsty and jealous and they fight and make up and realise their feelings and maybe a kiss?????

Hope that wasn’t too long xx

someone gets hurt — luke castellan

pairing: luke castellan x poseideon fem!reader

warnings: use of y/n and she/her pronouns, a couple swear words, character sexualizing reader

a/n: GETTING THE HOO BOOKS TOMORROW!!!!!!!!

masterlist !

꒰ა ☆ ໒꒱

"again!"

the sound of swords clanging against each other echoed in the empty field and through the forest.

"luke, how many more times do we have to do this?" y/n was out of breath. her right hand was red from gripping her sword too hard for the past hour, her hair has been tied back by now, and sweat coated her cheeks and arms.

"no offence, but your dad is into water, not swords," luke responds.

"what? you're saying i'm not the best swordsman in camp?"

luke chuckles, "obviously, because i'm here."

y/n only laughs at his response.

"swordswoman."

"what?" y/n's more than confused.

"you wouldn't be the best sowrdsman at camp. swordswoman would be the correct term."

instead of responding y/n shoves her sword inbetween luke's wrist and hip, skillfully pushing her own sword to make his fall to the ground.

"yeah, yeah, miss one time champ. go get some water," luke laughs.

"you know, after being your friend for so many years," y/n starts, but takes another sip of water as luke walks over to the bench she's sitting on. she continues, "you would think i'd learn your fighting patterns, and actually beat you for once."

"that's the thing y/n. my fighting strategies always change. once you find them out, they'll just change again," luke replies.

"you ready to go again?" luke asks for a few minutes, letting the girl have time to rest.

y/n nods, and gratefully takes luke's hand to help her up off the bench. she walks over to the dirt area with a slight limp. luke had cut her leg earlier, on accident of course, and y/n insisted she was fine. after pouring half her water bottle on it, there was nothing more than a light scar. however it still hurt.

"wow! with a limp like that, you'd think i was with her all night!"

corey andrews stepped into the clearing of the woods, with his ares brothers right beside him. ever since he got to camp a year ago he'd been harassing y/n. he always found a way to call her out in front of others. and it made y/n's blood boil.

she was about to walk over to the idiotic camper and punch him, but luke grabbed her wrist.

"leave it," his voice was soft, yet firm.

y/n gives in, and goes back to sword fighting with luke. the pair ignore corey and his friends.

corey on the other hand dislikes the silence. he walks over to y/n's side, and pokes her in the sides. it causes her to let out a small shriek and drop her sword.

"what the hell is wrong with you?" she turns and scolds corey, punching him in the shoulder.

"dude, you never mess with someone while they have a sword in their hands," luke picks up y/n's sword for her.

"oh that was nothing. we're just playing, right babe?"

y/n's stomach drops at the name coming out of corey's mouth.

"what's your problem andrews?" luke gently pushes y/n behind him. a motion the girl would soon be thankful for.

"my problem is that absolute babe, with that kinda body isn't in my bed right now," corey gestures to y/n. she's fully behind luke, holding onto his arm. was it out of comfort? or in order to keep luke from lashing out? y/n didn't know, but luke didn't mind her touch.

"she's busy," luke answers for her, feeling her grip tighten, "we're busy. so if you could leave, that'd be great."

luke needed corey to get out of his sight before he punched him. he couldn't stand what the ares boy was saying about his best friend.

"not before i get a piece of her," corey snickers and lunges to try and get to y/n from behind luke.

"corey!" luke scolds, throwing his arms out to block corey.

"don't touch me!" y/n yells in fear, now holding luke's shirt tighter than ever.

finally one of corey's friends speaks up, "corey, come on, they both asked you to leave her alone."

the other friend can't help but agree.

"y/n, go find chiron and tell him about corey," luke whispers. with a nod, y/n's running in the direction of the big house. anything to get away from corey.

before the harasser can get a gain on y/n, luke's grabbing him by the shirt. he lets go, but only to punch him square in the face.

blood instantly seeps out of his nose, and luke swore he saw fire gleaming in corey's eyes.

"why are you so protective of her? what? you sleeping with her or something?"

luke's expression doesn't change.

"if you say one more thing about her, i swear i'll punch you into the ground."

no words were spoken, making luke release his grip on corey's shirt. corey however takes the opportunity to shove his head into luke's knocking him back a few steps.

corey gets a few punches in before luke regains his balance. a few more punches land on luke's arms, before he shoves corey back, and punches him one last time before the asshole is laying on the ground.

luke's breathing heavily and corey's catching his breath on the groun as chiron speaks up.

he walks fully out of the woods now, with y/n climbing off his back. as soon as she told him what happened, he directed her to get in his back as he ran towards the arena.

y/n ran to luke as chiron started scolding corey and his two brothers, mostly corey though.

y/n holds luke's face in her hands, running her thumbs over the fresh red patches on his cheeks.

"are you okay?" there's nothing but concern filling her voice.

luke dryly chuckles, "you should see the other guy."

y/n leans up and wraps her arms around luke's neck to fully pull him into a hug. in seconds his own arms wrap around her waist.

as they pull away, luke watches chiron walk off with the three ares brothers.

"are you okay?" luke finally asks y/n.

she nods, "yeah, it's uh, nothing he hasn't said before. he's just never lunged at me before."

luke leans over to kiss y/n's forehead, before talking back to their swords. he was going to put them away, with the other dull fighting swords, but y/n's voice stops his movements.

"thank you," luke turns to the girl, "you've saved me a lot from corey, and i've never really told you thank you."

"what are friends for?"

luke's words hurt y/n, not on purpose. y/n can't help but see luke differently recently. she wasn't sure if he grew into his looks, or maybe it was just her hormones messing with her, but she started falling for luke castellan.

"you okay?" luke walks back over to the girl.

she only nods, "yeah, yes i'm okay."

luke notices the shake in her voice and her emotions changing from one to another.

"are you sure?" luke's hands rubs up and down her shoulders.

y/n only nods again, but after a moment her eyes drift down to his lips subconsciously.

luke noticed.

the boy smirks slightly, making y/n confused.

"you look like you want to kiss me."

y/n's cheeks change to the brightest shade of red, and she immediately starts shaking her head.

"no! no, no that's ridiculous," she denies

"what if i said i want to kiss you too?"

y/n's breath catches in her throat. she must've heard luke wrong.

her thought was disproved when luke leaned in slightly. he stopped, wanting to make sure y/n wanted this just as much as he did. the girl simply pulls luke to her by his neck. a small groan emits his lips once they connect with hers.

the kiss was full of force, and pent up emotions. they could both tell, and they knew how long they needed this kiss to happen.

"you guys done sucking face?"

luke and y/n break apart at clarisse's voice.

"we need the arena to practice," she states, motioning to a few of the ares sisters behind her.

"yeah uh," luke coughs, "we'll go."

and with that, he pulls a very giddy y/n out of the arena and toward the direction of his cabin.

[allbuthuman]

i am actually none of the official types of neurospicy but a secret new one that they made just for me

[neil-gaiman]

As a mental health provider working with Gender Diverse teens and adults, I want to thank you from the bottom of my heart for the Good Omens TV series. It's more meaningful than just representation, although that alone has made such a difference. The varied ways all of the characters interface with gender presentation and identity have proven to be such a useful tool to help people talk about and explore what these things mean to them, and to find their way to a more comfortable and authentic understanding of themselves.

It's effective in a way reality isn't, because it's so openly permissive of experimentation and change. So many of my clients feel enormous pressure to "get it right" the first time when trying out new gender expressions. Whether it be a name, pronouns, clothing style, haircut, etc. so many folks are too intimidated to make any moves toward their own comfort for fear they'll "get it wrong" and be seen as somehow less valid if they decide it didn't work for them as well as they initially thought. I love how all of the eldrich beings - but especially Crowley - make changes to their presentation over time or between earth and their respective head offices. And no-one bats an eye. No one even comments on it, they just automatically accept roll with it. That is so monumental and permission-granting for my clients!

So thank you, so very much!!

…also… as a fan and a therapist I would give anything for the opportunity to do couples counseling for Aziraphale and Crowley! This isn't a request or anything, it obviously doesn't fit in-universe. I just giggle every time it crosses my mind.

Much love to you for all your work! (I also adore your novels and short stories. )

I’m so glad. I hadn’t thought of Good Omens as a therapeutic tool.

[lovelybrooke]

So, book 7 just released for the English Server, and it really made me want to write for Twisted Wonderland. When going through the chapters that were released, I couldn't help but think about the different reactions to reader leaving. Since there's a lot of characters, I'll only be talking about the Yandere first-years, but if you like this, I'll write for the other characters.

Ace:

Ace and Deuce both fight for the spot as your best friend. Ace always uses the argument that he met you first so he's obviously your best friend. It's why he gets so peeved whenever you mention going home. He honestly forgot about you going home around the time that you saved him and Deuce from Azul and his goons. He hasn't really thought about it, more has he wanted to think about it. It's childish, but any thought he has about the future involves you.

When it's brought up in the lunchroom that you could possibly go home through that mirror in your room, he's surprised. Like I mentioned, he forgot that you wanted to go home. He get's kinda mean when you bring it up, like it's the dumbest thing in the world. Why would you want to go home? There are so many people here so care about you and would be devastated if you left. Honestly, you're being kinda selfish, you're just going to abandon everyone who's done so much for you? That seems like a pretty dumb decision, don't bring it up again.

Deuce:

Deuce is the opposite of Ace. Unlike his friend, he's thought about you leaving many times, it keeps him awake at night some times. It's not all that bad, wondering what your world is like, what your fiends were like, what you were like. Other times, it's terrible, mind racing with thoughts of you leaving. What would you do if you could actually leave, would you hesitate, would you think of them? Or would you leave without a second thought, abandoning all the ones who love you behind. It's a scary thought.

After Ace is done berating you, Deuce is there to pick up the pieces. He reminds you that it's your choice, but that he would very much hate it if you went. Unlike Ace, who's just mean, Deuce presents himself with false sympathy, claiming to understand what you're feeling, even though that could never be possible. He tries to comfort you, but it's less of comforting and more attempting to make you forget about your home, reminding you all the great things this world has to offer. He'll go on and on, as long a it make you stay.

Jack

Jack is much more clam and understanding in comparison to the rest. He knew this would come one day. You'd eventually travel back home, leaving them behind, and the world would keep on moving. Before he was closer to you, he didn't really mind it. But as he got to know you, and as he grew closer to you, he began to hate the idea of you leaving. He's somewhat embarrassed by how close he's grown to you, but that's not really his fault, is it? You're the reason he's so messed up now, and I'd be kinda messed up of you to leave.

Jack is the one who actually comforts you. He rubs your back as he reprimands Ace for his harsh words. He'll whisper in your ear and remind you that you have all the right in the world to want to go home. He'll promise to help you find a way home, ignoring the pain in his heart when you thank him for all the help. He knows it's wrong, but a part of him wishes you never find a way back home, and you stay here, safe, with him.

Epel:

Epel wants so badly to be upset, he wants to yell and scream, get mad at you. But when you mention leaving, all that comes is this deep sense of loneliness. He doesn't react like the others, doesn't get angry or defensive, he doesn't try to comfort you. He keeps everything deep within him until he gets back to his dorm, where he cries for hours. He knowns you'd be disappointed in him, bottling everything in, but he can't help it. When he finally does come out of his room, his hair is messy and is face is red and stained with tears.

Epel does confront you later, at Ramshackle. He does finally blow up at you this time, but instead of anger, he begs you not to leave him. He hugs you and holds you tight until you promise him you won't leave. He needs you here, everyone needs you here. If you don't forget about leaving he'll hold you tighter, digging his nails into your back, not caring If it hurt. He'll remind you that at any point, he can break that mirror. So just promise him that you'll never leave.

Ortho:

Ortho just adores you. After helping his brother and seeing how far you'd go for him, he can't help but adore you. He wants to be your best friend, and sometimes he fears that will never happen. He met you so late, so many people got close to you before him. That's why he's kinda worried when you mention leaving. He barely knows you, at least not compared to the others and he doesn't want you to leave just yet.

Ortho starts spending a lot of time with you after you mention leaving. He's walking you to classes, eating lunch with you, and even studying with you. You often have to remind him to go back to his dorm, if you don't he'll never leave you alone. His behavior isn't that strange to you, but for Ortho, he's doing everything he can to insure you stay with him and his brother. He doesn't really see anything wrong with it, after all you are his best friend.

Sebek (I know he technically isn't apart of the gang yet but whatever):

Sebek is conflicted. On one hand, he thinks you're a stupid human, and getting upset at you leaving it a waste of time. On the other hand, he fills with rage whenever you mention going home. He doesn't understand why'd you want to leave. You are weak, magicless, and you want to travel back to a world far away from them when they could protect you instead? It just didn't make sense.

Sebek flat out refuses you leaving. Like it doesn't matter what you want, you are not leaving. His duty is to ensure Malleus's happiness, and you leaving would greatly upset him so no, you're not leaving. He won't mention that he doesn't want you t leave, that will never come from his mouth. But you know something is wrong with him when he demands more of your time, and refuses to let you out of his sight.

[discofama]

I love how comfortable Adam and Lute are around each other.

I mean, look at this

So they're casually together during the extermination, much like how friends gravitate towards each other when in an event even if they're not talking or doing anything, just because it feels easier than being alone. Or perhaps Lute flew closer because she saw the huge war machine approaching Adam and got a little worried.

Charlie and Vaggie are going to attack them, and look at what they do:

Despite being Adam the one closer to Vaggie, he doesn't move an inch. They don't say anything (besides the shit talk) and Adam doesn't even look at her, he expects Lute will take care of Vaggie with no order from him, even if he's closer.

Obviously Adam is confident and doesn't think Vaggie can hurt him at all, but he clearly trusts Lute to get her out of the way. He probably knows how bloodthirsty Lute is for Vaggie and lets her have her without a word, and Lute complies, again, without a word, leaving him to handle the strongest of the enemies at that moment (Charlie).

So in this second, Adam and Lute communicated in silence. Adam didn't move and trusted her to cut in even if it was him the one under attack, and finally Lute trusted him to handle Charlie so she could fight Vaggie, as she didn't seem worried at all of the possibility of Charlie coming to protect her girlfriend.

They're in harmony. They're just natural together.

He lets her grab him like this and is willing to listen to her. It's clear he respects her and deep down appreciates that she'll keep him from doing something stupid, even if he whines.

She also climbs him? Lol. (Look at how she holds onto his arm 🥹 she's super comfortable with touching him!)

They're always hyping each other up, like in their songs:

(Look at Lute's smug face here 👇, she's sooo satisfied with what Adam's saying)

I honestly believe that they kinda make each other worse, that neither of them would be SO mean all the time if they didn't have the other: a companion who is always backing them up, who agrees on any crap that comes out of their mouth (Lute lets him talk shit about random women and nods, Adam goes along with Lute's homophobia despite seeming to not care that much about homosexuals).

Many portray Lute being a lot smarter than Adam, but I think they're both dumbasses. I mean, we laugh at Adam for saying he never made a mistake in his fucking life, but it was Lute who first stated angels don't make mistakes, somehow keeping a serious face. I think Lute seems smart because she's more quiet and cares about the rules, but she doesn't do logic very well either and can be impulsive too, as shown in the end of ep. 1.

They're probably each other's best/only friend, because they're just so unlikeable. And it makes sense they'd deeply care for one another. They care about that person that stands them and agrees with them and actually enjoys being with them. They're always seen together, hanging out even off duty. They clearly have a lot of fun.

I'll be honest. I ship GuitarSpear, I love it, but I don't know if I want it to be canon for 2 reasons:

1. Lute might be a lesbian.

She is so repulsed by homosexuals that it feels personal. Talking about how disgusting and blasphemous Charlie and Vaggie's love is, or how many cocks were in Angel's mouth and calling him a whore. She cares too much about it for it to not be personal, and I think it makes sense that she'd be a closet lesbian with a shit ton of internalized homophobia. She probably knew about Vaggie's sexuality and held a lot of resentment towards her before tearing off her wings. Maybe she was even attracted to her and was so repulsed about it that she redirected her self-hatred to Vaggie.

2. I think it could be better for Adam's character.

Let's just think about it. This character has a very distorted view of women, he has a fixation on them and hypersexualizes them. So the idea of this horny man, who always sees women with sex colored glasses, being good friends with a hot female below him in the hierarchy with no sexual or romantic interest whatsoever is nice to me. It'd work as sort of a redeeming quality in regards of his relationship with women, and I personally think this man is very redeemable. Let's hope he gets a second chance!

Still! All of this trust and comfort and team feelings can be read as romantic and I certainly wouldn't mind if it becomes canon! They could be the best villain couple!

Summarizing, these two are soulmates, end of the story. They're worse together, but also probably provide the other of a very needed company.

I have no clue if Adam will actually come back, but if he doesn't, I'll feel very bad for Lute. Yeah, yeah, she's an evil bitch, I don't care.

[jeffthekillerzblog]

a major plot point or like the entire thing about my au is just the creeps moving on and having their own character arcs throughout the years and finally heal from their past trauma

(rest is me rambling about my au...u don't have to read if u don't wanna its pretty long)

Jeff's arc is big on him finding his brother and coming to terms with what really happened. jeff is so incredibly stubborn and a big (very) egotistical. he finds it hard to open up and after what happened he feels that there's no point opening up anyway bc he's literally a famous asshole serial killer who's messed up SO many people's lives. another big thing about his arc is just owning up to his actions and apologizing to the people he's hurt. for example, nina. he led her on, treated her terribly for no reason, and was overall just an asshole. after they get into an argument he'll eventually apologize bc like he didn't HATE nina, he's was and prob still is in a terrible mindset and copes in such unhealthy ways. IDK OK I'm rambling but my point is he does eventually apologize to nina not because he needs her or like wants to use her again. he apologizes because he genuinely misses her and BOOM they become besties again after jeff properly apologizes and ya. BUT basically jeff's arc is him finally finding liu after all these years and yeah he apologizes to all the people he hurt (or the IMPORTANT ones) like nina, liu, and EVENTUALLY... jane. but that's WAY into the future (besides nina) he's way too full of himself to apologize now.

Nina's arc is her getting over JEFF. her love for Jeff began when she met him. she already admired him, but he turned into a full on crush. he did lead her on, and it hurt her a lot. shed spent tons of nights alone when jeff was supposed to be sleeping next to her, and she just felt so lonely, especially since jeff was so neglectful. She talks to clockwork about it and they help her realize her self worth and comforts her (she's terrible at it). Nina starts hanging out with Nat and toby more often, and it makes her feel SO much better about herself. Eventually she does get fed up of jeffs bs and they get into an argument and nina decides to leave. she kicks him out of her apartment and she doesn't let him come back. (she does....when he apologizes.....) She eventually learns to love herself and realize she doesn't need a stinky man's validation. Theres also a bit of her coming to terms with her own trauma, but I haven't fully fleshed that part out yet.

BEN's arc is probably my favorite. he's lost all his memories of his past life, and now after he accidentally found out he's NOT just a computer AI program, he decides to take it on himself to find out who his family was, how his life was, and how he died. I wont say as much bc I want to keep it a surprise, but in summary it fucks him up LMAO

ok that's it. OBVIOUSLY the rest of the creeps are healing as well BUT I have not fleshed out their stories yet...oops. so its just three for now. Except MUCH more stuff about the trio bc I love them with my all.. if u have any questions feel free to ask :3