#there might even by other stories about their exploits
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Mirror Theory and Reality War
Here's a lens for reading Doctor Who series 15:
"Mirror," as I use it here, means a side character who reflects some key aspect of a main character. This is a useful technique for revealing or foreshadowing something about that main character which would otherwise be hidden.
Every episode of this season has featured a mirror that reflects...let's call them Character X, for the moment.
I say "a" mirror, but each mirror of Character X so far has actually been a double-mirror - either two personas of the same person (like Alan and AI Generator), or two characters who are literally different people, but metaphorically kind of the same person (like Omo and Adétòkunbo, aka the barber and the Barber).
If we examine each mirror, it will tell us something about the finale.
The Robot Revolution's mirror: Alan/AI Generator
Beneath that scary mask, there's a Man Behind The Curtain. It's your shitty high school boyfriend, and he wants you to marry him.
Lux's mirror: Lux as Mr. Ring-a-Ding/Lux as Helen Pye
There's a monster, and you can't stop feeding it. It's an evil cartoon, but sometimes it takes the form of your dead wife. If it tried to leave its tiny prison, the world outside would destroy it. It still wants to be free. It will encourage you to destroy yourself freeing it, so you can burn together. It will do this by saying "Find me."
The Well's mirror: Aliss/It Has No Name
One person made it out of the massacre. She's the survivor, and she's the killer. It would be simpler if you could separate the two out - victim and monster, light and shadow. But you can't. She killed, and she survived, and she exposed her homeworld to contamination, and she wants to see her daughter again.
Lucky Day's mirror: Conrad (undercover) and Conrad (unmasked)
Your perfect new boyfriend is lying to you. He has an agenda. He wants to supplant your reality, to be the one telling the story. And he didn't take the antidote.
The Story & the Engine's mirror: Omo (the barber)/Adétòkunbo (the Barber)
He is not a god. He's lying! It's true, through, that he's responsible for the gods' power. That they exploited him and denied him credit. That one of the gods was an abusive parent to his partner. But even if his revenge quest nearly destroyed the world, maybe he doesn't need to die for his sins. Maybe he just needs a new start, and a new name.
The Interstellar Song Contest's mirror: Kid/Wynn
Is the Doctor right? Is Kid just a monster who loves to kill? Or is he missing vital context? (Also, did Cora and Wynn have a little bit of a lesbian thing going on? And if Wynn and Kid are metaphorically the same person, then why did they make out?)
Wish World: Mrs. Flood/The Rani
We went to high school together. People said we were lovers - can you remember if that's true? We should be friends. It's just you and me, we're the last ones left.
Does all of this feel...familiar?
Discussion questions:
Is there a Man Behind The Curtain? Is someone lying about being a god? If so, who is it?
We keep bringing up the destruction of the time lords. We also keep bringing up a motif of "contamination," refused antidotes, a sickness that spreads. Could those two things be connected? How?
Omega is trapped in the anti-matter universe. If he tried to leave, the world outside would destroy him. What might that mean for our story? What different endings have been offered for our mirrors?
Who is The One Who Is Lost? Does that sound a bit like "find me"? How might the two be related?
If the Rani's plan was to make the Doctor doubt, then why was Rogue's message also about getting the Doctor to doubt? How could Rogue have known that the tables were doing that?
Alan wants a wedding. In what other context have weddings come up recently?
There has been a lot of focus in this run on puns, anagrams, and meaningful names. What kind of name-reveal do you think this story might be able to get out of the name Omega? (Hint: O Mega)
Who is Character X?
#doctor who#the reality war#wish world#doctor who spoilers#interstellar song contest#the story and the engine#the robot revolution#lux#the well
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Making it Hurt
TW gore (both mech and human), mutilation, lot of corpses, child death (implied), capitalist wanker. (Who dies painfully)
Cere exhaled a cloud of mist as she ducked through the narrow hatch of the hangar bay, narrowly avoiding a bundle of wires which ran directly in front of her towards the hangar doors. Calling it a hangar was generous, of course. In actuality, it was little more than a hole in the mountainside which her predecessor’s employer had outfitted with a room for sleeping and the bare minimum required to keep a mech functioning.
That suited Cere fine. Vacuous Hand wasn’t fussy, and neither was she. It stood on a rack at the far end of the hangar, chained in place by the ankles. She hadn’t had any issues lately, but paranoia was a close friend these days. After all, if her predecessor had had a bit more of it, his frame wouldn’t be a smoking wreck on the other side of the mountain. Cere pulled out a watch. Nine forty. Time to move.
She dragged over the rusted ladder and folded it open, bending down to undo her frame’s manacles. She could swear she felt the cold metal shiver in anticipation as she did so. It was a fairly standard frame, standing about four and a half metres tall, and half shrouded in a ragged cape. Its legs were digitigrade, and covered in riveted metal plates that reminded Cere of an armadillo she’d seen once, on a rare occasion where she was working somewhere hot. It was a nice change. The rest of the mech was pretty standard for a cavalier, with several segments around the abdomen and pauldrons which swept high near the head, which appeared something like a grill-covered shark’s maw. The mech’s jaws were lined with teeth too big to be human, and the head ended in an almost axe-like point. At this point, the head was all that was left of the original frame Cere had started work with, and even then she’d inherited it. Not many people gave their suits teeth, strangely enough. The chest was covered in tally marks, a small reminder of what it, and she, were capable of. The most recent one, signifying the hangar’s previous owner, still shone silver, and made for her twentieth kill in this particular frame. In the past, she kept separate tallies for engine and pilot kills. These days, they were mostly one in the same. Stubborn fools.
Climbing up the ladder, she ran through the mission in her head. Move to the peak, check. Eliminate the usual watchman. Check. Wait an entire fucking week for the target to show up on a bloody gilded landship. At last, check. Finally, Cere and Vacuous could do what they were really here for. Namely, killing the Guild-Magnate who’d been supplying the Stallions. Tisea said to make it hurt. That was unusual for her. Ordinarily, the boss was pretty calculating with her targets. Not Varis DeVarney, apparently. Renowned for his departure from the traditional DeVarney export of greypowder firearms, Varis had cornered the local market for urelium-fuelled laser weaponry. He was currently in negotiations with the Green Stallions local nobility for rights to open a mining outpost in the mountains, which meant the fucker had been supplying them with weaponry. Right now he was transporting miners and equipment to establish one near this pass, with the landship being laden with supplies and weaponry.
Not that it mattered much. Greypowder or urelium, he’d die quickly enough. Or, more accurately, slowly. Cere still wasn’t entirely sure what Tisea had against him specifically, but it was hardly her job to decide. Tisea said Varis had to die, and die he would.
The ladder was a bit too short to reach Vacuous Hand’s hatch, and so Cere grunted as she gripped its pauldron and hauled herself onto its back. For how freezing the mountains were, the metal was already remarkably warm. The implants along her spine itched slightly, as they often did as she was preparing to pilot the frame. She reached below the heady chainmail hood which ran from the back of the head-helmet and flipped it over, revealing a metal plate which, after she removed a deadbolt, flipped over to reveal the entry hatch. Cere hauled herself in, avoiding scraping herself on the jagged tear in the hatch rim where a lucky pilot had managed to jam a halberd before she tore its arm off. She landed on the pilot’s seat and brought herself down to a sitting posture. The cockpit was cramped, with wires hanging like entrails across its tiny diameter. A few screens and dials sat, their glass fronts stained with dried blood and ichor. Still, they were legible enough for Cere to only have to squint slightly to make out what they said. Pressure in the limbs was normal, ichor levels about acceptable, and hull integrity largely fine. She hauled the hatch shut, checked the emergency kit under the seat, and then made an ass of herself taking her jacket off in the cramped cockpit. Ordinarily, she wouldn'tve bothered to bring it, but as she said, these mountains were fucking freezing.
She made one final check, and then shifted into a more comfortable position before settling her hands into the trigger gauntlets that let her use the auxiliary weapons, in this case a wristblade and arm-mounted machine gun, and doing up the leather straps that kept her hands safely bound to the chair. Finally, she pulled on the goggles and gas mask that were suspended just above her, and felt the slight prick of the needles in their lenses injecting ichor into her eyes. Immediately, the world went black, and she arched her back slightly as the neural cables rammed themselves into the jacks down her spine. She might have screamed, but by that point her mouth was already hanging slack in its mask.
She opened her eyes and breathed out, but where once she gazed out of her own tired sockets, now she was looking out of the six grilled eyes of Vacuous Hand. She tried to focus, the fiery pain in the back of her head abating to a familiar pins and needles. Bloody hell, out of the suit for a week and she felt like a line soldier doing ichor on a dare. Still, she checked her fingers were all attached and working, and then took her first step forward. It was practically smoother than walking normally, the pistons and mechanical tendons beneath the dented armour compensating perfectly for the hangar floor. Vacuous Hand turned, her eyes falling towards the rack bolted to the wall that served as the armoury. Reaching out in an adamantine-taloned hand, she tore a shotgun from the wall and slung it on her belt, next to the round machine gun ammunition and rondel dagger. Finally, she grabbed the massive zweihander from its place on the wall and slung its huge scabbard across her back, where it nestled next to the exhaust vents, which already glowed with an anticipatory frame.
With everything ready, Vacuous Hand ducked between the stone ridges in the hangar ceiling. Below her, she felt the rumble of massive treads as the landship entered the pass below.
Time to hunt.
She dragged the hangar door aside and lept from from the cave down to the slopes below.
The mountain was steep, and Vacuous Hand half sprinted, half slid down the mountainside, the smoke of its exhaust mixing with a trail of greyish snow and grit.
Below her, the landship crawled across the pass, flattening the few trees that fought to grow this high up. It was a massive thing, covered in golden battlements and possessing four treads modelled to look like lion’s paws. It bore several huge cannons that, thankfully for Vacuous, were proudly trained on the valley below. Around it, several smaller tanks and frames maintained a perimeter, but none of them yet noticed the mech skidding down the mountainside towards them. Vacuous took it all in, noting the closest frames, mostly smaller Cuirassiers, and readying her machine gun to fire. The rattle of the gun tore through the mountain air, and more importantly, through the thin armour of the smaller mechs. Immediately, the guns of the smaller tanks swivelled to face her, but by the time they fired she had a dozen metres to her right, and the plume of snow that erupted where the shell fell was well off its mark. By now, several of the larger frames were moving in to intercept, and Vacuous Hand would have grinned, had it had the ability, as it drew the massive broadsword, which now glowed red hot and leapt from the mountainside. She selected her target, a decent sized cavalier wielding a shotgun-shield and falchion. It fired and she swerved slightly middair, the mechshot barely clipping a taloned toe.
My turn.
She smashed into the cavalier as it charged towards her, taloned feet gripping its limbs as her broadsword punched through its abdomen. Vacuous barely had time to smell the burning flesh and ichor before another cavalier moved to avenge its comrade. This one wielded a broadsword similar to her own, and had a pair of ornate wings sprouting from its gilded back. As it charged, the wings emitted a flurry of missiles that arced towards her. She kicked hard to the left, dodging most, but a few found their mark. Two ricocheted off her pauldron, but a third slammed into her knee as she braced to cut down the cavalier. She stumbled, and her opponent capitalised, sweeping her zweihander aside as its own blade cut deep into her arm. Vacuous Hand howled as ichor welled from the wounded limb, and she dived forward, extending her wristblade and slamming it hard into the enemy mech’s chest. Out of the corner of her eye, she spotted one of the tanks firing, and turned to face it, the shell impacting hard into the back of the struggling frame she had impaled. It went limp, and she tossed it aside as she dashed for the tank. It readied to fire again, but she slid below the path of the shell and sprung up, her sword biting into the turret as her foot crushed the gun barrel below. She turned in time to see another shell as it slammed hard into her shoulder, rending pistons and mechanical arteries. She snarled, and leapt towards it, her machine gun howling a staccato burst as she impacted the tank. This time, there was no clean sword-strike as she tore open the turret and painted the insides of the tank with gore.
She ducked behind the wreck, considering her options. Thankfully, she was too close to the landship for its guns to be a threat, but already she felt the rumble as the other tanks moved around to finish her off. With one arm shattered but slowly pulling itself together, and a leg that threatened to buckle if it took another hit, killing them wouldn’t be worth it, and moreover, would open her up to strikes from the mechs which were now likely disembarking the battlements on the landship above. But if she didn’t move, the tanks would blow apart the mechanical carcass she was hiding behind. As the first shell dragged up a plume of smoke and snow behind her, Vacuous made her choice.
She dashed for the Landship, her talons biting into the massive treads, and the glowing blade of her zweihander easily finding purchase in the ornate plating above them. She reached out with her other arm and-
Shit.
The arm, slick with ichor and half-broken from the tank shell, slipped. The mech screamed as she plummeted, barely catching itself on the sword again. The Cuirassiers on the battlements were thundering towards where she was hanging, and only the fear of damaging the landship was keeping the tanks from eviscerating her. One of the Cuirassiers leaned over the battlements to shoot at her with a broad-barreled gun, and she snapped.
With her good arm she flung herself forward, jaws grinding open and snapping shut like a beartrap as she tore the head off the Cuirassier, and kicked herself onto the top of the tank as it plummeted to the snowy ground below. She breathed heavily, steam hissing from her ichor-slick jaws. In front of her, the two Cuirassiers were frozen, but as she looked up they regained their composure and opened fire. The impact of their guns felt like rainfall on her hull, but Vacuous knew she’d feel it later. She grabbed one of them, wristblade extending in and out of its gut as she punched its torso in. Then, she flung it forward, smashing it into the other frame. A part of her thought dully, these ones are just soldiers. Varis is the real target. Maybe, but they’re hardly conscripts either. Still, she left the second Cuirassier pinned under its compatriot. She didn’t have the time. Behind her she saw the form of a demi-lancer emerge from the rear of the tank. She certainly didn’t have the time for that. She slung her sword onto her back, and, catching sight of an entrance into the rest of the tank, dashed for it. She felt the impact of the demi-lancer kanding behind her as she ran through the bulkhead. She slammed the door behind her, and took a brief look at her surroundings. This was clearly a hangar bay, its ceiling high and vaulted, and criss-crossed by gantries and cranes. Below, a few technicians drew sidearms and opened fire. She ignored them, only sending a quick burst of machine gun fire to send them scurrying behind the empty racks where mechs could dock.
Suddenly, the door’s hissed open, and Vacuous Hand came face to face with her Demi-Lancer pursuer. It was tall, heavily armoured and, like many Green Stallion frames, modelled vaguely after an armoured human. Its face was sculpted like a death mask, and it carried a shimmering Rail-falconet.
You missed your chance. You can’t fire that in-
She barely had time to duck as a bolt of hyperaccelerated adamantine spiralled past her head and impacted into the ceiling behind.
Shit. This wasn’t one of Varis’ hirelings. This was an honest to god Green Stallion, with overwhelming hubris to boot. It fired again, slicing through a gantry as Vacuous leapt for its jugular. She tore its railgun aside with her foot, and readied her wristblade to slice throu-
Cere felt a coldness in her chest as she looked down witnessing the huge dagger that had pierced her mech’s hull and was now slicing into the side of her stomach, barely missing spilling her guts onto the cockpit floor. She felt faint, but even as her body gave way, she felt a familiar heat in the back of her head as her suit pumped more ichor into her spine.
Cere and Vacuous Hand screamed in unison, wrenching the blade from their chest and biting down on the throat of the demi-lancer below her. Blinded by fury, they grasped its plated neck and pulled, ripping it clean off in a shower of black gore. Then, pulling out her yet-unused shotgun, she placed its barrel over the centre of the now-paralysed mech’s chest, and pulled the trigger. Cere almost smiled as the rounds tore through armour and pilot alike, rending metal mingling with a gurgling scream. She faded into darkness, and instinct took over.
Vacuous Hand turned, the sudden influx of ichor sharpening its vision as it spied the way further into the landship. The gilded walls were lined with pipes and cables, their gold fading to almost black and white as she focused on navigating the massive war-engine. She could feel the ichor knitting together the wound in her and her pilot’s chest, pulling her arm back into place, but it would be a while before she could function fully. The halls were quiet, with presumably most of the crew manning weapon emplacements or monitoring the treads. But even in her bloodlust-blackened mind, Vacuous thought something was off. This landship was transporting supplies for establishing a mine. There should be foremen, quarters for miners, at the very least some mud on the floors. But there was nothing.
As she stalked the corridors, she saw a large door labelled ‘Hold’, beside which sat several piles of flowers, and what appeared to be bottles of incense or perfume. She tore the door open, and was confronted with the answer to her question. The hold contained various crates of equipment, picks, sledgehammers, all sorts. To one side, several grubber frames sat, their forklift-like arms ready for hauling mined urelium. But still, she wondered where the miners themselves were. Then she caught sight of the strange galvanic chambers at one end, their iron caskets shaped eerily like coffins. Beside them, several staves topped with black crystal stood, quietly radiating an aura of cold death. She glanced to the centre of the hold, and found the reason the door had been decked in flowers. In the middle of the floor, a large grate had been placed and, just below it, was a huge pit, filled almost to the brim with corpses in varying states of decay. Each shared a gunshot wound to the back of the head, and while the grate was still as sparkling steel, the floor around it was splattered with blood. The corpses were varied in species, mostly being humans or orcs, and maybe a few dwarves-
No. Those were not dwarven corpses.
Instead of the bile that might have risen in an organic throat, Vacuous Hand felt only a thick black rage.
Varis would die, and like Tisea wished, it would be slow.
She left that hold silently, pausing only to locate a barrel of oil, which she doused the corpses in before igniting them with a spark from her talons against the blood-splattered floor. The smoke rose thickly from the pit, choking the corridors of the landship as she crept up the staircases into the upper decks.
She passed into an armoury, gazing at the ornate shelves that put her own meagre supply to shame. As she did so, a cavalier entered the armoury, and in panic she swerved to face it. It was around the same size as herself, and painted a dark green, and carried a simple sword and shield, although both were still overgrown with vine-like gold trim. It seemed as surprised as she was, but overcame this as it charged. Vacuous made to draw her zweihander but-
Shit. The armoury was too cramped to draw it easily, much less wield it. The cavalier’s sword, however, had no such problems, she narrowly managed to step backwards to avoid its thrust. The mech’s eyes gleamed a cold blue through the smoke, and it advanced. She drew her shotgun to fire, but it dashed forward and slammed its shield into the barrel, knocking it from her grip. It punched forward with the shield, sending her to the ground as her already-damaged leg gave way. She rolled heavily as the two-metre long blade clanged into the deck where she had just been, and looked around desperately for an advantage.
There! A falchion had clattered to the ground when she fell backwards. It was a one-hander, but it would do. She darted forward, grabbing the broad blade and bringing it up to parry another blow from the green cavalier. She punched out with her wristblade, but the Cavalier raised its shield, and the blade stuck fast. It twisted the shield and Vacuous felt metallic tendons snap as she tried to wrench the wristblade free. It didn’t budge, and she barely deflected another blow from the cavalier as it struggled to break free from the grapple. Finally, it was forced to drop the shield, with it clattering to the floor suddenly and leaving Vacuous unguarded. It jabbed its sword clean through her other wrist, causing her to drop the falchion, but as it did so she kicked out at its leg and it tumbled onto her. They grappled, the metal of their frames shrieking and sending bright sparks into the smoke around them. She pinned it down, her knee slamming into its arm as it tried to draw a dagger, whilst with her other arm she drew her own rondel. It was a wicked thing, reinforced adamantine terminating in a vicious point, which she drove into its shoulders, its neck, its chest. Over and over again she plunged the dagger into it, tearing through pistons, tendons and armour until finally, the writhing cavalier stopped moving.
Heavily, Vacuous Hand got to her feet. Ichor dripped from all over her armour-plated body, and the entire world had devolved into black and white, punctuated only by the fading glow of the cavalier’s eyes and the sparks from the fire below. During the grapple she had gained more wounds than she realised, and opened up a few old ones as well. Now, she limped up the stairs before finally coming face to face with a huge set of doors leading to the ‘bridge’ of the landship, where Tisea had said Varis would be sealed. Before it stood his apparent last line of defence, a row of shield-and-spear-bearing infantrymen supported by a few cuirassiers. She made to fire her machine gun
Click.
Wonderful. Even better, her spare ammunition had presumably been dislodged by the cavalier downstairs. Seeing this, the poor infantrymen must have thought they stood a chance.
They didn’t.
…
Vacuous Hand tore into the doors with hands now stained a deep maroon by blood and ichor. Around her, the remains of the infantrymen were scattered across the landing. A few had almost pricked her with their spears, but it meant little. The door, an ornate thing of wood and bronze, fell away, revealing the bridge within.
It was as gold-trimmed as the rest of the ship, full to the brim with terrified navigators and deck officers, and in the centre, a throne. Within it sat a small man in an ornate uniform, his gold epaulettes camouflaging him with the gaudy chair he sat upon. His balding head was crowned by a laurel wreath, and he carried a rapier at his side.
Varis.
He might have been an impressive display of nobility, were it not for the fact that as soon as the door gave way he scrambled from the chair and half stumbled, half ran for a door off to the side. Vacuous tore towards him, but he reached it in time, leaving the mech to tear through the wall into the next room. The jagged metal sliced at her arms, but at this point Vacuous Hand felt nothing. There was only her and her quarry, and it was getting away.
She dragged herself into the next room, a strange cylindrical space with walls lined with banded copper quite unlike the gold of the rest of the landship. One end extended out past the copper walls, and there stood Varis, grasping at a small control panel.
Suddenly it hit her. Varis wasn’t running away, he was leading her here. A triumphant grin on his small face, the man pulled a switch and lightning arced between the copper wires, tearing into the mech within the coil. Vacuous Hand screamed, and within it, Cere awoke.
She gasped, coughing ichor into her gas mask. She fumbled for the straps that bound her wrists to the chair, undoing them as she watched through her mech’s eyes as Varis approached, carrying a large spear that featured a large grenade just below its tip.
“Can you hear me, dog? You’ve ruined everything I’ve been working for, so I think I’ll take this slow. I used to be a soldier myself, you know. I can make this hurt.”
The words caused something to snap within Cere, and she tore her goggles and mask off as she leapt for the catch above her. She twisted it open and dragged herself out just in time, as Varis plunged the spear deep into Vacuous Hand’s chest, a small explosion following as the grenade attached to it went off. Surprised, Varis looked up as Cere struggled free from the chainmail hood of the suit. Ichor bled freely from her eyes, nose and mouth, but right now she couldn’t care less. He had killed hundreds. He was Tisea’s quarry. But more than that, He had destroyed her mech. In a couple of seconds he had done what so many of his forces had tried and failed to do, and he did it with some copper wire and a spear.
He. Was going. To die.
She fell on him as he drew his rapier, and it pierced clean through her shoulder. She didn’t notice, twisting herself just as the cavalier had done to her wristblade and dragging the sword from his grasp. He was stronger than he looked, and managed to push her off him as she pulled the rapier from her shoulder. Now she felt it. He stumbled back even as she shot forward, adrenaline and ichor keeping her faster than she had any right to be. She jammed the rapier into his gut, and he fell backwards.
“How many?” She choked, spewing ichor onto his jacket.
“What?”
“In-in the hold. How many people?”
“How the hell would I know, hound. They’re just meat.”
“Pity. So are you.”
She stood up, and stomped on his leg. Something snapped. Varis screamed.
“Who are you?”
“A hound. Remember? Now. You tell me what twisted fucking justification you have what what I saw downstairs.”
“As if I need to tell a lowborn bitch like you any-”
Cere broke his other leg.
“I’m sorry- I- Workers or slaves were too expensive to feed. This was the most economica-”
Cere’s boot slammed into his jaw. He fainted.
Cere sighed.
“Pathetic.”
She pulled the rapier from his gut and drove it through his heart. More than he deserved. She made to walk away, but as she did so she felt the ichor’s influence beginning to wane. The pain in her shoulder flared up, and she stumbled. She glanced at the wound. It was bleeding more than she expected. She crawled to Varis’ jacket, tearing off its sleeve to improvise a binding. It wasn’t much, and she did the same to her gut wound. Thankfully, it wasn’t as deep as she feared, and the ichor had already gone some ways to patching it up. Still, now the ichor was gone she doubted she could walk. She slumped against the wall. She hadn’t really considered her exit strategy. She glanced at Vacuous Hand, and its black eyes stared back from within its head. At least they would die knowing they succeeded. That Varis was dead. That Tisea had got what she wanted. Cere thought she might have liked to see her, at least. To give her Varis’ head, or something. She passed out.
She awoke to the sound of armoured boots approaching. She cursed, but she wasn’t surprised. The fact it had taken this long for guards to even come check was testament to Varis’ confidence in his victory. They were dressed relatively simple, carrying bolt-action rifles and bearing a dagger at their belts. One went to check on the little turd, while another pressed a rifle to her head. She spat a last globule of ichor and blood onto their boot. As she did so, an explosion rocked the landship. The guard glanced up, before a bullet lanced clean through their skull. The second guard rose, and met an identical fate. Cere slumped backwards as she watched through half-shut eyes a figure pick their way across her mech’s fallen frame, flanked by two heavily-armoured soldiers. It dashed towards her, dropping to a crouch in front of her. She had dark skin and hair, and her usually neat jacket had been thrown off, leaving a shirt flecked with a few drops of the guard’s blood. Her eyes bored into Cere as she cupped her cheek in her hand.
“Tisea?..”
“Yes?” Tisea looked almost scared.
“Did I do good?”
“Yes, yes you did.”
“Then you owe me a new mech.”
That got a bit of a smile.
“Can you wa-” Tisea broke off as she studied Cere’s wounds. “No. No you can’t.”
Before Cere could protest, she dragged her up and slung an arm across her shoulders. For someone who, as far as Cere could tell, had never so much as thrown a punch, Tisea was remarkably strong.
“Varis fainted before I could do much. Sorry.”
Cere wasn’t sure Tisea heard her. Instead, she was looking up at the sky above them. The explosion she had felt had torn apart the roof of the bridge, and above them a skyship hovered, waiting expectantly.
“When’d you decide to bring in a ship?”
“Around the same time you set the landship on fire. I thought extraction might be an issue.”
“I would have been fi-” Cere broke into a fit of coughing, and clutched Tisea’s shoulder like she was drowning and her boss was a piece of driftwood. If Tisea noticed, she didn’t show it.
“I’m sure. You two-” she said, gesturing to the two armoured figures. “Get that mech hoisted onto the ship.” She looked down at Cere. “You're going to be fine.” She seemed to be reassuring herself more than anything else.
The skyship descended and extended down several ropes. Cere weakly protested as she was harnessed into one of them and hoisted aboard. She stumbled over to a bench as what remained of her suit was dragged onto the deck of the ship. She tipped forward as Tisea ran to catch her.
“What the hell did you do to yourself?”
“Killed everyone. Got stabbed by that shitstain with a spear. Had to kill him with his own rapier. He fainted too quickly.”
“Don’t worry about that now. You did so good for me. How deep are your wounds?”
“Not sure. I’ll probably be fin-”
Cere pitched forward, catching the gaze of Vacuous Hand as Tisea struggled to catch her. She looked at her mech for a moment.
We did good.
Cere smiled as she black out, and dimly thought that perhaps, Vacuous Hand opened its jaw into something like a grin as they passed out.
We did good.
#look who remembered how to write stories with characters in them#cere is so healthy and i love her dearly#mech transbians forever#also- i'd love to hear what y'all though of the sort of perspective shift#it sorta happened on its own#cere vacuous and tisea are preexisting characters of mine#so who knows#there might even by other stories about their exploits#that being said every time i say im gonna follow something up i forget#so it may be a while#also tell me if there's any grammar or spelling mistakes#i dont have the energy to proofread#mechposting#writing#seven spheres#short story#mech pilot#mecha#crucible#pilot x handler#pilot x mecha
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a/n: this is kinda based on my creepypasta boyfriend scenarios that i sorta abandoned after quotev died fgdjksfgs i miss it but it's kinda bad so i might just start over one day. idk. anyways bc of tht it'll include all the characters i had in tht story so <3 this is gonna be pretty short btw!!
includes: slenderman, jeff the killer, eyeless jack, homicidal liu, the bloody painter, and brian thomas.
warnings: mentions of injuries nd murder in slender's part, thoughts of harm against reader in both jeff and ej's parts, depictions of murder in jeff's part, cannibalism in ej's part, i can't think of any warnings for liu nd helen, post-mh canon that im making up for brian where he lives, some vague depictions of the sickness in brian's part.

SLENDERMAN
Truth be told, Slender found itself feeling very confused after its encounter with you. It isn't sure if it has ever met a human that didn't flee at the mere sight of it. Even after all the static it forced upon you, you wanted to help it.
Not that it needed your help, really. It was used to people trying to hunt it. No human would ever be able to kill it, even if it did end up getting injured.
A mild injury, at that, but one you tended to nonetheless. Like it was a normal person. Like it couldn't tear you apart in the blink of an eye if it so desired.
And the weirdest thing is...
Slender doesn't want to kill you.
It was never fond of people trespassing in its forest, truthfully. Humans were annoying creatures. Expendable ones, at that. But you're the first one to ever worry about it. It found that to be interesting.
And it rarely ever found a human interesting. Perhaps that's why it didn't have any interest in killing you. Rather, it wanted to study you. Surely there must be something wrong with you to not be afraid of it, right?
Something it could exploit, something it could use to break you down and turn you into another proxy.
Hm...
Why does the thought of you becoming its proxy make it feel strange? How... interesting. Annoying, even. A feeling it wishes to study further, given the opportunity.
When it no longer felt your presence in the forest, Slender found itself hoping to meet you again soon. Preferably when there's not someone trying, and failing, to kill it.
JEFF THE KILLER
Jeff was feeling pretty damn frustrated, to say the least. He'd been eyeing you for weeks, planning out the perfect time and perfect way to carve you up so you'd end up on the news. He was never supposed to interact with you.
But then some drunk bastard had to get all up in your business on your walk home, and he was not going to risk some other guy killing you before he got the chance to.
Even worse, Jeff had given you his name. All because of your damn frown when he had tried to ignore you.
What the fuck was wrong with him!?
Really, the only way to vent his anger and frustration was by brutally murdering the man who had harassed you.
But even as the blood stained his clothes and his hands, you never left his mind. You, and your stupid fucking smile, and your stupid gratitude.
He knows you're not an idiot. You know that he's been watching you for a while now, and yet you spoke to him so easily. You thanked him like he was someone who deserved it. Maybe you were an idiot, actually.
The knife sunk into the drunkard's chest, and Jeff sighs in mild annoyance when he realizes the man had finally died.
It all ended far too quickly for his liking, and it looks like he went a little overboard this time.
This was all your fault.
He needed to see the life leave your eyes. Maybe then this annoying feeling in his chest will go away, and you'll finally leave his thoughts.
EYELESS JACK
Jack was feeling rather pleased with himself.
When he entered that neighborhood tonight in search for some dinner, he had made a pretty decent meal out of some guy. He was still feeling pretty hungry by the time he had finished, so it felt like fate when a light shined through the window and illuminated him.
He met your gaze across the street from the safety of your own home, blood staining his hands as he lowered the mans lung from his mouth.
You'd be his next meal, he decides.
And as soon as you looked away from the window, Jack was discarding his forgotten dinner and sneaking his way across the street to your home. It wasn't hard breaking in, your window to your bedroom having been cracked open.
It didn't take him long to find you either, sitting in your kitchen staring at your coffee machine, looking as if you were going to fall asleep right then and there.
You had acted so calm at the sight of him, and it didn't take him long to realize that you thought you were hallucinating from some form of sleep deprivation.
So, obviously, he was going to use that to his advantage. He asked to eat you, and you had agreed. Well, you set some conditions. Something about being on your deathbed. That's neither here nor there.
All he cared about was the fact that he was going to be able to make a meal out of you in the future, he just had to wait for you to drop dead.
He'll make sure to pay a visit to you again soon, to keep you healthy. He wants you to taste good, after all.
HOMICIDAL LIU
As soon as you left Liu alone in the church, he could practically feel the excitement coming from Sully, the man basically crowding his mind asking if they'd see you again soon.
He's not sure what you did, but you certainly made a lasting impression on his alter. Which was shocking, in all honesty, because there's not many things that can keep Sully's attention.
Maybe that's why you were still alive. He can't remember a single time Sully spared someone, even if it meant getting his ass beat and leaving Liu to tend to the wounds.
Of course, just the fact that you had tried to kill him left Liu with many questions. You seemed... trained. Like a professional, almost. Sorta like a hitman, honestly. Which made him wonder... did someone put a hit on him?
Crazy line of thought, honestly, but given the way his life has turned out, it's not all that shocking.
Sully is the one who comes up with the idea of searching for you. If you were a hitman, then they could employ you to help find Jeff.
And while Liu didn't like the idea of getting an outsider involved in his... family drama, if that's what you want to call it, it wasn't a bad idea. He had reached a dead end, so an extra set of eyes could be useful.
And lucky for Liu, he was pretty good at tracking people down. He'd see you again in no time, surely.
THE BLOODY PAINTER
Helen had joined this art class mostly out of boredom. He didn't need anyone to teach him how to draw, he just... needed something to do when he wasn't searching for a new person to make a project out of.
Honestly, a few weeks into joining the class, he had considered dropping out. But then you showed up, and you started interacting with him.
It was never anything major, just a small greeting every time you crossed paths. It was enough to make Helen aware of you, and that was enough to draw him in.
He knew you weren't interested in art. You were probably only there out of boredom as well. You rarely ever tried when it came to drawing, but he could see the potential in you.
So when the teacher of the class presented an optional project to participate in, Helen was already getting up from his seat to ask you to be his partner in this project.
He didn't need you to draw, he just needed you to be his model.
Not to mention you were the only person in this whole class that he felt remotely comfortable working with. The other people who attended this class were all... reminders.
They made him think of people he'd rather not think about.
But you were different. Special.
He'd make sure to paint you the perfect portrait.
BRIAN THOMAS
Brian was completely out of it when he had first met you, honestly. He was still trying to process that fact that he was alive, somehow. Memories of his death making his head pound, confusion the only thing he can feel other than pure and utter nausea.
Truth be told, a part of him thinks you're someone he conjured up in his mind to keep himself alive a little longer.
It's not until he takes a long shower and pops some pain meds that he's able to gather some of his thoughts and come to terms with the fact that you were one, very real, and two, he was... far away from home.
He's not even sure what town he was in right now, let alone what state. All he knew was that he had been taken to some shitty motel by someone who probably should've dragged his ass to a hospital instead.
And when Brian no longer felt like he was going to die from the world's worst migraine, he found himself revisiting the place you had found him.
Some abandoned and overgrown park in the forest bordering this weird town where the locals pretended he didn't exist.
Partly because it was the only secluded place he could think of where he could look through footage on the camera he had been carrying with him for some reason.
But mostly because he wanted to see you again. To thank you for helping him out when you had.
Not to be dramatic, but he probably would've actually died if you hadn't been there, so.
#requests from the old blog.#creepypasta x reader#marble hornets x reader#slenderman x reader#jeff the killer x reader#eyeless jack x reader#homicidal liu x reader#the bloody painter x reader#brian thomas x reader#creepypasta x you#marble hornets x you#slenderman x you#jeff the killer x you#eyeless jack x you#homicidal liu x you#the bloody painter x you#brian thomas x you
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On the elephant in the room.
I know my two cents might not matter to most, but I feel the need to share my thoughts on this situation. As an older fan I am really disappointed and disgusted with what has happened on twitter.
As many of you know by now, Justin Taylor (aka Swiss) is officially off the band’s current tour. I won’t rehash every detail—I’m sure if you’ve spent any time online, you’ve seen the accusations flying around. Justin was accused of inappropriately touching an underage fan and “grooming” two others.
As a victim of sexual assault and grooming myself, I always want to believe victims first. But this situation? It never sat right with me. And this isn’t coming from a place of idolizing Justin or putting him on a pedestal. I don’t do that with celebrities. Justin is just a man. A talented one but he is still a human.
First, I want to address the photo incident: this was investigated by the police, and nothing came of it. I’ve also heard reports that the person in the photo wasn’t even the one making the accusation. There are so many holes and versions of this story it feels more like a smear campaign than anything solid. And maybe accidents happen. I’m a short person; I know what it’s like when someone accidentally brushes against me in a crowded space. It doesn’t mean intent. If Justin was regularly “touching fans,” wouldn’t we have heard more from others by now? Use your brain.
Second, the grooming claims. Grooming is the act of forming a relationship with a child with the intention of sexual exploitation. The people accusing him were 18 or a bit older. Now, is an older man flirting with an 18-year-old gross? Sure. But it’s not illegal. It’s not grooming. Look at our culture—18-year-olds can work in strip clubs, sell explicit content online, and there are entire genres of porn centered around barely-legal themes. I’m not saying that’s right—but in the eyes of the law, 18 is an adult.
I say this from experience: I was groomed at 16 by a man ten years older who waited until I was “legal” to make his move. That’s grooming. Not some flirty messages exchanged between adults.
Third, let’s talk about the crowd pushing these accusations. They’re mostly young, extremely online individuals. These are the same people who preach tolerance but are the first to send death threats the moment someone disagrees with them. And death threats? That’s disgusting. (I’m looking at the ones who threatened TF’s kids)
This insane behavior is never okay. You think you’re doing good, but if Justin were to hurt himself over this, that blood would be on your hands.
I am all for justice when it is done correctly. Let a band handle their internal affairs. But this rise of online justice has devolved into mob rule, where accusations alone are enough to condemn someone. Facts no longer matter—only public outrage does. Innocent until proven guilty? That’s dead. The internet now plays judge, jury, and executioner.
Instead of wasting energy tearing down someone you’ve never met, maybe channel that passion into something real—volunteer at a survivor’s shelter, support real victims. Get off the site run by a literal Nazi and go do something good for your community.
Finally people need to stop going after Per, Randy, Cos, Olivia, Hayden, and Tobias. These people are Justin’s friends—they’ve spent years touring, rehearsing, and performing together. Don’t you think they know Justin better than strangers on the internet? They’ve chosen to stand by him for a reason.
I’ve been a Ghost fan for 13 years—since the early days when they played Maryland Deathfest. And honestly? I’m disappointed and embarrassed by the behavior of so many fans today. Since MOAC blew up, it feels like there’s this new wave of fans who have made Ghost their entire personality, turning the band into some toxic obsession.
I do hope Justin gets a lawyer and holds every person who spread hate and lies accountable. But if it comes out that I am wrong about everything then I’ll eat my words. Period.
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Beware clickbait accusations
Hi fandom, here's what happened yesterday: A reporter named Rachel Johnson, who is the sister to Boris Johnson and a big terfy supporter of JK Rowling, released a 4-part true crime podcast featuring two women accusing Neil Gaiman of SA. Yesterday. The day before the UK elections. This post explores the possible political links in more detail.
CW: this post is free of graphic details, but if you follow these links, there may be explicit descriptions of sex, kink, and bdsm, plus mentions of mental illness and suicidal thoughts.
I want to believe and support survivors, and I also want to base my thoughts and actions on facts. I thought the xitter livestream commentary from Not Becky for all 4 episodes was very insightful. There's also a first episode transcript without extra commentary. (Edit: released after I wrote this post: the full audio plus transcripts for all four episodes of the podcast are now available to download here, or you can read all four transcripts in your browser.) I have since concluded (pending more time to think and read and learn, or any new information, of course):
This seems like the worst kind of clickbait, an unjustified mess that will hurt everyone involved (except possibly a few politicians who might benefit somehow, we'll see). The evidence the "reporters" present directly contradicts their accusations. They're counting on people reading headlines and not digging any deeper.
They tried to make something sinister where there was apparently consent and a caring relationship. Have they exploited one or both of these women? S, in particular, is described as vulnerable and with a history of unspecified mental illness. They have all of the message history between S and Neil, and her messages make the sexy stuff between the two of them sound enthusiastically consensual. There are even messages (multiple!) where she specifically says everything was consensual. Here's one:

They're playing horror music in the background to try to make us feel horrified, even as S reassures us that things were consensual. It's emotional manipulation by the reporters.
The times S sounds upset during the interview are the times she talks about Neil leaving her behind or not paying attention to her. Not the times she talks about consent violations. Her stories during the interview are inconsistent, and they contradict her messages with Neil and with others. Maybe we'll get better information from a more reputable news source, or maybe not, I don't know. I also don't know why anyone who cares about her would have advised her to do this interview.
Then they tracked down lots of other women who know/have dated Neil and they all had glowing things to say, except one other lover from 20 years ago, K. She described some bad sex, and then pointed to a time in their 2-year relationship when she felt something wasn't consensual and he thought it was. And after their breakup, they continued to text and flirt, for decades.
This podcast "exposé" feels like explosive clickbait with political ramifications. The evidence here doesn't support a pattern of poor conduct so much as establish Neil as a fellow well-meaning human with imperfect judgement. That doesn't mean the accusations are all made up; intimate partner violence is complicated, and the responsibility for checking in and getting regular enthusiastic consent from partners is very real, especially when kink or bdsm are involved.
I don't know what the right balance is here between supporting survivors, thinking critically, assuming good intentions, and waiting for better information, but I feel confident that this podcast alone is not enough to condemn anyone aside from the irresponsible journalists who inflicted it on the rest of us.
PS/edit: I'm tagging my relevant posts (mostly reblogs) with #ineffable grief, and you can see all of them here.
#neil gaiman#clickbait#think critically#ineffable grief#be kind#intimate partner violence#mental health#Irresponsible journalists#uk politics#good omens fandom#good omens
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this is an extremely petty reason to do an analysis but i hate when people call laios a himbo, not only because it really reads as infantalization but also because it's just straight up not true.
the qualities of a himbo require you to be stupid, and that simply is not true in laios' case. for a simple example, he was able to recognize pretty much instantly that the living armors were moving in an abnormal way (coming right for them, instead of just attacking as they approach), and noticed when the Boss Armor (?) protected the shield instead of using it as a defense. he recognized the egg sac on the back, was able to exploit the instinct to protect it, and save the rest of the party with that knowledge right away.
laios is the one who's able to determine which illusions are the fakes, all by himself, with nothing but his knowledge of his party members and careful observation. laios figured out why the changeling spores act the way they do, based on nothing but observation and experience once again. laios is the one who talks marcille down from her dungeon lord rampage. laios is the one who, despite succumbing to the demon's influence himself, PLANNED FOR THAT TO HAPPEN, and gave himself a loophole that saved the entire fucking world. these are just the first things i can think of off the top of my head, if i really went back through the story, i'm positive there would be more examples of laios being knowledgeable and using that knowledge intelligently.
but let's back up. laios is called an idiot by many other characters in the story. why might that be?
well it's usually for: saying something socially inappropriate or blunt, talking about monsters (his special interest) too enthusiastically, not relating to the people around him, or not being able to understand social cues or read a room. he's even called "creepy" or "crazy" in multiple instances. when chilchuck first hears about how much laios wants to eat monsters, he calls him a psychopath. that's in the very first chapter.
the characters who call laios stupid and crazy are calling him that almost exclusively after he behaves "too autistically" around them. perhaps we are giving too much credence to the characters calling him a dumbass and should instead do some critical thinking to determine if it's true. because most of the time, they're wrong! go count the times laios is called stupid for having ideas that ultimately work.
that's not to say laios isn't funny! he's a silly guy! he straight up barks like a dog to solve problems. dungeon meshi is a comedy, so it would be kind of weird if he wasn't, but lack of intelligence is never the punchline. the fact that barking like a dog WORKS is what's funny, not that he was "stupid" to think of it in the first place.
laios is goofy. he makes silly mistakes. but that doesn't mean he's brainless. laios is not a himbo.
#laios touden#laios dungeon meshi#dunmeshi laios#dungeon meshi#delicious in dungeon#dungeon meshi spoilers#she speaks#i will die on this hill fight me about it
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Astrology: Those That Get Deceived (Victims of The Manipulators, Abusers, and Power Hungry)


The strong, the bold, the courageous—those who step into the light, unafraid to go after what they want. They seize the earth in their hands and pull it close to their hearts. These are the savages. These are the ones who declare, I am here. I deserve to be on this earth. I will take control of what I can.
But life does not exist without duality. Those who step into the light with confidence, courage, and boldness are inevitably met by those who cannot do the same. The ones on the outskirts—hiding in darkness, obscurity, and shadows. The ones afraid to show their faces, speak their names, or reveal their true selves. The ones who are ashamed of their appearance or struggle to understand their own emotions. And they fall right into the hands of the bold.
This post is about those who are deceived—the ones at the bottom, while another stands above, ready to stomp on them. Yet, not all of them are weak. Some are simply gullible, naive, innocent, and driven by a desire for good.
But today, we’re not exploring this from a psychological perspective. Instead, we’re diving into the astrological perspective of those who fall victim to deception.
Pisces Moon: Believer of The Sob Stories 🥺
Pisces Moons are deep empaths, and that’s exactly where their vulnerability lies. Their emotional depth and compassion make them prime targets for manipulation. People prey on their kindness, knowing that all it takes is evoking a strong emotion—especially sadness or guilt—to get them to comply. A well-placed sob story or emotional appeal can turn a Pisces Moon into a puppet, ready to act at the manipulator’s will.
Moon in the 7th House: They’d Rather Lie Next To A Snake Than Be Alone 🥺
These individuals crave harmony so deeply that they can easily be deceived. They don’t want to be alone, and their strong desire for peaceful relationships often blinds them to red flags. Because they struggle to form truly authentic connections, they tend to attract people who keep them around for convenience rather than genuine care. While they provide stability to others, their own emotional stability is often compromised by those who manipulate them. In their search for love and belonging, they inadvertently open the door to people who take advantage of their giving nature.
Libra Rising: Devil Advocates That Fall For The Devil 🥺
Libra Risings struggle to distinguish between good and bad people because they always try to see things from multiple perspectives. While their ability to empathize and play devil’s advocate is admirable, it also makes them highly susceptible to manipulation. If they try too hard to find the “good side” of someone toxic, they may overlook warning signs altogether. Because they value fairness and harmony, they often attract enemies disguised as friends—people who exploit their diplomatic nature to manipulate them. Libra Risings, be careful. The person you call a best friend might just be the one holding the knife behind your back.
Cancer Sun: Too Kind For Their Own Good 🥺
Yes, Cancer, you wear your heart on your sleeve—even if you think you don’t. People can sense your emotional depth, and manipulative individuals will use it against you. If someone appeals to your love for family, home, or sentimental values, you may fall for their words without realizing you’re being deceived. Your emotions are your greatest strength, but they can also be your downfall. It’s easy for others to twist them in their favor, leaving you to walk away feeling scammed and used—only realizing it after the damage has been done.
Mars in the 12th House: The Easy Target 🥺
I’m not saying you’re weak, but let’s be honest—you struggle to stand up for yourself. Asserting your boundaries is difficult, and manipulators see this as an open invitation to take advantage of you. Whether it’s bullies, abusers, or controlling figures, you tend to withdraw rather than confront them. Fear of conflict or negative consequences keeps you trapped, making it easy for others to deceive and control you. Manipulators pick at you effortlessly, knowing you’ll comply just to avoid confrontation. If you don’t learn to assert yourself, you’ll remain an easy target.
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The highlight of Veilguard for me is the relationship between Solas and Rook- and I don't know how to write about this on the internet without being acutely aware of other peoples' criticisms (such as there not being enough of it)- so I'll just say up top that I'm not actually intending this as a refutation of any of those. I just want to talk about my experience with the game and why I like it so much, which will probably make obvious where I disagree with some reoccurring critiques I've seen. *
The thing about Solas in this game is that he plays the role of the trickster perfectly. As much as Fen'Harel is a myth or a persona, and the stories we know of him invented or twisted, his role in Veilguard feels like it could slot in so, so easily with the myths, and in many ways directly parallels them. He is sinister and noble, monstrous and sympathetic, ruthless and compassionate, all at once. He spends the game trapped and humbled but can be almost gleefully condescending at times. He conflates outsmarting an enemy with being right, even as he plays the long-suffering martyr, tortured by countless mistakes. He falls easily into the role of advisor but is quick to note your foolishness. To sneer and declare the problem yours and yet still impose upon you an appraisal of your conduct.
But more than any of that, for most of the game, he's...passive. Dormant. He seems to make no moves, other than as a glorified consultant, despite starting as the main threat.
In Blood of Arlathan, when he finally rears his head again as major a player on the board, it's with a gallant offer of help. As an ally. He is exactly what you need, right when you need it, and you don't even have to ask him to be. And- because you don't have constant access to him, you maybe haven't even considered him an option!
He feels extremely intentionally sparing to me before this in service of a) making you think you're the one with power over him and b) causing you to forget he might contribute at all, so that when he finally does, it seems wholly benevolent. It comes in a moment where your goals are exactly aligned, and indisputably noble.
It's a waiting game. A classic of his, harkening back to stories we've heard time and again about Fen'harel and traps.
As Felassan tells it in the Masked Empire:
Fen'Harel was captured by the hunting goddess, Andruil. He had angered her by hunting the halla without her blessing, and she tied him to a tree and declared that he would have to serve in her bed for a year and a day to pay her back. But as she made camp that night, the dark god Anaris found them, and Anaris swore that he would kill Fen'Harel for crimes against the Forgotten Ones. Andruil and Anaris decided that they would duel for the right to claim Fen'Harel. He called out to Anaris during the fight and told him of a flaw in Andruil's armor just above the hip, and Anaris stabbed Andruil in the side, and she fell. Then Fen'Harel told Anaris that he owed the Dread Wolf for the victory and ought to get his freedom. Anaris was so affronted by Fen'Harel's audacity that he turned and shouted insults at the prisoner, and so he did not see Andruil, injured but alive, rise behind him and attack with her great bow. Anaris fell with a golden arrow in his back, badly injured, and while both gods slumbered to heal their wounds, Fen'Harel chewed through his ropes and escaped.
He goads his enemies into fighting each other for his benefit. Anaris, who had hunted him, succeeds with Fen'Harel's advice, exploiting a weakness he could only see with his aid. In turn, Anaris himself is left exposed. The victory goes to Fen'Harel, who has now dispatched two enemies at once and cleverly won his freedom.
He who was both Creator and Forgotten One. Who could walk amongst both as kin, and who in the end turned his back on them all.
Another tale:
The god Fen'Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen'Harel how he would save them, and he said to them, 'When did I say that I would save you?' And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen'Harel had loosed fell from the sky into the great beast's mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen'Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed.
Felassan is everywhere in the Crossroads, in memories, in regrets, in notes that speak to a time you can barely fathom and traces of a friendship that is never once brought up by Solas directly (to my knowledge at least). I think Felassan serves a lot of purposes; he's a window into history, into Solas' mind and ideals, someone who challenges moments of ruthlessness but is loyal, an advisor who keeps Solas grounded even as he pushes him to become something larger than he is, a lingering notion of a loss that you can never really see the full scale of, and so on. And I think, too, that he's written carefully to be a meaningful presence from the rebellion without explicitly spoiling what eventually happens to him, which I wouldn't be surprised if was a legit consideration made for people who might go back and read the Masked Empire after dav lol- in the same way that Trespasser only really spoils the book if you already know what happens.
But for me, every note signed with his name is almost a tongue-in-cheek warning about what's to come. Felassan. A slow arrow, fired apparently mockingly into the sky, only to strike true when it's least expected. A solution executed with neither kindness nor explanation, serving first and foremost the interests of the one who fired it. Felassan's presence in the game ever so slightly encodes a reminder of who you're actually dealing with and what his core tenants are, whether as an ally or an adversary. You only know if you know, but it doesn't seem an accident to me that this reoccurring name of a general who shaped himself in honor of the Dread Wolf's unorthodox cleverness is so key to these traces of Fen'Harel's past, despite, again, never directly being discussed.
Anyways, to Rook. First, I gotta give a shoutout to Bryony Corrigan, whose voice I used for mine- she honestly made the game for me, especially in moments where I felt unsure of it. I love Rook, I love how they're written, and I love how they're performed. While a complete blank slate protagonist can be really fun, I find putting myself as a player in conversation with limitations given by the game really fun and interesting, and often surprising! And I do feel there's still plenty of flexibility.
My perspective on the relationship between Rook and Solas in Veilguard is specific to how I played of course, and I haven't seen other versions of their dynamic at this point to compare so I can't speak to them. But my experience was as such:
I didn't come into the game wanting to intentionally antagonize him. If he rose at me, I rose at him- and those moments of tension were really, really fun. But I tried to accept what he gave me with a fairly open mind. Skepticism, sure, but also the knowledge that ultimately, we both wanted Elgar'nan and Ghilan'nain gone, and he knew them better than I did.
It was really gratifying, then, to see our rocky partnership evolve over time into what seemed like a genuine respect. But it didn't really feel straightforward to me either. For example, the conversation before Weisshaupt held a lot of weight for me: listening to him tell that chilling tale about undermining an enemy with persistent laughter and finding that 'Do whatever it takes to remove those who oppose you' was something we came out aligned on was.... There was an element of foreboding to that. Like, I had found myself actively trying to impress him here! And feeling good when it seemed like I had, but uneasy about how I had done it, even when I agreed with what I'd said.
And of course, after that comes Arlathan. Solas' big hero moment. This is the point in the game where our alliance finally felt comfortable to me. The conversation in the fade after was the first time that it really seemed like we were on even ground. And the game- not just Solas- told me here outright that I had earned his respect! After that, I didn't consider betrayal a possibility for a moment. Honestly, I barely even considered him an antagonist at all, because he had become a partner instead! I was expecting something clever down the line, but I wasn't worried about it hurting me. Our disagreements had been set aside, and the goal of his that I had initially opposed had been so thoroughly usurped I had forgotten that he was even pursuing it. And yes, that's perhaps naivety on my part, but I was so distracted by that not at all being the main plot that I forgot that it actually still was. Which is the whole point, right? He waits until your head is turned the other way to strike.
All this to say, my reaction when you kill Ghilan'nain and Solas uses the instability of the Veil to force you into his prison went beyond shock and confusion. It wasn't until well into his villain monologue that I was able to accept that he had betrayed me at all- having been thus far trying desperately to convince myself that the sequence I was seeing was Elgar'nan playing mind games in retaliation, and not actually Solas.
That prison moment is his Slow Arrow. You are Anaris to Elgar'nan's Andruil, the dagger the chink in her armor, and Ghilan'nain's death the golden arrow striking you in the back.
The wolf chews its leg off to escape the trap.
And I should say, I was coming at this all from the meta perspective of someone who loves Solas and empathizes with him and has never seen him as irredeemable or evil- and I, the player, who believed that all game and is ultimately satisfied with the resolution I got- felt hoodwinked as fuck in this moment lmao!!
There's a line in the prison that Varric has about it being easier for Solas to play the villain when he knows he's causing harm- so I do think he plays up his sinisterness here on purpose. But it's such a slap in the face coming straight off of "You have earned the respect of the Dread Wolf." A true and profound betrayal, at least for me.
And it doesn't stop there! His trickster maneuvers and half-truths aren't done until the credits roll. I love that when you meet again, he is nothing but apologies. He makes every concession- that Varric was a good man, that every victory in this fight has been yours, that he needs you and not the other way around, that he was wrong and made mistakes and betrayed people who never deserved it. And of course, we know from experience at this point that this won't stop him from doing it again anyways. But he never holds back from placing the blame on himself. Agreeing with you. Telling you you're right, and that Elgar'nan must be stopped. He only ever says things that are true. Things that are aligned with your point of view.
"[The veil] will never come down by my hand." Well, yes. Because it will fall on its own when Elgar'nan is dead. You won't hardly have to do anything at that point, Solas, will you?
It doesn't matter if Rook isn't falling for it, because if they don't accept his partnership, they lose! That's it! It's the same as it was at the start, but with the added sting of knowing it probably won't work out in your favor this time.
I remember before launch John Epler saying that Solas sees himself in Rook, which really echoes throughout the whole game for me. There are some ways you could say Solas seems opposite to Rook- and of course this can wax and wane depending on roleplaying choices, but the central conceit of Rook as Varric's recruit is that they are a specialist in being willing to act. And on the surface at least, that's kind of counter to Solas' Slow Arrow, right? Blunt force versus delayed gratification. But not entirely! Because every backstory we have for Rook revolves around a kind of heroism that is unorthodox enough to have left you ultimately punished for it. Like yeah, yeah, you saved some lives.... The optics were kinda bad though, so maybe you could go on a sabbatical for a while?
Rook is, from the start, an unconventional and unsung hero, admonished by some for ruffling feathers that they shouldn't have in pursuit of a noble goal. Not unlike Fen'Harel.
I find, too, that there's kind of a nesting doll of parallels around Rook and Solas as foils that the whole story hinges on:
We see Solas, his regrets plastered on every wall, each of them tied to Mythal. At every turn he seems to warn her that this is not the right path, but he follows her down it anyways, until he is left with nothing but an overwhelming need to fix what they have broken.
We see Felassan, who still wears Mythal's vallaslin on his face, challenging Solas' judgement and methods, but still standing by him through the rebellion, after the Veil, for however many thousands of years they slept. Ultimately, in the Masked Empire, the thing that makes him falter is his admiration for someone else's pursuit of freedom. His admiration for Briala.
"I suspect you'll hate this, but she reminds me of-"
Solas is Rook. Solas is Briala. Upstarts, flawed defenders, people who are made into leaders because of their willingness to fight for something. Who see injustice and cannot rest.
Solas is Felassan, the devoted general. One who pushes against his orders but cannot deny them. Someone who loves the cause, but more than that is dedicated to the person who champions it. A voice of reason who, in the end, turns away.
Solas is Mythal, a pragmatic leader, responsible for uncountable deaths. Someone who has relied on partners and power structures that have led her down a dark path, partners whose mistakes in their pursuit of power have become her own. Partners who in the end betray her.
Solas is trapped in his regrets because they are not all his. He struggles with having been failed and with how he has failed others, and in his mind the two become conflated. He carries these contradictory roles on his back- perpetrator and victim, betrayer and betrayed- and cannot see how to overcome them. He is ultimately freed by Mythal's absolution because the foremost factor in his crusade is not belief but guilt.
The ends have to justify the means, because there is no other way he can live with himself. And at every step, he is trying to redeem Mythal as much as he is trying to redeem himself.
He did not want a body, but she asked him to come. He wanted to give wisdom, not orders. I will always follow where you go.
He left a scar when he burned her off his face.
It was all for her. It was always for her.
Solas' duplicity is unending, but so is his devotion. And there is such an earnestness to a Rook, always betrayed, that sees and empathizes with that and uses it to free him.
* I will say that during the game I was definitely wishing you could show your hand to him a little more and press him about his memories prior to the endgame (and separate from this I have quibbles with the impact of some of those memory reveals- like wrt the delivery just not feeling as weighty as I would like. The payoff is absolutely still there in the end, it just felt to me like they were too nonchalantly getting a ton of info out that had to be established moving forward, despite these being like earthshattering reveals that people have Correctly (!!!!) theorized about for up to 15 years). That being said, in retrospect it would have lessened the impact of the finale to have pressed Solas about, for example, his relationship to Mythal prior to absolutely pulling the rug out from under him with it at the 11th hour. And additionally, it's a structural nightmare because you can uncover the memories at almost any point in the story, and you don't have constant access to Solas to chat with him about them. Which you shouldn't imo, in service to the story being told!! But it's also true that early on I found scenes with Solas super gripping, and scenes with my team often...not. And that was initially disheartening, but developed positively over time on all fronts once the game didn't have to worry about setting things up. So, I did wish for more here at first, but I've revised my opinion now that I can see the whole arc.
#ok one fucking gigantic solas post to dump some thoughts and feelings and analysis out#veilguard spoilers#it speaks#vir dirthera#long post
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Ok so I saw some people being confused Abt Avowed, claiming that it's themes are similar to recent fantasy games, and being upset that it's not like regular (western European medieval) fantasy.... And it's crazy to me.
Like both Pillars games and Avowed too are mainly stories about colonialism. These stories focus on these themes admittedly to a fault (the gods are more stand-ins for an ideological weapon as a tool of colonialism that they are gods in a religion ppl are part of, so we don't actually see religious people in this world where gods are extremely important) but that's the main focus.
In pillars one we see the aftermath of a failed colonial project and the political and religious fallout caused by this.
In deadfire we see an ongoing colonial struggle where multiple large empires are wrestling with each other for the privilege to exploit the natural resources and the people of a less technologically developed culture.
In Avowed you see the very beginning of a colonial struggle where a large empire is setting up a large landmass inhabited by smaller fragmented communities for a potentially hostile takeover.
Like this is the political set up of the setting. It's not medieval fantasy because it's not medieval at all (there are guns...) it does not take place in a Europe looking place bc the main theme IS colonialism and colonialism never took place in western Europe.
I don't really think the themes of colonialism are something at all explored in other triple A fantasy games. At all. Much less this explicitly.
I understand the world of Eora can seem confusing bc it's dense. There are a lot of different countries and empires with various geopolitical ties to one another AND with their specific national struggles bc this is a setting that is more concerned with exploring a more "realistic" approach to fantasy politics and nation making and whatnot. Like there are no ethnostates here. There is no international one currency.
The other main theme I would point out w Avowed is that of discovering a lost culture which got destroyed by the overt ideological war machine left behind by an empire whose legacy still shapes the world. Something new and different became real in a very isolated place under very specific circumstances and precisely bc of that imperial powers destroyed it all.
For new players who are a bit puzzled by the setting I can only suggest: stop relying on your previous knowledge of what fantasy is like ( like in DND etc.) and treat this setting as a backdrop for stories that are interested in our human history and wish to reflect on it. If you abandon those pre-concieved notions it might make understanding easier. Or you might discover this type of shit is not for you and leave it at that.
Imo eora is one of the smarter and more unique fantasy settings out there, and it's existence itself is just very very cool. It's a lot smarter in it's construction and exception that most other stuff you can find out there so it's worth exploring and enjoying. Even tho Avowed is not as good as the first two pillars games and even tho it's a more expensive game, I think it's enjoyable and an overall good time.
#quenthel special#pillars of eternity#avowed#i think overall avowed is way less complex than the prev two games....#but still some stuff abt it is awesome and im happy i played it.... i will do some replays until i get bored
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These Aventurine, Topaz and Jade comparisons are getting out of hand…
As much as I adore both of them, I think it’s very disingenuous to compare Aventurine and Topaz’s lore and be like “but they are the same!!!! If people like Aventurine and dislike Topaz that’s just misogyny!!! and like… no?
Topaz’s whole thing is that she doesn’t know the extent of the IPC’s evil, and believes that what she’s doing is genuinely the right thing to do. Even if she never had a choice in joining the IPC, she (incorrectly) believes what they did to her and her planet is justified, logical and moral, and for those reasons she stands with them. Part of this is likely IPC brainwashing, as she was probably very young when she became an indentured servant to them, and someone living on a planet on the brink of destruction would likely view anyone who stepped up to save them as heroes (imo the IPC likely waited for the point of no return to establish contact so her people had no other choice to except).
However Topaz got best end of the proverbial stick, her planet and its people were deemed useful by the IPC, and didn’t fight back, even if in the end they were still exploited.
Unfortunately, we have seen through Boothill, Belabog and Aventurine what happens when that isn’t the case.
Boothill’s planet got bombed and people genocided because they had a resource useful to the IPC, but were unwilling to cooperate with them or hand over their home, so the IPC decided to eradicate them.
Belabog had a debt owed to the IPC that was ridiculously high and very unfair to expect them to pay back, and had Topaz not convinced the higher ups to give them some time (which she got demoted for), the IPC would have taken Belabog by force
That leaves us with Aventurine, whose story is in no way on the same level of bad as Topaz’s. Unlike her, he has witnessed and experienced firsthand the truly awful shit the IPC can do.
They took custody of Sigonia and promised to offer the Avgin aid in their fight against the Katacans, at the very least protect them from harm. (Sidenote, since the IPC held control over Sigonia, they should have stopped the fighting in the first place). However, they simply stood by and did nothing, resulting in the deaths of around 6,000 Avgin, with around 3,000 went missing (or injured, I don’t remember, either way it’s bad).
But wait! It gets worse! Aventurine when he was still known as Kakavasha referred to the IPC as “the men in black/the men in black suits”, and his first master says he bought Aventurine from “the men in black/the men in black suits”, likely mocking the way he referred to them. Therefore THE IPC TOOK PART AND LIKELY EVEN CREATED A FUCKING SLAVE TRADE IN SIGONIA
Look being made into an indentured servant isn’t fun, but idk personally I’d take that any day of the week OVER BEING ENSLAVED
That’s not even to mention how horrible of a reputation Sigonian’s have in the galaxy, one likely spread by/resulting from the IPC themselves, as at least on Aventurines planet they do not have the mobility to make a name for themselves. (Honestly it’s a mini theory of mine that Aventurines scam is what partly contributed to this reputation, and his status as a slave is something the IPC conveniently left out in their broadcast about it-)
But, you might be saying, didn’t Aventurine have a choice to join the masked fools and leave the IPC, isn’t he free now? And to that I say, it’s complicated.
Considering the amount of suicidal shit Aventurine has done while being part of the IPC, he clearly hasn’t been having a fun time as a member of one, so why does he stick around, especially with the Fools invite? Even if he was a slave, does that absolve him of the crimes he’s committing now? What could justify his actions?
Revenge, plan and simple.
This is going to delve into some spoiler territory for the end of the Penacony 2.2 quest, something which I didn’t feel like mentioning earlier because I’m sorry but everyone and their mother already knows Boothill’s lore. Now, let’s get into it.
Aventurine accepts Jades offer to join the IPC, and when he becomes a Stoneheart, the first thing he asks about is the fate of the Avgin, to which he then learns that besides him, they are all dead. You see, from birth Kakavasha was pushed onto a pedestal as the savior of the Avgin, but now that there are no more Avgin to save, his primary motivator in becoming a Stoneheart (beyond not being enslaved anymore) is gone.
So what does he do now?
Simple, try to kill the motherfuckers behind it.
That’s why he takes on such risky gambles still, and why he wagers and wants Diamond to promote him to rank p46. The higher Aventurine gets the closer he gets to his goal of taking down the IPC for good.
Which is why his meeting with Boothill is so meaningful. I think Boothill is going to “kidnap” him and together they are gonna take down the wicked bitch that is Oswaldo Schneider for his literal crimes against humanity.
Mark my words, an IPC downfall is going to happen, and I think Topaz, Aventurine, Boothill and Ratio are going to be at the forefront of it.
However, Topaz and Ratio (and by extension the rest of the galaxy) have to learn/realize the true horrors of the IPC (although I can sense Ratio doesn’t really like them, and he’s learned a lot from Aventurine, I doubt he knows the full extent of the situation or is in any way happy about it). Therefore? Topaz mental breakdown arc? Ratio lore? PLEASE??!? The IP3 compliment one another so well and god I can’t wait for that to come to fruition.
I really want to see a Topaz and Ratio centered story leading up to an IPC smackdown, and I think we are gonna learn a lot more about how shitty they are in the later half of 2.2 and in 2.3 when the interlude and Jades release arrive.
As for the aforementioned Jade, she’s gonna need a Aventurine squared amount of trauma or reasoning behind her actions to seem in any way sympathetic, because right now she just seems like an evil bitch (in a semi good way, I will always respect the commitment to the bit) who loves her job and would make Machiavelli weep over how hard her ends are trying to justify her means.
#honkai star rail#dr ratio#aventurine#topaz#ip3#aventiopaz#its not necessarily a ship post it’s just these three are an inseparable unit made perfectly for one another and should kiss#Anyways I can’t fucking wait for future updates#DOWN WITH THE IPC we all screamed#jade hsr#2.3 is gonna be peak#2.2 spoilers#boothill#Also this has made me like avenhill#Avenhill#Kill those cunts!
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Hello! I hope you don't mind this, could I request Jade Leech with an overly honest and energetic S/O?
(It'd be cool if S/O is male because I feel like there's something particularly funny about really honest guys)
Jade Leech
Jade likes people like you. He's observing other students pretty much all the time, sometimes out of habit, sometimes because Azul needs him to, so it always feels refreshing when he finds someone that seems particularly interesting in how they act. Even better if they're interesting in a way that comes off so endearing.
He's always curious about how you'll react to things. It's not common to see someone who's both straightforward and expressive, especially not at your level. He likes telling you short little stories of things he notices around the lounge to see how you react, just whatever anecdotes he can get away with sharing.
Both Floyd and Azul know you before you even meet them. Jade might be reserved, but he's not above the temptation of showing off whatever his favorite new thing is. At first, he talks about you just like that, a fun and endearing person he just happens to enjoy watching, but they both know him too well. There may or may not have been a bet on how long it'd take for you two to get together.
Now, in a school like NRC, and getting close to somebody like Jade out of all people, other students might start to think of ways to exploit you— Which is an idea they find themselves abandoning very quickly, as soon as Jade starts to linger around whenever they try to speak to you. It really only takes one knowing look from him, just one silent interaction that you might not even realize took place.
And whether you end up noticing things like that or not, he's kind of just thrilled to watch you. Are you going to question what he's doing, are you going to join in and stand up for yourself? Whatever the answer is, he's there to support it... And to watch closely, of course, like a true weirdo. You can even say that to his face and he'll just chuckle and tease you back, saying that he's so hurt you'd think of him that way while he sticks around and smiles. It's just Jade's version of being really into someone, maybe.

if you wanna support my work, you can buy me a ko-fi or commission me!
#long live fish yaoi#twst#twisted wonderland#twst x reader#twisted wonderland x reader#jade leech#jade leech x reader#twst headcanons#twst imagines#lis writing
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I follow someone who peaced out of C3 like a month ago, and while she still throws out the occasional post about it, despite mostly running on ✨vibes✨ since pre-Predathos fight. one of her latest takes caught my attention. The wording was a little messy, but the core argument seemed like it might have a point. She’s saying the biggest issue with the story is a lack of internal logic, which makes the characters feel kind of disconnected from their own world and setting. Her main example was the Schism, like, the general idea that the Titans were bad news for mortals should be widely accepted, and they’re dead so they’re not coming back even if the gods leave. She also argues that the idea that the gods would always choose each other over mortals isn’t really backed up by history. Basically, she thinks Bells Hells ignore some of the fundamental structures of modern religion in Exandria, which in turn makes a lot of their arguments about the gods fall apart.
So I guess I’m wondering does it seem like there’s a lack of internal logic to you? C3 is my first campaign, so I’ve been piecing together older lore as I go, and I can’t tell if this is a niche take or if there’s some bigger context I’m missing.
Yes. Or rather, I have a couple of different guesses as to what happened. In short: I think that either Matt wanted to set up a big dilemma and failed to do the worldbuilding to really support it textually; he didn't have a clear vision of what this would be at all (HUGE fucking mistake, like, actually concerning me re: the potential of a 4th campaign level of mistake and I hope it's not that); or, alternately, and honestly right now my guess is that this was the case, he straight up did not think the characters would be such selfish dickbags and thought going in that this would be a clear "we have to stop Predathos" and intended the familial connections within the Vanguard and the scene in Hearthdell to be added nuance to provide some understanding of the Vanguard not as simply mindless evil monsters but people who have genuine grievances that have been exploited by predatory cult leaders, and was not prepared for a campaign where the party immediately took the Vanguard's side.
Religion in Exandria has never been super formalized or organized. Some of this is, of course, that you don't have to like, convert or even attend services if you have a relationship with a god. But as a result, it means that any exploration of religion as hegemonic falls apart. I am not saying religion needs to fit the regular daily or weekly practices many people irl have (depending on one's levels of observance), and those characters whose powers canonically involve a deity often do observe either restrictions (Caduceus's vegetarianism) or have some form of meditative personal worship, but we never see like, a system of worship outside of Vasselheim, and Vasselheim lacks the powers that the real-world pope has (let alone the medieval era pope). Tuldus was forced by his family to pray, but it's never depicted as part of How All Worshipers of That God are expected to behave. This is really the crux of a lot of problems with this campaign - people keep taking very individualized issues - which are real, but individual - and treating them as a sign of widespread oppression that simply isn't backed up by the text. In fact, the biggest case of widespread religiously-involved oppression is the Empire going after worshipers of illegal Prime Deities (as we see with the Schuesters - the parents are arrested, leaving their young children to fend for themselves) - and the biggest case of widespread proselytizing and missionary work is from the canonically theocratic (and ruled by one person for over a millennium) Kryn Dynasty, which, hilariously, might end up even more powerful given that the Luxon - the source of their religion, their philosophy and cultural practices, and their arcane prowess - has been brought up as relevant to the gods-become-mortal plan by the Raven Queen and seems to not be under any threat from Predathos, and might even get more powerful. Vasselheim's colonial efforts, while certainly not defensible, are small potatoes.
The player character's grievances against the gods all boil down to "I prayed to the gods and they didn't make my life better" while failing to consider that a combination of genuinely wild specific personal circumstances (being Ruidusborn; being the child of an elemental-worship cult with terrible instincts and later running a heist on a Vanguard collaborator; being a shadow sorcerer who caught the eye of an evil Vecna-worshipping wizard in need of a host body) are the root cause. It's like. If your parents kick you out for being gay, that's homophobia, but if your parents are part of a cult that blows itself up and you are orphaned as a result that is not systemic oppression, that is a very specific cult and shitty parents. So that fails to really ground them in the setting. Compare to campaign 2, where Caleb wants to ensure the Volstrucker program is brought to light and eliminated - as he says, no more children on the pyre - vs. here, where arguably Laudna and Ashton are opening the door to far more unregulated cult/evil necromancy shenanigans now entirely unmitigated by the gods. At least Imogen will probably end the Ruidusborn I guess, as a side effect completely unrelated to her actual goals (which are, frankly, unclear) In a campaign that talks about tethers, the characters seem untethered to anything - institution, place, even for the most part family, and only loosely to each other, and it shows in their lack of care.
The other part is that yeah, a lot of things that were given to the Mighty Nein and Vox Machina as "things people would know" aren't given to Bells Hells. Now this could have a mechanical basis, namely, no one has much of a formal education and most of them are also not terribly intelligent on their own. However, it does feel baffling that they can't recognize holy symbols, or don't know the story of the titans at the time of the Schism (which...setting aside the many issues with the concept of "history is written by the victors" which is both inconsistently true in the first place and is frequently used in an anti-intellectual manner to undermine historical study that points out such things as historical racism; just because history might be inaccurate that does not mean that wild speculation otherwise is necessarily true, especially since we do know from EXU Calamity that titans did, indeed, intend to side with the Betrayers against mortals at the start of the Calamity). It furthers this feeling, after Vox Machina being relatively educated even in a story that was not as worldbuilding-focused, and the Mighty Nein having multiple research-oriented characters and a party deeply rooted in a rich world, that Bells Hells feel off and adrift and ignorant, especially since they don't even seem to remember history they lived through such as the Apex War.
Honestly, what I think is most interesting actually is that we don't ever get anyone express a motivation based on structural oppression in-game. Ludinus never got over his parents dying in a war where the options for the Prime Deities were leave mortals to die or fight the Betrayers, knowing there will be devastating casualties, but in setting up his elaborate plot he murdered countless people, destroyed through his communing with Predathos the first rebuilt elven society in Western Wildemount, and participated in actual structural oppression within the Dwendalian empire for literal centuries; he cared not for any widespread liberation and would remain on top, as an archmage, after this imagined revolution, which makes it not much of a revolution worth having. Liliana's problems were caused by Predathos, and many of the Vanguard we see are Ruidusborn. The only other Vanguard we really get to talk to are Bor'Dor, who was oppressed on the basis of his religion and preyed upon by the cult; Tuldus, who see above; and various Paragon's Call members who are mostly just following orders and getting paid. And Bells Hells, when they have the audience of Vasselheim and the rest of the world - a golden opportunity to call out the colonialism - fail to bring up Hearthdell.
In the end, the motivations are all personal pain - in many cases, inflicted, in fact, by Predathos and not the gods - or vengeance. I honestly don't know if the narrative is trying to claim there is something deeper, or if it's simply some of the characters and a chunk of the least knowledgeable fans, but yes, the worldbuilding fails to support a morally complex narrative. It fails to debunk that which was established earlier (and indeed makes the fall of Aeor far more sympathetic than when it was introduced during Campaign 2) and fails to establish any widespread harm the gods did that wasn't the result of someone threatening to kill them. I do not think one can meaningfully debate with someone who puts a boot on your throat, presses down, and claims you're the oppressor when you fight back, nor with someone who argues along those lines, and that's all that fans and Bells Hells have ever done. And yeah we might actually make a world with a formalized hegemonic religion as a result of Bells Hells' actions; it just will be a different god, underscoring that this is either motivated by people who don't know what the fuck is going on; or by vengeance rather than justice.
#this one gets maintagged#critical role#answered#anonymous#anyway though it will be fucking funny if the dynasty becomes the main world superpower and the luxon state religion#ludinus da'leth truly keeps losing
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Alright, there’s a lot going on in this room.
First of all, it’s clear that the Betty Crocker Corporation has supplanted more than just Skaianet. This woman's been stamping her name on chests, cutlery, computers, calendars, and even Fetch Modi, so her company is more like an unholy fusion of Skaianet, Google and Amazon.
I'd give it a week before she pulls a Musk, and rebrands this abomination as 'C' - assuming she hasn't already done so.
Second of all, I initially thought this wall of blue hunks was advertising Jane's tastes, but upon closer inspection, each of them bears a signature in the Pen-Pal's color.
His older self did have a strange fixation on blue women, and apparently it's etched into his DNA.
Your name is JANE. As was previously mentioned, you are poised for an ELITE OPPORTUNITY to test the SBURB ALPHA. It is so elite in fact, you are the only of your kind invited to playtest!
Jane is the only member of her 'kind' to be given a copy of Sburb, which implies that there are other kinds of people on this version of Earth. Crocker is confirmed to not be a human, so maybe the planet is also populated by whatever kind of creature she is.
Though you guess that probably comes with the territory of being the HEIRESS APPARENT TO A BAKED GOODS EMPIRE. You don't suppose it hurts that you are said empire's NUMBER ONE FANGIRL, either!
She practically worships the Crocker megacorporation - and even worse, she's being raised to lead the damn thing. Jane might actually be starting out as an antagonist to our original heroes, completely unaware that she's being shaped into a weapon against them.
In short: Jesus Christ, Jane. We need to get you out of here.
You fancy yourself a SKILLED PRANKSTRESS, if by no other measure than lineage.
I guess Nannasprite's mischievous nature wasn't derived solely from the jester doll.
It's sweet to imagine Jane learning the prankster's arts from her Grandpa John - but I am extremely worried for Grandpa John right now, so I can't even enjoy it.
You once dabbled in AMATEUR BOTANY but found it TOO FRUSTRATING, because your VEGETABLES KEPT DISAP-actually you know what, you DON'T WANT TO TALK ABOUT IT.
Growing pumpkins is every horticulturist's first mistake.
You are also pleased to contemplate FRIGHTENING FAUNA, though saddened by their regrettable FAKENESS ATTRIBUTE.
Flora and fauna. I was waiting to see a little of each Player's personality before making Title guesses, and Jane's evoking Life to me, just as her pervious incarnation did.
Now, that would break the apparent rule that Scratch-swapped Players preserve the session's original Aspects, but that rule hasn't been confirmed yet. Plus, Life might just be my Aspect, so I'd love to see it become more prominent in the story.
But none of that's on your mind now, because you are PSYCHED about this SPECIAL DATE, 11.11.11 [...] a date exhibiting just the sort of numerical gimmick corporations love to exploit for their big releases, or for launching MAJOR REBRANDING INITIATIVES. In the case of your CHERISHED MULTIGLOBAL EMPIRE, both such events are slated to happen today.
Wow, so Betty Crocker is already operating on multiple planets?
The more we see of this Earth, the more obvious it becomes that it's nothing like the world our heroes left behind. Everything has changed.
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Why Tommy is Different to Buck’s Previous Love Interests
and Why it Doesn’t Make Sense.
This is going to be a long and (primarily) impartial post intended for all audiences, whether you like Tommy or not. However, this is not the blog to be airing grievances on. I’m not here for that. I am going to put some opinions of mine through here, but that’s all they are, and I’m going to try stick with facts with a side of interpretation. And Please, for the love of God, read till the end before commenting.
If you want to think I’m nitpicking then go ahead, but every scene of this show gets analysed to death and back for varying reasons. This will be no different.
The Hospital Scene
For the first time, we see one of Buck’s love interests sitting with the 118 at the hospital while they wait to make sure one of their own is okay. In regard to the group chat that appeared on that scene, form your own opinions. We don’t know if Karen or Maddie is in this group chat either. Opinion: I personally don’t think it’s that unusual to have a work group chat, and I also think Bobby showed Athena his phone. I don’t believe that was meant to reinforce the idea that Tommy is an ‘outsider’- if he was an outsider, he wouldn’t have been at the hospital altogether.
Never before has a LI shown up for the 118 at the hospital with Buck. Ali and Abby turned up at the hospital for Buck because it’s him who was hurt, and Taylor was at the hospital with her camera man for the story (s5 May Day). When Eddie got shot, Taylor showed up at the hospital because she thought it was Buck who got shot. Tommy showing up is a unique situation- they were sat in their civvies as a group in the waiting room, and Tommy is there with Buck for Denny. Tommy was part of the 118 waiting room crew; we’ve never seen this before; Buck’s partner showing up for his team(family) at the hospital.
The closest we’ve had before is Abby showing up to Chimney’s return to work party, but at this point they weren’t actually together, and obviously Chimney was okay by this point, it’s not a hospital scene.
The Firefighter Life
When Ali breaks up with Buck, she says it’s because she can’t handle the firefighter life, waiting for him to get hurt. She says it’s not what she wants. This issue isn’t present with Tommy because he is also a firefighter. He knows what he signed up for with Buck, he’s perfectly and intimately familiar with the risks they take everyday and the risk of getting hurt. While it’s a perfectly reasonable assumption that this might still be an issue to some degree, no one wants to see their boyfriend getting hurt after all, they both understand the life and what it means. Tommy solves the reason Ali broke up with him.
The Bobby Approval
This one is a key one. When the scene first aired, I strongly believed (and still do) that this line was also intended for the audience. We have Bobby’s explicit approval of Tommy as a person and for Buck. He’s good people, he’s good for you.
Bobby and Buck never spoke about Natalia or about Ali. I hold the belief, like many, that Bobby never particularly liked Taylor because of how she tried to exploit Bobby in season 2. However, Bobby did help Buck decide on a Christmas gift for Taylor and vice versa. Yet, he never said on screen that he thought they were good together. Hen and Chimney do also come to Taylor for help (s5) with Jonah, but even in that scene they’re shown to not trust her with what they’re telling her.
Abby is more complex as she was a main character in season 1 and her relationship with Buck was a full-season arc. Bobby helped Buck tie his tie and gave him genuinely good advice before their date. Bobby even talks to Buck about having a serious relationship and how to handle it, about how to treat her with respect. Other characters definitely aired their reservations about Abby in season 2 (Is it the age difference? More like the time difference). I believe Bobby gave his implicit, but not explicitly said, approval of Abby through the way he treated and spoke to Buck about their relationship. Despite this, I do think it’s poignant that for the seven years after Buck and Abby broke up, we never saw Bobby approve or like another one of his relationships until Tommy.
The Future Talk
In 8x06, Josh straight up asks Buck if he can see a future with Tommy. This of course follows up Josh already asking “do you care about him, do you think about him when’s not around”. The discussion between Josh and Buck is unique, because Buck has never spoken to a friend about this before. His relationships with Ali and Natalia weren’t developed or long enough to warrant the discussion, he never talked about the future with Abby, and he said “no” at the prospect of proposing to Taylor. For the first time, Buck is asked on-screen if he sees a future with his romantic partner, and Buck says yes. This is explicitly said for the first time. Yes, he made a confused face when Josh asked if he loved him, because clearly Buck hasn’t given it that much thought until he’s confronted with it. Either way, Buck, for the first time, says he wants a future with his romantic partner.
This further prompts Buck to ask Tommy to move in with him, which, different to his motivation for asking Taylor to move in with him, is fuelled by wanting a future. Buck even brings up marriage in his discussion with Tommy, which he’s also never discussed with a romantic partner on screen before. The content of both discussions is something we haven’t seen Buck talk about or admit before.
Eddie Friendship
All of Buck’s love interests, bar Abby, have screen time with Eddie. However, Ali and Natalia only share screen time with Eddie when they first meet because they meet on a call. As Buck’s girlfriends, they don’t share screen time with Eddie.
Taylor once has dinner with Buck, Eddie, and Christopher, and she compliments Eddie’s cooking. Correct me if I’m wrong, but I believe this is the only main time they’re seen together. It’s civil, it’s fine. However, they aren’t friends.
Tommy is a unique situation again; because he’s a guy, it might be easier for Eddie to form a friendship with him. They’re very fast friends, they do Muay Thai together, Tommy works on Eddie’s car, they play basketball together, Tommy went to Eddie’s house 3 times in two weeks and met Christopher. Christopher likes Tommy, he thinks he’s cool, and Eddie invited Tommy to Chris’ virtual birthday party. He’s the first love interest to not only get along with Eddie, but become friends with him outside of Buck (emphasised by 7x04 where Tommy tells Buck that his friendship with Eddie has nothing to do with Buck). The show makes their friendship very clear.
I’ll fully admit that Eddie’s friendship with Tommy was needed for the plot in 7x04, but beyond that, why was it relevant? It already made Buck realise he wanted to be with Tommy. They might’ve needed it for a plot reason but they’re friends afterwards too. Maddie calls Tommy “Eddie’s friend” in 7x05 and they’re laughing together in the hospital and getting alone fine in 8x05. Why?
Fitting Into Buck’s Life
Of course, this all culminates by saying Tommy fits into Buck’s life extremely well.
Tommy doesn’t have to go through the awkward phase of meeting all of Buck’s friends, because the only one he hasn’t met is Eddie. Tommy was previously friends with Bobby, Hen, and Chimney, they already know him. He’s already met Athena. Sure, they might have some catching up to do, but they already have a good history. They’re familiar. Again, Tommy already gets along with Buck’s friends outside of Buck.
Why was Tommy at the hospital for Hen’s son if he wasn’t integrated? Why feel comfortable going to Maddie and Chimney’s wedding? Even Buck makes the point of saying that Tommy is already going to know everybody there; he’s not just his date, he already knows them.
Tommy is friends with Buck’s friends already, Tommy understands the demands of being a firefighter and what it entails with the risks and the commitment. Tommy understands Buck’s friendship with Eddie and Christopher, and his dynamic with Bobby.
Intention (Conclusion)
This is all to say- this is intentional. If the point of the relationship was always to breakup, why have Tommy included in these scenes? Tommy didn’t need to be there at the hospital for Denny, but they wrote it in for him to join the 118 waiting. Bobby didn’t need to give his approval of Tommy on screen. It didn’t further his relationship with Buck nor the plot. It was written this way for a reason, and I think anyone can admit the actual breakup in the scene was abrupt, and it’s all of the above context that makes it even more abrupt.
I know it makes his relationship with Buck more meaningful, sweeter, more heartbreaking for Buck, but we never saw these moments with his ex girlfriends, particularly Taylor, and their relationship was solid until it wasn’t. If this unique treatment of Tommy was meant to put Buck through heartbreak then I offer a second question: what is coming up for Buck that requires him to go through heartbreak?
Why go through the effort of writing Tommy to fit in so well with Buck’s life if he’s only there to further a plot? None of Buck’s other LIs were treated like that, and they achieved the plot they needed to. So why was this different? Buck’s relationship with Taylor was a lot longer, and they lived together, but we never saw these types of scenes with her. Why? Why was this different? What was the point of making the relationship meaningful and different?
Again, this post is not here for people to argue. It should be clear to everyone, regardless of why you think so, that Tommy was treated different by the show than Buck’s other love interests. There must have been a reason, even if that wasn’t clear. Is something big coming up for Buck that he needed to be heartbroken for? Is it poor writing? Is Tommy coming back? There must be some reason that Tommy was treated differently by the writers other than “just because”.
#911#911onabc#evan buckley#tommy kinard#bucktommy#tevan#episode analysis#long post#analysis#8x06#tommy#thoughts#interpretation#tommy was treated different by the show and you can’t convince me otherwise#bbessay
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At last, here it is. A while ago, I had the pleasure of commissioning the wonderful @lokorum to portray my beloved idiots in all of their tragic glory.
So without further ado, after months, here's the first chapter of my durgetash-centred, possibly very long, post-canon Genfic (cuz even if he's not featured in the picture, he's very much the one behind it, and yes, I said genfic but they do fuck, there's just also other themes that are more important than whatever it is those guys got going on).
https://archiveofourown.org/works/63147115
Rated M; further elaboration, summary etc behind the cut.
As per usual, please mind the tags. This is rated mature and may turn explicit depending on—let's be so fr—nothing but my mood. It IS a tragedy. I know how it ends. Trust me when I stress the tragedy part. I'm writing this story through tears at times. There's fluff, there is hurt comfort, there is true old man yaoi but there is just as much 'doves that aren't simply dead but rotten' and pain.
So to everyone who's not scared shitless yet (which is very valid), here's a summary:
The year is around 1530 DR. The once-revered and reformed Bhaalspawn returns to the city he had both saved and nearly doomed, emerging from his exile in the Underdark. Though he claims to seek only rest, the city's de facto ruler, Archduke Gortash, sees through the monster’s carefully crafted facade. Perhaps if the elf had never saved the Banite all those years ago—when he was little more than a blurred and distant memory—his own fate might have unfolded differently, perhaps even more mercifully. But regrets have long since lost their weight. The past is immutable, and all that remains—all that truly matters to him now—is the purpose that once again draws him into this treacherous den.
And on a personal note; I'm still squealing and shoving this artwork into the face of everyone I meet irl. I absolutely adore it. I'm not sure I'll be stopping with that soon. You will see reblogs.
Again. Tragedy. I mean it. There's fluffy moments, but I will absolutely exploit them to enhance the pain. I'm dead serious about Bhaal being able to learn from me. I caused his kid more agony than he could ever dream of delivering. And I haven't even shared the worst parts yet.
Edit: I also mean the psychological warfare tag. It's my guilty pleasure. And whatever over one year of obsession amounts to.
#durgetash#the dark urge/enver gortash#durgetash fic#dark urge/gortash#durge OC#enver gortash#gortash#bg3 the dark urge#bg3 durge#bg3 dark urge#durge/gortash#bg3#daemons writing#yes I am slapping this into the tags cuz this is all 100% gortash's fault#I may have also stared down the post button longer than I'd like#this is a tragedy pls pls pls heed my warning#also again thank you lokorum for this beautiful artwork#choosing between the versions truly is impossible even now#anyway hope y'all like yada yada time to become an offline hermit for a week#I'll make a master post later i promise#and just cuz I can thank you again lokorum#and dear moots who never fail to encourage my tragedy loving arse#also now that i have regained my ao3 login#i will get to answering the beautiful comments i've gotten during my 'hiatus'#please just give me a while i'm socially awkward as fuck#okay time for the offline hermit bit to commence while the dread takes ahold of me#at least until tmr#oc: fine
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More JVP Shenanigans
TLDR; JVP's Haggadah was put together by goys and their tax filings show they have no intent to help and/or represent Jews. We all know JVP is the Autism Speaks of the Jewish community. They exploit Jews and try to present themselves as a Jewish organization concerned with systemic discrimination, Palestinian rights, antisemitism, and much more. Hell, you can go look at their core values on their website and a lot of us would agree that these are good things.
JVP uses all that as misdirection. It uses Judaism as set dressing for its own agenda and exploits people’s ignorance. However, if you have just a little bit of knowledge you can tell that JVP is not only exploiting Judaism, but it is an organization that has wholly embraced Jew face and does not know what it’s doing.
Take a look at their Haggadah.
Their Haggadah was clearly put together by goys who didn’t know what they were doing. Many of the translations for their blessings are wrong or were clearly put through google translate. Other blessings are slapdash put together or grabbed from other Seders. Take a look at this blessing:
Baruch atah adonai eloheynu melech ha’olam asher kidshanu b’mitzvotav v’tzivanu l’hadlik ner shel (Shabbat v’shel) yom tov. Blessed is the spirit of freedom in whose honor we kindle the lights of this holiday, Passover, the season of Freedom.
Do you see the issue? For those who don't know, there is no mention of Passover in the blessing at all. So why is it in the translation? They also didn't include any of the extra words for Shabbat in the translation as well. If you have the patience, go through and read it. It omits the story of Passover, dismisses the importance of the holiday, and just changes the entire thing for their agenda. Edit: Above is about last year's haggadah as someone pointing out in the replies. Below is the link to this year's and it's just as bad, but this time they have a lot of tokenization to justify why they change the entire holiday to support their agenda. It literally asks you to write to the NY Times at one point...
“But it’s a Jewish organization, I swear!”
Well let’s look at their tax filing where they as a 501(c)3 have to describe what their organization is and their intent.

That's weird. A Jewish organization that states it fights against antisemitism and is committed to Jewish communities has nothing on their filing about Judaism or Jews in any capacity. It's mission is regarding education about Palestinians. Some of you might say "what's wrong with that?" There's nothing inherently wrong with that mission statement. What is wrong is that JVP hides its intent, bigotry, and antisemitism behind a veil of Jew face. It claims to be a Jewish organization, but it can't even get basic translations of prayers right. It omits, misleads, and misinforms about our culture, history, and traditions in such a heinous way that it's downright disgraceful. JVP does not represent the Jewish community and at this point it's clear that they're Jewish in name only.
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