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#this parallel is destroying me slowly
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Okay i know we’ve all noticed the many, many parallels between Jean and Neil but do u ever think about how Jean and Andrew, after being having their boundaries violently crossed so many times, both found someone who will respect their boundaries at any cost?? do u???
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unboundbnha · 4 months
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I’m writing a Jason Todd fic that has everything I want. The foundation of the fic is love: it’s Bruce’s love for his long-lost son. But it’s love that’s gone wrong. It’s love, but it’s love for someone who’s gone (or never existed in the first place). It’s Bruce’s fear — of losing the people he loves, of losing what makes him feel like he’s making the right choices, of feeling completely lost, because admitting that he’s making a mistake, making MANY mistakes, well. That means he’s failed. He can’t fail. Not in this. Not again.
This fic is about love: one person begging the other to see them, to love them as they are, to help them in the way they need. The other person is suffocating the first because they love them. They love them so much and just want them to be happy, but happiness to them has a certain look. Happiness can only be achieved in the right way. It’s horrible and painful and frightening and sad. It’s a story about love. It’s a horror. It’s a ghost story. Don’t you see? In the end, it’s all about love. And how sometimes the people who love us are the ones who kill us.
#jason Todd#bruce wayne#red hood#batman#Zilla’s things#guys you don’t even know I’ve had this fic rotating in my head for YEARS now#I love horror. I love love. I love love that’s horror and horror that’s love#Bruce loves his son. he loves him enough to hurt him.#jason loves his father. he wishes bruce loved him back.#they’re two lines that no longer run parallel to each other#but bruce is willing to Fix That.#he loves his son. he loves his son so much that he’s willing to force him to fit his ideals#the tree grew crooked in his eyes. so he will go in and fix it. regardless of jason begging him not to.#jason begs bruce to accept him as he is and bruce says ‘’but I can fix you. I can make you as you were.’’#jason has fundamentally changed and bruce wants to scrape him out and mold him into what HE wants#because BRUCE thinks he knows best. he HAS to know best. if he doesn’t know best than maybe he’s wrong.#and if bruce is wrong? what else is he wrong about. was he wrong about the batarang?#he can’t think about it. physically can’t. if he lets that doubt in it’s the end of everything#so instead he just. slowly destroys his son. in the name of love.#(this is a gen story with no shipping and no canonical LGBT+ themes but it’s also a VERY queer-coded story)#(and 100% not at all a parallel to my life NOPE NOPE NOPE NOPE)#(being suffocated by people who love you? who think they know the best for you regardless of what you say?#loving those people even though they hurt you? begging for them to see you as you are? BEGGING for them to accept you?#and instead being met with ‘’let me fix you until you fit the idealized version I project over your childhood.’’#‘’let me fix you so you can be happy in a way I can accept.’’#‘’let me fix you. we can be happy again. at the cost of you.’’#HAHAHAHHHAHAHAAHAHAHA. anyway.)
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Honestly I think the Kenobi show should’ve just. Been about Reva. She was the strongest part of the show, and I think that the narrative would’ve been a lot better if we got her full back story and perspective. Obi-Wan could’ve still been there, but Reva really should’ve been the main character
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One thing about me is that if your media has a character who wears a neckerchief and continually without hesitation takes on the weight of the world and tries to do everything themselves so that no one else is in danger or has to suffer, I AM going to form a very strong attachment to them.
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mrsimpurity · 8 days
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thinking about letting logan use his claws on you...
cw: nsfw (no smut but suggestive content), mentions of blood, reader’s crazy if you ask me
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“logan, i’m sure about this. don’t worry.” you say, looking into logan’s eyes. you’re in your underwear, sitting in a chair in the middle of the living room with your legs spread. 
the space is dimly lit and there’s tangible tension in the air, fear and anticipation emitting from logan’s body. the trust you have when it comes to him is immense, and he can’t quite understand which one of your screws has to be loose for you to let him do this.
logan hovers over you, hands resting on the back of your chair. he lets out a sigh of surrender and leans down to kiss you. you kiss him back hungrily as his tongue enters your mouth. a whimper escapes your throat as he breaks the kiss, getting to work. 
you sit back and watch logan with a smirk as the sound of metal clashing slices the quiet tension in the air. he gives you one last look of reassurance as his hand gets closer and closer to your thigh. his claw pierces your skin in the gentlest way possible. 
logan’s focused, so focused on not hurting you that it has you biting back laughter. the beast of a man you’ve seen slaughter with no remorse now has sweat trickling down his forehead out of fear of pushing his claw in too deep. 
he proceeds to drag the claw down, the red mark on your skin starting to slowly bleed as a tiny trail of blood trickles down. he stops right before the inside of your knee. 
the pain is blunt, but the burn is delicious. despite you being the one to initiate this whole thing, the fact that you’re at this man’s mercy, bare and ready for him to damage you, has your core throbbing. 
logan’s heart feels like it’s breaking, but his cock doesn’t agree. he can feel the heat radiating off you, smell your fear and your arousal. and it takes everything in him not to rip your underwear off and finally claim you as his. 
but he doesn’t. because he’s too patient and loving to ruin your fun. so he’ll clench his teeth and humor you, just this once.
the next mark he leaves on you is a line parallel to his first one. the pain increases slowly, it becomes too much in one place. but the way the first cut stings, the way the blood seeps from the even deeper wound - it has you wanting more.
logan stops at the same place again, the tip of his claw stained by your crimson blood. suddenly overcome by something inexplicable, he drops to his haunches, resting his hands on the outside of your thighs as his face hovers over your fresh wound. he sticks his tongue out and before you know it, he’s licking up your new scars, cleaning up the blood.
the sound of your small gasps, the feeling of your suppressed whimpers as he laps up your blood, soothing the wounds, has his cock twitching in his pants. logan’s tongue runs over the two cuts again, but this time stops right before your underwear as he presses a kiss to your clothed cunt.
you’ve never felt like this before, your eyes filled with lust and desire. logan slowly rises, his gaze focused on yours, need fogging his vision. his lips find yours and you combust as a metal taste fills your mouth, the feeling of logan’s bloody tongue against yours destroying every single ounce of conformity and self-respect you have left. 
you moan into his mouth, hungry for more as the burning sensation of your bloody wounds makes a reappearance. 
logan’s mouth breaks away from yours, a bloody trail of spit connecting your lips as you smile with delight. 
with a burning desire almost as fucked up as yours, logan murmurs. 
“let me take care of you, baby.”
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lilpomelito · 1 year
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“What's wrong with Pop music?”
Eddie stops mid rant and spins around. Steve is sitting upside down on the sofa, staring at the ceiling, his silky hair touching the floor.
“I mean,” Steve continues, his voice a little strained by his position, “if so many people like it, there has to be something good about it, right?”
Eddie shares a look with Jonathan, hoping to find an ally, but the man looks zonked out of his mind. Argyle really brought the good shit with him.
“That's not the point, Stevie,” Eddie explains as he sits down on the floor next to the guy's head. “It's popular because it's the only shit the big corpos are pushing on the radio. It's what everyone listens to, so everyone thinks they have to like it to be liked. To be accepted. And it's not even good music! Where's the artistic merit in cheap studio synthesizers mixed with braindead lyrics like wake me up before you go go?"”
Steve frowns. “Not all popular music is like that. Also what's wrong with wanting to be liked?”
“Do you not like Freddie Mercury?” Robin gasps, lifting her head from Steve's stomach, and she sounds heavily offended.
Eddie blinks for second, confused as to where the conversation has suddenly turned. But Steve nods, apparently following her line of reasoning.
“Yeah, man. Queen is like, the most popular band in history. Do they not have artistic merit?”
“No, of course not, that's not what I–”
“And the government is not conspiring to push pop music, Eddie, we've seen they're too busy experimenting on children and opening portals to a parallel dimension,” Robin says.
“What about Bowie?” Steve says. “You loved Labyrinth. Didn't shut up about it for like a week. He's pop!”
“The point,” Eddie insists, flustered, avoiding to watch directly Steve's upside down smirk, “is forced conformity. Queen are all nerds! Bowie is a huge nerd. Where would they be now if they had played high school football?”
Jonathan nods slowly, but doesn't comment.
“What about astronauts?” Nancy asks, from where she's sitting at Johnathan's feet. “They're nerds, yes, but they also have to be in great physical shape. I bet most of them were athletes in school.”
“Yeah, totally!” Steve nods. “Remember Casey Johnson? He was captain of the basketball team when I was a freshman. He was valedictorian, and I think he went to Standford on a sports scholarship!”
“Yeah, I remember him,” Robin says, rolling her eyes. “One of my friends had a huuuuge crush on him.”
Steve's cheeks go red. He incorporates himself, despite Robin's protests, and sits on the couch like a normal person.
“Whatever. He was a nerd and an athlete. What's conformist about that?”
Eddie stares at him, narrowing his eyes. “Nothing, I guess. Or everything. He succeeded at academia, which was designed to shape kids into exploitable workers under capitalism—”
Jonathan groans behind him.
“—and made captain in a sport that's basically throwing balls into laundry baskets and calling it strategy. Praising people for that to the point where schools are giving scholarships is a little too much.”
“You try it, then, man,” Argyle calls from where he's laying on the rug, star shape style. “I bet you ten bucks you can't win at throwing laundry into baskets against Steve. Or my boy Lucas.”
Robin laughs maniacally. “Oh, I want to see that! Steve please destroy him, his ego needs a little humbling.”
The conversation moves on after that, since everybody looks like they're already over Eddie's rant. He doesn't mind, really. It's fun to ramp up the dramatic indignation against The Man, or whatever. It always causes a reaction, and even people who agree with him somewhat eventually hit a limit. Eddie likes to stick his finger and find that limit.
But not Steve. He's looking at Eddie like he's fascinating.
“You're a hypocrite.”
Eddie falters, biting down a smirk. “How come?”
Steve scoots a little closer. “You want to be a rockstar. You don't just want to live off making music. You want to be famous. You want people to like you.”
Eddie stares at him for a second, frozen in place.
“That's not—”
But Steve smiles, gentle. “That's alright. We all do. And you want to know a secret about being popular?”
Eddie can't resist. For all he protests about popularity and conformity and being so normal everybody likes you, he does wonder what it feels like to be on the other side. So he nods.
Steve smiles sadly. “It doesn't actually change anything. You think it means more people like you, but it just means more people are aware of you. What you do, what you say. Who are your friends, who you date. Where you go, when you go there. And at some point you feel like you can't escape it. And yeah, you do start to conform to the norm. Not because you think it's what's best but because you're so aware of people's opinions of you that you always choose the path of least resistance.”
Eddie... has never considered that. He moves a little closer to Steve as his voice goes quiet.
“You think it was fun to run into a random suburban mom in the grocery store and have her be furious at me because I was dating Susan Davis? Who apparently was her daughter's cousin, and she had a crush on me, and was planning on asking me to prom? How on earth was I supposed to know that? And she was double mad that I didn't even know who her daughter was. Like there's two hundred kids in Hawkins High. I can't know everyone!”
Eddie tries not to laugh, because Steve seems upset by this, but the situation is kind of ridiculous.
“And I think they got into their heads that because they knew of me I was supposed to also know them. But they didn't actually know me. I made prom King, people were mad. I was captain of the basketball team, people were mad. I then turned down being captain of the swim team and was just co-captain, people were still mad. I took a job, and people made fun of me. I lost that job because the mall caught on fire, people also made fun of me. I took another job, and people say I'm "wasting my potential", whatever that means. I don't know man. I think you can never win with people.”
Eddie grabs Steve's hand, touching softly his palm. It seems to work, and Steve relaxes a tiny bit under his touch.
What Steve said sounded exactly like what Eddie was talking about: the pressure to be what society wants, not what you want. He can tell it's a touchy subject for Steve, who has been under the crushing spotlight of being a relatively small town's golden boy.
So Eddie doesn't push any further.
“You got me there, though,” he says.
Steve smiles again. “Yeah?”
“Yeap,” Eddie nods. “I do want to be a famous rockstar. I do want to be known and liked and admired. I've never had that. But I guess you're right. We can't have it both ways.”
Robin, who up to that point had been discussing with Argyle the difference between an oboe and a clarinet, jumps in. “It's the horrifying ordeal of being known.”
Steve laughs. Eddie can't help it, his laugh is too contagious. He can't understand how people in this hellscape of a town ever looked at this boy and thought "he's not enough." With him? He gets it. Eddie's list of failures is a mile long. But Stevie? Sunshine incarnate, puppy-eyed, bitchy beautiful and smart Steve Harrington? There's nothing to complain about.
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team7-headquarter · 4 days
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Genin to Shippuden era Team 7 is so important to me. That part of their lives when they were alone after each other, when they were changed by their friendship and making a place of their own in the world... I wish we saw more of it.
A parallel of Sasuke pretending he can't hear the screams of the kids Orochimaru is experimenting on, Naruto traveling through a town destroyed by the last war and Sakura collapsing after 48 hours of not sleeping and a patient dying in front of her.
Accidentally saying something they've heard from someone else from Team 7 and taking a moment to process there have been months since they last saw them.
The first time Sakura had to remove senbons from a body and could only think about Sasuke and Naruto back on the Land of Waves.
The first time Sasuke almost instinctively chased a cat and the nostalgia was so strong the nausea threatened to knock him out.
Naruto alone in his room while Jiraiya goes to find some women in the village, wishing to death he could crack a joke but there would be no scowls or punches flying his way, no sparkling green eyes or instigating half smiles.
Naruto traveling the world and thinking "Sasuke would have liked this", "I wish I could have a date with Sakura here". He's sore from training, he's tired of walking, he's hungry, he keeps seeing the shadows of another two kids walking beside him but there's no one there. He keeps walking to the next town, anyway. He cracks the jokes, anyway. He promises himself he'll see them again, anyway.
Sasuke slowly forgetting how they sounded and getting used to the screams, the humidity, the darkness, the coldness. There's only the pain and the endless cruelty of Orochimaru, the cuts that sting when he moves in his sleep, the loneliness that reminds him of those first nights after the Uchiha clan was massacred. Two more ghosts to his collection.
Sakura kneeling on her own sweat, trying not to scream as she heals a broken bone from one of Tsunade's kicks. There's no time to wait until she hears Naruto's shouts floating through the forest. They won't come. She won't find Sasuke's hand in front of her, an offer to help her back to her feet. She needs to stop crying. She needs to stand up. She needs to cover her turn on the hospital later.
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northlt03 · 5 months
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Rick is known to mirror myths a lot (Silena-Clarisse and Patroclus-Achilles, Polyphemus' cave, Hercules' labors, etc) He could and SHOULD have mirrored the Trojan war in HOO.
Let me set the scene. Gaea doesn't pop up until the last couple books. It's easy to be scared of something that is mentioned but not seen, which in my opinion, is why Gaea in the HOO books just wasn't scary enough.
So the antagonists in the first few books are the Giants working under Gaea's orders. Percy is kidnapped by them and given to the Romans in the hope that the Greeks and the Romans will go batshit crazy in a fight and forget all about the prophecy of the seven and destroying Gaea or whatever.
Camp Halfblood is fully ready for war. As soon as they find out (through an oracle or smth idk) that the Romans exist and they have Percy, not even Chiron can stop them. Percy is the hero of the Battle of Manhattan, of course, and the hero mentioned in the last great prophecy. He's like their modern Aristos Achaion.
Meanwhile, the Romans have no clue what's going on. There's this guy he's funny, he has no memories, he just shows up at their wolf goddess and trains and gets sent to them. Cool.
Juno can't stand to see New Rome be attacked. Whether or not they would win is a whole different story. So she plucks Jason from CJ and brings them to the Greeks just for some sort of a balance.
This mirrors the Trojan war in the sense that Troy was a fortified city, so is New Rome with tons of forts and walls. Aeneas' lineage went on to be Remus and Romulus, the founders of Rome. And Helen of Troy was stolen from the Greeks.
Anyway so there's that conflict, but at the same time Camp Halfblood is getting ready to attack, Jason, Piper and Leo get sent on a quest to rescue Hera who has been captured by Porphyrion and Enceladus.
On the way, Jason starts to regain his memory a little bit, though he doesn't know everything yet. He's still super conflicted with everything. A pretty girl thinks they were dating, Leo says they were best friends, Annabeth says the Romans are enemies. But whom should he really believe?
Piper's whole arc through the first book could be about how she's the daughter of the goddess of beauty, she wrongly assumes her fake crush on Jason was her mom's fault. And she's learned so much bad stuff about her mom from myths, she outright rejects feminity and anything remotely girly at first but then slowly she gets to know Aphrodite isn't as bad as some myths make her out to be. Bonding and shit bc why should Poseidon be the only present godly parent?
Leo, meanwhile, has no idea he can essentially fire bend in the first book. His arc could be about discovering his mother's death was his fault, slightly and coming to terms with it with the help of his friends.
Reyna on the Roman's side is freaking out bc Octavian wants to go to war with the Greeks who are close to attacking them, there's a strange dude who keeps trying to pick fights with gods, a horse girl and not to mention monsters won't fucking DIE.
SON trio go on their quest to Alaska to kill Alcyoneus/ release Thanatos and things are getting clearer to them as well. Just when the Greeks are about to attack on CJ, Polybotes and the monsters attack as well. Somehow, both sides end up fighting the monsters together.
They're not friends, but they're not enemies either, bc Percy is reunited with his gf and Jason is returned to his home.
The Roman senate and the Greeks somehow come to the same conclusions- that a quest needs to go to their ancient lands. Over the next few months the work of the Argo II commences.
Things seem smooth for a while. But Gaea grows restless. She poisons Octavian and manipulates him through dreams and stuff like Kronos did to Luke. As is the nature of most Roman emperors, Octavian overthrows Reyna and declares himself the leader of New Rome like his namesake Octavius Caesar. (HAHA! HISTORY PARALLEL BITCHES)
This puts the actual quest on hold bc the seven now need to find the Athena Parthenos to bring together the Greeks and the Romans and to stop Octavian's plan of trying to fuck as much shit up as possible.
Reyna, Nico and say idk, Grover, are the ones to deviate from the quest and bring the statue to USA again. But the Seven are still very much in Europe after rescuing Nico.
Percy and Annabeth fall into Tartarus which helps close the Doors of Death, except this time since Nico isn't there, Hazel has to take on control over ghosts and the dead in the House of Hades and leading up to it. The powers of mist, in my opinion, should have gone to Piper since charmspeaking is a lot like bending the mist verbally.
Piper's arc through the third and fourth book is starting to discover herself and with the help of her mother, figuring out she doesn't like Jason romantically like she thought she did.
Hazel's arc is gaining control over what she once was (dead). She's jealous her dad was there more for Nico than her, but she pushes past it and never lets her anger and grudges get the better of her which is like breaking boundaries for children of Hades/Pluto.
Frank's arc in HOH was really cool, I like that. So no change to that.
Jason, poor guy is still very much confused about everything really. He's used to being the leader, he feels lost in the large group. He has his moments to shine ofc (please take away his excess amounts of head injuries), but he starts to feel inferior, which is where Leo helps him bc the guy knows what that's like.
Anyway, in the absence of Percy and Annabeth, Jason has to take charge. He discovers he doesn't really like it. That's not what he was meant for even though he had greatness thrust upon him at a very young age.
His BOO arc is earlier this time and takes place throughout HOH and BOO. He's content with himself, even if he isn't with anyone. HE'S THE ONE THAT GETS SENT TO OGYGIA!!!
And Calypso eventually does fall for him bc he's smart, nice, and just an overall swell guy. But he helps her to realize that she can be content in herself as well. And he promises her that he'll help her.
Show me Leo, Jason and Percy trying to think of ways of helping the goddess.
In any case. BOO could have been like Iliad pt 2 also known as the Odyssey. It takes them the whole book just to get to Athens. Meanwhile, they've understood that Gaea is the main main villain. She's even raised some of the other primordials against them.
Percy and Annabeth already saw Tartarus, and then there's Oceanus who makes their travel much harder than necessary. Something something about how they get tossed all over the place and somehow manage to gather all the correct ingredients for the potion (i forgot the name lol) on their small adventures in the different places. In the end they finally make it to Athens. Except this time, there's only a few giants there bc they killed the rest before.
Annabeth and Percy are taken hostage, like it happens in the books, but PERCY WILLINGLY GIVES UP HIS BLOOD TO RAISE GAEA RATHER THAN LETTING ANNABETH GET HURT BC OF HIS FATAL FLAW LIKE ATHENA TOLD HIM WOULD HAPPEN EVENTUALLY!!
The Gods DON'T SHOW UP PLEASE!! That was so lameee. Why even do the whole quest if their mommies and daddies were going to show up to help them????
So while Percy and Annabeth are battling the remaining few Giants, Leo, Piper, Hazel and Frank go up against Gaia herself. In the old myths four titans held Ouranos down while Kronos chopped his essence up. In the same way, they battle Gaia away from her turf in the air, keeping her distracted enough. All these demigods are needed because she's a primordial dammit!
Jason, my guy, comes in a clutch, chops her to pieces and sends her essence to Tartarus!!
The world is saved, the end!
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okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best
opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?
I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)
Why "Zukka" works and makes sense as a ship
something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:
Their fathers' roles in their lives
Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.
This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.
Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.
Their sisters' roles in their lives
Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.
With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)
With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.
The loss of their mothers
Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)
When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.
When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.
Their obessesions
Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.
With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)
With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.
Unlearning their flawed cultures (the big one!!!!)
Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.
It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)
The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.
We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.
And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.
All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.
Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)
This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)
In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!
Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)
Consensus
Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭
Could "Zukka" work in canon?
Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.
I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.
Let's address a few things that needed to happen before they could ever have gotten together:
Finally admitting that Maiko was just an extreme example of comphet
Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no
(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)
Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.
Figuring out Sokka and Suki
Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.
Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.
Sokka needed to go home and begin rebuilding the Water Tribe
No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.
Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.
Personality-wise and just as characters, would it have worked?
I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.
Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.
Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.
alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)
thanks for the ask, and have a great day <3
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beansprean · 1 year
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Oh, y'all thought the fight had started already?
My Familiar’s Ghost part 51
Masterpost
New pages on Patreon!
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(ID in alt and under cut)
ID: 1a. Close up of bat Nandor from Guillermo’s POV, crushed into a wall and held there by Guillermo’s hand. One of Guillermo’s claws has pierced the membrane of his wing and Nandor is clutching at his fingers in terror, staring up with wide, panicked eyes. 1b. Reverse shot of vampire Guillermo from Nandor’s POV, holding him down with his left hand as his right rears back, claws bared in preparation to strike. He is grinning maliciously, relishing in a new kill. 1c. Wide shot from the side as there is a sudden screech of tires and crash of metal. Guillermo and Nandor freeze in place and whip their heads toward the viewer and the front windows of the Panera.
2a. Wide shot from outside, on a roadway running up a hill and parallel to the Panera. A blue hatchback car with a license plate that says ‘whoops’ and a bumper sticker that says ‘how’s my driving? 1-800-KISS-IT’ has crashed into a pole with a yellow traffic light and is smoking, front end crumpled and passenger window shattered. The pole is slowly falling sideways, towards the Panera parking lot below. 2b. Close up as the traffic light, yellow light still lit, smashes into the asphalt, cracking the green lens and ripping the blinders off the red lens. 2c. Repeat. The traffic light settles on its side, mostly intact, and flips to red. Unfocused without the blinders, red light pours freely across the ground. Nearly invisible red text behind reads “stop stop stop stop”. 2d. Repeat of 2c, Guillermo and Nandor still frozen in place but now bathed in red light. Guillermo is narrowing his eyes suspiciously at the scene outside and Nandor nervously flicks his eyes over to him, assessing.
3a. The entire Panera is now flooded in red. Shot from behind the pillar Nandor is pinned to as his leg, now human shaped again, kicks forcefully upward, sending Guillermo flying backward into the opposite wall, demolishing the sheetrock and destroying a wooden chair in the process. Debris flies everywhere. 3b. Waist up of Nandor, back in human form, as he stands himself up, his inner arm bleeding. He snarls angrily and points an accusing finger at Guillermo, saying ‘You want to fight? Fine! The truth is, I have been upset with you, too!’ 3c. Reverse shot of Guillermo struggling out of the ass-sized hole he made in the wall, fangs bared and deadly gaze focused on Nandor. Nandor continues from offscreen: ‘You get so angry when I don’t know things about you but then you don’t tell me anything!’ 3d. Close up on Guillermo’s hand closing around a broken wooden chair leg. 3e. Close up on Nandor’s hand closing around a wooden chair leg as he accuses, ‘You keep secrets!’
4a. Full body of Guillermo lifting himself from a crouch in the debris left by the wall, a long stake with a shattered pointy end clutched in his left hand. His eyes, like a predator, never leave Nandor. Nandor keeps talking: ‘You assume to know what I am thinking and how I will react to things and what I will say - well you don’t.’ 4b. Knees up of Nandor as he steps away from the crushed pillar to a more strategic place against the light, holding his own long stake point-up like a readied sword in front of him. He stares seriously at Guillermo and says, ‘You hear, but you never listen, Guillermo.’ 4c. Extreme close up on Nandor’s glaring eyes trailing a slash of red light as he makes a quick turn, shouting, ‘Well you will listen to me now!’ 4d. Full body wide shot on an orange and yellow starburst background as Guillermo, both hands on his makeshift sword, takes a backswing at Nandor. Nandor’s sword meets him in the middle as he swings it down single-handed in perfect form. Their eyes never leave the other’s; they’re both in the fight now. /end ID
[caption]
Bonus ID: shot through the shattered front windshield of the crashed car to show Laszlo in the passenger seat and Colin behind the wheel, both covered in broken glass and peeking out from behind inflated airbags. Colin asks, glasses askew on his face and grinning in his usual unflappable way, ‘How was that, Lazzo?’ Laszlo smiles patiently over at Colin and asks, ‘Marvelous work, my boy! Now, what possessed you to aim for this particular traffic signal?’ Colin replies, ‘I dunno, just had a feeling. Can we go for that Escalade next? I really want to see how sensitive that pedestrian detection feature is.’ The engine continues to smoke, and there are a few wisps of familiar blue light trailing away. /end ID
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theflyindutchwoman · 5 months
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Let me gush over that last scene for a bit because there was something magical in the way it was filmed and acted… The cinematography… with Kojo sitting behind the door waiting for Lucy, pretty much the same way he did after he destroyed her apartment and she came home - which, incidentally, was also the first time Tim set foot in her place… With the nod to the history these two share in this hallway : Tim's moment of clarity after their practice kiss, the time where they almost crossed that line after Vegas, that breakup scene (that technically wasn't a breakup but felt like one)… Only now, they are further apart than they have ever been, not even standing in the same hallway, not even facing one another. Separated by walls - literally and metaphorically… And yet, the song in the background gives a more hopeful tone to this… "All this trouble's only gonna last for a while".
And the emotions… The way Lucy lit up when she saw Kojo was so heartwarming… Before it slowly became heartbreaking when her tears feel down… It was painful in an almost cathartic way. If I'm not mistaken, we haven't seen her really cry since that fateful night. And Tim's face… It was like he finally let himself feel all those emotions he has tried to contain and pretend weren't there ever since. There have been some glimpses here and there but I could truly see beyond his wall here. There was pain, there was regret… and I'd like to think that he was starting to comprehend what he has done. Which would be a fitting parallel to his epiphany after that kiss if this is indeed what happened. And then, there's the gift… It was perfect because it came from him. Up until his conversion with Aaron, he wasn't planning on doing anything to mark Lucy's birthday, aware of how this could make things worse and hurt her… But deep down, he knew he couldn't not do anything either. He couldn't let her think he didn't even care, not after all the hurt he has already caused her. So in the end, sending Kojo was perfect. To me, what made this so special was how symbolic this was. This felt like a subtle reminder of their past, of their bond… of what made them them, while respecting her boundaries. This gift wasn't about him or trying to win her back or anything of the sort. This was all about Lucy and letting her know that she is loved.
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fleetingvow · 2 years
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‘ DEAD WEIGHT .
Anthony Lockwood x Female Reader
SYNOPSIS. the reader’s skills got rusty and with anthony breathing down her neck all the time, well, things that were better off unsaid were spoken. that’s when four became three. ( 6.87k words )
CATEGORY. angst. slight enemies to lovers ( not completely lovers because i write and stick to slowburn. )
WARNINGS. anthony being a total dickwad. usage of profanities. off the timeline. netflix series based. usage of “y/n”. lots of parallelism in statement structures.
NOTE. characters are aged up. written in third person’s omniscient point of view. room add-up for plot purposes.
REMINDER. this fic is written and copyrighted by ©fleetingvow on tumblr. do not rewrite or repost on any other platforms without my permission.
TAGS. @superpositvecloudshipper
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𝗛𝗘𝗥 𝗦𝗜𝗚𝗛𝗧 𝗪𝗔𝗦 shrouded in a misty veil. The room had turned bleary as soon as she stepped out of the bathroom, wrapped in her bathrobes. She closed her eyes and opened them again in a desperate attempt to regain her composure. When her feet led her to her room, she felt the pull stronger than what she had been feeling when she was washing up. Y/N gripped the doorknob and opened the door with a groan, and then there was a voice. A mere whisper to her ears.
“Help me!” She turned around, only to see no one but the pen she picked up from a previous home many months ago, mistaking it for the one Lockwood handed. It was surely just her imagination. They already contained the source from the previous mission, destroyed it even. George had done his research and there was only one soul that haunted the home. She was sure no other soul was left behind. Besides, Y/N made sure to set up a schedule to return the object to its rightful place.
However, just now . . . she felt as though it wasn’t just her presence that graced the room. Her eyes scanned her surroundings. There was no one, nothing. Why was it getting harder to breathe? The ringing, they were back again, but this time, it was higher in pitch and volume. She put both palms on her ears in order to block the noises, but it was too loud!
That was until she heard the knock on the door followed by the voice of someone more human, natural in his voice, “Prepare quickly, Y/N. We’re moving swiftly tonight, we have two missions!”
She didn’t respond. It didn’t seem like it mattered when his footsteps were already fading. The girl slowly ran her fingers through her damp hair, taking a deep breath to calm herself down. It was just her imagination — that ringing. But there was a protruding thought that maybe, there was something wrong with her, and she couldn’t place whatever it was.
Although, there was something far more important than that. She needed to be present for this other case. Y/N had been lacking for the past few days, and she was under the pressure of redeeming herself to prove something to Lockwood.
And she was going to prove it well.
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THAT HURT! God, it hurt so much! There was no other thing in her mind than how much it felt, causing electric shock through her body, wanting to rip her ears out to just. get it. to stop!
“Fuck!” Y/N exclaimed, losing her grip on her rapier therefore also failing to protect Lucy from the ghost that hovered before them. The clang of the blade on the floor only triggered a louder sound in her ears, putting her mind into shambles as she scrambled to the floor to regain possession of her weapon.
Before she could, however, Lockwood had already slain the ghost himself, buying them more time to pull themselves together. “Lucy!” Lockwood hurriedly rushed to her aid as she panted, refusing the help Anthony was offering.
“Y/N?” Lucy called, her voice combined with worry over the girl’s well-being. “Are you okay?”
It didn’t look like she was, but it was certainly better than before. The ringing had stopped, and what was left was an overcoming fear of when it will occur again. Her forehead was covere din beads of sweat, her mouth gasping for air, and clammy hands clutching the handle of her sword.
She had, in fact, once again failed to redeem herself. And what had she done? Make a complete fool out of herself to Lockwood who only looked at her with disappointment painted oh-so-vibrantly all over his face.
“I covered the source with the net!” George excitedly announced as he made his way into the bedroom where everyone was. It had been a rare occurence before that Lockwood allowed George to do this type of work, but since he’s proven himself to be the hero in most scenarios, he trusted him.
Y/N glanced up at George. She wasn’t mad at him. As a matter of fact, she was grateful for him, not just for containing the source, but also putting an end to the tension in the room. “Are you guys okay?” he proceeded to question.
She stood up from the floor and lowered her head before mumbling, “We’re fine.” She then walked past him swiftly and out of the room with shame as her feet led her to the gardens of the home.
“She’s definitely not fine,” George breathed out. Both of his companions looked at him in a questioning manner. He shrugged, “She’s been acting odd for the past few weeks - months, even. Am I the only one who noticed?”
“You’re always the one to notice something, George.” Lucy commented with a smile. Anthony did not appreciate the conversation, no matter how little. He’d much rather they didn’t talk at all.
“Stay here. I’ll talk to her,” Lockwood ordered. George and Lucy nodded followed by exchanged glances with subtle wide eyes. They knew it was not a good idea Lockwood would follow her, but what could be done? They just hoped he wouldn’t make an arrogant fool of himself again.
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“WHAT WAS that?” Y/N’s ears suddenly perked up from the voice. She plastered a sarcastic smile as she replied, “You found me, then.”
“This is no time for foolish remarks, Y/N. What was that all about? You had it. Lucy could have been hurt! You could have gotten hurt! Do you realise what you’ve just done?” Anthony exclaimed. The leaves crunched from under his feet as he marched his way forward to the girl.
“You’re saying that as if I’ve done it intentionally. Is that what you think I do? Sabotage the team?”
“I’m not saying that,” he frustratedly protested, facepalming before placing his hands on his hips, his coat pushed back. “What I’m saying is for you to pull yourself together. Where are you, really? This, this state of yours is going to get us all killed!”
“Lucy’s fine! I’m fine!”
“You both wouldn’t be if I hadn’t stepped in and you had made an absolute mockery of yourself in the situation! You were flailing! Can I even trust you with simple tasks?”
“You call fighting off a type two, simple?” She fired back, trying her best to hold back her anger when she knew she had fucked up.
“We’ve done it before! We’ve dealt with harder cases. What’s going so wrong now?”
“Of course you’d say that! Everything’s easy for you, right?” Lockwood was taken aback by her words, yet instead of processing her words and taking it as a reminder of his past conflicts, he took offence of it, triggering his sense of authority and anger. “If it’s so easy, why don’t you just work with yourself? If you’re so obsessed with perfection, why don’t you eliminate mistakes and put down the team? Because that’s you, right? You’re the one who’s always so bloody perfect at everything!”
His eyebrow twitched as he blinked at her, his face getting softer, yet still inconsiderate as he lifted his head to the side and clenched his jaw. Anthony momentarily fixed his gaze on the floor before placing it back to her. His voice had become monotonous. Cold.
“If you hate me so much, why don’t you just leave the team?”
There was a moment of silence. If the rapier didn’t pierce her heart before, it definitely has now, but it wasn’t the steel sword that did its damage. It was those exact words he had uttered so confidently in her face. There was no hint of regret there when she searched his eyes. There was absolute nothingness.
Suddenly, the coldness of the wind got into her eyes — did it really? Or was she just finding an excuse to mask the reason behind her slightly blurry eyes. Y/N blinked and swallowed her spit in order to remove the lump in her throat. It was useless. She nodded slightly, her face stiff as she tried to muster up her thoughts to create a better expression.
But there was no better reaction.
“What?” she asked for confirmation. Lockwood slightly shifted in his position, standing upright. He looked at her eyes and down to her shoes slightly, taking the sight of the disappointed girl. He swallowed his spit, licking his lips.
“You heard me.”
“So, that’s it then?” she mumbled, trying her best to disguise the betrayal in her voice.
“That’s it.” Anthony replied in a stern tone, not leaving her eyes. “Don’t be so surprised now, Y/N. If it helps you feel any better, maybe you could still start somewhere — just not here.”
“You’re a fucking dickwad, do you know that?!” She yelled.
“I’m doing this for the team.”
“Like shit you are!” She exasperatedly gesticulated her hands in the open air and continued, “You think George and Lucy would fucking applaud you after they find out? I thought we were family! What now? I fuck up, and suddenly I’m gone for good?”
“You could just say n—”
“No, because that’s not it, isn’t it?” She bitterly interjected and combed her fingers through her hair irately. “You’ve hated me from the start! You ignore me every chance you get, but when you’re not, you berate me! You look at me as if I’m about to fail, and you undermine me every single time!”
“I don’t undermine you. I look at you, and I see transitions of how things start and how things end,” he started, chest heaving up and down from his bottled feelings of anguish and rage, not to her but to himself. “I don’t know what it is about you that makes me doubt whatever it is I doubt. You were good at what you do, but you’ve been lost for the past few months. We don’t have a hold of you now, and you’re not telling us anything. To be completely blunt and forward, Y/N: Whenever you’re present in a case, something goes wrong.”
Even to herself, she could admit that he had a point. Every mission that she had with her friends, everything ends up a little bit too complicated than it should. She did feel like she was the cause for the performance of the agency lately. That information itself made her heart sink at the bottom of the pit, pushing her to another depth as he spoke once again.
“You’re a dead weight.”
That statement felt a little hypnotic that it proceeded to ring in her head. Now that was it, why did she feel defeated now? She felt as if he just called her useless. Huh, maybe that’s what she was. Completely and utterly useless for the best agency London has ever seen. She was the dead weight in their group, the failure.
“I just haven’t been myself. I—” Then, there was a silver streak of water that cascaded down her face. She cleared her throat and looked away, wiping the tear with the back of her hand as she sniffled and blinked away the glinting waterfall threatening to spill. “I’m sorry.”
Anthony’s chest felt different with that statement. His eyes that showed no remorse softened at this current sight of her, but there was something at that moment that told him to resist it. He had to stand firm, and he knew to himself he’d do just about anything for the sake of the team, even if it had to be removing Y/N from it.
The thought of questioning whether this decision was right began to rebuke him.
“Y/N, I’m only doing this for the best of everyone’s well-being.”
“You already said that,” she replied and took a deep breath, avoiding eye contact with him. Then, she shrugged her shoulders and laughed to herself in bitter humour. She unsheathed the rapier from her side and took a few steps forward to the boy who gave her a puzzled look.
She took his hand and offered the handle of her blade, closing his palm with hers. Y/N forced a smile on her lips, looking up to meet his eyes. They were close.
Just. This. Close.
Y/N had seen his eyes numerous times before, but under whatever spell, she never got tired of it even despite the sharp daggers it threw at her. Her heart shattered once more, this soft gaze she’d sometimes thought was an illusion made the broken shards leap hopelessly that it left her dizzy for another minute or so.
The wind in the garden gently whispered.
Anthony felt this feeling before, but he dismissed it just like he’d always done. It was something that he believed to be unworthy of his attention. If he looked the other way, what of the path that he worked so hard for?
“Y/N, I—”
“I’ll be gone by morning. Don’t tell the others . . . for me please, would you, Lockwood?” She whispered. Goddamn it, she was going to go! Anthony couldn’t do anything. His body and soul were both locked in the position of looking at her, paralysed as he tried his best to catch his breath. His eyes quickly paid a glance to her lips before switching back to her eyes.
He hummed in response.
There was a palpable tension in such an open space. The girl decided to have had enough of it, leisurely stepped away without breaking eye contact, and walked off with his head turned to watch her figure fade away with the distance.
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SHE SAID SHE’D be gone by morning. It was 3 AM, and he wasn’t sure what morning she was referring to, but surely she’d use more time for rest and packing her things. It wouldn’t be so early. He paced back and forth, almost creating a six feet deep grave of his own in front of her door, his hands secured in his pockets. His furrowed eyebrows almost reached each other to knit a whole line on his face, but he soon stopped with a sharp exhale.
Anthony realised how wrong he might have been. The fact that both Lucy and George don't know anything made him feel even more guilty knowing damn well they would have his head and ego once they learn of what he did. Not only that, he felt incessantly bad for being cruel with his choice of words without consideration to what Y/N’s explanation could offer. To be completely honest, he wasn’t even thinking straight! He had no clue where the idea of eliminating her from the team came from.
His mind hadn't been at peace nor was it sober in his library when they got back home. Y/N shut herself in her room after an awkward dinner in which they both pretended everything went well. Lucy and George, bless their poor naive innocent souls, seemed to buy it with Lucy feeling a little bit hesitant.
It was 3 AM, and he was at her door.
At her door.
His hand slightly lifted to knock her door, but it stopped mid-air. Lockwood sighed, pulling his hand back in his pocket with a shake of the head. He’d been horrible, and disturbing Y/N’s peace no matter how fleeting, would be more displeasing.
Anthony’s footsteps faded with Y/N listening intently behind the door, wiping her silent tears. He was outside her door for half an hour during her moment where she wrote her letters individually to the members of the team. She didn’t want to open the door, but her desire to speak to him drove her to a decision that if he knocked, she would let him in. If he asked that she returned, she would.
But alas, he didn’t do any of those, leaving her to conclude that his decision was final, and his words were deeply meant and intended. It was her fault, after all.
And maybe the agency would be better off without a dead weight.
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WHEN MORNING CAME, Anthony was jolted awake when George shook him back to consciousness in the library lit with the sunshine pouring through the window. As soon as he fluttered his eyes open and saw the light with George’s frantic silhouette, it had been a clear indication that he was too late.
“Y/N’s gone!”
There was an unpleasant sensation in his stomach, bad butterflies taking control over his system. He quickly sat up and ignored the pounding headache he gained overnight. Anthony turned to George, “Since when?”
“I don’t know. Lucy called her for breakfast but she didn’t answer. She never didn’t answer! So we went up there to check, but all her things were gone.”
He got to his feet and went straight to Y/N’s provided room where all traces of her existence were never found, except for the envelopes clutched in Lucy’s trembling hands. Her face wasn’t warm and welcoming at all as she furiously questioned, “What did you do?!”
“She’s left the agency!” Lucy exclaimed.
“Why?” George asked in response.
“Ask Lockwood. Apparently, he’s the one who talked to her last night after the mission.”
“What are those?” Karim gestured towards the envelopes Lucy had. She raised the letters with their names engraved in jet black ink.
“See for yourself,” she answered and shoved each of the letters to the designated receivers. The girl then furiously marched out of the room, leaving behind both George and Anthony to themselves. Karim opened the correspondence and trailed his eyes along the letters scribbled on the tear stained paper, his face growing bitter word for word as he finished.
The boy turned to his companion, “You’re unbelievable.”
Lockwood wore the same frown he wore in front of her door a couple of hours ago. George left him in the room to self-reflect between the four walls of nothingness but the lingering memories of who used to occupy it.
He looked at the letter, opening it as he scanned the wirds carefully written yet stained with tears that dried on the ink that spread on the fibres of the paper.
“Anthony,
I didn’t tell them, if that’s what you’re worried about, but I’m not sure if my explanations will suffice. I know Lucy and George are smarter than you give them credit for. Whatever happens, I want you to continue the agency with them. They’re your only family left.
I loved the memories with you and the others and I will continue to treasure them until it’s my prized possession that you will have to seek one day. I hated you for a while, and maybe I hate you now, but there’s nothing but the truth that you make a great leader, and I hope your passion will lead them to the path they want, and their loyalty will not banish even after eternity.
For a while, Lockwood, your home had been my home. Our home, but after tonight, it seems as though you gave the key to the wrong person. I hope you will find a better one worthy of the team.
Do not look for me. I will find a good place to find myself and start again and recover. And once I recover, I swear to George and Lucy, I will write. Take care of them.
I’m sorry,
Y/N.”
He wanted to crumple that letter, but that’s all he had of her. Each passing second that he stared at the empty room made him feel guiltier and guiltier. The blood in his veins rushed as he turned crimson with rage. Anthony had never been one to lose composure of himself, especially when he was angry, but it was different this time.
He knew to himself that he blew it. He had fucked up and now he was not the only one that was paying. Because of his arrogance, the house lacked Y/N’s annoying laughter, her awkward morning small talks and idle chatter, the familiar creaks on the wooden stairs because of how loud her feet become when she’s excited for a new case.
Her seat remained empty, devoid of the girl's presence. Her favourite cup had been set before the chair without any mark or stain of the hues she usually wore on her lips. The smell of coffee George brewed earlier for her wafted in a room, serving as an object to rub it in their nose of the bitter tension she’d left behind in that very room.
Lockwood cleared his throat, “Our next mission, er.”
Lucy’s scoff caught his eye, “Give us a break, Lockwood.” She put her mug down, her eyes piercing through his, speaking, “When will you ever learn to not only care about yourself?”
“Lucy, not now.”
“Yes, now.” George intervened. “No one knows why Y/N left, except you. Her family wouldn’t want her back even if she writes that on her Christmas list. You know it to yourself too, that’s a dumb excuse.”
“She left the agency because she made her choice,” Anthony monotonously replied, and quickly regretted it as he sighed and spoke again in a much gentler, more emotion-filled voice, “It was the best for us all.”
“Did she make that choice, or did you? No wonder she left.” Lucy mumbled as she was not having any of it. She slammed her feet on the floor and stood up to leave the kitchen with George leisurely following behind.
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Y/N TOOK IN THE rotten interior of the home. Everything was mouldy and abandoned. It was an odd thing, for sure. The house was supposed to be sold months ago! Why was it deprived of human presence? Something was not right, especially with that voice slowly creeping in her ears again.
She wasn’t alone in that place.
“Help me,” she heard. There was a guess there. A guess she’d been doubting for weeks but knew to be believed by her subconsciousness. The girl grabbed the pen from her pocket and sighed, closing her eyes to allow itself to commune with her.
“What do you want me to do?” She questioned.
It was a bad idea, but it was daylight. The power of this type of entity, whatever it is, should be weak by now. Y/N felt herself being pulled in a deep void, forcing all her energy to go down with the force. It was her mind that felt lightweight and then her body with static. All sounds from her surroundings started to become collectively like the sound of electric waves until it was an absolute nothingness.
Just then, an ornate box appeared among the fog, its gold embellishments covered in crimson hues, dripping on the now visible desk. The event happened so fast, and what was once a flurry of foggy mess was now a warm room lit with glinting candle lights from above the ceiling before it turned into a ghost of the olden times. The doors were being pounded from the other side, followed by voices who furiously shouted a name.The girl looked around to see a cadaver on the floor, severely tortured and bloodied. Then, she looked at herself, taking note of how her hands were covered in the same liquid as on the floor.
“What happened here?” she whispered to herself in a frantic tremble.
“Give us the box!”
She looked at the object now in her hands. Every inch of her appearance had changed into someone else, feeling their sense of determination to hide and clutch the treasure in her possession. She turned frantically to look for a way out, but just as she was about to run for it, the door burst open and there came three men, one with a pen in his hand.
“You’ve signed the agreement my father’s given you!” She didn’t know why or how, but it must have been the ghost that kept haunting her that said it.
“Will it matter any longer?”
Just as she screamed, the world had turned into a fading vision. Y/N woke up with a gasp, finding herself on the floor with the piles of stones and rubbles, debris from the structure of what once was a home of an aristocrat. There it was again, that ringing. The girl groaned from the consistent hearing disturbance.
She stood up, only to find herself in an entirely different room. Her eyes made a quick scan of the structure. That was when she found an unusual glint inside the crack on the floor. “So that’s why.”
The death glows would have been seen by Lockwood before, but he didn’t, only because the home had been renovated long before it got destroyed again. The floor had been covered by another layer of floor.
Then, a glint caught her eye, the moonshine had reflected its light where she saw the intricate box. Quickly, she crawled over to it and pulled it out of the crack with force. The box was the same as before, only old and rusty. The surface was covered in dust and old traces of blood.
The ringing stopped, replaced by a series of the hushed voices of a woman. Y/N flailed side by side, falling on her knees as she crawled to grab ahold of the intricate box covered in dust and other filthy muck. “What is this for? What should I do?”
That’s when she realised the sun had finally set and she was in deeper trouble than she was. A glowing light appeared behind the door frame as it continued to hide. Her breath hitched, grabbing ahold of the rapier she managed to steal from Anthony’s library.
“I will help you! You’ve tormented me enough,” she mumbled, holding the rapier up as a barricade between her and the ghost.
The ghost let out a deafening shriek as it frowned at her, hovering through the air before her eyes.
“I promise!” Y/N exclaimed. “Just let me help you!”
However, it was not easy making deals with a dead-undead visitor made up of ectoplasm and substantial despair and anger toward the living. The ghost charged forward, making her lucky enough to move out of the way. She yielded the sword, and the luck of the draw struck again when she managed to hit the visitor with her iron blade, buying her more time.
The girl opened the box, revealing a pile of papers and an old silver pocket watch eaten away by old age and exposure to oxygen and insects that created their own home within the chest. The cobwebs were occupied by several tiny eight-legged creatures causing her to cringe as she dropped the box and shook the spiders off.
Upon the contact of the crate with the floor, a glowing spot appeared.
She looked at the ghost of the woman that haunted her. It stopped mid-air for a while before continuing with her new entertainment of tormenting the girl more. Y/N’s eyes widened at a sudden realisation.
That was it!
For the first time in a long time, she finally felt like she wasn’t being an absolutely bloody idiot. “I have to destroy it, don’t I? For you to find your peace, is that it?”
That was when she frowned and muttered under her breath, “But that’s not your source.”
Then, her ego was kicked off the curb with her guts. A hand reached out from the glowing spot on the floor. “That’s someone else’s source!” She raised her rapier and quickly wielded it to hit the box, preventing the ghost from coming out of it.
The first visitor shrieked again and charged forward as Y/N fumbled on the floor, miserably looking for the pen. Her breathing was audibly fast, waving her sword desperately through the air to ward off the ghost that had been restless in chasing after her.
She scanned the cracks, there was nothing. Then, under the desk, nothing. That’s when she noticed the object she sought right next to an empty cobwebbed shelf on the floor next to a book.
Y/N removed her sword out of the way, darting towards the pen to grab ahold of it, quickly swerving to get rid of the visitor. After that, she hit the box again and once the glow disappeared, her fingers found themselves holding onto the chest for dear life. She put the smaller object in it, and placed it between her side and arm, her other lifting the rapier up.
Dumb! Literally dumb!
Her foot got caught in a lifted crack on the floor, causing her to plant herself on the floor. A groan emitted from her lips as she tried to ease the pain on her chest. Upon realisation, she swiftly turned and held her sword up, fighting the phantom.
“My ears hurt from your constant shrieking!” she yelled.
Due to the movement of her arms, the box had slightly drifted away from her clutch as she busied herself warding away her enemy. “I even wonder why it isn’t Lockwood that you could have bothered! You would have been at peace by now, but no. You chose the weakest link! I’m practically useless, and I might possibly be losing my talent! Now you’re the one who’s mad? I didn’t choose me! You’re the one who screwed up!”
Maybe she was the mad one, in different terms. She was talking to a ghost, for Chrysler’s sake! Even worse, having a verbal feud with it!
If only Lockwood could see her now.
That was until the ghost disappeared after a swift, almost invisible lightning speed strike. She gasped for air and turned around to see what the cause of it was, but no. What’s better is to destroy the sources and get peace once and for all. She sat up and crawled over to the object, grabbing a nearby rock and destroying it for good. The pained wailing finally died down as she loudly caught her breath, exhaustedly falling on her back with her sword clattering on the ground.
“L/N!”
That voice. That god-awful voice. She closed her eyes shut, unable to open them for a second due to her strong will to rest and recover. Look, now she was even hallucinating Lockwood calling her by her last name. It was impossible that he was there, and even if he was — she laughed slightly. He couldn’t be. If he was, she would tear the world apart just to get away from him. She wanted to be millions of miles away from him, avoiding his gaze, getting rid of his smell, and that stupid voice with that arrogant tone of his. He had crushed her dreams and hope like it was nothing, even with just a brief conversation, everything that she clung to in that agency faded in one statement that she wished she never heard from him.
But good riddance, right? At least now she knew it was the wrong agency for her. She wasn’t cut out for this kind of work.
“L/N.”
“Can voices just stop — ” she angrily mumbled, almost in a slur of words, “ — pestering me all the time? Can I just have peace for once? Is that too much to ask for?”
“If they stopped now, you wouldn’t hear what I have to say now, would you?” Now that was it. The girl’s peace had been completely shattered once and for all with that single question built in a rhetorical structure. Her eyebrows now knitted together — an exaggeration, but they almost did. Just a little smidge and they’d be meeting. It couldn’t possibly be him, could it? Her heart fluttered both bitterly and in a way that she hoped that there was hope, but knowing Anthony, he was only here as a figment of her hostile imagination. He wasn’t truly here. That would be asking for too much — only she didn’t ask anything to send him here.
“I’m sleep-deprived,” she muttered under her breath.
It took Lockwood his whole body and soul to stop himself from smiling. He thought he wouldn’t see her here, that she would be off somewhere else, and not the usual destination she would go to whenever she was upset.
A hallucination: that’s what he was to her as of this moment. She still had her eyes closed, refusing to open her eyes, and what was worse was the constant question whether she refused to see the disappointment of a world with Lockwood there or the opposite.
Then, that’s when she felt a gentle contact at the back of her neck, slowly lifting her from the ground. Panic covered her bones and took over the nerves to her brain as she mentally screamed repetitively.
She quickly opened her eyes to see him kneeling just before her, holding her as if she was a fragile glass compared to all that he's seen in his entire life in his basement.
He was there.
He was real.
He was touching her.
And he was — "Your hands are cold."
"I don't care, L/N."
There was something different. All the passionate hatred she had for him was slowly starting to well up in her chest, but being swallowed by a big flurry of adrenaline that made her blood flush in her veins faster.
It was his gaze. They'd changed into something atypical. Too . . . soft, and upon realisation, the double volume of her disdain started knocking her off again.
"No," she mumbled and quickly sat up, pushing him away from her as she scrambled to get her rapier and stand up. "You can't just come here and play the hero, and look at me like that! No!"
Confusion changed his expression, "I just helped you."
"Why do you do this to me?" Her voice has all but given up standing sturdy. She trembled both in excessive fatigue and strong emotions. "You can't just — just look at me like that after you made me feel like shit! And then what? You pity me, and you say sorry and things will go back to being shit again and the cycle continues? What do you think I am?"
"I—"
"You what? You're sorry? Why did you come here? To tell me worse things, that I'm hopeless or that maybe you're so noble that you just felt the need to help me get started with my life?"
Lockwood understood every bit of what she was saying. Her absence in that home has made him realise just how much of a cowardly bastard he was. How undeniably much of an asshole he had been to her and how much hell he'd pay. Her wrath was just the start of it.
But his understanding was growing weary. He knew in a way that Y/N had her wrongs too, "You never told us about the voices."
She halted. She really didn't have any other reason than she didn't want to appear weak and bother anyone. Besides, she doubted the existence of the voice. But there was no excuse.
"I wanted to figure things out on my own," she stated before turning to leave. Before she did though, he spoke.
"I look at you," he started as she stopped and slightly turned to her side but not completely enough to meet his eyes, "like this, not because I pity you, Y/N."
That was her name. Her first name.
"I look at you because I've been. Whenever you were unaware that I was looking. I've always seen you from the start, hence why when I said you reminded me of how things begin and end, it was because you were the first person to make me get up from my bed and the only person I want to see when the day ends. When I'm tired and weary." He then averted his gaze to the ground, "I looked at you like that earlier because I couldn't bear to look at anything else or see you in another state."
"I regret everything that I said, and I wanted you to know how hard it's been to look at your door and think that in the next few days, someone else or no one will occupy that room knowing that there were traces of you — any traces, just anything but physical. It's been torture, not just for me, but for both Lucy and George. So, I thought maybe you'd gone to the place you've been going to peculiarly for the past few months," he continued.
Indeed, he knew her, watched her, examined her.
Possibly even admired her. From afar. But he looked the other way, believed the other way because how could he afford that? How could he afford these feelings knowing he had nothing? He had himself, but he did not have anything stable that he could give her. Will that make her happy? Not at all.
"I'm sorry," he breathed out. "I know it's not enough, but I'm willing to prove to you how sorry I am. Just — I want you to know that I never intended things to be so bad and out of control, and I never meant to hurt you. I thought I was doing the right thing, but this isn't an excuse. I just want you to know that I regret everything."
"You are not a dead weight, Y/N. If anything, you're a breath of fresh air, and you make things easier every time one of us feels down. You make the mornings lighter, the end of every exhausting day a moment of opportunity to think about how thrilling life can be. You make the next days, weeks, months, and years something to look forward to. When you left, thinking about those future moments without you with us, it feels empty and terrible. A few hours without you had turned us into malfunctioning lunatics. We're in shambles — I'm in shambles. What more with days? The truth is, it's not you that's the problem. I keep causing you pain, and I'm trying to be better, because I want to be better for you. When the time comes that I do, I will try to be the best. You deserve that. It will take time, and that is why I'll understand if you don't want to return to the agency with me."
Come to think of it, as she observed his state, his Lockwood hair wasn't in its best today. His eyes looked tired and bloodshot. His always tidy flat clothes were wrinkly and his tie was out of place. He looked like he'd been through hell, and his next elaboration explained why.
"Thinking about you every now and then, especially now, I've always shifted in my seat, trying to decipher just how you affect me this much. When I found the possibility of how, I felt the sense to hide it. Every smile that you caused, I hid it all, because secretly I love bickering with you every chance we get, because I get to see the thrill in your eyes and the fire that you hide. I thought that maybe if I hated you, I would selfishly gain more feelings and learn to embrace the things I might possibly find distasteful if my feelings started the other way. And I did, I managed to admire everything you hated about yourself. You've made me feel things strong enough that whenever I run away, I still end up going back to you."
"Lockwood," she finally spoke and swivelled to face him completely. "Anthony."
"Yes?" He eagerly lifted his head to wait for her response.
She chuckled, "I thought you were about to recite Mr. Knightley when he was confessing to Emma."
That's when he laughed and nodded, accepting the fact that maybe he said too much that all she could reply was Jane Austen’s Emma joke, "Well, I have been told that I have a knack for paraphrasing."
"Do you mean all that?"
"The bickering part, most especially."
"Do you want us to bicker now?"
"I think we're already starting," he commented, which made them snicker.
"I'm sorry," she stated. Lockwood thought that was her way of telling him that it was too late. His heart was pierced by a shard of mirror which he failed to use earlier for self-reflection. That was when she smiled, "I just don't know what to say."
"You can start by accepting our job offer. We, er, have an open position looking for someone with a talent like yours," Anthony cheekily replied with a playful smile. "Our agency is one of the most prestigious agencies in London, and we ensure the safety and warm welcome — new addition, of our team, old and new. Do you accept, Y/N L/N?"
“Didn’t you hear what I said earlier? I think I’m losing my talent.”
“And you still managed to beat a type two with a frenemy in one night with a rapier, a pen, and a box?”
"You're a bloody idiot." She defeatedly let out a breath of joy and relief.
"I'm taking that as a yes. Come on, if you say yes, we'll bicker nonstop and you’ll get endless coffee privileges."
"You're a bloody idiot." She defeatedly let out a breath of joy and relief.
“Just so we could hate each other again, and be able to speak about our fondness more.” offered his hand for her to take. She leisurely took it, trying to ignore the warmth her hand provided to his cold one. He was holding her. Touching her, when a few hours ago, he couldn’t even as much as lay a finger on her.
And when they got back home, the block had been covered with missing posters of Y/N, with additional apology notes and “Lockwood sucks!” extras. That was true.
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starsreminisce · 6 months
Text
I'm know I've mentioned it before, but considering that Feyre and Rhys are both two halves made whole, Nesta's and Elain's books essentially mirror ACOMAF split into two. Nesta's journey parallels Feyre's healing from her UTM ordeal, with Rhys's full Illyrian counterpart. Meanwhile, Elain's exploration mirrors Feyre's ascension to reclaiming the High Lady title, with Rhys's full fae counterpart.
While SF may have faced criticism, Nesta had to heal through aspects that had never bothered her before, much like Feyre did, and Cassian has already worked through most of his issues, though he still acknowledges his self-worth issues. Their story seems complete, but ACOMAF hints more towards Elucien's story, especially when dissecting Rhys's chapter 54 alongside Lucien's journey throughout the books.
Though Rhys's and Lucien's experiences differ, there are enough parallels for me to draw connections. SJM loves her patterns, so it wouldn't be surprising if she continues this trend in Elucien's story as well.
Indents are from chapter 54 and orange is Lucien
He paused, swallowing. “I was chained in the mud, forced to watch as they battled. To watch as Jurian took my killing blow. Only—she slaughtered him. I watched her rip out his eye, then rip off his finger, and when he was prone, I watched her drag him back to the camp. Then I listened to her slowly, over days and days, tear him apart. His screaming was endless. She was so focused on torturing him that she didn’t detect my father’s arrival. In the panic, she killed Jurian rather than see him liberated, and fled.
A tight sigh. “His father had her put down. Executed, in front of Lucien, as his two eldest brothers held him and made him watch.”
And that night, when she kept turning her attention to me, I knew what she wanted. I knew it wasn’t about fucking me so much as it was about getting revenge at my father’s ghost. But if that was what she wanted, then that was what she would get. I made her beg, and scream, and used my lingering powers to make it so good for her that she wanted more. Craved more.
He wouldn’t meet my gaze. “She insisted. Tamlin was … Things were bad, Feyre. I went in his stead, and I did my duty to the court. I went of my own free will. And we completed the Rite.” No wonder she’d backed off him. She’d gotten what she wanted. “Please don’t tell Elain,” he said. “When we—when we find her again,” he amended. He might have completed the Great Rite with Ianthe of his own free will, but he certainly hadn’t enjoyed it. Some line had been blurred—badly.
But your final trial came, and … When she started torturing you, something snapped in a way I couldn’t explain, only that seeing you bleeding and screaming undid me. It broke me at last. And I knew as I picked up that knife to kill her … I knew right then what you were. I knew that you were my mate, and you were in love with another male, and had destroyed yourself to save him, and that … that I didn’t care. If you were going to die, I was going to die with you. I couldn’t stop thinking it over and over as you screamed, as I tried to kill her: you were my mate, my mate, my mate.
Lucien staggered a step forward as Elain was gripped between two guards and hoisted up. She began kicking then, weeping while her feet slammed into the sides of the Cauldron as if she’d push off it, as if she’d knock it down— “That is enough.” Lucien surged for Elain, for the Cauldron. And the king’s power leashed him, too. On the ground beside Tamlin, his single eye wide, Lucien had the good sense to look horrified as he glanced between Elain and the High Lord.
So Amarantha died, and I spoke to the High Lords mind to mind, convincing them to come forward, to offer that spark of power. None of them disagreed. I think they were too stunned to think of saying no.
Elain was still shivering on the wet stones, her nightgown shoved up to her thighs, her small breasts fully visible beneath the soaked fabric. Guards snickered. Lucien snarled at the king over the bite of the magic at his throat, “Don’t just leave her on the damned floor—” There was a flare of light, and a scrape, and then Lucien was stalking toward Elain, freed of his restraints. Tamlin remained leashed on the ground, a gag of white, iridescent magic in his mouth now. But his eyes were on Lucien as—As Lucien took off his jacket, kneeling before Elain. She cringed away from the coat, from him
When I went to leave you … I think transforming you into Fae made the bond lock into place permanently. I’d known it existed, but it hit me then—hit me so strong that I panicked. I knew if I stayed a second longer, I’d damn the consequences and take you with me. And you’d hate me forever.
But Elain was staring over Nesta’s shoulder. At Lucien—whose face she had finally taken in. Dark brown eyes met one eye of russet and one of metal. Nesta was still weeping, still raging, still inspecting Elain— Lucien’s hands slackened at his sides. His voice broke as he whispered to Elain, “You’re my mate.”
I heard you were going to marry him, and I told myself you were happy. I should let you be happy, even if it killed me. Even if you were my mate, you’d earned that happiness.
“My mate is engaged to a human male.” He spoke more to himself than to me. “I’m sorry if—” “I want to see her. Just once. Just—to know.” “To know what?” He hitched my damp cloak higher around us. “If she is worth fighting for.” I couldn’t bring myself to say she was, to give him that sort of hope when Elain might very well do everything in her power to hold to her engagement. Even if immortality had already rendered it impossible. Lucien leaned his head back against the rock wall behind us. “And then I’ll ask your mate how he survived it—knowing you were engaged to someone else. Sharing another male’s bed.”
“It killed me, Feyre, to send you back. To see you waste away, month by month.
Too thin. She must not be eating at all. How can she even stand? The thoughts flowed through his head, one after another. His heart was a raging, thunderous beat, and he didn’t dare move from his position a mere five feet away. She hadn’t yet turned toward him, but the ravages of her fasting were evident enough.
But I couldn’t … I couldn’t stop being around you, and loving you, and wanting you. I still can’t stay away.
Cassian’s heart strained at the pain etching deep into Lucien’s face as he tried to hide his disappointment and longing.
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order-zerum · 9 months
Text
How Zerum Ends
Well, everyone, it's finally happened. The end of Discord Whooves has occurred so now I can talk about what Zerum is and where he was going.
I've said in the past that Zerum's timeline runs parallel to Discord Whooves' timeline, meaning both exist at the same time. And by this I mean events in Discord Whooves line up to the various things that happen to Zerum, starting from the start of both blogs. How this is happening?
Well, Zerum is supposed to be the discord curse in the Doctor's head. He's a literal virus infecting the Doctor's mind, planted there to keep him captive to Discord's influence. The ways you can line up events is through 4 various types of events.
1: Sex. Most of the times that sex occurs, is when The Doctor is overcome by his lust and goes on various sexapades. This doesn't ALWAYS line up, but it does for sure whenever Discord shows up for it.
2: The Light. The light occurs any time The Doctor becomes his old self, undiscorded. It's the glimpses of hope that we get that he's still there, deep down, and the light is a threat to Zerum because if the light stays on, the virus gets destroyed along with Discord's influence. The light's appearance remains consistent with the Doctor's blog, so this is the best way to keep track of where Zerum is in The Doctor's story. I was planning for the light to manifest as a cute creature so people would try to defend it which would ultimately cause more harm to Zerum because the light is basically antibodies.
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Eventually the light was going to get so bad that it nearly kills Zerum, during the time that Twilight and Minuette helped the Doctor. Discord seems to have abandoned him but really he can't get in his head during that time.
3: The baby nightmares. These nightmares happen any time Hyde becomes active in The Doctor, and eventually the 'baby' who is actually The Valeyard breaks free of Zerum and escapes the mind prison.
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4: Perry Doctor. After the point where Perry appears in Discord Whooves, any time The Doctor is sleeping Perry travels into his mind to interact with Zerum. Perry is a dream traveler, which is why he is able to do this.
Also, there is a reason Perry was able to reach him. Perry travels through the dreams of various ponies and beings, he is a dream traveler rather than a space/time traveler. He found Zerum by visiting his old self's dream, because Zerum is in Dissy's mind.
How was the blog supposed to end?
Eventually, Zerum was going to be able to be convinced to fight Discord when the light shows up and weakens him, and he manages to kill Discord. The event that causes him to have his change of mind is when Discord disguises himself as Perry and attempts to destroy their relationship after he discovered it. But Zerum manages to figure out it's not Perry, and Discord reveals himself. That's when the light returns and Zerum is able to kill him.
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Of course, he's accepted that he'll die with Discord, and is ready to accept his fate... but Perry found a way to materialize a TARDIS in The Doctor's mind and rescue Zerum before it's too late.
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Zerum is then brought into Perry's dreamscape, where he slowly learns to recover and gain a sense of self worth.
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Zerum's cutie mark was going to change to represent his newfound freedom and the self love that he found with Perry's help.
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So there you have it, you now know what Zerum's whole deal was, and where the story was meant to go.
This blog was extremely personal to me, and was an exploration of the trauma I had obtained from past abuse, both sexual and mental from horrible people in my past. For a long time I had unmedicated PTSD so this was the best way I could find to cope. The blog was meant to be shocking and to manipulate people into saying and requesting horrible things to feed into the abuse and put people in the place of the abuser, or those trying to help the abused. I'm happy to say while it started out pretty awful, after a while people were much more kind and wanting to help. It started from a very basic hypnosis kink idea, but then I got to wondering why it was a kink and if it was okay to be one. The blog itself wasn't meant as me being kinky, but me exploring 'why does this make me feel this way', and I was able to come to the conclusion that many abuse survivors have these kind of kinks because it gives them a sense of control in something they lost control over in the past. It's a safe way to explore a traumatizing experience, and their own way of having consent in exposing themselves to it. A lot of people assume people are getting turned on by the idea of being abusive, when in actuality most of us are putting ourselves in the victim's role. These are complex feelings but it gives us autonomy over our experiences. It doesn't mean we're turned on by being victims, or that we enjoyed what happened to us. It just means we want to have control over when we feel submissive and vulnerable. We're not 'sick fucks' who get turned on by the suffering of others, most of us would never want anyone to experience what we went through. But we want a safe space to come to terms with our feelings, to feel power in exploring a fantasy situation of powerlessness. This is a process that we need to cope with trauma, and it doesn't hurt anyone but the fictional characters we put ourselves into.
That said, I will be deleting all the posts of this blog besides this one, because it is much to sensitive to me and I've closed that chapter in my life. I don't want this series to be easily found or associated with my original works, so it's time to say goodbye to Zerum. I will leave the posts up for a month so people can read and see all the clues and how the story lines up with Discord Whooves, but after a month is up I will delete the rest of the blog and leave this post in its place.
Thank you all for following, and especially thank you to all who approached this story with understanding. I hope I helped people come to terms with their own traumas, or at least informed people more on what trauma is like.
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linkspooky · 3 months
Note
I'm out of touch with the manga, but how come Dabi's fate is so cruel and bad?
Your guess is as good as mine. My speculation is that Hori changed his endgame plans three times. At first Hori planned on killing Endeavor early during the high-end battle.
 "Truthfully, Endeavor was supposed to die during the 6th season, but when I was drawing the High-End battle in Kyushu, I decided to delay that. Maybe because of that impact, there was a little delay after the High-End battle..."
At this point you can tell that Hori didn't think of how keeping Endeavor alive would effect the endgame plot, because Endeavor's arc remains stagnant since the Pro-Hero arc. He basically doesn't do anything, but is kept alive on the promise that he will eventually do something to atone. My guess is Hori simply didn't plan far ahead enough to think the point he wanted Endeavor's arc to end at.
In the original scenario me and class1akids speculated together that since Enji wasn't going to be there, Shoto using Phosphor would actually work to take down Dabi non-lethally and the confrontation would end there.
The second change is because Hori kept Endeavor alive, he needed to make it so Enji and Dabi had a final confrontation, but because he also made the choice to have Enji fight AFO instead, the battle had to be split into two parts with the finale being Enji and Dabi's confrontation.
This second change is what resulted in the horrific burning off of Dabi's skin. If not for this change then likely we would have got an ending where Shoto visits Dabi either in prison or in rehabilitation like Rei, and that's the first step to Dabi's recovery paralleling the end of the Tournament Arc.
The third time is that it's clearly foreshadowed that Toya would eventually be able to sit down at the dinner table, and Shoto would ask him his favorite food. Enji has a dream about his family eating dinner together and wants Toya to be there too, Natsuo once mentions he doesn't know Shoto's favorite food, much much later this prompts Shoto to think about Toya's food and declare he'll make him sit down and eat Udon.
What we got instead was Dabi in an iron coffin on life support, with his family just expressing their condolences and getting to say their goodbyes in the short time Dabi has left.
I have no idea why this change was made. Maybe to pander to a part of the fandom that loved Enji's redemption arc, but despised Dabi because of all of the trouble he caused his family. Either way it's very weird, because it's not just killing each character off. It's subjecting them to these ironic hells like it's the twilight zone. Toga wanted to know if the heroes would save her or they'd kill her like twice, the answer is no and they'd just put her in prison so she kills herself. Shigaraki was afraid that he was born evil and wasn't in control of his life, AFO reveals to him that apparently AFO controlled his entire life from the beginning, and then Deku kills him and he dies having destroyed nothing meaning his life was indeed meaningless. Dabi's greatest fear was that he was a born failure, his life meant nothing, his death was unmourned and his family moved on without him. Well, now Dabi is going to die in a life support machine with no skin that looks like the torture devices from hellraiser, slowly, painfully, only able to be conscious a few minutes a day and his family is just going to move on without him.
This isn't just "the villains have to die to atone for their sins" this is like Hori specifically torturing them for the audience and also insisting they brought their suffering upon themselves for not wanting to atone like Hawks, Endeavor, Lady Nagant and Gentle and therefore are disqualified from being human in the end.
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professoruber · 3 months
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Quick thoughts on MAWS depiction of Krypton
My Adventures with Superman Spoilers
Okay so I've really been enjoying My Adventures With Superman (I recently re-watched and caught up with the show) but honestly I am personally not the biggest fan of the depiction of Krypton and Kara.
Disclaimer I am not a big comic expert and am still something of an novice, especially with Superman stuff, but I am slowly broadening my horizons.
Some things I like about Superman is the parallels to the story of Moses as well as the general immigrant story. Superman Smashes the Klan is one of the comics I've read so far and I really liked how it explored those latter themes.
So I guess I kinda feel that having Krypton be depicted as this imperialistic empire, especially one who was destroyed due the fights they picked, kinda undermines those parallels/themes? Granted, the immigrant story stuff can still very much be present regardless of the nature of Kryptonian society.
Perhaps it has something to do with my initial expectations that Kara would provide another view of Krypton to contrast the very negative impression which Clark had received from the very limited information he had received in the first season but uh...
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While Kara is certainly a rather sympathetic individual, she is also certainly not exactly providing a better view of Krypton. Of course, I'd imagine as well that Primus Brainiac's version of Krypton is much worse than the original one.
(The reason why I had the theory is because I like the contrast between Superman and Supergirl, of the latter generally being depicted as having spent at least her formative years in Krytponian society, either Argo City or Krypton itself. Both are stories of immigrants, but with an interesting difference which makes them distinct in their experiences)
But we did hear from Jor-El that Krypton was indeed an Empire before its destruction (although... Clark's only able to have a proper conversation with Jor-El after the Brainiac systems of the ship had been explicitly activated... hm.)
As I said before, I am really loving MAWS and think its a very fun show. And I also do not want to criticise a show merely because it did not follow my exact personal expectations, that'd just be silly.
But I suppose that watching it has gotten me thinking about my personal thoughts on Krypton in general, and I feel like I might as well write it down.
The season's also not over yet, so there is a high possibility of more nuance being shown in Krypyton. Plus regardless of if Krypton was an empire, the regular civilians didn't deserve total destruction.
Anyway, MAWS is very good .Would recommend. And like I said, this is mostly my personal rambling of thoughts on Krypton and Kara. Can't wait to see the next episode!
Edit: kinda tired today but to slightly expand on my thoughts. I suppose in general I like the idea of Krypton with its own flaws and virtues. While MAWS could still very well show the better side of Krypton outside of Brainiac’s propaganda, it’s status as an imperialistic power which caused its own destruction through its conquests arguably would overshadow that somewhat.
Clark Kent was raised on Earth by the Kent Family. That’s who he is, where he got his values and how he was shaped into the man he is. But I also like him still nonetheless being able to be proud of his Kryptonian heritage and connect to it; being both Earthling and Kryptonian.
But in MAWS; between Jor-El’s A.I getting destroyed, Old Krypton being imperialist, New Krypton being ruled by Brainiac and Kara being a brainwashed war criminal, it leaves Clark with very little connection to Krypton and very little insight to what it was actually like as a society and culture and people.
And unless there’s further reveals about Kara’s backstory (although I do have a theory about that…), there’s a fair chance she won’t have much connection to Krypton once she gets freed from Brainiac’s comtrol. And what connection she does have right now is mostly negative and tainted by Brainiac.
Perhaps I am a bit pre-emptive in some of this and I do think there’s still plenty of room for the writers to expand on Krypton and what it was like and what lead to its empire and subsequent destruction. Regardless of what direction the writers take though, I am looking forward to seeing the show’s story progress!
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