#they have completely clashing personality types

[endiness]

tbh i feel like people who think will and eddie would get along fundamentally do not understand will and are just eddie stans who cannot be objective when it comes to his character and want to shoehorn him into everything regardless if it actually works.

[phas3d]

Celebrity Crush|| Slytherin Boys

type :: fluff

tw/cw :: suggestive jokes (all)

contains :: draco malfoy, tom riddle, mattheo riddle, theodore nott, lorenzo berkshire

summary :: you're either friends or enemies and they see you freaking out over your celebrity, making them jealous. they search them up only to find out that the celebrity looks almost exactly like them

alternative :: your celebrity crush looks nothing like them

DRACO (enemies)

Your group just watched the newest movie that came out

Ever since then, you couldn’t stop gushing about how hot the villain was

Although the villain was an awful person, you still went on rants about how fine he is

Your friends kept laughing at how out of pocket your jokes were

“I can fix him I swear, just give me a chance” you grieved as if someone died

"I'm gonna get on all fours and start hitting my chest like a gorilla if he keeps looking this fine" you said with passion, not scared of the whole school hearing you

Draco, despite not wanting to say it, was extremely jealous as he gripped his fork extra hard as he heard you

He was a dick, why didn’t you like him? Maybe he wasn’t hot enough? He’s always been slightly insecure about his appearance

The second lunch ended, he ran to the bathroom and secretly looked up the actor

But as he looked at him… he realized he wasn’t too far off from the actor

Their faces were almost completely different but, they both had short bright blonde hair, cold blue eyes, always wore green, and had similar body types

From seeing that, he smirked to himself and got an ego boost

He goes to sleep with a fat ass grin on his face

He won’t directly say the actor looks like him, but he’ll know it deep down

TOM (friends)

Although Tom could stand being around you, he wished he could mute you out

You two were studying together in his room

Or… he was studying while you kept replaying the same edit of some random celebrity

“He could take my eggs and eat it like skittles”

Tom has literally killed and tortured people but he still widened his eyes slightly at your comment

He felt a small bit of jealousy, but he wasn’t sure if it was because he was scared of losing his only friend or because he liked you

(It’s because he likes you but he’s not that emotionally aware)

Tom has always been nosy, so he tilted slightly to see your phone

That’s when he saw a man with pale skin, brown eyes, and wavy brown hair

But beside those basic attributes, he also had the same nose as him along with a resting bitch face

He doesn’t show it, but on the inside he felt much calmer

It gave him a small sense of hope that maybe one day, he could actually be seen as attractive by someone

No one has ever confessed or even liked Tom romantically throughout his whole life due to his insane hobbies

He sleeps a little bit better with the thought that maybe someone could like him

And he really hopes it’s you :)

MATTHEO (enemies) (I made this so long on accident... whoops)

You two clash constantly due to Mattheo’s class clown behavior and your goody-two-shoes attitude

He was always cracking mean jokes and bullying your friend group since you were kinda nerdy

You despised him and have beaten his ass multiple times (with magic) but he still doesn’t learn his lesson

But that's mainly because he thinks it's hot when you beat his ass and yell at him

Once again, he was walking towards your group to pick on you guys once more, especially you

But that’s when he heard you freak out over some random character

At first he thought it was just some lame anime character, that's how you usually are

But when you start showing your friends the photo-card in the back of your phone, he realizes it’s a real person

Instantly, he's pissed and jealous of a stupid piece of paper

He stalks you until you repeat the celebrities' name so he can google him and ruin his career

But once he looks up the idol, he sees that he also has dark curly hair with deep brown eyes

He actually researches and tries to learn about the idol more so he can take note on what you like

That's when he learns that the idol is known as a funny and protective person, just like him

He giggles to himself and decides to be insanely cocky

He prints out a photo of himself in the same pose as the idol, rounds the corners, and even puts his own signature on the back

The next day, he hands it to you and is smirking to himself

But... surprisingly... you didn't know it wasn't the idol????

You smiled widely and freak out, you thank him and quickly put it in the back of your phone case

From that, he smiles insanely widely. Not only at how cute you were from freaking out, but by also knowing he's on the back of your phone without you even knowing

THEODORE (friends)

He's always known you were a fangirl but it was normally for weird things

You've had a few celebrity crushes over the years, but it's never been this extreme before

"GOD I WANNA LIVE IN HIS TOILET!!!" You shouted as you stared at a photo of the celebrity

Theo never understood how people got so attached but he was curious

How hot was this guy for you to like him THIS much? and why was he so jealous?

Theo has always been confident in his looks since he pulls bitches left and right

But, for some reason, he's suddenly strongly craving your validation

He asks you to show him the celebrity, only to see an almost exact clone of himself

Light fluffy brown hair, green eyes that were the same shape as his, thick brows, and a strong jaw

Theo smiles lightly and shakes his head, you perceived it as him making fun of your crush

You hide your phone from him and proceed to watch a pile of edits of this man on loop

Although he didn't get the hype of being a fangirl, he supported this one

He researches the celebrity during his free time and tries to become more like him slightly

Of course, he doesn't change anything drastically

But he might get the same shirt or shoes as him

LORENZO (rivals?) (can you tell he's my favorite?)

You and Lorenzo were constantly at the top of your charms class within the entire school

Both of you have constantly gone head to head with each other just to compete for first place, only to tie for it together

There was no hatred or extreme feelings, just a fun rivalry that was oddly flirtatious at times

While you were in the library with a few friends studying, you suddenly start slamming your fist on the desk

Lorenzo was often in the library in order to check out new books to read in order to beat you

He looked over, worried that something bad happened

But all he saw was you on the floor, as if you melted, with your phone held high showcasing a man

He was curious as to how you got to the floor so fast despite banging on the table only 2 seconds ago, but he didn't care

Many people in the school shipped you and Lorenzo, but you both always denied it in order to not make it awkward

But, Lorenzo has liked you for ages. Despite that fact that he's a fuckboy, he would give up everything just to kiss you

"I would save his nail clippings and make a necklace out of it" You said in a harsh whisper that made all your friends hold back a laugh

Lorenzo was shocked, he's never seen you be so vulgar

He felt slightly hurt, not only by the fact that you were freaking out over some celebrity but also because he's never seen you act like this with him

"The things I would do for this man is un-ex-plain-a-ble" You aggressively whispered as you slammed your fist on the desk again

The librarian came around and told your whole group to shut up, which made Lorenzo happy

He decided to do his usual routine, he walked up to you and flicked you on the head as a joking gesture

You wince and hold your forehead, that's when he looks at your phone and sees the name of the celebrity

He repeats the name over and over and over and OVER in his head until he gets to his dorm and instantly searches him up on his phone

That's when he sees how similar he is to the celebrity

At first, he was doubting it since he didn't want to be cocky

But he told Theo and Theo instantly agreed, saying the celebrity looks just like him

Sharp jawline and cheekbones, fair skin, soft light brown hair, brown eyes, and even the same body build

He smiled to himself, feeling a bit of self love for himself from seeing how similar he is to your favorite celebrity

He's always been slightly insecure of his body build due to most of the guys in Hogwarts being buff as shit while Lorenzo was slightly more lean

But seeing the celebrity be called the heart-throb of the year made him really happy

After he knows all of this, he's much more confident around you and even finds subtle ways to bring up how he knows your type

Uses this as evidence against you to make you blush during petty arguments

[scorpihoe1111]

Synastry Observations👩‍❤️‍💋‍👨

Today I’m going to be giving Synastry Observations. Synastry charts are basically you and another individuals chart put together to help explain how you and said person might or might not get along, how you two see each other and what the future may hold for you two etc.

Synastry Charts are not only meant for romantic relationships! They can apply to familial, platonic friendships, co-workers etc!

Synastry charts are a great way to find out if you’re compatible with another person. But keep in mind that these are not set in stone, and just general observations I’ve noticed within couples charts. There are plenty examples of synastry charts clashing and the couple/friends work together perfectly, and vice versa.

With that said, let’s get into it. ☺️

Those with Sun square Sun in synastry usually can’t get along. This placement usually signifies one or the other feeling like they completely clash personality/ego wise.

Individual’s who have their Venus sextile or trine the others ASC might be highly attracted to the ASC person upon first glance/impression. The ASC person may be exactly the Venus persons type.

If your Sun ☀️, Venus 🩷, or ASC ⬆️ is the same sign as someone’s 7H, they could see you as wifey/husband material. The 7H person could immediately wanna settle down with you.

Those who’s moon trine/sextile someone’s mars knows how to help the mars person calm down or relax. Not to be cliche, but I find this aspect in a lot of relationships where the Mars person was a “player who can’t be tamed” and the moon person was the only one who managed to get them to show their softer side and change.

The sign of your 12H is usually people who can be hidden enemies.

Ex: Say you’re a Virgo rising, so you have Leo in the 12H. Leo placements could be shady towards you, or always seeming like they’re hiding something from you. Experiences with Leo placements may leave a bad taste in your mouth.

Another big factor is where your 12H sign lies within their chart. This can tell you what they could hide from you. If your 12H is their sun sign, they could be faking their entire personality with you. If your 12H sign is their moon sign, they could be hiding their true feelings about you. If it’s mercury, you may not know what they say about you behind your back and they could possibly gossip about you. If it’s mars, they could possibly have complete hatred or a grudge against you and so on.

It’s not impossible for 12H synastry to be good, but it’s rare and usually results in a lot of secret animosity/jealousy.

Moon square Venus in synastry can make the 2 individuals have completely different love languages and/or may not see eye to eye when it comes to what the other wants.

If someone’s Mars sign is the same sign as your 5H, the Mars person could want to get you pregnant (or you may want the Mars person to get you pregnant) 🤰🏻

The best way to discover if someone’s your soulmate, twin flame or overall to check who you’re probably going to get married to is to check where the asteroid Juno (3) lands in both of your charts. The Sun ☀️ sign of said person could possibly be the same as your Juno sign

Pluto aspecting personal planets in synastry can indicate the Pluto person being very possessive or controlling of the planet individual.

Venus aspecting Chiron in synastry can indicate either helping heal the Chiron persons biggest wound or worsening it. Ex: Venus Trine/sextile Chiron can help the Chiron person feel more secure and confident thanks to the Venus person. Venus Square/Opp Chiron can make the Venus person make the Chiron person more insecure or more uncomfortable with the Chiron wound.

8H synastry is sooo intense. It makes the 8H person wanna possess you as a person and makes them lust after you uncontrollably. It’s also super hard to forget or let go of someone who’s sign is in your 8H and vice versa.

2H synastry is bittersweet because I notice the 2H person genuinely cares about the planet person to an almost unconditional degree while the planet person cares just as much, however more conditionally. While the planet person does have love for the 2H, they also are mainly with the 2H person because they add to the planets self worth and image and/or the 2H person usually provides something(s) to the planet person and without that they most likely wouldn’t remain with the 2H person in the first place.

People who’s Mars lands in your 12H can be in secret competition with you and/or jealous and intimidated of you.

Mercury square moon in synastry usually have very conflicting ideologies and outlooks on life.

Someones Mars conjunct/Trine your Jupiter sign feel like you’re their lucky charm 🍀

Those who’s Sun sign is the same sign as your Saturn can come into your life to teach you a lesson.

Mars in 1H synastry can make the 1H person either EXTREMELY turned on by the Mars person or result in complete dislike. (Very much a sexual tension placement if you ask me)

Someone’s Lilith in your 1H/8H could make you feel like the Lilith person is a bad influence in your life. People with this synastry usually end up making reckless decisions on the account of the Lilith person encouraging them too.

I hope you enjoyed. Let me know if you’d like a part 2. 💕

[redstarwriting]

the clash | i. hey, ho! let’s go!

hobie brown x goth!reader

word count: 1.1k

genre: enemies to lovers

warnings: language, insults, hobie hating you, you hating hobie

a/n: it’s here 😎 no but fr, i proudly present a new series focusing on hobie brown, loml. i‘m trying to make it gn, so if you spot anything that needs fixing lemme know. i also did include a bit of a description of what you look like, but it’s mainly just to affirm the gothic spider-person look. and if you don’t like it, you can just pretend it isn’t there, my character designer brain just took a hold while explaining lol. enjoy y’all, there’s more where this came from 👀

now reading: i. hey, ho! let’s go!

next chapter: ii. time bomb

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In theory, the two of you should have been great friends. Best friends, even. He’s called Spider-Punk, and you’re called Spider-Goth, this alone made Miguel assume the two of you would get along better than all of the Peters. Unfortunately for Miguel, he was dead wrong. It was fine at first, a good introduction. “Spider-Punk, meet Spider-Goth,” Miguel says, motioning to the two of you. You simultaneously turn your heads towards him, “Don’t call me that.” You look at each other, seemingly sizing each other up after speaking the same words at the same time. In reality, the two of you were checking each other out, but no one needs to know that. “Fine. Hobie, meet (Y/n). (Y/n), meet Hobie,” Miguel says as Peter B. Parker hops next to him, excited to see the two of you interact. Your gaze first fell on his many piercings, which suited him very well. Almost as well as the spikes coming out of the shoulders of his tattered denim vest. “See somethin’ you like?” you hear his thick cockney accent, and you shrug. “The constant changing makes it difficult,” you say, causing him to shrug. “I hate consistency,” he says, staring you up and down. “I like the guitar,” you say, and he nods. “Everyone does.” You raise an eyebrow, and he takes in the way your heavy black eyeliner makes the expression look more exaggerated than it is. His eyes go down, taking in your outfit, which seems to be varying in different gothic styles, but overall is all black with silver studs, spikes, and charms sticking out everywhere. He notices the two of you share a liking for combat boots, and perhaps his favorite thing about you are the intricate and all black spider-web tattoos on your hands crawling their way up your arms. Hobie clicks his tongue. “Goth, eh?”

“Yeah. Is that a problem with you or something?”

“Feisty for a goth.”

“Instigative as all punks are.”

“What… is going on,’ Peter whispers to Miguel who shakes his head. “I thought they would be best friends?” Peter suggests as he places a binky in Mayday’s mouth. “I did too…” Miguel says, “Maybe this is just a way these types of alternative people talk?”

“Tal vez tengas razón… Hobie does love to be abrasive for no reason,” Miguel concludes, and Peter shrugs and they zone in on the two of you again. “...I don’t suppose there’s no reason we shouldn’t get along,” Hobie suggests, raising an eyebrow at you. “I agree. We probably think similar things… for the most part.”

“For the most part, huh?”

“Just that we have similar ideas, but most likely not the same,” you respond, and he crosses his arms, his guitar moving loosely behind his back. “Opinions on anarchy. Go.”

“It’s the ideal society—”

“Good start—”

“But completely unrealistic.”

“Excuse me?” Hobie looks at you with a glowering expression. “Humans are inherently assholes. Selfish, shitty, assholes. As amazing as it would be to have anarchy running rampant,” you shrug, “It’s unlikely it will ever happen.”

“You can’t actually believe that,” Hobie says, exasperated, “I mean you actually think that we can’t achieve it? You get enough people angry, and they rebel, they push for anarchy. I’ve seen it happen; I’ve led a rebellion.” You roll your eyes. “And do you live in a perfect anarchical society now?”

“Not yet, but we’re gettin’ there,” he clenches his teeth, and you sigh. “I admire your blatant idiocy disguised as an ambitious dream,” you say, and he huffs. “Would you just talk like a normal fuckin’ person and stop usin’ these dumbass words and shitty poetic language?”

“Excuse me?”

“You heard me, or are you as deaf as your ideologies?” This time you scoff. “I don’t have the time to be berated by someone who lives in their own delusions to try and feel the slightest bit less angry at the world for giving him the shitty cards he was dealt.”

“And I don’t have time to listen to the rubbish ramblings of a miserable twat who digs desperately into their black hole of a heart to try and feel somethin’ when the truth is they don’t even know what they stand for,” he fires back. You glare at him. He glares at you. As if on cue you both flip each other off before you web away. Peter’s voice cuts through the silence.

“Well, that went horribly!”

Miguel punches him on the shoulder, resulting in a soft ‘ow’ and a tiny angry noise from Mayday. “What the hell was that Hobart?” Miguel nearly yells and Hobie snaps his head towards him. “Don’t call me that, neither! They don’t get it. It’s not enough to want to make a difference in the world. You need to take action. Goths love to sit on the sidelines and lament instead of playing the offensive,” Hobie explains, a deep frown on his face, “Watch out for them. They might not be able to do what it takes when it counts.” Miguel sighs and pinches the bridge of his nose. “Hobie, you’re supposed to show them around—”

“No, fuck that. I’m not goin’ anywhere near that gothic monstrosity,” Hobie says shaking his head in defiance. “We made a deal. You would show all the younger spider—”

“Yeah, well you can shove that deal up your fuckin’ ass, mate, I’m not doin’ shit for them!”

“Okay, okay, calm down there, man. Why don’t you just ask Gwen to help you? Maybe Miles and Pavitr too? That way you fulfill your promise, 'cause I know promises are important to you, and you won’t have to talk to them!” Peter reasons and Hobie looks over at him. He furrows his eyebrows. That would help the situation. And maybe he’d be able to help you see just how garbage your take was with Gwen on his side. “Fine. But I’m not doin’ it cause I need help, and I’m not doin’ it because you told me to. I’m doin’ it cause it’s the last thing that they’d want,” Hobie says, pointing at Peter while saying it, flipping Miguel off, and then webbing away. Peter looks at Miguel who is clenching his fists… and his jaw. “You seem stressed, but don’t worry about it. Not all of us need to like each other, I mean there’s so many there’s no possible way we all could and look at you, you hate Miles even though he’s awesome and—”

“Shut. Up. Peter,” Miguel growls, stalking away while mumbling various things in Spanish. Peter looks down at Mayday. “Tough crowd,” he says as she giggles up at him.

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『 tag list 』

@casmosmoon* @khaleesihavilliard @sparklyphantom​ @weyrrii* 

*if you are italicized - i am unable to tag you for whatever reason, feel free to reach out and see if we can fix the issue

[astro-royale]

Astrology Observations 19

Disclaimer: my opinion

If you have a lot of 8th house placements you may need to focus on spiritual protection more than anyone else. You may be prone to witchcraft, black magic , curses and you could face a lot of issues because of that so please PLEASE do regular energy clearings, be very mindful of the company you keep and don’t reveal too much about yourself on social media.

Men with Venus in the 7th house being attracted to Libra risings ,,,

Cancer sun and Cancer moon connections may clash because the cancer moon individual is so much more private than the Cancer Sun,,,

Geminis LOVE exploring fake scenarios, the most random things will come up in conversation lol

SYNASTRY: me and this guy had the Sun Squaring Saturn aspect and I could not stand him, like everything he did was not good enough and I’m usually a very easy going person but I just felt like judging him all the time, ended up with him being blocked because I thought he was ridiculous. Some people describe this aspect as the Saturn person (me) being like a disapproving father towards the Sun person and oh my god it is so true.

lol also my mercury was in his eighth house and I felt the need to just keep asking him questions and dive into his subconscious , my sun was also in his 8th house and 4 days into knowing each other he was already telling me his traumas… GIRL

Sun in the person’s eigth house could definitely cause some trauma dumping.

Air sign men will say stuff which hurts you without realising it, I think they’re the type to make girls feel insecure the most.Like they’re so oblivious about it too. They’re the type to literally ignore someone standing right next to them if they see someone else they like and will openly compliment the person meanwhile the girlfriend is just there like HELLO??? I’ve seen it so many times😭 or they speak very highly of women who are the COMPLETE opposite to the girlfriend in front of her

[slytherinslut0]

hey can you please do tom x hufflepuff reader hcs??

Tom Riddle x Hufflepuff!Reader headcanons.

(A/N: idk how this ended up being so long. i got carried away. i love tom. i love his complexity. i could write about him forever. anyways, enjoy:))

tom riddle and a hufflepuff reader would be damn near polar opposites, and there are a few reasons why i say this->

tom is a very reserved man, yet undoubtedly driven by an ambitious and power-hungry nature, always seeking dominance and control in every aspect of his life.

hufflepuffs, on the other hand, are known for their kindness, their loyalty, prioritizing the well-being of others over personal ambition.

tom riddle is the type of man who is not afraid to deceive others for personal gain, while hufflepuffs value fairness and honesty in each of their interactions.

not to mention how tom is emotionally restrained, rarely displaying vulnerability or empathy, while hufflepuffs are known for being emotionally open and expressing genuine care/understanding for others.

i believe tom would be rather annoyed by hufflepuffs, perhaps even put off by their loud, outgoing nature, but i also feel as though he would respect them more than other houses because they are known for being more by-the-book.

i believe this pairing would be WONDERFUL for him, and i’d imagine it’d go a little like this->

perhaps you and tom would be involuntarily paired up for an assignment, an unlikely collaboration that tom figured would be an easy mark for him.

originally, he’d find himself irritated by your constant cheerful and optimistic nature; finding it rather absurd that you weren’t at all fazed by his cold, cunning attitude.

there’d definitely be initial clashes between the two of you, disagreements of methods, but tom would find himself stunned as you met every one of his suggestions with a positive, passionate attitude, not daring to get discouraged or frustrated with him.

your unwavering optimism would be shocking to him. especially in the face of his calculated cynicism. it’d be then, that tom would be astonished by your dedication and genuine passion for learning, a rare quality to obtain.

his initial cold, guarded demeanour would slowly begin to fade.

tom would find himself beginning to pay more attention to you, his curiosity extending to outside the confines of the classroom.

he’d begin to wonder if your genuine kindness is truly authentic or merely a manipulation tactic, leading him to question the sincerity of your character.

which he’d only question because that’s the way his mind works.

he’d never known someone so open and genuine like you. he’d convince himself you had ulterior motives.

however, tom would quickly observe that your authenticity extended universally, and was not just directed at him.

your small acts of kindness and interactions with strangers became evident, and he’d witness your unwavering positivity even in the most challenging situations.

he’d notice how thoughtful you are, how you’d spend your free time maintaining the Owlery, ensuring it’s well-kept and sanitary.

he’d watch you from a distance as you continually brought the owls food and water, giving them attention and love which was something you did upon your own accord, without expecting any compensation.

it became clear to him that you did these things because you genuinely loved to do them, not because you wanted praise for it. and at this, tom was completely taken aback.

your radiant smile, capable of lighting up any room, would become a revelation to him, leaving him puzzled about how he initially overlooked this aspect of your character for all those years.

it’d be here that inner turmoil would begin to brew within tom as he’d have no choice but to acknowledge your ability to see the good within everything and everyone, and especially within him. something not many people are capable of.

as time passed, you couldn't help but notice a gradual softening in him.

during your collaborative sessions on the assignment, he became more receptive to your ideas, actively seeking your thoughts.

surprisingly, he started engaging in conversations beyond the project, asking about your day and exhibiting small changes in his demeanour that were entirely new to you.

tom was breaking, his walls slowly being chipped away by your infectious smile and enthusiasm.

the unexplainable shift in his perspective both intrigued and unsettled him, as you became the catalyst for awakening emotions he never believed he could feel.

he’d try to fight back, he’d try to get himself together, but it was useless. you were in his head, and there was no getting you out.

however, given the fact that tom struggles with showing even the smallest amounts of vulnerability, he’d try to be as subtle as possible with his interest in you. hoping that you’d eventually catch on.

perhaps he’d begin with small gestures, like gifting you a book on rare and beautiful magical creatures, saying that he noticed it in the library and thought of you, believing you might like it.

it would not go unnoticed by you just how considerate this was, and just how much he’d begun to take awareness of your interests.

you found yourself engrossed in the book, a sight that never failed to bring a subtle smile to tom’s face whenever he spotted you across the hall.

observing you immersed in the pages made him quietly content, often requiring a conscious effort on his part to break himself free from the captivation.

his brain would be screaming, “what the hell am i doing?” but he wouldn’t be able to deny just how much he loved seeing you enthralled by the gift.

the feeling was intoxicating, and wholly unfamiliar; he needed more. he needed to do more.

perhaps the next move he’d make would be to gift you a rare enchanted plant, after having noted your love for herbology.

he’d present the plant to you in a subtle way, saying that he’d found it while taking a stroll through the forest and thought you’d like it.

he’d go into details about its properties, its rarity and how to effectively take care of it, even though he knew you already knew all of this.

he knew you absolutely loved the fact that he cared for these plants just as much as you did. this was all part of his plan.

and of course, at this point, you’d have the hunch that he was into you; but being as perceptive and intuitive as you are, you’d know that pestering tom or trying to force him to admit feelings would be useless.

the man moves at his own pace.

so instead, you’d invite him to join you as you cleaned the Owlery, wanting to spend more time with him. the two of you would gradually become closer and closer, tom’s harsh demeanour fading away with the wind with each passing day.

and even still, tom hardly made any advances. tom hardly wanted to put himself in a vulnerable position. he wanted to be sure you wanted him before he ever revealed his intentions.

if he was touchy with you, he’d never insinuate it was because he’s into you. he’d kiss you on the cheek after walking you back to your dorm for the night, and then act like nothing ever happened in the morning.

and this might have annoyed some, but not you.

you understood that this is how tom was, and you admired him for it. you were entirely understanding. you wanted him to open up on his own terms, and you were willing to wait for him.

eventually, tom knew he couldn’t hold back his feelings anymore. he knew he needed to make you his. he knew he’d do fucking anything.

and this feeling would only multiply as he spotted you across the courtyard, speaking to a boy from your house.

your smile was glowing, your laugh was radiating, and the feeling this sight inspired inside tom’s heart could have been enough to ignite the entire castle into pure fucking flame.

whatever he was doing at this moment didn’t matter anymore, he only had one objective in mind.

making you his.

without waiting for you to finish your conversation, he’d interrupt, stating he needed to speak to you.

you’d smile, sensing his urgency, and follow him over to the far side of the courtyard, looking out at the breathtaking view of the faraway valleys and mountains.

as soon as tom was content with your seclusion, he’d cup the back of your head and crash his lips to yours, kissing you with enough fervour to make up for all the days and weeks and months he’d wished he’d have made a proper move.

pulling back, he’d meet your eyes. “i need you to be mine,” he’d whisper, as though the words scared him. “you’ve made me feel things i’ve never known possible, you’ve broken me down without effort. you are the most beautiful, genuine woman i’ve ever met, and i have been falling in love with you for months…i can’t hide it anymore, i need you…”

the words would be music to your ears, the joy unfathomable.

of course, you’d be his.

[cripplecharacters]

A Quick Guide to Writing Dialogue for a Character with a Speech Disorder: Articulation

[large text: A Quick Guide to Writing Dialogue for a Character with a Speech Disorder: Articulation]

As both a speech-language pathology student and someone with what's known as a lateral lisp (more on that in a minute), I rarely see characters like me and my students portrayed, or portrayed well, so here's a quick look at writing a character with an articulation disorder. A warning that this is going to be a long post.

Learning

[large text: Learning]

The next section is a large look at the information and background of what this disorder/disability is and explains it.

What is an Articulation Disorder?

[large text: What is an Articulation Disorder?]

An articulation disorder is a disorder where a sound or sounds are affected and changed in some way (distorted, deleted, substituted, etc).

This is not to be confused with a related disorder known as a Phonological disorder. Phonological disorders are when sound related rules are affected.

A sound, in articulation disorders, can be substituted, deleted, inserted, or distorted. Substituted means instead of sound "a" they say sound "b" (wose instead of rose). Deleted means they get rid of sound "a" and skip to the next part of the word (ose instead of rose). Inserted means a sound is added (ruh-ose instead of rose), and distorted means the sound is off but not completely one of the other categories.

Specifics of Articulation Disorders

[Large text: Specifics of Articulation Disorders]

There are two common sounds related to simple articulation disorders - "r" and the lisps. A thing to understand about "r" is that there are two types of "r" that can have errors - "r" with a vowel and without a vowel. Another important thing to understand is that each sound comes at a certain age and "r" is the last sound to come for most children, meaning that a 4-year-old who can't say "r" is not disordered and has a possibility of learning to say it later without intervention (although intervention and assessment are always preferred sooner rather than later). Again, though, articulation disorders can be any sound or group of sounds.

What are the lisps?

[large text: What are the lisps?]

There are 4 kinds of lisps - we'll start with interdental (the stereotypical "th" for s and z - "have you theen my thlipperth?" usually assigned to a nerd or intellectual character) and the lateral lisp (air leaks out the sides and "s" can become "sh" - "can you pash me the notesh for clash?") There are two other types as well but we can come back to them later.

I'm largely skipping through phonological disorders, as they can be more difficult and there are too many of them to discuss in a short post without that being the entire post!

Personal Experience

[Large text: Personal Experience]

This next section is more fun - looking at my own experiences and opinions as someone with an articulation disorder.

What to add

[Large text: What to add]

There are aspects to a speech sound disorder/articulation disorder that I think is very important to keep in mind that seldom are. The biggest one is that a person with an articulation disorder that impacts them enough is going to have ways to get around their disorder outside of receiving speech therapy. This can include avoiding words that prove difficult and words with certain sounds (I know that "ss" in the middle and end of words is a problem so I may avoid it around people that I think would tease me for it). They may be silent during conversations or class for fear of embarrassment. They may use their body more, like pointing or gesturing to things.

Another important thing I would love to see is reactions to articulation disorders that are positive or even neutral - letting people repeat words until they get the sound right if they're able to or just letting it pass otherwise.

Stereotypes

[Large text: Stereotypes]

There are only 2 types of articulation disorders:

Many people when they think of articulation disorders think of either an "r" substitution (rhotacism) or an interdental lisp. There are so many types of articulation errors a character can have, and for several reasons, from comorbid and related illnesses (such as neurological disorders and dysarthria) to no known reason (known as idiopathic) to structural reasons (my hypermobility makes my tongue too long, which causes air to come out the sides of my mouth).

Articulation disorders make a character less serious:

Often characters who are given an articulation disorder are the comic relief (Tiny Nose in the Owl House is an example of exaggerated rhotacism) and aren't allowed to be serious or leads because our voices and way of speaking are too "ridiculous". This leads me to my next point...

Articulation disorders make a character "stupid":

There's a myth that speech and intelligence are related, which harms not only people with speech disorders but mainly people with intellectual disability. There is no relation between speech sound disorders and low intelligence, but there is nothing wrong with low intelligence and there are absolutely people with speech sound disorders with low IQs* (which do not label all intelligence and have its faults) as well as people with high and average IQs.

Should you "write out" a speech sound disorder?

[Large text: should you "write out" a speech sound disorder?]

This is a complicated question with no specific answer. Many people would agree that it is jarring and unadvised to write out an accent or dialect, but a speech sound disorder is not a dialect. It may also be difficult for the reader to visualize and keep in mind the differences if it is not put down. However, very unintelligible dialogue will need to be adapted for or translated in some way in most scenarios and some readers may be annoyed by the stylization of writing out the errors. I would overall lean towards including it, for reasons mentioned and so the disability isn't one that's discussed but never shown or adapted for.

Why not call my character's speech sound disorder "severe" or "mild"?

[Large text: Why not call my character's disability "severe" or "mild"?]

This is a personal take from my time at a clinic but one that I personally think is really impactful. Especially for younger people reading or younger characters, hearing that their disorder is "severe" may be both alienating and insulting. It also often implies there's no getting better or growth, which is not true. There are better ways it can be phrased - the disorder is significantly impacting them, or their intelligibility is significantly impacted, for example. As for "minor" or "mild" I try to avoid it because any disability can still impact the person - my lisp is relatively "mild" now after a while of using compensatory strategies and learning how to navigate but it still is impactful to me.

When writing characters who are less severely impacted by their disorders it may be more internal than anything else - others may not notice how much the character is compensating. This is going to impact their internal view and narration, however.

And that's another thing I want to stress - these disorders can run all kinds of ranges, from very impactful to barely noticeable. There is no one way to have a speech sound disorder - or a speech disability.

[will80sbyers]

What makes you believe that byler is real? I ship Mileven personally, but I'm trying to understand byler shippers' logic, because a lot of the time it feels like it makes no sense.

I personally think there are some scenes in the show and there are some choices that the writers made that are telling us that the plot of the show is going towards Will getting a "pay off", in terms of writing, at the end of the show and Mike and El finding out they are better as friends instead and Mike discovering he has romantic feelings for Will!

The writers have emphasized Will's sadness in relation to Mike and El as a couple both thematically and visually, in the writing & filming of the show there are too many scenes like this especially in season 3 and 4 they have made it clear that he will never be happy if Mike and El are the endgame relationship, even during Mike's love monologue after he supposedly decided that he was ok with El having his own feelings for Mike by saying that the painting was a thoughtful gift from El when it wasn't... They put a shot of Will's sad face in the middle of the monologue, and also he was framed behind Mike when he said "I love you" which in film is a EXTREMELY weird choice unless it means something more is going on that should make us not want El and Mike's relationship to work - the writers have been sabotaging the emotional connection of the fans with mileven by doing this and I don't think that professional filmmakers don't know that, I think it's on purpose!

The writers have shown Mike and Will as having a deeper relationship than all the other relationships Mike has, putting him in the same category of El as one of his possible love interests in the plot, they have multiple scenes bonding in a tender way than Mike has with any other of his friends, they happen in private usually or in emotionally charged moments that they film to make you as a viewer feel like they are in private and show how they have this connection that's more than just friendship

The writers have wrote in the show since season 1 MANY parallels between Mike and Will and other official couples (Mileven too!!!) that are, in my opinion, hinting at them ending up together at the end of the show

You can find the parallels here

The writers have continously shown El and Mike to have some kind of problem in their relationship and made El decide to leave Mike behind multiple times even if to save his life because she loves him, the writers have been showing us how Mike is not her PLOT priority and instead they have put having a romantic relationship with Mike as Will's deepest desire since season 3

The writers are building up El's character to have a coming of age that has recurrent themes of her finding herself without the influence of others around her, her becoming completely free from any kind of influence, and Mike has been represented as having too many internal fears to overcome at the moment about their relationship, especially with the love monologue at the end of season 4, he has beliefs about himself as a person that clash with El's character arc about not having to feel influenced in any way, the end of the show for El should be her having complete freedom in all aspects of her life because of the circumstances of her upbringing... Not saying that Mike is influencing her in a bad way necessarily, I think they both love each other a lot but having a relationship with someone that is that much insecure about his role in your life because you have powers will always be a type of influence

The writers have shown Mike and El as not being a team at the same level by separating them constantly after s1, instead they have shown the other couples that work as working together in the supernatural plot (Jancy, Jopper, Lumax, Byler)

The writers have paralleled Mike and El's relationship to all the ships that are not working for some reasons/are not endgame and have more infatuation than a real "true love" kind of relationship (Steve x Nancy, Karen X Ted, Bob x Joyce)

The writers have wrote in multiple scenes of Mike acting awkward with Will (Mike!!! Not Will) or them having coded conversations about how much they care for each other that have no sense to exist unless there is a pay off at the end

The writers have presented El, Mike and Will as being in a love triangle and have been framing them in a love triangle composition in the framing of multiple scenes, with Mike at the centre

When during season 4 the writers talked about all the movies that have inspired season 4 and 5 they have put multiple movies with love triangles that are almost identical to the situation between Mike, El and Will

Will and Mike have multiple fight scenes that are scenes you give to two possible love interests usually, the way the fight happen is written as two lovers having emotional fights instead of as how you would write two friends fighting

The writers wrote in the show a precise parallel in all the scenes of Vickie and Robin... between them and Will and Mike, paralleling Mike to Vickie specifically... who is a canon bisexual character and even paralleling Steve and Jonathan in that context as observers of the couples!

The directors filmed their scenes how you would film romantic scenes in stuff like Bridgerton or a romcom lol

The whole painting scene was Will making Mike feel so loved that he felt comfortable being vulnerable with El, but this means he was still not comfortable on his own relationship with her, he didn't feel safe enough to open up on his own and needed that talk and needed to believe all of those ideas about him being the heart came from Eleven so that he made the jump and told her how he felt instead of being selfishly silent on it because he was too afraid of her possibly leaving him one day... When you are really deeply in love with someone in the context of movies the characters don't let those type of fears influence them and if what gives him courage is the feelings of another character in the love triangle it means he's the right person for the character

( idk if you saw gossip girl but the was a love triangle situation between Blair, Dan and another character where Dan made Blair believe the other character felt some type of way towards her, she understood that she loved Dan because of this act because she wanted those words to be from him and not from the other guy... The whole painting lie is that same trope)

The writers are obsessed with IT from Stephen King and there are clear parallels with it in the show, the whole plot of s4 about the painting is a reprise of the plot between the romantic relationship of Bev and Ben in IT (with the postcard and the poem) Beverly is supposed to be Mike, Ben is Will and Bill is El.... Mike and El share a kiss at the end of season 3 that is supposed to parallel a kiss between Bill and Bev (they did love each other and liked each other but are not endgame)

Both Will and Mike are queercoded multiple times during the seasons

There are WAYYYY more reasons but this post is becoming too long so I'll leave it as this lol

You should rewatch the show and imagine if Will was a girl, I think many people would be seeing what I'm talking about way more and take it as a sign that Mike is going to choose "Willow" and see how Will is the better love interest for him...

Maybe it's all just queerbaiting, who knows, but at the moment I believe this is way too much for it to be queerbait!

I personally think Mike is bisexual

Masterpost about it here

and has feelings for both of them, but his feelings for El have always been a "puppy love" type that is growing to become more platonic than romantic with time, and I think he's a best match with Will, I think Will is able to make him be the best he can be, he's capable of making Mike feel worthy in a very natural way unlike the relationship with El does at the moment!

In my fixed post in the blog you can find all these things in more detail if you're interested!!

Thank you if you read all of this, regardless of what I believe I think everybody should be free to ship what ship they like best!! 😊

[txttletale]

Wtf is Lancer and why is it shit (serious question)

lancer is a tabletop roleplaying game made by the guy who drew kill six billion demons and another guy. i wouldn't call it 'shit', necessarily--it's good in a lot of the ways that matter. it's first and foremost a tactical mech combat game and on that level it's incredible. its ruleset is finely tuned, provides great amounts of GM support to make running what might otherwise be overwhelmingly crunchy combat easier, and has a truly stunning and cool level of character customization available. so as a game, i think it's great fun to play and run, genuinely innovative, and a huge step forward for battlemap tactical wargame type TTRPGs in general.

the lore though, kind of sucks. i think it has two clear and overlapping core problems. problem #1 is that it is a utopia as envisioned by a social democrat. it's a world which the text describes as 'post-capitalist' (but there are still evil megacorporations with private armies who own slaves) and 'post-scarcity' (but only in the developed 'core' systems, so. y'know. there's scarcity). at many points in the text they say that Union (the game's main faction) is utopian, throwing around that exact word a bunch of times as well as 'mutual aid' and 'direct action' and the like. but what they describe is just kind of an imperialist Space Sweden with several distinct forms of slavery that constantly expands and uses its Benevolent Imperial Power to intervene on the Backwards Violent Worlds on its outer border but its good because its just trying to bring them UBI.

to show what i mean, here's one of the game's writers¹ talking about how it would be morally wrong for Union to, say, appropriate the property of a private military corporation that also operates as a fascist nation-state:

it's 'revolution' as imagined by the limpest of social democrats. and of course this would honestly be fine, whatever, most sci-fi settings are fundamentally achingly liberal, but the game goes so out of its way to signpost how Radical it is and how Hopeful and Liberationist you're meant to see the setting as

the other core problem is closely related--it feels like the lancer guys put every cool sci-fi idea they had into lancer even when it completely clashes with the core ideas behind it. like, AIs in this settings are callled 'NHPs' (non-human persons) and they're eldritch god-like beings from another dimension who have be kept 'shackled' (lancer's words, not mine!) to keep them as pliant and obedient AI assistants instead of hostile eldritch abominations. this is obviously horrifying and dystopian but it rules, it would be sick fucking worldbuilding for something with the tone of 40k or a one-off doctor who or star trek episode--but as a fundamental technology foundational to what we are supposed to believe is a post-revolutionary society founded on mutual aid and solidarity and blah blah blah it's glaringly dissonant.

bear in mind this is all just going off the rulebook. lancer fans have told me that the supplements and campaign modules fix some of this or contextualise it. but on the other hand communists have told me that they make it worse and i trust the communists more. i leave you with this incredible passage from the game's foreword:

[animehideout]

Your MBTI, Your Relationship With JJK Characters Part 1

a/n: I had this random idea, describing what relationship you would have with JJK Characters depending on your MBTI, in my opinion ofc, so it's not necessarily true!! 🫶🏻

Requests are open 💌

( ISFJ + INTJ )

PART 2

ISFJ:

Yuuji Itadori = Boyfriend

Like the sun and the moon, you both complete each other. He consistently admires your dedication to protect him and prioritize his well-being. He's the type who cares for others more than himself so finding someone ( You ) who places him first, warms his heart and makes him feel special. He often encourages you to step out of your comfort zone. Yuuji brings enthusiasm that lights up your world, and infuses joy into your life. In return, you bring peace and tranquility and comfort (100% your relationship would last forever).

Megumi Fushiguro = Soulmate.

Both of you share many qualities making you almost identical. The most prominent one is your dedication to protect others and loved ones and that what drew you closer and formed your soulmate bond. Your bond is full of strong sense of loyalty support and commitment, always having each other's backs. Together you maintain a balanced atmosphere. Your bond remains entirely platonic.

Choso Kamo = Bestfriend

He considers you as a family member. You don't need words to understand each other, you spend a lot of time together so it became easy for you to read each other like an open book. Comfortable silence is cherished given your shared quiet nature. You always make sure to make each other feel included in everything whether they are family gatherings or normal hangouts. You always stand by each other through highs and lows. You serve as his emotional support and you find in him a thoughtful listener. Fostering a sense of balance in your relationship.

Mahito = Enemy

Both of you are extreme opposites, you live to protect and he lives to kill. You have an intense and hostile relationship. Mahito always has to provoke and trigger you somehow targeting your loved ones. He craves violence and he thinks you're the best opponent to have a brutal duel with. Your fights are always driven by hatred from your side and amusement from Mahito's side. Both of you always try to sabotage each other's efforts, you strive to maintain a safe environment and Mahito works on creating constant chaos tension and threat.

INTJ:

Geto Suguru = Boyfriend

Suguru is an INTJ himself, so it's like finding your other half. You have a unique and intellectual dynamics. Your relationship built on shared interests and goals and mutual appreciation of each other's qualities. Despite being independent and self-reliant you managed to create a strong bond based on encouragement, pushing each other forward to reach your goals.

Ryomen Sukuna = Enemy

You and Sukuna are alike but you lead the good side while he leads the dark side. He takes the whole rivalry thing personal, as much as he hates you and tries to kill you whenever he grasps the chance he still has a lot of respect for you. In fights both you and Sukuna always try to assert dominance. Whenever you are in the same place everyone around can feel the suffocating tension making everyone feel and unsafe. You share the same qualities however you use them to help people and Sukuna uses them to break people.

Yuta Okkotsu = Ex-boyfriend

INTJ's logical and rational thinking clashes with Yuta's emotional needs he is an emotionally dependent person who inserts feelings most of the time almost in everything. But you always depend on the power of mind overshadowing your emotions. The clash of needs results in misunderstanding leading you to break up but you're still good friends though.

Megumi Fushiguro = Bestfriend

You are the quiet and composed duo. Both of you enjoy each other's presence silently, while sitting in a comfortable silence. When you are in the mood for a discussion you often engage in intellectual chats. You enjoy staying inside doing indoor activities like reading or cooking. Hanging out together is a free therapy for both of you.

[human-encounters-diary]

Day 5

I successfully made contact with the human today. As per usual, I completed my cyclic meal intake, but did not come across the human. When I arrived at my work station, the human was already present. She turned around to me and once again, her face warped into a horrifying grimace similar to the one on the second day, baring her teeth and raising the corners of her mouth in a rather threatening manner. I recoiled, although fortunately, the grimace was gone as soon as it had appeared. The human did not seem to notice my discomfort, and simply turned back to her work station.

After a moment, I felt secure enough to approach my own work station. As we worked in silence, I pondered if this was perhaps not a sign of aggression, but rather a way of greeting among humans. Although this thesis could not be supported by any real evidence, as baring ones teeth was a universal sign of aggression among most species.

The human, suddenly, seemingly without any indicator, spoke up: "Y‘know, I just realized that I never asked your name. That must‘ve seemed terribly rude of me." "I was not upset by your behaviour", I decided on after a moment.

"So what is your name?" "My species does not participate in the gifting of individual names.", I explained. "We simply address each other by their titles or their profession. I am addressed as 'mechanic'." 

"But that‘s…boring and sad." My front pliers uttered a rattling sound. "I have never known anything else." Her vocal cords vibrated, producing a barely detectable humming sound. 

The silence did not last long. "Can I ask you a kind of personal question? You don‘t have to answer, obviously…I was just wondering: Do…all of your species look like you? Kind of like, insect-looking, six legs, pliers, compound eyes type?"

"The anatomy of my species does not wary greatly. We all look quite similar, yes." "Oh, cool"

I tried to word my own following question as polite as possible: "What…about your species? Do your individuals vary greatly from each other in terms of physique?" 

"Well…kind of. I mean, we all have, like, the same 'ground structure', I guess you‘d call it? Like, anatomy-wise? But we like, can vary in, for example skin colour, eye colour, hair colour, height, weight, so shape, basically. Uuh yeah, that‘s what‘s coming into my head right now." She had started 'counting' with her fingers while she spoke, taking one finger for every thing she listed.

"That is quite astounding, compared to my species.", I informed her. "Yeah, I guess you could say so…", she opened and closed her mouth, producing a clicking sound as her teeth clashed together. Seemingly, she had wanted to say another thing, but decided against it.

Before I was able to strike up another conversation, Wrin walked, or rather, stumbled into the main control room, a bottle in their gloved hand. They informed me that, apparently, there was another leak in one of the machinery rooms that they wanted me to have a look at. Although I doubted their words, I followed them nonetheless, even if it was solely to reassure them. 

As it transpired, there was an actual leak, which I had to spend the rest of the cycle repairing and checking that there was further damage or similar leaks, since there had been two in a row in a rather short matter of cycles.

When I eventually finished the task at hand, the cycle had almost come to an end and the human had left the premises to indulge in her (now dark) recharging time session.

As I stated in the report prior to this one, I do not draw conclusions, but I have a slight presentiment that the human may like me.

[dawnoftime22]

"...and it just did."

| W.M ( -> N.R)

Undeserving of a Love Like Yours, Chapter 5

Chapter Warnings: A very emotionally packed chapter, relationship problems, cheating, arguing, anxiety, overthinking, andd...just be prepared.

Summary: The truth unfolds itself easily on a special day.

Series Summary: When you're stuck in a complete hole of confusion and hurt with the one you thought you loved most, a certain redhead finds her way into your life.

Word Count: 8.7k (...oops)

Category: Angst.

A/N: this chapter has been eeeeverywhere with me. I wrote it in the car, at work, in my bedroom, and even at a hotel room. but, I hope you all enjoy<3 it's a whole lot, so it was quite difficult to finish, but february's over and I have more free time again!

also theres a playlist for this series out now :] in case you need something to listen to while reading. be careful while scrolling the songs to avoid just bits of teensy spoilers<3

Series Playlist

| Started on 10/01/2024, 12:16 PM |

| Finished on 05/03/2024, 3:45 PM |

Masterlist | Series Masterlist | N.R Masterlist

<- Chapter 4 Chapter 6 ->

"What is there to say?"

|——————————— ᗢ ———————————|

You drag your feet across the wooden floorboards, making your way towards the kitchen. Here it is again, the same routine. But yet this time, you see a sticky note left on the marble counter, illuminated by a dim overhead lighting.

You furrow your eyebrows, but go over to read it anyway, the bright color a big difference to the white counter. 'might not be home until tomorrow,' was written on the piece of paper. Your heart didn't drop as much anymore. Your shoulders only droop a little, as if just a teensy bit more weight had been added.

A quiet breath leaves your mouth. Your hand picks up the sticky note and scraps it up within your palms, throwing it off to a nearby trashcan in the kitchen. Who else needed to read it anyway? It was only for you. Only for you.

You shook your head of the remaining thoughts you had of her, but she couldn't quite leave your mind at least once. Always there. Always lingering. As if you had been cursed. But in honest truth, the only curse you had upon you was the spell of love.

Today was a special day. Key word on the was. Some type of hope swirling in your heart maybe had you looking forward to this day, but all of it had just gone down along with the piece of paper in the trash. Your eyes also flicker to it once more, seeing the many other colored paper sitting scrunched up with the one from just now. At least she had the decency to still leave notes.

But, today was, of course...your birthday. And out of all the people, your favorite person was certainly not present. Maybe she had forgotten, you thought. Maybe she just didn't care enough this year...no, how could she?

You snap yourself out, having stared off at the sunlight shining in through the windows. You go to the fridge to see what was still in there. A bitten sandwich from last night, and some leftover chickens, but your lip forms a line and you close it, your hand dropping off to your pocket to retrieve your phone.

It was currently 9:45 AM, the digits frozen still on the same numbers until the full sixty seconds passes by. Your mind was in a haze, but your stomach was empty and it urged you to find some food. Were you just going to go out by yourself? Your body seemed to stop you from even going to the living room. Take-out was an option, but instead you simply laid your phone down on the counter, it making a small noise, the textures clashing.

You put your head in your hands, covering up your face and sliding your fingers across your skin, your palm cupping your own cheeks as a way to get a grip of yourself.

Your phone came up with a notification of your calendar, getting out with a reminder of your birthday. What great timing. You clear it off your screen and unlock your phone, roaming the apps.

Just as you were about to push yourself off the counter and grab the last of the food in the fridge, your screen changes without you touching anything. The contact name came up with...Carol?

Your face relaxes a bit and your thumb hesitantly goes to pick it up rather than tap on the red button, the ringing going away. The phone goes along with your hand when you put it against your ear.

"Hey Carol." You say casually, trying your best not to sound too questionable, as it wasn't usual that she'd call you. You hear some distinct voices whispering in the background of her side, one sounding like a young kid.

"Hey, just wanted to call and um...check in on you?" Her voice ended up sounding questionable instead, and your face goes into a confused reaction, although a smile growing on your lips. You let out a small chuckle, your eyes roaming the space of the room as you thought of your words.

"'Check in on me?' Come on, you rarely do that." Your hand goes to grab a nearby notebook that's been left on the counter, saved for recipes. "What's up?"

"I just wanted to say happy birthday to you. Maria reminded me and she and Monica got me to...call you." You assume she had a small pause in her sentence because she was looking over at the other two people in the room with her, which was who you had heard earlier.

"That's nice of her. And thank you." The pages of the book was soft against your hands, your fingers tracing and fiddling with some as you smiled softly at the thought of Maria scolding Carol for having forgotten.

"Well that, or, I would probably not have any pancakes for myself right about now." She says, her mouth nearly sounding like it was full. You'd guessed it was.

"Even though you were threatened to wish me, thank you." You add on, laughing gently as you did. There was a page you landed on in the notebook with a cookie recipe. One, specifically where you and Wanda had made together, having shared a wonderful memory that day.

You could feel your heart beat within your chest, the pace going quicker as your eyes looked over the words written on the paper that was accompanied with smiley faces and hearts here and there.

The smile on your face had definitely faltered. You take in a deep breath, letting it out once you let yourself close the book. Carol's voice snaps you back to reality, having remembered you were talking with her.

"I'm kidding, I would've called you up either way. Really though, how are you?" Your teeth sank down on your bottom lip, probably enough to puncture the skin or leave a small mark, but you let it go once you talked.

"I'm...fine. Other than sitting in my house alone not knowing what to do than sulk in bed or contemplating my life choices." With that answer, the blonde definitely knew something wasn't entirely right. She stays quiet for a while, perhaps thinking.

"Do you wanna go out and hang at the bar? We can do some karaoke if you want that as a birthday present." She offers, and the attempt makes you smile weakly. She never really knew what to do for your birthday, not being the type to do birthdays more than just a simple wish to them. But for you, she'd offer to hang out, which is what you love to do most of the time.

"Sorry, but I don't really feel like partying or anything right about now. Well, tempting, but, I just wanna relax." You say quietly, sliding the recipe book back to its original place.

"Okay, then..." Carol trails off as her mind tries to come up with some more ideas. You were about to think she was going to just hang up sooner or later, but then you hear her voice continue with a more interesting take.

"There's the mall." You raise your eyebrows. She couldn't see you with you being over the phone, but she just knew you were probably surprised. And you were.

"And what would we do there?" You ask, your mind unable to conjure up the slightest of an imagination of going to the mall with her in a casual situation.

"Well, we could grab some ice cream, buy some things, go to the arcade, go...I don't know." She suggests, just nearly giving up. She wasn't good at this type of stuff really, she's simply basing it off of the times she and Monica hangs out together. You could at least picture the straight line her mouth forms when she finished her sentence, and you had to resist a laugh.

"Ice cream does sound really good." Your mind opened a little with the simple thought of ice cream. Even though the comfort of your bed and the couch seemed nicer, it's not a lot of times she ends up inviting you to hang out like this anyway.

"The mall it is." The blonde says, and you can hear some clatter over the phone. She had finished her pancakes, you supposed.

"Am I driving or...?" You trail off, fiddling around with your fingers and sliding them against the marble counter, the coldness a difference to the sunlight coming from the window.

"I'll pick you up." You then hear the sound of keys, and you couldn't back out anymore. She was driving to your house to grab you, and it'd be impolite to cancel.

"Okay." You say under a breath, feeling heavier with every second that goes by. The guilt and anxiety was eating you up, but the date on the calendar just next to the recipe book had your mind getting out of the thoughts.

"I'll be there in 10. Please don't be glued to your bed when I arrive," She said, to which you let out a quiet chuckle. You couldn't really tell if it was in a stern way or a soft way, but it definitely pushed you a little more to get up and change your clothes.

"I won't. See you here." You say gently and the end tone sounds out, making you pull your phone away from your ear.

With that decided, you push yourself off the counter, slowly going off to the bedroom. The closet opens easily, revealing the same clothes you see every day. You shuffle through some of the hanged shirts, looking at what to wear.

Soon enough, you pull one out. It easily slides off, brushing against the many other shirts within the closet. Your eyes don't linger on the other ones that weren't yours, and you close the door after grabbing everything else.

Later on, you get finished up with changing your clothes, and now you were only waiting for Carol to arrive. There was something that prickled within your heart, like a roses stem with thorns, a worry that maybe she changed her mind and she actually didn't want to hang out with you. Maybe she was only doing it out of sympathy? But that can't be true. What about all the times she's driven you back home when you got a little too many drinks?

...You take a deep breath and turn away from the wall you were staring off into like it was the abyss. Instead your hands checked that you had everything on you, like your phone, keys, and your watch.

Then, the sound of a car pulling up at the front of the house made you look up, your eyes carefully watching the windows. You see a Nissan outside, and it was obvious it was Carol arriving.

Quickly, you got off the couch while your phone made sound, definitely a text message from her that she's arrived. You open the front door, going outside. Her blonde hair could be seen clearly through the car windows, confirming the person in your head.

You make your way to the car, opening the front passenger door. "Hey," you say gently, going in and and closing the door along with you.

"Hey." your greetings were simple, a usual thing to happen. Carol glanced at you while you buckled in, giving you a small smile before starting to slowly position the car back to the roads.

The car had some old soft rock playing, filling up the quietness. It also had you already moving just a little to the beats, staring out the window as she drove you both to the mall. She's always had good playlists. Sometimes you'd even have an urge to ask her to give you some of her cds.

"So, what are you aiming to steal my money for today?" She jokes after a song, her eyes focused on the roads. You let out a small chuckle, looking over to her.

"I'm not letting you spend your money on me for something that isn't a drink." You shake your head, fiddling around with your fingers in your lap. The blonde notices it when her eyes flicker over to you for a second before returning to the roads.

"It's your birthday, Y/N. You have to have a little fun. Let loose," she says, and you raise an eyebrow, turning your head to her. The last two words were new, at least when it comes out of her mouth.

"Maria's words, not mine." she quickly stated, making a smile grow on your face. You stop fiddling with your fingers and instead intertwine them with each other, your gaze going back to the window.

"Come on, any ideas?" The car stops at a red light, and she looks over to you. You stayed quiet in thought, although nothing much came up. She sees only the side of your head until you made your decision.

"We'll do yours," you say, having unable to think of anything. Your mind was clouded over. Honestly, a part of your body just wanted to lie in bed hopelessly the whole day, but something else pulled you.

"Then it's settled," she nods, the steering wheel turning with her hand as she made a right. You think over her words on the phone call earlier, 'Ice cream, buy some things, arcade', and you start to get just a bit more excited.

"Ice cream first?" You ask, looking to her with hope. She furrows her eyebrows and makes a face to you, and your lip forms a tight line, like a child asking for something and getting scared of the answer.

"Of course ice cream goes first." The car goes forwards once more, the light having turned green. You cheer quietly, and she gently shakes her head at your antics. At least she got you to release the emotional tension you had in your body. Even if just a little.

The rest of the car ride consisted of singing and dancing, the conversations being light. The weight on your shoulders got lifted up just a little bit more. When you were about to arrive and she was going to park, 'Please Mr. Postman' started playing and your face brightened at the intro.

She raised her eyebrows at your quick happiness at the simple song, but smiled and laughed at how fast you got into singing it. Really, it's always been a main song for whenever you hanged out, but it's been so long since she saw you sing it, she got surprised. Soon enough though, she sang with you, the two of you moving in your seats to the words.

When the song ends, she turns off the engine and both of you get out the car. The parking lot wasn't all that filled up, so it was a chance there weren't many people in the mall.

She puts on her cap and walks to the entrance with you behind her, the noise of crows and other birds made sound, echoing from somewhere afar as you made your way to the sliding doors.

The cold air of the mall quickly greeted you like a slap of reality in the face, like waking yourself up with a cold shower after laying in bed for too, too long. A way to make you feel more alive.

The ice cream shop wasn't far, and with how little amount of people were here, the two of you got to go to the counter right when you arrive to order your preferred flavour.

Your eyes watch the ice cream get put on the cone, and you do a little dance when your hand got ahold of it, while Carol was giving her money to the cashier of the total cost.

The cashier smiles at the two of you and says their 'thank you', making you smile back before turning around, Carol easily catching up with you from your slow walking.

The two of you walk and enjoy your ice cream, the coldness definitely making you more free feeling. There were clothing stores, shoe stores, little snack shops, and every other thing you could ever imagine. You passed by each one though, but you did point out some cool looking things here and there to Carol.

Soon enough, you come upon a pet shop and your eyes widen, your lips matching with a smile. You walk towards it, wanting to look at all the animals. Carol had to walk faster so she didn't lose you.

There were parrots, cats, dogs, hamsters, fishes, bunnies, and even some lizards. Your mouth was agape as you stared at some of them, but you walk over to the cats.

"Aw, look!" You point at an orange cat, who's sitting patiently with it's tail smoothly flicking back and forth as it watched people pass by.

Carol was looking at the dogs until you called, making her go over to you to see what you were melted at. As if you hadn't already from the other little animals.

"This one is so cute." You lean forward and capture the attention of the cat, making it stand up and walk closer to you.

Carol's head tilted slightly and her eyes squinted as she inspected the info of the cat. The name, the breed, the date and place of birth... "...Goose. Huh."

"I want to take it home." You blurt out as you let the cat follow your hand around, and its head moves here and there instead of its body. It was a playful cat, a paw going up here and there to reach out to you.

"You should get it if you love it that much." Carol says, with her usual deadpan voice that you honestly find amusing. Although, for this, your face turns deadpanned instead and you stare at her, making her raise your eyebrows at you. It was nearly a staredown.

"Danvers, I cannot take care of a cat...let alone myself." You gesture to the cat, and it looked at you questionably. Your shoulders slump a little at the last words of your sentence, and Carol frowns a little.

"I'm sure it'll be able to help you cope or something." Really, she was thinking in her head of surprising it to you as a birthday present for later tonight when she sends you home.

"Why don't you get it? I think Monica would go crazy." You glance back at her, and she purses her lips, staring at the cat. It was the most vibrant color of all the other cats.

"And Maria would go crazier." She said, turning to you for a second but then going back to the entrance of the shop instead, perhaps making her escape from you flipping the table to her.

"You can convince her." You say, the volume of your voice going up a little considering she's farther away. You take a quick glance back at the cat, hesitating to leave, but going away to catch up to the blonde.

"No, now, we are going to the arcade." You laugh when you hear her stern voice, although something in you knew she had a thought about getting it.

You looked around as you walked, seeing the arcade not far away now, the place lit up by machines and screens. But something caught your eye and made you look twice.

Were you dreaming? Well...having a nightmare? You felt like so. Your body definitely didn't react in a good way. Honestly, your heart felt like you were about to have a heart attack with how fast it was beating.

Carol's hat made shade for her face from the sun coming through the mall's glass roof as she walked. She stops along with you when she noticed, confusion filling her face at the sudden stop.

When she follows your eyes to where you were looking though, immediately her eyes widen and her face was in complete shock just as yours were.

A brunette, green eyes...green jacket...

It couldn't have been.

You look closer on the face, and it was. And her hand was not swinging by itself as she walked.

It wasn't with your hand either, because you were plenty of feet away from her.

It was with someone else. Something in the back of your mind felt like they were familiar, although you couldn't even dare focus on that.

Your whole day-- well, your whole world fell apart right then and there. Just like that.

You can feel your heart beating up to your ears, and it felt like time stopped. And not in the good way. Oh, you wish. You wish it was the time you saw her green eyes staring back at you and the whole world only felt like it held the two of you. But not anymore.

Maybe it was the numbing adrenaline rush of the shock coming through, but you take in a deep breath, ripping your gaze away. You couldn't bare to look at the sight anymore.

You clench your jaw, your hand gripping itself in a fist. Your eyes pooled with tears and Carol looked at you, her own misery at finding out the truth obvious on her face, although she was mostly worried about you.

"You know what? Maybe we can...do this another day." You say, trying your best to not let your voice shake entirely, but it did falter.

"You don't wanna--" She was about to suggest trying to distract yourself with the arcade, but at the same time, nothing could make you feel better after seeing such a thing.

"Just take me home." Your mouth moved quickly and you spoke quietly, your eyes flicking back to the spot where she was walking, but she was out of sights already.

You turn around and walk fast, not wanting to linger anymore. Carol walks with you. There was nothing said as you made your way out and to the car. The lovely sounds of the birds chirping now fell on deaf ears as your legs kept you moving.

The car door opens easily with the pull of your hand, and you get in, but you were careful to not slam the door. Carol gets in after you, and turns on the engine.

Her eyes go over to you. You already had your seatbelt on and had settled in your seat, staring out the window. She was about to say something, but she held her tongue, not wanting to make matters worse.

And what would anyone have to say in this anyway? Your lover left you, replaced you with someone else, and broke your heart. 'It will get better'? The only path to take was to go through the pain and that was it. Until you somehow get back up again.

The music starts up once more, and it didn't make you happy as much anymore. You couldn't even focus on it if you tried. You were trying to blink away the tears and ignore the way your throat was swelling up on the inside.

Carol drives you back home safely, keeping her eyes on you here and there. The ride was quiet other than the music, but it was obvious the tension was high.

There were questions unsaid, many going around in your head, but you didn't wanna trouble her with all of them, and she probably wouldn't know what to answer them with anyway.

Soon enough, you arrive back to your house, and you gently unbuckle your seatbelt. At the corner of your eyes, your tears were starting to seep out, just a little.

Carol makes sure she says something before she regrets just being silent, "Hey," she said quietly, and you look at her, your eyes shining with unshed tears. It was the softest you've heard her voice yet.

"I'm always here, if you need me," she says. She knows it won't be much, but it needed to get out of her head. You nod, and sniffle, trying your best to not cry just yet.

You don't say anything back. If you did, you would've broken right there. Instead, you pull on the car handle and open the door, getting out.

Carol watches you as you leave, and she makes sure you get into your house safely before getting out the driveway.

You close the front door of the house, locking it, and freezing in your tracks, taking in a sharp breath before letting it out as a sigh. You nearly hoped it didn't happen, that you would only do that and just wake up from sleeping right now.

But then you let out a sob and lean back on the closed door. You hide your face in your hands, closing your eyes as you started crying, and your chest wracks with broken sobs.

How could she do such a thing? Did she not love you? Were you simply not enough? Too much? You couldn't stop yourself with the questions roaming your head, overthinking everything as you go. The kindest soul with the warmest heart, now broken into a tiny million pieces just because someone couldn't talk about their feelings. Yet you seem to always find a way to blame yourself for every situation.

Sure, maybe even if she did talk to you, your heart would still break, but would it have felt like this? Would it have felt like your lungs were going to collapse from your cries?

You sniffle, and try your best to steady your breathing, but you couldn't, so you just let it do whatever it wants. You wipe your eyes with your sleeve, but the tears keep flowing, so it barely did much.

Fatiguely, with a heavy body, you made your way to the kitchen. You wanted to go to the bedroom, but it was so far, and everything in there would only make your head spin even more. The couch was a choice, but your eyes linger on that recipe book you had looked through this morning.

Your hand twitches to grab it, but you bite your tongue and instead grip the counter, letting yourself slide down on the kitchen floor. You clutch your legs and curl up. The grip your hands held with the fabric of your jeans were enough to probably rip them.

You still had hiccups leaving your mouth, tears leaving your eyes, and you were definitely about to sob once more. The kitchen tiles blurred from your vision getting clouded with tears.

Your hands clumsily reaches in your pocket to grab your phone, and you somehow made it to your homescreen.

The phone was set down on the floor, your hands shaking as your tears rolled down to your chin and dropped down to stain your shirt.

You look up, trying to gather yourself up, but of course you couldn't. Your body needed to let the emotions out, especially after such a situation.

For a few more long minutes, you sat helplessly on the kitchen floor, your breaths going with their own minds instead of your own. You take a few deep breaths, your legs splayed out in front of you before you sniffle and take one last deep breath.

You sat up a little more properly with the little energy you have, and slide your phone just a bit closer to yourself, your fingers gliding across the screen as you opened your calls app, and hovered your finger over the contact name.

You tap on it, trying your best to recollect yourself before she picks up. Your teeth bites down on your bottom lip, every tone of the calling sound making your heart beat faster.

It ends, and her voice comes through.

"Hello?" There's the soft voice. The gentle, soothing voice that lured you into falling in love.

"Wanda." Your voice nearly faltered, but it kept a little of it's stern tone. Your hand slid down to the kitchen floor, the texture keeping your emotions steady, at least enough for a couple minutes.

"Hey, what's up? Did you see my note?" She asks. She's been lying to your face all this time and you didn't even know it. How blind were you?

"Do you know what day it is today?" You ask, ignoring her own question. You sounded so calm in your own anger you honestly nearly even scared yourself.

"No...what?" She was confused, and you could imagine the innocent act of a face she made.

"It's my birthday." You put simply.

"Oh..." that was all that sounded on the phone, and you knew the call didn't get cut off. She just didn't know what to say.

"I'm sorry I didn't stay Y/N, I...forgot." She says slowly, and it was obvious she was trying to tread her tracks carefully.

"I can come back tonight, I promise." You almost didn't want her to, but you needed to talk it out. You didn't say anything else, not wanting to talk about everything else over the phone.

"Goodbye, Wanda." You whisper, your voice breaking at the end. You were sure she noticed it, but you'd want her to anyway.

You ended the call, tapping on the red button. That wasn't the end of it yet, of course, but for now, your hand only rests on the floor, your body falling limp against the cabinet.

She calls, but you don't hear it. The phone rings, on, and on.

You clench your jaw, tears filling up in your eyes once more. Your hand weakly silences your phone, and for the next couple more minutes, you lay crying, until your throat was dry and your muscles ached from sitting on the floor.

|——————————— ᗢ ———————————|

The sun had gone down by now, and the moon came out of hiding.

You were no longer on the kitchen floor, but you were on the couch, curled up like a cat. You haven't done anything but cry ever since you got home. Only right now, your tears had dried, staining your cheeks

You hear the front door unlock, and you feel it coming, the moment you've been dreading.

The brunette appears from behind the door, closing it as she went in the house. Her eyes roamed the place, and eventually, it lands on you.

She lets out a sigh of relief when she realized you were still here. You let out a heavy sigh as you sat up properly.

She heard it. Even with the distance, the quietness of the room captured it. Her heart beated harder in her chest.

"Y/N, please, I'm sorry." She pleads as she makes her way to the couch, having carelessly kicked her shoes off, leaving one tilted on its side. You haven't even said anything yet, and you almost feel sorry yourself.

"Hey,"-- You were sitting right beside the armrest, so, she leans over and gently puts her hand on your cheek. --"I love you. I'm sorry."

You gently push away her hand, turning to look at her with your jaw clenching. She can see the anger in your eyes and it had her giving you a little space.

"Do you?" You say, your head moving slightly, and she notices the way the corner of your eyes seemed a little red. You weren't even looking at her. That was only the second part of the situation.

"Yes!" She says her eyebrows furrowed. She raises her hands in exaggeration before moving one up to her hair, sliding it back as she let out a breath. "...Why is that difficult to understand?"

"Well, maybe because you didn't even say anything when I said it to you just a few days ago!" Her mouth opens, and you assumed she was about to argue that she was drunk during that time, but she lets out a scoff, and that's even worse.

"You're pissed off about that too?" She seemed mad, and you nearly regret even blurting out the sentence.

You close your eyes with your hands, just wanting this to end even though it's just started and just barely scratched surface of what you need to talk about...or argue. You hoped it was the first one.

"Of course I am, Wanda! Where have you been?" You try your best to keep calm, but your voice was laced with anger. Hers though, was higher volume than yours.

"At work!" She walks around to the front of the couch, and you slide your hand down your face. Her face looked so believable, but you knew it wasn't the truth. You saw it with your own eyes.

"Bullshit." You whispered, looking at her with tired eyes. She gets confused and sits down on the couch, her eyes focused on you. You shift your position.

"What? I'm not ly--..." Her voice was a little high of a volume, and she doesn't finish her sentence when she hears you take in a shaky breath.

"...I...saw you." You said quietly, and Wanda, having been caught up in trying to make you believe her had to go quiet in thought of what exactly you mean.

She swallows down a lump in her throat, her eyes catching yours.

"Saw me?" She asked, her voice reducing down to almost the same volume as yours.

"You...were with someone else." You were shaking and your breath was trembling. You willed everything in your body not to sob while trying to get the rest of the sentences out. Her eyes widened at your words, and that was it.

"And I know it's not another person, because I saw your face." You point your finger to her, gently pushing on her chest with it to enunciate your words. Gently. You were never the type to lash out or be rough even when you were angry.

She goes quiet. Both pairs of your eyes were welling up with tears, that much was obvious. Any other words she's had before had died in her throat.

You see a tear rolling down her cheek from the side, and you held your hands back from wiping it off.

She looks at you, guilt swimming in her eyes, and she takes a shaky breath in before letting it go.

"...There's really..." She looks away from you, unable to even stare back at you. Your heart felt heavier than you knew it could.

"...nothing I could say or do to make you feel better." She said tearfully, her lips going down as she thought of her next words. She swallows her collected saliva again. That hit you like a million little glass pieces piercing through every part of your living, loving soul.

There really was not much she could reason with other than the fact that it had been true. She's fallen out of love with you, but even she didn't want to admit it.

"I've been with someone else. I...wanted to tell you. I just didn't know how." She admitted with her shoulders going up at her last words. There it was. The truth coming straight out of her mouth. Your lips nearly trembled, but your teeth sank down on it.

"How...long?" You ask, and you almost didn't want to know, but for the sake of closure, you urged on. She stays quiet, her own hands gripping the couch.

"How long, Wanda?" You pressed. Was it a month ago? It couldn't have been longer than that.

"Only after eight months of us moving here." It was before you even had your break. You made the math quickly in your head. You moved in a little more than a year ago, so it's been...six months?

You had been in this devouring hole for six months, and you hadn't even realized it. And she didn't tell you or break up with you. Instead she requested a break. No wonder your hope had died to sparks and to nothingness.

"What?" You whispered under your quivering breath, your head tilting in disbelief as your eyes spilled out in silent tears.

"Wanda." You say her name softly. She looked down in her lap as you let out another breath that nearly sounded like a sob. She sniffles, and you know the both of your hearts are breaking.

"Why?" You ask, although it was more of a thought from your head that spewed out unintentionally rather than a logical question. She couldn't answer. She didn't have an answer herself. It just happened. That's how it always is.

"...I thought you loved me." Your voice was small, as if speaking any louder would make the entire universe disappear in fear, just like your love had.

"I did! Or, I do!! I don't know!!!" She blurts out, not being able to decide which one. Her body had deflated at the high chance of losing you tonight.

"So you fell out of love with me completely?" Your eyes watch her carefully, and just for a vivid moment, she hesitantly, just barely nods.

"And you didn't think to just...break it off." You whisper, although it was more of a sentence to yourself. But she heard it anyway. It was obvious what you were pointing towards in your sentence. She sighs. She knows she's taken a step she couldn't take back.

Really, how can someone bring theirselves to having a full conversation about falling out of love? It's a difficult thing to do. Sure, you'd be heartbroken either way, or somehow you would have been able to work it out, but you supposed something else in you just wished you hadn't suffered all those months hoping for absolutely...nothing.

The two of you sit in the silence of what you'd think is death, not knowing what exactly to do with it all. The love you once had was gone. Or at least...hers.

Something spins around in your head. It's been spinning for ages since she had called to take a break, and you had hoped you never had to say it, but what else was there? You could start over, but this love had already started over before. Or had tried to. Technically it was both. This was the end of the road.

"...It's over." You whisper out into the room, and Wanda finally glanced up at you, her face full of heartbreak. Even though she probably saw it coming. You've seen that look before, and your stomach was about to collapse at even a second of it. You kept the eye contact though, needing to fully close this.

In a way, you searched her eyes, for some reason, still searching for anything that once was. But there wasn't anything but hopeless desperation.

"No...no please, I need you." She says, taking breaths in between as she cried. You hated seeing her like this. But you hated going in circles just as much.

"If you really did, then you wouldn't have done such a thing." She had nothing else to say to that. It had been your breaking point. You averted your gaze and stood up, hesitating for a moment, but eventually going off to the bedroom as she sat there in the consequences of her actions.

You walk into the room and close the door, locking it right after. You gently lean your head against the door, while silent tears freely move down your skin. The supply of water in your body was definitely infinite for today. A part of you wanted to laugh at the mere thought, and just to cope, but you were too tired to even do so.

You take in a breath, looking up to the ceiling as you felt your throat swell up, but you try your best to be quiet. You'd hate for her to hear you sob in the other room. She might be doing the same thing herself. You squeeze your eyes shut for a short time, wishing for it all to just stop.

And technically it's about to.

Gently, you push off the bedroom door and your legs take you to the front of your closet. The next move was obvious.

Your hands clenched theirselves as your eyes stare at the closet doors. You take a look around the room, taking in the space with your eyes lingering on some parts. The book Wanda hasn't finished reading. She stopped reading it ever since she started to disappear. You should have seen the signs.

The little teddy bear she got, the daisies you got her in the corner of the room, the DVDs she has in the TV stand, the music collection you have next to it.

You rip your gaze away and let your hands open the closet doors. A travel bag and a luggage bag was just under the hanged clothes, sitting within a compartment.

With trembling hands, you slide both out, putting them on the bed and unzipping them. It was the same bags you used to move into the house.

You grab some of the clothes you once shuffled through just earlier this morning, making sure to remember which ones are Wanda's, and not yours.

They were placed into the bags, and you stared at the folded shirts. They looked wrong. You throw your head back with a sigh, frustrated. The bed dips when you sat on it, the bags moving along just a little with it.

What are you thinking? The promise to stay, to fight through it all, it had all fallen apart. The one person you didn't leave after just a few months, and yet here you are. Packing. You let your body fall down completely on the mattress, legs dangling while you stared at the ceiling.

How many times have you stared up there? You don't even want to know. Before you lost all motivation and your emotions ran slow, you slowly prop yourself up to your arms and got back up. If you stopped now, you won't be gone in the morning.

Toothbrush, toothpaste, everything else you need and all the essentials. The last of it gets stored in the empty parts, and with the quiet sound of the zipper zipping, it was done.

With a relieved sigh that you could now simply lay on the pillows, your arms splayed out, your body giving up the last of its energy. You definitely couldn't get up anymore to do anything else.

This was the last night you were sleeping in this bed.

The crickets couldn't be any more louder with filling up the silence. You hated it. It felt too short, but all at the same time, it feels like it's gone on for too long.

Your vision faded into black as your mind stayed loud, up until it crept into your dreams. She slept on the couch that night.

In the morning, you woke up heavy and go through everything as if you didn't even sleep. Not even a cold shower helped you. Honestly, it might have just helped numbing the pain in your chest instead. You gather your items, gripping your bags tightly.

What if you just drop them and simply isolate yourself in the room? No. You shook your head, walking over to the door.

Your hand remains on the cold door knob for a short while, and you almost stay long enough to have it warmed up from your skin. It gets twisted though, and you open it.

If not for the sleeping figure on the couch, it would have been an empty room. You walk out to the front door with your eyes lingering on her.

Maybe her love was too good for you anyway. You just couldn't give her enough. Or too much. It didn't even make sense anymore. There was no in between your heart and mind could agree on. Even you didn't know what you were thinking.

Just as you click open the lock and went to open the front door, she slowly awakes. The shuffling makes you turn to look at her. You catch the realization and sadness in her eyes when you locked sights. Damn the loud clicks and creaking sounds of the doors.

"Where are you going?" She asks, but it was more of a question, than her wanting to stop you.

"Somewhere that isn't here." You say quietly, like a secret thats not meant to be said. She stares off into a space in the room, lost in thought.

"I really am sorry." You hold your breath a little longer, waiting for her to say something else. But she didn't.

There wasn't anything possible to heal the broken love you held. Maybe if she gave in, but her hands had been touched by someone else and her lips...perhaps had met another's.

"I love you." You whispered impulsively, although quiet and quick, it made sound to reach her ears nonetheless.

But yet, she was silent.

You stare at her for a second more, and few seconds too long to say you're determined in leaving. She wasn't looking at you.

You take a step to turn, and the door slides open with the pull of your hand.

You take another, then when you're outside and the door closes gently, the quietness of it all consumed you.

You check your belongings, you had your bags, your watch, your phone. You have everything except for her.

You check your last pocket, and in it were the keys to the house. You slide it off and it clinks, a familiar sound that you hated made your heart skip a beat every time you heard it.

You leave it off somewhere at the front of the house, and you hope you don't remember where you put it.

It all blurred together as you went to your car, turned on the engine and drove off. Of course you had a plan in mind. You've thought about it a hundred times, but you never thought you'd go with it.

The car arrives to a stop, near the place of your favorite cafe. But you aren't going out. You just needed to drive away from the house.

"Fuck." You cursed under your breath and slammed your fist on the steering wheel, and somehow your hand had slid down to the horn, making you bump into it and the car beeped loudly. You jumped, and looked around alertedly, but no one was there. The sidewalks were empty.

You relievedly let out the breath you were holding once you made sure you were in the clear. Thankfully, it wasn't lunchtime or the weekend.

"God," the word comes out under your breath as you shook your head. The thoughts in your head were harsh, and your shoulders slumped at it.

"How could I have ever possibly thought I was actually the one?" You whisper to yourself, staring at the logo of the car, still somehow shiny, just sitting there in between the controls even from how much you've driven the car.

You grip the steering wheel, but then you notice your arms being covered in a certain cloth. One all too familiar, one you chose in instinct in the morning. You look down on the sweatshirt you're wearing, and it was obvious. It was Wanda's.

You clench your jaw and your hands move to peel it off yourself, the sweatshirt turning into a jumbled up piece of clothing that was inside-out. You didn't even want to look at it, so you threw it to the backseats. You'll deal with it later.

Soon, you went to grab your phone, your hand shaking as you turned on your phone, trying your best to find a certain contact. You hold the device tighter, trying to stop the shaking. But you couldn't.

When you found it, you were hesitant to tap on it, your mind loud of everything bad that could happen. But it was Kate. You take in a shaky breath and tapped on the call button, exhaling your breath as you put your phone to your ear.

"Hello?" Her voice comes out gently. The kinder tone almost makes you let out a breath of relief. Your shoulders relax only a little though.

"Kate?" You ask in a whisper, fiddling a little with your steering wheel and tracing the round shape, the texture brushing the skin of your fingers.

"Hey, what's up?" It was still gentle, but there was a hint of concern in it. She can already tell something was wrong even though you barely said anything.

"Um...I..." Your breath was shaky, and she could hear it. On the other side of the phone, Kate was frowning, but she stayed quiet as she gave you time to get your words out.

You were nibbling your bottom lip as you thought about how to talk about your situation, and in the midst of the moment-- "...Wanda and I broke up," you spew out the words, your mouth not even caring to follow your mind anymore.

"What? What happened?" She was certainly shocked, and you look out the window, trying to distract yourself while at the same time speaking to Kate.

"She was with someone else," you say. The florist you once saw a few months ago came out of his store, greeting a customer outside. It was like you were watching a scene you were once in, in another person's view.

"Oh, shit." She swore out unintentionally, the surprise taking over her mouth. "Sorry," she apologized quickly, and you can imagine her blinking to get ahold of herself. It almost made you let out a soft chuckle.

"...I'm sorry, Y/N. God, I could never imagine Wanda would have done that." Kate said quietly. She adored your relationship together, that much was true, but she also saw the parts of Wanda that you wish weren't true. Yet this, this was an unexpected turn.

"...And since I left the house, I can't even sulk in bed or anything." You let out a gentle breath of a laugh, but it was more of a nervous one.

"I mean, I should've had a plan but-- we'd just keep seeing each other and it just...hurts." The florist had said goodbye to the customer who bought the flowers. He seemed happy as he rewrote some things on his little chalkboard. That man was definitely living his best life.

"Where are you gonna go?" She asks, and you go silent. You couldn't go to Carol's. You wouldn't. She's living with Maria and Monica and you probably wouldn't have a room to sleep other than in the living room on the couch. You wouldn't want to intrude on her living conditions anyway.

"I don't...really have anywhere to go to, so anywhere, I guess." You sink into your seat, looking down in your lap to stop staring at people. Kate was silent for a moment, and you're guessing she either didn't know what to say, or is thinking about something.

"My place is available to you if you want to come. You're always welcome here," she offers, and your eyes relax while your fingers fiddle with theirselves, thinking it over.

"...If that's okay with you. I mean, I don't want to intrude on anything--" You add on after quickly, but you get cut off by Kate.

"It's fine. Don't worry about it, I've missed having you hanging around. And I promise you, I have two forks and spoons now so we don't have to share one or get a plastic one from Mcdonald's that'll break after a few minutes." She jokes, and that actually made you laugh.

"Okay. Okay, thank you, Kate. I'll be there tomorrow." You sit up more properly, getting ready to drive to the airport. You hadn't visited her in a while, so you already had money ready.

"I will be there to pick you up. Okay? Do not get a cab," she says sternly, and you take in a big breath only to let it out as a small sigh.

"Kate," You say sternly back, wanting to protest and not burden her more. But she hums in disagreement. You know she cared about getting you safe and being the best friend she is, but your head was killing you.

"No. No, Y/N. I am not letting you cry in a cab awkwardly first thing you get out the airport." She argues softly, and you let your shoulders down in defeat. At your silence, she waits.

"I'll let you know when I land." You give in, your voice small.

"Okay, good." You can hear the relief in her voice, and your lip tugs up into the smallest smile

"See you, Kate." You were about to end the call, but she speaks up again.

"Hey."

"Take care of yourself."

"I'll try."

"See you."

The call ends, and you start driving.

end of chapter 5.

Series Masterlist <- Chapter 4 Chapter 6 ->

---------------

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[gabessquishytum]

Ballerinos paired together for romantic dance who initially can't stand each other.

Hob and Dream both found their way to a nontraditional ballet company - Hob didn’t really have the "body type" for your traditional ballet companies, he was very good but spent too many years in the chorus; Dream was also very good, had a rightfully reputation as a diva, but got injured by bad direction from Burgess, that was ultimately blamed on Dream. Dream has healed from his injury, but companies weren't interested in hiring him.

So they both need a chance and this "experimental" dance company might be the answer.

Their new company pairs them in a romantic pas de deux, but they are having the hardest time looking romantic with each other.

When they first met, Hob and Dream just rubbed each other the wrong way - it could have been a personalities clash, it could have been a seniority thing,,,,, it could have been the (unresolved) sexual tension. Whatever it was, it was making them clumsy and tentative with each other - who would ever think experienced dancers would be shy about putting hands on another for lifts. They could actually hurt each other if this keeps up.

So they are sent off for a weekend together to work it out!

Ooo I love this,,, the absolute tension and sexiness,,,

Hob is generally the kind of guy who can be very much trusted with lifts, throwing his fellow dancers around... even in the warm ups before rehearsals, all the young male dancers are practically begging him to please please please do an angel lift with them? They might never have the chance to be lifted again 🥺🥺 and of course Hob obliges.

Dream finds all of this very foolish. He's just waiting for the day when Hob acquires an unnecessary injury from messing around. His vibes when he's around Hob are full of disdain, and he makes Hob lose his confidence! His holds are terrible, his hands slip. Dream isn't helping at all. He seems to forget what he's doing half way through a movement. But the irony of it all is that they look amazing together.

So off they go to a small hotel in the country which doubles as one of those meditation retreats. And Dream spends the whole of the first day being a diva and ordering Hob around, until Hob finally snaps.

He says that Dream isn't the principle dancer and he needs to stop acting like it, that Hob is just as good as Dream if not better, it's just that Dream had the luck to be born pretty, and that if he doesn't wind his neck in then Hob is going to go and find a partner who doesn't make him feel like shit.

And after a blazing row, its inevitable: they fall into each other's arms, and fuck all over the hotel room. Dream graciously allows Hob to top in what feels like a metaphor for him relinquishing control - so Hob takes it very seriously and makes sure that Dream feels safe and has his mind completely blown.

When they both get back to rehearsals, they dance together beautifully and with such confidence, the rest of the company can't quite believe it. Hob is confident, Dream is trusting, their duet is everything is should be.

The only problem now is that they wont stop making out in the dressing rooms, but hey. Nobody's perfect!

[brujahinaskirt]

You know, when it really comes down to it, the main thing that tears me to pieces about Arthur & John is encapsulated so nicely in the trope of the Lonesome Cowboy.

RDR2's storytelling is particularly masterful as it shows us that everyone is the mythic Lonesome Cowboy... but at the same time, I believe it manages to quietly suggest there is one true Lonesome Cowboy of the series.

And it ain't Arthur Morgan.

DEEPLY overwritten explanation below!

On the surface, Arthur is clearly set up by RDR2 to be our Lonesome Cowboy. He even sings the song. But is he really? Really, truly? Or is Arthur's brand of lonesomeness a clever model to help us, through comparison and contrast, begin to notice and understand another, deeper type of loneliness?

Arthur thinks he's unlovable and alone because he lacks one specific type of love, romantic domesticity, which he has dreamed throughout his life and consistently been denied. But though his pain is genuine, the idea that Arthur is alone and unloved is almost laughable. R* shows us every single game day that Arthur is surrounded by people who love him, live with him, and depend upon him.

But that's the great irony of the RDR Lonesome Cowboy, right? Arthur feels lonely and believes he is alone because he is a "bad man" and nonbeliever whom "no one will have" (not even God, and he remains true to his atheism through the bitter end [and thank god for that honestly because the last thing I needed was a Come to Jesus cowboy game...]).

But the inverse is true, and his depression is lying to him; Arthur is almost never alone and pretty much everyone in his family unit actively enjoys his company and wants him around. And yes, many of these people are damaged and have trouble communicating that (though fewer than you'd think). And no, it isn't the same as getting married to one person and raising a family with them for the rest of your life. But lonesome? As in, emotionally and/or physically alone?

Nah! Come on, man! Not even close.

Arthur is more than just loved and needed: he's actually understood by those he chooses to let in, because Arthur is definitely capable of telling his closest confidants how he feels and what is lurking in his heart. We see him do this many times. Sometimes with surprising ease and honesty.

When Arthur is physically alone in RDR2, he's wandering at the player's command, and if he wanders for too long, he's eventually retrieved & lambasted by the people at camp who quite openly/forcefully tell him they missed him and worried about him. Even Low Honor Arthur is a popular man at camp, in his own way, the support beam of his strange family (though LH Arthur is more likely to selectively deny that support, or to provide that support with the caveat of verbal cruelty).

A messy run-down of some obvious examples to illustrate my point:

Despite Dutch's deterioration and manipulations, Dutch and Hosea openly dote on him and relish telling embarrassing family stories about their Big Man Old Guard son to each other. Hosea especially frets about and tries to care for Arthur, mostly physically but sometimes emotionally as well. Susan can be abrasive at best, but she also clearly favors Arthur, thinks often about his well-being, and is one of the primary worriers when he's away from camp for too long.

Abigail and Jack completely rely on Arthur for a significant period of their lives, and though Abigail struggles greatly with showing affection & vulnerability, I would argue her primary and most extraordinary mode of care and affection for Arthur is allowing him to help her raise her son. Sure, she needs the help... but Arthur needs the nuclear family experience of being heavily relied on, too, and Abigail makes it clear she understands that about him better than anybody else. (I'd go on to argue that being relied on in a family way is essential for Arthur's self-esteem and is how he can continue to function despite the massive clash between his true nature and his violent lifestyle, for which he constantly berates himself. But that's neither here nor there...)

The Girls (Tilly, Mary-Beth, Karen) actively worry about his mental health and invite him to share his burdens with them, comfort him (each in their own unique way), play games, dance, etc. They do this for Arthur we don't see them do for anyone else in camp (apart from each other, which leads me to believe Arthur is sort of an honorary member of The Girls, though I won't get too much into that here).

Sadie: "Aside from my [BELOVED HUSBAND AND SOUL MATE] Jake, you're the best man I've known."

Though Arthur seems more likely to trust & befriend women/non-masc men, he has masc men friends & confidants too, and most of the men at camp seem to rank Arthur as somehow more reliable than other members. Charles very obviously loves Arthur & vice versa to the point where I tried to pick one demonstrative example and couldn't figure out where to begin. Uncle is a pain in Arthur's ass, but when shit hits the fan, he knows (and tells him) that Arthur is the best man of them all. Lenny, while young, enjoys Arthur's company (though I would argue Arthur feels more strongly about Lenny than the inverse due to Arthur's tendency to protectively fuss over young people). Hell, Sean constantly tells Arthur, word for word, "I love ya, Arthur Morgan!!! I really do!!! I love ya!!!!" He's being goofy, but he's not joking! He said that!

And that's just a surface-level sampling of gang members. These threads run much, much deeper and we could spend essays analyzing each one, but my god this has gone on too long already.

One could argue that Arthur's story aloneness is at the moment of his death, but I can't quite agree. With Save John + High Honor Arthur path especially, I would argue Arthur has never been less emotionally (even spiritually) alone than when he chose to change the very nature of his death from a random consequence of his hard life to an act of love that gives his surviving core family (John, Abigail, Jack) a chance at happiness. In less peaceful endgame scenarios, Arthur might not actually die alone, or even have time to linger on his approaching departure from the world.

So I posit that Arthur is not, was never the Lonesome Cowboy. Arthur is loved as much as he loves others.

I posit that the true Lonesome Cowboy of RDR is John.

John Marston, who on the surface has everything Arthur ever wanted... but who, due to the nature of his heart and what he's seen, cannot bring himself to fully open up in a way that enables him to be truly understood and embraced by anyone, not even the person he comes to love most in the world (Abigail). There's a reason the epilogue feels so shocking and lonely, and while I do think Rockstar could have done a better job on the transitional cinematics from playing as Arthur to playing as John, that crushing loneliness and sense of discomfort and incompleteness is vital.

It feels awful. It feels like we just lost a limb and were thrown back into everyday life with no fanfare, no true honorable sendoff, no closure, no greater understanding of the world, no peace or contentment. And it feels that way because that discordant, jarring dis-allowance of grief is the ONLY mechanism that helps us feel how John must feel now. Because unlike Arthur, John cannot express or unfold or understand his own pain and loneliness. Not to us, the player, and not even to himself. He never grieves.

Of course, when Sadie and Micah drift back into his life, John snaps. He's never grieved! He's been emotionally alone through all of that, even when he has his family and friends, because he can't open up and let them in! He risks destroying his family in a way that would have undoubtedly caused Arthur extreme horror and anger because John's family is not and has never been a cure for John's loneliness, even though John truly loves them more than anything at the end.

John can't express it, so it's these lyrics themselves that serve as the fount of his grief: I ain't got no brother. No wonder Abigail has her own quiet epilogue rendition of this song (and she, too, is a profoundly Lonesome Cowboy in her way, just like Karen, Hosea, Javier, Jack, etc....). Once Arthur is gone from the world, so too is the only person who knew this deeply damaged kid well enough from his wild childhood to really even hope to see into John's heart.

tl;dr: Arthur thinks he's the legendary Lonesome Cowboy, but he's not. He's just lonely, not alone. In reality, the character who is fundamentally alone, truly lonesome, has always been John.

[wishfuldivine]

OMG OMEGA GAZ i have brain worms!

but also: omega!gaz being the territorial one. ignoring all other people who think they’re subtly rubbing their scents on his alphas and replacing them like he’s simply batting off a fly.

the girl hanging off of soap at a pub, possibly a little tipsy, is barely looked at while gaz beckons soap over for kisses and nuzzles. and soap like a lost boat at sea steps to the beautiful light that is his omega.

price and the new recruits who are a little starstruck seeing him do a demo are interrupted by gaz stealing his kerchief (or even hat) and wiping it over his scent glands. he tucks it back in it’s like nothing happened, leaving price with a smile and wave.

ghost, poor ghost, knows this person is flirting with him but they don’t stop thinking him just hard to get. queue gaz coming around the corner and trilling with delight at the sight of his big, patient alpha, close to blowing a fuse. and ghost’s standing straighter as gaz circles him a few times before kissing his mask and walking off.

(he gets in a little trouble later for this. for leaving them all wanting him and unable to find him because he disappears somewhere after they need a quick rut or another.) — 🖤

THIS! THIS THIS THIS!

OMEGA GAZ IS A LITTLE SHIT AND WE KNOW IT!

He would be the type to show off at anyone who thought they had a chance with his alphas. And this time, it's no different. His beautiful brown eyes clash with the girl that was trying to get a shot at Soap and smirks. He keeps eye contact as his mouth finds Soap's neck and bites. His inner wolf snickers at the defeated look on the girl's face.

Upon noticing how the new recruits looked on with heart eyes, he makes it clear who Price belongs to. And to add a little more salt to the wound, he proceeds to scent him in front of everyone. He then walks away with a smile and wave, not one bit remorseful.

When he rounds the corner and sees Ghost, he brightens up and circles him (completely ignoring the person trying to flirt with the alpha). His inner wolf purrs at the immediate attention he gets from the lieutenant. He grins at that and rewards him with a kiss on his masked lips and then walks off.

The alphas find Gaz later that night and punish him for hours. The poor Omega is unable to walk. Good thing he was off duties the following days.

[passing-moments]

Hi Shimmerpaw! Do you like your mentor, or do you guys clash?

(you'd be surprised to learn that despite these two having the complete opposite personality types, they actually get along pretty well)