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#they feel more dangerous too
gilly-moon · 7 months
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It cant just be me right
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tofixtheshadows · 5 months
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
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We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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sophfandoms53 · 5 months
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Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches
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Just an 11 year old pissed off at the world it seems😭
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stars-obsession-pit · 2 months
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Decimation
Some members of one of the GIW’s top-secret research facilities have made an earth-shattering discovery.
They’ve found a way to make half-ghosts.
The failure rate is high. For every subject they successfully convert, many more are left burnt-out corpses—or worse, as rabid undead that must be put down with force.
It didn’t matter. The test subjects were cheap, worthless. Their countless deaths were an acceptable sacrifice in the name of progress.
Their operative’ deaths when they begin the full plan… those will matter more. Their warped agents may be more dangerous than normal humans in combat, but legions of foot soldiers still have their place. It would be foolish to leave themself solely in the hands of ectoplasmic entities, even if they’re allies and still partially human. Recruiting and training enough replacements to recover the losses would take time.
But it will all be worth it.
Finally, they will have control of a strong enough army to bring their goals to fruition. Those inhuman wraiths will be eradicated, ensuring the safety of the real, living humans and opening up a whole new dimension of untapped resources.
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crt8ball · 1 year
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also now that everything is over can we please talk about what charlie said about not turning into gegg as often cause its getting more and more difficult to change back??????
LIKE ITS NO LONGER teehee!! he makes loud echoey scream sounds for funsies and turns into a silly small egg!
It physically pains q!Slime to become Gegg.
i feel like this presidency if gegg actually gets voted is going to be the end of q!slime like...
im not gonna put it past charlie slimecicle to make a pyscological horror plot about him slowly each time being more hurt by doing this metamorphasis until he is fully unable to get out of this slimey egg form
i mean especially with q!slime "blacking out" and "not remebering what happened" for the whole debate despite him BEING THERE in the form of gegg...
im so worried for his character... i cannot handle another wretchedly tragic and unsaveable charlie slimecicle character RIGHT after genloss, my mental state will not recover
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oseike · 1 year
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"This person, who not so long ago searched for herbs with me so earnestly....
"It's too sudden. There's so much everyone wants to say, wants to hear.
"If only he could open his eyes one more time..."
If funerals are for the living, what of one's final moments? For whom do they exist? Is it okay to force wakefulness one more time, even if it should cause pain?
EDIT: @keidokusha has translated this to Vietnamese:
Many thanks to them!
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gideonisms · 9 months
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eowyn should have been a lesbian. Eowyn/faramir is like, fine, but it misses the point of eowyn for all baby dyke eowyn stans which is not that she longs for glory in battle and doesn't realize war is ugly and brutal, but that she's caught between two awful options and she doesn't want to be given one based on her gender. She's not in love with aragorn, she envies him because she finds the tasks he has in life more preferable and she hero worships him. Is this the point Tolkien was trying to make? Well, no,
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cowboycatss · 6 months
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the true lives of the fabulous umm.. um. catjoys.. kittyjoys… no the furbulous ??killjoys?? the mew lives of th
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witchofthesouls · 23 days
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Wait something funny just occurred to me. In the AU where the kids get cyber formed but remain on the edge of being adults, someone would have had to give them the Cybertonian version of The Sex Talk.
Would it be Ratchet, giving them the strictly medical side of things, or would it be some bot, talking about the experimental/exploring parts?
(I genuinely believe Ratchet would have an aneurysm of some kind at the prospect of it. But let's pretend)
I have to name this verse properly because Tarn isn't here, but it will eventually lead the D.J.D. to Earth. I'll keep the soulmate au tag until I can figure out something.
Ratchet does have an aneurysm because he has set ideas on what is and isn't 'appropriate' from Functionist-held Golden Age Cybertron, but he also carries a lot of guilt from out-surviving almost all his friends, cohorts, and students...
And it's all being dragged into the mud by the Jasper trio, who gives no quarter on crushing his prejudices and fears. Even Raf, his favorite, casually steamrolls over it with the draconian and American mindset of giving no fucks.
Team Prime had harmless thought exercises of what their charges' Cybertronian frames would be like... and none of them were remotely correct!
Because Miko is a Seeker femme, Raf may or may not be a type of Predacon, and Ratchet can't get proper readings on Jack's base-coding, Ratchet sits them all down because they're not sparklings or mechlings with sealed plates but full-framed mecha with total access. He gives them the reproductive talk, especially since Seekers and beastformers go into reproductive heats, but humans don't have that. He's trying to be mindful, and Ratchet is going through the different sexual methods and the variations of parts. Of course, Raf has to interrupt because the draconian mech has two spikes and no receptacle, and he would like to know about any necessary care.
All in all, it's really Ratchet having another fit because his weird humans are now weird Cybertronians of yore/throwbacks. And the ex-humans are taking it rather well, but Jack, Miko, and Raf had literally lifetimes to explore sexuality: as humans, human-hybirds by exploring their heritage as well as alchemical concoctions and very curious lovers.
This, however, did kickstart the path of Ratchet teaching Miko his medical knowledge as she doesn't want the results. She's burning to have the technical skills and knowledge of the processes. Ratchet does pass on his skills to Raf and Jack, but Raf prefers the science as Jack is more fascinated by procuring research material. Miko literally bullzoned her way to become his student. The howling matches they had shook the foundations of the base, but she got her way because she deliberately aimed at his vulnerable parts. ("You'll leave us one day to go back to Cybertron! And you're refusing to tell me how to properly care for myself!?") Ratchet is highly concerned about how voracious Miko's appetite is for that knowledge.
She yearns to become a Tsunade/Unohana terror among them because they have a strong suspicion that if their status is revealed, then they'll become targets. She'll become a Cybertronian Bloodbourne horror if it means she'll never be trapped like what happened to some of her kin.
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bacchuschucklefuck · 4 months
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love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest
#not art#fhjy#fhjy spoilers#like. does she have a mean of knowing lucy and yolanda got sent to cassandra's domain to hang out for a bit#kipperlilly's isolation means so much to me. she is punished for everything she's done she just doesn't pick up on it#until the moment she dies! one more funky thing that mirrors riz in which he's actively tried to cultivate a community and denied it#until the bad kids. while kipperlilly does not want or care about a community she just wants someone who validates her#but she does Need a community so she latches onto the person she lets closer to her to fulfill her emotional needs#she took the ritual willingly so this might genuinely be her first death. probably terrifying#probably not even enough bandwidth to feel mortified. maybe immediately seeking something comforting out of instinct alone#lmao honestly thinking too much abt fantasy high afterlifes gives me a headache And a visceral fear#Im not religious but I grew up in a culture with a dominantly buddhist/taoist cosmology its Scary that u just go to A Place after u die!!#and then ur still urself!!! thats scary to me what do u mean u stay like that forever. thats fucked#but yeah I think this influences how I see kipperlilly turn out a little bit. in a sense I think of her as being a ghost now#yknow. trying to solve something from life so she can move on and. stop living this life etc#man the reveal that lucy took being killed pretty seriously and is like yeah the others are decent and even sweet#and probably was just trying to hold her party together and do what she thinks is moral by hearing kipperlilly out#lol lmao etc. gods I gotta wonder how kipperlilly's mindset handled jawbones' help#it really is damn tragic tho. I stand by what I said folks like this will complain and be nasty to be around#but they dont have enough desire to inconvenience themselves to off the bat do something abt what they find unfair or whatever#its when theyre handed the seemingly very easy means to be right that they'll start being dangerous#its horribly tragic that the supposed metaplayer and the self-perceived mastermind turned out to ultimately be just an useful idiot#yknow what. I think personally in my heart kipperlilly moves on from her afterlife the moment she says sorry#doesnt even have to be to lucy but that's probably gonna be who received it#ah.... teenage rebellion. teenage gamejacking
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wickmitz · 17 days
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I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule
Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?
for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.
one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.
obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.
all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.
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source : q&a with tracy .
which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.
however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.
though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.
once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.
#my asks.#lackadaisy#rocky rickaby#sedgewick sable#tracy j butler#i also think rocky’s sudden taste for marigold blood is him making marigold his other scapegoat#he isn’t dealing with anything in a healthy manner and is so traumatized it’s starting to spill out of him … which is. uh. not good!!#but it sure is what’s currently happening regardless#cannot stress enough that rock is a very ill and traumatized individual who hasn’t had a single break in his life#he is constantly in stressful situations that are dangerous … and like.#when you’re constantly put in those situations you become numb. and angry. and it becomes hard to heal#or to truly connect to others … etc#i could talk in depth about rocky’s traumas and why they’ve caused this anger issue and this inner disharmony inside#because frankly there’s a lot there! and i hate to say it but people who are hurt normally show their hurt in ugly ways#especially if mentally ill … which rocky is imo#it’s just the reality of things! this isn’t me demonizing mental illness or the effects of trauma. i’m just being realistic here#someone as deeply troubled as rocky ( someone with NO outlet and whom hides his feelings from others and himself )#is bound to be. well. troubled!! his smiling facade is merely another mask he wears to cope and to be good for the people he loves#it is not … really rocky rickaby … rocky rickaby is that and the wrath and the self destruction and more#AHEM but i digress. how rocky treats wick and all that has really done wonders for understanding his character#and i truly love the wick / rocky / mitzi trio so bad. their relationships with each other is what drew me into this world#like. i am shaking them so much. the overlap!! the complexities inherit in their bonds and what that says about the individual characters!#it’s amazing truly lol like … i have had such fun thinking about them twenty four seven for the past three-ish months#anyway. anyway! i love analyzing these bitches. they can fit so much into them#and i’m rooting for wickmitzi endgame and for wick to desperately try to bond with rocky … while his bloodshot eye is twitching as we speak#lots of fun!!! lots of pain and agony too … rocky is nothing but a painful character alas. that is his nature. but that is also his appeal#and ooops i’ll shut up in the tags now i just. have a lot to say. and a lotta love to give to these two!! but uh. yeah <3 loved writing thi
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nerdie-faerie · 6 months
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I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.
Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.
Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents
#TVD#The Mikaelsons#Kol Mikaelson#Klaus Mikaelson#briefly back on my the originals shouldve gotten to be a family goddammit and as someone from a big family im personally offended bs#i did right a lil snippet about them bonding over this that i havent posted yet for the joml verse but still think its an unexplored concep#need more witch!kol acknowledgement honestly. just need more content of my boy#anyway. klaus having a fascination with the moon and kol telling him about celestial events and how it affects his magic when theyre boys#klaus losing that connection to the moon feeling lost & extra tempermental feeling his wolf claw at its binds and vowing to break his curse#kol determined to get his magic back at any cost relating to that devasting loss and promising to help him find a loophole for his curse#kol who becomes extra reckless and determined when he learns that theres a way to break klaus' curse so maybe he can get his magic back too#that knowledge and recklessness combined with his loss of magic driving him to become the volatile vampire that we see#that leads to him being daggered repeatedly but that first time breaks something in that bond between him & klaus that never fully recovers#it makes him bitter and resentful only fueling his reckless behaviour particularly when there seems to be no leads on reclaiming his magic#that he becomes distant from his siblings in the process especially with finn still daggered but that distance only cements the idea#to his siblings that hes a danger and cant be trusted that he needs to be daggered if theyre to stay safe from mikael#the loss of his magic leading to his spiral as a vampire and him being ostracised by his family > actual tvdu kol canon#klaus being trapped in a room staring at the corpse of his little brother knowing he never repaired that relationship with him#and now he never can so he refuses to look away as penance and a reminder of his failings to his little brother#*edit: one of the reblogs on this post is the author of big bad wolf and honestly she does an amazing job at portraying the mikaelsons#as actual siblings if you havent read it its one of my favourites for characterisations but we need more 😭 i want it to be the norm
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cryptidorchid · 4 months
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I’ve seen a lot of people call out Scott’s lack of care for Jimmy’s life in Third Life. (Usually, this is part of their explanation for why they think flower husbands is toxic) And I think these points are interesting but kind of miss that the lack of care is reciprocated by Jimmy.
In Scott’s case, the moments I see pointed out the most are the two times Scott treated Jimmy dying like it was a spectator sport. Like when Jimmy got attacked by the enderman or Jimmy played the Tango’s lava minigame and Scott was like “I’m just here to see if Jimmy dies” and when he told Grian that “once our husbands die, we can be free.” 
I will play devil’s advocate for a moment here and say that in all of these moments, regardless of what Scott was saying about it, he took action to try to keep Jimmy alive. In the first two instances mentioned, he gave Jimmy advice to help him survive and in the last one with Grian, he suggested Jimmy should stay in the bunker so he could be safer. But I will admit that Scott acts very apathetic about Jimmy dying.
In Jimmy’s case, he’s less verbally apathetic but his actions seem strange for someone who should want Scott to stay alive. Like that time where Grian and Scar let their enderman free to attack Scott and Jimmy scolded Scott for killing the enderman because it upset Grian and Scar. And even when Scott was being attacked, Jimmy’s response was just yelling that he wasn’t the one who looked at the enderman and then watching as Scott gets attacked. And there was that time when they found the enchanting table outside of Renchanting and Jimmy (correctly) guessed that it might be a trap so he told Scott to mine it.  For the second one, Jimmy says it’s because he’s just died so he doesn’t want to die again which would be fair, except neither of them have any motivation to mine the enchanting table in the first place, so the reasonable response would be “it might be a trap so neither of us should mine it”
Which made it really weird when the Dogwarts confrontation happened and suddenly, they’re all protective over each other. Suddenly, they’re like “Jimmy, don’t go near the scary red name!” and “Scott, what if they sacrifice you on their altar?” 
What? Where did this come from? At least in Scott’s case, I can guess it was because Jimmy’s now a red name so if Jimmy dies, it’s permanent. I don’t know what was up with Jimmy in that moment.
And, as far as them continuing to be protective after that? On Scott’s end, he was pretty consistent and explicit about wanting to keep Jimmy safe after that (except for him being weirdly happy about the idea of being a widow, don’t know what was up with that). 
On Jimmy’s end, after this, as far as I can tell, he went back to using Scott’s green life as an excuse to ask Scott to take risks. He finds a cake unexpectedly in his house, thinks it might be a trap, and asks Scott to eat it and tell him if anything bad happens. When they're in a fight with Dogwarts, Jimmy tells Scott that he should "get in there" because he’s a green name. Honestly, I don’t think these are that bad because Jimmy was on red and Scott was on green, but it is a big difference from him burning the Dogwarts banner over just the possibility that they might try to kill Scott (and it implies that Jimmy sees Scott's life as disposable which while pragmatic, is not very kind). Anyway, my main point is that I can’t remember Jimmy ever really being worried about Scott’s life outside of the one moment with Dogwarts.
In conclusion, neither of them seemed to be super concerned about the other one dying (Scott said it. Jimmy acted like it) until Jimmy went to red. Which I think mostly had to do with the fact that they both knew the other had more lives to spare. They really lived their lives like “me and my husband who couldn't care less if I live or die.” My dysfunctional faves.
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natasha-in-space · 5 months
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All Good Things Must End
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Ray/gn!reader;
From the beginning, you trusted Ray with all your heart. He was the embodiment of your fairytale dream come to life. Your respite from all the unappealing troubles of the outside world. But all fairytales have an ending to them. And yours is not as happy as you expected.
CW: brief mention of violence, erratic behavior, depiction of a codependent relationship. This is a Danger Ray fic! Set during V's route. Loosely based on the 7th day outgoing call to V (11:51 AM, after the 'Provoke' chatroom).
Lovely dividers by @/saradika-graphics!
Ray was a good man. A kind man. A fragile man, even. His entire appearance would remind you of a beautiful but delicate flower. So starved for love and warmth, yet so sensitive to every harsh touch of the wind, even the slightest of pushes against its soft petals would make it start to wilt. A flower that needed nothing but some gentle care and love for it to come into bloom. And, of course, you were willing to give him just that. After all, why wouldn't you be? Ray has been nothing but kind and caring towards you, ever since you stepped foot into this strange place, guiding you along the way while holding your hand and not minding any of your clumsy mistakes. He was understanding. Attentive. Curious. Always checking in with you and eager to hear about your day. Never ignoring you or making you feel stupid if you didn't understand a thing or two.
No wonder you found it so easy to open up to him in your short time here. You trusted that he would do no wrong by you. Just as he promised.
At least... that's what you thought. And appearances can be deceiving. Oh, so very deceiving. Now, it felt downright humiliating just how much of a blind fool you really were. How stupidly determined you were to deny and rebuke anyone daring to challenge your views on Ray.
You loyally refused to trust Rika's musings about Ray's 'darkness' during your brief stay with her, dismissing them as nothing but her twisted philosophy that you couldn't even begin to comprehend. You impulsively denied V's numerous warnings not to trust in Ray's sugary words, reassuring yourself over and over again that surely his affections for you must be true and earnest. You turned your back on every nagging suspicion buzzing at the back of your mind during short moments of unrest. You knew in your heart that Ray was a kind, tender boy. He was simply confined to an environment that would exacerbate his worst traits.
And he was only human, right? No one is immune to harmful outside influences being forced down upon them. Anyone could end up in his place one day, even you. It was no reason for you to be hostile and distrustful of him.
Then again, maybe that was just your mind trying desperately to keep you calm in the midst of a horrible storm you found yourself being forcibly thrust into. After all, accepting just how truly bad and out of your control things truly were here... How utterly helpless and vulnerable you were, with no one there to come save you if you needed it... How trapped and isolated you were in the middle of nowhere, surrounded by nothing but miles and miles of lush mountain forests, with no civilization in sight...
Just the thought of it would make a heavy lump of acidic bile rise up to your throat. The sad truth is... Ray simply provided you with feelings of solace and comfort that some deeper, weaker part of you was so desperate for. Losing that was something you were not ready to face yet. He was there by your side from day one. He had a better understanding of you than anyone else did. Of course you would cling to his familiar presence for this brief feeling of stability you yearned for so gravely.
In retrospect, it was always a losing battle for you to try and win. You could have done better. You really, really could have done so much better. Yet it still hit you harder than a sledgehammer to the back of your skull, when the bitter reality has finally reared its ugly head to you, without any regard for your fragile heart.
You resent yourself for hitting that call button despite your gut screaming at you not to. You were already well aware that you would regret doing that, somewhere on the back of your mind. But, in the moment, your worry for your friend overpowered your lingering anxiety. Maybe out of some sense of duty. V made it all the way here, just to save you. You played a big role in his capture, in a way. If it wasn't for you, he wouldn't be in danger. And not knowing a single thing about his whereabouts or even his state was... daunting.
So, you dialed his phone number.
You anticipated that he wouldn't pick up. Maybe you would receive a very brief phone call with him begging you to keep yourself safe, like he always would. Or even just a quick exchange of words between you two that would maybe give you even the tiniest of clues on his whereabouts. Something you could then relay to Seven. Make yourself useful. Actually do something, instead of just sitting there and driving yourself mad with dozens upon dozens of anxious thoughts clouding your mind.
What you received was worse than you could have ever imagined.
It was one thing to hear pained groans, gasps, and raspy coughing on the other end of the line. You already had an expectation that V would not be okay when you hear his voice. It still left your knees feeling weak and your heart lurching in your chest with a dizzying intensity, but you could handle that, to an extent. What you couldn't handle was also hearing a familiar soft-spoken voice that has become an unstated but undeniable source of comfort for you. A voice that was now sounding so cold and angry, that your brain had a hard time comprehending what was happening, seemingly shutting down completely, as you remained deathly quiet for the whole duration of that cursed call.
Ray just was not supposed to be there.
You have heard him get angry before. You have heard him lose his grip on reality before. You have heard him say things you couldn't truly agree with, despite you still going along with them regardless, to avoid causing him any disturbance. Those were all aspects of him you were not blind to. You just actively chose to overlook them whenever they would come up. Something that you probably shouldn't have done.
-But you never heard him be so downright cruel and vicious before. Seemingly not at all disturbed by the very real sounds of suffering from the other living person there with him. Even getting angrier at them.
Like it was something completely normal. Not at all worth getting upset or worried over.
You couldn't wrap your head around the fact that this was the same man that worried himself sick over you simply scraping a knee. He was so caring, so empathetic to you back then... over a small cut, of all things. And now, that very same man was not at all disturbed by such grave suffering happening right in front of him.
No, by the sounds of it... he was actively causing it.
And that's not something you could live in peace with.
The call lasted for a maximum of two minutes. That's the time that your phone would display to you whenever you mindlessly return to it, anyway. But it felt way longer than that. For those two horrible minutes, your ears were ruthlessly subjected to the merciless reality you were so desperate to avoid facing up until that very moment.
The bitter truth was that Ray is not a fragile flower. Nor is he a prince from a fairytale. For, fairytales are not reality. No matter how much you want them to be. He was a man, a human being, just like you. Just like every other person in this building. And much like any human being, he was more than capable of causing harm by his own two hands if he so chooses. In fact, he would do so purposefully. And a victim of his spiraling wrath was no longer some faceless unlucky believer that you could forget about in a matter of hours, despite you genuinely feeling bad for them. No, it was your friend. A friend who fought so desperately to save you, even at the cost of his own safety. A friend you have come to care for in the short time you have known each other.
A friend, you knew for sure didn't deserve to be suffering in the way that he was. By the hands of your other friend you cared for just as deeply.
Such reality was just too cruel for you to bear.
So, you do the most foolish thing of all.
You confront Ray head-on.
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"-Y/N, you must be confused... I've done no wrong. I do admit that I... did loose myself for a moment there, but- but it was his own fault! If he just kept quiet and drank the elixir like my Savior has instructed, I wouldn't get so upset with him. And he kept saying his stupid lies... He wouldn't shut up. My head hurt so bad... You have no idea."
You are left feeling sick to your very core by the soft apologetic smile reflected on Ray's face, once you do have a chance to finally face him again. No matter what you say, how hard you try to show him how wrong and cruel his actions really were, it was all completely pointless. For someone so seemingly skittish and subservient, Ray was frustratingly stubborn in his beliefs. It was like throwing a tennis ball at a wall. The more force you put into your throw to get your point across, the harder it just bounces right back into your face, leaving you with the painful sting of your failure.
You shake your head, an ugly mess of emotions steadily clouding your sense of judgment. At some point, you lose track of your location and position. All caution goes out the window. All that remains is a debilitating feeling of betrayal, clutching at your insides like metal rods slowly puncturing your very heart. "It is still wrong, Ray! How can you not see that!? He was suffering, and you just- just-"
The words don't come out of your mouth, obstructed by the suffocating lump stuck in the middle of your throat. You were going in circles now. You have been trying to get through to him for almost ten minutes straight, and still no results. You have to take a moment to try and regain your breathing. A soft glowed hand rests gently upon your chin, causing you to tilt your head to meet Ray's gaze instead.
You are disgusted by the genuine concern etched onto his delicate features. By the unfeigned emotions of nothing but genuine care and affection swimming in his eyes as he looks at you. By the tender touch warming up your clammy skin. All of it is sincere. You know he is not lying to you. Not right now, at least. And that is a sickening realization to come to.
More than anything, you are disgusted by the simple fact that you cannot perceive him as a monster or an angel. Ray is no perfect prince from a fairytale, no matter how hard he may try and appear to you as such.
He's a human.
Just like you.
And this implies that he is capable of all the atrocities that any human being is capable of. As much as he is kind to you, he can also be cruel to others. As much as his hands soothe and tremble when they brush up against yours, they can also hurt and sully those he harbors hatred for. It's not all black and white, as you would like to delude yourself into thinking.
And his actions were truly appalling to you. You couldn't live in your fantasy world anymore. It was sullied. Destroyed beyond repair. Your Wonderland has been corrupted from the start, and you just denied each and every sign of it, until it was too late.
"My prince/ss... It pains me to see you in such distress. Though, your tender heart is another trait of you that I adore," Ray whispers to you softly, his thumb lightly brushing over your cheekbone. He was touching you so gently, it's almost like you were made out of glass. And yet, just a few hours earlier, these exact hands were causing so much suffering to someone you care so deeply about. The thought prompts you to swallow hard and clutch your hands together as they start to shake. He continues, seemingly undisturbed by your lack of a positive response. "-But believe me when I say that that villain is not deserving of your compassion. He tried to take you away from me... To ruin what you and I have built together. I cannot stand by and watch him do that to us. What if you got hurt because of him? I would never forgive myself, if that were to happen."
You shut your eyes, refusing to accept the reality unfolding before you. Everything was wrong. So very wrong. One part of you wanted to scream and shout at him, to make him see the twisted nature of his words by pure unrelenting force if you have to. But there was another part of you that contemplated just giving up and concluding this interaction altogether. The debilitating feeling of helplessness was just too much for you to handle.
You are not allowed to do either of those things, however. Instead, another hand lightly rests on the small of your back, pulling you in towards the source of your distress. And you don't fight it. You feel your forehead come in contact with Ray's chest, his flowery scent filling your senses, as both of his arms are now circling around you. You hear a happy sigh fall from his lips. It all seemed like a very cruel joke on you. A moment that seemed so sweet and touching, bringing you nothing but more hurt and anguish.
Did he really not see anything amiss with any of this?
"I missed you so much, my flower... You know, when I heard that liar try and talk to me like he knew you better than I do, I felt like I might just strangle him right then and there. Make sure he never utters your lovely name ever again." Ray's voice is slightly gruff from how quiet it is against the side of your head. A low hum vibrates in his throat as he nuzzles into your hair like an affectionate cat would, breathing in your scent with all the longing you could possibly ask for. Though, the only thing that comes from his affections is a sickening feeling of dread for you.
"-But I thought of you. I thought of your lovely smile... Your eyes, your voice. I know I shouldn't think like this, but... You gave me more strength than my Savior's words ever did. What I did... I did for you. For us, Y/N." He continues, taking a step back from the hug to look at you. Your gaze is cast low, as you don't reciprocate the gesture. You can't bring yourself to look at him right now. It's hard to even keep yourself from putting your hands over your ears to avoid hearing it all. He gently tilts your head up, however, making it clear that he wants you to look at him. "Please don't be upset... It breaks my heart to see you sad because of that villain."
That's when the dam inside of you finally shatters, all repressed emotions spilling out in a violent wave of hopelessness you cannot bring yourself to stop. You wrench yourself away from Ray's arms, your own hands now clenched into tight fists as you look him directly in the eyes. There's a fire burning ever hotter inside of your chest, and you make no attempt to put it out. You let it take over you completely, consequences be damned.
"Villain?Villain!? Ray, he did all he could to save me! And you locked him up and tortured him for that!"
Your mind is screaming at you to stop. To stop and fix things before they spiral too out of your control.
You're being too aggressive. Too blunt. Too disobedient. Staying safe requires you to be both calm and smart about this. And you are neither of those things right now.
But you don't care.
Even as you see the emotions in Ray's eyes shift from that suffocating affection to a mix of desperation and frustration you know well. He makes a step towards you. You make two steps back. This makes his brows furrow in what you could only assume was dissatisfaction.
You never backed away from him before.
"Save you...? No. No. Y/N, he tried to steal you from me. Poison you with his lies, like he has done to my Savior. He did it to me, too! I'm the one who saved you. I did what had to be done to protect you!" You can actively hear his voice changing from the shaky disbelief at your denial of him to rough desperation to prove you wrong. It's borderline scary how quick those changes are occurring right in front of your eyes. Almost in a blink of an eye. It's yet another blaring warning for you to stop.
One that you ignore.
Instead, your frustration boils up inside of you, making you sneer at his stubborn refusal to see reason: "By hurting him!? By making him choke and gag in pain? What was the point of-"
Your angry line of thought is instantaneously interrupted by a small yeep that slips past your lips, as Ray closes in on you in just a couple of quick steps, grabbing at your wrists with a tight grip. Tight enough to cause you some discomfort. His eyes are wide, and his breathing is noticeably shaky. Like he's fighting to get enough air into his lungs and failing miserably. He yanks you close, making you stumble into him without much time for you to struggle or push back against him. Mostly due to your state of pure disbelief. You never expected Ray to actually do anything to you. And while he wasn't actively hurting you, this was still shattering your perception of him to bits and pieces. Or, what remained of it.
"That was nothing, Y/N. He deserved all of that. He deserved that and more. You feel sad for him? You wish mercy on him?" You are suddenly pushed back against the wall, and Ray's slim form keeps you trapped in this makeshift cage you created for yourself with your reckless actions. Ray's voice grows shakier, yet also significantly lower. It sounded dangerous. Angry. His nose brushes up against yours, as he's leaning so close to you, you can't focus on anything but him. Your breath hitches as you instinctively press yourself up against the wall, the panicked pounding of your heart echoing in your temples. "You have no idea how badly he hurt me. What pain I went through because of that- that-"
You can't help but wince in pain as his grip on you tightens. An action that seems to immediately shake Ray out of his temporary fit of anger, as he gasps and quickly lets go of you, stumbling backwards with a frightened expression painted over his features. You don't even have to look at him to know that he is probably in a less than stable state of mind. You are left staggered, betrayed and confused, as you stand there, eyes cast low, rubbing at your wrists. They didn't hurt. Not much, at least. It's the psychological aspect of it that left an impact of you.
Ray's voice feels muffled as it reaches your ears through the constant flow of thought in your head.
"I- N-No, Y/N, I'm sorry, I didn't want to- Are you hurt?" You can see him taking a step back towards you, hand reaching out for yours, probably to check on your wrists. You can tell he's scared. And upset. Probably guilty. Which makes this even harder for you to grapple with.
Either way, you cut him off, not wanting to hear any more of this. Partially because you understand that staying to listen will only cause you to break further, if it was even possible at this point. Because he sounds so genuine, nervous, and miserable, it makes your heart ache for him despite yourself. Makes you want to look up, smile, and say that you're okay. That you two can figure it out together.
And you don't want to repeat the same mistake twice.
"Just... Leave, Ray." You mutter out quietly, not raising your eyes at him. You sound a bit too soft for your liking, but it'll do. Swallowing, you repeat yourself for good measure. "Please. Leave."
There is a prolonged pause between the two of you. It's almost too lengthy for comfort. Neither of you say anything for a while. But the tension in the air is thick, and it does not fade with time. It only grows. Crawling over you like snakes. There is a fear within you that prevents you from looking at him. A fear of seeing the pain in his eyes. Or, instead, to come face to face with that same anger that felt so alien to you.
Ray finally speaks up. His voice is barely audible.
"...N-No..."
He moves closer to you still. For the second time today, you are finding yourself backing away. But now, you turn your back on him and keep your hands locked where you can see them. You can feel them shaking. With a sigh, you repeat: "Leave."
And, as you soon learn, that was not a very wise choice for you to make.
You're quickly spun around before you can think to act, and Ray's fingers are digging into your shoulders with a disturbing intensity, leaving you little time to react. He's observing you as if you were a wounded animal that was left behind after being hit by a car. Like you're the saddest creature he had ever seen. And, for some reason, that look scares you more than the previous anger he showed you.
"I can't believe this..." He murmurs under his breath, his eyes darting over your figure, almost like he was searching for something physical on you that could be visible to the human eye. But he doesn't find it, and that seems to upset him further. You try to pull away from him, only to get jerked back in again, his hold on you tightening.
Only this time, he does not pay any attention to your visible discomfort. He was too occupied with his own thoughts that you were not aware of. It's like he doesn't even see you. Not fully, anyways.
He holds your chin and tilts your face to examine you more closely. As he does, his shaky breath sneaks over your cheek and causes you to shiver in place.
"He... He poisoned you, didn't he...?"
The hushed murmur sounds so utterly ridiculous that it almost makes you forget about the disturbing nature of this situation for a good moment. Yet, he was completely serious. And he wasn't even talking to you, by the looks of it.
"What? Ray, I-"
"-That's why you are saying all these things to me... That's why you don't trust me anymore." Ray cuts you off as if you were not there, his brows furrowing into a deep scowl, but not one aimed directly at you. One of his hands grips onto your chin, while the other finds your hand and takes it into his own, his fingers sliding between yours. He grasps it tight, in a hold that would feel reassuring, if it wasn't for the circumstances. "My Y/N wouldn't tell me to leave. I should've guessed..."
A shiver of fear runs down your spine. As your outburst of frustration subsides, you slowly start to realize the seriousness of this situation for you, as the fire of anger and betrayal subsides. Now you wish Ray was angry again. At least then he still listened to you. But how can you fix things when he doesn't even acknowledge you?
"-Don't worry," You are brought back to reality by a warm and assuring smile on Ray's face. One that only makes you feel nauseous. He leans in and presses a kiss to your forehead, making your breath hitch. Staying there, he whispers onto your skin, like a secret promise only for your ears to hear. "I will fix it, my prince/ss. I shouldn't have been away from you for this long in the first place... My Savior is far too busy to give you the care and attention you need. But now, I'm here. And I'm not leaving your side again. I promise. I'll make sure you are smiling again."
He does not let go of you again. While your fairytale might have been broken, his has only begun its story. And his happily ever after is not something he will give up on. Even if you did.
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mariocki · 3 months
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The Texas Chainsaw Massacre 2 (1986)
"You have one choice, boy: sex or the saw. Sex is... well, nobody knows. But the saw, the saw is family."
#the texas chainsaw massacre 2#horror imagery#tobe hooper#american cinema#1986#l.m. kit carson#caroline williams#dennis hopper#jim siedow#bill moseley#bill johnson#ken evert#lou perryman#kirk sisco#barry kinyon#chris douridas#james n. harrell#harlan jordan#horror film#jerry lambert#a hell of a swing by Hooper: to return to the property that had made his name as a filmmaker for a belated sequel more than a decade later#but to deliver a film so tonally distinct from its predecessor‚ so far in mood and style‚ that it acts almost as pastiche of the genre#he absolutely nailed it though. truly one of The great horror sequels‚ the blackly funny‚ gloopy yin to the original's nerve shredding#sinewy yang. Siedow was the only returning cast member‚ with his role developed and character expanded‚ and he's truly brilliant#as the weirdly endearing cannibal cook among this dysfunctional serial killing family; Moseley's whole performance is a delight too‚#a high energy‚ constantly chattering bit of dangerous clownery that's the perfect balance to the (newly childlike and sensitive) Leatherface#Williams is great‚ one of the all time final girls‚ while getting Hopper (right at the beginning of his career revival after several years#in the critical wilderness) was a huge boon: he gives everything to this bizarre‚ ridiculous role. where the og film was actually#surprisingly discreet in its onscreen violence‚ relying more on the building of unbearable tension and uncomfortable editing#this film is a gory mess from the very outset‚ and it does feel at times like Hooper is challenging the viewer after the response to TCM
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mollysunder · 6 months
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Idk who needs to hear this, but in the event Jinx and Viktor do partner up, Jinx is the more normal one of the two. Imo people in Zaun LIKE Jinx better than Viktor. Viktor's association with Jinx alone is damage control for his reputation.
If you think about it for even 10 seconds, you'd see how Viktor is just an offputting dude. Yeah Jinx has volatile outbursts of destruction, but that's concentrated at specific people and at Piltover. Jinx isn't out here performing strange feats of blood magic that turns innocent bystanders (Sky) to dust. Jinx dealing with hextech recognizes it's dangerous (it connects to the realm of Heebie Jeebies) and is hesitant with it. Viktor knows he doesn't know what he's doing and just keeps going. That's worse, that's so much more dangerous.
You could say that Viktor's well-meaning and eventually develops a cult following from it. But one, Jinx has a cult too, and it's more successful (they steal real estate). Two, Viktor's time in Piltover has really skewed what needs to be done. At best, as a part of the hextech duo, Viktor might have improved workplace safety with his inventions, maybe, but not really. He wants to help Zaun, but he's lost the plot in the frenzy of Piltover's trade expansion.
Ironically, Jinx almost certainly has a better handle on understanding Zaun's politics and issues than Viktor ever did. Jinx spent her formative years at the top of Zaun's hierarchy while being raised by the defacto kingpen/political leader and actively enforced Silco's regime as well. So Jinx knows who and what's up in Zaun because she kind of made it happen, lol.
Tldr: Between Viktor and Jinx, Jinx is the more charismatic and likable figure to Zaunites. Take a step back and notice how Viktor is an extra level of weird compared to Jinx.
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