#this is exactly why they keep doing this

[edgepunk]

the replies to that "video games shouldn't cost 70 bucks" really annoy me bc people always go "b-but the developers"

1 - the developers are already paid and yes, they are underpaid

2 - the game sales are getting into the pockets of the publisher/the higher ups. I don't think the devs are getting much money from the sales (I doubt they get any since they've already been paid)

3 - with the recent Jedi: Survivor controversy, EA pretty much admitted that they refuse to do QA testing (which would cost money) and are using their costumers to beta test their poorly optimized games while also blaming the customers for not using Windows 11. which, I don't need to mention, is even buggier than Win 10 and has a lot of issues with cybersecurity.

it's the greedy higher ups wanting to up the prices, so they can shove more money into their pockets while abusing their employees, cutting costs on beta testers and then scamming their customers. the games getting more expensive isn't because of the developers, it's the higher ups, it's always the higher ups wanting more money.

you really think the suits sitting in their big comfortable chairs care about giving more money to the overworked devs? think again.

tl;dr stop excusing the AAA industry's scummy practices

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[lotus-pear]

mourning black and the death of ideals

[egophiliac]

@enderfore replied to your post “What do you think of Rook's savanaclaw card? <333”:

Chenya pic where???? I can barely see anything in that room there so much going on, rooks such a lil freak (affectionatr)

​he's under the row of flags on Neige's side of the room, next to the big Neige poster with the yellow background (look just to the right of the hand holding the apple)! he's REAL little; once you know he's there you can kind of see him in-game, but I only noticed him in the first place because I took a screenshot and was having fun zooming in on all the details!

I think that's either Hop or Snick and Dominic on either side of Neige, but if the others are meant to be anyone in particular I don't recognize 'em. though I do love all the absolutely terrifying implications of Rook having this. was this some kind of officially-published merchandise (and if so, why) or did Rook like...go hunting through the RSA trash to find this random student lineup just because it included Neige, and has had it hanging proudly on the wall ever since. (I mean, he definitely did do this, I don't know why I'm asking. the real question is why he hasn't cut out little pictures of his own face and stuck them over everyone else's yet.)

there is seriously SO MUCH in this room. how did Rook manage to keep this hidden for three years. also, somebody give this background artist a raise immediately.

[captainofthetidesbreath]

it's kind of funny that we're back at the start, as it was known from the very beginning, as the story always was, the old lore: "the Divine Gate was built in response to the destruction and suffering of the Calamity as the Prime Deities realized was far too much and, as such, they needed to also remove themselves from Exandria to protect it from the ruin that the gods dwelling here brings"

[justwannabecat]

So one of those Danny gets spat into the DC universe things, but he’s shot out of a Lazarus Pit in Phantom form. The dirty ectoplasm fucked up his memories and all he knows for sure is that he used to guard a portal that, just like this one, was glowing a radioactive green. So when he explains that to Ra’s (because let’s be honest, the guy totally would talk to Danny one on one) Ra’s basically goes “You must have been sent to us to guard our Pits” and Danny, amnesiac that he is, goes “Probably” and goes along with it.

They train him to kill, but each time he does he ends up crying over the bodies he kills. His tears bring them back, but as a thrall. Rather than deal with Pit Madness they’re undyingly loyal to Danny and Danny alone. Since Ra’s can’t trust them to be loyal to him, though, at most they become guards for outside of the base.

One of these guards, despite their loyalty to Danny, sees that Danny isn’t so much happy as he is accepting. And so they go to the one person they know to have repeatedly stood up to the League of Assassins in the past, Batman, and ask for his help. Not to save themselves, but to save Danny and get his memories back.

[gunsatthaphan]

(´ ε ` )♡

[opens-up-4-nobody]

Once I was scrolling thru naruto fics and saw the tag "buisnessman!Kakashi" and all I could think about was Kakashi being a child businessman, owning all the konoha adults at doing business while wearing an oversized suit and tie. That idea is so fucking funny to me.

[himejoshiangels]

obsessed w how bitter and upset duke is w Bruce in this arc. and he has every right to be! he knew Bruce almost personally at that point, and his parents were joker gassed in a recreation of the wayne murders in an effort to get to batman. they were collateral damage and duke had been suffering pretty much alone as a result. his whole ideology is that robin doesn't need batman but on a more personal scale, you can see why he thinks that! when he needed Bruce he wasn't there, when he needed batman he wasn't there either. And he'll fret like he didn't care like it didn't matter but it DID

Ik I talk abt this panel often but that's bcs KTZZZZ ITS SO CRUCIAL TO DUKES CHARACTER!! He becomes completely self reliant, isolates himself he can't wait on batman to save the city, can't wait on batman to find his parents or wait on batman to save him, he's all he could rely on, and that self-reliance later grew into an almost cynical worldview. it's why his whole "emphasis on the word 'we'" thing at the we of WAR meant so much. he had hope in not just his own beliefs but in others' as well.

ANDDD it's why his and bruce's dynamic drives me up a wall but that's another post for another time..

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[shima-draws]

Reading a fic where child Luffy gets kidnapped by Doflamingo and he refers to Cora as "pretty Mingo" I'm MFASMKDALKS

[nothaljordan]

You don’t actually have to share the ‘bad’ parts of your regression btw. It’s okay to create a space to appreciate the good parts of your regression without dishing out your trauma to strangers on the internet.

[sage-is-in-fact-very-tired]

You're cornered, a blade held tight to your neck ready to slice and cut should you be anything but good and perfect and useful. Your teeth are bared, too sharp and trying desperately to bite the hand that feeds you - trying desperately to bite and kill something that will let you escape from this hell of repetition.

You're dangerous - yet you break so easily. You're a loyal soldier who does as they're told and asked - yet you're beginning to doubt the man you stand beside. You're loyal to a terrible, terrible fault - but having to kill your friends is one step too far over the edge you're teetering on. Maybe it was good, maybe it will get you the praise you desperately strive for, but standing atop your house sobbing and breaking down - trying so desperately to convince yourself this is temporary and good and *you're not a bad person*, doesn't really hold that same impression.

There's blood on your hands again - more permanent and literal than it was with Momboo, and deeper and darker and a harder stain to scrub than it was with Ocie. It seeps into your gloves like an infection slowly rotting away your bones - rotting away *you.* It stains them a deep, deep red; a color so deep that won't come clean from the canvas. It stains your hands pink, dyeing them red in a way that won't come clean - won't come *off* - no matter how hard you scrub.

You keep trying and trying and *trying* - and you just keep failing. There is no being good in this - there are other ways; pleasing the person holding your best friend above your head isn't going to get you anywhere - because there is no, there never has been, any friend to bring back. It's temporary, you tell yourself, and yet you can't even convince yourself of that.

There are asterisks upon asterisks attached to your words; so many unsaid "right?"s that attach themselves to the ends of your sentences. Worries and questions and fears you don't voice yet permeate your actions; moving your birds away from your bed to the safety of a tower because you're so so terrified the hands made to hurt and harm and *kill* will do so upon something so innocent. So terrified you'll hurt the only things still willing to try and help and protect you. You're worried, so terrified, that these hands that were made for killing - that were *made* to be stained with blood - will do so; that they will follow through with their intended purpose. The unsaid terror that your hands, the ones made with the distinct purpose to harm and bleed, will kill and rot and decay until there is nothing of your friends, and your family, and yourself.

You're terrified - bareing too sharp teeth at anyone who dares try to help. You're a cornered animal, not afraid to bite and harm - but only doing so out of fear. A raptorous bird they call you, your brother a drake cornered - but aren't you, too, cornered? Only raptorous out of necessity for survival, shoved much too far into a too-small corner with a too sharp blade held to your neck - prepared to take your life without much of a second thought.

Raptorous you are, Icarus, but too are you cornered and terrified. Your hands stained red with the blood of a friend and the blood of family. You can't scrub them clean, not anymore, not *like this* - but gods, how you will try. (And gods, how you will fail.) You will try so desperately to convince yourself; and fail and break and *shatter* because you can't. It's temporary, you tell yourself, but the cracks start to show and the doubt starts to creep and the tears start to *fall* - and suddenly there is no coming back from this.

[jays-doodle-spool]

dude in my lecture turned around to argue with me after overhearing me make a joke about “not going into medicine bc i can’t stand the sight of blood”

he felt it was of utmost importance that i know there are medical jobs where you don’t see blood and “just didn’t understand not going into medicine bc of a fear of blood”

dude

i don’t know you??

[bloomingbluebell]

since playing twilight princess again i cannot get behind the lu fandom characterization of twilight and wild i'm sorry. like i think twilight would be an overprotective big brother figure towards wild, absolutely. but wild doesn't take that sitting down. he doesn't like being coddled, and it's pretty clear (side note: i do really appreciate the analysis posts about wars and how hard he's been on wild potentially pushing wild closer and closer to a rather big memory. you can sort of see how twilight is not happy with how warriors is acting, but he's not saying anything right now. probably because it's not his place to, and also probably because wild wouldn't want him to right now).

i think that twilight and wild have a very different relationship to what most of the lu fandom thinks. they're close - that much is obvious from how they react when the other is hurt, and how twilight pushed through the rest to get to wild during the memories comic. but i think that a lot of the time, it feels like wild only exists around twilight, or he can't be left without twi otherwise he'll "do something stupid" or whatever. wild doesn't exactly appreciate twi's protectiveness or his advice all of the time, but he still looks up to twilight. despite whatever went down when they first met, wild worked to gain twi's trust in order for them to be so close. they're equals - just like the rest of the chain are equals. and yes, wild does a fair amount of dumb things and he's impulsive about it, but i would like to argue that twilight also does a fair amount of dumb things (in game and in comic)

(i think it also kinda feeds in to how wild is sort of infantilized by the fanbase. he's already not exactly trusted by the rest of the chain (legend especially, for some reason), and i think i'd like to explore that and how his relationship with legend formed. they seem to think he's sort of a loose cannon, especially after the previous arcs. wild hasn't seemed to realize it yet, but i do think something is coming, especially with him and warriors)

[coffin-hopping]

I so badly wanted to be a kayne hater but I just can’t find it in my heart he is literally baby girl