HI TINN ITS ME PITTY 🙇♀️🙇♀️
i was wondering if youre still open for prompts… and if u are can you write about pbss somehow tranported to current mount hua, and everyone is confused af and just watches pbss and divine dragon interact (and maybe argue) with each other
PITTY HELLO ♥✨♥✨♥ yes i'm always open to prompts !!! im literally rotating rotmhs in my head 24/7
this first half was actually born from another prompt by mei on discord but I want to build on it, so dumping it here 👍 HAHAHA
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The Plum Blossom Sword Saint lets out a ragged breath, his vision rapidly fading. His sword falls from his hand and soon after his body follows.
"...Mount Hua..." he mumbles, aware that the only thing left that awaited him was the cold claim of death.
He dies. And in the next second, he blinks up to a clear sky, the dead bodies that surrounded him gone.
%%%
Dawn had barely broken when an incessant banging against Mount Hua's gates and shouting started and broke the tranquil silence, rousing several disciples.
"OPEN UP!" Someone barks out from the other side. "Fuck. Fuck. Shit. Open this gate right now!!"
Un Am frowns at the lack of manners and respect being shown by the source of the shouting. He reaches the gate and pulls it open. It takes Un Am a bit of effort to ensure that his voice sounded cordial, "Hello, we aren't accepting any visitors this ear—"
Un Am cuts himself off as he takes note of the state of the man in front of him. The man's robes and face were crusted with dried blood despite a lack of any visible injury. That is, if one ignore his lack of an arm.
It still didn't explain the amount of blood he had on his body that was free from any wounds and visible scars.
The man's eyes were bloodshot and trembling. Un Am, even from afar, could tell that there was something deeply wrong with this man. He seemed unconscious of the way he emanated a manic aura; there was a charged sort of energy surrounded him that made an instinctive part of Un Am grip his sword handle in response.
The most notable and unexplainable part of the man, however, was the blood-stained plum blossom embroidered on his chest.
"Who...?" Un Am finds himself unable to react to the man's speed and freezes in place as the man grabs him by the lapels of his robe. He pulls Un Am towards himself and grits out,
"What. Happened. To. My Sect."
%%%
Baek Cheon was quickly ushered into the Sect Leader's residence the moment he returned with a few others from their last excursion to Xi'an.
"What's going on?" He asks.
Elder Un Geom, for a lack of a better word, looked harried. His face twists into a grimace. "It's a bit complicated..."
Baek Cheon doesn't know how he should feel about that response.
Surely, it couldn't be too terrible. After all, their sect was still standing and they did leave Chung Myung behind to stay on Mount Hua as he and the other chosen second-class disciples only had to deliver some goods and tokens to their subsect. Their youngest wouldn't let anything dangerous happen on his watch.
Baek Cheon tries to probe more information. "Before you pulled me away, Baek Sang mentioned something about a guest...?"
"We aren't quite sure of the specifics either, I'm afraid. But the man claims to be one of our ancestors from over a hundred years ago."
"An ancestor? Was he able to verify the claims?"
Un Geom nods. "I've never seen someone weild our plum blossom technique with as much power as he did."
If that was the case, then maybe their supposed ancestor could help them develop and improve their sword techniques even further by teaching them more about the skills that have been lost through time.
"Isn't that a good thing then?"
"It should be, but Chung Myung..."
Ah. Hearing those last three trailing words did not promise anything good.
When they finally opened the door to the Sect Leader's residence, they were greeted to the sight of a soulless Hyun Jong slumped against the wall, a freaked-out Yoon Jong who seemed to be torn between jumping into the fray and throwing himself out the window, and—
"WHY ARE YOU TRYING TO BEAT UP OUR ANCESTOR, YOU BRAT?!"
Their ancestor and Chung Myung pause in their positions as they both turned eerily similar pink gazes towards the two new entrants.
Chung Myung had the end of their ancestor's ponytail pulled towards him and scrunched up in his fists. His knee pressed against the older man's chest and neck while his jaw was unhinged as he was clearly attempting to bite the man's single arm.
Their ancestor in turn had his one hand closed around half of Chung Myung's face, trying to push him away. His legs were wrapped around Chung Myung's lower half in an inescapable hold and he seemed to have been gearing up for a headbutt before Baek Cheon and Un Geom interrupted them.
"You want me to call this brat my ancestor?!" Chung Myung shouts out as he renewed his attempts to bite the man by roughly grabbing onto the base of his ponytail.
"I'm one hundred years older than you!" Their ancestor grits out as he unashamedly bites Chung Myung's arm. "You disrespectful descendant! Back in my time—"
"'Back in my time', my ass!"
"You...!"
Off to the side, their current sect leader lets out a pitiful moan of mental pain. Baek Cheon would comfort him if he didn't feel the same amount of psychic damage as he watches his youngest sajil and ancestor continue their childish scuffle, rolling on the floor and uncaringly biting into each other like they were both five-year olds.
Later on, after tempers have cooled and everyone (read: Chung Myung and their ancestor) had managed to settle down into a tenuous truce, Hyun Jong turns a tired, but respectful nod towards the bruised man, "May we know this ancestor's identity?"
"Hm?" Said man absently rubs against the embroidered plum blossom on his new uniform. "Ah, I supposed you would know me as the Plum Blossom Sword Saint."
They would have expressed their shock and surpise, but they get easily distracted by Chung Myung's mocking scoff as he rolls his eyes in response.
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Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me
oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?
i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had
what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism
but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"
because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison
if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will
i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling
and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?
i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.
but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it
and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself
sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla
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