please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!
do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!
30K notes
·
View notes
I love how taylor's entire discography is so literature adjacent....like almost every song (or collective album) tells a vivid story...her songs could easily be books or poems or other works of literature and I feel like that is what makes them so unique
1 note
·
View note
do u ever feel this crushing weight of nothing
like when you're doing nothing but u feel like u shouldn't be doing nothing and instead to something that isn't there
0 notes
I'm gonna say something mildly controversial lol.
Depictions of female rage never resonated with me. And no it's not because I'm not white or conventionally attractive blah blah.
It's because depictions of male rage focus on portraying the RESULT of the rage vs female rage portraying the woman herself.
Like think about it, every revenge movie with a man has extensive shots of him in action and you see the "evil people" (men and women) beaten up or shown justice.
But female rage often depicted as pretty women with blood all over them and even if they're beating up villains, the camera just stays focused on their visuals. I'd rather see the men they beat up and take revenge on than a shot that's meant to look pretty.
2K notes
·
View notes
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
18K notes
·
View notes
thinking about... yandere!batfam...
Imagine you're living your normal life and *boom*, one day suddenly a portal opens right in front of you, you fall through it, it closes right behind you. You can only make out a few vague shapes making their way towards you before you pass out.
When you wake up you're... in a bed. Surrounded by a bunch of people who introduce themselves as the Wayne family. You're in Gotham. There was some kind of portal accident with a villain and you fell here from a different dimension and you're stuck until they can figure out how to fix the portal machine, because it was broken during the fight.
Villain? Portals? Gotham? And what was this family doing there during a fight?? They explain that they're vigilantes, Batman, Nightwing, Red Hood, etc etc. They decided to tell you this because you'll have to work with them to figure out your home dimension and they didn't trust anyone else to take you in, plus this is just more efficient [and more comfortable than living in the batcave]. I haven't decided yet if you're from a dimension where they exist in comics or don't exist at all, but either way, you're really confused bc this is just not something that happens in your universe.
Anyways. You live with them now, get closer to all of them, work with them sometimes (even though you can't do much, mostly you just watch them work but they insist it's important you're there), decorate your temporary room in the manor a bit, learn some stuff about this dimension (some people have superpowers?? cool!!). You can't go outside though, they say that would be dangerous, as you're not from this dimension and not supposed to be here at all. You want to go back home, but the repairing of the portal machine seems to be very complicated, everyone keeps telling you they just can't figure it out...
One day, during a rare (very rare) moment alone, you decide to look around the manor. You still haven't seen everything in here, it's so big! After some exploration, you stumble across an interesting room that's kind of hidden away. It looks almost exactly like your new room in the manor, but dusty, with some items you remember the Batfamily proudly showing you as you were decorating your room, and becoming unreasonably disappointed when you didn't like them. But the most concerning thing is that there are pictures of you. Not new ones they took since you've been here, but older ones, where you're younger. But, no, it doesn't seem like they're pictures of you exactly, there are photos of a pre-teen you on Bruce's shoulders, that can't be you, you just met them! There are also pictures of a vigilante you've never seen before, which you figure must be this other-you as well. What happened to them? And why would everyone hide this from you?
Turns out you didn't come here from an accident with a villain at all. The Batfamily lost the other version of you somehow and decided they wanted you back. But not a strong, smart vigilante like the version of you from this universe. No, they could get hurt again, or figure out what's going on sooner and escape. They chose you, hoping they could slowly get you accustomed to the idea of staying and then one day lie to you and say they can't fix the portal machine, they can't send you back. It still hurts them to know you're not exactly like the you they lost, you were raised in a completely different way, of course you're not the same, but they'd never let you go, either. They love you.
They were hoping you wouldn't find everything out so soon... but, well, they can fight over whose fault it is that you were able to find this room later, first they need to find a way to calm you down and stop you from leaving them.
If you find yourself drugged and/or tied to your bed, don't be mad at them! You gave them no time to explain before you started panicking and trying to get away, they couldn't just let that happen!
878 notes
·
View notes