#there is nothing like adding those final few details to a piece of art

[daidonzo]

Chapter 13 - Come love me [Chishiya x Reader]

You sat on the floor of Chishiya's room, your legs crossed, a pen in your right hand and a white piece of paper in front of you.

"What was what Kuina said again?" The blonde man asked, eyebrows raised.

"So, you have to draw a tree…" You started to do so. You drew roots, a trunk with a hole in the middle (there was a squirrel living there, but you were definitely not an artist and chose to leave that detail to the imagination of the viewer… Until you thought better about it and painted an arrow pointed at the hole, writing the world squirrel next to it, because not everyone would reach the same conclusion as you). "And the way you do it is supposed to tell you a lot about yourself."

"I see. Do you know you stick out your tongue when you concentrate on something?"

"Yes. Inheritance from dad."

He smiled, but you couldn't see it, fully invested in your painting as you were.

You had spent the day hanging out with Kuina and Tatta, Chishiya having been in an executive meeting for most of it. The Hatter had left for a game a few hours ago, having to finally renew his visa and you guessed he probably wanted to make sure everything would be okay during his absence.

That was when Kuina had told you about the tree-drawing theory, something a therapist had explained to her long ago.

And, since life without a phone or streaming services or a beautiful blonde man by your side was pretty boring, you had decided to try and psychoanalize yourself. Chishiya had entered the room when you were about to start.

You kept drawing, adding leaves here and there, but because it was autumn, most of them were on the ground. In your head, it all made sense.

"Finished!" You exclaimed, lifting the piece of paper and showing it to Chishiya.

He examined it for a few minutes, clearly amused.

"It looks like a tree." He declared, solemnly.

"Yes, I know! But what does it say about me?"

"I already told you, I'm not a psychologist."

"Well, but think! Give me your honest opinion."

"That you like squirrels?"

"Not really. They are fine. I just think everyone has a right to decent housing."

Chishiya's brown eyes focused on you, and for a moment, he turned serious.

"You really are fascinating."

"Was it the trunk that told you that?"

He chuckled. You laughed out loud.

"I think it doesn't work when you don't have the answers. Like, what does a hollow trunk were a squirrel lives mean? The fact that most leaves are on the ground?"

"I don't know."

You sighed, left the pen on the floor and climbed to bed with him, putting your face next to his to take another look at your drawing. And because you enjoyed proximity.

"It still is a work of art."

"If you say so."

You opened your mouth in surprise, pretending to be outraged by what he was saying.

"Are you implying my art is not good?"

"You want an honest answer?"

"No. Lie to me."

"Deserves to be in a museum."

You burst into laughter, dropping the act. You actually did not feel offended at all. You knew painting and drawing were not among your talents.

"You can keep it. So that it reminds you of me, just in case."

"As if I needed anything to remember you."

But, as he said those words, he folded the piece of paper in half and placed it on the pocket of his white hoodie, which turns out you had not ruined with your little emotional outburst from before, because tears dried and left no stains. Good to know.

You smiled from ear to ear. He couldn't have said anything better.

"You look happy."

"I'm so happy I could sing."

Chishiya frowned, slightly. "Didn't know you liked singing."

"Well, I was not really serious, but I do like singing. You have heard me many times."

His half smile told you he was about to mess with you, but nothing could have prepared you for what he said afterwards.

"Ah. Yes, what was it? Holding hands won't be enough…?"

"In a world giving head to a gun."

Your cheeks flushed red when you answered. You had sang that song the day you were hanging out after holding hands for the first time, as a way to discreetly tell him you were desperate for more physical contact. How did he remember? You thought he hadn't been paying you attention.

You felt mortified. So you did what you knew best - kept talking.

"It's from a band I like. They have a lot of love songs. They are like rock n' roll but like rock n' roll for when you like someone. It's romantic but not too sappy. Or well, it is sappy but in a very artistic way. Like poetry. Like… Well, the song made me think of you, so I just sang it. I was trying to express myself."

"Do you have any other songs you would like to dedicate to me, then?"

"You are not about to get an a cappella concert from me, especially not for free."

"I'll give you something in return."

You were about to say no, never in a million years, that maybe in his dreams you would… But you didn't. Because while a part of you was scared of actually confessing your feelings to him, another actually wanted to say many, many things that you couldn't put into words that easily.

"Okay, there's one. I usually would also play guitar while singing, but you are just going to have to imagine. Don't laugh. I said I liked singing, not that I'm any good at it. I'm also not good at playing guitar, or any instrument. Like, I'm not awful, but I'm not particularly good either, not by any means." You kept going, nervous as you were. You took a deep breath and…

Here lies a heart that feels Touched by fire, howling at the moon for you Caught in dusk, heartstrings out of tune From the abyss pirouette my way back to you Come love me numb Come love me till it hurts Dance the neon noir with me Come love me

That was awful. You had closed your eyes while you were singing and were almost afraid to open them and find him laughing. But you still did.

And he was staring at you, expresionless. And for the thousandth time, you wished he was a tiny bit easier to read. You felt like you were drowning and he was just looking at the water instead of helping.

He placed his hand on the back of your neck, making all the hairs on your body stand on end, pulling you closer.

And his lips were on yours.

The kiss lasted no more than a few seconds, the shock of it giving you no chance to react properly to it. A million thoughts running around your head, how wonderful it had been, how worth the wait, how you wanted many, many more…

"I feel like a siren." You whispered, remembering the mythological beings, half bird, half beautiful woman, that were known for their bewitching voices and that lured sailors to their death with their song.

You almost wanted to punch yourself right after. That's all you had to say after a first kiss!?

Chishiya laughed, luckily finding the comment a lot more endearing than you did.

"Like I said, you are fascinating."

[valeriapryanikova]

hihihi !! came across your tumblr while looking at hermitcraft/life series art (your art is lovely by the way, definitely going into my cool people with cool art collection) , and saw that you use/used krita !! as a krita user, i would love to know your main brushes and canvas sizes, and art process too :D would love to get into things like illustration but no clue where to start ,,

hello! since i get asked about stuff like that relatively often and i'm usually too lazy to answer properly everytime i'll use this ask to answer all of those in one big post :D

Brushes

i don't think i have main brushes? i jump from style to style quite frequently and i love love love trying out new stuff so the set of brushes i'm using for any given drawing can change drastically but there're a few that came to my mind

i've been vibing with the first brush the most lately! it's kinda has spray paint feel to it?? but not really? idk but it's fun to make messy sketches with :D 2nd and 3rd are probably the brushes i find myself coming back to most often bc they're just really basic lol

all of the brushes ^ are default krita brushes bc i dont like downloading brushes from the internet so if you wanna find cool non default krita brushes you'll need to ask sm1 else sorry

(btw my advice: don't care about brushes. limiting oneself to a certain set of brushes can also limit the creativity so don't do that)

Canvas Size

my default canvas size is 2000 x 2000 px and it usually goes up from that if i need other proportions for a piece - basically that means that the shortest side of (almost) any of my drawings is minimum 2000px (2000 x 3000, 2500 x 2000, etc). for pixel art it's the same rules but for minimum of 200px!

social media eats the quality of images really hard so i usually don't see the point of drawing on bigger canvases than that ¯\_(ツ)_/¯

Art Process

there isn't much to say about the art process for me bc i'm sure my process is not too different from everyone else's process lol for lineart stuff it's the usual:

super messy, super quick sketch

cleaner sketch (depending on the art style and the vibe i'm going for this step can be skipped)

messy colouring (also can be skipped sometimes; this step is just for myself to find the colour palette i wanna use and to determine whether i like the drawing so far or not so i can change the idea or completely abandon the piece)

clean lineart

flat colouring + shading

adding small details, colouring the lineart, making lighting prettier, etc. (this one cannot be properly described bc for me it's usually a mess of tweaking everything and nothing until i like the final product)

for lineless stuff i don't have a process - i put pretty colours on the canvas and just,, Pray for the best or smth lmao

it most likely won’t be helpful but i do have youtube channel where i (once in a blue moon) post speedpaints! they might help in understanding what my art process is

and that's it i think? i hope this was useful at least in some way :D it's not the best idea to ask me about any of art related things bc my approach to art can be summarised with throwing stuff at the wall until smth sticks lmao

[reversemoon255]

Figure-rise Standard Angemon

I have a chance to talk about Digimon Reboot again! No, not the series, but the model kit line. For those not in the know, Digimon Reboot is a defunct model kit line from 2010 that did restylized Digimon with a more mechanical design sense. It only had one release, Omegamon (which was later retooled into the first Omegamon in the Amplified line), but had a Dukemon showed off at trade shows (which I talked about in its review), and two other designs that never made it to physical: Devimon, and, you guessed it, Angemon. Now, this one is designed to look anime/art accurate, so it’s nothing close to the mechanized Angemon from Reboot, but it’s still a neat bit of trivia involving this Digimon and its history with model kits.

The Good: Apart from being essentially 1-to-1 with its official art, the build was also quite fun. It’s almost entirely asymmetrical, so apart from the wings, every piece is unique, making the build very non-repetitive. The tassel in particular is very cool, wrapping and connecting around the left arm and right leg, but having a dedicated detach point to improve articulation.

The Bad: While it does have some dedicated engineering to improve posability, it’s not the best. The arms and legs are ok, but the head and wings aren’t great, clashing with each other a lot, so it’s essentially stuck looking forward.

The Details: A lot of panel lining, even over areas I usually don’t, like on the mask and wings. I tried adding panel lining to the subtler muscle details, which added some shading in a few areas (it worked very well on the chest, but not others). I used silver to paint the leg zipper, ends of the Holy Rod, and bumps on the left leg. Specifically for the Heaven’s Knuckle, I painted the inside of the translucent orange hand gold, which created a very nice effect. I did use the stickers on the left hand, because white is hard to paint.

Overall, the better of the two Figure-rise Standard Digimon I’ve built. An excellent asymmetrical build, with some very creative parts usage, and a very accurate final product.

[gubby-gumblr]

art is context. in my opinion, all art actually is is a product of a time and place, an environment in motion, a piece of life copied and pasted into another format to be shared with other people in the hopes of adding, augmenting, subtracting or destroying their experience of the world. this relatively simple ideas seems to have quite a few ramifications that i think are super fascinating to think about.

for one, art if art is context then art is inextricably affected by time. you're going to get a fundamentally different experience viewing the art fresh from the hands of the artist than you would in a museum 400 years after the fact. the stimuli that the artist is transforming are most likely still hanging around you when the art is first completed, and in my eyes this will fundamentally affect the way that you consume said art.

another interesting derivation from this central tenet is that the artist is not the main force behind the art. in fact, i would argue that they have a relatively minor force over their art. after all, if the world didn't exist there would be no sentient blood puppets to put paint on canvases and call it art. the environment, the climate, the political conditions - all of these things are what make the art the art. i would even suggest that we start mandating the inclusion of as much context as possible onto those little art description cards that go next to the work itself and put the artist's name in tiny print underneath.

this also has some implications for the definition of consuming art. to me, the traditional definition of "enjoying art" has been to take in the fine details, admire the composition, and maybe if you don't have to be anywhere soon think about the artist making the art. in my opinion, the "art is context" idea should continue to the media consumption stage. the way you consume this art is a product of your time and your place, and the artist has to come to terms with the fact that no matter how finely crafted their work is, the message will never perfectly get across like they have it in their head. there will always be some lens distortion as the work has to filter through a life lived independently from the artist's feelings and circumstances. perhaps a more finely executed work would stir similar emotions in most, but i'm of the opinion that you can never fully count on a message making it through perfectly. continuing on this idea, one of the ways an artist could grapple with this reality is to include the viewer in the art. create a work that makes the viewer's experience an integral piece of itself, almost leaving the viewer with their own art; a sort of collaboration between themselves and someone they may never have never interacted with (and may never interact with.) this in particular is something that video games and literature do so well; allowing the reader or the player to weave their own input into the fabric of the art and make it something that should be called their own. maybe we should put video game playthroughs on display along side the art itself. this also shines through in fan art, a consummate example of someone taking someone else's work and making it into something all their own. maybe video game playthroughs should be interpreted as fan art?

finally, i would like to also argue that art is, in some sense, nothing. or maybe more accurately art is anything. this, to me, goes hand in hand with the interpretation above. if art is all about the way it's perceived, then anything could be art. how do we define art? earlier i said (very pretentiously) that it was "a product of a time and place, an environment in motion, a piece of life copied and pasted into another format to be shared with other people in the hopes of adding, augmenting, subtracting or destroying their experience of the world," and if that's taken as true then shouldn't anything be art? if i'm moved to tears by a deflated birthday balloon on the side of the road, i would squarely define that as art. i think the only thing separating it from the art we put in a museum is the presence of the artist. perhaps it's even a "purer" form of art without the human hand shaping it, but i'm not sure i buy into that ideology. either way that sad balloon is augmenting my reality and i would like to appreciate it just as deeply as i might a van gogh.

please don't take anything i wrote here as gospel. in fact i bet if you do you will come across as an asshole with a massively inflated ego. this is one way of thinking about art that i concocted at 4 am. outside of optimistically calling myself an artist, i have zero expertise on anything i'm talking about. i'm not a philosopher. dont shoot people and thanks for reading.

angus

[samstudios8108]

Art improvement hell (aka art studies)

I've got nothing to post, so you get all my art studies for faces because I need to get better at unique angles :D

I started by blocking out a face shaped form in my sketchbook, then adding more details. I just wanted to get the general idea of what a face in that angle looked like, so I wasn't all the hyperfocused on anatomy. This worked... kinda... also shout to my "i need to get better at drawing people sketchbook" that I've had for 3 years and only use once a blue moon.

I then tried to get more specific with the form of the face --- what shapes make up a face --- and face lighting. I wanted to understand how to block a face in better. Because I know I'm almost never going to use the knowledge of how far between eyes should be and all the nitty gritty, I didn't care enough to do that. I also did this digitally to get a feel for how I would do this with a more finished piece, since I draw most if not all of my more official works digitally.

The final "page" of this is me doing face angles based off of my memory, and being more stylized. You know it's my art style when any creature I'm drawing has really big ears, cats, dragons, horns on little ghost... people. They all have big ears because I think that feels almost more confident on my part. Anyway.

Also, you get a bonus picture of this saxophone study page from my small, beloved sketchbook. I mainly just because saxophones are cool and I'm a band nerd did this as a practice of interesting silhouettes. And saxophones get the fun bright alcohol markers because ~saxophones~

Finally, to address my posting schedule for the school year for all those who care: honestly I'm going to struggle to post especially for the past couple months. My days are already booked with school, marching band, homework... marching band, so times where I draw are going to be few and far between.

Hope this is at least a little interesting!

[ramshacklestar]

@huiyins sent ||

" Your stars are so pretty! I'm gonna draw it. " Anya exclaims, starting her masterpiece in adding the new girl into the drawing that consists of Agent Anya in a detective suit and Papa holding a silencer and a white lab coat (because he's on a mission!). Papa said her name is "Yoo", so Anya adds the name as well.

After a few minutes, she stands up from her chair and shows it to "Yoo". Unfortunately, the drawing is nothing but full of illegible scribbles and her handwriting lost in the details. The yellow stars, however, do indicate that this one is "Yoo". Anya smiles at her, expecting the praise for bringing life into an otherwise mundane visit to her Papa's office.

"Oh, well thank you." Yuu spoke her face brightening up to the child's compliment and declaration.

Moving her eyes away from the art piece the Anya was working on so it would stay a surprise Yuu found herself welling up a bit as the younger girl reminded her of all the children back home in the orphanage. Thoughts of how they would run up to her excitedly to show her their drawings, day when they would ask her to read to them or possibly teach them how to read or write. Yuu also had a sneakier habit of smuggling treats into the orphanage for the children every once in awhile which had always seemed to upset the nurse-maids of the building as they needed to usual tend to the sugar high that came after.

Yuu was the big sister of the orphanage and honestly she loved the title of big sister and hoped that one day she might become a motherly figure to those that might be brought in at a future point. Shame she was here as Crowley's advocate or else she might stay longer just to live some of those wondrous times with Anya.

Finally looking back at her when Yuu saw movement she looked at the art piece, heart swelling with joy. "Wow that's so amazing it looks just like me you even got the stars right." She praised; so maybe it really didn't look like her and it looked like Anya spelt her name wrong, but that was hardly a concern right now.

"Colorful and beautiful, you did very good." Raising a hand Yuu rubbed it softly against Anya's head.

[erroramended-blog]

Here’s a (partial) process pic for that last piece. It was a heck of a time to make, so that gives me a great opportunity to talk about the process in depth down below!

So the initial idea was that I wanted to explore color and emotion. I wanted to try to depict a panic attack with big bright colors and shapes. So of course I picked Hunter as my victim.

At point one I just did a very quick initial sketch, and at point two I threw some color behind it. Just getting the idea down. Sort of like thumbnailing. Just getting a visual I can reference to see where I wanted to go with this.

At point three I went back to the show and looked at how the character acts and what he does when upset, then used that to explore posing and expressions in point four. (I’ve got shots from one ep up there, but I looked at multiple.)

Clenched teeth, wide eyes, raised shoulders, curled fingers. He digs his hands in his hair. His breathing gets loud and uncontrolled. He shakes sometimes, curls up, and hides his face. I was initially attached to an open mouthed expression because I wanted to try to get a sense of that uncontrolled breathing, but I couldn't make it work. So I went with clenched teeth and later decided that I might be able to indicate trouble breathing with his hand positioning. I have him reaching for his throat in the final sketch. (Side note. These aren’t all the sketches / versions. These are what I thought to save while sketching. I do like looking back on the process so I end up saving a lot of it, but by nature of the work, a lot of it gets drawn over, erased, or otherwise destroyed.) Looking back, if I were to change anything, I maybe would have gone for a more claw like finger positioning on that hand. I did have one sketch where he was grabbing at his chest, but I’ll be honest, I didn’t want to deal with the fabric folds on that one. I also think it maybe would have visually distracted from his face, which is where I wanted the main focal point to be.

I also wanted to try and get a sense of him shaking. I tried to indicate that with the wiggly lines off his shoulders in some of the sketches and with the yellow spikes, but that also was another point I just couldn't make work and had to let go. Though I did try to capture a little of that in the eyes.

I tried a few different eye positions. Looking up, looking down, looking away, looking at the audience. Ultimately I wanted him looking at nothing to give the sense that in that moment he’s not seeing, his in his head, he’s freaking out. So his eyes are pointed off into the unspecified distance.

I liked the scratchy lines for his eyes. It added to that idea of him not really seeing in that moment, and those tightly spaced, heavy contrast vertical lines can kind of have, like a vibrating visual effect. Opinions may vary, but I think that helps give off the idea that he’s shaking.

Anyway, moving on to point five, I took the sketch and started thinking about over all colors and composition again. I was a big fan of the orange and yellow, so I moved on to line art.

Back to the image from the top. Pretty straight forward, just line art, flat colors, then I used overlay and multiply layers to mess with the lighting and colors.

With line art, before I gained more confidence with it, I used to do really detailed sketches and get everything figured out in that phase, then try to copy it exactly. These days I’m more comfortable with it, and I do some of the detailed work and creative decision making during the line art process.

One such decision was the little displaced chunks of hair on the side of his head. I really liked that. I feel like it adds to the story, implying that he was already pulling at his hair on that side. I also like putting little lines near his scar, to suggest that there is like a skin texture difference there, like a raised edge. It gets a bit covered up by the tears later, but I still think it adds to the overall effect.

I also did the tears completely separately from the initial line art so I could have full freedom to mess with style, positioning, color, and everything. I tried a few different combinations of color, transparency, and style, but ultimately liked the bright yellow from the sketch phase and ended up going back to it.

Moving on to coloring. I find it much easier to just start with the normal flat colors, and mess around in filters (sai) / tonal correction settings (clip studio) / layer modes, after or on another layer. I knew going into it I was going to want reds and oranges and yellows, but I need those initial value differences as a foundation to work from.

Easy tip for getting that lighting, fill a layer with a color, set it to multiply (or your layer mode of choice), clip it over top, mess around in filters till you get the shadow look that you want, then erase out the parts light hits.

Now this next bit is where crap started to fall apart.

Initially this was just going to be a bust with a background of expressive shapes and bright colors with the goal of supporting and putting the focus on his emotions and facial expression. But my god, no matter how much I messed with it, I hated it. It looked awful. I saved very little from that process. None of it was worth saving.

So I took a nap.

Then I came back to it with fresh eyes and decided to take it into another direction. I shrunk Hunter down, and decided to give the piece a real background showing the things that were going on inside his head.

I really liked that red, pinkish orange gradient from the previous phase, so I wanted to keep that as a prominent part of the final piece. So I put a dark shape behind Hunter, and I was going to have everything happening inside his head, be inside that shape, and in a different color palette to add to that separation.

These were some of those shapes. This also gave me a really hard time. I tried something organic and loose, something breaking apart, tried looking up references of broken mirrors, nothing was working for me. I thought about maybe scrubbing the episodes to look for a meaningful shape there,( like maybe that wiggly shape the collector made when implying that he thought Belos was going to go off on Hunter. ) But at that point I was getting fed up with it.

So I went and made dinner.

During this process up to this point I was trying to do as much as I could in Clip Studio, because I’ve owned it for over a year now, and barely touched it, and god damn it, it was time to buckle down and learn to use it. But that extra level of frustration in getting used to a new program was completely messing me up. So I went back home to my good pal Paint Tool Sai.

(Sometimes art is a bitch, and you just need to eliminate the other factors that are getting in the way in order to move forward. Take naps, eat, switch mediums, go for a walk. It's productive. It’s part of the process. Don’t fight it.)

After switching back into my comfy program, I busted out a thumbnail sketch of where I wanted to take this. I spent time thinking about what he’s worried about and decided to have everyone being angry with him, and turning their backs on him, and then I had Belos looming tall over it all.

Something I also really liked here is that in establishing a rule that everything within the shape is in Hunter's head, it gave me the opportunity to break that rule in a meaningful way. I did that by having the mask horn break out of the shape, and later had Belos’s coloring transition from the cool palette of his mind to the warm palette of his present panic. I feel like it gave off this really menacing “He’s coming to get you” vibe. And it implies that of all the things he’s worrying about, Belos is a very real very immediate threat.

From there it was just more of the same. I filled in my big dark shape, then I went and found shots of each character in profile, did my sketch, did my lines. Took a while.

Each character sketch was on its own layer so I could have the freedom to move them around in the composition. The bg shape also changed a bunch in order to accommodate everyone's positioning. I didn’t want to put a character under Hunters elbow, and I didn’t want to have Amity be the only one with a full body, so I threw some spikes down there, that pointed back up to the focal point, and threw some shards on the other side of him to try and balance that.

I also wanted to include Luz in the piece, and the upper corners were looking a little empty, so I made space for her. In doing that though I had to balance it out on the other side with something, so that's how broken Flapjack ended up in the piece.

I also ended up with a sort of happy accident with Luz’s placement. One of the points on the shape she’s in ended up overlapping with her cheek in a way that somewhat mimics Hunter's scar. Unintentional, but I just think it’s neat.  

Next up it’s more of the process. I briefly considered leaving it just as yellow line art, I liked the look it had. I liked how it furthered the idea that everything in yellow was just in his head, and I liked how it tied back in the yellow tears, but in the end it just looked too unfinished. So I moved forward with putting in everyone's flat colors, then desaturated the heck out of them, and messed with colors and lighting again. Fading the characters into shadow also proved itself to be a major pain in the ass. I had liked that purple gradient, but with it at the bottom it just made the characters look muddy, so I flipped the gradient to put the dark end at the bottom, then ditched it entirely, and just put some blue behind Belos.

I also learned something new in Sai. I didn’t know you could layer mask a whole ass folder! So that's what I did to fade the characters back, while still keeping everything on separate layers to allow for further editing. (Hooray for non-destructive workflow!)

After that it was just finishing touches. I realized the whole thing had been kinda dark, so I messed with the brightness, contrast and color balance. I also felt like the edges of the piece felt too open, so I threw on a gradient to bring the focus back into the center a little bit. Over all, it was a fun piece and I’m really happy with the results. If you got to the end of this and liked reading about this process, please tell me. I am shouting into the void and I have no idea if anyone’s hearing it. So comment, reblog, reply, say something if you want more of this kind of thing. 

[ashintheairlikesnow]

I’m not sure if you have something planned for this already but wouldn’t it be the height of irony if Tooley got monched on by a starved Chris when he forgot to drug him? Just opens the door and whoops! He eaten!

CW: Whumper death, drunkenness, some dehumanization, blood drinking, bit of gore, vampirism, some very light catholicism

-

New York City, 1936

KING EDWARD VIII ABDICATES THRONE British Monarch to Wed American Socialite Wallis Simpson

Tooley kicks at the sodden, half-frozen newspaper stuck to his shoe, grunting with the effort it takes to dislodge it. His hands are buried deep in the pockets of his thick woolen coat, and he ignores the envious stares of others whose threadbare outfits are patched, whose gloves are little more than rags wrapped around their not-quite-frostbitten fingers.

Instead, he pulls his scarf up higher, tucks his chin beneath its knitted warmth, and finally manages to send the scrap of paper with its water-stained black-and-white image of a stern-faced soon-to-be ex-king and his Baltimore lover into the street, where it sticks in a puddle and soaks clean through.

The old-timers say a heavy rain is coming, citing their aching joints and bones. It's been a wet winter already, and the absolute last thing New York needs is more rain.

Tooley plans to be holed up in his nice warm little house for the whole of it. He's sold three paintings in a month, and he can spend the next few weeks on the next one until his hands want to drop right off his wrists without having to distract himself with petty concerns like money.

The liquor bubbles warm inside him, and even with the frigid air he's broken a sweat along his back, trickling to his waistband, almost a tickle. He stumbles a little, catches himself, coughs out a laugh as the cold air burns deep into his lungs. It can't penetrate the hazy heat of the drink, though.

Mel's always has the best whiskey, and Tooley has the green these days to pay for the very best indeed. He's spent what might be a whole month's pay - if he weren't the luckiest artist in New York - in a single night.

You might say he's made a deal with the devil.

He pulls the brim of his fedora down, shielding his brow from the bit of freezing moisture speckling his cheeks. He struggles not to giggle like a child.

"Got a bit to spare for a hungry man?" A rasping voice calls out from an alley as he passes. "Help me feed my family, sir? I'm out of work, sir! Got three little ones with hungry bellies!"

Tooley ignores him.

There are crowds like that everywhere these days, always pressing for help, for a little something more and more and more. Men out of work, men in bread lines, women with tired faces and sad children. He's had just about enough of it.

They're calling it a depression, and he finds the term apt enough, considering it seems the whole country's been tumbled into a hole and can't find its way out.

He'd take his muse to Europe and paint there if it weren't for the echoing tension that bleeds over across the sea. Every nation he's idolized for their arts is trying to posture at each other. Rattling sabers while the people sigh heavily and keep washing their laundry, like always.

Tooley was a child when the Great War tore his own family apart - losing an older half-brother to the pointless trenches, a father to the mustard gas that ate his lungs to pieces, a mother to her desperate, sharp grief at her husband and stepson's loss.

The War had rendered him alone in the world before he was even twenty, though he'd been too young to hardly understand it and it had had nothing to do with him.

Wars were for rich men to send poor men to fight in, and Tooley is hoping to have enough wealth to maybe just float right past a new one, if the rumors beginning to swirl came true and Europe is going to erupt. Surely, though, no one would let a second war as horrible as the last happen.

Surely not.

Still, even so, he can simply disappear if they try to call him up to fight. He has no one left to lose, after all. No one to fight for, no one to care for. No one but his pretty little model, all locked away, his to keep.

Tooley takes a sharp left and the streets begin to change from the harsher gray of the city proper into neighborhoods, houses crammed tightly together. It's not the best part of town - Tooley's parents weren't the wealthiest, and he doesn't live like a gentleman, he's got no need to, it's not how he thinks a proper artist should live anyway. Have to keep up the image of the nearly-starving creative genius, after all.

There are still lights in some windows, despite the late hour. Tooley isn't the only one drunk at midnight and still moving.

It's a mile or so from the start of his street to where his house is nestled between two others, close enough he could reach out his kitchen window and touch the brick of the home next door. He smiles a little. His nose aches with the cold at the tip of it, but that's nothing to worry himself over.

He's home.

It takes him four tries to unlock his front door, the key jabbing into wood and brass too far to one side or the other. He laughs, breath puffing white clouds into the air, his ears burning with the cold where his hat doesn't quite cover them.

Good thing he's not with a woman, tonight, if his aim's so bad with just his hands.

The thought makes him laugh harder, nearly a guffaw, loud enough that he's sure he's woken a neighbor or two. It's not the first time.

Finally, the key slides home and the lock clicks and Tooley moves inside. The house is chilled in the entryroom, but as he slides his coat and fedora off to leave them on the coat rack and moves into the kitchen, towards the back, he can feel the warmth slowly trickling from the ticking radiators along the walls.

He's due for a coal delivery in the next couple of days, and boy, he's going to need it with the weather the way it's been.

Tooley heads for his perfect little secret, the vampire held in the backroom, once a sort of servant's bedroom for some family that had owned the home even before his own parents did. It's his studio, now, and the place where the little vampire boy is kept.

He unlocks that door, too. A key, a deadbolt, a little sliding lock at the top for added safety.

"Here, kitty kitty kitty," He slurs, and laughs again, delighted at his own little joke.

There's a scrape and a rustle, and Tooley steps back to let the vampire boy move forward, out of the freezing unheated room - Tooley only turns the radiator on in there when he himself is working, it's not like dead things care about being warm after all - and into the kitchen proper, with its little two-person table.

The boy is looking dirty - he's due for a bath, long overdue honestly. Good things he doesn't sweat enough to stink.

His hair hangs lank in his eyes, closer to dark copper than the new-penny shine Tooley prefers. There are smudges along his cheeks, marring his perfect freckles. He's draped in a sweater patched badly where his elbows have worn holes right through, pants that are tied with a rope since Tooley sure isn't going to waste money on a belt for a corpse.

"Is, did, did you, um, did you bring me food?" The vampire boy looks up at him, eyes glinting a little in the dimness, that unsettling cat-like glow-in-the-dark effect. His little fangs flash, too. "I'm... I'm, I'm hungry, Tooley."

"I know you are, bloodsucker."

"It's, it's been, um, it's been weeks, Tooley-"

"I know, I know. Shut your trap." Tooley ruffles his hair, then pulls his hand back with a grimace as he remembers how dirty and greasy it's gotten, walking away to go to the sink and wash his hands. "We'll get t'that. I met with someone very important at th' bar tonight, and first things first, you and I are going to celebrate."

The boy moves slowly, staying half-crouched - he's been hit before, when Tooley didn't want him to stand all the way up. He settles himself against the wall, head tilted to the side. His cheekbones cut sharp angles in his face, edging down to his narrow chin.

Those big green eyes follow Tooley everywhere he goes.

"Celebrate what?" He asks, and Tooley wonders just how old the ridiculous little thing is. He'd said early aughts, hadn't he, on when he was turned? So he'd be, what, in his forties really?

Funny.

Was he locked up during the Great War?

He's still a pretty teenager, but he's probably closing in on fifty. Tooley's twenty-some years younger and looks infinitely older, in his own estimation.

Tooley should look into vampirism, seems an excellent way to hold onto your looks, doesn't it? He wonders if the boy knows how to turn him. They could make beautiful work forever...

Hm.

Something to ruminate over when he's hungover in the morning.

"New commission. I'm taking a few weeks off, give us both a break, but I've got the basic details. I'll pick up a broad, get her all set up for modeling, we'll make us a mint, sweetheart." He moves to the counter, picking up the half-full bottle of gin he keeps there, taking a swig and grimacing, coughing. There's a rattle in his lungs these days he doesn't like much.

"You'll, you'll kill her?" The vampire watches him. He looks hungry, with all those sharp lines emphasized, as though he were a painting himself still in progress, with the outline still written in graphite showing through the colors. He's pale, painted in wash, not yet turned to vivid velvet intensity with oils.

"'Course. You think any of my models would stay alive anywhere near you?" He laughs at the very idea, missing the vampire's little flinch as he turns away. He pulls a loaf of bread from the breadbox, already starting to stale but that's all right, he's going to toast it over the stove anyway. The world swims around him from the liquor, and he catches the counter with one hand to keep himself upright.

The feeling brings another laugh out of him.

The little vampire smiles faintly in echo of it. He has to work to get the stove to gas, narrowing his eyes as it struggles, sputters, before finally a little flame flares up. Just enough to give off a little heat for the toast.

"Fuck. Drank too much. Or not enough." He laughs again, and pulls a knife from the knifeblock, the sharp serrated thin blade best for slicing through the heavy sourdough he buys from a woman down the block. Bit of toast, pat of salted butter, that'll get him through to morning when he can head down for eggs and bacon at Paulie's diner.

Maybe he'll even buy some extra for the hungry men who hound around the doors. He can be a philanthropist.

As he slices, the knife slips off the stale, hard crust and cuts right through the back of his hand, a long line immediately welling with bright red blood. He groans, irritated, and sets the knife down, turning to run cold water over it as the pain flares bright, but slightly muted from his drunkenness.

There's a rustle behind him, and Tooley's mind only belatedly begins to allow alarm to trickle through the warm fuzz of the gin and whiskey. He slowly turns around.

Where the vampire boy had been curled against the wall, a bundle of skinny bones and too-big clothes, there's... nothing.

Tooley glances to one side and sees the boy crouched on the floor by the edge of the lower cabinets, his hands pressed into the ground. He moved five feet in less than a second.

His eyes are flared, wide and with pupils burying the iris in black. He clicks, softly, tongue against teeth in an inhuman way.

Click-click-click-click.

click-click-click.

How'd he move so fast?

"Shit," Tooley whispers. "When's the last time I fed you?"

The vampire doesn't answer, only stares, unblinking, muscles tensing and relaxing, tensing and relaxing. He clicks again.

His lips pull back from his teeth and those fangs that seem so cute and little on every other day suddenly look long, like daggers, dripping a shimmering venom to the ground.

Tooley tries not to blink, too, but his eyes dry and dry and dry and eventually he can't help it. His eyes close, a fraction of a second, and flare open right away.

Not fast enough.

The vampire leaps and Tooley grunts at the impact of the small bony body against his own, his lower back smacking into the line of the counter with a flash of pain. The bread and knife both clatter to the ground.

Panic comes, but it doesn't help. He's still groping to get at another knife when the vampire's fingernails dig into his scalp, grip into his hair and jerk his head to the side to bare his throat.

"Hungry," The vampire boy hisses. "Hungry, Tooley. Hungry."

"I-I know, just, just don't blow your wig, gimmee a minute, I can get you something, just hold on-" Tooley's voice is thin from the harsh angle his neck is being held at, and he swallows, seeing in a bleary haze the way the vampire's huge eyes are focused on the movement of his adam's apple, the bob of his throat.

Can he see the blood pulsing there?

He puts his hands up against the vampire's chest to try and push him off, but it's like pushing against rock. He thinks about painting the vampire as a kind of young Prometheus for a dandy from Boston, tied naked to a rock to be pecked at by eagles, and wonders if the mythological man ever tried to push the rock itself, and if it failed as miserably for him as it does for Tooley now.

"There's blood in the shed out back, just let me go and I'll grab it for you." He pitches his voice soothing and slightly patronizing, like speaking to a whining dog. "Okay, kitten? Just two minutes and you'll be fed, right as rain."

The vampire pauses, hesitates, and Tooley feels his hands working at Tooley's hair and one shoulder, like a cat kneading into your lap before they settle. His little stray. His breathing starts to ease, his heart to slow down, the first rush of panic subsiding.

The world still spins a little, but the rush of adrenaline is settling things into something more solid, wiping away the liquor.

"I'll put you back in your room and go get it for you, it's right outside, good and cold," Tooley coos, and realizes too late it isn't what he should have said.

"There's blood right here, and and and, and, and it's living," The vampire boy says, eyes wide and inhuman, and he's absolutely gorgeous. "Your, your, yours is hot."

Tooley would paint him like this, all feral instinct overwriting the living corpse of an anonymous Irish immigrant who died dozens of years ago. A metaphor, maybe, for the way some of the children who come here lose all their European culture and get boorishly American, and-

The vampire bites down, and all thoughts of art and culture flee from Tooley's mind.

The liquor holds off the pain so long the venom hits before he even feels the way those sharp teeth have breached his skin. He goes limp, dropping in a heap to the floor. He thinks he hits his head on the loaf of bread before it knocks into the floor.

They feel about the same level of hardness.

The knife is right next to his head, lying there, shining in the yellowed lamplight, with its carved wooden handle.

All he has to do is move his hand a few inches to reach it.

Just a few inches.

He tries, desperately, to tell his fingers where to go.

The vampire sucks hard at the wound in his neck, pulling blood from his veins like a man drinking an egg cream after a long hot day's work, and Tooley groans. He can feel the press and pull without the pain, and it's the strangest thing he's ever felt. Stranger than those he's gone to bed with.

The venom makes his limbs feel like stones, weighed down to motionless. He struggles even to swallow saliva, to take a deep breath. His heart never races again with panic. He isn't able to feel it any longer.

Those sharp little fingernails dig hard into his shoulders, the weight of the vampire settled on him, straddling him. A little flirty thought - at least buy me dinner first - makes its way across his mind, barely coherent, slow as molasses.

The vampire starts up his soft rumble, the vibration filtering in through into Tooley's body. It seems like it makes him feel even more frozen, heavy as the ocean and weightless at once.

His eyes are on the ceiling, and he realizes how long it's been since anyone cleaned the corners where cobwebs have grown and grown. They need swept away.

Funny how he never noticed before. Too busy with his art.

There's a moment where Tooley is surprised to look down at himself, as if he's floating somewhere near the ceiling staring down at his own open eyes. When he needed not to blink, he couldn't stop himself, but now the body he is looking at just stares and stares and stares, unseeing, unblinking, unbreathing-

Oh.

As soon as the realization hits, Tooley's awareness of himself as a body he can observe is gone.

There is darkness, and then a point of terrible final light. He feels the grasping of bloodied hands.

And he's gone.

The vampire drinks until the blood stops pumping, until the heart beneath his kneading hand is still. Then a rough tongue laps at the wounds, finding the last few droplets there that still sing with life.

The vampire pulls back, skin flush with life, no longer white as snow. His freckles stand out, scattered like constellations of stars over his skin. The dead man beneath him has all the paleness he had before, they are switched, swapped death for life.

He wipes the blood from around his mouth and looks slowly upwards, breathing in deep gulps he doesn't need but which feel so, so good.

He moves to the stove, to turn it off, but he doesn't quite turn it off all the way. An odd smell fills his nose and the vampire's nostrils wrinkle, but he doesn't know what the scent is, and he simply pulls Tooley's coat on before he leaves, door unlocked.

A few minutes later, a man with his hands over a barrel fire looks up to see a redheaded teenager in a woolen coat far too large for him move under a streetlamp, pausing to look up at it as if surprised by how bright its light is.

He blinks, and the man squints.

The young man's mouth is open, as if scenting the air by letting it roll over his tongue. Before the man can quite understand what he is looking at, the boy's mouth closes and he turns to look at the man. As his eyes shift from being lit by the lamp to draped in shadow, though...

They glow.

"Jesus, Mary, and Joseph," The man whispers, crossing himself hurriedly. "Saint Michael the Archangel, defend us in battle, b-be our protection against the wickedness and snares of the devil-"

The boy looks right at him, head tilted. The flames of the barrel flicker, hissing a little when raindrops start to fall. His lips pull back from his teeth and there are an animal's fangs there, plain as day.

The man feels pure horror at the sight of a demon walking free and unfettered in New York City. He grabs at the cross he wears around his neck and holds it out, his voice trembling. "May G-God... rebuke him, we humbly pray-"

"I, I, I hope that works for you," The boy says, and his voice is soft, and there's almost a lilt of the old country there that the man recognizes, not quite his own but not far off. "It never d-did for, um, for me. Don't worry. I'm... I'm full. You're, you're, you're in no danger from me. When, when, when, when... when did you come here? To this place?"

The man swallows around a lump in his throat, and yet he finds himself compelled to answer honestly. "Two years past, give or take. Came with m'wife and baby girl."

"From where?"

"... Kerry," He says, against his will. He can't seem to hold back the words. "And my wife grew up in County Cork."

The boy smiles, and his horrid teeth disappear when his lips press together. He looks for all the world like any other young man, a bit skinny perhaps and in need of a good meal or three, but no danger to anyone.

But the man has seen the demon that he is, and he finds himself grateful for the fire between them and the cross still in his hand, the shield of St. Michael and the cloak of Christ Himself.

"My, my, my, my parents were from County Cork," The demon boy says, lightly. His lilt is slightly stronger. "Wonder if we're cousins, your your wife and I. Maybe so. Stay home, um, after dark. Don't, don't, don't work when the sun is, um, is down."

The boy turns and walks away.

The man realizes with a start that in the midst of a chilly December night, the boy's feet are utterly bare. He steps over ice like he could walk on water.

There was blood smeared on the back of his coat.

The man flinches as he hears a sudden boom, close enough that he feels it in his chest as well as hearing the sound. A moment later a woman runs by shouting that a house has caught flame, to call for help.

The man looks back at the way the boy went.

He's gone.

-

@mylifeisonthebookshelf @insaneinthepaingame @keeper-of-all-the-random-things @burtlederp @finder-of-rings @newandfiguringitout @astrobly @endless-whump @pretty-face-breaker @gonna-feel-that-tomorrow @doveotions @boxboysandotherwhump @oops-its-whump @cubeswhump @whump-tr0pes @downriver914 @whumptywhumpdump @whumpiary @orchidscript @nonsensical-whump @outofangband @what-a-whump

[kstewdeux]

For a span of a minute that felt like an eternity, the entire world focused in on one singular point. A small painting. It’s edges well worn. Finer details faded and lost due to the passage of time but otherwise, in shockingly good condition.

But for all it’s antiquity, there was no mistaking the young woman who had been depicted. Whoever wrote the small exhibition label had simply labeled it:

Unidentified Artist, Japanese

Late Tokugawa Shogunate, Edo Period, 1853-1867

Young Woman

Painting on Parchment

H. Nakamura Trust, 88.251

According to the small blurb beneath the exhibition label, this tiny piece of parchment, clearly kept over the past century with meticulous care, had - at some point - apparently been studied by scholars to prove it was genuine. A fact that had been in dispute because the style diverged so greatly from art styles of the period but Kagome knew what the artist had been trying to do.

A photograph. He’d tried to mimic a photograph. Not perfect by any means but as close as someone in that time period could get. Which was shocking given (a) she had no idea he could draw and (b) that he would’ve taken the time to draw her.

Jaw trembling, Kagome had to remind herself to breathe. A task made more difficult as her friends joined her and began commenting on how the girl in the drawing resembled her.

Of course it did. It was her.

Her blurry vision flicked to the date and what registered felt like something cold was crushing her heart. If this ‘unidentified artist’ was him, Inuyasha had survived their quest and lived hundreds of years clearly hoping to see her again. At some point, he must have realized he simply wasn’t going to make it and…

Exhaling shakily, Kagome swallowed and decided it would be easier to simply leave. She was getting worked up over nothing. It was entirely possible that all of this was a coincidence. That she was reading too much into it. After all, Inuyasha wasn’t an artist by any means and most certainly would not have spent hundreds of years thinking about her. They were friends. Just friends. Unless something changed, which seemed unlikely, he had no interest in being with her that way. Besides, surely there were other women who looked like her throughout history. Everyone had a doppelgänger, right? Hers just happened to be some random woman in 19th century Japan.

It was just a painting of her doppelgänger.

Hopefully. Hopefully that’s all that it was.

“I have to go,” Kagome mumbled hoarsely as she took a step back and tore her eyes away from the painting, “I need to go.”

“Are you feeling okay?” Yuka asked worriedly, “Do…”

Unable to hear anything over the ringing in her ears, Kagome’s eyes wavered as they flicked back to the blurb that, upon closer inspection, described the other sketches and accompanying notes that detailed the artist’s ‘love’ for the young woman depicted. Various photographs of said notes had been attached slightly below said blurb and one of them had her shaking her head in mild horror.

‘I will not know your name next time we meet…’

“I need to go,” Kagome repeated breathlessly before turning on her heel and damn near running for the entrance. After that, she wouldn’t’ve been able to tell you how long or far or even which direction she ran from the mental image of an elderly Inuyasha writing out those notes he had to believe she’d never read. It might not even be him. Couldn’t be him. He didn’t draw. Couldn’t say something poetic much less write it. It had to be a coincidence. Just a coincidence but the image continued playing in her mind until she was blinded by tears. He died alone. Even…even if she did end up with him, she would’ve been dead by the time he wrote that. Long before he even picked up that brush. It…it…

It was all becoming too painful to even imagine.

Coming to an abrupt halt, Kagome clutched at her chest and used the side of a cement building for support. Inuyasha died over a hundred years ago and while that made sense, the realization that all her friends had died sometime in the past five hundred years hit her with all the force of a Mack truck.

Whimpering softly, her legs gave out and she slid down to the cold sidewalk. It was a coincidence. Just a coincidence. The probability of it all…

Well it just wasn’t possible. It couldn’t be him. It just…

“There you are,” came a hoarse, relieved whisper from far too close before two strong arms scooped her up and pulled her off the ground, “What happened? I’ve been looking everywhere.”

“Inuyasha?” Kagome mumbled stupidly before she whined and pressed her face into the corner of his neck - a gesture which had him stopping and doing something strange. His face turned slightly and buried his nose into her hair.

“What happened? I can’t fix it if you don’t tell me what happened,” he chided anxiously as he gave her a light squeeze, “You hurt?”

Opening her eyes, Kagome glanced around the dimly lit streets and realized how late it was. No wonder he’d come after her.

“M’fine. Got lost is all,” she lied lamely and she felt him inhale deeply then sigh.

“Bullshit. What happened?” he asked again before adding in a clear attempt to get her to smile, “I don’t mind killing people ya know. If someone hurt you, I’ll make them pay, ya know, if you want.”

“Nothing happened. Just got lost on my way home,” she mumbled and with a somewhat exasperated grunt, Inuyasha continued walking again.

“You’re a terrible liar and an idiot,” Inuyasha opined firmly - adjusting his hold on her and shaking his head, “You could’ve gotten hurt out here by yourself, stupid. Anything could’ve happened.”

“I was…”

“Sometimes I swear you’re trying to get yourself killed,” he continued chiding as some of his anger began bubbling to the surface, “What would’ve happened if I didn’t come looking, huh?”

“I said I’m sorry,” she protested weakly - her nose subtly nuzzling the flesh at the base of his neck, “I…”

“Sorry isn’t good enough. You need to do better,” Inuyasha snapped angrily before pausing mid-stride and sighing, “I swore to protect you but you make it so…so hard sometimes. And you don’t even care. You just…just go around getting kidnapped or disappearing and…and getting hurt when I’m not looking.”

It was strange but hearing his voice berate her and feeling his irritated breaths actually improved her mood considerably.

“I waited. Like an idiot I waited for you to come back from that school thing of yours instead of coming to get you like normal but…but then the sun went down and…” Inuyasha continued to huffed and grunt while his arms held her slightly tighter, “I can’t be there all the time dammit. I can’t. I’d like to be but…but I just can’t so…so you just have to fucking do better.”

Lifting her head slightly at this strange command, Kagome studied his face for a moment before leaning forward and absently placing a kiss on his tense neck. Inuyasha went stock still and then rigid but she couldn’t find it in her to care.

“I’m sorry I scared you. I’ll do better,” she promised tiredly as she pressed another lazy kiss on his shoulder. At least in this moment, he was alive and loved. Right now, he wasn’t alone drawing paintings and writing notes to someone who was either dead or hadn’t been born yet. And while true that the ‘unidentified artist’ was probably anyone else, that mental image of it being him continued to haunt her.

Taking a deep breath, Kagome stubbornly told herself that the ‘unidentified artist’ couldn’t be him. It simply wasn’t possible. For so many reasons.

“You kissed me,” Inuyasha finally blurted and mercifully distracted from her inner turmoil, Kagome hummed in the affirmative. A second passed then two and he forced out a strangled, “W-why?”

“I wanted to,” Kagome offered tiredly as she focused on the feel of him and the knowledge that, as of this moment, he was very much alive. And yes, now that she was a little calmer, it was fairly obvious that the ‘unidentified artist’ wasn’t Inuyasha. He didn’t think of her in that way. Never had. Never would. They were friends. Best friends. But he loved someone else and had made it very clear he wasn’t interested in her that way.

As Kagome continued talking herself down, Inuyasha remained motionless for a long time before he finally began walking back towards the shrine. Slowly. Every so often he’d pause and take a few short breaths like he wanted to say something but stopped himself.

“Why did you want to?” he finally asked hesitantly as he turned a corner, “If you don’t mind me asking.”

“Because you’re you,” she mumbled as her consciousness began ebbing. With a soft sigh, she relaxed more fully against his warm chest and offered up an additional explanation, “It made me happy.”

This response clearly bothered him judging by the increased tension in his muscles.

“Why did kissing me make you happy?” he pressed after another long moment of silence.

“Dunno. Why do you think it…” Kagome trailed off into a yawn and Inuyasha let out a small groan.

“I don’t know. That’s why I was asking,” Inuyasha interrupted with a huff of frustration, “You always make things hard. For no reason.”

Instead of getting angry, Kagome simply cooed and snuggled into him which seemed to both bother and calm him.

“You’re so stupid,” he continued to grumble as he adjusted his hold, “Ask a simple question and you just…act like you.”

“How else am I supposed to act?” Kagome hummed with mild amusement and Inuyasha grunted.

“Whatever. You need to sleep,” he changed the subject miserably as he finally made it to the shrine and began climbing the steps, “But don’t think I’m gunna take it easy on you. I’m serious. You can’t do shit like that again. You could’ve gotten…”

“Will you stay here tonight?” Kagome interrupted tiredly and Inuyasha once again stopped mid-step. His hands flexed against the flesh they were gripping as he licked his lips and averted his eyes.

“Only if you tell me why you really kissed me,” he repeated his earlier question - before continuing with an unease tinged with hope which surprised her, “I think I deserve some answers after the stupid stunt you just pulled and if you’re trying…if you did that to just…just distract me, it won’t work. Won’t change nothing. You still gotta be less stupid.”

“I did it because I wanted to,” Kagome repeated before gasping when he suddenly set her down and glared.

“Well what if I didn’t want you to?” Inuyasha huffed - something strangely hurt behind his expressive amber eyes, “You’ve never tried to mess with me before. Never. And…and do you have any idea how scared I was when you didn’t come home? I searched for you, Kagome. From the…the 6 to the 9. Do you know how hard it is to track scents here? To listen for you? It’s a literal miracle that I…”

“I said I’m sorry,” Kagome insisted and Inuyasha looked even more hurt. Breathing heavily, he visibly tried to control whatever reaction was brewing under the surface but unfortunately, his confusion and hurt bubbled over.

“I DON’T WANT AN APOLOGY!” Inuyasha bellowed - his hurt escalating into full blown anger with such speed it nearly gave her whiplash, “YOU COULD’VE DIED. YOU COULD’VE BEEN HURT! AND I’M NOT SO DESPERATE THAT A STUPID KISS IS GUNNA MAKE ME FORGET THAT! WHY DID YOU KISS ME?!”

“I kissed you because I wanted to kiss you!” Kagome snapped and Inuyasha looked a hair away from strangling her.

“THAT’S NOT AN ANSWER! YOU’RE JUST TRYING TO COVER YOUR ASS AND…” Inuyasha began to rail against her once more and it was at that point Kagome’s mind officially hit It’s breaking point. He wanted answers, huh? He wanted to know why she ran and why she kissed him and why she was so upset?!

“FINE! KNOW WHY I DID THAT?! BECAUSE I LOVE YOU!” Kagome screamed bitterly and Inuyasha froze like a deer in the headlights, “I KISSED YOU BECAUSE I LOVE YOU! THERE! HAPPY?!”

When Inuyasha continued gaping at her with a shell-shocked expression, the full ramifications of what she’d just admitted hit her like a ton of bricks.

“Forget it,” she breathed miserably as she turned and unsteadily began climbing the stairs with her arms curled tightly around her stomach, “I’m sorry, okay? I won’t do…any of that again. Just forget what I said.”

“Wait. Wait,” Inuyasha’s strangely panicked voice called out - a single clawed hand gripping her shoulder to force her to stop, “I don’t think I heard that right. W-why did you…”

“Let me go Inuyasha,” Kagome hissed but the hand didn’t release her.

“C-can I tell you w-what I heard?” he asked with a mixture of fear and desperation, “A-and I could be wrong but I just…”

“You hear everything Inuyasha,” Kagome huffed acidly as she pushed away his hand with all her might, “You heard what I said…”

Even as she climbed the stairs, she could hear his harsh rapid breaths which honestly had her moving a little faster. Everything was ruined now. All because of some stupid little painting that she’d just…

“You…you said you…you loved me,” he repeated barely above a whisper, “Right?”

Closing her eyes, Kagome let out a long sigh before squaring her shoulders and deciding to face her mistake head on.

“I do love you but I don’t…” she began as she turned to face him before being cut off when a pair of lips captured her own. Two strong arms snaked around her waist for but a moment before his calloused hands suddenly cupped her face in an effort to force her to respond.

When she finally did and when he finally pulled back, his slightly euphoric expression faded into mild horror and panic.

“Y-you said you l-loved me back, r-right?” he asked worriedly as he released and took an involuntary step back, “That’s…that’s what you said. Two, no, three times. You said that…”

“That I loved you…back,” Kagome repeated slowly and Inuyasha gave a jerky nod in response.

“That’s what you said,” he insisted miserably - his amber eyes flicking in the direction of the well, “So…and I mean, you did start the…the kissing so I…and you were an idiot. Scared me half to…”

“Know what? That is what I said,” Kagome hummed in a resigned fashion as she reached out and gestured for him to take her hand, “Come on. Let’s go inside. It’s late.”

Swallowing thickly, Inuyasha eyed the beckoning hand with weary apprehension before accepting the gesture and allowing her to lead him into the house. And up the stairs. And into her bedroom. And then onto her bed. A bed upon which he found himself awkwardly waiting while Kagome proceeded to change and get ready for the night.

“Where are you gunna sleep…” he began nervously when it finally dawned on him that she seemed to be intending for him to sleep on the bed. That’s where she led him and where she told him to stay after all. Which was strange but it had been a strange night. Maybe she was trying to make him feel better. Do him a favor?

“In the bed,” Kagome hummed as she ran a brush through her hair and gave him a warm smile. A smile that faded when he stood up and began nervously glancing around with a marked blush.

“Inuyasha, where are you going?”

“You’re gunna sleep on the bed,” he muttered as he prepared to sleep in his normal position on the floor, “And you…well I was gunna…”

“If you want, you can sleep in the bed with me…”

Amber eyes widened as a single impulsive ‘oh’ left his lips but instead of sitting back down on the bed, he remained standing and staring at her with that same shell-shocked expression.

“Is that…okay?” Kagome asked nervously.

Seeming to come back to himself, Inuyasha nodded fervently and quickly sat down atop the mattress.

“Y-yeah thats…that’s…yeah. Yeah. We can do that…”

That night was the first of many nights he spent cuddled up against the woman of his dreams. Letting the warmth of her body span the length of his own as he relished in the knowledge that somehow this woman loved him. How, when or even why didn’t matter. She loved him back and that first night, as he held her small frame against him, he very nearly cried in relief. Honestly, before that night, he had already decided he was going to let her go rather than say anything. There was no way she’d ever love him back, he’d reasoned. No one would ever want to be with a half-breed, right? He’d never been so happy to be wrong.

Weeks went by after that and the funny thing was, when Kagome absently mentioned the painting from the museum to her friends over lunch, none of them had the faintest clue what she was talking about. All they remembered was her leaving in a rush. While Kagome chalked this up to the art not being memorable to anyone else, the truth was that no one else would ever remember this art because it simply never existed.

The second she’d admitted her feelings - emotions he fully reciprocated but had suppressed - all those drawings and notes faded from the annuals of time because that painting- which had been loaned to the museum by a well meaning unrelated widow who thought the unique artwork would make for an interesting exhibit - turned out to be a butterfly which was inadvertently crushed. As the years rolled on, Inuyasha never needed to paint something to bring him comfort in the midst of crushing regret and loneliness.

Why would he?

Thanks to a merciful series of events, he woke up to his favorite smiling face every day for the rest of his life.

[glorified-red]

Damian Wayne’s Love Language

word count: 830~

warnings: none

At this point I might as well do the whole ass family while I’m at it jfc

Go check out the other Love Languages of the family: Tim | Dick | Jason

Without a shadow of a doubt, with absolute certainty, Damian Wayne’s love language is 99.99999% time

Maybe a little hint of acts of service... like 0.00001% 

You can not look me straight In the eyes and tell me that Damian would use words of affirmation with his s/o, it’s just not like him at all

He’d probably develop some sort of term of endearment for you like “beloved” or “my love” or something from another language, but that’s all you’re really going to get from him, maybe a few heartfelt moments here and there but it is definitely not a common occurrence to have Damian outright say ‘I love you’

Damian is one to give gifts though, tiny obscure gifts that definitely surprise you each time

For your birthday he bought you a clock that spelled out the time, those ones that have all the numbers spelt out and depending on the time depends on which word is illuminated, completely random but he was quite fond of the idea

Or one of those necklaces that open up to a piece of his own artwork, super tiny but he spent hours painting out the details just for you so you could wear it and open it whenever he wasn't around

He obviously got you a watch that sent him your vitals because of course he did, he made sure to at least get it in your favorite color though

So yea, gift giving is definitely a strong contender for his love language but I'd say acts of service is second place while gifts is third

Acts of service for Damian usually sticks to simply making sure you’re safe and healthy rather than actual tiny domestic acts like Tim

Tsking at you when he notices you’ve been pent up in your room for too long without a snack break

He’ll toss a bag of pretzels into your lap and make a comment about how tense your shoulders are  if you tell him to help you out with that, he won't hesitate to roll his eyes and give you a massage

Holding your cup for you while you go to the restroom at a Gala but he’ll probably  demand  ask to walk you there and stand guard at the door “for safety reasons”

First place language though? Damian loves to spend time with you, he can never get enough of your company

He’ll probably sneak into your room late at night just to sit in silence and be near you while you get ready for bed, cleaning his sword blade while you brush your teeth

It’s not only comforting but he likes the idea of being comfortable with someone without having to force a conversation

At one point, deep into your relationship with him, Damian finally trusted you enough to show you his secret art room, filled to the brim with expensive supplies and canvases on top of easels

The only other people who have been explicitly invited into the room have been Dick and Alfred, so this was a huge deal for the two of you

Besides the point though, the main reason he invited you to the room was because he wanted to paint with you

Nothing extra, just the two of you painting and spending quality time with one another, a relaxing day for him because there was no pressure on him except enjoying your company

One thing to know about Damian though, is that he is exactly like a cat in some ways

Cat’s will hide their affection but will easily sit in the same room as you because of pure ‘coincidence’ 

Damian does that. a. lot.

You’re making breakfast with Alfred? Damian suddenly has a craving for a protein bar and has to make a stop to the pantry

You told him you had to go to Panera/Starbucks to do your work? Suddenly Damian is sliding into the same booth as you, if you ask about it though? He’ll just say he wanted a salad or had some homework

The real reason is the fact that he wants to be near you, no need for physical touch or conversation, time is all Damian really wants from you

He’s also been known to train with you, teaching you different techniques on how to handle yourself, he always says that its for your own protection but Dames is just worried about you  plus getting to adjust your grip on a katana is an added bonus

Whenever you pop down into the bat cave and watch him train? OH BOY

Damian will work ten times harder in your presence because baby boy has an egoooo

And the fact that he knows if he works extra hard you’ll make sure he rests and eats something afterwards

He wants your attention but respects your boundaries and lifestyle, that's why Damian is more than content with simply being in the same room as you

Taglist ♡

@idkmanicantenglish

@anothertimdrakestan ​

[gwynrielendgame]

Gwyncien part 3

Idk if y’all will like this one as much. It’s kind of a filler but it took forever to write so I’m posting it anyways. I’ll tag people who have asked below.

Gwyn thought she might puke and it had nothing to do with Lucien's winnowing abilities. She never thought she would feel so nauseas especially after the blood rite. She supposes that the imminent fear of death had her more distracted from her typical anxieties. Now that she could focus on the fact that she was actually leaving Velaris, she felt sick. She grabbed onto Lucien harder and closed her eyes tightly. What felt like hours later, although it was truly only a minute or two, Lucien spoke.

"Welcome to the band of exiles." She opened her eyes to a surprisingly large castle. She was not sure what she expected, perhaps an abandoned cabin, but the building was spectacular and beautiful.

"Jurian and Vassa are excited to meet you." Lucien added as they continued to stand out front. It appeared that he would allow her to stand here for as long as she needed. She knew that if she demanded he take her right back he would. His words finally caught up with her brain that seemed to be running a mile a minute. Why would his closest friends be excited to meet her she thought. It made her anxious for the first time. Perhaps she mistook his friendly countenance for something less than it actually was. She would address it later. She began walking towards the door, mumbling under her breath.

"Let's get this over with."

"That's the spirit!" Lucien inserted much more enthusiasm than necessary into his tone. He grabbed her arm and laced it through his which had her feeling very grateful. Her knees were shaking as she walked and she knew he could tell. Gwyn felt the need to remind herself that he had a mate. She wondered if he would be desperate enough to make a move on her. A large, beautifully decorated foyer greeted them. Two very beautiful people stood in the middle of the white marble floor. Gwyn tightened her hold on Lucien when she saw the new male, stopping them mid-walk. She started her mind-stilling technique as the anxiety clawed at her chest and throat. She would eventually have to face men if she ever wanted to get her revenge. She could not allow a few measly physical reactions hold her back. She took one last deep breathe and then continued walking towards the couple. She spent less time analyzing the female, but from what she saw Gwyn knew she was beautiful. She also had red hair, however, Gwyn's hair was more of a copper/bronze red while Vassa had a deep maroon red. Gwyn kept her eye on Jurian though.

"You are making her nervous, standing there like two parents ready to scold their children." Lucien reprimanded his friends with a roll of his eyes. The female waved his comment off, completely ignoring him. Gwyn did not miss the look they shared, however.

"I am Vassa and this is Jurian." She gestured to the male next to her. "It is a pleasure to meet you. I have heard so much about you." It unnerved Gwyn that the few interactions that she had with Lucien warranted Vassa knowing much about her. She did not think much on it as she continued to watch the beautiful male. He had hair cropped short to his head and a deep skin tone. His looks were not what had her distracted though. It was the weapons. Gwyn found it unnecessary for him to require weapons while meeting with her. Instead of exchanging pleasantries like socially integrated Fae would, she began her questioning.

"Why so many daggers?" She gave him a scathing look while cocking her head to the side. He would not manipulate her into believing anything but the truth and she wanted that to be conveyed in her facial expression. His eyebrows shot up into his hairline as if he were surprised.

"I could ask you the same question." He threw back at her with a smirk. It only infuriated her more. He could not tell she had daggers on her. She was wearing a cloak over her priestess robes with silver majesty strapped to her thigh. There was no possible way he could see the outline through her clothes. She narrowed her eyes and waited for him to respond. The staring contest was only broken when Lucien cleared his throat and Vassa nudged him.

"Fine." Jurian conceded with a smile. "Vassa is woefully bad at handling anything sharp, so I have taken on the role of her protecter while soon-to-be high lord is out and about." Both Vassa and Lucien seemed annoyed by his explanation. The anxiety began to loosen in her chest though. He was not completely trusted, but in this moment he would not attack.

"Gwyn." Is all she managed for an introduction. It seemed good enough for Lucien because he began leading her off to the side of the room towards a grand staircase.

"I will be showing Gwyneth her room and then we can talk." He threw over his shoulder. She held onto his arm all the way up the long staircase and through an even longer hallway. She laughed internally at the size of the mansion considering only three people resided here. A thought occurred to her when they finally came to a stop at a door.

"How many people live here?" She finally let go of Lucien and took a step back.

"Just us three. And now you. Occasionally we have a guest or two, but I will give you ample warning before that time. This will be your bedroom here. Mine is right across the hall if you need anything. There is a lock on the inside, but if you would like I can show you how to set up some furniture to keep the door from opening at all." Lucien gave her a small smile. It made her soften towards him even more.

"Thank you. I appreciate that. I appreciate all that you have done for me. Truly. I cannot say thank you enough." She gave him a short hug to convey her gratefulness. He returned it, hesitantly. His touch was feather light. As though he did not want to touch her and make her uncomfortable. She stepped back towards the door once more and began to walk inside.

"I will come get you before dinner. You have a full wardrobe to pick from in there if you would like to change. If there is anything you require, just ask." Gwyn nodded and then he was gone.

The first thing Gwyn noticed was that the satchel she packed earlier before leaving was sitting on the bed. She had been so nervous about everything else that she had not even realized it was missing. Gwyn continued to survey the room. It was beautiful. The decorations reminded her of the night court. Lucien really did pay attention to the smallest details. Gwyn truly believed Elain was an idiot for not giving Lucien a chance. The bedding was all black and the drapes twinkled with specks of a shiny material. It almost made them look like stars. The bed was unnecessarily large and so was the desk that was off to the side of the room. It had been such a mentally exhausting day that Gwyn decided a nap was needed. She locked her door and stripped off her cloak. She knew the lock would do nothing against winnowing, but as far as she knew only Lucien could do that. She placed her desk chair under the doorknob anyways. She fell onto the bed without even removing her priestess robes. She did remove her dagger and place it under her pillow for protection. A small smile graced her face as she thought of a certain spymaster who also slept with a dagger under his pillow.

Soft footsteps woke Gwyn from her sleep. She had no idea how long she had slept, but knew that dinner must be approaching if it had not already passed. A light knock on the door made her jump.

"Gwyn? Dinner is almost ready if you would like to join us downstairs." Lucien yelled through the door. Gwyn's racing heart began to slow as she realized where she was and who was speaking to her.

"One moment." She decided this dinner was not worth changing her clothes so she grabbed her dagger, putting it back in its sheath, and flattened her hair down with her hands. She did not want to keep Lucien waiting after all. The second she stepped out of the room, a sly smile crossed the male's face.

"What?" Gwyn demanded a tad self-consciously. She flattened her hair once more.

"Enjoyed a nap I see?" He was teasing, but that did nothing to stop her from shoving him.

"Oh shut up and show me the dining room." A real smile graced his face as he put his arm out for her to grab. She was half tempted to shove his arm away for his teasing. Instead, she rolled her eyes and held onto his arm anyways.

"Your wish is my command."

The castle was truly beautiful. Gwyn knew she could spend hours looking at the art pieces- some of them looked familiar. She would guess those were done by Feyre. The marble flooring and intricate ceilings were only part of the beauty. It has clearly been decorated. Perhaps Vassa and Lucien bonded over similar tastes in rugs. The thought made Gwyn giggle internally. The castle was so large that it took them about five minutes before they reached the dining hall. Gwyn took her place next to Lucien across from Jurian and Vassa who were already pleasantly discussing Vassa’s doomed fate. They quickly stopped talking once she sat down and turned the conversation to her.

"So I have been dying to know," Jurian begins "is Rhysand as much of a prick as he pretends to be?" Lucien sent him a glare which only had Jurian shrugging with an innocent expression upon his face. Gwyn sighed.

"Depends on who you are. He is kind to me, but only out of pity from what he witnessed at Sangravah. I have seen him be cruel to those he purposefully does not want to understand. I am not here as your spy though. That is as much from me as you will get about Rhysand." Gwyn truly felt a level of gratefulness to the high lord, however, he often squandered any other positive feelings she had of him by constantly looking at her as if he was seeing that day in Sangravah all over again. It did nothing to help her forget. Jurian gave a contemplative look before turning his attention to his plate. Vassa decided to try her hand at conversation.

"How are the Archeron sisters? I know the death of their father was hard on all of them." Vassa took a sip of wine. Gwyn did not want to discuss this either though. Speaking of Nesta made her miss her sisters.

"They are as well as could be expected." It was generic and had the fiery red head pursing her lips in displeasure. Gwyn did not quite care.

“Gwyn is a beautiful singer.” Lucien finally changed the subject to something that she did not mind engaging in. “We will need you to sing for us sometime.” Gwyn nodded in agreement. The conversation continued on with Lucien boasting about Gwyn, talking about her training as a Valkyrie and winning the blood rite. She started feeling uncomfortable with all the compliments he was sending her way. It reminded her of a conversation she needed to have with him. Right now was as good of a time as any she supposed.

"It was extremely generous of you to offer your help, but I feel I should inform you that I am not interested in anything other than your friendship." Gwyn interrupted Lucien mid-speech to clarify. He looked startled by her statement. Jurian choked on his wine and Vassa cackled like there would be no tomorrow. It made Gwyn feel as though she was on the outside of some joke they all knew.

"Excuse me?" Lucien, for once, looked genuinely surprised. It was as if he could not quite believe she would say that and needed her to repeat it just in case he heard her wrong. Maybe Gwyn misinterpreted some of his advances.

"I know our coupling seems inevitable," Gwyn explained further a bit shyly, not quite sure of herself anymore. "But I am not interested in any one that is not Azriel." Vassa's cackles slowed down to more of a chuckle and Jurian kept sending amused looks to Lucien.

"Gwyn, I am your grandfather." Lucien approached the topic slowly. "I assumed your mother talked about me, but, and I really hope this is the case, you did not know this?" His tone lifted up at the end in questioning.

Oh, Gwyn thought. She was not easily surprised, but this topped the cake. She tried to think back to anytime her mother mentioned her grandparents, but the instances were few and far between. Gwyn realized she did not even know their names. Suddenly, every compliment and favor from Lucien no longer appeared odd. He was complimenting and bragging about his only living granddaughter. This took much longer to process than Gwyn would like to admit. Unexpectedly, she felt an unwarranted amount of anger towards Lucien.

"And you waited until this very moment to tell me? What the hell Lucien? Or should I say grandpa?" Her tone was more hostile than it had been with anyone else. The sarcastic comment at the end had the red-haired male cringing. Jurian and Vassa started laughing once more.

"I know this is not great timing to interrupt, but I, for one, will be referring to you as grandpa from here on out." Jurian inserted. Vassa gave an amused smirk, but said nothing. It earned him a glare from Gwyn and Lucien though.

"I apologize, Gwyneth, for the delayed reveal. I thought you knew that's why I offered to help you, though. I assumed your mother had spoken of Jesminda and I. She was rather young when we had to surrender her, I suppose." Lucien looked so genuine that Gwyn's anger diminished as fast as it had appeared. Gwyn's family history had always been a mystery to her. She might finally get some answers.

"Jesminda is my grandmother?" Gwyn inquired. Her own mother had never given details. This adventure was beginning to answer many questions she had always had.

"Yes." Lucien said. Gwyn was trying to understand his expression and tone. She spent another minute watching him. Their other table mates had gone quiet as well. It did not take a genius to understand the moment. Jesminda had never been mentioned before to her from anyone and she was not here right now. She was dead that much was clear. Lucien cleared his throat and for a brief second Gwyn could see the emotion he was so desperately trying to hide, guilt.

"Why did you give my mother to Sangravah?" Gwyn realized it probably had something to do with Jesminda's death. She truly wanted more details. Lucien sighed heavily, probably understanding that there were many questions in store for him.

"Beron just ordered for Jesminda to be tortured and executed in front of me. I am certain if he had known of your mother, he would have had the same future in store for her. I had kept the child a secret from everyone except a brother, who helped me hide her after Jesminda's death." It did not escape Gwyn's attention that Lucien neither referred to Beron as his high lord nor as his father. Lucien ran a hand through his hair roughly. Her hair was clearly from him, but it was his one russet eye that had her pausing. An eye that suddenly reminded her so much of Catrin.

"Why did he kill her?" She asked softly. Gwyn realized she would never be able to deny Lucien anything. One look from his russet eye and Gwyn would give in simply because of its similarity to her dead twin.

"Because he's a spiteful old man." Vassa spit out. Clearly, she was just as enraged by the situation. It made Gwyn wonder if Vassa and Lucien had ever been together. Lucien rolled his eyes at the fiery female. He seemed to roll his eyes constantly while he was here.

"Because he could," Lucien added. "Your mother, who was about six at the time, was extremely unsafe even under my brother and I's protection. Beron would put your mate to shame with all the torture tactics he uses. I dropped her off on the doorstep of that church in the middle of the night. I always planned to go back and visit, but I was nervous and I knew she was safe there. I felt it was selfish to visit her since it only put her in more danger." Gwyn felt sad for everyone involved. Sad for Lucien who watched his love be tortured and executed in front of him only for him to have to turn around and surrender his daughter to a church. Sad for Jesminda who died that day. Sad for her mother who must have lived every day wondering where her parents went and why they abandoned her. Sad for Catrin who never got to meet her grandfather.

"I had a sister." Gwyn felt the need to mention. She was unaware of how much Lucien knew, but it suddenly felt important to her that he knew of Catrin.

"I know." He responded with a sad smile. "This family is well versed in tragedy." Gwyn had so many more questions. She had time to ask though. Her questions were making Lucien relive memories that were better left untouched. Perhaps he had endured enough for one night. She looked down at her full plate. She had been so distracted that she had not touched a thing. She began to devour her food as the rest of the table engaged in a debate about seasonings and which was the best.

"Have you and Vassa..." Gwyn trailed off, leaving the innuendo open when Lucien walked her back to her room after dinner.

"She wishes." He chuckled.

"Would you be with Elain if you could?"

"I would not jump into a mating ceremony but I would like the chance to get to know her. She has not given me the opportunity." He answered practically with his arms folded behind his back. Gwyn felt the need to assure him that knowing Elain would not make any of this easier.

"Trust me, it's better this way." She did not want to leave the conversation on such a sore point. As they approached her door, Gwyn jokingly shoved him. "So this would make Elain my step-grandmother?" Lucien was quiet before speaking. It was not the reaction she hoped for.

"Elain does not know. No one knows. And no one can know, even Azriel. At least until Beron is dead. Make no mistakes if Beron were to discover you, he would torture you simply to spite my mother." His lips pursued together in displeasure.

"Azriel is very good with secrets." She felt the need to remind Lucien. He is a Shadowsinger after all.

"Not with his high lord. If Rhysand knew, he would tell Beron if he had too. If Nyx or Feyre's life were on the line, he would do anything to save them. That includes selling you out. This is very important, Gwyneth. You cannot tell anyone- promise me." His stare was so intense that she could not look away. He grabbed her hands in a tight grip to make sure she understood how serious he was. Gwyneth had never purposely kept a secret from Azriel before. Hopefully, Beron would die sooner rather than later.

"I promise."

+++

Two weeks later

"What do you mean she’s gone?" Azriel was shocked to discover that Gwyn had left two weeks ago. He thought she had been avoiding training because of the kiss they shared- not because she was gone. He had been eating dinner with Nesta and Cassian when he finally had the courage to mention the priestess and where she had gone. Now he was mad that he had not asked sooner.

“She left with Lucien on some adventure. I am not really sure. Her note was unclear.” Nesta responded solemnly. The House dropped a piece of chocolate cake in front of her which made a small smile curve at the brash female’s lips. Azriel’s stomach dropped at the mention of Lucien. Gwyn did not know him well enough to go on an adventure with him. Gwyn would not leave her sisters here and she would definitely not choose Lucien to be the first person she left Velaris with. He was certain of that. He also knew Lucien to be a spiteful person. Perhaps he was tired of watching Azriel and Elain parade their relationship around him, making a fool of the one-eyed male. He could have taken Gwyn as retribution.

“He must have kidnapped her. Gwyn would never willingly leave the House of Wind with anyone- let alone Lucien.” Azriel knew this had to be true. Gwyn would never just up and leave. Guilt started gnawing at his chest as he realize he could have prevented her from being taken. If only his shadows would work properly around her, he could have prevented Lucien’s nefarious plans from being completed. His siphons started glowing the longer he though about it. He had to clench his hands around his silverware to keep from winnowing straight to the Band of Exiles and demanding his mate be given back. Nesta gave Azriel an odd look before speaking.

“She left a note that said she was willingly leaving with him and as much as he annoys the shit out of me, I don’t think he would hurt Gwyn.” A frown marred her face now, though. As if she had not considered that her sister could be in trouble. It only annoyed Az further.

“He could have made her write the note.” He reminded in a quiet, harsh voice. Gwyn and Lucien were not friends. She would have no reason to leave with him. Cassian was cautiously glancing between his mate and Azriel. He did not know what to say that would not piss off Az, so he was choosing to let Nesta handle the situation instead.

“She is not in danger.” Nesta declared after peeking at her wrist. There was no possible way for her to know whether Gwyn was safe or not. Even Azriel could not find out given how stubborn his shadows were being. He could always take a trip to the Band of Exiles, but he had to assume Lucien would not be stupid enough to take Gwyn there.

“You do not know that.” His wings flexed in anger. The siphons atop his hands were glowing dangerously bright now. He needed to get his emotions under control.

“Yes I do.” Nesta insisted with a roll of her eyes that annoyed Azriel to no ends. “My bracelet is not glowing. They glow when any of us is in trouble. It’s how I found her in the blood rite. It has not glowed since then either.”

“Hers could have fell off.” Gwyn would not have left after the kiss they shared. It was too important of a moment between them for her to have left immediately after.

“Gwyn and Lucien are friends, Az. You know if you want someone to blame for her leaving, maybe you should look inward.” It was a sharp jab that hurt more than the Shadowsinger would ever admit.

Suddenly though, he could see the hurt on Nesta’s face. It was there for only a second, but he saw it. Nesta was just as hurt by Gwyn’s departure as he was. He finally unclenched his hands from around his silverware- his fight giving out. Nesta was right. Lucien would never kidnap Gwyn especially if he thought it might upset Elain. Azriel chose this time to leave, however. He would not stoop to Nesta’s level and trade jab after jab. He headed to the training arena. It was hours later when slight footsteps could be heard making their way over to him. He was sitting at the edge, his exhaustion forcing him to take a break. Nesta took a seat next to him, resting her head against his shoulder.

"I miss her too, Shadowsinger." He said nothing in return because there was nothing else he could say. "You are worse than I was with the mating bond." Nesta tried again with a joke this time to try and get Azriel talking. She knew he was not normally one to discuss his feelings though. He gave her a withering look at that comment. It was an ongoing joke within the inner circle that Nesta handled the mate situation particularly horrible.

“Shut up.” Was all he responded with and he only said it halfheartedly.

"I am just saying, if you ask me for advice I could save you some time and heartache." They both continued to look out at the Velaris skyline.

"And what precious advice would you bestow upon me?" The comment was dripping in sarcasm, but he decided to humor her.

"Anyone other than your mate will be a disappointment, especially to you. Just accept it and her and everything else will become background noise." She looked up at him for a second before setting her head back down. He was not one to seek out comfort through touch, but sitting here with Nesta made him feel a bit better. Maybe it was because they could both ruminate in their sadness at Gwyn’s departure.

"Ah so wise. I had not considered that." Again the sarcasm was heavy.

"Well if you have thought about it and have not done it then I would consider you an idiot. You do not strike me as an idiot, Az." She was frustrated now- throwing her arms up and crossing them over her chest. He chuckled lightly.

"I think I might be." He admitted. Everything was so confusing with Mor and Elain that he lost focus of what was truly important.

"Gwyn is the most compassionate and understanding person I know. If she can love me, she can love you too. Just be honest with her." Her voice was soft now in a way that it never was. She always seemed to push him even when it seemed the rest of his family refused. It was the thing he liked most about Nesta- she was never scared of him or his feelings.

"Thanks Nes." He settled his head on top of hers and they stayed like that for hours- reminiscing in all things Gwyn.

[kuroo-shitsurou]

Auxilium (College!Xiao x College!Reader)

TW: mentions blood, depression, anxiety

note: it's my first time writing and posting something on tumblr so im sorry if it's bad!! reader is gn hehe.

Late February was never a good time for Xiao.

It was the second month of the year; People were starting to adjust and adapt to the ever-changing and progressing timeline. Although, he never really understood the concept of the "New year, new me!" shtick. Humans make decisions that eventually shape their personalities. What does a new year have anything to do with that? Does a change in the year automatically make you a good person? Does it make you less of an asshole than you might already be? He never really understood.

He found it rather silly, actually. Whenever a new year rolls around, Xiao would mutter silent curses to himself because he'd write the wrong year on his papers. Other than that, there wasn't any significant changes he made in his daily routine. He was still the same Xiao; The same anxious, mildly depressed, and coffee-high art major Xiao.

Now, Xiao was a respected figure in their college (or at least, that's what he was told). He was one of the most talented artists at Tokyo University, and professors have been eyeing him for a scholarship overseas (he, along with his brooding and mysterious senior, Diluc). His keen eye for details always produce great results as most of his portraits are featured in the university's gallery of students' greatest works. Not to mention, one of his larger canvas works were displayed at the Tokyo Museum, making him one of the youngest artists to have their art showcased there.

Admittedly, Xiao was aware of how people admired his talent. Unfortunately, due to a rough childhood where his parents barely showed him any love and affection, he had trouble reflecting his true emotions onto other people. That's why other art majors often labelled him as a self-absorbed, egotistical prick.

Xiao was the last person you'd want to compliment. It's not that he'd be a dick about it or that he'd scowl at you and act as if he was better than you in every way possible. It wasn't like that at all. It's simply because Xiao doesn't know how to handle compliments. He'll still keep his stoic face, lips pressed in a straight line, but deep inside, he'd be flustered to bits. He'd try to internalize his reply, stitching together the right words to express his gratitude, but it would always take him a few minutes. The person who complimented him would've already left after he finally constructed the sentence in his head. Not that he wasn't used to it

This led to Xiao earning his current reputation, as stated earlier. He was already expecting the rest of his college years to be spent alone in his studio, working on his artworks during the wee hours of the night, high on the fumes of his paint palette and his exhausted coffee machine.

Until you came.

Kaoru was... eccentric. You were loud, you were moody. He felt like you'd be the type of person he'd hate dealing with just because you was unpredictable. You were like the rain, and Xiao hated the rain.

He must have an Archon's cursed tongue, because he got paired up with you during the first semester of their second year in college. You were a familiar name to him, as you were in the same course since the first year, but he barely knew anything about you since you were in different classes.

"Hey, Xiao! I'm _____. I hope we can be good friends by the end of the semester!" His memory of your bright smile still remains vivid in his head. He wasn't really a brooding type like Diluc, but Xiao liked to believed that he presented himself as a silent person who had no intentions of interacting with other people. So, how were you so bubbly around him? Because she was forced to do so? You were to be his partner for the whole semester, after all. Maybe it was all formalities. Yeah, that's probably it.

"Hm." Xiao gave a nod in her direction, acknowledging your existence. you heard from your friends that the young artist didn't have a pleasing personality, but you weren't expecting to be shutdown from the get-go.

"Mind if I sit beside you?"

Again, a light nod.

You felt the awkward tension between you and Xiao, and you hated it. You were a person who hated it when people are uncomfortable in your presence. You didn't want to be a bother, and you did your best to make everyone like you. Not that you were a people pleaser, nor an attention hog, but you just wanted to get along with everyone.

The lecture was going to begin in twenty minutes, so the lecture hall was yet to be filled with people. You took the opportunity to strike up a conversation with the amber eyed man beside you, who was typing away on his laptop. Something about color theory and how it affects the perspective of people on different art types? You couldn't really see that well. He was a fast typer.

"So, Xiao, I heard that your painting was displayed in the Tokyo Museum last year. It must have been an honor. I was at the unveiling last year and I saw it up-close." You started off, testing the waters.

"And what did you think of it?" Xiao cringed internally. He meant to genuinely ask for your feedback regarding his art, but it sounded so harsh that he wanted to punch himself when he saw you wince (or maybe you shuddered because it was cold and you were wearing a sleeveless top? His nerves were getting the better of him at this point).

"Well, a lot of my friends told me that it wasn't anything special,"

Ouch.

"It was a large canvas. I can still remember how it looks. But, maybe that's because I'm at the museum every two weeks," You laughed. You noticed how Xiao's breathing noticeably changed after you started your sentence, and you have to admit that it sounded a bit too mean.

"You know, Xiao. My friends told me that your art was simple. Anyone could have done it. But honestly, they couldn't be more wrong. I love how your piece was painted. Auxilium. I'll never forget what you called it. That's... Help, right?"

At first, Xiao didn't want to listen to this person ramble about an art piece he made during one of the lowest points of his life.

His anti-depressants had run out during that one Christmas. It was 2:47 in the morning. He had morning classes the following day. He had a project to submit, but he was unable to continue working because of the unbearable pain in his chest. His head was throbbing. Voices were invading his mind. Flashbacks of his parents' negligence taunted him. He rushed to grab a glass of water, chugging it down in almost three chugs. He slammed the glass back onto the counter, smashing it into tiny little splinters and cutting himself in the process. His hand was bleeding, there were bits of glass on his counter and on his floor, but he couldn't care less. He was heaving, his breathing was unsteady, he wanted to die right then and there. His vision became blurry, but he rushed back to his studio.

With a bleeding hand, he picked up his brush and began to tear into his canvas. Not literally, but he started to create strokes onto the blank canvas. Different colors, different textures (he swore some of his blood got blended in with the area where he painted the sunrise, but it's fine. No one was going to notice, right?). He screamed and cried, wanting to throw the entire easel out his window.

It was Christmas. He was alone in his apartment. His anti-depressants ran out. He was having a panic attack.

That night led him to having one of the worst breakdowns he could remember, but he also ended up with a gorgeous painting that nabbed him a place in the Tokyo Museum.

"Help," Your voice echoed in his ears, snapping him out of his trance.

"People can tell me that it's nothing more than a simple painting, but the way that the sunrise was only showing in a segmented part of the canvas? The way that there were hints of red? It kind of reminded me how a new day can resemble hope but still contain hurt. Like, the promise of a fresh start isn't guaranteed a good one, right?"

Your words rang in his ears like a gong being hit continuously. He wanted to cry. People always complimented him and congratulated him about being recognized by art critics and national museums, but none of them ever really stopped to talk to him about his art. They were there for his recognition- not his work.

"I mean, you could begin with a fresh start, but wouldn't the remnants of yesterday still take a toll on your tomorrow?"

"Hm. Interesting take. To be honest, those specks could have been my blood." Xiao spoke up, to your surprise. A small smile formed on your face. Maybe this guy wasn't so bad after all.

"My hand was cut up when I was painting that," He added quietly, not mentioning why his hand was in that state. "I think I accidentally added too much concentrated red. I couldn't blend it out the way I originally planned."

"Oh? But that makes it all the more great, though!" You beamed, "Maybe it was an Archon guiding you? I don't really believe in that stuff, but acknowledging some divine intervention once in a while can't be all bad, no?" You laughed.

"I guess you're right." For the first time in a while, Xiao actually gave someone else a small smile. It wasn't really a smile per se, but his lips curved even the slightest bit upward, and you decided that it was a win for you.

-

Fast forward to the second semester of their third year.

Late February was never a good time for Xiao.

It was the second month of the year; People were starting to adjust and adapt to the ever-changing and progressing timeline. Although, he never really understood the concept of the "New year, new me!" shtick.

It had been years since he was clinically-diagnosed with mild depression. So, why was he still that way? Shouldn't new years help him be a better person? Or something like that. Why was he still like this?

Late February meant the end of one semester, and the start of another.

What else did that mean?

His semestral feedback report (he refused to call it a report card. What was he, high school?).

"Xiao? Are you here? I bought almond tofu from Xiangling's place. Sorry for barging in, you weren't answering my calls." He heard your voice from the kitchen and he glanced at the clock on his studio's wall.

1:37 AM.

You were at Xiangling's place because you were working on a report about the history of acrylic paints or whatever it was. You were supposed to go home, but you still dropped by his apartment. He checked his phone.

[ 14 missed calls. ]

Yikes.

"I'm here." He answered meekly, but loud enough for you to hear. He felt tired. Defeated, maybe. He was blankly staring at the canvas in front of him. He has sketched the base of your face and upper body. He was planning on painting a portrait of his beloved to decorate his room with, but he couldn't find the energy to continue.

He could hear the soft "thud"s of your feet walking from the kitchen towards the studio, but he tuned it out with an annoying static he could only hear in his head.

Fuck. Where are they?

He rushed to the drawer next to his easels and rummaged around in a panic.

Where the fuck are they?

He kept a few anti-depressants in his studio because he spends most of his time here and he didn't have time to rush to the kitchen to get them if he ever got a panic attack.

"Fuck!" He cursed loudly, throwing the contents of his desk onto the floor. Some of his paintbrushes scattered on the wooden floor of his studio, marking the wood various colors. Maybe they're going to stain, but he didn't really care.

Xiao heard the footsteps retreating until he couldn't hear anything else except the constant ringing in his ears. It was annoying. It was loud. It started to make him want to split his head open.

"_____," He whispered, feeling his chest hurt and his throat tighten. The passageways helping him breathe seemed to close themselves, giving him a hard time and mocking him. It was coming back again.

Tears started to flood his vision, and they rolled down his red cheeks. He took the ponytail out of his hair and used two hands to tug at his locks starting from the roots. His breathing patterns became more erratic, but he tried his best to stay calm.

His knees and legs felt like jelly. He had to lean against the desk to avoid from toppling over.

Why? Why again? Why now? Why when you were here?

He screamed. It was loud enough for the neighbors to hear, but his care for any external entities was out the window the moment his eyes became blurry with tears.

Even though he was leaning against the desk, his legs still couldn't hold the weight of his entire body. His knees dropped to the floor, and he swore he must've dented the wood below, but he paid no mind to it. His knees were also aching, but he could deal with that later. He bent down and pressed his forehead to the floor.

"_____," He whispered again, longing for his partner. "Auxilium."

"Xiao?" The voice was muffled. His eyes were glued to the floor in front of him, but he knew it was you.

"Xiao, stay with me, honey." There was a hint of panic evident in your voice, but he was glad that you didn't let that get the best of you. You was still somewhat calm.

You kneeled down beside him, helping him back to an upright position.

"Honey, you left these on the counter outside." You handed him two tablets of his anti-depressants, and he gladly placed them in his mouth. You also gave him a glass of water, and he downed it in two swift gulps. Afraid that he might underestimate his strength, he returned the glass back to you instead of setting it down himself, nodding at you in the process.

You got into a more comfortable position where you rested your back against the wall, and you guided Xiao to follow you. It was a difficult task; He was very sensitive during his panic attacks.

His semestral feedback reports always made him anxious. He didn't have to please his parents anymore since he moved out years ago, but Xiao had this nagging feeling inside of him to do better with his academics. Nobody was really pressuring him to be a straight-A student, but did he feel like he needed to be? Who was he trying to prove himself to anyway? You knew about his sever panic attacks and how they were more active if he had a big event coming up. The first time you had to deal with it, you were still stiff and trying to learn how you could help. Now, you takes pride in yourself for being able to handle him in the ways you know would help him the most.

"Here you go, I've got you." You cooed, assisting him with moving. You laid his head flat on her lap and she began stroking his beautiful, tousled forest green locks. The highlights he had under the first layer of his hair started to fade, and you made a mental note to take him to a salon so they could get their highlights redone.

"You know, I've been listening to a lot of Coldplay lately," You started speaking, as if Xiao wasn't about to have a full-on panic attack. "Yellow would have to be one of my favorite songs. I guess it's kinda cheesy, but can you blame me?"

You used your free hand to wipe the tears from his cheeks.

"Look at the stars, look how they shine for you." You began singing, voice just above a whisper.

"And everything you do. Yeah, they were all yellow."

Xiao was a reserved person who had a hard time dealing with other people because of his inferiority complex that sprouted when he was young.

"I came along, I wrote a song for you."

He didn't have love and affection growing up. He didn't know how to be the best person to talk to. He had poor communication skills. He was a mess, to be honest.

"And all the things you do. And it was called yellow."

You were the first person who looked past his rough and tough exterior. You were the person who showed interest not just in his name- but in him as a whole.

"So when I took my turn, what a thing to've done."

"Thank you," He murmured silently, noticing that the ringing in his ears vanished. His throat was beginning to open again, and he could finally feel the steady heartbeat he had in his chest.

"And it was all yellow."

Xiao curled himself into a ball, burying his face in your clothed stomach. You smelled a bit like smoke (maybe you ate yakiniku at Xiangling's?) and your faded cologne. It smelled like home. It washed a sense of relief over his entire being. He felt safe. He felt secure. He was being held like a child, but he didn't really mind. Maybe he needed this.

"Your skin. Oh yeah, your skin and bones,"

You craned your neck downwards to look at Xiao's figure. He finally looked peaceful. You knew about his rough past. You knew about the trauma he had to go through, but you chose to look past it because you knew that he was just afraid and... alone. He needed someone to be there for him, and you would rather the world die than leave him alone ever again.

"Turn into something beautiful."

You noticed how his chest started a rhythmic pattern of ups and downs. His breathing was finally steady. He looked at peace. He looked like he was right at home.

"Do you know? You know I love you so."

You couldn't help but chuckle as you watched him sleep in your lap. How could anyone think that this softie was an asshole?

"You know I love you so."

You barely whispered the last part of the song, but it was loud enough for his heart to hear it. Xiao hated when things were unpredictable; that's why he hated the rain. But now, maybe the idea of rain wasn't so bad. Especially since you were his rain.

"I love you, Xiao."

At that moment, you knew that the involuntary smile on Xiao's face was a response that contained more emotions than his words could ever bear.

"I love you too."

[let-me-write-shit]

I love your writing! Can you please write a piece where y/n has been a friend of him for years (all one d years too) and she is famous as well (kinda maggie rogers vibe) they write songs together etc. After the heartbreak from Camille she is always there for him and they realise that they have always been in love with each other, a bit of angst ofc 😂 Thank you very much!! 😍😍

A/N: Thanks so much for the request and the kind messages when I was sick, @irelilien. I loved writing this. I know it’s probably not EXACTLY what you were thinking, but I hope you like it!! <3 <3 <3 

Warning:  ANGSTY ANGST ANGST!!!

Word Count: 3,961

Requests are OPEN! If you have a request for a blurb, oneshot, imagine, whatever, Send me a message HERE!!!

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Started Off As Friends

“Will you relax, Harry?” you laugh, scooting to the edge of the office chair where you sat, reaching over and grabbing Harry’s hands away from his face to reveal his scrunched up eyebrows and dramatic frown, something he always did when he was frustrated. You took hold of his forearms as he pouted and tugged on your arms, making the wheels of your chair roll closer to him, your knees touching and his forehead falling towards your stomach.

Honestly, he could be such a baby sometimes. But as your hand instinctively plopped onto his head, running your fingers through his curls and massaging his scalp, you couldn’t help but smile. For years it had been like this; you and Harry were inseparable since the day you met. Back then he was still in One Direction and you just helped them write songs. You were one of the youngest songwriters on the team and they were impressed by it. Eventually, you began to release some of your own work, and when Harry went solo he often called on you to help with some of his songs, most of which always ended up on an album or being released.

You were there when his fame kicked off. He was there for you when you lost a family member. The two of you hardly even had so much of a fight, more like little bickers here and there. You were there through all of the One Direction drama including when you and Niall had a brief but scandalous (and absolutely not true) rumor spread that you were secretly dating and eloped, something Harry would cry laugh over whenever it was brought up. After all, if there would be any rumors of secret relationships between you and a member of One Direction, it would be with Harry. You were the closest out of all of them. You two had been through a lot in your friendship. More than most. And that included heartbreak.

You’d met practically every girlfriend he’d ever had. You knew details of his relationships that you really didn’t need to know about. And you’d been the subject of many jealous fights. But he’d always have your back. Until Camille.

Everything started great. You thought things had been going so well between them and Camille seemed to really like you. Oftentimes you’d get together just the two of you and have a girl’s night. But everything changed the night of one of your concerts. You were playing in London and the couple came to support. Throughout the night they had a lot to drink and each time you looked down things seemed to get increasingly more tense between the pair. Towards the end, it looked like a full-blown argument had ensued and they both stormed out of the arena. You assumed they were just going to talk it out and would meet you backstage afterward. You assumed Harry would fill you in on all the details later. But hours had passed and everyone had already backed up to leave. It wasn’t like Harry to just leave without saying anything. You called and texted but got no response. Not until the next day.

‘So sorry for leaving like that. We’ll talk later. -H’

But you never did. He practically ghosted you, only getting brief, cryptic texts or calls at random points in the day. The emotional circle-jerk you went through was next-level. Confusion, anger, sadness, indifference, and back to confusion. It was a never-ending cycle. You had later come to find that he only talked to you when Camille wasn’t around. And if she found out you were in communication, another argument would ensue and you’d hear about it whenever Harry called to complain. That’s all it was; a few calls and texts to whine about his relationship until the texts and calls stopped altogether. You hadn’t even seen his face for nearly seven months. For the longest time, you wanted to cry. You felt betrayed.

And finally, a month ago, after seven months of waiting, you had decided you were going to let him go and stop waiting around for him. But, when your phone rang at 11 PM that same night, your toughness crumbled to the ground. You had half a mind to yell and let it all out, or to just hang up, but you couldn’t. Not to him. Not when his heart was breaking. Instead, you invited him over. You must have drunk two whole bottles of wine by yourself, listening as Harry cried about his breakup and catching you up on all the issues they had. And you helped him through it.

For weeks he stayed with you so he didn’t have to be alone. You’d distract him with movies and games, stay up all hours of the night listening and reassuring him. You’d cry with him, laugh with him, and eventually, you’d help him channel his feelings into music. The two of you had written more songs than you can count about Camille and he finally had a sense of what he wanted his new album to sound like, picking a selection of songs on a demo and bringing it over to get your thoughts.

Listening to it brought on its own type of heartache for you. You remembered writing some of those lyrics with him. You remembered how broken you felt having to act like nothing was wrong and you were just happy to have him back. But the truth was, you were still hurt. You never did find out why he left so suddenly in the first place and coming back to you after all that time felt more like a slap in the face than anything. He knew you’d welcome him back with open arms He knew he could take advantage of your friendship because he knew how much he meant to you. Or, at least, he had an idea.

By the end of the demo, Harry looked so unsure that you were almost certain he’d start to freak out and second-guess himself. He rolled his head on your lap so that his cheek was against your thigh and groaned, “It feels like it’s missing something. Maybe I should have added ‘She’s Flames’.”

You shook your head as he sat up, “No. It’s perfect.”

“But what if-”

“No,” you cut him off, looking deeply into his eyes, “I wouldn’t change a thing. Not a single word, not a single piano key, not a single song, not even a single song order. Harry, it’s perfect.”

He relaxed his shoulders, letting his lips twitch upwards into a smile, and when he finally spoke, he took her hands in his again and said, “What would I do without you?”

You shrugged your shoulders, slipping your hands back and spinning in your chair to face your computer again, clicking away at the screen and layering instrumentals on your own music you were working on before he came over. Having a little makeshift studio in your flat helped when you couldn’t get in any time at a proper studio.

“Probably sulk at your own house instead of mine,” you mumbled, trying your best to sound like you’re joking.

“Hey, that’s not fair,” he whined, switching seats to a roller chair next to you.

You ignored him and continued to work while he talked beside you about possible release dates for his album, cover art, and which songs he wanted to have as his singles. You listened, adding your input where needed, as he carried on, grabbing your phone off the desk beside you and entering in your passcode. You didn’t mind, it was something the two of you always did. There was never any malice or reason behind it, it was just out of sheer boredom. You’d often scroll through each other’s social media dashboard or pictures. You had nothing to hide. Or, so you thought.

You became so hyperfocused on what you were doing that you almost didn’t hear it. It blended in with what you were working on so much that the sound of your voice singing from the speaker of the Harry held in his hands almost went unnoticed. But by the time you realized what he was listening to and snapped your attention to him, the damage was already done.

The knife of insight tore its way in me

A brash collision without sympathy

And maybe when the sun goes down I’ll come round, I’ll come out

Maybe we could take some time,

Unwind, figure out

When the knife of insight tore its way in me

Hit me up if you’re feeling down

Give a little, oh we’ll figure this out

Keep me up, keep my mind around

After dark, after light

Let it go if you want get loud

Make a little fuss, oh its all allowed

Beautiful how it all pours out

After dark, after light

Oh the knife of insight brought me to my knees

Broke me down and taught me how to see

And I know and I know and I know

That maybe we should take some time

Get this out, make this right

Maybe when the sun goes down I’ll come round, tell you all about

When the knife of insight brought me to my knees …..

You were at a loss for words, caught off-guard by him finding that voice note of a song you had recorded late one night three months ago. You could hear the wooshing of cars passing by in the background, remembering you recorded it on a drive to meet up with friends for dinner and didn’t want to forget the wave of creativity. Funny thing was, you completely forgot all about it.

You searched his face, hoping he didn’t understand what you were singing about But Harry wasn’t stupid. He’s worked with you long enough now to know your writing style. And with one look at the time stamp of the recording, he could tell this was written in the thick of when he had stopped seeing you.

“What’s this?” he asked softly, looking up at you.

He knew, he just wanted to hear you say it. You wouldn’t give him the satisfaction of an explanation, though. For weeks you had thought about what to say or how to confront him for what he did. But confrontation was never your strong suit and all the rehearsed speech had suddenly vanished from your memory.

Quickly, you grabbed your phone out of his hand and shut the music off, “Just something I was working on. Forgot it was still on there.”

He watched as your body tensed, hastily shoving your phone in your pocket. He could see right through your nonchalant attitude and he pressed again, “Is it about me?”

“Harry,” you breathed, forcing a laugh. But your refusal to look him in the eyes was your tell.

“It is, isn’t it?” His question sounded more like an answer, “Why didn’t you tell me?”

“Tell you what?”

“How you felt,” he turned your chair so that you were forced to face him and you looked nervously up at him through your eyelashes, his expression sincere, “Obviously you were hurt about whatever I did.”

Your mouth fell and he seemed to realize almost instantly that he had a poor choice of words. But, before either of you could say anything, Harry’s phone began to ring on the coffee table, catching both of your attention. And by a cruel coincidence, you saw that it was Camille calling him. His eyes widened and hastily silenced his phone, but the damage was done. You let out an incredulous laugh and stood up.

“It’s getting late. I think it’s time for you to leave,” you said firmly, avoiding his gaze.

You heard him stutter. He wasn’t used to you being stern with him. “What? Why? No, please, let’s talk about this.”

“Talk?” You laughed angrily, “You want to talk? Now? That’s rich coming from you! Alright, Harry, let’s talk, then,” your words were like ice and your heart pounded, finally getting the courage to look at him as you let it all out, “Ten years you’ve been one of my best friends. I’ve done so much for you. I’ve put up with a lot being your friend. All the backlash and drama and spite from your horrible girlfriends. But you always had my back Until her,” you motioned towards his phone.

His eyes fluttered, listening to you get angry. It was a side of you that rarely showed. And when your voice began to crack, he gulped.

You continued, “I was always nice to her. Always. Until one random day, she decided to hate me for no reason. And what did you do? Nothing! You ran after her like a lost puppy and avoided me for almost a year!”

“I didn’t avoid you!” Harry shot back, defensively.

“You didn’t avoid me?” you laughed in a hiss. “Harry, you dodged all of my calls and texts! I never saw you! And when we did talk, the Queen herself couldn’t know about it or you’d have another fight!”

“Don’t call her that. That’s not fair,” he pleaded.

“You want to talk about fair? The way you treated me wasn’t fair! All I was to you in those seven months was someone to complain to, but only if I was kept a secret!”

“That’s not true. Besides, it’s not like you ever complained at the time! You should have said something!”

“I shouldn’t have had to! You’ve always had my back and ended things with other girlfriends for a lot less!”

“I can’t keep ending relationships just because you don’t like them!”

“I never asked you to!” your voices were getting louder now, almost certain that if someone was passing by your open window, they’d be able to hear every word. “Never once did I ask you to break up with anyone or even hint at disliking them. You always did that on your own!”

“Because you’re my friend!” he shot back, his eyebrows furrowing and the crinkles by his eyes more prominent. Your back and forth was quicker now. Both of you speaking even faster.

“Then why did it change with her? Friends don’t treat friends as a last resort!”

“How did I treat you like a last resort? Because of a few missed calls and canceled plans? I was busy!”

“For seven months? No, you weren’t, Harry! You were a coward!”

“And you were jealous!”

“So what?” you snapped back. You could see the shock in Harry’s eyes, but you kept going, “So what if I was? It never made me treat you like dog shit on the bottom of my shoe! You ignore me for weeks at a time and when I finally get a response it’s because you’re crying about another fight you had with her and how neither of you trusts each other. Did I complain once? No. I listened. I never turned my back on you because that’s what a good friend does.”

“That’s what a good friend does? So now I’m not a food friend?” Harry scoffed, “I can’t read fucking minds, Y/N! How am I supposed to know you’re upset if you don’t tell me?”

“How am I supposed to tell you if you never answer my calls?!”

“I came back!” Harry yelled, “I’ve seen you almost every day for a month! You’ve had plenty of time!”

“Did I?” you sneered, “Harry, you were heartbroken about your breakup! What would you suppose I do? Tack on some more reasons for you to feel sorry for yourself? Cry about how you were mean and broke my heart? You didn’t need me getting after you! I recorded an idea for a song on my phone, and now you’re mad because I expressed my feelings in a song that you were never meant to hear?”

“You don’t get to decide what I can and can’t handle, Y/N!”

“You think you could have handled the added guilt?” you should back, bordering the edge of condescension, “I helped you write two albums worth of breakup songs about her, Harry! I sat here for hours a day every single day for weeks helping you write lyric after lyric explaining your love for a woman that hated me!” you were on the verge of tears now. “And here I am, the idiot helping you through it, only to find out you’re still talking to her!”

“I’m not talking to her! I called to ask if I could put something in a song!” Harry shot back, “And she didn’t hate you!”

“How can you not see it?” you breathed, wiping a tear from your cheek, “I have to watch a man I care so much about going through shitty relationship after shitty relationship. And I’m here, like always, waiting for you to wake up and see that you deserve better! You can’t even admit what you did because you’re too busy defending a girl that broke your heart!”

“I’m not defending her, Y/N! I’m sorry that I hurt you, but it’s not her fault! She didn’t hate you, she was just jealous and untrusting and she had every reason to feel that way!”

Heat rose to your face and your voice got more fierce, “I always treated her with respect! And I never gave her a reason to feel that way!”

“You didn’t, but I did!”

“What does that even mean?! Why would she hate me for something I didn’t even do? That doesn’t even make any sense, Harry! You avoided me for months and you’d argue if she found out you were talking to me, and you’re saying that it had nothing to do with me?”

“No. I mean, yes. Kind of,” he started to get flustered and began talking faster, “It was my decision, not hers. And I’m not defending her. I wanted to talk to you, Y/N, but I couldn’t!”

You were getting angrier. It felt like you were going around in circles with Harry and you were frustrated that he wouldn’t give a direct answer. “Why? You keep beating around the bush instead of just giving me a reason! What possible reason could you have for dropping a friend of ten years out of nowhere? I didn’t do anything! So, why?”

“Because I accidentally told her that I’m in love with you!” he blurted out.

His voice was loud and perturbed. But as soon as the words left his mouth he knew he might have just made a huge mistake. Harry never meant to tell you. He was perfectly happy with keeping this a secret for as long as it took to get over you.

You froze, sitting backward and raising your eyebrows, mouth ajar, “You what?”

“I didn’t mean to,” he spoke quickly, trying to justify himself, “We were drunk at your concert and, I don’t know, it just kind of came out and we started arguing. I didn’t even realize what I had said until the next morning when she was still angry.”

The memories of the night of your concert came flooding back. Images of their slowly fading happy faces turned to anger and fighting started to make sense. But what he was saying didn’t. He was in love with you? Surely he didn’t mean that. He showed no inclination of romantic feelings towards you. There had to be a misunderstanding. What he meant to say was ‘he loved you like a sister’.

When you didn’t speak, he continued to try and explain himself, hurriedly speaking again; something you hardly ever saw from him. Usually he was calm and cool, even when faced with uncomfortable situations.

“I tried to tell her I didn’t mean it and I had no clue why I said that, but she didn’t believe me. She kept saying ,‘I see the way you look at her’ and ‘Everyone knows it. I’m not stupid!’. So I just kept telling her she was crazy and started talking to you less and less to prove her wrong. But she never trusted me after that. And whenever she found out I was talking to you, it gave her more reason.”

“I-” you tried to speak, but he just kept talking, more unsettled now, “I kept trying to tell myself it was nothing. But when we broke up, the first person I thought of was you. I knew you were probably angry with me, but you helped me anyway. You were there for me like you always are. And I knew that Camille was right. It was always you. And honestly, I hated you for it.”

You recoiled, surprised as he started to get more agitated. He continued, “You were there since the start of it and you made me set this impossibly high standard for my relationships! That’s why they all failed miserably! That’s why they all hated you! Because they knew they couldn’t live up to you!”

“You’re blaming me for this?” you argued back, “I didn’t make you compare anyone to me! I didn’t even know because you were too chicken shit to say anything to me!”

“I couldn’t say anything to you! You were my best friend! I didn’t want to lose you! Those few months we didn’t talk were hell! I thought about you every day! Besides, what difference would it have made if I did tell you? You can’t honestly tell me you felt the same!”

“Stop assuming you know how I feel!”

“Well, am I wrong?!” he shot back, seething.

“Yes! You’re wrong!”

There was silence, the two of you just staring at each other, faces filled with frustration. His eyes flickered across your face, looking for some kind of sign as both of your chests rose and fell. His tongue grazed his lips, wetting them from all the yelling. And like the flash of light, both of you lunged forward at each other.

The mess of hands wildly roaming each other’s bodies and tangling in each other’s hair was dizzying. Hungrily, your tongues circled as if you were starved and the only salvation left was his breath entwined with yours. You both stood, only to be pushed backward on your desk, your keyboard slipping out from under you and crashing to the floor. You could feel your back press against your monitor as you eagerly fidgeted with the buttons on Harry’s shirt and before you could undo the last one, he had already managed to undo yours, pulling it down your arms and tossing it somewhere to the side.

Harry became impatient, finally pulling away from your lips and tanking open his shirt, making the last button pop off and roll underneath the desk. You for your first good look at each other; panting, out of breath. Half-naked, you could see every tattoo on his chest that you had always longed to kiss under the dim light of your flat and the veins in his arms bulged as he gripped onto the desk underneath your thighs. His eyes looked fierce and almost rabid as he looked you up and down. There was a moment of pause and thought. Slowly the two of you cracked a smile. And the smile turned into light laughter.

“I can’t tell you how long I’ve wanted to do this,” Harry whispered, pressing his forehead against yours and weaving his fingers through your hair just behind your ears as the warmth of his palms lay flat against your cheek.

You smiled, closing your eyes and placing your hands over top of his, breathing in his scent as you softly spoke, “Probably just as long as I’ve waited for you to do it.” And you gently pressed your lips to his once more.

------------------------------------

Taglist:

@odetostep @mylittleangel9403 @thurhomish @fallingfordolans

[the-modernmary]

my best habit || aaron hotchner x reader (ch. 5)

Chapter summary: Aaron and the rest of the BAU finally make an arrest on their case, and you spend the weekend at Aaron’s.

Warnings: SMUT, oral (f receiving), multiple orgasms

prev. chapter || masterlist || read on ao3

I had a few, got drunk on you, and now I’m wasted

And when I sleep I’m gonna dream of how you tasted

- Harry Styles, “Medicine”

 ~~~~~~~

The investigation was slow going, and every day when you got off the metro to get to your internship, you would see the undercover van that you knew had BAU members cramped inside, sitting and waiting for somebody, anybody , to slip up and say something incriminating. 

  It was weird being at work knowing that it was bugged, but it did wonders for your productivity. Whenever Chris or another one of your friends at the office started to ask you about your personal life, you were able to deflect it with a quick “Sorry, I’m in the zone right now, and I’ve really got to focus!” Usually, you had no problem sharing, but you really didn’t want the FBI to have audio evidence of your retelling of you double fisting vodka Sprites the night before until you passed out in your bathtub. 

  You also hadn’t seen Aaron since that first night together, which was almost a week ago now. The two of you had been texting back and forth pretty consistently, but you quickly found that there was a variable that wasn’t there two years ago - Jack.

You should have realized that, of course , Jack would be living with Aaron now, but it never crossed your mind. Jack used to live with Haley, and Aaron rarely brought him up to you. Now that Jack lived with Aaron, it made things a little more complicated. It also meant that you couldn’t just show up at Aaron’s doorstep whenever you were feeling lonely, or vice versa. After a long and awkward phone call, Aaron and you had both agreed that it was best that Jack just didn’t meet you, just in case he got attached.

  “For now, at least,” Aaron had added at the end, and holy shit, you did not have the time to unpack whatever the fuck that meant.

  Especially not with Chris throwing a crumpled piece of paper at you like the two of you were in middle school and passing notes.

  You held up the ball of paper with a raised eyebrow. “Seriously? You have the desk across from me, you could have just said my name.”

  “What are you doing tonight?” he asked you, pointedly ignoring your question. “Nina just got the Catan expansion pack and she wants us all to come over.”

  You pursed your lips as you thought about the offer. You did love game nights with your friends, but it was Friday night and you were still holding out on the possibility of Aaron maybe being free and inviting you over. It was almost pitiful how touch starved you were after just a few days of not being with Aaron.

  “I’m not sure whether or not I’m busy tonight,” you admitted, maybe speaking a little too loudly in the direction of the listening devices, just in case Aaron was listening in. 

  Chris gave you a knowing smirk. “Oh, are you waiting to hear from your secret lover?”

  “Okay, don’t use the word ‘lover’ again,” you groaned. “And what makes you think that it was anything more than a one night stand?”

  “Because when you’re not actively texting, you’ve been checking your phone every 20 minutes.”

  Your face turned red as you sunk into your seat, trying and failing to hide yourself. Maybe if you willed it hard enough, the ground would open up and swallow you whole, just to save you from the embarrassment. You hadn’t realized you were checking your phone so often, but you also didn’t doubt it. 

  “Fine,” you grumbled, deciding that coming clean to your friends was going to be much easier than having to deal with them bringing it up at every moment possible. Besides, you didn’t have to give them all the details. “I will tell everybody all about him, but later . Not now.”

  Chris smirked as he leaned back in his chair, obviously proud of himself. You turned back to your work, mindlessly doing edits as you came up with a cover story in your head.

  Ran into an old friend, you could say. We got drinks, and then one thing led to another. That could work, except you came to the realization that you didn’t have any photos of Aaron, which would be suspicious if he was an old friend. You would have to look him up, which you were sure would just lead to a slew of FBI ID photos and news articles, which would mean that they’d just do some major googling of their own. You had avoided looking up Aaron, maybe in fear of what fucked up cases he had been involved in, but your friends would not hesitate.

  You could come up with something so ridiculous that they would just laugh about it. Yeah, I got a sugar daddy and he made me sign a nondisclosure agreement, sorry! You giggled to yourself just thinking about it. Aaron would probably be mortified at the thought. Although, he did wear a Rolex, so you guessed that anything was possible.

  “Holy shit, Y/N,” Chris mumbled, and you just gave a lazy hum as a reply, not really paying attention. “The FBI is here.”

  Your head snapped up at that . You whipped your head around so that you could face the entrance, and sure enough, the entire BAU team was walking in like they owned the place, with Aaron in the lead. They all had their FBI vests on, a sight which was way more attractive than it should have been. JJ and Reid stayed at the entrance to make sure nobody got out.

  “Everybody, please stay calm,” JJ called out, putting her hands up non threateningly. “Everything is okay, but we need you all to stay sitting exactly where you are.”

  A commotion came from the conference room and against your better judgment, you turned your head to watch what was going on. It wasn’t just one person getting arrested, it was every partner. You watched as Aaron spun Julian DuPont around by the wrist and pushed his face down on the conference table and oh, the FBI vest was nothing compared to watching Aaron arrest somebody.

  If anybody asked you if you got turned on during an FBI raid, you would vehemently deny it, but watching Aaron take out his handcuffs made your mind flash back to all those times you were in that same position, cuffed and bent over, completely at Aaron’s mercy. 

  Just as quickly as they came in, the BAU made their arrests and made their way back out. As Aaron passed your desk, his eyes met yours for a brief second and the corner of his mouth quirked up smugly. It was so subtle and quick that even you barely caught it, but you knew that look.

  At least you weren’t the only one in this situation with your mind in the gutter.

  Once the rest of the BAU was out of the building, JJ and Reid started the process of getting everybody else out of the office so that CSI could come in and finish looking around. When you passed by them, both agents greeted you with a warm smile, like the three of you were old friends.

  “Y/N, we’re going to need to get your statement before you go home,” Reid told you as you walked by, and you just nodded in confirmation.

  Once you got outside, you were immediately greeted by some agent named Anderson. He needed to get your statement on the work you did with the team, and you quickly gave him the PG version of the story. Your mind, however, was more focused on finding Aaron, who you knew had to be somewhere in the crowd. God, how long did it take to write down a simple statement?

  “I’ll take it from here, Anderson. Thank you.” 

  Aaron’s voice sent shivers down your spine and you spun around to look at him. You brought your bottom lip in between your teeth. “Nice arrest, although I’m surprised. Mr. DuPont doesn’t even drive himself to work, I can’t imagine him waiting out to kill somebody.”

  “That’s because he hired hitmen,” Aaron explained. “The victims were all bribing judges to get their cases dismissed, and all of those dismissed cases looked really bad for his prosecuting record.”

  You shrugged, placing your hands on his hips. “Probably not as bad as prison, though.”

  That actually got a laugh out of Aaron, but he quickly composed himself as another agent walked past the two of you. “Yeah, he’s not going to be practicing law ever again.” 

  You opened your mouth to say something - maybe to invite him over? You weren’t totally sure - when one of the CSI’s came over to ask Aaron something.

  Aaron waved him off, telling him that he would be there in a moment, before turning back to you. “My house will be empty all weekend,” he whispered, looking around to make sure nobody was watching. “Pack a bag, come over.”

  Before you could even answer him, Aaron had already taken off. You made your way towards the metro so that you could run home before heading to Aaron’s. You had to fight the smile that was growing on your face when Aaron mentioned packing a bag. Not only was it an unspoken promise of a weekend full of sex, it also meant that he was planning on making room for you to keep some of your stuff at his house. The two of you were quickly falling back into your old routines, and it was weirdly comforting.

  When you got to your house, you made a split second decision to change out of your work clothes into a more casual outfit, although it didn’t matter much what you were wearing. It’s not like it was going to stay on for very long. As you packed your bag, you ordered an Uber, knowing it would get you to Aaron’s place faster than the metro. 

  Sure, you were a little impatient, but it had been so long since you had spent the night at Aaron’s place. It always intrigued you how different it was at his house than it was at yours. You were just staying in a shoebox apartment while you were in college - something liveable and temporary until after you graduated and got a job where you could put actual roots down. Your decor was fairly minimum, an assortment of knick-knacks and photos of your friends.

  Aaron’s place was different. It was a certifiable, adult house with framed art and random decorative bowls scattered around. All of his kitchenware was a part of a matching set and his living room looked like all the pieces were picked out by an interior designer. In a weird way, being at Aaron’s house gave you a glimpse of the life you could have in just a few years. Sometimes, it was easy to imagine that you were a part of his world.

  You couldn’t think like that, though. Especially not when he greeted you at his door with an eager kiss, pulling you in so that you were pressed against him.

  “I’m going to use this entire weekend,” Aaron mumbled against your lips in between kisses. His hands slid up your sides, pulling your shirt off almost immediately. “To thoroughly and completely ruin you, until you can only say my name.” 

  Your fingers tangled in his hair as you smiled into the kiss, your fingers already working on the buttons of his shirt. A soft moan escaped your lips, which only encouraged him to deepen the kiss.

  The two of you stumbled towards Aaron’s bedroom, only detaching your lips when absolutely necessary and leaving a trail of clothes behind you. You needed to be naked, to feel your bare skin pressed against his. His hands were impossibly everywhere all at once - running up your thighs, cupping your breasts, and gripping your hips so hard that it was bound to leave bruises. Your body burned everywhere he touched and soon all you could think about was him and how badly you wanted him to touch you where it mattered.

  Once you got to his bedroom, Aaron pressed you against the wall. You tried to grind against him, but he moved one of his hands onto your hips so that he could hold you in place. His lips moved from your mouth to your neck, sucking just enough to make your back arch. “You have no idea how often I thought of you this week. How hard it was to listen to you and not think about how you sound when you’re begging for me. How badly I needed you.”

  Your nail scratched down his back lightly, just enough to elicit a soft hiss from him. “Desperation is unbecoming on you, Aaron,” you teased, knowing that would get a reaction out of him.

  It worked. One of his hands stayed on your hip, pressing you firmly against the wall, while his other hand tangled itself in your hair, pulling your head back so that your face was lifted up towards him. He kept you at an arm's distance as his eyes raked your body up and down hungrily.

  “I’m desperate?” he said scornfully. “Coming from the girl who is so needy that she couldn’t stay away from her phone for more than a few minutes, just waiting for me to want you. I could have called you at any time, and you would have dropped everything just to let me use you, isn’t that right? You’d let me do anything to you, just like the filthy slut you are.”

  You visibility gulped at his statement but you nodded obediently, which earned you a sharp tug of your hair.

  “Yes, Aaron, fuck ,” you gasped out. “I would have let you do anything at any time, just please…”

  Aaron gave you a predatory grin as the hand on your hip slowly made its way up your stomach until it cupped your right breast, thumbing lightly over your nipple. It wasn’t enough to get any real pleasure, but it made you moan all the same.

   “You did such a good job this week,” he murmured, looking at you almost worshipfully like he wanted to commit you to memory.  “I was going to give you whatever you wanted tonight. But maybe that would make me too desperate .”

  You tried to wiggle out of his grasp, but it was no use. “I- I-” you stuttered out. You couldn’t think straight.

  “I- I-,” Aaron mocked. “I thought you were a lot more intelligent than that. Come on, Y/N, whatever you want. Use your words. Unless pleasure’s turned you into a stupid whore.” He punctuated the last word with a light spank to your clit, which made you cry out and your legs instinctively try to close.

  “I want you to use your mouth,” you begged, arching your back in a pitiful attempt to create some form of contact. Your shoulders pressed against the wall was the only thing keeping you upright.

  “Where?” he asked all too casually.

  Your breathing was still shaky at best, but you forced yourself to make eye contact with Aaron. He looked back at you expectantly, waiting patiently for your answer.

  You slowly raised your hand to point to your left breast, which so far had been woefully ignored. “Here,” you said hesitantly, not sure whether or not he was going to tease you. While Aaron always gave you what you asked for eventually, that didn’t mean he wouldn’t make you beg for it first.

  To his credit, however, Aaron immediately bent down and attached his mouth to your nipple, his teeth gently scraping over the sensitive flesh. His eyes never left yours, he wanted to watch your reaction. 

  Feeling more confident, you cupped the sides of his face and pulled him off you, and the sound it made was obscene. “I want you to eat me out,” you whispered, blushing as you said it. “I want to feel myself cum on your face, please .”

  Aaron smirked as he slid down to his knees, kissing all the way down your stomach. “Good girl, you asked so nicely,” he mumbled against your skin and it sent shivers up your spine. He hooked one of your legs over his shoulder, giving him a perfect few of your pussy, slick with your arousal. “Look at you, dripping down your thighs before I’ve even started. Desperation is unbecoming on you, Y/N,” he mocked. He was using your words against you, and you didn’t even care. You just wanted him to do something, anything.

  Aaron ran a finger through your folds, ghosting over your clit. You hips bucked, desperate for more contact, but his finger was already gone. “Look at me,” he ordered, and as soon as you did, you were greeted with the image of Aaron admiring the wetness that was covering his finger. Then he stuck the finger in his mouth, smirking as he did, and you moaned out at the sight. “You taste so good, Y/N.”

  “Please, Aaron, I need you to- oh! ” you begged, but you were cut off by Aaron licking a strip up your center, still avoiding your clit.

  His hands came around and grabbed onto your ass as he got to work, lapping through your folds. You tangled your hands in his hair, rocking your hips against his mouth, craving more . His tongue teased at your clit, humming every once in a while in a way that sent vibrations throughout you. Without warning, he pushed two fingers into you curling them in just the right spot.

  As Aaron’s fingers pumped in and out of you, his lips focused solely on your clit. He flicked it once with his tongue before sucking, relishing in the way you moaned out his name. You tightened your grip in Aaron’s hair as your first orgasm hit you, your whole body shaking and a string of expletives leaving your mouth. But that didn’t stop Aaron.

  He added a third finger and replaced his mouth with his thumb on your clit. “You’re going to give me another one,” he practically growled. “And then I’m going to fuck you until you’re a whining mess. This is what you asked for isn’t it?”

  When you didn’t answer right away, he turned his head to the side and bit down on the sensitive flesh of your inner thigh, causing you to cry out. He sucked on that same spot for a little before dragging his tongue over the newly formed bruise.

  “Yes, I want that, Aaron,” you cried out. “I want you .”

  He reattached his lips to your folds with newfound vigor, making tight circles around your clit. His free hand snaked up your sides to your breast, pinching and twisting at your nipple. You continued to beg, although you weren’t sure what you were begging for exactly. All you knew was that you were so full of want , want for your second orgasm, and want for Aaron.

  Aaron fucked you with his fingers with ease, as if he had all the time in the world. You ground down on him again, chasing your orgasm the best you could. Your eyes were squeezed shut in pleasure, but you needed more. You opened your eyes, only to be met with Aaron’s blown pupils, eyes full of desire. You could almost feel his smirk as he wrapped his lips around your clit and pulled .

  The heel of your foot dug into his back as you cried out, your second orgasm twice as intense as your first one. Aaron’s fingers kept pumping into you lazily, and even your panting couldn’t cover the filthy sounds it was making. You could feel yourself dripping down your thighs.

  Aaron slowly removed his fingers from you and lightly swiped them over your clit once more as he stood up, which almost made you completely lose your balance, a sob tearing from your mouth.

  He held his glistening fingers in front of your mouth and you opened obediently, moaning as you tasted yourself on him. Your tongue swirled around his fingers, making sure to clean every trace of you off him.

  Aaron removed his fingers from your mouth. “Do you have one more in you?” he asked, and it was softer than you were used to. “It’s okay if you don’t. We have all weekend.”

  “I need your dick in me,” you said in lieu of an answer. “Please, please fuck me.”

  Aaron pulled you to his bed and you all but collapsed onto your back, your legs still shaking from your back to back orgasms. Aaron crawled on top of you, leaving a trail of kisses in his wake, all the way from your stomach to your mouth.

  “You’re so beautiful when you come for me,” he whispered, teasing your entrance with the head of his cock. All of his movements were gentle, bordering on caring. “Yelling out my name so that everybody can hear that you’re mine .”

  He pressed into you slowly, his first few thrusts shallow, and you could see that it was taking all of his willpower to keep teasing you like this. You dragged your nails down his back, not caring if it left marks on him.

  “Aaron,” you whimpered, bucking your hips to try and get more movement. “Please fuck me. I need more.”

  Aaron was always good at giving you what you wanted.

  His hips snapped into you harshly, and you had to attach your lips to his shoulder to keep from screaming out. Aaron thrusted into you hard and fast, wanting to feel every inch of you. He stretched you in all the best ways and your back arched off the bed. You were holding on to Aaron like a lifeline, and all he could do was grunt out your name over and over, repeating it like a prayer. 

  Your third orgasm came fast, spreading through your body like a wildfire, and you could feel the tears prick at the corners of your eyes at the overstimulation. Aaron’s thrusts became more desperate and harsher as he felt you squeeze around him. He dropped his head to your shoulder, his breathing ragged and you could tell that he was so close-

  “Cum for me… Fill me up,” you purred into Aaron’s ear, and that’s all it took for him to finish, holding himself deep inside you as his warmth filled you. The two of you stayed like that for a moment, both trying to catch your breath. You brought your head up to kiss Aaron, slowly and deliberately and filled with… something . You couldn’t figure out what it was yet.

  Aaron pulled out of you slowly and flopped onto the bed next to you, but he reached over and held your hand. The two of you laid like that for several moments, giving yourselves time to come back down to reality. Finally, Aaron rolled on his side to check on you. You admired the flush on his body, especially as it rose to his cheeks and made him look like he was practically glowing.

  “Are you okay?” he asked, his thumb rubbing lazy circles on your hand. “Can I do anything?” 

  You turned your head to smile at him, giving his hand a squeeze, before sitting up. Aaron was always so careful about aftercare, which you were immensely appreciative of. “Oh, I’m fine, I’m just going to go to the bathroom. A UTI might ruin the mood,” you joked.

  When you returned, Aaron was already in a pair of pajama pants and sitting in bed. He had also laid out one of his shirts for you, which caused your stomach to do flips. Despite the fact that you actually did pack pajamas, you chose to wear his shirt. You could feel his eyes watching your every movement as you made your way back into bed, leaning back against the headboard.

  Aaron placed an arm around your shoulders and you leaned into him, catching his lips in another kiss, this one soft and sensual. You placed your hand on his bare chest as the kiss deepened, and Aaron’s fingers ghosting over your skin sent shivers down your spine.

  “So,” you murmured against his lips. “What are your plans for me this weekend?” It was partially a joke, but you wanted to be as prepared as possible for just how sore you were going to be on Monday after an entire three days of being thoroughly wrecked by Aaron.

  Aaron’s lips curved up into a smile as he dropped a kiss on the top of your head, letting his lips linger for just a second too long. “Hm, we can play it by ear. Although, I was thinking Indian for dinner tomorrow night?”

  You were too old to get butterflies, but there was something so soft and so sincere in his reply that it made your stomach do flips. Aaron yawned, probably not even giving a second thought to his reply, and pulled you in closer to him. 

  “Yeah,” you conceded, closing your eyes. “Indian sounds good.” You could deal with the butterflies later.

[mybg3notebook]

The Party Scene

Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in June 2021.

In these “scene posts” I will explore the scene of the title looking for the information in the dialogues. What I will be looking for is how much Gale “lies”, how much lore is provided, and any extra detail that may be of our interest to highlight. At the end of these posts there are summary points for those who don't want to read the whole post.

Additional disclaimers about meta-knowledge and interpretations in this (post) while disclaimers about Context in this (one).

The party scene, I personally think, needs plenty of polishing. The fact that many characters can have a "jealous" behaviour towards Tav no matter their approval looks suspicious to me. Gale's case is even weirder because if Tav did not romanced him at all, Gale will still share those judgemental comments that seem to come from jealousy, as well as strange dialogue options about “being a bad loser” when the context is not romantic at all. This would make some sense—to a certain extent—if Tav romanced him, but if Tav locked him as a friend, it has no purpose. Especially if Tav explores the option of suggesting him to spend the night together, which ends with Gale rejecting the situation because "they are just good companions" after such display of incoherent jealousy coming from a char who values privacy (and therefore would not meddle into Tav's personal affairs). It seems to contradict his character and therefore, it makes me suspect that the whole party scene is just very raw and unpolished in general. 

As I said, the party interaction is very confusing since it doesn't follow the relationship context created by Tav, and in Gale's case looks inconsistent with his char as well, inviting a strong misinterpretations of his character (this is probably a consequence of the decision of making Gale part of EA in the last moment). So this scene analysis may be a bit messy since the scenes are messy too (hence this post's length. I'm sorry). 

Whether Gale was locked into friendship or romance, Gale drops his famous line: 

As they say in Waterdeep: In wine there is truth. That's usually followed by: In water there is good sense. Good sense will have to wait till the morrow.

A great warning line from a narrative point of view: he is basically saying that what will be shared that day under the effect of wine is true, but it certainly won't be "good sense".

In a friendship path, he would not want to waste Tav's time any longer, and will bid them a good night while promising a bed-story the next day. In that case, the wine line could be interpreted as the final decision of a confession that will happen the next day: Gale has finally reached a degree of trust in Tav that gives him enough courage to finally speak about the details of the "orb" (and I emphasise details because in broader aspect, he already shared what's most important: the "orb" in his chest is a dangerous thing. If Tav assisted with his death protocol, this is undeniable by now, unless Tav allowed him to keep his privacy). 

In a romantic path, this wine line could be interpreted as the decision of inviting Tav to share a night, and explaining the details in the morning, the “good sense”. After the wine phrase, we have other piece of prose in which Gale describes a book that it's a bit more than a sexual book:

Gale: Allow me to make the following proposition: there is a book that circulates in Amn, detailing the first thousand nights of a newly-wed king and queen. They turned everything they did into an art. The art of conversation. The art of taste, time honoured and newly acquired. The art of the body. The exploration and acceptance of the self and the other. The art of the night itself. I say we take a page from their book. 

Considering that Gale is not only a verbose char, but also a poet and a scholar, the enumeration of the concepts in the description of the book speaks a lot in my opinion. Gale is not inviting Tav to a night of sex (let's remember he never uses that word in EA) but to a deeper degree of "intimacy", as he calls it. There is a lot more involved in what he asks for: confessions in the art of conversation, pleasures in the art of the body, and, hopefully, acceptance. For Gale, acceptance is a big deal: it’s not by chance that he left it last in the enumeration, summarising the whole concepts with the "art of the night". Gale is truly eager to access these concepts, and in doing so, I personally believe he shows a fair level of naivety on this matter. It seems (especially later with his unpolished arguments in the morning) he felt he needed this level of intimacy—of acceptance first—so he could speak the details openly. He wants to have this night before any confession because he thinks that it would allow him to acquire something that would prevent the abandonment that he viscerally fears: acceptance.

Any of the options taken by Tav keeps showing his eagerness. He wants this to happen in whatever terms Tav desires: as a brand new experience (“blank slates on blank sheets”) or with the promise of commitment (writing the prequel of a newly-wed couple). Or if Tav romanced Gale and then chose to spend the night with another companion, Gale will still insist in sleeping together, showing he was open for Tav to have casual sex as long as the "commitment" part would be established with him. This is reinforced by the fact that, if Tav never shared the Weave with Gale, there is no way to sleep with him: Gale is not a character for one-stand nights. He craves for deep connection, for commitment, in whatever fashion he can get it. Mystra taught him not to ask about exclusivity after all.

Gale is so desperate to have this deep connection that if Tav doubts about spending the night with him, he will drop a line which can trigger an alarm in the player:

Tav: I'm not sure you're the one I want. Gale: That's because you've yet to find out what you're missing. Doubt is a spoilsport. Cast it aside.

Gale, the scholar, the one who kept encouraging Tav to doubt and to think critically about everything, suggests to dismiss doubts. Once more we see he needs this to happen. Some players interpret this as manipulation as well. I personally think this also says something else in Gale: since the dev's notes show no second intentions in the only two scenes where dev's notes existed, and instead, they display how much fear Gale has for a second abandonment, Gale is showing here his inexperience with relationships as well as a constant fear for abandonment.

Gale is looking for commitment, for something that can last longer than Mystra's affair did: he wants something solid, but his inexperience in this field made him "acquire" knowledge of how things should work via romanticized means such as books and poetry. In his mind, the acceptance he needs can only be acquired due to the "art of the night", very well detailed in this book he describes. 

It's true that, all this part, if we completely ignore the narrative weight that the book has for a book-based character such as Gale, can be interpreted as Gale manipulating Tav to have sex alone; desperate to obtain it, doing everything in order to get it. We can also see the description of the book as a “bait”, as some people do. It's a valid interpretation, especially for a Tav who respected Gale's privacy during the Loss Scene and the protocol, so that Tav has no information with which to connect the dots. But I personally find it an over-magnification to see him as a "mastermind of manipulation". The few dev's notes we have about Gale seem to confirm that nothing shadier than his “orb” despair and his fear for abandonment are going on. These fears are constantly echoing in his mind, and they are, as I said in other posts, the main reasons why he becomes emotional and prone to make mistakes. 

Is this action manipulative? It can be seen as “withholding information” by any Tav who didn't push him to explain, otherwise, all the information in a general way has been offered already and there is no withholding at all. Is Gale a manipulative character? In EA we don't see a pattern of that behaviour to qualify him as such. He has been quite honest, explaining in all scenes what he can say and what he cannot, drawing his boundaries clean and clear. We saw him struggling with the explanation of what he lost. The few Dev's notes reinforce mainly his fear for abandonment, lacking any manipulative behaviour behind his actions. His pattern, in my opinion, is that he tends to make mistakes in his emotional state, which is mostly triggered by the “orb” and the concept of “abandonment”. Not so much with Mystra per ser. He seems to be nostalgic but more aware of what loving a God causes (his regret is explicit during the conversation of Karsus). He is quite done with "her love as a lover", but that doesn't mean he doesn't want to be forgiven nor he doesn't love her as the essence of Magic itself. More details in the post of "Mystra and her Chosen ones".

After the party, Tav can have a romantic conversation before the sex “intimacy” or can reject the chance. What seems incoherent in this part is when Tav is not in the mood for sex, and Gale simply cuts off the situation. He is a character who craves connection and intimacy, and pretty much like Wyll, he needs a bond before stepping into romance. To waste a night of celebration that could be used to share any other level of intimacy (let's say, talking? The man clearly LOVES to talk) seems strange. If this reaction is truly meant to be in the game, it would seem that he certainly was more desperate for sex than what all the previous scenes hinted, but in that case it would have done little sense to leave the tale of the wizard for the next night. Gale already knew Tav did not want to have sex, so no point in delaying the explanation of the details. I personally suspect these incoherences are a consequence of Gale being added into EA at the last moment, making him more “shadier” than he is meant to be. 

To justify my opinion that this seems to be an unpolished scene: if Gale is not romanced, and conditions are given, Lae'Zel will spend the night with him, talking. Why would Gale prefer to share a night of talks with a companion with whom he had not the Weave connection before, but he won't do it with a Tav who shared it? I see some incongruence here, probably as the result of being added into the EA in a rush. His scenes are less polished and much more messier than the other companions' (certainly not more than Wyll, though) and his bugs and triggering priority show it. 

This part is also seen as "coercive" by some players:

Tav: I’m sorry, but I actually don’t think I can do this. I’m just not in the mood. Gale: Not even a simple kiss would change your mind? Tav: No, it wouldn’t.

Tav: Maybe a kiss was enough Gale: Are you sure? One kiss is like one chord in an entire symphony. It begs for more.

Gale: (disapproval) What a pity. One should never be afraid to live life to the fullest. Before we part.. I know there are many things about me that remain shrouded in mystery. You’ve been very patient with me, and I appreciate that. You’ve brought me back from the grey shores of death. You know of my condition, and you know about my unfortunate efforts to win Mystra’s favour, but those are but the broad strokes. The time has come to paint you the true picture. So come find me another night, yes? No kisses, just words. (Leaves)

Asking seems to be coercive for some people just because there is a disapproval. I personally separate very clearly what Tav sees and receives as information from the NPCs and what I, the player, do. Tav should react to what they see, but the player is having a “meta-knowledge” of the situation with the info of the narrator and the approval system. The player knows Gale is disappointed in not having intimacy now, and he expresses it. Then he behaves completely natural, and continues talking (of course) about what he will explain about in the following morning (I don't understand what impedes him to say it in that moment: is it the wine? He fears his charisma checks are at a disadvantage due to the wine? Is it just a reflection of the rush in which he was added to the game? We will see in the full release. To me it looks inconsistent.)

Anyways. The scene continues in the early morning or simply the next night depending on what option Tav picked. Here, Gale presents the details of the revelation: “It is a story full of answers long overdue. It is a story of a man who fell in love with a goddess.”

Tav: You're really about to tell me about another lover? What's wrong with you? Gale :I couldn’t do it before. I couldn’t ruin the chance for us to happen. You were there. How could I say no to you? Dev's notes: Gale revealed he was in love with Mystra. He tells this the morning after. Understandably, the player can react negatively to his timing. He tries to explain himself. 

This line clearly shows that there was an intention in hiding the relationship he had with Mystra, which it's an “answer long overdue” (is it?). Now, some players consider this the proof of Gale's manipulations; the greatest betrayal, because people are entitled to know all the details of their partner's past before sleeping with them. Other players consider that it's in poor taste to disclose this exactly the morning after sharing the night with Gale. And I agree. However, I see a scene with a lot of over-magnifications and making things more problematic than they truly are. In my opinion, “the chance for us to happen” is deeply linked to the book of Amn for all the reasons explained before. It's not by chance that this book has such a weight in the scene. Gale also shows with this line that he has no experience nor idea how relationships develop. 

I also think that Gale fails so much in delivering decent lines in this scene because, 1) this is a very unpolished text in EA, or 2) this is very on purpose, emphasising that Gale is ready to speak about the two topics that turn him into an emotional disaster and his word choices could be attributed to as someone failing many charisma checks. Maybe that's the intention.

If Tav considers this the greatest of the betrayals they can tell him to leave and Gale will not resist the rejection, leaving the party immediately and facing one of his biggest fears: Abandonment. And once more, the abandonment as a consequence of his own mistake. The irony of this path. 

If Tav allows him to explain, Gale will accept any "judgement after telling his story". This is something very related to Gale's approvals: to have a complete grasp of a situation, you need to have all the evidence, hear all the details of the event, before drawing a conclusion. And curiously, no matter what aggressive option Tav picks, Gale gives no disapproval unless he is forced to leave the party. So, after some dramatic reaction, Gale will try to proceed with the telling.

Tav: It’s clear as day you are talking about yourself, you know Gale: I know, but a bit of narrative distance will make it all so much easier in the telling. Indulge me.

From here, Gale gives Tav another courtesy gesture: to pick the version in which this will be explained. He clarifies that the long version, more pompous and verbose and in third person, is the one he would prefer due to the distance. Since the first meeting on the road, or the stew scene, passing through the Loss Scene, we see this pattern again: Gale, the character who always has a lot of things to speak about, has also topics that are difficult to explain and needs to use narrative tricks to do it. Not by chance he is a reserved person: those topics he can't talk about are always personal. 

Long version

Gale: Once upon a time, not quite that long ago, there lived a wizard in a tower. The wizard was what one might call a prodigy, who from an early age could not only control the Weave, but compose it, like a musician or a poet. Such was his skill that it earned him the attention of the mother of magic herself. The Lady Of Mysteries, Mystra.

Tav: What did Mystra’s attention feel like? Gale: Love.  Dev's Notes: nostalgic, regretful, bitter, sad, lost romance–all with a bit of hesitation on the front of the line. Tav :He sounds like a very talented individual Gale: He was. Even though it was in Mystra’s affections that his true power lay. Tav: Teacher’s pet, was he? Gale: He fancied himself much more than that. He fancied himself favoured above all others. 

These three options give interesting additional information: Gale was convinced that Mystra's attention was love, because he was young and naive. He is now very aware that his talent meant little, because the true power he had was in Mystra's affections, meaning in being a loved Chosen one. He fancied himself unique, as a Chosen would do. 

Gale: Perhaps it was not quite love, Dev's Notes: A little embarrassed Gale: but you see, the wizard was but a very young man. It was most certainly love to him. Mystra showed him the secrets behind the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. ‘Chosen One’ she whispered, as she slipped them off completely.

This is another fragment with interesting, yet disturbing lines: Gale now, as a narrator, questions if that past feeling was Love. He has matured his sentiments for Mystra, they are less "teenager-like". He is convinced that in the past it was love to him, implying that now he has doubts (concept reinforced once more by the end of the scene). The disturbing line is the definition of "very young man", which I will talk about in the post of "Gale Hypotheses- Part 1", section: "Grooming". 

Tav: The veils draped across the Weave? Gale: Indeed. What most wizards perceive is but the ripple of the Weave’s surface. Untold wonders lie beyond. I enjoyed them for a while, as we enjoyed each other.

Once more, in these details, the narrative reinforces how intense is the connection of Mystra with a Chosen one. Again, this is lore information. Chosen ones have a deep connection with Mystra/the Weave/Magic, which is unique. More on this matter can be read in the post about "Mystra and her Chosen ones".

Gale: One day all too soon, the whispers stopped. The goddess spurned the mortal. The veils were drawn once more, and the wizard was left behind heartbroken.

Tav: Poor wizard Gale: Poor wizard. Silly wizard too, for he wouldn’t take no for an answer Tav: What happened next? // I hate to say it, but he really could have seen this coming Gale: He was blinded by love. Good stories are rife with lovers’ follies after all. Tav: Perhaps she, like you, had other lovers she didn’t tell him about. Gale : She might well have had, but that didn’t stop the wizard from trying to reclaim her affections.

Gale: Like so many of the heartbroken, he did something infinitely foolish. One has to think big if one seeks to win back a goddess. So the wizard thought big. [Here he explains all about Karsus who] sought to usurp the goddess of magic so that he could become a god himself. He almost managed but not quite, and his entire empire – Netheril – came crashing down around him as he turned to stone. The magic unleashed that day was phenomenal, rolling like the prime chaos that outdated creation. A fragment of it was caught and sealed away in a book. No ordinary book, mind you; a tome of gateways that contained within it a bubble of Astral Plane. It was a fragment of primal Weave locked out of time – locked away from Mystra herself. ‘What if’, the silly wizard thought. ‘What if after all this time, I could return this lost part of herself to the Goddess?”

Another part of the scene that keeps giving us a lot of information: Gale is very aware now how silly he was in his youth (at this point, one can almost remember his words during Arabella's quest: she is not innocent but that doesn't mean she is guilty) and his past young self was unable to take a no as an answer (which apparently Gale learnt very well when before this revelation or after, Tav can reject him and he simply leaves the party without putting much resistance, despite knowing that Tav only has a fragment of the big picture). The other answer reinforces his blindness by this strange concept that Gale thought it was love, and pretty much uses the word Folly for describing or making an analogy with his past, which again, it's not a casual word: Folly is a formal way to say stupidity and it's also a word that Gale uses to compare his mistake with Karsus' folly. As an extra, the last answer seems to explain very much what he does when Tav romanced him and then slept with another companion. Details of this in the post "Gale Hypotheses- Part 2", section: "Proposition to Cheat".

Short version: 

This version is shorter and more into the point without an excess of dramatic details that may end up annoying Tav more than making the process of comprehension better. The short version makes much more clear where Gale is standing: the facts are presented without his typical pattern of embellishing the story.

Gale: […] I am what one might call a wizard prodigy, who from an early age could not only control the Weave, but compose it like a virtuoso. Such was my skill that it earned me the attention of Mystra herself. I soon fell in love with her, and she returned my affections. […] Before long Mystra tired of me. What was I, after all, but a mortal plaything in sacred hands? You have to realise I was heartbroken. I was a young man, she was my first love. I thought it would last forever. 

This part reinforces once more that he is very aware that a relationship with a goddess was very unbalanced, that Mystra was his first love, he was a young man, and he thought it would last forever. 

For completion's sake, the goblin version has a different introduction:

Gale: Let's just get this over with. No doubt you've guessed by now there was something rather special about my relationship with the goddess Mystra. The thing is, we were lovers once. I am what one might call a wizard prodigy [...follows the same speech of the short version]

Three versions converge in the kneeling. The scene in this point has a different narrative value; a proud character as he is, who has a deep regret for his mistake with the “orb” (he says it explicitly in the "Loss Scene" post) kneels before Tav to humbly show the traumatic experience by placing their hand on his heart, where the “orb” resides:

Gale: Here. Place your hand over my heart. Let me show you Narrator: You feel the tadpole quiver as you realise Gale is letting you in. Into the dark. You see through Gale’s eyes, staring down the corridors of a dread memory. A book, bound, then suddenly opened. Inside there are no pages, only a swirling mass of blackest Weave that pounces. It’s teeth, it’s claws, it’s unstoppable as it digs through you and becomes part of you. And gods, is it ever hungry…

This scene speaks of opennesses in all senses, honest and without any interest of pretence: Gale is showing his greatest regret, the lowest of the lowest he reached, the despair that it inspires. For once, he is not talking, he is showing it (because the experience is the one that makes him speechless and its memory seems to cause him great pain too due to the facial gesticulation). And what Tav sees shows again that Gale has nothing extra to hide: this has been the same exact information that Tav could extract from him in earlier opportunities with successful tadpole intrusions. So, if Tav never reveals that they saw this in Gale during the stew scene, Tav will realise that Gale kept his promise: he was reserved for a while, trusting slowly in Tav, to finally open up and show that he was going to explain the “why” much more later, because it's truly difficult for Gale to speak about.

1-Yank your hand away Gale: Terrifying isn’t it? And that is only the beginning 3-Tav: Gods – why show me this? Gale: I’m sorry, but I had to. After all, that is only the beginning 4-Tav: I slept with a monster. Gale: I didn’t sleep with a monster despite the tadpole in your head. We are none of us monsters. We are merely hatcheries for monstrous things. So we fight them.

This is one of the most ominous information Gale gives us, in my opinion: The experience of how the “Black Weave” rushed into his body is grotesque and painful, and it's meant to cause despair. But that was only the beginning: Gale is everyday dealing with that feeling, but on a bigger scale as its hunger increases with each passing day. The descriptions of his emotions during the artefact scenes adds more despair and anxiety to it. Gale is living in the worst mental state that a person can, but he manages it thanks to his wizard training and the Weave he consumes (he is still alive thanks to Magic, of all things). This shows the mental power of a wizard in DnD. And if you read the post about "Well-known Characters" section: "Elminster", Gale could have been inspired in him since I can see this level of endured torture similar to the one that Elminster was exposed to when he was kidnapped and dragged to the Hells. 

Gale: This Netherese taint.. this orb, for lack of a better word, is balled up inside my chest. And it needs to be fed. As long as it absorbs Weave it remains stable – to an extent. The moment it becomes unstable, however..[...] It will erupt. I don’t know the exact magnitude of the eruption, but given my studies of Netherese magic, I’d say even a fragment as small as the one I carry…. It’d level a city the size of Waterdeep. Dev's Notes: He admits he’s a walking disaster waiting to happen. This is said very seriously. The truth is finally out and he has no idea how the player will react to such monstrous news.” 

Tav: I should godsdamned kill you Gale: Perhaps that is what I deserve, but you deserve no such thing. To kill me is to unleash the orb. I understand your anger, I do […]

Here is where we know that Gale calls it “orb”, but it's not an orb. For more details, read the post about the "Orb". Tav already knew since the Stew scene that Gale could cause a catastrophe without artefacts. In this scene we just get some extra details about it. 

Gale: It is my truth, finally revealed. It is this folly that led Mystra to abandon me completely. I can only hope you won’t abandon me as well. After all we’ve been through.. (After the night we spent together). Surely we can brave even this side by side. Dev's notes: Solemn. Full of yearning his news will not lead to him being abandoned by the player.

And there, Gale's “truth” is “revealed” (not truly, it is only more detailed in the information): We know that the Weave he consumes from the artefacts keeps this condition stable (something we already knew since the Stew Scene) and it will erupt if it doesn't consume artefacts (which is something we knew since the Stew Scene too). So the revelation scene is not so much of a revelation. The whole scene has a writing with a lot of weight in “shocking” revelations and “dramatic” reactions when the context provided shows that there is little to be shocked about, in my opinion. If anything, this whole scene needs serious polishing.

Then it follows the “coercive” part according to some players, which again... it's only Gale hoping this situation doesn't end in a second abandonment. The concept that the “intimacy” of the shared night gives more reasons to stay by his side seems pretty naïve, but maybe that was the intention (thus my suspicion that Gale has no experience at all in relationships, only what he learnt from romantic books). What it's clear is that after the detailed explanation, Gale is desperate to avoid a second abandonment, yet he knows it's unavoidable. This can be seen when Tav doesn't forgive his betrayal (?) of not saying anything about Mystra or the "orb" (he did in the Stew and following scenes, but this context is not acknowledged here), and Gale simply accepts it, showing that Mystra's experience made him learn to accept a no, leaving the party forever (in EA). 

Tav: No. This is too large a betrayal. Gale: I see. I am sorry. I am sorry that it had to come to this. All that’s left to say is farewell. Dev's Notes: A slight hesitation, hurt but understanding. He makes a polite little bow, then we see him walk away.

Really, I don't understand what happened with this scene because it's either ignoring any annoyance that the situation can cause on a Tav who didn't push Gale to talk, or it offers an over-reaction when all the information has been shared already, at least in a very generalised way during the Stew Scene. A Tav who doesn't push Gale to speak will have no more details than the ones provided during the Stew Scene at this point in the game, but one who pushed Gale will basically have the whole story covered. The Rpg-options we get here are so white-and-black, and not even coherent with the context, no wonder so many players turned Gale into a “mastermind in manipulation”. This scene is very unpolished in my opinion.

Tav: Gale, are you still in love with Mystra? Gale: I’ll be honest with you; I don’t know. She is my muse still, the embodiment of magic, but the embodiment of love? Only if we ever meet again will I know

Here we have once more confirmation that Gale questions what kind of love he has for Mystra. Considering all the context he gave us previously, it seems that his love for his Goddess as a devotee will never cease, but romantic love is a big question for him. He has given Tav all the hints to make them suspect that Gale probably never knew romantic love outside his experience with Mystra or what he could read in books.

Tav: What would permanently rid you of the orb? Gale: The orb was kept safe and inert in a pocket of Astral Plane, suspended in time. If I can somehow manage to expel it from my body while in the Astral Plane, it will be rendered inert again. Alternatively, I could learn to control it’s chaotic magic, that is; to succeed where I failed before. But without Mystra’s favour, I don’t see how that may come to pass. Of course there could be different answers as well. Faerûn brims with more magic than any one wizard could fathom, let alone comprehend. Who knows what outlandish solutions may yet present themselves?

The last bits of information are more interesting: Gale thought of two possible solutions to solve his “orb”problem. One is to expel the object out of his body in the Astral Plane where time doesn't exist so its hunger or ticking mechanism stops, so the magic will remain inert. The other option is to control Netherese magic. He informed Tav that he already tried this option, so it's clear that Gale's intention when obtaining this book was to master this strange piece of Weave and give the secrets of that control to Mystra. But he failed.

Summary of the post:

There is an important emphasis in acceptance: only through acceptance Gale can open up to share the details of his mistake. He wants to have this night before any confession because he wants to acquire this acceptance that, in his mind, would prevent the abandonment he viscerally fears.

In all the scenes there are many hints suggesting Gale is very inexperienced in relationships: the acceptance he needs can only be acquired due to the "art of the night'', which is one of the main points in this book. His notions related to relationships seem to have been acquired via romanticised means: books and poetry. He may believe that intimacy guarantees acceptance.

Gale “reveals” his truth: he was a Chosen of Mystra, he was Mystra's lover, and the “orb” problem was a mistake he made to earn Mystra's attention. All this information is now detailed here when it had been shared already. There is little “revelation” in it.

Gale's actions can be interpreted as manipulative for a Tav who respects his privacy and has little information about the “orb”. But hardly the pattern extends to his behaviour. His need for acceptance makes him make bad decisions.

A Tav who pushed Gale to speak in previous scenes finds little new information in this one: they will have a more detailed picture of the situation and they will know that Gale and Mystra were lovers.

Gale is very aware that Mystra's love was not exactly love, but it felt like that when he was young. He also knows that the true power of a Chosen is related to being loved by her. He is also aware that a relationship with a goddess is a very unbalanced one. He states that Mystra was his first love, the affair happened when he was a (very) young man, and he thought it would last forever. 

Potent narrative image: Gale, a proud character with great confidence, kneels before Tav to humbly show the traumatic experience by placing his hand on his heart, where the “orb”resides.

In general, the whole tone of the scene jumps constantly in my opinion. Tav's options are not toned to the general atmosphere of the scene: or they ignore completely the value of what Gale says, or over-react magnifying information as if it were the first time Gale says it, when a lot of it was shared during the Stew Scene and following scenes. It feels like a very unpolished scene, probably as the result of Gale being a companion added to the EA in a rush.

The Dev's notes explain the whole situation as: 

Dev's notes: synopsis: The principal portion of this dialog consists of two main parts: a romantic night intro that leads to a fade to black and implied intimacy, and a section in which Gale tells you his true story in either of two ways (chosen by the player). These are the ‘story’ variant in third person, and the slimmed down ‘story-light’ version in first person. It is the story of how he fell in love with the goddess Mystra, was spurned by her after a brief affair, and how he got himself into big trouble when trying to win her back. The dialog was originally meant to contain only the above, but for recording and cinematic purposes, the story sections of it are also used in a variety of other ways, that is to say, the dialog also contains an intro section in which the scene begins with no romantic intent. In specific cases though, Gale will still try his luck, which you’ll see in the repeat of some lines of an earlier dialog. 

This shows that, so far, the intention was always to make Gale explain the “true story” in this scene, which was the one we were told. I think that expecting more secrets would water down this intention here. In any case, the future secrets, if there are some left, may be secret even for Gale himself.

This post was written in June 2021. → For more Gale: Analysis Series Index

[ordinaryschmuck]

Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.