#this is a really autistic couple honestly

[musashi]

.

[longlaegs]

love is listening to your partner info dump about twenty one pilots lore

[inkdrinkerworld]

Dealer!remus and autistic!reader’s relationship starts off so rocky guys let me tell you!!! Angst to fluff

Remus doesn’t fully get that he can’t just say things- like he’s got to be deliberate and conscious of the words he uses and his tone.

He’s never had to do that before so it’s weird and it’s hard to learn and he slips up sometimes.

One of your biggest arguments happens when he’s frustrated and you’re just trying to help.

You’d seen him so sullen and moody on James’ story so you decided to do for him, what you do for yourself.

You baked.

But then you realized you’re not at the stage where you know his absolute favourite type of cookie so you go a little all out.

You bake chocolate chip biscoff cookies. Chocolate chip toffee cookies, regular chocolate chip and brown butter chocolate chip.

You set them in a cute box and you text Remus that you’re coming to see him. You’re thinking everything’s going to go well, you’re gonna drop the cookies off for him, maybe he’s going to tell you what’s bugging him- maybe not; either way he won’t be alone.

Except you get there and immediately you feel like you’re inconveniencing him.

Try as you might not to take it personally, it’s really hard because he seems particularly peeved at you.

“Why are you here?” His tone is sharp and jagged and it winds you a little.

“I brought you cookies to cheer you up. Saw that you weren’t yourself on James’ story,” you keep your tone even, light- a practiced thing from your days of dealing with people that didn’t quite get you.

“Why would that cheer me up?” At this point everything’s going downhill fast and you try to salvage what little is left of your deflated cheeriness and open up the box to display the array of cookies.

Remus at the same time waves his hand and the box goes pitching across his living room floor and he explodes.

You can’t remember the last time someone had yelled at you like that and honestly, it hurt more coming from Remus who was so normally relaxed and chilled.

You don’t even tell him goodbye, you just clean up all the mess while he’s cursing and yelling and then leave.

What’s twists the bloodied blade in the wound is that he doesn’t even try to stop you or reach out to you for three days.

By which point you’ve already gone mostly nonverbal and you’re in no mood to entertain or fake a personality for the sake of your friends when you do see them.

Remus stops at your house after you ignore three invitations to his place.

“Dove, I know you’re at home. Can you open the door please?” His voice is muffled through the hard wood of the door and you have half a kind to leave it shut- he’d been mean, he’d said things that were very hurtful now that you’ve actually processed what he’s said fully.

You don’t know if you can stand to see him. Then he knocks again, “I want to look at you when I apologise, sweet girl. Please open the door.” And the wholesale remorse in his tone shakes your core and you cave.

He steps inside with a box and three tulips. “I figured I’d have had to do it face to face for it to really mean anything and because I realized I was an absolute prick to you when you just came over to help.”

You don’t even hum. Usually, when he was nice Remus- as you’ve differentiated in your head - you’d be able to look him in the eyes every couple of words, but right now you just look over his shoulder.

“I shouldn’t have yelled or sworn at you like that. It wasn’t cool and I never want to speak to you like that- ever. I was an idiot and I just want to make up for it.”

There’s about a minute where Remus thinks he’s just fucked every single bit of progress you’ve both made with each other and then you let out a big breath.

“You can’t say things that you don’t mean just because you’re upset. What you said really hurt my feelings and I don’t like feeling the way you made me feel when you were that angry. If we continue to be friends you can’t do that because it makes it hard for me to trust you and find what you’re saying believable.”

Your voice is hoarse and crackly from lack of use and Remus feels even worse. “I’ll do better, I swear. It wasn’t my intention to hurt you- it’ll never be, but I am sorry that I did.”

You nod once, succinct and definitive. Remus holds out the box to you, showing a puzzle you’d been eyeing for a while.

“Can we build it together?” He asks softly, an ebb of vulnerability given away as you catch his eyes.

“Okay, but we have to do corners first, then work our way in.” Remus nods, his other hand holding the flowers for you. The tulips are a pristine white.

“The lady at the shop said they’re good for conveying apologies.”

You smile a little, “These ones are also for condolences.” Remus shakes his head,

“Not this time,” he watches you put them in a vase of water. “Also, ‘if we continue to be friends’, thought we were a little closer than friends, sweet girl?”

He relishes in the way you bite your lip to hide your grin as you take the puzzle box from him and set it up on your coffee table.

“Well I wasn’t sure if you wanted to acknowledge it or not.”

Remus says very seriously as he sits opposite you at the coffee table, ducking down so he can catch your eyes as you take out the numbered bags. “I’m always acknowledging it, we’re more than friends dove. When everything’s not so fucked, I’ll take you out and do it with pink and red lilies.”

[enderblogs-24]

"Everyone's autistic now," "Why's there so much autism," "So many kids faking autism these days."

You know. I had been suspecting I was autistic since I started to understand what that meant, around middle school. I was working with two different autistic kids in a Girl Scout troop I led with my mom, and they did/said things that felt familiar. But I didn't dare bring up those thoughts, because my little cousin was autistic, that was his thing, and I didn't want to seem like I was looking for attention.

I started looking into autism for real when I hit my 20's, because those suspicions never went away... just buried. I had been focusing on other areas of my life anyway - my transition. But that was over, and I could see that things were still "off" about me. I love diving deep into different disabilities, disorders, and mental illnesses, but avoided autism because I was scared of what I'd find. I took maybe one test, masked up and guarded as hell, and because of that it said I wasn't autistic. I didn't answer truthfully, so I went looking elsewhere. ADHD, maybe. I ended up trying to get an ADHD diagnosis, and got misdiagnosed with a personality disorder that can be misdiagnosed in autistic adults. I felt I didn't have an option but to accept the diagnosis, because I was on my way to Chicago; out of time and out of money.

Nearly six months after the misdiagnosis, while I had been looking into the personality disorder and knew for certain I didn't meet the criteria for a diagnosis, (but masked through the appointments, which is how I got it) I had worked extensively on unmasking. I learned many neurodivergencies masked, and thought I'd give unmasking a shot, soon realizing I'd been doing it forever. Once I got better at unmasking, I eventually looked into autism again. What would it hurt to be told no twice? I took a couple quizzes again. Slowed down, answered honestly, and gave every answer my full attention. And I scored high on every one. It was terrifying. But it was also... a relief? While a few of those quizzes weren't too be taken seriously, I did take tests on official sites made by and for autistic people. When I came home from Chicago in summer 2022, I told my mom and showed her all my past scores on official tests like the RAADS, one of which I take annually. Part of me still has doubts that I'm not faking it, I guess.

All of this, at least past 2021, has occurred while people have been posting their own stores about discovering and getting diagnosed as adults. While I initially started looking into things on my own, hearing these people's stories on occasion really, really helped. Random strangers on the internet in a reel telling me they'd been overlooked because they were afab, did well in school, and didn't have many other adults around to see a difference... really helped. I could sneak into the autistic tags on Tumblr and look around at posts, relate to them silently, write down my findings in my little notebook, and go about my day. This "autism boom" as it were really helped, just because everyone suddenly showing off who they are, telling the world "I'm different and that's okay," really, really... helped. I know why I've always felt different and wrong, I know why I struggle with certain things, and I know why certain things will likely never be possible on my own. That's so much better than going thrift my life wondering and beating myself up because I can't function like everyone else.

Everyone isn't suddenly being diagnosed as autistic, now. People are just... starting to listen. Starting to get more comfortable. Obtaining more resources. And it's really nice. ❤️

[bunnyjesters]

I kinda of ship ragapomni like way way more but I’m curious , what’s the appeal of jaxPomni ?

Why do you like it ?

Hello! Mew here 🌸

They are a very opposites attract type of ship. I want to start with analyzing Jax's character and then Pomni's.

From what we have seen, we know that at least in outward appearance Jax is very much self assured and enjoys picking on other members. He also loves getting a reaction from the group, whether its positive or negative. He doesn't seem all that worried about being trapped and uses whats at his disposle to entertain himself in the meantime. I'm sure at one point he was very very distraught about his situation but nowadays he either honestly doesn't care or has learned to distract himself from the issue at hand.

Internally I think his attitude is a defense mechanism of a couple different issues. The fact that he is trapped and the fact that he's lonely. If you view his character and look at his interactions with everyone. He does not seem to be very close to any particular person in the crew. At least not in any way that could be considered intimate (emotionally) I like to think in his human life he may not have had all that many close friends either despite being relatively intelligent and somewhat charismatic. I think that keeping people at a distance is safe for him and no one in the digital circus either realizes or cares enough to push his boundaries in that area.

Pomni on the other hand does not hide how she feels. She feels things very primally (mostly fear from what we've seen) She is pragmatic and genuine. She desires to be good person but struggles as people do and she is aware of this and unafraid of it. I get the feeling that whether or not she is a good communitcator, she is open about how she feels when she talks and very much direct. (I hc that she is Autistic) We know she does not like to be touched which I believe to be more of a neurodivergent thing rather than something from previous abuse. Although I may change my mind later on that.

As for how she is internals vs externals, in my eyes she is one and the same. She doesn't hide herself as I've stated before.

Now the attraction on Jax's end is that he loves attention, he loves to get a reaction from people and Pomni is very reactive. I think at first there is a dynamic of "hazing" the newcomer that is really just Jax getting a feel for this new addittion and mainting his own sense of control. I think it grows very heavily on Jax's part simply because Pomni is so sincere and she doesn't judge him or make him feel stupid for being open. At first he resents this part of her becuase she doesn't respond to his passive aggression when he's upset about something. She forces him to be clear about what bothers him and even though it's uncomfortable it soothes a piece of him he was likely unaware of. She also has hope for escape and it probably reminds him of himself at one point or another.

Pomni finds comfort in Jax. He's intelligent and entertaining. He has a hidden softness to him that resonates with her strongly but I think at first she may just use him as stress relief. He distracts her from the reality of their situation and gives her enough ease to focus on a plan for escape. I do think she is very fond of him even at the beginning and views him as her closest friend (in the circus) She is also not all that aware of his growing feelings either and some times takes him at face value in what he wants.

~Side note but I think her desire to escape sometimes really hurts Jax. I don't even know if he wants to escape at this point in time.

I imagine this ship to be a strangers to harassment to friends (with benefits) to Jax choking on his one-sidedly feelings and then maybe lovers.

definetly lovers :3

[daughterofthequeen]

A New Diagnosis

Pairing: Joel Miller x autistic daughter!reader

Summary: I have an idea. Joel Miller x daughter!reader, based in the camps they had everyone in after the outbreak(so a couple days after Sarah’s death technically) and the reader is a high functioning autistic who stims. So when they get to the camp and because of all the stress she has been under, it’s causing her stimming to flare up like crazy. So Joel and Tommy had to beg and plead to the soldiers, trying to let them know she is autistic and she wasn’t infected, that she just can’t control her stims.

Warnings: Angst, crying, cussing, stimming(not really a warning but its in the story), overstimulated meltdown, denial, most likely inaccurate chain of command about construction work or construction jobs in general, might be a little ooc Joel in one scene I’m not completely sure but it feels like it and I hate it😠😤.

A/N: the reader symptoms and preferences are based on my own, which is also where this idea came from. Ever since the show came out I just wondered what did they do to the people with ticks and stims at the beginning of the outbreak. I mean they eventually had to come up with a way to tell a difference in the beginning of the outbreak before they had the infection detector things, right?

I honestly might rewrite this because I don’t know if I like how this turned out. Usually I’m pretty good at picturing what characters would say in a certain situation, but there’s one part of the fic that I’m not so sure about( you’ll know it when you read it I’m sure). But it’s crazy because I’ve been living like this since the ages of 4 or 5 and it still extremely difficult to describe stimming, even harder writing about it. But I wish I had a Joel Miller parent so I guess I’m projecting a bit in this fic. And this may also be longest fic yet.

So I decided to make this into two parts because I want this posted today because it was supposed to be out yesterday and I don’t want to wait any longer.

Mockingbird (Part 2)

Taglist: @miss-celestial-being @ilovemydinoboi @taraiel @distorted-twink @geralallfandoms @your-shifting-gurl @daemontargaryenwhore @mihstar

What started out as a regular day went to hell in the span of a couple hours. I mean homes being set on fire, families separated, innocents slaughtered due to the fear of a sickness they had no cure for. But I’m getting ahead of myself, aren’t I? Let’s start from the beginning. My name is (Y/n) Miller, and this is the story of how everything went to shit.

I was only 4.

As a kid you’re oblivious to almost everything, but sometimes a child’s behavior can reflect the type of day the family will have whether they realize it or not. And my attitude had been off all that week, until my father’s birthday aka outbreak day. I called it the calm before the storm. That week I was in an overall bad mood. All of my senses had been on high, being overstimulated plus the struggle of always being alone in school. I mean don’t get me wrong I use to talk to some of my classmates, but most likely than not I would’ve been playing by myself either from trying to avoid the bullies or because nobody wanted to play with me in general. But hey, you can’t miss what you’ve never had. I never really understood people, I still don’t but I had my family and they always made everything okay. They never made me feel different about myself. Regardless of me being only four, I understood that the repetitive behaviors were definitely not normal. Along with the what I now know as stimming; physical, vocal, scripting, ticking, etc. I could go on and on about everything that makes me different, but my family had always helped me feel normal. To be honest I didn’t start realizing I was doing all that stuff until one day my dad sat me down and asked me ‘what are you doing’ and ‘are you okay?’, which made me more self-aware. And then there was school, the weird looks and the mean jokes came into play. I’ve rarely caught my family staring, but I knew they were. Growing up and remembering the past helps you realize things you might’ve missed or didn’t understand as a kid. Like the concerned/confused stares I would catch my dad or uncle Tommy giving me before I was diagnosed. I just didn’t know what the looks were for. But the day my father finally decided something was indeed wrong, that it wasn’t just a phase, had him making an appointment to my clinic fast. It was the first time my stimming caused me serious pain. Well, from what I can remember anyway.

July 23, 2002 - Austin,Texas (Y/n is 3 years old)

The day started out like any other. I woke up in my sister’s bed, once I got my bearings I got out of the bed and headed down stairs to see my dad and my sister having one of their many daily debates

“I’m just saying your generations music has nothing on ours- (Y/N)!” After hearing Sarah saying your name, Joel turned around seeing you standing in the kitchen doorway rubbing your eye.

“Hey babygirl. Did you have a good sleep?” He asked as he turned off the stove top and went to pick you up.

“Mhm. I’m hungry, daddy.”

“That’s good because I just cooked your favorite breakfast.” He said as he kissed your cheek and sat you down in the chair across from Sarah, who got the two of you orange juice. Joel then went to grab the plates. There were eggs, sausage, french toast, and he sat a bowl of grapes next to you knowing how much you love them. You all started eating your breakfast. You went straight for the grapes and started eating them, until you spotted something that looked weird to you. Frowning, you push the bowl away and went to the food on your plate.

“Something wrong with your grapes?” Joel asked you noticing the way you frowned up.

“They dirty daddy.” Causing Joel to frown in confusion.

“Dirty? I just washed ‘em.” Joel leaned forward and grabbed the bowl and didn’t see anything abnormal about the grapes. The water in the bowl didn’t even black specs in it that grapes leave behind. “They look fine to me.”

“No. They dirty daddy, look.” Standing in your chair, you leaned over and pointed to a grape with a light brown streak on it and another where it was brown from where the stem was.

“Oh, that doesn’t mean they’re dirty, baby. Grapes just to look like that sometimes or because they’ve gotten older. That’s all.”

“Ew.” You mumbled.

“They’re gonna taste the same.” Joel said as he sat the bowl back down next to you.

“I don’t want them anymore.” You say pushing the grapes away.

“They’re fine, (n/n). I actually think the small brown areas actually make them sweater.” Sarah says trying to reassure her baby sister.

“No.” That was your final statement before you went back to eating the food on your plate.

“Ok, you don’t have to eat ‘em.” Joel states as him and Sarah go back to eating their own food.

———

“(Y/n)!!! Come back here!”

“No!”

“We go through this every time you use the bathroom!”

Sarah was currently chasing you around the house. A daily thing really, but for the last few months you have determined on not washing your hands after using the bathroom. And not with just Sarah. With Joel and Tommy too. Joel usually would have to keep a firm grip on you that disabled you from moving away from the sink, and to keep you from running or flailing your arms around as an attempt to keep him from making you wash your hands.

The first time that happened you guys were at a restaurant. He would be surprised if that whole side of the restaurant didn’t hear you,

“Daddy, I have to use the bathroom.”

“Ok.” Usually he would have Sarah take you but her and Tommy’s food had made it to the table. And since he was still waiting on his, there was no sense in stopping her from eating. He took you out of the high chair, and you two headed to the restroom. After the long process of putting toilet paper on the seat, he sat you on the seat and let you do your business. Once you were finished cleaning yourself up and him flushing the toilet, he waited for you to go towards the sink. But you headed towards the door instead.

“Don’t forget to wash your hands.” Joel said from his spot on the wall he was leaning on with his arms crossed.

Turning towards the sink, you clasped your hands to your chest, letting out a low groan of disgust.

“What is it?”

“I don’t want to touch it.”

“What the sink?” You nodded.

“You have to wash your hands, babygirl. Come on.”

“No.” You whined, and Joel knew then the two of you were going to have a problem.

“Babygirl, please.” He said in a pleading tone and tired tone.

“No!” Joel sighed then picked you up and held you over the sink as he usually would when washing your hands, but this time due to your decision of fighting and squirming in his arms, he had to get a gentle but firm grip on your hands to wash them himself.

“(Y/n).” That caused you to stop in your tracks. The sound was unfamiliar until your mind put together it was your father’s voice. He never says your actual name unless you were in trouble, and even then it would depend. But him calling your name was enough time for Sarah to scoop you up and head to the nearest sink which was the kitchen.

Sarah sat you down after she finished washing your hands. After getting free you pouted and went into the living room to continue playing with your toys before your bladder interrupted you. So invested in what you were doing, you didn’t even hear your Uncle Tommy come in the house.

“What’s for dinner today?” He teased, rubbing the top of yours and Sarah’s head as he passed by each of you.

“I don’t know you’ll have to ask this guy. He was supposed to go to the store but surprise, he didn’t.” Sarah says with a sarcastic smile towards her father who was going through bills. Joel head turned towards Sarah giving a bored look.

“We’re ordering pizza.”

“Fine with me.” Tommy states triggering Joel to role his eyes.

“Of course it is.”

Sarah went upstairs for the book the two of you were reading. To ‘keep her ahead of her future classmates’. While Sarah was upstairs, Tommy eyes trailed over to you, he smiled as he watched you in your own little world playing with your toys while talking to yourself. He watched you for a minute until he saw you stretching your neck. Normally he would’ve thought nothing of it until he realized it was happening constantly. At first they were only seconds apart, then you would stop for a few minutes and start again. There wasn’t an exact pattern, but he caught the rhythm of it.

“Buns neck been bothering her?”

“No.” Joel answered absentmindedly, still invested in the papers he wished he could use as a coaster without consequence.

“You sure?”

“Yeah I’m sure. Why wouldn’t I be sure?” Joel asked, getting annoyed by the fact he kept getting interrupted with his task.

“ ‘Cause she keeps stretchin’ it like it’s bothering her.”

Joel looks up at Tommy who had a slight worried look on his face. Joel then turns around in his chair to see what his brother was talking about. And true to his little brother’s words there you were stretching your neck and shoulder in a way that looks painful if he’s being honest. Joel turned back around to his brother with an equally concerned look. He leans closer towards him and lowers his voice before he started talking signaling Tommy to do the same.

“I don’t know why she does that, and every time I ask her if she’s ok she tells me she’s fine.”

“Maybe she has a crook in her neck.”

“No, if it was a crook we would know. She would be a lot worse. She tends to panic when she has one of those, and doesn’t do a lot of moving around. To stop the ‘bouncy feeling’. This. This is something else. And it’s been getting more frequent lately.”

“Frequent?”

“Yeah, this started a few months ago. It’ll leave and come back after a few weeks, but like I said it’s been happening a lot more often lately. She does it with her hands and wrist too.”

“Hm.”

Joel turned back towards his youngest. “Babygirl, you okay?” He said in a tone reserved for only you and Sarah when she’s upset about something.

You look up from your toys, bright innocent eyes finding your father’s concerned ones.

“Yeah.”

“You sure? Your neck not bothering you?”

“No.” You replied while standing up from your place on the floor and walked over to your father. When you got close enough he automatically picked you up and sat you on his thigh.

“Then why do you keep rollin’ it around honey?”

“I’m not.” Joel frowned in confusion. He’s clearly watching you do it so, either you’re lying for some unknown reason or you just don’t know that you’re doing it. But he’s always able to tell just by asking one question.

“Are you telling me the truth?” Simple, but it works. It was a question he would ask you every time he would think you were lying. And every time you answer you have a tell. When you tell the truth you tend to answer pretty confidently, but when you lie, you always fiddle with something whether it be your clothes, your fingers, or just bouncing your foot.

“Yes.” There’s no fidgeting. Covering up how even more confused he was in the moment he just nodded in understanding even though he didn’t.

“Ok baby, you want to go back to playin’ with your toys?”

“Yeah.” You replied getting down from your father’s lap before he even had the chance to put you down. Then you ran off to start back playing until Sarah came back down the stairs.

“(N/n), story time.” Hearing that you stood up and headed over to the couch with your sister. Before you sat down you picked up your stuffed bunny, Tommy got it for you when you were two. They used to use it to stop you from crying, but now you take it wherever you go. You laid down across the couch with Sarah and had your bunny in front of you in the same position you were to Sarah. She opened the book to where you two left off and started reading stopping at every few paragraphs to let you read.

Joel watched the two of you, his world. He would never understand how a mother would want to give this up.

“Have you thought about getting her checked out?” Tommy’s voice broke Joel from his thoughts.

“Checked for what?” Joel asked frowning at his brother.

“Joel, are you serious? Something could be wrong.”

“She’s fine, Tommy. She’ll grow out of it.”

“Grow out of it? Don’t you want to make sure?”

“Tommy, please.” Now Joel was lying. To himself especially. But that is understandable, what parent wants to accept that something may be wrong with their child. It was a scary thing to think about.

“What if it’s somethin’ wrong? Wouldn’t you want to get Bun’ the help she needs as soon as possible.”

“She doesn’t need help Tommy. I’m telling you she’ll grow out of it.”

“Joel-”

“Just let it go.” Joel whispered in a hardened tone, trying to keep his voice down so the girls wouldn’t hear that anything was wrong. “Look, would you order the pizza for tonight. I’m trying to finish up these bills.” Tommy mumbled a ‘sure’ and got up to make the call. He understood why Joel didn’t want to talk about that kind of stuff, what parent does? But knowing his stubborn nature he won’t act on it unless something happens that causes him to. After hearing the voice of the pizza lady on the line, Tommy uses it as a distraction to get his mind off his niece and his stubborn mule of a brother.

January 16, 2003 - 6:30am

BEEP. BEEP. BEEP.

Sarah sat up with a soft groan and stretches, when she heard whining. She turned toward her sister who was hiding under the covers.

“Time to get up (n/n).” Sarah was about to stand up until she heard you cry out. She pulled back the covers to see you in a fertile position, hands covering your ears, eyes squeezed shut. “Come on (n/n), we- what’s wrong?” Sarah asked starting to panic seeing a tear fall from your eye.

“Too loud!” Sarah was confused for a second before she remembered the alarm was still going off. She quickly reached over to turn it off, and brought you into her arms. She laid you on her chest, rocking you back and forth while rubbing the top of your head, and she softly shushed you until you calmed down. When Sarah heard your cries turn into sniffles and looked down at you.

“You okay?” She asked softly rubbing the top of your head. She was confused as to why you reacted this way but, whatever the reason, it had her extremely worried. After seeing you nod your head she was able to relax, but she knew she still needed to tell dad about what just happened. Sarah got you up so, the both of you could start your morning routine. Everything went semi-smoothly, but that’s to be expected after your reaction to the alarm clock she’s not all that shocked about your agitated behavior. Sarah had just finished fixing your shirt when there was a knock on the bedroom door.

“Come in.”

“Hey, you girls almost ready?”

“Yep, we were just about to head down for breakfast.” Sarah stood from her kneeling position in front of you, letting you know that she was finished. And after going to tuck your bunny in bed you walked over to Joel.

“Unfortunately, you two are going to have to eat breakfast at school.” He said as he picked you up.

“Ew, why?” Sarah asked.

“Well your Uncle Tommy called and said there’s been an emergency at the house we’re working on so, when he pulls up we gotta go.” He grabbed your book bag and started down the stairs since you had decided to fall back asleep, not that he blamed you if he could he would have too. A minute later Tommy pulls up and surprisingly the Adlers weren’t outside, then again they were leaving a little earlier than usual. But, either way they didn’t have time to stop and talk. Sarah was dropped off first, then you. And it wasn’t until Sarah sat down in her first period class when she realized she forgot to tell her dad what happened this morning.

———

Time Skip

Normally, when school gets out you would ride home with Denise, due to her daughter going to the same school and Sarah’s school getting out 10 minutes after your school does. Then add another 20-30 minutes of her having to take the school bus then the city bus to get home. When Sarah makes it to the neighborhood she has to pass by Denise house to get to yours which is when she picks you up, but today didn’t work out that way. It started when Joel got a phone call from your school.

Joel and Tommy were currently managing the workers that were doing the framework of the building they were working on. Well Tommy was, Joel was trying to keep calm while talking to the construction manger.

“Look all I’m saying is we should be getting paid more since we’re working more hours than what we were told we would be working, don’t you think.” The construction manger has been going back and forth with Joel for about 10 minutes now, way too long for Joel’s liking.

“No, I don’t. Especially since the reason we’re in this situation is because you guys didn’t do your jobs right in the first place. You’re lucky you’re still gettin’ paid the amount that was agreed upon.”

“What’s that supposed to mean?”

“It means that if you and your guys spent as much time working as you do talking and taking breaks you probably would’ve done your jobs right the first time, and we wouldn’t be in this situation, or behind a day.” The manger didn’t take too kindly to that statement, and Joel was so close to losing his nerve until he was saved by the bell, literally. Right before he was about to tell the construction manager that he can stick it where the sun don’t shine, his phone started ringing.

Joel sighed while taking his phone out of the carrying case to see it was the preschool calling much to his confusion. He didn’t even notice the construction manager was still talking.

“Yeah, yeah, yeah. Take it up with Tommy.” He said while waving him off and answering his phone. “Hello.”

“Mr. Miller.”

“Yeah.”

“This is Elizabeth, (Y/n)’s teacher. We need you to come to the school.” Joel immediately sighs, dragging his hand over his face.

“What’d she do?” He replies in an exhausted tone. He never gets calls from your schools unless it’s to let him know he needed to bring a change of clothes for you. All the preschoolers have to have an extra pair of clothes that’s to be kept in the classroom just in case the kids have an accident or something. But you’ve been acting out a lot lately, and he wouldn’t be surprised if it was for something like that.

“It may be better for you to come up to the school so we can explain it to you face-to-face.” Joel didn’t like the way this was sounding. It was hard for him to pinpoint the emotion that was coming off her voice, which worried him more.

“Okay, I’m on my way.” He sighed while hanging up the phone. He walked over to Tommy who looks like he actually did tell the construction manager to shove it, going off the look on the of their faces. “Tommy, I need you to watch over everything here for a while.”

“What’s goin’ on?”

“That was (Y/n)’s school, they need me to go up there.”

“Is everything okay with bun’?”

“I don’t know her teacher wouldn’t tell me anything. I’m sure she’s fine, she probably just got into it with a kid in her class again.”

“Okay, call me when you find out what’s goin’ on.”

“I will. Alright I’m off, and make sure they actually do their job correctly this time.”

“I got it, go on.”

After that Joel made his way to the truck. Even though he says he’s sure she’s fine, he couldn’t help but worry about you. The tone of your teacher didn’t sound good at all. She sounded worried. And sad? Were you sick? He could deal with a common cold, but your teachers tone indicated something worse than that. And there has been a deadly virus going around the world, it hasn’t made it to America yet at least that’s what they’re telling everyone. But what if it has made it over seas? There’s no cure for it, and what if you had it? That couldn’t happen, to you or Sarah. He wouldn’t know what he would do if he lost one of you. No. Stop. That’s not going to happen. That would never happen. He hates when his mind gets like this, but as a single father the need to protect the two of you is the most important thing to him, and that makes him worry even more because that’s something he can’t ever fail at, and he doesn’t even want to think what’ll happen if he does.

He gets out of the truck and speed walks towards your classroom. He had gotten into his own head, but there’s something inside of him that’s telling him this is as serious as it feels.

“Mr. Miller.” He turns upon hearing his name being called, seeing your teacher standing in the doorway of the office.

“Where is she?” He asks as he makes his way to her. Once he got close enough he realized the tone in her voice wasn’t sadness, but pity? Why would she pity him, and where were you?

“She’s in the principals office. But! But before you go in we should probably explain what happened and why.” She said stopping him from brushing past her.

“What did she get into a fight with another kid or somethin’?” Joel ask impatiently.

“No-”

“Okay, then it can wait.” He moves to fast for her to stop and walks into the principals office to see you sitting in a chair with dried tear stain down your cheeks. He quickly kneeled in front of you gently grasping your hands in his.

“What’s wrong, babygirl. What happened?”

“I wanna go home.” You mumbled

“Ok, you want to tell me why?”

“Mr. Miller, we really need to talk to you.” The principal finally spoke up motioning to the officer hallway. He huffed as he stood up and followed the principal out, but not before he kissed your forehead and told you that he would be back.

“Okay, what’s so important that you had to drag me away from my daughter, who’s been crying? And why is she crying? I swear if that Richardson kid put her hands on her again-” He was annoyed with everyone at this point everyone besides you obviously, he just doesn’t understand why they couldn’t tell him while he comforted his daughter.

“We’re sorry, Mr. Miller. We just didn’t want to make her think that she was in trouble, we just got her to calm down.”

“So, she’s fine?”

“Physically, yes.”

“What? What does that mean?”

“Ms. Elizabeth?” The principal could he was getting upset so she found it best to let your teacher explain what happened.

“Mr. Miller.”

“Would y’all stop calling my damn name and actually tell what the hell’s going on with my daughter?

“Well (Y/n) has been in an agitated mood all day, but that’s not the problem. Uhm, the kids just got back from lunch about 30 to 40 minutes ago, and after they eat I usually let them have play time before I start their last lesson for the day before nap time. Today during play time (Y/n) had a little outburst.” Elizabeth knew she was beating around the bush, but that’s because she has heard this conversation happen many times with other teachers and parents and most often than not the parents don’t respond to well.

“Little outburst?”

“Well not really an outburst, but more of a meltdown. This is the special needs teacher, Ms. Thomson, and a friend of mine so I know what signs to look out for in a child. And (Y/n) has been showing these signs since the beginning of the year. They can be overlooked especially in girls and be seen as ‘normal’ and in a way it is. For her anyway.”

“What are you talking about? Signs for what?” Joel asked in frustrated tone.

Ms. Elizabeth look over at the special needs teacher to nervous to continue, and to make sure that she’s positive of (Y/n)’s condition. To which her friend responded with a nod.

“We think (Y/n) has autism. And before you say anything, the signs are all there. I’ve been watching her since her first day of becoming my student. And we highly recommend that she be tested.”

“What? She’s not autistic. I think I would know if my daughter had autism. Look at her, does she look autistic to you?”

“Autism doesn’t always have a look Mr. Miller, and just because she doesn’t have a physical disablement doesn’t mean she’ll be any less autistic than someone with one. That’s why we recommend getting her tested to find out how far she is on the spectrum.”

“You sound so sure that, that’s what it is. How did y’all come up with autism from her having a ‘meltdown’? And what do you mean by meltdown?”

“Well after I sent the kids to go off and begin playing I noticed (Y/n) hadn’t moved from the table, she just sat there, covering her ears with tears in her eyes. She had been in that position since they came back from lunch. When I asked her what was wrong, she told me the other kids were being too loud. But before I could offer a solution the students behind us started screaming louder than what they were, which triggered somewhat of chain reaction with the rest of the class, so I turned around make sure everything was ok but when I that’s when (Y/n) ran to the bathroom and locked herself in. I had to send the other kids to sit in a classroom with another teacher. (Y/n) was crying. Sobbing. When I unlocked the door she was sitting in the corner squeezing the sides of her head so hard it looked painful. All to try and block out the world because it was too much for her. It broke my heart to see her like that because (Y/n) is sweetest little girl I’ve ever met, and to see her in pain like, any child, it’s a hard thing to see. I had to wrestle with her a little to keep her from hurting herself, but I was able to get her calm enough to sit her in my lap and have her hold onto me while I called Ms. Thomson, who was able to calm her further until she reassociated with everything around her.

“Pain?” That’s when the special needs teacher finally decided to step in and say something.

“It’s called a sensory overload, Mr. Miller. It’s very common in the Autism Spectrum. It’s when someone on the spectrum becomes to overwhelmed with the world around them, and if they can’t find some kind of outlet from everything more than likely it’s going to cause a break down in one way or another.”

“That doesn’t mean she’s autistic-“

“Mr. Miller. Does (Y/n) walk on her tippy toes?

“Yeah, but all babies do that.”

“How does she act when she is in a large crowd or around someone she doesn’t know.” Ms. Thomson was completely calm while asking these questions. Knowing that getting agitated or saying something wrong could keep you from getting the help you need.

“The same as any other kid.”

“Does she get in mood where she doesn’t want to talk or just can’t talk in general?”

“Ok look, you’re only naming things all kids do.”

“Yes, but like every thing else on the spectrum there’s a line where it occurs more than it should. Let me ask you one more question Mr. Miller.

He doesn’t even reply he only took a breath to let her know he didn’t want to talk about the topic anymore. Still in denial, even after everything they just told him.

“Does she tend to twitch, or repeat her movements? Have you ever seen her stiffen or strain her body?” Joel didn’t even reply.

“Your silence speaks volumes Mr. Miller. Please, get her tested. It will help her make it in a society that wasn’t made for her. Giving her benefits she can use to even the playing field with neurotypicals. Don’t you think she deserves that?” Joel really didn’t want to accept this. Knowing that if you are autistic, you’ll face more difficulties in life. All because you were different. Difficulties you’re already facing, he just didn’t want to admit it.

“What do I need do to get her tested?” Joel asked after his little debate. All he can hope that the test comes out as negative, but that’s a long shot, given the special needs teacher already seems so sure, the test was just to confirm it.

Ms. Thomson who was smiling after hearing his agreement answered him. “Nothing, I already have an appointment set up for her with a neurodevelopmental pediatrician, who is also a good friend of mine. So, as soon as she finishes with the evaluation you will get the results. I just needed your approval.”

“Okay. Uh, thank you.”

“No problem.”

“Is it ok if I take her home?” Joel ask looking towards your teacher.

“Yes, I think that’s the best thing for her right now. Being in her safe space with all her things will help her get some much needed rest. I will write down the appointment information and what you’ll need for the evaluation and put it in her backpack for you.”

“Thank you.” After that Joel walked back into the office to see you playing with one of the pens on the principals desk in one hand and your head laying on top of the other. “Hey babygirl. You want to go home?” He asked as he kneeled in front of the chair, while making sure to keep his voice at a low level. Once you nodded he stood up, gently grabbed your hand, and the two of you went to get your bag and appointment information.

January 20, 2003 - 1:00 p.m.

Joel and Tommy were on their lunch break at a burger place when Joel’s phone started ringing. He cleaned his hands and took his phone out it’s carrying case before answering. “Hello?”

“Is this Joel Miller?” A woman’s voice.

“Yeah?”

“Oh, good. This is Tonia, the neurodevelopmental pediatrician that did (Y/n)’s evaluation.”

“Right, so what were the results?”

“Well, the documents are ready for you to come and get them, and I will break everything down once you get here, if you want.”

“Uhhhh yeah, I’ll be there in about 20-25 minutes.”

“Ok, see you then. Bye bye.”

“Bye. Get up Tommy, we gotta go.”

“I’m still eatin’”

“Tommy, bring it with you. Jesus.” Joel mumbled as he rolled his eyes at his younger brother.

They made it to the building, and Joel was doing his best to remember the way to the correct office while also trying to calm his anxious mind. When they made it to the office, Joel knocked on the door frame of the open door before walking in Tonia’s office.

“Here you go.” She said as she handed the papers to Joel who noticed it was about 15 pages.

“Wha-what am I looking at?” He asked looking up at the pediatric who let out a low chuckle, she gets the same reaction from almost all of the parents she encounters.

“Well first things first, I’ve concluded (Y/n) does have ASD. She is what we call a high-functioning autistic, and I came up with that diagnosis based on her teacher’s observations, your own, and from the activities I had her to do. The evaluation explains everything of what that means in detail like her sensitivity to sounds, her not liking to touch certain things, lack of social skills, etcétera.”

“So, what does this mean for her?”

“Well, she can stay in Ms. Elizabeth’s class, there’s no need to move her to the special needs class permanently. But she does have special education, and all that means is that Ms. Thomson will take her in her classroom to help her find ways to calm herself when she feels herself getting overstimulated. Or if she can’t and Ms. Elizabeth sees she is getting overwhelmed or she tells Ms. Elizabeth she’s getting overwhelmed they’ll send her to Ms. Thomson class or a quiet place for her to calm down. And maybe she’ll even have better luck with making friends in the special needs classroom than she does in her regular class. And education wise it means when she gets test she can go to a different classroom to take it and she’ll be able receive more time on any tests she has to take as well.” She looked up from her notes, making sure she got all the main checkpoints, but when she did Joel’s face told her everything she needed to know.

“Mr. Miller, the worst thing you can do for her is to feel bad for her. There’s no reason too.”

“No reason to? The whole point of this was to make sure she gets the help she needs to keep up with everyone else.”

“No, the reason for this was to make sure she had the help if and when she needs it. Academically (Y/n) is one of the smartest kids in her class, actually in her grade. It might take more effort, but she’s keeping up with her classmates. Some of the worst things you can do is pity her, hold her back due to being overprotective, or use it as an excuse to make her seem more fragile. I’m not saying she’s not going to have challenges because she is, but all you have to do is stay beside and make sure she keeps working at it till she gets it. And stay way from describing her condition as ‘slow’ or ‘retarded’. And you can’t punish her because of her stimming or overstimulated behavior. Not saying that you would! I mean- you just wouldn’t believe how many parents would get agitated and angry about things their child can’t control, but I’m sure you’ll be fine. You’re attentive to her, and that’s something she’s going to need from you growing up.” Joel nodded in understanding still skimming through the evaluation packet.

“Thank you for doing this in such short notice.”

“No problem. She’s one of the sweetest kids I’ve met. And cutest.” That caused a smile to appear on Joel’s face. He hasn’t been able to smile much since Thursday, always thinking about you and the whole situation. Which has been weighing on his mind literally 24/7.

“Thank you for this, you have a nice day.” He said before turning around to leave out the office.

“You as well.” She replied also smiling at Tommy, who smiled and winked back, reaching his goal of getting her to laugh.

Joel barely made through the door before Sarah hit him with a “what’d she say?”

“Uhhh- where’s (Y/n)? And how’d you know she called?”

“She called the house phone first. And (Y/n) is upstairs, I just got her out the tub, which she didn’t like, at all.”

“She didn’t want to get out?”

“No, she didn’t want to get in. But she should be finished putting on her pajamas by now.”

“Ok, go get her and I’ll tell y’all the results.”

“Ok.” Sarah ran upstairs to get you, when you both got down stairs and sat on the couch, Sarah sat on the right side of Joel, and he picked you up and sat you on his lap tucking you into his side.

“How was school today, honey.” Joel turning his head towards you.

“Good. Ms. Elizabeth gave me headphones to put on my ears when everything got too loud again.”

“Did she? That was real nice of her.”

“Yeah. How was your day, daddy?”

“It was really good, babygirl. Thank you for asking.” The smile you gave him made his whole day. He thought back to what the pediatrician said about not pitying you because that’s not something you need from him. Looking at you now he realized she was right. He’s going to do his best to give you what you need. Whatever it may be, and he knows you’re going to grow into a smart and beautiful woman. He reached down and kissed your temple getting laugh out of you, a sound he would never get tired of.

Joel turned his towards Sarah, about to ask her how her day went stopped him before he started.

“My day was fine, the same. What did she say?” Joel paused for a second before he chuckled at her before pointing to the where he sat the evaluation.

“That’s the paper, she gave me that explains everything.” He blinked and Sarah had the papers in her hand, while she started reading he turned back to you to explain everything to you somehow.

“Ok babygirl. Do you remember test you had to take with the lady a few days ago?” After you nodded he continued. “You remember she told you it’s going let us know if you think differently than everybody else?”

“Yeah.”

“Well, it turns out you do.”

“Is that bad?”

“No! No, no, no. It’s not bad at all, and don’t let anyone tell you that it is. Ok?”

“Ok.”’

“All it means is some things may be a little harder or more overwhelming to you than other people, but it also means better at other things too.”

“Like what?”

“Like being artistic, and solving puzzles. But it also means you can be smarter than others in your class. You may have to learn some things in a different way, but that doesn’t mean you can’t be smarter. You already are. Ms. Elizabeth told me you were one of the smartest people in your grade.”

“She did!?”

“She did.”

“Wow.” You whispered in awe.

“Yeah, that’s a big deal, and daddy is so proud of you. You remember that, ok? No matter how big you get.”

“I promise, daddy.”

“Good. I love you babygirl.” He said, pressing another kiss to your temple.

“I love you too, daddy.” You said placing a kiss on his cheek.

“Awwwww, that’s so sweet. What are we eating for dinner? I’m hungry.” Sarah interrupted and Joel huffed out a laughed placing a quick kiss on her temple as well.

“I’m proud of you too baby.”

“I know, dad.” She said softly smiling.

“How about we go out for dinner? I really don’t feel like cookin’.”

“Fine with me. Come on (Y/n), let’s go put some clothes on.”

“Okay!” You said as you jumped up from Joel’s lap and ran off to catch up to your big sister.

A/n: Long story short the story was too long🤭🙇‍♀️😭 so I decided to split it into two parts. I hope you guys enjoy, sorry I took so long. But I love you guys for being patient, I really appreciate it.

[aroaceleovaldez]

random question but i came across a post of yours where you talked about how mark oshiro sort of erased an aspect of nico's ADHD by making a joke about how he only liked mythomagic cards because he's gay and there are hot guys on the cards, and then TSATS also seemed to really downplay the themes of neurodivergence in the series. and it made me wonder if you have any thoughts on how the show has portrayed the demigods' ADHD and dyslexia so far? i've seen some people say that the show also downplayed it a lot, and i'm inclined to agree... which feels really weird considering that rick's own son's neurodivergence was specifically a major inspiration for him writing the series. but if i recall correctly a lot of scenes showcasing that in the first book were taken out of the show.

Oh absolutely, a lot of scenes and general discussion about adhd/dyslexia were removed in the show (and some of the disability-coding in general - i appreciate the change they made with making Chiron disabled based on his mythos rather than just using a wheelchair as a disguise, but i wish they had kept Grover's crutches in a similar manner honestly) - I've made a couple of posts discussing it: here, here, and this reblog is relevant to my opinions about the matter. There's probably some other stuff in my pjo tv crit tag.

I think the main sentiment i have regarding it - which i've seen a couple of other people mention as well - is how much the show ignores or outright removes and downplays Percy's personal struggles with his disabilities to instead emphasize Sally's experiences instead, particularly in manners of her taking out her stress on Percy - which alongside being completely antithetical to Sally's role in the books, is pretty ableist and why I continually compare show!Sally to Autism Speaks Parents. Autism Speaks tends to make an emphasis on the struggles of the parents of autistic children rather than treating autistic individuals like a person experiencing their own struggles. One of the major points of Sally's character (and later Paul) in the books is that she's an incredibly accommodating parent and works hard to make sure Percy is supported when he's struggling with his disabilities, because he's not been able to find that accommodation elsewhere. That's part of why Sally is such a great mom in particular, and is intentionally supposed to directly contrast Annabeth's home life struggles with her parents having difficulty navigating how to provide that same level of accommodation to help support her (and how Annabeth finds that accommodation at CHB instead, because that's the metaphor that CHB is supposed to represent - an appropriately accommodating system they can rely on, and then exploring how that's still a flawed system and looking at how disabled kids/demigods fall through the cracks and how to change the system to better support them).

The show also almost completely ignores Percy's ADHD/dyslexia experiences in general after the first episode. I was honestly really happy with, in the first episode, how clearly Percy's poor experiences in the American education system, particularly relating to his neurodivergence, have informed his reaction to situations such as people trying to tell him he's a demigod in coded language. It was essentially the perfect update to something i've discussed in the past here, about how the original "all demigods have adhd/dyslexia because it's secretly SUPERPOWERS" thing was presented as the basis for the series and why that teaching/parenting style fell out of favor. We see Percy in e1 acknowledge how dismissive of his struggles it is to constantly just be told he's "special" - and we even get explicit acknowledgement of how that description is used aggressively and for ostracization (from Nancy), which is extremely true to the experiences of kids who grew up with that teaching/parenting structure. But then we get to episode 2 and... all the acknowledgement of ADHD/dyslexia/etc is gone. We get at most a one-off acknowledgement from Luke that demigods are all neurodivergent and that's it. Pretty much nothing else for the entire rest of the season, save for flashback scenes that only emphasize Sally's experiences, not acknowledge Percy's. No further acknowledgement of Percy's dyslexia, or Annabeth's, or anything about their ADHD, or even Percy's completely removed PTSD (which we know for sure because of both writer commentary [see: that second post i linked about the LA Times article] and Percy's total lack of reaction to Mr. D). Nothing.

It was extremely disheartening to say the least, having such a strong start and it evaporating completely, and I fully agree with you.

[0mysticmidnight0]

hii, i’ve seem you’re still taking requests (though, feel to ignore this one if you want!)

i really like the way you write, and i was thinking if you could write about yandere disaster twins with an insecure autistic (neutral) reader? basically the reader is very timid, and they are often masking (especially holding back their stims) and struggle a lot with having courage for being themselves

I decided to put my own twist with this! ------------------------------------------------------------------------------

You're not who you think you are

-The twins saw how timid, how insecure, how you lacked self confidence. This just made them want to protect you. From anything bad. Especially people. They were wiling to do anything to see you safe and sound, anything to keep you by their side. -Leo would help you, in his words he would "Hype you up" When you have a bad day or when you're feeling sad. You would always be greeted with compliments, kind words, gestures and motivational speeches from Leo. -I'll be honest, He probably thought your stims were cute. He had experience with Donnie, He'd tease you about it in a good way. He'd do what he could to make you feel loved and comforted. Never hated or unwanted. -Donnie isn't one for affection, he shows his love in acts of service and gift giving. You were talking to Donnie about how much you wanted a piece of clothing in your size? It's magically in your closet. You gushed about a piece of technology you wanted for a while? It's magically on your desk. -Let's be honest though, Leo would take part in this, often being the one to ask about your interests and talk about it with Donnie while Donnie helps him get what you want and he'd portal it in your home. -Heaven forbid you get bullies. They'd last less than a week. A couple thugs follow you? Their gone in an instant before they even get a chance. The disaster twins are a deadly duo. Donnie can easily have them dead and clean up the mess while Leo portals the bodies to WHO KNOWS WHERE.. -It became a daily thing for you, Leo and Donnie to hang out. Either eating in the Hidden city, watching a movie or in Donnie's lab, sometimes Leo's room. You never fail to see them at least once a day. -you were too busy to go to the Lair? Then they'll come to you. Honestly, they'd help around the house to be honest.. They never want you to know what they did to all those bullies, thugs, and any lowlife criminal that dared to even look at you. Until you saw it. I hope you liked it! From: MysticMidnight

[thosewildcharms]

Your rhetorical questions have lit up my brain lol like what if Rick had met Michonne and Andre first instead of Morgan and Duane? 🤯 But anyway on a separate note, it’s so wild to see Rick and Shane’s first scene and Rick laughing along to Shane’s mysoginistic weird ass rant in light of who he is now. He really was just some emotionally repressed small town guy, And while Lori telling Rick “I wonder if you even care about us” in front of Carl was horrible, I wonder what Rick could’ve done or not done that would make her feel that way? And Shane said women’s problem is they don’t know how to turn off a light switch, to which Rick says part of the problem is he’s the one who’s leaving light switches on; I hate to be missing something that’s probably obvious but what did he mean with that?

oh that's a great idea for an AU anon. your mind!

this got long because who am i, so under a read more it goes.

maybe i got my rickgirl blinders on and am giving him too much credit but i thought rick was laughing at least somewhat incredulously at shane's speech (he was at the very least shaking his head a lot until the very end) but yes present-day rick would probably not have entertained that quite so much lol. but to kind of go along with that, my interpretation of light switch thing was rick kind of dismissing shane's, as you pointed out, misogynistic joke by saying he's the one with the issue turning off lights, and also to shift the conversation into the Actual Problems he and lori are having. also in retrospect it kinda feels like the show was lowkey already telling us lori and shane were more suited for each other than lori and rick but i could be reading into that. but listen metaphors have a habit of flying right over my (probably) autistic little head so i could also be missing some hidden meaning there.

as for the fight with lori, there's a flashback (i think in season 2?) where lori is talking to a friend about that same fight and she admits that she was the one who was being the asshole and how she got even more pissed off over how even-tempered and reasonable he was in response. from rick's perspective, he said he would try to talk about his feelings only for it to seem like lori didn't actually want to hear them after all. honestly i think they were just fundamentally incompatible, as we saw over and over in seasons 1 and 2. it wasn't anyone's fault, and their fights probably escalated because they didn't even know how to argue the way the other person wanted them to.

and not to constantly compare rick/lori to richonne, but rick similarly almost never yells or gets mean the few times we see him and michonne argue. the couple of times he did in towl were such an anomaly it set off alarm bells for michonne that something was really wrong with him (and also the situation was just objectively insane). but michonne and rick know how to disagree without getting ugly, and she certainly never has to try to provoke him into communicating because they have a fundamental understanding of each other that rick and lori never had. for sure rick learned from his mistakes with lori but i don't think the rick who was with lori was an entirely different person who said horrible things to his wife. he couldn't express himself the way we see he can with michonne because he just didn't have that type of connection with lori. and to be fair, lori didn't feel that with rick either, and again, that's okay. they probably should have just called it quits well before rick got shot. @cantstayawaycani and @jonesywrites go into this far more eloquently than I did here in their very excellent towl season 1 reaction video that you should definitely watch, because it's wonderful from start to finish.

[twistedwonderlandshenanigans]

Ace really is the Most Normal of the twst cast

I had this conversation with a friend a couple nights ago. Besides the fact that he doesn't have his UM yet, he is. the Baseline for normality in Twisted Wonderland (this is all lighthearted lmao) Here's why:

reformed criminal (by 16)

came from abusive household

Tooth Enthusiast

'haha I'm fine' <- not fine (clinically)

Prince. thats not normal.

Pickpocket

he's 16 how the FUCK does he have that build. also strong moral compass for his age

the fucken mafia

Prince/Sultan

You get a pass. But also an overblotter so no he doesn't

a celebrity

Rook

Apple Enthusiast (he could honestly get a pass for Normal)

Fire hair

Fire hair and a robotic child that developed a heart?

Prince. Dragon. Yeah

Would drink your blood as a prank

Narcolepsy and Autistic

dear god shut up

then we have

Man who has more bling than brains and runs a goddamn school

Sad old man (you get a normal pass, but statistically he's in the 'not normal' side bc he didn't remarry after losing his wife)

Teacher who still goes to class with a fucking crop in his hand

Ego

Literally works with shadows

They tried to make a case for Trey being normal but like. between Ace and Trey if you pointed at Ace and went '16 year old with a mischievous streak' vs pointing at Trey and going '18 year old that checks his underclassmen's teeth after they've brushed' One is Less Normal Than The Other

ACE IS THE BASELINE FOR NORMAL The ONLY other person that gets a chance at 'the normal pass' is Najma, but seeing as her family serves royalty I wouldn't call her normal either.

[aemondsvisenya]

Aemond x Reader who uses sign language

This idea is so random but I refuse to back down from it, hear me out…

Disclaimer: I’m not deaf, nor am I completely mute - I have been learning British Sign Language, however, as it’s part of Makaton which can be used by autistic people like myself. However, because this is Westeros, there’s no official sign language and so I haven’t described the signs in great detail

✨ Reader has no assigned pronouns or gender, and I haven’t specified why you use sign language - could be for a deaf reader, could be for someone who is mute… whatever the reason, you’re valid! ✨

When Aemond first meets you, he’s taken aback by how attractive you are, so he immediately goes to speak to you - only to be confused when you just smile bashfully at the sight of him but don’t say hello back

One of your friends has to explain to the Prince that you don’t speak (they quietly explain the reason so that no one else overheard), and that you use your hands to communicate. You’re a little afraid then that he’ll be disgusted by you or think that you’re deficient in some way, that you’re incomplete

Yeah, no, you couldn’t be more wrong about that

For one thing, Aemond is a scholar: he has studied many languages, though none more so than High Valyrian of course, and so he’s of course intrigued to learn that there’s a language that doesn’t involve speaking aloud, that people can use their hands to speak instead. While he thinks it must take longer, he also muses that it would be interesting and also helpful in certain situations to not have to use a voice to communicate

Secondly, Aemond is all too familiar himself with people thinking him deficient - people still shudder when they talk about his eye, even though he makes sure to wear the eyepatch all day and to never remove it unless he’s alone in his room. He knows what it is to be treated like he’s lesser, to have to work harder to overcome a disability - and he immediately sympathises with you

Aemond begins researching, seeing if there are any books on the subject of using hands to speak, but the information out there is extremely limited - so it makes sense, of course, that he go to you directly to learn first hand

At first you’re shy and a little scared because what would the One-Eyed Prince want with you? But to your surprise, he does his best to be reassuring, and he eventually gets across to you that he actually wants to learn some of the hand movements so that he can speak to you properly

As I said, Aemond is a dutiful pupil - he picks up on it faster than most others might

Some are relatively easy to remember, he finds; hello is a gentle wave, thank you is moving a hand down from the chin and bowing the head… he laughs softly when you grin and show him that “dragon” is miming blowing fire with your fingers acting as flames. Others aren’t as easy, admittedly, but he practices long after your sessions together in the privacy of his chambers, usually using a mirror to make sure his movements are clear and fluid

Before too long, it becomes second nature to him; he immediately starts signing to you when you pass each other, saying the words out loud to himself even as his hands move gracefully. He really does have such beautiful hands, you often find yourself thinking, with such long fingers… that thought definitely makes you blush

You’re honestly touched by his efforts because no one else has ever tried this hard just to speak to you, just to understand you, and it makes your heart grow in your chest that Aemond would do such a thing for you

What’s even more surprising is that soon enough, Aemond even begins doing some of the signs without even thinking when he’s talking to other people - only a couple of basic ones like please and thank you before he realises what’s he’s doing and stops, but it still happens from time to time

When Aemond asks to court you, he does it in perfect sign language but you have to ask him to repeat it because your eyes are blurry with joyful tears; he worries for a moment that he’s gotten the signs wrong but you hurriedly use your hands to tell him that no, he did it right, you’re just so happy and you want to see him ask again

Honestly he’s just super attentive and highly tuned to whatever it is that you’re saying, you always feel like you’re being heard when you’re with him because he takes everything you sign seriously

Woe befall anyone who dares mock or make cruel comments about you - Aemond doesn’t have time for such uneducated filth, and he wastes no time in making sure they never do such a thing again

[gerdy-sertorius]

The Definitive Damsel Analysis (if I do say so myself)

(Disclaimer: I know it’s absurdly long, and for that I apologize. I apparently am more unwilling to make cuts than I am to present subpar work. I’m working on it. Only editing I do for my autistic ramblings is copyediting, baby! Whoo! I will be updating this for the Pristine Cut once it comes out and we get even *more* Damsel. Obviously, as I’m sure you can tell from the length, I really like Damsel. There will be all of the bias. It will be great.)

(Author’s Note: For the love of the most high God, it took me like twenty read throughs for me to standardize what I wanted to call the Scorched Grey. Here is a brief list of all the terms I used to refer to her: Scorched Grey, Burned Grey, Burning Grey, Fire Grey, Damsel Chapter 3. Sometimes but not always preceded by “the” or “The”.)

Alright, ladies and gentlemen. I have oft made the statement on here that Damsel is the best route in the game, and this began as me trying to definitively prove that, by microscopically going through the route, I could establish exactly why, it would seem, that Damsel has objective superiority. It sorta… evolved, though, so instead I will be going relatively chronologically throughout, and trying to point out a couple things that all of you know about and maybe a couple things you don’t about the best character in the game. With that preamble out of the way, let’s begin with the goofy stuff, the grab bag if you will. 

This will certainly be more personal taste than anything else, but I do think there’s a lot of miscellaneous stuff that Damsel does better than the other chapters. For example, I am convinced that it has the third best music, behind Tower and her routes and then Thorn. I am genuinely obsessed with “It Was Always That Easy”. The basement has some *fantastic* art, and I think that really carries a chapter that is otherwise generally bland when it comes to actual visual activity. It’s really carried by its genuinely perfect dialogue. 

Overall, and most importantly, this chapter is the undisputed master of the idea of positive ambience. You know elevator music? How it’s there to artificially increase the cheeriness of an otherwise dreary moment, like a hotel hallway or, yanno, an elevator? Well, this is the chapter that does it perfectly. Everything is designed to make it “nicer” than it actually is. The Narrator even takes that into account when describing the basement. The sound design is fresh and relaxing, the music is uplifting, the Princess’s voice is obviously fantastically done, but also the Voice of the Smitten plays a large role in making it feel “good”. It’s something that exists in order to communicate exactly the feelings it wants the player to feel, which is all warm and fuzzy inside. But let’s move on to the actual content, shall we?

Damsel has *the* best Chapter One and it isn’t even close. Certainly not in the horror department, where I think Beast and Nightmare shine, or even in the whole characterization bit, where the award can only go to Spectre and the masterclass that is her Chapter One. But Damsel has something else to it. Damsel has tragedy, almost Shakespearean in nature. Nobody else has it (except Witch, to some extent, but nowhere close to the same level), nobody manages to reach that connection, there and then broken, to honestly feel for both Princess and Slayer. Allow me to paint a picture of a playthrough. 

You are on a path in the woods. At the end of that path is a cabin. In the basement of that cabin is a princess. You are here to slay her. But you don’t do that. That voice itching in the back of your skull, the one you quite literally call Hero, your moral compass even, raises some objections. You don’t want to kill *anybody*. That isn’t something you want to mark yourself with, especially not solely on the word of an individual you just met. For now, violence is a nonstarter.

You enter the cabin. And you hear her voice. And you see her. You even talk with her for a while. The moment is… hypnotizing. Despite the Narrator’s warning of manipulation, well, you cannot help but be manipulated. This is a genuinely nice, sweet, scared Princess who simply wants to be free. You have to save her. It is the right thing to do, it is the… only thing to do. Anything else marks you with the dirtiness of simply being unwilling to help someone in need when you had the full ability to. 

You go to get a key. Unsuccessful. The door locks. Even worse. The Narrator is moving from irritating to downright malicious, clearly enjoying recounting the lock of the door. Disgust for Him has been present since you entered the cabin, but it shifts to anger very quickly. That shift continues with full force as you attempt with what little ability you have to save the Princess, even if you don’t quite know how you will get out. The question does not last long. For the shift to anger shifts once more, to a sort of incomprehensible fury.

For the Narrator has crossed a line. Not only has he taken away any semblance of choice, not only has he raised your own knife against an innocent, someone who has been nothing but kind to you, but you are the one who must bear the shame for it. You are the only one who is doing the foul deed in any eyes but your own. Speaking of, the Princess’s eyes are filled with genuine happiness at the moment, as you are finally giving her the freedom she has yearned for such a  long time. Yet through no fault of your own, you raise the pristine blade, the one you refused to bring down to the basement in the first place. You scramble through the list of options, attempting to find anything that could provide a sliver of hope in the situation, anything without the grim finality of “Slay the Princess”. 

At last, you find one, and are able to bark out a warning to the Princess. That happiness in her eyes is shifted to a look of fear, one directed at you alone, one condemning you with such a sorrowful betrayal that it almost hurts to see. She begs for you to stop, and then she says something that almost calms the internal storm of the player: “Please, I know this isn’t you.” She recognizes that it isn’t us that betrayed her, she understands that we aren’t trying to do this, that we are flat-out trying to stop it. But the eye of that storm is passing, and soon.

And as she takes the blade, as she prepares to do what she must to live, that same look of tragic betrayal crosses her eyes, this time not directed at us, but at herself. She hates that this is her only option, the only way that she can live is to kill another, one with every intention of freeing her and no intention of harming her. And in the end, she simultaneously underscores the tragedy of the moment while confirming our perception that she could never be a threat to the world. As she plunges the blade into our chest, she has failed to even do the bare minimum of making our death painless, something that fills her with even more guilt, tears streaming down her cheeks as she tries and fails to end our own agony. The last thing we see of her are her endless cascade of both tears and apologies, as everything goes dark. 

This… is beautiful. A glorious tragedy, one with limited theming, simply two characters with emotions that feel natural. And, quite strangely, the first chapter has almost nothing to do with the second chapter. But it is still important. I’ll get to that later. Better things await now! For with the end of the tale of the Hero and the Princess, we have a new individual, everyone’s favorite buddy, the Voice of the Smitten. 

I am certain I do not need to underscore just how popular Smitten is. Easily the most fan favorite of the fan favorites, especially solidifying his place within that roster with the Kiss from a Thorn. He is jovial, passionate, he is Don Quixote, complete with the unlimited self-delusion that comes with the territory. There’s a reason people love him. Romantic in a game entitled a love story, the largest of personalities in a game stuffed with them, he is the storybook hero come to life in a game that has just as much reverence for storybook heroes as the deconstructions of them. In short, he is the visage of likability itself, with all the bombast that comes with that. Yet that is only from a wholly external perspective. 

For what I am certain I do need to underscore is just how sinister Smitten is. For all of his likability, the Smitten is also probably the single slimiest voice out of all of them with the possible exception of the Opportunist. This is not a new revelation – people have understood that since the beginning with his frankly disturbing behavior regarding the Princess. What is perhaps more interesting is his relationship with the player. For he is one of the two options that reflect the player at this point within the story. Either the player is trying to do the right thing and free an innocent, or they have somewhat… different motivations. 

The former reflects the Hero. Somewhat naive, in many routes somewhat bumbling even, but first and foremost focused on the external. That is, “how can I make a positive impact on the world around me?” As contradictory as it may seem to how the Hero is presented, it’s something of an intellectualist approach. The Hero is trying to find the best possible world and working towards that with all of his might. It is, one could say, devoid of emotion except that determination to change the world, to make it a better place. While the goal remains the same, the path to get there is fundamentally continuously being calculated. The Hero is your conscience, and as such he must *always* work overtime for that. 

The Smitten is not that. No, he has made no secret that he is the path of passion. Even when he is generally considered to be a better person, he declares that, “Whatever world would condemn two star-crossed lovers to a cycle of violence and despair isn’t a world worth saving.” His focus is internal, it is on ourself and our romance. There is no extensive study into what is the correct option, there is only what would assist in our relationship, which is somehow ordained by the universe. To put it into understandable terms, Hero is a modern hero while Smitten is a Romantic-era hero. 

There’s an important line when going down the stairs that I think speaks volumes about the type of player and playthrough currently occurring. That is “We can still do right by her without all this over-the-top fawning.” *That* is the line of demarcation between the route of the Hero and the route of the Smitten. If you decide to embrace or repudiate the Smitten at that point, I think the route is sealed. I am convinced that the game will continue on in a fixed way based on that philosophy. The point where you must, internally that is, decide if you are doing this out of a desire for what is right, or an infatuation with the Princess. 

Now, of course there isn’t anything wrong with taking the path of the Smitten, and it’s personally one of my top points in the game, but whether you admit it or not, you are long past morality being what decides your actions. That has come and gone. Now, the goal is to express the passion of the moment and delve into your romantic relationship with the Princess. I’ll be evaluating each of the routes differently, loosely organized with a focus on how it reacts to the player. After that, I’ll go on into theming of each route one by one and all that jazz.

The path of the Smitten first. The player embraces that he has been sent to save the Princess from her unjust and foul imprisonment above all else. So that is what he does. He marches downstairs, the blade being nothing but a passing afterthought as it is immediately dismissed out of hand. When it comes to the crucial point of “doing right by her”, the justification is made that two things can be done at once, that you can do this for her and do a little bit of fawning on the way. Doesn’t harm anyone.

And with that the basement arrives, and you see the Princess on the floor. She is perfect in all ways. There is nothing wrong with her. And that’s before you start talking to her. When you do begin talking to her, all of the kindness and innocence from Chapter 1 are magnified to the greatest degree possible. She can do no wrong. And, from a meta standpoint, there’s another thing that stands out – it is really, *really* funny. From everything the Smitten says to the “Then I didn’t end the world!” to the Narrator’s (a villain at this point) growing exasperation at your trust for the Princess, it endears you to the moment even more. 

Because it’s not only that it’s funny. It’s not only that the Princess is genuinely nice to you. It’s something more than that. Something that I am loath to talk about but will anyway. The Princess is incredibly – *sigh* – **cute** within this chapter. This is objective, with science to back me up, I’m sure. But she is specifically designed to be as heartwarming as possible, and every line makes her more and more into someone who should be saved by you, into, well, a Damsel. While it isn’t explicitly stated, throughout the progression of dialogue, the need to protect her becomes more pronounced. You were already primed to like the Princess, you already internally committed to a romantic future. But after stepping into the bear trap willingly, you cannot escape. 

And if you’re anything like me, you are perfectly fine with that. So you take in the moment, you rescue her from her chains and laugh at the way her hands slipped out of the chains and the Narrator’s comical anger at it. It’s all very feel-good, all cleanly written dialogue, and both the Princess and the Smitten are likable, they’re fun, and the Narrator is a fun enough villain for the Smitten and you to unite against. The Hero, if we’re being honest, barely registers, and if he does it’s usually as an extension to the Narrator, as a foil to yourself. And with her finally free, she embraces you, sealing the deal on her perfection. 

And after that, something else happens. The deconstruction begins. You want to see if her dialogue has any more of that saccharine present throughout the rest of the chapter, and are immediately rewarded with the “The princess closes her eyes in deep reflection” and the follow up joke. Hungry for more, you click through some more of the dialogue, but something begins to happen. She begins to… unwind. The Smitten seems to reciprocate in turn, to a lesser extent. In fact, she really starts to return to the horror that this chapter was a nice respite from. So you cut your losses, decide to leave with her, and everything returns to normal. Bathed in the glow of your future, you immediately forget about the deconstruction.

After that, you finally get out of the basement, get a genuinely great moment opening the door alongside the Princess, never think twice about clicking “You’re not doing that.” as fast as humanly possible, and finally await the door at the end of the cabin. You finally get your fairytale ending. The princess goes out into the world together with you. You brought her out. And then she is taken by the Shifting Mound in a way reminiscent of her dying. Even if this wasn’t your first playthrough, it still comes as a shock. For the most part, you were being that Romantic hero, living in the moment with your passion. The thought of this happening was gone entirely. This wasn’t supposed to happen. And it *hurts*. And the chapter is over. 

The route of the Hero has a different point of view on the whole situation. That’s not to say it’s not easy to get drawn in by the hilarious dialogue and sheer cuteness of the Princess – far from it. It is, after all, what drives the conflict within this. For the Hero, and the player that goes along his path, has one bit of information stand out. That the world ended after the Princess killed you. Now, you can naturally be skeptical of the information, but the Princess isn’t helping her case here. Entirely vague, entirely unwilling to mention anything about it. The only thing she seems to care about is getting on your good side. 

Now, you still want to save her. That much is clear. You still don’t take the knife in the beginning, and you saw her Chapter 1 incarnation. She is still a good person, kind and loving. But there are questions raised, important questions. Which is why not all Hero routers get the same ending. There is a conflict between how far you’re able to go before the risk of the world ending eclipses your distrust of the Narrator and your trust of the Princess. If the whole world really does end if she’s free, is it worth it? And as such you get to the major points of the Hero ending. 

The first is the Deconstructed ending. As you question the Princess, you desperately try to figure out what the best way to go forward is for you. And that starts with getting a straight answer from the Princess on what exactly she plans on doing. The operation… does not go well. As you try and push for anything, any sign that she isn’t going to end the world, the same rejoinder comes in, alongside a distorted track. “I just want to make you happy.” The Princess is not an individual anymore, and begins to change shape. But you are locked in with a horrified inability to look away, like one who sees a car accident. And with that, the Princess is a Princess no longer, and the Shifting Mound takes her away. 

There’s also the option of taking the Hero’s advice when confronted with the scenario: to leave. You don’t like what’s going on and you try to do whatever you can to undo the doing. Perhaps surprisingly, it works. And then you’re forced to deal with the cognitive dissonance of the Princess and *that* being the same individual. But you, not without a healthy dose of skepticism, still head upstairs alongside the Princess. In the end, you can’t bring yourself to kill her. Throughout it all, she still has been the beautifully endearing picture of innocence, if a questionable one, and especially with regards to the knife on the table, there is no way you can take it to her chest with no warning, especially after everything you did in the first Chapter. So you leave with her, and the “end of the world” really does come in one fell swoop with the call of the Shifting Mound. You can’t help but wonder if the decision you made was the right one, not really. Like, you still believe she didn’t deserve to die, but maybe, just maybe, it would have been a better ending.

So what if you did kill her? What happens when love *truly* melts away into skepticism. After the continuous question dodging and whatever the… other thing was, this is clearly not an ordinary Princess, it is not the same Princess that you tried to save at the beginning. There is only a sliver of her, a shadow of her former self. Slaying her, well, slaying her is probably doing her a favor. It might be doing the world a favor, too. Maybe she is an individual with malicious intent. And as you take the blade and plunge it into her chest, you instantly know you made the wrong decision. She does not oppose it. She simply lets you kill her with a single tear hanging in her eye, saying “I think this is what you want.” It’s meant to feel dirty and it does, even heartbreaking in the moment, although it is immediately counterbalanced by the effect of the Smitten killing you over it.

I won’t exactly go over Scorched Grey the same way, I think there’s generally only two frames of mind going into it, and that’s either the standard “Hero-Skeptic” framework that I’ll expand on later, or simply a completionist mindset. Plus, it’s technically not The Damsel. Plus I’m lazy. But this is the point where I will try to expand on the theming of each and every route and mindset to go through within the Chapter, and that *will* include the Scorched Grey theming. 

It’s made quite clear from the chapter that one of the primary themes is objectification, the making of the Princess into nothing more than a vehicle to live one’s fantasy into. The taking of an individual and making them into an it. The destruction of humanity by your own desire, and what that says about your desires in the first place. Ironically, this is merely one fourth wall away from the rest of the Princesses, each of them being a piece of fiction that many simply engage with *because* they are an object, but with the Damsel it is directly nodded to within the narrative. One meta-layer is peeled back, if you will. 

Nothing hammers this more home than the entirely jarring line that escapes the Shifting Mound’s lips when you ask about the vessel she holds. Unlike the rest of the fragments, which are all given an indication that they have been fulfilled after the Shifting Mound takes them, the only note she has to say is that the Damsel has “served her purpose”. There is nothing that she wished for, as anyone who has obtained the deconstructed ending can attest to. But even in the more standard runs, she is simply a tool to be used and discarded. And there are three general reactions to this line. 

The first is the hardcore Smitten route’s preferred choice, denial. “The Princess was far more than an object, she had character, she had kindness, she had motivations from the beginning! The narrative is what is wrong, there’s nothing wrong with the Princess. She. Is. Perfect. Not just from a narrative standpoint but a metanarrative one as well. She has depth, she *is* a character.” All in the hopes that if they insist on it enough, it will become true. The Damsel was not designed to be viewed in a vacuum. There are themes that run through her character, and including negative ones, and the denial of them is a far truer denial of the character than any sort of objectification could ever be. 

Then the more moderate Smitten routers get a different response. A slap in the face. They did all of this, they had fun, they laughed with her, they cried when she was taken. They were connected to her, they had a real connection to what she was. One could even accuse them of… loving her. They honest to goodness cared about this Princess, they were invested in her story. Yet, in the end, they also formed her around themselves. They “molded her to love you”. As much as they loved the Princess, that was only because they cut out a piece of the Shifting Mound that they *could* love, a caricature of her true nature. They still took an individual, and despite truly loving her, made her into something that she was not so they could do that very thing. She is not a person. She is a plot device, an individual made to love and be loved with nothing beyond that. She is an object. 

Lastly, those who went on the route of the Hero get that same slap in the face, that selfsame bucket of water poured over their heads, but in a different way. They didn’t try to objectify her. They didn’t want anything of the sort. All they wanted to do was the right thing. Right? Yet even in that desire to do the right thing, they still get that same chilling text from the Shifting Mound. They have built an individual just like those who went on the route of the Smitten. Just a different one. Not one who was built around your “glorious romance”, but rather one built around something of a glorious Romance. The need to be a Hero. The desire to do what was right, to save an unjustly imprisoned Princess. The Princess became a plot device in the end anyway, just one that needed to be saved rather than one who needed to be loved. 

I want to continue off of that. The player is trying to do nothing more than the right thing, he is simply doing what a Hero should. And that determination to do what is right leads to him getting impacted the most by that line in the ending, the line that implies that whatever right he was doing, he was still being driven by selfishness, by that need to be a Hero. That hits the player right within where it hurts, it almost could be said to strike at the one emotional vulnerability of them. To have your hard work, your pain, your desire for what is right to be considered nothing more than the delusions of a Don Quixote tilting at windmills in order to fight giants, just as lost as Smitten, that doesn’t feel too great. It almost minimizes your struggle, and it is genius. You play as a Hero because you want to feel like a Hero, not because the morality of this world means anything to you. It is stripping that meta-layer down one by one.

But objectification is not the only theme present. While it may seem like something of a potpourri topic to throw in, earlier on the server we were talking about the Damsel in particular’s perceptiveness with regards to perception. When the door shuts and locks, it is the first and only time the Princess gets visibly **negative** in any way during the entirety of the Chapter. Even when you kill her, she still does so with nary a frown on her face. Even as a tear rolls down her cheek, she still smiles. But not at the door. The narration points out quite clearly that she frowns. This is, I reiterate, the only thing that happens. And her response is not “we’re stuck down here”, it is not “I’m unable to leave now”. 

What it is happens to be “that’s not supposed to happen”. She recognizes the construct in a way very few allude to within the game. Adding onto that note, within the Scorched Grey chapter, she (correctly) determines the very nature of the construct and that inherent “cycle of violence and despair” inherent to it, even (correctly) determining that the only way to leave was to annihilate that very construct. This is shown even clearer at the other major event at the door. When you ask if the Princess can open the door, the sole question she throws back at you is “Do you think I can?”, and after a response in the affirmative, “Then I can”. In the end, it is quite clear that she is, *heavily* ironically, one of the more aware characters in the game with regards to your circumstance. 

While speaking of the Scorched Grey, I think this route also exemplifies another major theme – the nature of the Princess as a being of perception. All routes exemplify one facet of the Shifting Mound: Spectre represents the gravity of her, Tower her divinity, Prisoner the very incarnation in and of itself of her within the construct, and so on. Damsel has something different, though, and that is that she’s just a slippery little fella. Far more than anybody else, Damsel changes throughout her chapters, in ways more pronounced than anybody else. The Shifting Mound declares that we “molded her to love you”, as I quoted previously. That molding takes stage front and center throughout all of our interactions with her. 

The most obvious example is her deconstruction, which when her sole true motivation (to leave) is discarded, she begins to break down, unable to offer to the player anything beyond the only desire every other Princess has. With the compulsive need to love the player, etched into her core, there is nothing she can do other than try to add to that love, losing herself within the process. But that is not the only time she changes. Because she is willing to give up that freedom in, well, a heartbeat. Attempting to kill her does not lead to any sort of resistance from her. The one goal she had, staying alive and winning her freedom, is out the window despite being (questionably) willing to kill for it in the last chapter. Now, throughout the Scorched Grey, it’s made clear that she did not, in fact, want to die, that she just wanted to be free together, but the complete unwillingness to save her own life is a stark contrast to the first chapter. 

In fact, that perpetually changing nature alongside her being so objectified means that it’s really, *really* hard to figure out her true character. There is very little in her that does not change and very little remaining that isn’t specifically put there by you. She is an eel, wriggling out of your grasp and impossible to pin down, in a large way like the Shifting Mound herself. But… for the most part, there are two facets to her character beyond the already listed themes. And a sharp divide between them. 

Chapter One Damsel and Chapter Two Damsel are not the same person. That’s usually true for most of them, but they also usually have some semblance of similarity between their counterparts. The only exceptions I can think off the top of my head are Spectre and *maaybe* Stranger if you want to count that. The rest of them act as exaggerated versions of the existing individuals shown. Chapter One Adversary likes fights. Chapter Two Adversary likes fights. Chapter One Witch is built on the back of distrust. Chapter Two Witch is built on the back of distrust. Everything lines up nicely. 

That is not the case for the Damsel. The only thing that you can say with both of them is that they are nice and do not want to hurt you. The Chapter One incarnation (henceforth Princess) is a tragedy of a character that doesn’t want to kill you but still must to secure her own life and freedom against a renegade puppeting you. The Chapter Two incarnation (henceforth Damsel) is a Horror-”Feel-Good”-Comedic-Tragic character that shows nothing about the emotional anguish she went through in chapter one. I love both of them, but they have an unmatched disconnect. And I think that sort of adds to the character. Now, there is absolutely a benefit from an emotional through-line (there’s a reason Thorn is my second-favorite chapter), but in this case, only brief touches to the beginning enhance the story. 

The most striking thing is the sense of comedic horror that comes when Damsel just completely ignores any expected trauma from the Princess’s emotional destruction. It, depending on the route you take, either makes you love her character more and more as the humor begins to entrap you, or it begins the process of getting the player unnerved, exactly like the developers wanted. It is a key dividing point in the mindset of the player and the route that they have chosen. The Damsel says nothing about what happened, heck, she barely acknowledges it except to indicate that “You died!” 

Secondly, it sets up Damsel as a sympathetic figure while still allowing her to begin establishing herself. Without the setup from the Princess, the player has no idea how to view Damsel, potentially even seeing her as a less on-the-nose Razor, with her comedically hiding her sinister intentions. The Princess allows the player to begin on a note that the Princess is *actually* friendly rather than simply pretending to be so. At the same time, it’s divorced enough that apart from that frame of reference at the beginning, Damsel is still allowed to shine within her own character. 

Lastly, and most importantly, it sets her up for the Scorched Grey. The guilt at causing the death of an innocent and the belief that you would be unable to cause the death of an innocent yourself leads her to blame the construct and attempt to bring it down, which seals your fate in the third Damsel chapter, the only time where the two chapters meet in a beautiful climax of Passion going too far and causing pain, in attempt of running away from that very thing, morphing into something that not even the Smitten is able to remain devoted to in an awful tragedy of love being not enough in the end. 

Wait, wait, wait. Did I hear “the end” being spoken? At this time of year? Localized entirely within this essay? Well then, it’s time to talk about what puts this saga at pure perfection, shall we? I probably could just use the awesome power of Ctrl + V to get the desired effect, but I still do want to offer my narration, so I’ll compromise and do a bit of both. “Your lover drives a stake into your body. And another. And another. And another. And another. Do I miss your heart because I cannot stand to see it go? But the stakes meant nothing to you. You had a desire, and you set that desire free, you lifting me and me lifting you, forever and ever and ever, consumed by true belief, there was nothing that could hold us back.” 

Do I even need to explain why that’s so good? Definitively the best poem in the end, it isn’t even close, especially when coupled with Ms. Goodnight’s awe-inspiring delivery. Did I say that the Scorched Grey was the perfect synthesis of the Princess and the Damsel? I was lying. This is. Every word so lovingly placed, the language sounds like it comes from the pen of God Himself. It is emotionally resonant, the art is beautiful, I have not run into such a short piece of dialogue that outdoes it. Gonna be honest, mostly just wrote up this essay to gush about it. Even now, it is considered by most everyone to be one of the best lines of dialogue in a game filled with magnificent ones. 

And the other one, that of the Scorched Grey. It’s simpler, ironically. “I kill you. You kill me. Back and forth we go, faster and faster and faster. I kill you. You kill me. Hollow eyes watch from the dry corners of a memory. A home built on all of the futures that were supposed to be, preserved until the moment of reunion. The fire of the heart sets it all ablaze. I kill you and me.”

This, this right here is one of the most slept on ending poems and it’s not even funny. So fantastic at expressing the heartbreak inherent to the Scorched Grey’s character. I don’t know how you can see the line “A home built on all the futures that were supposed to be”, especially with the Scorched Grey dead and charring in a wedding gown, and not feel *something*. It’s not as good as the standard Damsel stuff, but then again, nothing is. It’s still deserving of more praise than it currently receives, and one of my top three ending poems of all time, only edged out by Prisoner. Gosh, this game belongs in a museum. 

Seems I need to debunk some stuff that happens to get a lot of traction regarding those who speculate on Damsel, too. First of all, her character motivation is not guilt nor gratitude. That sort of thing works incredibly well in fanworks, and I’m happy to see it ~~because that means I get to see Damsel in a fanwork~~. It has little to no backing within canon. Damsel is a chapter about the only motivations for the Princess being those put in place by the objectification of the player. There is nothing regarding anything beyond that, and it detracts from the existing, well-elucidated themes that are actually within the chapter. The only sort of substance to them is both Chapter 1 Princess and Scorched Grey indicating guilt for killing you, but that is almost entirely repudiated within the actual Chapter 2. 

Speaking of the Scorched Grey, another thing I saw somewhat extensively is that you somehow “taught her” that killing is the way to love one another, and that’s why she kills you in Chapter 3, and I honestly do not know how that gained any traction at all. It’s pretty clear that she views all the death as a pretty terrible and messed up thing and only kills the two of you to escape the cycle of death. It’s spoken of as a means to an end, not an end in and of itself. I am genuinely confused on how this got started, because it really just… opposes the main *in-narrative* themes of the Chapter??? Like, you don’t even have to analyze it, it’s just within the text, plain and simple. 

Anyway, I deeply apologize for the length of this once again, look forward to an appendix when Pristine Cut comes out. I’ve already played it because my uncle works at Black Tabby, but I don’t want to spoil it for you gents. If my opinions change massively after playing through the new update from today, I will change that too. Anyway, Damsel is the best character, literally does not do a single thing wrong within any of her chapters, has definitively the best Shifty stuff, and you should invest in her. As more people vocally become willing to throw money at anything related to Damsel, the likelier it is that we get Damsel merch. I need it so badly. Please. Anyway, if anything stands out to you or you disagree, I am begging you to tell me to get my act together and explain what I said wrong, so do that. Also please. 

[random-nickel]

Something that rubs me he wrong way

So I seen Think Before You Sleep's video on Illymation. And I hate how Illy is misusing the term cyber bullying. His video wasn't cyber bullying it was a response video pointing out her garbage sources and honestly it just seems like he was using the video as a spring board to talk about health. A subject he had a job in for a while, something she would know that if she actually watched the video. She also can't even claim cyber bullying if she didn't watch the video. Or at least enough of it to find sources to back it up. I'm sorry girl but you are in the wrong. He's blunt and can come off as an asshole. But being an asshole isn't a crime. If you put your options and story out there you will be criticized. If they are wrong then it's on you to stand behind your stance. Not go all 1930's on people and try and deplatform him because he has some good points. If your right then back it up surely you can easily find sources to back it up. Also another problem I had with her response is even if he was a misogynistic how does that make him wrong by default. Especially because he doesn't even bring up her being a girl in his arguments. The closest would be his tips about her appearance that she originally brought up FYI. He was mostly giving standard advice she would probably get from anyone who knows the basics of makeup or cloths. Some of the worse people do have some good points on stuff. (Example: Funny mustache man made some of the first animal right laws and smoking laws.... doesn't mean he was a good person. He was just right about a couple things. ) If your going to make that argument then back it up with sources relevant to your argument. Because he definitely has some questionable opinion on women but he doesn't bring any of those up in the video on her. By the by this is coming from an overweight, autistic, women who needs to loose weight as the extra weight is causing more pain in my already nerve damaged foot making it even harder to walk then it would be if I was a healthier weight. I'm also no a fan of his but I have seen a few of his videos before as I like to hear other options so I can actually you know understand what they are really about and thus be able to destruction their arguments or adjust mine.

[lamestteenagegirlever]

as a book reader i ADORE the series but if theres one thing i love more than anything is seeing baby percabeth from an unbiased perspective bc theyre so cute but also percy is so LAME like hes so embarrassing i love him. like in the books hes just like yeah i think she looks like a princess and we only hear his internal thoughts so i LOVEEE actually seeing how awkward he is with his crush on annabeth.

its so cute and i honestly think pretty important for the viewers because it rlly helps to drive how young they all are and how insane it is that theyre being put in these crazy situations. like his dorky face when annabeth smiled when he started singing the consensus song? his voice cracking after annabeth laughed at his potty joke?? the look of brief panic on his face when he realized grover saw the face he was making when he hugged annabeth back followed by the really awkward smile??? THE WAY HE WAS THINKING ABOUT THE FACT THAT A PRETTY GIRL HUGGED HIM FOR SEVERAL DAYS STRAIGHT AND SAW ANNABETH WAS ACTING WEIRD SO HE ASSUMED SHE WAS DOING THE SAME BUT SHE HAD ACTUAL SERIOUS STUFF TO WORRY ABOUT SO HE JUST ENDED UP TELLING ON HIMSELF???? LIKE THAT IS ACTUALLY SO EMBARRASSING I WAS DYING WATCHING THAT PART. THE WAY HE INDIRECTLY ASKED HER ON A MOVIE DATE AND WOULDNT MAKE EYE CONTACT EXCEPT FOR A MILLISECOND TO SEE HER REACTION BEFORE DARTING HIS EYES AWAY SO FAST????? THE TUNNEL OF LOVE SCENE OVERALL?????? THE WAY HE LOOKS AT HER LIKE YOU CAN LITERALLY SEE THAT HIS PUPILS ARE DILATED IN A GOOD COUPLE OF SCENES WHEN HES LOOKING AT HER LIKE THIS LITTLE BOY IS DOWN ASTRONOMICALLY HE IS SO FUCKING LAME. like we obviously knew the way they were both ready to sacrifice their lives for eachother in a heartbeat and how well they complimented one another and the way they changed each others world views and made the other strive to be better versions of themselves like ive known they were the blueprint since like literally 2nd grade like that didnt stop me from repeatedly bawling my eyes out over it but thats not the point. like we knew this and we could see it in the books but we couldnt see, or at least not fully see, how big of a stupid embarrassing crush percy had on annabeth and how she obviously feels the same way but is better at hiding it like oh my god i love them i wanna squeeze them until their eyes pop out like those old pens at the scholastic book fair do yall remember those?? im sorry guys im so autistic pjo and specifically percabeth has been my special interest since i was 7 and now 10 years later i get to watch them on tv in an adaptation WITH YOUNG RYAN REYNOLDS ARYAN SIMHADRI AND THE ONE AND ONLY MISS LEAH JEFFRIES thats almost entirely book accurate but also adds in fun stuff that works great in the plot and for the most part even better than the original scenes in the books bc the show is how rick would write the series NOW with all of his new gained writing experience like im actually going to explode the show is so good

[zahmbie]

Do you have any Toby x reader headcanons 👉👈

Boy do I!

General Ticci Toby x Reader headcanons

I don’t think there’s any warnings needed here? Let me know if I missed them!

He’s not even going to try to hide the fact that he’s a serial killer when you start dating him. It’s just a part of him you’ll need to accept if you wanna be with him long term. Plus, unless you two meet at a costume party or something it’d be kind of hard to hide it in the first place, he never takes the mask off outside the house.

He’s kind of proud of his status as a proxy, he feels strong because of it, but he honestly treats the whole thing like a day job. 

Like yeah he’s a killer, he has his issues, and he shouldn’t be woobified, but there’s more to him than just killing people. He likes making art- though he doesn’t think he’s good at it, he likes to listen to music and garden, and he watches the birds out in the forest. 

Speaking of art, normally when he gets you a gift it’s something stolen, unless it’s a romantic gift. If he needs something for your birthday, a holiday, or a just for fun gift he’ll steal something, for valentine’s day or an anniversary he’ll make something. Even though he’s shy about his art he’s really good at wood carving, and makes you little carvings of the wildlife he sees.

Having a partner is a level of domesticity he hasn’t had in a long time and he craves it. He comes home tired from a long day of killing people and he just wants to eat and cuddle you until he falls asleep.

Out of any mask wearing creep he’s the easiest to get to take it off. It’s never gonna happen outside of the house, maybe not even outside his bedroom, and It’s still gonna be a while before he does it, a couple weeks, maybe a few months on the high end. But in his mind if you haven’t made fun of him for his tics you probably aren’t going to make fun of him for his scars.

Very much a hype man for his partner. Everything you do he’s cheering you on, even if it’s stupid he’s behind you all the way.

I’ve seen some people say he playfully insults his partner and I agree but it’s got a hard limit. You guys might call each other bitch playfully but he can’t do actual insults, even as a joke he can’t take insulting someone he cares about or hearing them insult him.

Also a guard dog type partner. If anyone says anything even a little mean to you you’ll have to hold him back from killing them.

He does give compliments frequently, words of affirmation (and giving gifts) is his love language for giving and receiving. 

Toby’s autistic (on top of his other neurodivergencies) and would prefer a partner who’s got disorders like him. It’s not a dealbreaker if you don’t have any, he just likes the connection there.