#they're in love they just don't know it yet

[rafecameronsslut4ever]

MISS YOU — rafe cameron (smut, angst, nsfw)

pairing; ex-boyfriend!rafe cameron x fem!reader summary: years after your breakup, rafe cameron crawls back into your life when he realises that you might have started moving on. a/n: omg this was so long i think i got carried away warnings: smut 18+, a LOT of angst, mdni, fingering, oral (f receiving), name calling, unprotected sex.

He does not knock.

Rafe Cameron barges into your dimly lit apartment instead of knocking the door and allowing you to let him in. He walks right past you, ignoring the frown on your face, and collapses down on your couch.

His shoulders are relaxed, arms stretched out along the back of the couch as he settles in and looks around your apartment.

His blue eyes are dart everywhere, but they don’t meet yours. His veiny hands are tapping away on his thighs—the same hands that used to envelope yours perfectly.

His blonde hair is longer than it was when you two were together—they're curling over his forehead. The length is almost too long, it makes him look shaggy, and yet it suits him nevertheless.

Your fists clench. Suddenly, the warmth of your home has vanished because of his presence.

"Are you going to stand there all night?" His voice is raspy and rough, almost as if he had just woken up, but you can tell from his red eyes and the dark circles underneath that he hasn't slept a wink.

"What do you want, Rafe?"

He finally turns his gaze to you, and the sight makes your knees go weak. You want to sit down next to him and bury your head into his chest, but you know that can't happen anymore.

He stands up, making you take a step back. You don't miss the hurt look in his eyes, but he hides it quickly and walks towards you.

The light coming out of the television playing in the background illuminates Rafe's face, his jawline sharp and his lips pulled in a soft frown.

He walks past you, making you furrow your eyebrows in confusion.

"What the hell?" You murmur, following him as he walks towards the kitchen.

He halts to a stop and you stand behind him, feeling like a mouse in his tall presence. “What the fuck do you think you’re doing?”

He rolls his eyes and turns around to face you. His eyes stare into yours, resulting in the formation of a lump in your throat as your eyes meet for the first time in years.

“Who is he?” Rafe asks bitterly, his eyes not leaving your face. “The guy you were with yesterday at the Golf Club. Even better, where is he?"

Yesterday, your date made a reservation at the Golf Club for your first date, and the smug part of you had wished the Rafe saw the two of you together—which he apparently did.

You had a good time with the boy. He even dropped you off to your house afterwards. He was sweet, polite and soft-spoken. The complete opposite of your ex-boyfriend.

"Rafe, leave."

He scoffs, running his tongue along his inner-cheek. His eyes still burn into yours.

He brings a cold finger to your face and the metal of his ring faintly touches your cheek. You suck in a deep breath as he tucks a strand of hair behind your ear.

You look away from him, unable to stand the intensity of his eyes. You know what he wants, and you won't allow yourself to give in to him.

Almost turning away, you feel him grab your face and force you to look at him. He's staring down at you in a way that makes your heart dip.

You can't believe you used to know this man, can't believe you shared the same bed with him and loved him so unconditionally.

His eyes drop down to your lips, and then back up to your eyes. "Kiss me."

It's your turn to scoff. You try to pry his hand off your face, but he doesn't bulge. He simply leans his face closer to yours, the faint smell of alcohol and cigarettes enveloping your nose.

"Don't tell me that you don't miss it," his thumb moves against your cheek. "I've thought about you every night since the day we broke up. You know, you're the only thing that stays on my mind."

"Rafe—"

"No," his jaw is clenched. "Let me finish, alright? I-I can't eat, I can't sleep. I'm fucking useless without you. I need you."

You push his chest away from you. "And whose fault is that, huh?"

"Please," his voice cracks. "Baby, please."

"Oh my god, just-just stop this, okay? Rafe, you didn't even remember our anniversary! The whole day you were getting high with B-"

"I don't care!" He shouts, interrupting you. "I don't care, okay? I just need you, and you need me too! Tell me you don't miss me and I'll leave."

You sigh, rubbing your face. You want to yell at him, but his presence and words make you weak.

He knows that he has an effect on you. He knows how easily he can manipulate you and bend you to his will.

But you gather yourself. You shake your head and seethe through your teeth, "Go fuck yourself, Rafe. Get out, right now. Or I swear to god, I will call the police."

He chuckles lowly. "And tell them what, baby? That Rafe Cameron came into your house and refused to leave? Please, call the police. It'll just make things easier."

"Get. Out." You point towards the door. "Go back to her, Rafe. The bimbo who's always on your arm."

He groans, his voice low and guttural. "She's not you, okay? She doesn't fucking get me. Only you do."

"You're a piece of shit."

He takes a step closer to you, if that was even possible.

"I'm a piece of shit? Do you hear yourself?" He's towering over you. His hands are gripping your arms.

You push his chest again and step back, only to bump into the wall behind.

He, too, takes a step back, running a hand through his hair. He laughs and looks down at his feet. "Fine. You wanna play this game, huh?"

He starts walking towards you, and suddenly your feet are glued to the floor.

You feel his warmth against your body before his arms wrap around your waist, pulling you closer to him. Your bodies are pressed against each other's.

You feel him run a finger down the length of your jaw.

You try to fight back the urge to moan at his touch. You want to push him away, but his touch makes you melt. It's been too long. Too long since he's been this close.

"Fuck you." You say, and your shaky voice doesn't go unnoticed by him. "And let go of me."

He ignores you.

He presses his forehead against yours, and your breath hitches in your throat.

You can't stop thinking about how much you want his lips on yours. How much you want him to not listen to your complaints and just fucking kiss you.

His breath hits your lips as his eyes search your face. "Tell me you don't miss me. Tell me you don't miss this," He whispers, his right-hand snaking up your body until it's resting right below your breast.

"I'll leave right now," he says, "and never come back. We can go our separate ways and live the rest of our lives separately. And then, ten years from now, you'll be at a children’s park and you'll see me and think, 'Wow. Rafe Cameron is hot.'"

"I-"

"Or," he pauses, his hand sliding down to your ass. "You can just stop being in denial and admit that you need me just as much as I need you."

His grip on you is tight, and his blue eyes are boring into yours. His breathing has quickened, and so has yours.

His face is mere centimetres away from yours at this point, and his eyes are digging holes in you. You feel his erection against your thigh, and the knowledge that he's aroused makes your brain go haywire.

"Say you fucking want me. I'm yours, alright? Just fucking say it." He's so close to you that you can taste his breathe.

You're at war with yourself. A part of you is screaming to kick him out, but the other part wants him to stay.

His grip on you tightens.

"I hate you." You murmur.

And then his lips are on yours.

The kiss isn’t soft and loving. It's harsh and needy, but it feels so right.

All protests, all thoughts and all the mixed feelings die down when he shifts his hand to your throat and squeezes it. With his other hand, he pulls up your thigh to his waist.

Your lips move together sloppily, his tongue darting into your mouth.

You feel him lift you up and walk over to your bedroom, his grip on you never loosening.

Your arms wrap around his neck, his tongue moves against yours, and all the feelings make you moan against his lips.

He breaks the kiss and pushes the door open with his foot, the dim light in the room allowing you to see the outline of his face.

He's breathing heavily. His eyes are dark with lust and his pupils are dilated.

You don't know what's gotten into him. Maybe the years apart have driven him crazy. But all that doesn't matter because right now he's kissing you like it's the end of the world, and you're letting him.

Your lips collide together again, and this time, it's different. It's more passionate and slow, and he kisses you in a way no one has ever kissed you before.

He lays you down on the bed and crawls on top of you.

You expect him to take control and dominate, but instead, he rests his head against the crook of your neck, his breathing hot on your skin.

"I'm so fucking sorry. I'm so sorry." He whispers as he kisses the side of your neck.

You're speechless. Your brain is telling you to shove him off, but your heart and body are telling you something else.

The lump in your throat has returned, and your eyes are starting to burn.

But before you can say anything in response, he rushes back to your lips, and you lose yourself in him.

His lips move hungrily against yours. You can taste the saltiness of his tears, and the thought of Rafe Cameron crying makes the knot in your stomach tighten.

His hips are pressed firmly against yours, his erection digging into your inner thigh.

The kiss is passionate, but there's a hint of possessiveness in the way he grips the side of your face.

His hand trails down your body, his fingertips roughly pushing against the fabric of your shirt making you whimper.

"I missed you so much, baby." He whispers.

Then he's sucking your lips, nibbling, and kissing. He's all over you.

Your hands tug at the hem of his shirt, and he lifts himself off of you, straddling you as he helps you pull his shirt off.

He's still the same; toned, sculpted, and ripped. You can't help but stare.

You run your fingers down his chest, and your eyes shut.

He's beautiful, and you've missed him so much.

He starts trailing kisses down your neck, sucking and leaving dark marks.

You moan breathily when he sucks on the sweet spot beneath your ear.

You were supposed to stand your ground, but fuck, you need him. You need him the same way you did when he first made love to you.

"Rafe," your voice comes out breathy, "I want you."

His hand is on your stomach, moving upward. He pulls his head back, and you see the desperation in his eyes.

"Fuck, say it again," he kisses the tip of your nose. "Tell me that you're mine."

"I'm yours." You shakily murmur. "Only yours."

He only groans in response. His lips capture yours again, making a gasp come out of your mouth—which he greedily swallows.

A piteous whimper slips past your lips when you feel your wetness coating your panties and rubbing against Rafe's pants.

But he still doesn't do anything to relieve the ache between your thighs. You buck your hips discreetly to grind against his covered dick, but he simply slaps your thigh, making you yelp.

He positions himself in between your legs, both of your parts still clothed; the fabric against your wet skin making you whimper.

You moan, grasping his bicep when his fingers trace along your underwear teasingly.

"Does he make you this wet?" He asks before pulling your underwear off and running his fingers past your exposed clit.

Your brain is so fucked up that silence is your only answer.

“Answer me or I swear to fucking God I'll leave you like this,” he says, slapping your thigh and making you gasp.

Furrowing your eyebrows, you reply annoyedly, "Just fucking-"

Suddenly, all heat disappears from above you. Your eyes snap open. The sight of Rafe clenching his jaw and pulling himself away from you makes you hurriedly reach out for him.

You stutter, “Wait-wait, wait, Rafe, baby, please.”

You tug at his arm, pulling him back down on top of you.

"I need you. Please. Please just fuck me."

"You're so pathetic." He chuckles, clicking his tongue before his hands are taking his shirt off, followed by your shirt being thrown somewhere in the room.

He diverts his attention to your tits, trailing wet kisses on each of them. You let out a satisfactory sigh as he continues wrapping and unwrapping his lips around your nipples.

He goes further down and presses kisses along your stomach.

Before you can react, he buries his face between your thighs. Your back arches, a hand on his soft hair as the other grips the pillow next to you, “Oh, fuck."

He practically devours you, looking up every two seconds to meet your blown eyes. He pushes your legs up, making them almost touch your shoulders. You gasp, tightening your grip on his hair as he continues to eat you out.

Your hands are everywhere, trying to hold anything that can make the storm in your stomach calmer.

Rafe slowly releases his tight grip on your legs before sliding his fingers into you. Your eyes squeeze shut.

Your hips slightly buck upwards, but Rafe shoves you down with his free hand.

His fingers are thrusting into you at a brutal pace, his tongue doing wonders right along them.

He detaches his lips off your pussy, but his fingers are still in you.

"Does he-does he touch you as good as I do? Does he make you as wet as I do?" Rafe asks as he leans over you. The hand that had shoved you down is now wrapped around your throat as he presses, making you choke. "No, he fucking doesn't. Only I make you feel this good, yeah?"

He doesn't expect you to say something because he knows that he's saying the truth. He’s the only person who can turn you into a mess.

"Oh my god, Rafe, right there." You moan as he curls his fingers deeper into you.

"Answer me, does he fuck you up as good as I do?"

You roll your eyes at the question he's asking for the nth time now, "Yeah, yeah he does." You reply absent-mindedly.

"What the fuck?" He exclaims, immediately pulling his fingers out of you. He pushes his fingers into your mouth, so deep that it makes you gag.

"You know what, I'll fucking treat you like a whore." He says, his fingers still deep in your mouth. "I thought I'd be nice to you after all these years, but you always have to be a bitch, don't you?"

With one hand, he clumsily pulls off his pants and underwear.

You moan as you feel him drag the tip of his cock over your pussy. He teasingly does so for a few more seconds before meeting your eyes and smirking at you.

"I'm going to fucking ruin you." He mumbles. "Show your boyfriend the bruises I give you, alright?"

And when he pushes his dick in, he makes sure to look down at how your walls envelope him perfectly even after all these years.

"Oh, holy fucking shit." You gasp when his hips thrust forward and go deeper into you.

Rafe drops his head on your shoulder as he sets a pace. "I fucking missed this. I missed fucking you- oh shit." He breathes into your shoulder.

Your eyes roll back into your head, your body budding with the pleasure his thrusts give you.

"Right there." You breathe.

"You never learn, do you?" He says. Swiftly, Rafe pulls out of you and flips you over so that you're on your stomach. "You're a whore. But only mine, baby."

Then he harshly thrusts back into you, making a pathetic moan leave your lips. His hands grip your waist as he pounds into you.

He wraps his arms around your stomach and pulls you flush into his sweaty chest, tipping your head up to pull you into a messy kiss. Your teeth and tongues clash uncomfortably, but neither of you give a fuck.

His lips detach from yours, and he buries his forehead into the back of your neck.

"You're squeezing me the fuck out," He moans out.

The new position makes you moan, your hands shifting from being vacant to grabbing your tits as he pushes himself deeper and deeper into you.

The sight of you touching yourself results in Rafe letting out a loud groan. His hand leaves your hair and slides down the front of your body to rub your clit.

The new fervour makes your legs shudder, "Fuck, I'm close." You mumble, leaning your head on his shoulder.

He nods frantically—having waited for this moment for years now.

"Cum for me, yeah. Cum all over me, baby. Need you." Rafe breathes out, thrusting harder into you.

In response, your back arches with a high. A loud moan escaping your lips and white dots blurring your vision as you release all over him.

Rafe fucks you through your orgasm—chasing his own with wild thrusts. “Oh, fuck, fuck."

You can feel his high approaching as he grips you tighter. He thrusts into you harshly, desperate for his release.

He throws his head back with a loud groan and a long string of curses when his hips falter and he's covering your insides with his cum.

The two of you are a gasping mess when you lay down on the bed.

You both stay there for moment, breathing in each other's scent. He traces your body, as if to memorise every inch.

When Rafe pulls away from you, it's like he's pulling your heart out too.

Because you know that this was just another night for him.

When Rafe cleans you up and covers you up with a blanket, he fails to cover the ache of your heart.

Because you know that the bed he'll be returning to won't be yours; but the other woman's.

[homestylehughes]

bed chem.

pairing(s): quinn hughes x fem!reader

warning(s): fluff. mutual pinning. very slight slow burn. suggestive content. 18+.

wc: 1.5K

an: hi lovesss!!!! I present you with a new fic, finally. this song is loosely based off of "bed chem" by sabrina carpenter, and the one and only quinn hughes. this is one of my favorites, I'm really happy with how it turned out! I hope you all enjoy, like and reblog if you did :)

as always, much much love <3

He caught your attention in a room full of people, your eyes stuck to him like glue. Your eyes followed his every movement, watching him wordlessly from across the busy club. Watching how he interacted with the people around him, how his lips broke into a smile as he laughed at something someone said to him. 

He, whoever he was, was beautiful. From his hair, eyes, smile, everything. Not to mention how his white fitted shirt looked on him. The fit was so perfect, it almost looked like it was painted on him. You felt like a creep looking at him, but you couldn't help it. There was just something about him that was almost addictive? Something bad, but yet so so good. 

“Are you done staring at him like a creep, or are you gonna go over and say something?” your friend says besides you, snapping you out of daydream

“I wasn't looking..just observing” you say, clearing your throat, before taking a drink of the watered down cocktail in front of you in hopes to avert your gaze from the Greek god of a man in front of you. 

“Well..he and his friends just looked over here and pointed.” she giggles from besides you

“Shit. Are you joking? Youve got to be joking right?” you whisper-yell to her in a state of panic 

“Nope,” she says, popping the p.

“Oh god, yn they're coming over here now.” she says frantically 

“Oh my god” you say, moving to sit up straighter in your seat. Your eyes move to follow the very attractive man and his friends make their way over to you guys. 

“Shit he is hot, and so are his friends.” your friend gushes out besides you 

“Shut it, act normal, talk to me about something.” you say quickly, your eyes flickering to the men who are moving in closer. 

Your friend starts talking to you about something random, but you can't concentrate on her words. Your mind is locked in the man approaching, that you can't gather another thought about anything else, as you watch them in the corner of your eye. Just as they are about to reach the table, another large group of men cuts in front of them. Wrapping each of the men into hugs, yelling and smiling as they interact, with what you assume are their friends. 

“Youve got to be kidding me” she says, stopping mid sentence of her empty word ramble. 

“ well..thats, that i guess” you sign out, looking as the men pull each other to the bar in the opposite direction. 

“Guy in the white shirt is looking at you, look up look up.” she says slapping your arm 

Quickly reacting, pulling your head up. Your eyes find him quickly, as he looks back at you. Sending you a quick wink and smirk before he turns around following his friends. 

“Oh my gosh. Yn he so wants you” 

“I don't even know if i'll see him again”

“Never say never.” 

You giggle at her opsitism, before throwing the rest of your drink back, hopping out of your seat, moving to grabher hands pulling her towards the dance floor. 

“Come on! We came to have fun, right?” you shout at her, as you two giggle walking hand in hand to the dance floor. 

– 

After lots of fun, maybe too much fun and a few more drinks later. You finally make your way back to your hotel. You come back solo you might add, your friend being pulled away by a hot mysterious man who caught her attention. Leading her to follow him out of the club with a wide smile on her face. 

Sighing deeply as you stare at your shoes waiting for the elevator door to open, a few moments later a loud ding signals in the opening. Heading in quickly, and hitting your floor. Leaning your exposed back against the cool elevator door, the only thing on your mind is taking off your shoes, and washing a somewhat disappointing night out away. 

Just as the elevator is about to close, you hear a man shouting to hold the door. Pushing yourself off the wall to hit the open button. The out of breath man quickly moves in, as you look up to ask him what floor he needs, you're face to face with, hot fitted white shirt man, who's staring at you with widened eyes. 

“What floor do you need?” you ask quietly, struggling to find your words.

“Um, 69 please, oh wait you've already pressed that.” The man finally speaks to you, his deep voice filling the now closed elevator. 

“You're the girl from the club tonight.” he says looking over at you from across the elevator. 

“And you're the guy” you say

“Felt you looking at me, the whole night” he says, his words causing a blush to rise to your cheeks as you look back down at your shoes. 

“Don't be embarrassed, i was looking too.” he continues 

“I saw” you spoke 

“Almost had you too” he says 

“Almost..” you repeat to him softly, your gaze flickering between his lips and eyes. 

“Well we’re here now” he replies 

“You have 9 floors to make something happen..” you trail off 

“Quinn. My names quinn” he says 

“Yn. my names yn” 

“Well yn i only need 2 floors to make this happen” quinn says, quickly making his way over to you. One of his hands meeting your hip as the other holding your face, pulling you into him, your lips connecting as one.

The motion happens so quickly you barely have time to register what your body is doing until you're kissing him back quickly. Your hands tangle themselves into his hair as you pull yourself into his body.

You two are so wrapped up into each other that you don't even realize the elevator has stopped, the door opening slowly. 

Quinn pulls back, his lips swollen as he looks down at you. “How was that for something yn?” he says, dropping his gaze down to you. 

“I think i might need you to show me a bit more” you whisper

“Oh really?” he says as he slowly pulls you out of the elevator. 

“Mhm” you mumble to him

“Lead the way” he says, dropping his hand from you, waiting on your next move. 

You take a second to take him in natural light. Everything about him is intoxicating, you need more. No matter the cost, or how bad of an idea it could be. You don't care, not right now. Before you can give it a second thought, you're pulling him by his hand by your room. Your steps are quick, your body hot with need. 

Reaching your room quickly, dropping Quinn's hand, as you start searching for your key card, you feel Quinn's hot body against yours. His lips finding your neck and his hands back on your hips as he pulls you back against him. Your movements began to halter as he began to get lost in his touch. 

“Quinn..you have to get off me for 30 seconds so i can open the door” 

“Mhm. I know, but I'm getting impatient. I've wanted you all night.” he says against your neck, his warm breath sending chills down your body. 

“You wanna know what i've thought about and what i'm thinking about right now? Hm?” he asks 

“Yes, yes tell me” you gasp out, your hands trying to move quickly, still in search of the key. 

“How the dress would look on the floor, how your body would look against mine. How youd look all fucked out for me in my bed” he says, his lips tight to your ear. 

Just as he finishes his sentence, your hands grasp the key card in your purse. Pulling it out quickly, and tapping it against the door aggressively, pushing the door open as soon as it buzzes open. 

Quinn moves quickly, pushing you in slamming the door, and before you know it his lips are against yours as if they never left. You're quick to turn him around, your hands moving against the buttons on his shirt as he hits the bed, pulling you on top of him; your lips never once leaving each other. 

“You're dangerous” quinn says pulling away from your lips 

“Why's that?” you ask, your hands still working to unbutton his shirt. 

“I've barely had any of you, and i dont think ill ever get enough” he says looking at you

“Who said you ever have to stop, we’re just getting started” you say while unbuttoning the last button on his shirt before pushing it off his shoulders. 

Quinn responds with a look and a small smirk and you know what that means.

[cntloup]

Levi always keeps a protective eye on you, wary of your surroundings when you're out together.

but he always lets you take the initiative if you need him to handle the situation for you.

you’ve proved yourself time and time again to be competent in dealing with random creeps or nosy people.

and he adores the way you always curl up in his arms after you're done shouting in some poor guy's face.

and he holds you tightly when you feel so done with the whole situation and just wanna feel safe again in his arms.

yet he's always watchful and notices even the smallest changes in your mood.

if he takes a whiff of hostility from the person or notices you being uncomfortable, he steps in and takes the wheel in an instant.

with all that being said, he always lets you know that you're in control and after some time, he's learned your little tells when you want him to step in and take control.

like when you squeeze yourself closer to him and wrap your arms around his bicep when you feel unsafe or uncomfortable by the creepy gazes fixated on you.

and he cradles your head to his chest and places a kiss on the top of your head before walking up to the guy and asking "you have a problem?"

and they're almost always intimated by the dark look in Levi's eyes and walk away.

but there are times when he ends up with his knuckles split and bloody by the end of the night.

"don't worry, baby. I'm fine." he says to ease your mind when you run to his side and nearly break into sobs, lips quivering as you try to get some words out but to no avail, shaken up by the whole event.

"take a deep breath for me. it's ok, love. everything's fine." he coos while holding your face with both hands, trying to get you to calm down.

and you oblige, taking shaky breaths until your racing heart gets back to normal.

all the while the poor bastard who was beaten up to a pulp groans and whines in pain.

when you both calm down and finally notice the noises coming from beside you on the ground, Levi rushes to take you away from the scene.

"let's go, love." he says and wraps an arm around your shoulders, guiding you to the car.

"you alright?" he asks when you reach the car and opens the door for you.

"yeah, thanks. you didn't have to do that. I was worried about you." you respond with knitted eyebrows, still somewhat in a daze.

you reach out to wrap your arms around his torso and he holds you as you nuzzle your head in the crook of his neck.

"don't worry, baby. they've got nothing on me. I'll always be there to protect you." he murmurs in your ear and you let out a sigh.

"but you hurt your hands." you pout, glossy eyes looking into his.

"it's nothing, love. you're safe now. that's the important thing." he says, feeling utterly overwhelmed by how loving and caring you are towards him.

you take his hands in yours and place a soft kiss on the back of each one, being careful about his wounds.

he fights the urge to pull away because why would you do that? his hands are filthy.

but the pure love and care seeping through your lips to his skin stop him from doing so.

he kisses your slightly wavering lips and tastes your salty tears pouring down.

you cry because you have never felt this loved before, this safe in someone's arms.

"I love you." he whispers between sweet, sloppy kisses, "love you too, Levi."

[wordsinhaled]

Have some Edwin & Charles making out because it's what they deserve. Thanks @shaylogic for prompting this :)

---

So, Edwin and Charles start courting, right? Because Charles is like, I've got to do this the right way! Edwin deserves to be courted! And of course, that involves, like, slowly progressing their relationship. They start going on dates, which are lovely. Charles brings Edwin flowers, and Edwin wears one on his lapel and hums to himself while shelving books in the office. They're not trying to rush, because there's no need. They have all the time in the world. And they're committed to the process! So they go out on their date of the week, and then they walk home arm in arm, and they have a bit of a kiss in the office doorway, all prim—never mind that after a few weeks, letting go of each other becomes an exercise in clinging and lingering, in a series of drawn-out, 'until next time' kisses, Don't go, not yet, wait, let me just... It grows harder and harder for them to cut things off at what Edwin would call a reasonable point and Charles might call halfway respectable: their hands start to wander; they get wrapped up in each other. On one memorable evening, matters progress from just inside the office door to up against the wall next to the office door until they tear away from one another jerkily like reluctant magnets, breathless and laughing, and slowly straighten themselves out, flushed and flustered, smoothing wrinkled clothes, flattening errant hair, touching idly for as long as they can justify... Charles doesn't think he's ever wanted anyone or anything this much. The way it feels to have Edwin like this, to be learning him like this, is swiftly becoming something he can't do without. He straightens Edwin's bow tie for him with trembling fingers, the last bit of evidence of what they'd just been doing slotting back into neatness, and Edwin finds himself holding his unnecessary breath all the while. Eventually another night finds Charles walking Edwin backwards until the backs of Edwin's thighs hit the desk and Charles pushes him to perch on it. He's sucking on Edwin's tongue, Edwin making these delicious, needy noises into his mouth and plucking at Charles' suspenders. Charles gets his hands under Edwin's suit jacket, pushing it down his arms, and Edwin shimmies to help, and the garment gets flung rather unceremoniously somewhere, neither of them much care where... And then Charles is staring at Edwin in his shirtsleeves and slipover, rosy-cheeked in the low warm light, his tie hopelessly askew, his hair in disarray from Charles' efforts, and—hold up a tick, he's got to— "Wait." Charles drops his forehead to Edwin's shoulder, panting into the space between them. "Wait—wait, I wanna—Edwin, I wanna do this right—" "Charles, you are doing this very right." Edwin sounds... god, he sounds bloody good. Like Charles has unraveled some of the tension in him, or something, with all the kissing and the reckless touching. He sounds happy, giddy even, and relaxed, and more than a little impatient, as if he wants Charles to get back to kissing him, the sooner the better. And Edwin hasn't let go of him, hasn't removed his hands from Charles' hips where they feel like twin brands, Edwin's long, pretty fingers unmoving just beneath the hem of Charles' polo shirt where they had started to journey before Charles halted them... "You know what I mean." Charles huffs. He uncurls himself so he can look at Edwin plaintively, through the fog of want that's still scattering him all over, and he thinks it's unfair that Edwin's so distractingly beautiful. "Wanna make you feel proper special, don't I? Not like some girl I chatted up 'cos I wanna get up your skirt—" "Oh, you don't?" Edwin asks dryly, and Charles can't help snorting a laugh. "Well," he says, "can't say I don't, at that..."

[ervotica]

loved up?

pairing; fred weasley x fem!reader

series; the bestfriendverse NEW! (ongoing)

warnings; allusions to self harm (reader), pining, idiots in love (but they don't know it yet), a lil sad but also fluffy

synopsis; fred gives you - his obviously platonic best friend - a cuddle in the common room. an interrogation ensues.

a/n; i'm veeeery rusty but i'm back bitches!! and proud to present.... the bestfriendverse. turning this into a lil series of drabbles (& hopefully longer chapters) if my brain keeps braining for long enough. so requests are muchly appreciated and my inbox is always open. cannot wait to explore these two in more depth!!! missed you all </3

You're halfway into Fred's lap when George and Lee round the corner to the common room, melty soft and warm with your legs over his thighs, eyes closed and lashes brushing at the juncture between his shoulder and neck.

He smells lovely.

He feels even lovelier – that soft rumble of his chest that lazily pushes its way through you, his hand at the side of your neck, keeping you nuzzling against him like a needy kitten. He hikes you further up and you preen, eyes still closed, half asleep and well on your way to drooling on his shoulder.

You stretch and wheedle your arms underneath his own until your shoulder is squeezed beneath his armpit. He makes room for you, as expected.

"Oi! They're having a love-fest in here!" Lee says. You groan and dig your head further into Fred's neck. Your heartbeat ticks up when he scrubs a sweeping circle over your back with his palm outstretched –you don't even mind when he rucks up your t-shirt.

You diligently ignore the hammering in your own ears.

The other end of the settee dips and George's weight settles at your back, knuckles brushing at the back of your neck in a way he knows makes you bristle and squirm. You squeak and make to dive behind Fred.

"Leave her be, Georgie," Fred says, mock offence dripping from his every syllable. His arm lifts instinctively and he ushers you right under until you're well and truly squashed, your whole body curled inward against his chest. It's endearing how seriously he takes defending your honour. "We were very comfortable before you interrupted, you silly sod."

"I resent that comment."

"You resemble it, more like."

George gasps in faux horror. You tip your head upwards just in time to watch Lee throw his arms around the pair of you, a devious grin on his face.

You know what he's going to say, no matter how much you wish he wouldn't.

"If I didn't know better, I'd say you two looked proper loved up. Wouldn't you agree, George?"

"Absolutely."

If Fred feels you deflate, he's gracious enough not to mention it. Your lips purse and you busy yourself picking at your cuticles.

"Shut up," Fred snorts as though the thought alone is utterly ridiculous. Your heart does this awful sort of flip-flop that knocks the breath right out of you– it leaves an ache that carries right down to your toes.

You try to disentangle yourself from him as smoothly as possible. You want to run and hide from this conversation, the very conversation you've been rehearsing over and over in your head for months.

Being in love with your best friend isn't for the faint of heart.

Fred clings when you attempt to slide out of his grip, tugging you right back into his side. Heat rises to your cheeks so fast you feel faint.

Honestly, you might pass out right now.

Lee's already distracted, animatedly discussing the next upcoming prank with almost concerning fervour. Fred absentmindedly fiddles with the hem of your t-shirt as he listens.

Godric, you're burning up.

You can feel George's eyes on you. You know what he wants to say – can picture it right down to the pitying look in his eyes. He's always been the more observant twin.

You don't want to hear it.

Fred won't let go no matter how much you fidget. You pick at your nails until red pools at the edges of your cuticles. The sting prickles at your eyes.

"Hey." Fred's attention snaps to you suddenly. "What's the matter, lovie? You feeling alright?"

Fucking hell. He must be doing it on purpose, surely. Your throat burns.

"Nothing," you croak. "I'm okay."

It's just convincing enough for him to leave it, though you're half sure you'll be questioned later.

He smears a kiss to the crown of your head before he stands and it almost finishes you off.

That boy is going to be the death of you.

[charlesxavierthirster3000]

Denim — C. Xavier

Pairing: 60s (First Class)!Charles Xavier x GN!Reader

Summary: Charles takes you out, but you're quite the fussy shopper. (Pls spare me idk how to write summaries 😥)

CW/Tags: suggestive content, pre-beach divorce Charles, no use of Y/N (there never will be on my blog), don't like don't read.

A/N: Huzzah guys I'm finally writing !!!! This prolly won't get much traction bc it's not Logan but fuck it we ball 🔥🔥 This has been rotting in Docs for like a week and I just finished it like 15 mins ago so here we go.. 😁 Also I wrote this as Fem!Reader in mind but I realised it could be GN so I'll just put it as that :3

WC: 461 / Navigation

Divider credits (They're so cute istg bro) here and here

Charles Xavier was not your sugar daddy. He could believe he was all he wanted, but your very minimal amount of dignity drew the line at that title.

The man could buy you everything you ever even thought of — which was fairly easy, considering his mutation — yet you wouldn't admit it even if you had 8 fully loaded AK-47s pointed at your face.

“Just get it, for God's sake,” Charles drawled, nodding at the pair of mid-blue bootcut jeans you'd been fawning over for what felt like half his lifetime. 

When you give the gorgeous denim another doubtful up-down, he gets up from his concerningly squeaky stool bordering the men’s section and reaches for your wrist.

“It would take immense effort to make me go bankrupt, sweetheart.” He places his credit card in your palm, gently forcing your fingers over it with a short smile. It's not the first time he's done this, and it most definitely won't be the last.

“I have a pair just like thi—” you try to argue weakly, but the gloved hand over your mouth leaves you no choice but to shut your gob. God, this man was direct.

“Uh-uh, not hearing it. We both know exactly how much you want it. End of discussion. Go pay.” 

He carefully nudges you forward in the direction of the distant cashier, but you blatantly refuse to move an inch. He stares incredulously at the back of your head and you have to bite back a laugh beneath the confines of his palm. 

You should’ve expected it, but the British in your brain still catches you by surprise. Damn colonizers.

“Get the damn pants. Your ass would look lovely in them,” he pats your ass with his free hand as punctuation, attempting to urge you forward yet again.

“All you care about is my ass,” you retort mentally.

“Yes and no. It's definitely up there.”

“I'm gonna bite you.”

“Kinky. But keep it in your shorts ‘til we get back, yeah?”

He takes his hand off your face and gets out of your head. You whip your head around to silently complain at him, but he's staring right back at you with a smile that, to the normal person, would look as if he'd done no wrong. But to you, it was only making your situation worse.

The same smile which was pissing you off in ways you didn't even think possible morphs into a genuine laugh delivered softly, and for God's sake, you can't keep your stomach from doing a brief flip at the sound.

“Fine. Pretend you don't want them. But you're going to pay with my card, and I'll show you exactly how much you won't regret buying them when we get back to my office.”

[jetii]

So excited you are taking requests! I love your work ❤! Could I request a S(ish)FW (language and innuendos ok, basically anything except actual smut) with Prompt #56? I was thing fem Jedi!reader and Crosshair having a snarky/flirting conversation post mission? Maybe leads up to implied sexy times, I'll leave that up to you.

This prompt was so Crosshair lol thank you for requesting it!

Grateful

Pairing: Crosshair x Jedi!Reader

Words: 3,132

Tags/Warnings: fluff, canon-typical violence, arguing as a form of flirting, a gratuitous amount of swearing, some making out but nothing too crazy

Prompt: 56. “I-I don’t know if I want to yell at you or fuck you.” / “Surprisingly that is not the first time I’ve heard that.”

500 Follower Celebration Masterlist | Main Masterlist

“Eyes up, General.” Crosshair's smooth voice sounds in your ear. “You’ve got company.”

You quickly pocket your datapad, taking a look around the forest. You don't see anything, and you look up at the tree where you know Crosshair is perched, the tip of his rifle just barely poking through the leaves. 

"How many?" you ask, keeping your voice low.

"Just one, but it's a big one."

You take another look around the trees. "Where is it? I don't see anything."

"You will."

“That’s not helpful,” you grumble, turning back to your datapad, tapping on the screen to wake it back up. The screen lights up, and you go back to your notes, continuing your read through as you walk through the woods, your eyes flicking up every so often to glance around you.

Nothing.

Your eyes focus back on the datapad. You’re still searching for an elusive herb that is supposedly native to this planet, one which is a rare and valuable medicinal ingredient. It’s not uncommon for Jedi and other medics to search for them, though it was a pain to do so. Making matters more complicated was that this planet was so far removed from the Republic that you were risking getting into trouble just by being here. 

The natives had yet to be contacted by the Republic, so your presence was an unknown to them. You don't even know if they're civilized enough to communicate with you, and if they were, whether or not they'd be hostile to you.

What you do know is that you’d be punished if you were caught on this planet without permission, and the last thing you wanted was to be sent to the AgriCorps. Again.

Crosshair, of course, thinks you're stupid for even thinking about searching for this herb. He had made a point to tell you exactly what he thought as the two of you set off earlier this morning. You’d left Tech and Echo behind to repair the ship’s systems, while the two of you went out to explore, Hunter and Wrecker doing the same in the opposite direction.

Crosshair was less than pleased at the idea, but he'd agreed to go with you anyway, even if his reasoning was more to ensure you wouldn’t get yourself killed.

As much as you hated to admit it, the sniper was probably right. Your chances of actually finding this herb was slim. You'd spent several days searching for it already, and your only reward was sore feet and an empty vial. You didn't even know how the plant was supposed to look, other than the brief description provided to you by a Jedi Master who had been on this planet before and some poor quality photos.

Small, white, fragrant flowers. Leaves long and thin, shaped like a star, growing in groups of five.

You were sure there was plenty of vegetation that matched the description on this planet. Hell, it was a forest, and it seemed like everything was green. The only problem was finding the right one.

You had no idea how long you had until the flower stopped blooming, and the plant lost its medicinal value. If you didn't find it soon, you'd have to leave, and then you'd be forced to return home empty handed, without the rare herb and with no explanation as to why you'd returned without it.

And worse, Crosshair would be proven right.

The thought of that alone was enough to make you want to find the damn thing.

You walk a few steps farther, pausing at a small clearing in the forest. You glance at your datapad again, checking your notes, then scan the ground for any sign of the flower.

"It's not there."

You look up. You don't see Crosshair anywhere.

"Where are you?" you ask.

"Behind you."

You turn and look, and you still can't see him. "Well, if you're going to criticize my choices, the least you could do is get down here and help."

"I am helping. By keeping you alive."

You scowl. "Where the hell are you?"

"You should really watch your language, General."

You roll your eyes. "Come down here and help me," you say.

"Help you with what?"

You jump and turn, letting out a surprised yelp when you see Crosshair standing next to you, the butt of his rifle resting on the ground, one hand resting on it, the other on his hip. His helmet is still on, and you're unable to read his expression. You hadn't heard him approach, and it had startled you, enough so that your hand had gone to the lightsaber at your waist.

"What is wrong with you?" you demand.

He tilts his head. "I didn't realize you were so jumpy.”

"Yeah, well, if you weren't always hiding in trees and making creepy comments, I wouldn't be," you grumble, releasing your hold on your saber one finger at a time.

"If I wasn't always watching your back, you'd be dead," he retorts.

"Yeah, yeah," you mutter. "You're the only reason we're not all dead."

"You're welcome."

You let out a sigh and roll your eyes. You’re sure he’s smirking underneath his helmet, and you're not entirely sure how you feel about it. There's something about him that irritates you, that gets under your skin, but he's also the only one on the squad that seems to pay attention to you. And he does a good job of it, too.

It's strange, really, because he seems to notice things about you that nobody else does. He knows when you're annoyed, or upset, or when you need to eat. He can tell when you're not sleeping well, or when you're tired, or when you're distracted. And when you're focused, like now.

The two of you spend a moment staring at each other, neither of you saying anything. You can practically see the smirk on his face, and you narrow your eyes, not trusting him. He's the most unpredictable member of the squad, and he always seems to catch you off guard. He seems to take great pride in it, too, and you don't appreciate it.

"Whatever," you finally say, turning back to your datapad and looking at it again. The description of the herb and its supposed medicinal value was all well and good, but the picture of the plant was very generic. It looked like pretty much every plant in this damn forest.

"Do you actually have any idea what you're looking for?" he asks, stepping up next to you.

You give him a withering look, and he just stares back at you.

"No," you hiss. He chuckles, a low, warm sound that makes your skin prickle. "You wanna tell me what's so funny?"

"Not really," he says, his helmet turning towards you.

"Asshole," you mutter, turning away from him and scanning the ground. He's still staring at you, and the feeling of his eyes on you makes your skin crawl. "Do you mind?"

"No," he replies, his voice low. His helmet tilts to the side as he watches you, and you can feel your cheeks growing warm. He's close, and it makes you feel uneasy, but you don't back down, and he doesn't move.

“Look, if you don't want to be here, you can leave," you say, turning to him, your voice rising.

He takes a step closer, and you have to fight the urge to back away. You stand your ground, and he leans closer, the black visor of his helmet mere inches from your face.

He scoffs. “And get blamed when you disappear and die on this planet? No thanks."

"You'd love that, wouldn't you?"

He shrugs. "Wouldn't matter to me," he says. "But I like to think of myself as a loyal soldier. Wouldn't leave a comrade behind, no matter how idiotic the mission. Or the person.”

You roll your eyes. He's just trying to piss you off, and he's succeeding.

"You're insufferable," you hiss. "Get lost, and stop following me. That's an order."

He chuckles, the sound sending a shiver down your spine. "Can't," he says. "I'm stuck with you."

"Why?"

He doesn't answer, just shrugs.

"Then just leave," you mutter, turning and walking away. You hear him follow behind, but you don't bother to look. You know he'll keep pace with you.

You walk in silence for a few minutes, before he speaks.

"What exactly are we looking for, anyway?"

"Are you actually going to help, or are you just gonna complain?"

"Complain, probably."

"Then leave."

"Not until you do."

"Ugh," you groan. "Fine. Look for anything with long, thin leaves, and white flowers."

"What does it do?"

"You don't care."

"Probably not, but I'm asking anyway."

"It's for an antidote," you reply. "For a poison. It's very rare, and expensive, and the only way to obtain it is by harvesting the flower. If we can find one with roots in tact, we can bring it back with us and grow our own. But the only place it's grown is here, and the blooming season is only a few days and then it's over."

"Sounds like a lot of trouble," he comments.

"It's worth it," you argue. "This could save thousands of lives."

"So, what do I look for?" he asks. You give him a look, and he shakes his head. "What? You asked for my help. Tell me what to do."

"Fine," you sigh. "The flower is usually found growing at the base of a tree or shrub, and the roots are long and deep, and it has a unique scent."

"Unique how?"

"I don't know, it's like..." You wrinkle your nose, thinking. "Like... honey and mint, I think? It's hard to explain. I don't really smell it myself, but that's what I was told."

Crosshair stares at you for a moment, his hands flexing. He looks like he's contemplating something, but doesn't say anything. Instead, he just turns away, walking into the woods.

"Cross?"

"Keep your eyes open, and don't die," he calls back.

"Where are you going?"

"To find your precious herb," he replies, waving over his shoulder.

You roll your eyes. "Just don't get lost!"

He doesn't answer, disappearing among the trees.

You continue on your way, stopping every so often to check the ground for any sign of the flower, and then move on. The day passes slowly, and you feel yourself getting more and more frustrated. Your frustration only grows when you see the sun starting to set, the sky slowly darkening.

"Fuck," you grumble, turning and heading back in the direction of the ship. Crosshair had left hours ago, and you hadn't seen or heard from him since. You had no idea where he was, or if he was still alive.

"Cross, you there?" you ask, tapping your comm.

Nothing.

"Crosshair, come in."

Still nothing.

You let out a frustrated huff. He was probably fine, but that didn't stop the worry from creeping up inside of you. It wasn't unusual for him to disappear, but you had expected him to stay close to you, especially after insisting that he stick with you.

"Dammit," you growl, turning back around. You're about to call out for him again, when you hear a twig snap behind you. You go still, your hand instinctively going to your lightsaber, and you spin around, igniting it.

You're not prepared for what greets you.

You're met by a massive, six-legged creature, easily three times your size, and twice as wide. It's covered in thick, shaggy fur, its legs ending in sharp talons. It lets out a growl, its teeth bared, saliva dripping from its mouth.

You're frozen in place, your heart pounding. You can't move, your limbs trembling, and you try to think, to find a way out of this, but you can't.

The creature takes a step towards you, its head lowered, and you can feel the air around you shift as it inhales. It's trying to catch your scent.

You grip the hilt of your lightsaber tightly, willing your hands to stop shaking, trying to keep the blade steady. You’ve fought bigger, more dangerous things than this. You can handle it.

You swallow hard, trying to calm your nerves. You can do this. You're a Jedi.

The creature opens its mouth, a low, rumbling growl echoing in the woods. It's almost on top of you now, and you brace yourself, knowing you have to act, or you'll be dead.

You move forward, swinging your lightsaber towards the creature. It reacts immediately, lunging at you.

A loud shot rings through the forest, and the creature stumbles, its head jerking to the side. Another shot, and another, and the creature falls, the life draining from its body.

You stand there for a moment, your lightsaber humming quietly, the smell of the creature's blood filling the air. You can feel your heart beating wildly, and you know you should be relieved, but you're not. You're angry, and terrified.

“What the fuck is wrong with you? You could have gotten yourself killed."

Crosshair is standing next to you, his rifle aimed at the creature, his eyes hidden behind the black visor of his helmet. His hands are steady, his finger resting lightly on the trigger, and you can feel the tension radiating off of him.

Okay, now you're furious.

"What the fuck is wrong with you?!" you demand, glaring at him. "There’s no way the locals didn’t hear that. We're going to be in so much shit."

"That thing was about to kill you, and all you can think about is how much trouble you're going to be in?"

"Yes!"

He lowers his rifle and pulls off his helmet, and you're met with his usual expression of disdain. "You're unbelievable."

"Where the hell were you, anyway?"

"Helping you," he says.

"Bullshit," you hiss. "If you were helping me, we'd have found the damn flower by now."

He holsters his rifle and digs into the pouch on his belt, pulling out a vial and holding it up.

You stare at it for a moment, not believing what you're seeing. It can't be. There's no way.

"Are you kidding me?" you ask, snatching the vial out of his hand and turning it over. Sure enough, inside is a small, white flower, its roots still intact.

"You're welcome."

"This can't be real," you murmur, your eyes widening as you stare at the herb. It's everything you'd hoped for, and more.

"It is," he says.

You turn to him, your mouth hanging open. “I…”

"It's okay," he says, taking the vial back and handing you his helmet. "You can say it."

“I—I don’t know if I want to yell at you or fuck you.” The words are out of your mouth before you can stop them, and you cover your mouth with your free hand, your face burning.

His eyebrows shoot up, and he tilts his head.

“Surprisingly not the first time I’ve heard that," he says, a smile tugging at the corner of his mouth.

"It just slipped out," you protest. "I didn't--"

"Sure you did," Crosshair cuts in, taking a step towards you. He's close, so close that you can feel the heat of his breath against your skin, and it makes your knees weak. "I've got that effect on people."

"I hate you," you whisper, unable to look away from him.

"No, you don't," he murmurs, leaning in and pressing his lips against yours.

You gasp, but don't pull away, your eyes fluttering closed as his hands rest on your hips, pulling you against him. His lips are soft, his kiss gentle, and you can't help but kiss him back, your arms wrapping around his neck, his helmet dangling from your fingers.

The two of you are pressed together, his warmth surrounding you, and you melt into his embrace. You're not sure how long you stand there, your lips moving against his, your heart pounding in your chest.

You can't seem to think straight, and all you can focus on is him, his touch, his scent, his taste. He takes a step forward, and you gasp as your back hits a tree, his body pinning you there. He takes advantage of the opportunity, his tongue slipping past your lips, exploring your mouth. You moan softly, and he deepens the kiss, his hands gripping your hips tighter.

Your knees are trembling, and you have to wrap your arms around his neck, afraid that you'll fall. He seems to sense this, his hands moving to your waist, pulling you flush against him. His armor is hard, digging into your skin, and you let out a soft whimper, a sound that makes him smirk against your lips.

He breaks the kiss, resting his forehead against yours, his breath hot against your skin. His eyes are dark and hooded, his cheeks flushed, and he's breathing hard. He doesn't speak, just stares at you, his gaze intense.

"Thank you," you finally whisper.

“For the flowers or the kiss?" he asks.

"Both."

He smiles, and it's one of the first genuine smiles you've ever seen from him. He's beautiful, and you can't help but stare at him, his sharp features, his piercing eyes.

"Come on," he says, pulling back and taking your hand. "Let's get back to the ship before the locals figure out we're here. You can show me how grateful you are later."

Your cheeks burn, and you quickly look away, trying to hide the blush that's creeping up your neck. 

"Yeah, yeah," you mutter, rolling your eyes, though you can't help but smile as he takes your hand and tugs you towards the ship. The two of you walk in silence, his fingers laced through yours. He's surprisingly gentle, his touch light, his thumb brushing over your skin.

You're still not entirely sure what to make of him. He's cocky and arrogant, but he's also protective, and attentive. He notices things that others don't, and he does what needs to be done, even when he doesn't want to. And he doesn't let anyone else tell him what to do.

But most of all, he's the one person who's always been there for you. He's the one who's always watched over you, even when you didn't want him to. And even when he's a pain in the ass, you're glad he's there.

You steal a glance at him, and he's looking at you, his expression soft.

"What?" you ask.

"Nothing," he replies, a smirk tugging at the corner of his mouth. "Just wondering how grateful you're going to be."

You flush, looking away, and he chuckles, squeezing your hand.

"Shut up," you mutter, trying, and failing, to hold back a smile. You can’t deny you’re looking forward to it.

Taglist: @baddest-batchers @covert1ntrovert @stellarbit @bruh-myguy-what @qvnthesia

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[radiance1]

A silly idea based off of this post of mine and one made by @puppetmaster13u

Danny gets summoned, which is something he rather much hates yet as the new Prince of All Ghosts he is incapable of ignoring a summons unless he is actually stopped from doing so in a way that is unavoidable.

Like how the Ghost King was trapped in forever sleep.

Danny doesn't want to experience forever sleep just to avoid summoning, however.

It doesn't exactly help that, in the process of being transferred, the Infinite Realms dresses him up in clothes that, yes, befit his station of royalty (that he didn't ask for) and no he is not going to question how the infinite managed to get said clothes.

At least they're comfortable and he doesn't have to have the embarrassment of showing up in his pjs.

And it was at, said summons, that Danny had rather unintentionally fallen in love with someone who looked to be a age. A sacrifice for (which Danny was still new why in the infinite do they think he wants sacrifices???) the ritual to summon the Ghost Prince in exchange for a favor of some sort.

Danny, obviously, did not do that.

The Infinite Realms, of course, having tagged along knew exactly what Danny was feeling. Their little blorbo had developed a crush! A crush!

So of course, as any good higher being that favors one their special little guys, they try to make more chances for them to meet by interrupting various other summons because yea it can just do that now that it was given the incentive to do so.

Danny is both mortified, annoyed, and the teeniest tiniest bit thankful.

Also why is this kid always being captured by cults????

---

Meanwhile, with Billy.

He thinks an interdimensional Ghost or some sort of Godling-? Has fallen in love with him, so much so that he interrupts any of the times that Billy has been used for a sacrifice.

Which has been getting increasingly more often, as of late, and he's vaguely concerned on why that is.

If only the Gods in his head would stop chanting for him to be more proactive instead of a Damsel in Distress when he's caught the interest of the High Prince of the Infinite.

(I genuinely can't remember or just don't know if he can only hear it as Shazam, so if that is indeed the case then just imagine they keep bugging him when he's Shazam-ed)

No he is not going to try and kidnap him-!

[thoughtsonkm]

Goodbye, for now

BABY? HONEY? BOYFRIEND SHOT? Jikook you're too much!

This episode was truly the best way to end the show, maybe even the best episode of the series. (Neck in neck with episode 2 of course) The way they enjoyed it so much but were also so sad it was over. The hot tension all around, the soft boyfriends mood who can't stop flirting and name calling each other with the most low-key couple-like sweet names. They could not stop laughing, they could not stop touching and they couldn't stop being hilarious without even trying.

~

SK Spotify daily chart end of November 2023 :

Jimin Jungkook Jimin Jungkook Jimin Jimin

~

It would be such a full circle moment if Jimin posted the boyfriend photo (which won't happen). Would almost be like a soft launch of some sort.

Not the underwear too?? Gosh I love my little gay freaks!! (didn't understand why Jimin would quote their 'yet another inner joke meme' right at that moment but I've learned to not question their inner workings)

~

Sorry but i have to be pretty one last time and say that I kinda had enough of seeing so much from the crew around or even in Jikook's shots and angles. It breaks the fourth wall a little too much and ruins the whole bubble idea. Ok I'm done lol

~

Returning to the issue at hand, the "seeing the beds for the first time" scene keeps getting funnier and funnier. As if they don't already have designated sides of the bed 😏

~

Ah the never ending bickering gives me life. Peep the half korean half english talk when they playfully get on each others nerves 👀😂

I better not speak on the scuzzi jacuzzi shenanigans cause otherwise.. Let's just say the photo speaks for itself..

NO YOU KNOW WHAT IMMA SPEAK. We all know that jacuzzi time is always intimate, relaxing and personal for people that's why I wish Jikook had enjoyed it fully without cameras. Yes I'm pissed on their behalf, that they had to film the whole thing with 382929 different angles. lol

His face is literally saying "oh so you're really gonna make me do it huh? if I was in your place I would've folded immediately and would've never let you go through with it!!" 😂

~

No one ever:

Jikook every 2sec : HONEY OH HONEY

(I was actually listening to the song while writing this and idk why it's so funny to me even tho it's a sad love ballad)

~

They must've loved getting the chance to at least see one episode of the show, plus the idea of watching it together..

Jungkook being so entertained by it meanwhile Jimin being mortified about half of the things that happened. HILARIOUS

HAHAHHAHAHA all parties were concerned if they'd be able to pull it off, I can't

BEST BELIEVE they're always gonna find a way to touch. Consciously or unconsciously.

~

This show made me realize that my favourite thing ever is Jk making food for Jimin, then making him hysterically laugh and therefore getting to hear Jimin's adorable giggles.

~

"Hello it is I the one and only, the only one who can touch Jimin's head ble ble ble ble" - JK

Jk was like: How can you imagine Jimin without me in your dream? Are you crazy? What is this delusional dream world you live in Jin hyung??

~

Tbh it's so meaningful and a huge thing saying that these trips were literally the best trips of your life. I think the statement almost went over people's heads.

I can't get enough of Jimin looking pretty and cuddly and Jungkook's immediate thought being: I HAVE TO FILM YOU

Them saying they can do a reboot when they come back gave me some hope that maybe just maybe this is not the end of AYS 😭

The ending bonus clip left me fulfilled but also sad and with goosebumps all over.

Thank you Jimin & Jungkook for letting us peek into this trip and getting to witness some of your precious moments.

Signing off, J&J 🥹

Ps. So I'm guessing the 52 minute video that comes with the photobook is probably the 3 bts videos combined that they've been reviewing for 48392 months right?

[cheeseceli]

That must be right

Pairing: Min Yoongi × Gn!reader

Genre: fluff, f2l, drabble

Request: can i request a yoongi idolbf! x reader and its just like a fluffy date, they're just dating and didnt really actually confess their feeling yet and like at the end of the date he or reader confesses

Warnings: tzuyu (twice) makes a cameo, suga overthinks a bit, y/n was delulu for a second here, not proofread.

A/n: don't you just love when he smiles | daily click

Yoongi doesn't know what to feel right now.

He should be happy, because oh my God this is happening. But he should also be anxious, because what is he supposed to do now that this is happening? And on top of it, he should be scared, because is this even supposed to be happening?

The way you saved his number as "my love" is a fact that has been spiraling in his head for hours now, since he discovered it. And it is just a silly little detail about your every day life. He wasn't even supposed to know about that. But he does. And now he can't stop thinking about that.

It's also about how you told Tzuyu (who definitely shouldn't have told Suga) you couldn't go out with her since you were having a date with your boyfriend. The boyfriend being Yoongi. And the date being the place you guys should go to in a few hours.

And there's nothing wrong with that, right? Except for the fact that you called him your boyfriend when he is... not your boyfriend. He would love to be, of course! But he is not. Unless he got lost in translation, which he highly doubts, considering how he is always replaying everything you say and do in his mind.

But you called him that. And, in some type of way, you called him your love as well. Never to his face, but you did. And Yoongi has no idea on how much of that he should consider. It could be just a not very funny joke. But you wouldn't joke about it, would you? So maybe he should just behave like nothing happened. Yeah, that's right. He shouldn't even know about those things at all.

So for the rest of the day, he pretends that he didn't discover anything. Everything is exactly as it was. But he can't bring himself to actually forget those. "My boyfriend". "My love". Those sentences were quite harsh to forget about.

You guys are on a date, so why can't you be actually dating? Do you even know that this is a romantic date? Does Yoongi know that? When did the line between friends who are secretly in love and actual lovers blurry itself so hard? It's getting ridiculous at this point. So many questions and very few answers.

He watches as you hold the huge popcorn bucket, trying your best not to drop anything. You were just waiting in line with him, waiting for the movie session to start, but you were so happy. Even when just standing still, your eyes were undeniably full of joy.

Yoongi also didn't miss how you never failed at being close to him. Not on a way to overwhelm him, just to be there. Like you just wanted his company, even if you weren't touching each other. Even if you were in complete silence, even if you didn't even look at each other just yet. You were both there. And that was all that mattered.

Useless to say that he paid absolutely no attention to the movie on the silver screen. He had no idea of who was staring in it, or what it was about. He barely looked at it to be honest. He was looking at you all the time. My boyfriend. My love. You surely acted like there was truth to those words.

For the first time in the past hour or so he looked away from you. He focused his gaze on the movie playing instead, but only because he wanted to reach to hold your hand, and he wouldn't be able to do it if he looked at you while doing so. That was proven particularly correct as he felt you turning your head just to look at him the moment you felt his touch.

He should've looked though. Maybe then he would see how your eyes proved that Yoongi was indeed your love. Maybe just not your boyfriend. Yet. That was soon to be solved, as he was already planning on how to confess the moment the two of you got out of the movie theater.

You were, after all, calling him your boyfriend for a while now. However, now it was time for him to call you his partner. Oh, and he so would do it. It felt right to do so.

And if it feels right, it must be right.

Masterlist | you'll probably like: shut me up

Reminder that this is all fiction! This does not represent the members in real life!

Taglist: @yuyubeans @butnotmontana

Dividers by @sweetmelodygraphics | credits for images 1, 2 and 3

[loveandleases]

I love the idea that even if MC thinks they're never enough, there's all these hot people thirsting over them LOL, you're clearly enough at least on looks, MC, don't worry.

My fav RO until now is Gage because... *caham* OLD BF/EX DRAMA. I suppose MC betrayed Gage with Chris? Since G is so hurt by whatever happened and Chris seems to be involved? Second fav is Cam because... It's Cam. That's it. The whole reason. No need to justify.

Quint won't be a RO, right? Or maybe a sub-RO? Cause when I saw we could flirt with him I got exciteeeedddddd (then he became a shitbag) BUT I'm all for redemption arcs, ya know. So I think he'll be our enemy in business? An enemy to lovers plot hmmmmm?? He's still garbage yeah, I know, BUT HEAR ME OUT: REDEMPTION ARC!!

AND PLEEEASE I BEG YOU LET WE BRING MRS BILLINGS WITH US TO THE NEW APARTMENT BUILDING PLEAAAASEEEEE 😭😭

Here's hoping MC listens.

Chris is always involved in something, G needs the love.

Nope Quint won't be an RO. There were two people in the demo that MC could .. blow off some steam with. (One for mc's who chose sex as a vice.)

I can't say what will become of old lady Billings just yet.

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[verecunda]

There are certain shippers in certain tags who seem intent on setting themselves up for a fall, and... oh god, I just can't be doing with it. Why can't shipping just be a fun wee bonus, a fun game of "what if?" on the side? Why do some people insist on making it the be-all and end-all of their enjoyment of the actual material, and building up their hopes on whether Character A and Character B kiss or not? (Especially when the source material isn't romance-focused!) The result is always the same, and it's always ugly, and no one ever seems to learn from it. I'm seriously considering blocking certain blogs, which I don't really want to do, because I do like reading some of the shippy meta, but fuck, I just can't be bothered going through this particular rodeo yet again.

Why does it matter if it's canon or not? People, that's why we do fic and art and all that in the first place - to explore the roads not taken in canon.

I'm seeing people saying things about feeling "anxious" about a series finale in case Ship X don't get together, or being "traumatised" because the actors of Ship Y have been saying in interviews, "We love the whole idea of people shipping these two, but we don't know if they're actually going to get together." And if this isn't just glibness, and they are genuinely feeling anxiety and trauma over these things... I'm sorry, but they need to stop. They need to get off the fucking computer and get some help, because it's not healthy to invest that much of your mental health in something that isn't real.

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[ihopesocomic]

My Pride is weird bc the gore for shock value is really the only thing "adult" about it. As far as plot and characters and themes it fits right in with YA xenofiction - yes, even "mature themes" like abuse and oppression are often covered in children's media like Wings of Fire and AtLA, that's not exclusive to adults. I feel like MP was actually intended for the same type of audience, but they added the unserious bobblehead disclaimers at the last minute bc they realized angry parents might come after them if their kids watched a Lion King-style YouTube video that turned out to be super violent and bloody.

Its really hard to tell who the audience for MP was outside of "people who were already fans of Tribble's warrior cat/cotw content". Can't be for children, cuz there's warnings (well "warnings" in the form of cute widdle bobbleheads with little fun quips from the characters)

Like is this for teens? I mean I know teens like a lot of crappy stuff (not me tho, I've always had impeccable taste /sarcasm)

Is this for adults? Cuz the messaging and writing is almost unfathomably immature. The messaging was so bad, people still don't understand what's so "problematic" about it. They think RJ and I are just mad because ableism and homophobia is in it. Like why do we have to keep explaining things to people. If people used their brains, or consumed literally anything else, they'd arrive to the conclusion themselves. After all a ton of the opinions we expressed in our video were already expressed by lots of other people beforehand and they didn't need us to tell them what to think lol

Even the violence was immature, which I can say because I love me some creative violence in my movies/shows. There's science behind violence, so you'd think a show that prides itself as being a "more mature Lion King" and believing itself to have a more realistic portrayal of lions, it would have realistic violence, but nope.

The violence in this show is sometimes hilariously censored, like for some reason Barkmane's body was completely blurred out when they had no qualms about showing Starmane and Quickmane's body, their injuries were not even indicative to anything based in reality

Karabi's throat was slashed open and her voice actor was just groaning (not the voice actor's fault, this is the fault of the director) and I dunno, I feel like I've seen enough slasher films to know a convincing dying noise when I hear one, but I don't expect people working for me to know what that sounds like so as a director it would be my responsibility to... you know... direct.

And Sharptongue's death, like I still don't know what was supposed to even be wrong with her. She just started having a coughing fit and died off-screen.

AND YET MP somehow manages to be really fucked up in its mediocrity?? Because it just shrugs off child death like the characters do. And Tangle's death was used for a joke.

It's not like resources aren't out there, people have been posting videos of lions killing each other on youtube for years lol

"Adult shows" that are easily outshined by kids shows in maturity are fascinating to me, and they're more commonplace and I don't know why. At least two other "adult shows" have so little respect for the intelligence of their audience that they put in a shit ton of information that adults get mad when they have to think about things. And/or they are so embarrassingly safe it's almost like they're made specifically to cater to kids.

I mean the fuckin Lion King straight-to-video sequel had an effective abusive family dynamic, so what's the excuse here exactly. (I mean I know the answer, it's because Tribble pulled heavily from Warrior Cats and didn't improve upon it.) - Cat

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out