#this snippet is just kind of a note to myself about the lore

[zaynes-ocs]

A little snippet from my notes doc about some general lore I’m building up in the project I’m bringing back from dormancy, though I’m redacting one of the names because it would reveal the story and I want it to be at least a little bit of a surprise before I do an official reveal announcement

Years and years ago, the 6 dragons ruled the ever shifting lands, first were Ariis and Arkus, breinging fire and turmoil to the skies and pulling lava from the core of the earth and sending storms to cool it as they made the land of the world. Then came (sea dragon) and Ürsus, creating the flowing tide and cooling the earth into deepest mountains. The frost dragon came next, cooling parts of the world and allowing for more diverse weather alongside her brother Arkus. Once life began to thrive and grow, death soon followed and [redacted] was born.

[redacted] was a strange dragon, hidden away and bringing death and pestilence to the world. He sought stength and power, he claimed to be able to do the job of the others alone if he were so given the power. He acted out of line, hurt too many, took too much. [redacted] took the sight of Arkus, grounding him for centuries in the wye of an endless storm in an attempt to steal his power. Ariis and (sea dragon) didnt take kindly to this grand treason, deciding that he must be killed for his heinous acts, while Ürsus and Arkus were too kind, too soft wishing to imprison him instead while The frost dragon was silent on the matter, not taking either side.

Togetehr they all attacked at once, ariis and the sea dragon aiming to kill with their breath while ürsus and arkus attempted to use their magic to trap elduin into an emerald that became scorched black by ariis’s flames. The frost dragon however cast a different spell, one that shattered [redacted]’s soul and psyche, tearing the immortal form of a dragon from his soul and leaving it a shapeless husk that required a vessel to latch on to to maintain a form.

Within the gem [redacted] became insane and formless, becoming wisened in the mad ravings of dark magic to bring undeath to the world.

The dragons knew he still could be a threat, so they cast his gemstone into a crypt of the mortal plane, hoping it never to be opened again, though a mortal prophet claimed that a human vessel would rise during a plague of [redacted]’s creation and find the gemstone that imprisoned the banished god and allow him to take revenge on those that cast him aside. This vessel would be dubbed “the vessel of the aincents”, though this prophecy would be forgotten by the warring dragons who fell into dissarray and dissatisfaction with each other at the loss of their brother

[llilyrose]

So, you know that ISAT au I mentioned in my yass-girlboss King post??

HHHHHEEEERE WE GO .... info below keep reading!!! lots of words!!!! In Stars And Time FULL spoilers!!!!!

(Note: The Reset AU will be posted on @slowlysoluminary but i will be reblogging from my main)

There are some really interesting Siffrin-Meets-The-King-First aus that float around. I see them sometime! they're great! But I, as an adoring King fan, had to sit down and ask myself:

"So, uhh, like why?"

AND I DID SOME THINKING!!!!!

The King notices you're looping in Act 3. That's great! Not for Siffrin, but great narratively. If he notices it in that loop specifically, I feel like he would notice in other loops, too.

So, Act 5. The King notices how much of a formidable opponent siffrin is (among other things), acknowledges he's from the same country, recognizes wish craft, yadda yadda yadda.

He wants Siffrin to understand and resonate with his reasons for trapping an entire country in time, and while Siffrin is busy in his mind space fighting Mal Du Pays, the King makes a wish. AND HE LOOPS!!!!!??????

... Uhh, kind of? Not really. It resets the timeline all the way back to when the country was erased, but instead of the King having full memory, they're more like... vague snippets that hint at what he once was.

So, um! The first part of the AU is about the King's 10-year-long descent into madness. It's heavily condensed but it's there!! there's lore there!! I'm a king fan he needs a backstory.

"His name is Lazare" HE HAD TO HAVE A NAME BEFORE HIS KING DAYS... it's heavily implied the King wasn't his original name, and my headcanon helpfully supplied that he underwent a Change inside the house during his rise to power. I think there's like, a Head Defender? And the King was Head Defender, with full access to all libraries inside the house, when he started going crazy.

At 22 he loses all his memory while travelling in Vaugarde. Nobody knows his name so he comes up with one! He meets Siffrin 4 years later and they both travel Vaugarde together.

He becomes a defender at 29 because we see firsthand how INVESTED this dude is in Vaugarde. He wants, NEEDS this country to be safe!! he has a lot of patriotism!!! He's not actively searching for what happened to him or his country, he's just accepted it and is building himself up as a person.

oh boy .. when he turns 31 he becomes Head Defender.... And when he starts reading higher-access books throughout the house documenting a disappearing country? He gets MORBIDLY curious. And... well... this fixation leads him down the rabbit hole that got him where he is today! Except, this time, with Siffrin on his side...?

Yup! Siffrin is here! They've been here the whole time! Siffrin watches a man he's grown to love and adore fall into the Deep End. And he would find the strength to be mad about what he's doing if it weren't for the fact he was super sympathetic!!! ugh!!! sympathy!!!

Siffrin agrees with the King... but not really? He agrees with his reasons but completely disagrees with the way he's going about it. The change from Lazare to King was gradual, but towards the end he treats Siffrin more like an object of study than a friend.

The King takes his cloak and hat to study the stitching, the King won't let him cut or dye his hair again because he wants (NEEDS) this still image of his culture, etc.

Siffrin pretends his behavior doesn't bother him (because the King goes full Mansplain Manipulate Malewife on him if he voices his dissent) and keeps sneaking away from the King using his hat-less/cloak-less disguise.

In doing so, he meets a wild Mirabelle! It becomes a habit to visit her and the villagers under this "disguise" (it's only convincing in the way that Clark Kent is convincing) and he's feeling that same friendship with them that he used to back when the King was Lazarus.

... Until the House gets frozen? And the king starts Freezing People In Time For Real? No warning? Siffrin is HORRIFIED, rightfully, and also super upset. Partly because Mirabelle "got frozen" (she did not get frozen) and partly because the king has TOTALLY LOST HIS MIND NOW. no trace or remnant of who he used to be. but siffrin wants to hold on.

and then Siffrin gets stuck in a time loop! Whoops! Honest mistake!

"How does he get stuck in a Time Loop if there's no party to stick with?" ok so. of course he's going to learn Wish Craft from the King, duh. The King tells him literally everything about rhe country as he discovers it (albeit, in incoherent rambles.). And he also has his own muscle memory to draw from!

In desperation, he makes a wish: Save Vaugarde/Sav the King.

"Which one of those two is it?" Idk! That's what he spends the timeloops finding out!

Oh, wait, now that I've talked about the time loops, I CAN TALK ABOUT LOOP!!! LOOP IS NEW AND DIFFERENT!!!

^^ This was the initial ref sheet i made while brainstorming for this au (and also the sheet that birthed King In Magical Girl Poses)

"So what's loop's deal?" yeah, um, that's the thing? Loop doesn't know either!

Loop is not hiding their identity! Much like King, they domn't remember anything until afterthe Reset. They're Siffrin, yes, but not Siffrin from SASASA:AP. They're Siffrin from In Stars and Time. They're THE Siffrin that the King's wish Reset!

Thus, Loop looks very different!!!! And acts a little bit different!!! Siffrin is the only one who can see Loop, for the time being, and they follow him throughout the loops instead of staying stagnant under the Favor Tree.

They don't like the idea of not knowing who they are, or where they're from. Siffrin sympathizes with the star, initially thinking that they just... had the same thing happen to them that happened to the king? But the reason Loop follows Siffrin through the house is because they NEED to know who they used to be, and what in the Universe happened to them. Certain things trigger certain memories, and... it certainly doesn't help that the party enters the fray.

"So was the King's wish not important?" THE KING'S WISH WAS VERY IMPORTANT.

Not only did it CAUSE the reset, but it gave King the precise tools to get a timeline that fulfilled his wish (It's not the Universe's fault he lost himself and his only chance).

BUT ALSO!! ALSOOOOOOO!!!! THE KING'S WISH CORRUPTED THE WHOLE TIMELINE.

Loops are meant to reset to the day before, with no one"s memory remaining except for Siffrin's.

This loop completely Reset the timeline.

The King kept hints of his memories from the past.

The party gets dejá vū from the moment they meet to the moment they step foot in the house. They feel like something is missing.

Loop shouldn't be here. Loop should be... Loop. Loop didn't wish to be here - it's a direct violaton of his initial wish to stay with his friends, but it's a wish that technically got overwritten when the Reset happened?

Ironically, Siffrin is the only one Out Of The Loop (hehe)

,,,,,,,,,

"okay so what's the stuff IN the timeloop?" you see. you seeeeee. I've been worldbuilding so that I can figure that out. And I still don't know..... I'm setting it up with this post so I can elaborate on anything later (asks are appreciated)

"You should write/draw about this" I am! Ao3 is llilyrose but idk if I'll end up posting anything there. Of course, my tumblr is llilyrose, too....

"You stole this from user llilyrose on ISAT discord!" um, look at my url again. thx

"What if I have questions about the worldbuilding/characters/etc." send an ask, fool.... I'd really appreciate it .....

[deepspacesnowpatrol]

rockstar!lads

hc’s for the lads li’s as rockstars—brought to you by my personal playlists as a former(current) middle school emo kid.

disclaimer: i’m not saying that the bands/songs mentioned are exclusive to the li’s listed, nor am i saying that they are inherently reminiscent of the li in question. i’m moreso saying the VIBE/SOUND of the music is what i think the li’s would sound like if they were an artist.

xavier ✦ sleepyhead by jutes

grainy fuckboy alt rock BUT HEAR ME OUT, the sound is fuckboy adjacent, the lyrics are NOT

as in, it’s the type of music where ur like ‘wow this is hot’ and then you go to look up the lyrics and suddenly can never listen to it again with wanting to cry.

wears gauges and does the camp rock knee thing when he sings

music is sometimes used as thirst trap audios

overall lives a very low profile life. he kind of just drops music and no one hears from him until the next 3-am snippet is posted weeks-months later.

everyone begs for a tour that never happens

caleb ✈ worthy by thriller records & the home team

breathy 5th wave post-emo music with a prominent bass line. almost exclusively love songs about loving a girl that he can’t have. yes, he screams.

wears his guitar low as fuck and it’s definitely not bc of his tendency to wear the tiniest muscle tanks

makes out with the mic when he sings, as in, his lips never leave the mic as long as there’s lyrics to be sung and it’s hot as fuck

is rarely in interviews just bc his vibes are so off , mostly lives out of the public eye. only answers questions about his music in interviews, never about himself, to the point where it’s in his press packet.

rafayel ♫ fast times at clairemont high by pierce the veil

rafayel has earned the pierce the veil vote from me bc he is my princess. 3rd wave emo with riff heavy instrumental breaks that he composes and performs himself. screams too, but not as often (gotta protect his vocal chords).

his albums are treated like chapters in his musical career, both musically and thematically. each album tells its own story, mostly drawing from a narrative of his own making that you’d have to dig through reddit to understand the lore in full (think ethel cain’s preacher’s daughter lore)

he took a years long hiatus after an accident that affected his ability to the play the guitar. came back with a full album that dropped out of nowhere and got the #1 spot.

prior to his accident he was a darling to the public. even if he was a bit of a rock diva.

fan favorites of his are mostly power ballads

has the BEST music videos. artistic and fun with complex storylines that are on theme with the current album’s narrative.

zayne ❅ exit music (for a film) by radiohead

slow, instrumental rock. hard to move past the pit in your stomach when you listen to him, there a subtle feeling of loss or regret in each song and it hurts so good.

has only two albums, both are mid-length and spaced out years apart from the other. they also have very different lyrical vibes, but his sound stays the same.

indie artist that mixes and performs every song himself, dropping music into spotify without a care and absolutely NO warning

no, he doesn’t perform live, nor does the internet or greater public society know who he is. has maintained complete anonymity throughout his career. his (loyal and cult)following both hate and love this.

he has hundreds of unreleased songs that will never see the light of day outside of his hard drive.

sylus ⚜︎ black no.1 (little miss scare-all) by type o-negative

I COULDNT HELP MYSELF!! tellmeimwrong-you can’t

goth rock and doom metal, that’s sylus!!! takes his craft very seriously and yes he does remind me of peter steele .. my bad

you can feel the yearning in every note he sings!!! his vocals are just as poweful, if not more, than the instrumentals that slowly pour thru the speakers as he croons (ha!) into the mic

tours semi-frequently and always ends up in magazines for being pretty and a dangerous party-boy (its all an act, trust) (the mags dont need to know that tho, do they??)

he plays up his persona quite well, but is actually pretty laid back and rarely makes appearances outside of touring/required events.

compilations upon compilations UPON COMILATIONS of him being hot during interviews

has a massive back tattoo that has like a BILLION pinterest saves

HONORABLE MENTIONS: songs that were almost used for the boys and still somewhat remind me of them but not as well as the above

sylus — staring at the stars (from the gutter) by diamond dust

xavier — send the pain below by chevelle

caleb — blue dream by dance gavin dance

rafayel — grace by jeff buckley

zayne — rosemary by deftones

[yorha-fangirl]

The Looping World of NieR

If you have any interest in NieR lore and have played either NieR (2010) or NieR Replicant Ver.1.22474487139... (2021), you've probably asked...

Question 1: "so... is Gestalt or Replicant canon to automata?"

Hi! Quick Side-note: I will refer to NieR Replicant Ver.1.22474487139... as Replicant (2021) occasionally because those numbers really take up a lot of space lol

For a while, and even somewhat now, the only answers you'd get are something along the lines of "they're both canon, just different branches" or "they're both canon and completely interchangeable." Both of which are half true, both are indeed canon, but they're also quite off the mark about how they're both canon.

"Replicant" and "Gestalt" are not parallel worlds, but one of the patterns of the repeated world, and the relationship between the main character and Yonah was sometimes a brother and sister, sometimes a parent and child, so there is a difference in the years in the settings of both works.

This is a machine translated snippet from a 2010 Famitsu interview with Yoko Taro(courtesy of the Accord's Library discord server). So the world of NieR is repeating and sometimes the main character is a dilf and sometimes hes a twink? That makes sense. Its a relatively straightforward statement, but like most things Yoko says, it just leaves more questions.

Question 2: "Is Replicant Ver.1.22474487139... the same as Replicant or is it a different loop?"

Good question! It's actually a separate iteration taking place after NieR: Automata. This explanation will be a little longer, so stick with me. After the events of NieR Replicant (2010) we have the short story The Lost World Ver.1.00 which is also known as ending e. This short story takes place after ending d and shows Kaine confronting k?K? Σ ?XH, an administrator who manages the quantum computer that oversees the gestalt project. In Replicant Ver.1.22474487139... this story is included in the game itself, however this time around we have a second administrator named Her. Both versions of the story show Kaine destroying the administrator(s) and bringing back a 16 year old protagonist.

The Lost World Appendix Ver.1.22474487139... is a short story included in Grimoire NieR Revised Edition that takes place after Ending E of Replicant (2021). It explains that the male administrator created his female counterpart after witnessing the same loop time and time again by himself. This, as well as the fact that Automata takes place after The Lost World Ver.1.00, means that the timeline should look something like this:

NieR Re[in]carnation also plays an important part in the discussion of world loops, but I'll leave most of that for another time.

Question 3: Where do the loops begin and end?

This one is... difficult to answer. So I'll hold off on attempting to explain that until a future post (maybe(no promises)). Until then, just know that there's a lot of unknown here and all we really have are theories.

Hi! This is a bit of an afterword but this is my first blog post so I figured I should introduce myself! My name is Emily, and I'm a college student in her early 20s about to start studying Japanese with hopes of going into some form of localization or reporting. I'm a huge fan of JRPGs, visual novels, anime, and most relevant here: the Yokoverse (NieR, Drakengard, SINoALICE etc.) I'll probably be posting here really sporadically about lore and any new release information, so if you're interested in that kind of thing I hope you stick around lol

[verecunda]

Human Halbrand/Celebrimbor [laptop] (because THEM 🩷)

THEM. 💖 Thank you, lovely! :D

I'm really trying to get some of this AU actually written down, but it's all wee bits and pieces at the moment, and labelled pretty haphazardly (hence [laptop] and [notebook] - who needs organisation?? X'D)

Anyway, this one is set during s1, and it's me playing about with that question of how much Silm lore is still remembered in the Southlands? I've actually kind of written myself into a corner with this one and haven't found the way to reverse out of it yet. But here's a snippet. Halbrand and Celebrimbor are on a tea break, where they end up talking about lore and the crushing weight of the past (🙃):

“We’ve all heard of Fëanor, of course, and the three jewels that Morgoth stole from him. But he only ever lurked around the edges of the stories I heard growing up. They tended to be more about the Elves our ancestors had proper dealings with.” His mouth quirked grimly. “Not very good dealings. Like Maglor — is that right? The one who killed King Uldor at the great battle.” Celebrimbor nodded. “Yes, Maglor. He was my uncle.” Then his eyes widened as a thought came to him. “And Uldor — he must have been your ancestor.” This reminder of his deception fell over him like a shadow and, quickly, he turned away, avoiding Celebrimbor’s eye by looking back down into the courtyard. “Yes,” he muttered. “Uldor. He was my ancestor.” But thankfully, though Celebrimbor had clearly noticed his unease, he misread the cause. Drawing closer, he laid his hands upon the balustrade, just next to Halbrand’s own, and said gently, “There is no shame in your lineage, Halbrand. You are not to blame for the deeds of your forebears.” Halbrand had no need to feign the snort he gave at that. “Tell that to the Elf-wardens.” Celebrimbor gave a sigh. “I’ve only heard a little of how things stood between your people and the wardens, but I always thought it a great pity. It’s a hard thing, to be made to feel the guilt of a crime that is none of your own.” Something in his voice, some heavy note of old sorrow, caught at Halbrand’s attention, and when he glanced at Celebrimbor’s face, he saw that his smile was sad. “I broke with my family,” he said, in answer to the unasked question. “Long ago, even before that battle where Maglor slew your ancestor. I watched as my father and all his brothers were consumed by their oath, going from one evil deed to the next. In the end, my conscience could bear no more, and so I went my own way. I never saw any of them after that, nor did so much as a letter ever pass between us. But there were still some who looked at me askance, and even now, I understand there are certain people in Lindon who suspect my motives in founding this realm. So you see,” he said with a grave smile, “I do understand something of how you must feel, Halbrand.” His quiet sincerity went straight to Halbrand’s heart, and before he could help it, he found an answering smile tugging at his lips. “I reckon you do.”

[ishgard]

Rambly first impressions but I'll probably be turning DT around in my head for a while still. Spoilers obviously touched on but I try to be vague about it as much as possible X'D

Overall I enjoyed it! imo it was far from their strongest expac and is admittedly pretty low on my mental expac tierlist (fittingly, about equal with ARR, which isn't a bad thing per se), but it did a decent enough job at what it did, especially so in the first half. I'm in love with Tural and the people, the cast of characters, the lore - it was all delightful!

I absolutely understand peoples complaints about their presence feeling kind of pointless at times, but I also didn't mind taking a side/mentor role either (I've had potential plot/headcanons for Ahru doing as much for a long time now, so it works for me). I don't think they always balanced it well at all, though.

I also would have loved to see more interactions between, say, the Scions and Lamaty'i, but it was nice taking things at a slow steady pace and just enjoying the world building. They had a lot on their plate to show us, and they did it well.

The second half... played with some themes I enjoyed well enough, but suffered from some questionable writing that often gave me whiplash.

I love!! the aesthetics of Solution 9, it was another one of the few things that piqued my interest for DT initially. The overall lore and story was enjoyable, just kind of an echo of things we've dealt with before which isn't a criticism exactly.

I'm typically pretty good at immersing myself and smoothing over rough edges in my mind as I go, filling in blanks and grounding myself in my characters' reactions, but there were a number of times I felt kicked in the teeth and taken out by some of the choices. There were definitely more than a few scenes I immediately had to be like "well Ahru is just not here for this because that just would not have happened" lmao I'd be groaning and rolling my eyes one minute, only to be balling my eyes out the next, so just a lot of whiplash 😂

I kept feeling like the second half would have benefited from more time building some of that stuff up, but instead we got a lot of things repeated to us multiple times and obvious things drawn out for us.

Also though they got their moments in some of the very final quests, I had really hoped to see more of Erenville and Krile's stories throughout the overall MSQ. (THAT scene with Erenville got me ugly crying though omfg.)

I feel like I'm mostly complaining but this is probably one of my most 'mixed feelings' expansions in the ten+ years I've been playing. Like, that's fine though, SHB and EW were ALL up my alley and delicious, this can be a little less 'for me', and it was enjoyable enough I don't feel entirely disconnected from the game I love. The high notes it hit really well, I'm in love with Tural and the lore, and I'm super excited and interested to see where they take us next - and what we do with Azem's key. 👀

I was utterly blind-sided by a certain two-headed mamool ja so now I guess I'm a Bakool Ja Ja fucker. 🤷‍♀️ Also I have a new son and if anything happens to him I'll kill everyone and myself. (p.s. trial 2's boss was the worst villain I've ever suffered and this is coming from a lifelong villain fucker, they were a big detractor from my enjoyment at times tbh)

I am begging for another adventure with Erenville because that snippet was hands-down one of the highlights for me for purely biased reasons. Admittedly, there were a number of times I was the 'do it for him' meme with Erenville's face plastered all over it. I'll probably need to do a whole other rant about him tbh

My slightly joking prediction is chemist for 8.0 just on account of his whole two times mentioning he had potions on him to help the wounded.

[youngster-monster]

i DO live like this and my discord wips are a mess, i have to literally tag names onto the end of them because my writing style makes me not use names for like 300 words so i have to keep shoehorning the characters names in so that i know which snippet it was and it is Awful you would not believe the sheer state of that snippets channel

sometimes rotting is a very necessary part of the creative process!! on occasion you just have to grow moss and become nothing but bones and after a while it’s like Okay i can write now :)

fic writing is so EASY compared to all the context and lore and world building and character growth nd MAN i just wanted to write my silly guys being silly but now i have a doc open to the lore of how gods work so that my stupid guy will make a little more sense!!! what IS this!!!!!! when i write fanfiction i just sit down and recount wow lore to myself for 30 minutes while making beastly noises and then i’m normal again and can write fanfiction!! obviously fic writing is still difficult because of.. the horrors.. but at least i can blame the faults in my fic on blizzard :)

i was about to fight for the honor of my Totally Organized Discord WIPs but then i thought about it and yeah.. yeah. they’re kind of. messy… they all have individual channels and i am too scared to look thru them lest the spirit of my old work come alive to kill me or something

my ships are always so stupidly niche i can almost guarantee you my wip would be the first fic in MONTHS if not EVER for some of these anime fandoms i had one for a ship that didn’t even have a TAG i didn’t even know what to do i was so startled!! on the bright side though by virtue of simply posting a fic it could potentially spur other people to write about it which would be a net gain so… perhaps!

that is so real of you.. i don’t have any right actually i just remembered i used to try to read fanfic on my 3ds and it was terrible it wouldn’t even load the page half the time and i frequently had to mess with the internet because my 3ds hated staying connected to wi-fi

They Are In Character To Me (putting a blanket over canon characterization) in my heart this Is how they are in canon and if you try to tell me otherwise? well uhhhh uh (i explode)

staring in fascination and dread at whatever you're doing with your fic organization. i cannot stress enough how insane it sounds. compels me though

you're 100% right. i don't write i mostly Shamble and Crawl, shedding moss and fungi after myself,

be careful anon. the line between "quick lore to make things make sense" and "oops! all worldbuilding!" is very thin. then again if you go over too much you can just turn the whole thing into a ttrpg campaign for your friends or something :)

independant channels of discord wips 🤝 one gargantuan wip document in your notes app striking the fear of god into the writer's heart at the thought of digging through the damn thing

being the one (1) person to write for a ship is Better Than Drugs actually and you should definitely do it,

[shai-manahan]

Finalized Update Schedule: October 8, 6:00 am (GMT+8) 

Hello! I hope you’ve all been doing well this week! Like I mentioned above, the update’s finally coming :) And there’ll be no further delays, I promise. I will be sending the edited last scene for the update to my testers later, or tomorrow morning if my headache still persists tonight, but I’m truly excited to show you this!

As of now, there are three main things I wanted to discuss:

FUTURE UPDATES

For the sake of my health, mentally speaking and to help my eye issues recover somewhat, I will be taking a one-week break from writing after every update. I’ll still be answering asks, but I’ll be limiting myself to that.

Reblogs for the updates are very much appreciated every time. That’s really the only way for me to reach more readers, and it’s also quite motivating when I see folks reblog my silly posts and my silly game.

I’m no longer going to write as many prompts as I did last year; I kinda learned my lesson with that (that was a very bad idea of mine). When I do share prompt lists, it will probably be every 2 or 3 months, and you’ll have to wait a week or two before I actually get to writing your requests.

My target right now is to upload an update every 2 months, although this will only be possible if I get to focus on writing.

Please expect there to be more edits to preceding updates once I upload the next ones. It’s just how I write. For all the years I’ve written screenplays, I’ve never finished one without making a lot of edits to the opening parts. This will likely happen here, too. What I plan, though, is to do these edits once I’ve given my updates to the testers and before publicly releasing them, so there will be no time wasted on it.

Any kind of feedback and/or suggestion will be appreciated every time I push out an update; they help in motivating me, which then equates to a faster pace of writing, as weird as that may sound.

The first book for Hollowed Minds is quite long, so I will be looking forward to your continued support!

If anyone here has a better sense of time management than I do, please help me out and give me some tips lmao.

PATREON

I’m planning to launch my patreon a week or so after the update; I’m also aiming to set up my ko-fi in a way that you could choose to get the same benefits there instead if you wish to.

I hope y’all wouldn’t see this as greediness or anything alike, but I’d definitely prefer to focus on writing Hollowed Minds as much as I can, without a lot of distractions. Gradually raising funds through these platforms would help in doing that, while ensuring that more frequent updates will come in the future and that everything with regards to my health would be properly taken care of. Setting this up will also help me manage my time more efficiently through stricter deadlines, and you’ll be free to cancel your subscription at any time.

I want to ask for your inputs with regards to the content you wish to see in here. So far, I’ve been planning for: sneak peeks, lore content and q & a, more plot-oriented snippets for the ROs, bonus short stories for the characters, access to polls, and a 2-week early access to the succeeding updates once applicable. I honestly don’t want anyone to just waste their money, so knowing what you want to see would be great.

A weekly progress will be kept free to view here on tumblr, though I will also start posting them on patreon and on ko-fi. (I might not post them at certain times if I feel like I didn’t have sufficient progress to report about.) 

FEEDBACK

I don’t like having to keep asking for them, but really, receiving any sort of opinion about the game and especially about its characters will help a tremendous amount. While I do have testers, it’s not as if they can catch every issue in it, so knowing how you feel about the overall flow will be appreciated.

I will be searching for more testers for the next update, so keep your eyes peeled!

Do note that you can choose to send your feedback here, on the discord, or on the forums, wherever you prefer.

I feel like I’m forgetting something, but uh, I’ll just reblog an edited version of this if I do remember. See you soon!

[stranger-who-writes-fiction]

Back at it again with my self-indulgent comic posts. This time! It’s Supergirl: Woman of Tomorrow #3, perhaps the most tonally-distinct entry yet, with shades of The Twilight Zone. 

Spoilers!

So, as mentioned, this issue is the most deliberate in terms of both its pacing and its tone, IMO.

What is that tone, you ask?

To quote Alex Danvers, from “Midvale”: Hello, darkness.

THE STORY:

Kara and Ruthye are still looking for Krem Clues in the alien town of Maypole.

(Which is actually just Small Town, USA, complete with vintage 50s aesthetics.)

But the locals are clearly hiding something! So Kara and Ruthye continue to investigate, and they eventually discover what it was that the residents of Maypole were so keen to keep hidden. 

Genocide, basically. 

As I said, this issue struck me as very Twilight Zone; a genre story involving the build-up to a dark twist, all set against the backdrop of an idyllic small town. (Think, like, “The Monsters are Due on Maple Street” but instead of focusing on the Red Scare, it’s classism and racism.)

The wealthier blue aliens kicked all of the purple aliens out of town, and when space pirates showed up to pillage and plunder, the blue aliens made a deal with them: the lives of the purple aliens in exchange for their safety.  

Which is where the episodic story connects to the larger mission; it was Krem who suggested the trade, and then joined up with the Brigands (space pirates) when he was freed by the blue aliens.

The issue ends with no tidy resolution to the terrible things Kara and Ruthye discovered, but they do have a lead on where to find Krem, now, as well as Barbond’s Brigands.

KARA-CTERIZATION:

Ironically, it’s here, in the darkest chapter yet, that we get the closest to what might be considered ‘classic’ Kara. 

Which I think comes down to that aforementioned deliberate pace--this issue is a little slower, a little quieter. It gives the characters some room to breathe.

That’s not to say Crusty Kara is gone. Oh no. She is still very much Crusty. XD 

But anyways. A list! Of Kara moments I loved!

I mentioned a few of these in a prior post when the preview pages came out: I like the moment where Kara blows down the guy’s house of cards, and I like that the action is echoed later in the issue when she grabs the mayor’s desk and tosses it aside. A nice visual representation of the escalation of Kara being, like. Done with these creeps. (Creeps is an understatement but you get the idea.)

Another one from the preview pages: Kara explains to Ruthye that her super hearing won’t necessarily help her detect a lie, especially if she’s dealing with an alien species she’s not familiar with.

It not only reveals her level of competence and understanding of her super powers, it also shows that, you know. She’s a thinker. She’s smart. 

Amazing! Showing, rather than telling us, that Kara is smart! Without mentioning the science guild at all wow hey wow.

(Sorry, pointed criticism of the SG show fandom.)

Anyways.

I dig the PJs! 

And Kara catching the bullet! Not only are the poses and character acting great, it’s also a neat bit of panel composition:

We start with Ruthye’s POV, and then move to the wide shot of the room. The panel where Kara actually catches the bullet is down and to the side of the wide shot panel--we move our eyes the way her body/arm would have to move to intercept the bullet. Physicality in static, 2D images!

Also, like. It’s a very tense moment, life-or-death, but. Ruthye’s wide-eyed surprise at the bullet in Kara’s hand? Kind of adorable. 

I was pretty much prepared for the page of Kara shielding Ruthye from the gunfire to be the highlight--it was one of the first pages King shared and I was like, ‘yeah, YEAH.’ But, shockingly? The TRUE highlight of the issue?

Where do I BEGIN?!?!

EVERYTHING. About this moment. Is lovely.

From Kara holding Ruthye above the bench to explaining the concept of a piggyback ride, to telling her:

“I’m going to hold my hands here, and these hands can turn coal into diamonds, so they’re not going to let go. I’m going to keep you safe.”

HNNNNNNNNNNNG.

Ruthye’s narration--about how Kara had avoided flying as she was concerned it would freak Ruthye out--just adds a whole additional layer of YES, GOOD, YES, and her line on that splash page is great: “You see, all that time, she was worried about me.”

HNNNNNNNNNNNG. AGAIN.

To say nothing of the STELLAR ARTWORK.

And SPEAKING of that stellar artwork, Evely and Lopes continue to knock it out of the park. Each issue is distinct and beautifully crafted, a true joy to look at.

Before I jump into more of the art, a few final notes of character stuff in general.

Ruthye is the one most affected by the experience in Maypole, as she can’t comprehend how a society of people that look so nice and gentle and peaceful could have been party to such a horrible act.

One of the big criticisms of the book thus far is that Supergirl is not the main character, and I guess I can agree with that observation. Typically, in Western media, the main character is the one who goes through the most change in the story. 

And, yeah. That’s Ruthye.

As I was reading the end, where Ruthye sits on the curb and Kara hugs her, I was imagining how the scene would’ve played, had King stuck with the original idea for the series: Kara as the one learning to be tough/experiencing all of this for the first time, and while I think that could certainly work...

I continue to appreciate that King literally flipped the script; that Kara, especially in this issue, is like, ‘I’ve seen this, I know this,’ as opposed to being the one going through a loss of innocence.

*Marge Simpson voice* I just think it’s neat!

Because Kara’s been a teen in DC comics for so long--ever since she was reintroduced to the main DCU continuity, actually--so this is all brand new territory, here. Having an older Kara who’s SEEN SOME STUFF.

(Alsoooooo, since Bendis made the destruction of Krypton not just inaction and climate disaster, but rather, genocide, and the subtext of a Kryptonian diaspora text, the waitress’ derogatory comment regarding the the destruction of Kryton, as well as Kara picking up the bad vibes the entire time, suggests not just a broad commentary on discrimination in all its forms, but specifically allegorical anti-Semitism. The purple aliens being forced out of their homes and into substandard living conditions, then the blue aliens--their neighbors and once-fellow residents--essentially allowing the space pirates to kill them, making them literal scapegoats, Kara discovering the remains of the purple aliens, and Ruthye’s horror at the ‘banality of evil’...yes. A case could be made, I think.) 

(Which would probably require a post unto itself and a lot more in-depth discussion, nuance, and cited sources.)

(Should mention that King has brought up that both he and Orlando--the other Supergirl writer he talked to--are Jewish, and for him personally, that shaped his views on Kara’s origin story.)

I guess my point is that this issue is perhaps not as out-of-left-field as some might think, and just because there isn’t as obvious an arc for Kara, doesn’t mean there isn’t some sharp character work at play. 

(I could be WAY OFF, of course, and I’m not suggesting it’s a clear 1:1 comparison. I’d actually really love to hear King talk about this issue in particular.)

Anyways.

Here’s the final page, which I think works, because as I mentioned before, there is no easy answer/quick wrap-up to the story of Maypole:

THE ART:

I mean. How many times can I just shout ‘ART! AAAARRRRRRRRRRRTTTT!’ before it gets old?

I dunno, but I guess we’re gonna FIND OUT.

There are some panels in this issue that I just. Like ‘em! From a purely artistic standpoint! Because they’re so good!

Like, I just really love the way Kara is drawn in that top panel. Her troubled, confused expression, the colors of the fading light, the HAIR. 

Evely draws the best hair. I know I’ve said this before. I don’t care. I will continue to say it, because it continues to be true.

The issue I find myself running up against when I make these posts is that I really don’t want to post whole pages, as that’s generally frowned upon (re: pirating etc.) but with something like this, you just can’t appreciate it in panel-by-panel snippets.

(Guided View on digital reading platforms is a BANE and a POX I say!)

Anyways.

LOVE the implied movement of the cape settling as Kara speeds in and stops. 

And, obviously, Kara flicking the bullet away is just. A+. 

And the EYES, man. LOPES’ COLORS ON THE EYES???!?! BEAUTIFUL.

Also, should note the lettering! The more rounded letters for the ‘WOOSH’ of Kara’s speed (and, earlier, the super breath) work nicely, and contrast with the angular, violent BLAMS of the gunshots. 

And, I gotta say, the editor is doing a really great job of not cluttering up the artwork with all the caption boxes. Which is no small task.

(I assume the editor is placing them, as editors usually handle word balloon/caption box placement, but I suppose it could be Evely? Sometimes the artist handles it. Either way, whoever’s taking care of all the text, EXCELLENT WORK! BRAVO!)

Okay I think that’s everything.

Ah, nope, wait.

MISC.

Just a funny observation, more than anything else: Superman: Red and Blue dropped this week, and King had a story in there, “The Special” (which was very good, btw.) Both Lois and the waitress swear a lot so I’m beginning to think that this is just how King writes dialogue for any adult character who isn’t Clark. XD

This is absolutely a personal preference but when Kara was like, “And my name IS Supergirl,” I was like nooooo. I know King is trying to simplify all of the conflicting origin stories and lore but I LIKE KARA DANVERS, SIR. XD

It’s almost assuredly a cash-grab/an attempt for DC to get all the money it can out of a book they don’t have much confidence in, but I like the cardstock covers! Very classy, much Strange Adventures.

(OH my gosh, can you imagine that issue 1 cover with spot gloss???? Basically the only way you could possibly improve on it.) 

Okay NOW I’m done. For real. XD NEXT TIME: Kara and Ruthye go after Krem and the Brigands!

[mira--mira]

N: Any fic ideas brewing that you’d care to share? V: Are there certain comments you’ve received on your stories that have stuck with you? Y: What are your thoughts on your personal satisfaction with something you’ve written vs. the popularity of your stories?  Do you tend to be most satisfied with your most popular stories? ~~~~~~~

A. Describe your comfort zone—a typical you-fic. AD. Do you accept prompts?

Wanted to say a big Thank you for all your amazing work, honestly just reading fics have made my day many many times.

Thank you so much!

N: Any fic ideas brewing that you’d care to share?

I joked that Twisting Fate was the fic that completely derailed my non-OoT writing schedule, but that honor actually goes to two fics, the other which is still a WIP and an Out of Time snippet: "Summer Solstice".

I lovingly refer to it as my "lore-dump" snippet because it focuses on Madara celebrating the titular summer solstice. More details about the Uchiha's beliefs and religious practices are brought up, what it was like before he was made into a ghost (and finally ties back into Sasuke's early line in OoT that Amaterasu 'looked away' from the Uchiha after the fact) as well as contrasting it to the Senju beliefs, of which Hashirama is not as devout as Madara is to his own, and Yamato and Sai who are both atheists. Yamato wants Madara to have his celebration because he thinks it'll be good for him but Sai is opposed, though he doesn't try to forcibly stop it, because he's worried that if Madara saw there was no Amaterasu, he'd be more crushed than if he didn't celebrate the holiday at all. There's also a scene with Neko-baa 😉. (It's 5K and nowhere near finished 😅😬)

V: Are there certain comments you’ve received on your stories that have stuck with you?

A lot of the early ones, tbh. I first started writing in BNHA (and really want to get back to that fic) and there was an awesome little group of regular commenters that really helped me feel confident about my writing (Shiryu @shiryusamarkanda, captainofmyfleet, beccaaahhhh) I find it hard to articulate how much those early comments meant to me, especially as they took an interest in the fic and engaged when I asked questions in my author's notes about what they thought. Even now those are still my favorite kinds, the comments that are basically "I love x" "I can't believe xyz happened" "is this setting up something about a?" etc. I worked through a lot of my imposter syndrome when I started posting and I know how to get myself out of it now, but those types of comments really mean the world.

A lot of time writing to me feels like I'm in a box, and I'm just typing away at my keyboard. I like being in the box, I go in there willingly but sometimes it's nice to cut open a hole and ask a question and get a response instead of constantly wondering 'I think that's a good line...it's a good line to me but I've read this 50+ times, would someone who's not me think it's a good line too?' or 'oh I love this plot point, I'm so excited to see how it fits into the whole...wait, does it fit right? does it keep up the same pace and energy or does it deviate too much?' I'm thankful for all comments, but readers who engage, ask questions, and take the time to copy and paste their favorite lines in their comments are just absolutely amazing. I've never deleted a single comment, I doubt most authors do, just mark them as read in my inbox and whenever I'm feeling down or unmotivated I go start rereading or just look at the number of total comments and tear up a little that I've come as far as I have. 💖

Y: What are your thoughts on your personal satisfaction with something you’ve written vs. the popularity of your stories?  Do you tend to be most satisfied with your most popular stories?

I do tend to be satisfied with my most popular stories! Mostly because I write when I'm engaged with an idea and that usually turns into a multi-chapter work which, statistically, is more likely to be popular just based on exposure and repeated updates. My top three popular stories all follow this outline, and I would rank them according to personal satisfaction as of now: Out of Time, The Diverging Path, and Birds of a Feather and they fall neatly into how much time/how long I've spent actively writing. For one-shots it's a bit mixed. "Fireproof" did insanely well for a fic that's just over 600 words and was tagged as a genfic. My MerMay series "Anchored" and "Oasis" kind of bombed and I was really surprised neither broke the 100 kudos mark, though I did notice a dip in activity in my feed for kudos/comments/views in general between April and May of this year so...idk what's up with that lol.

~

A. Describe your comfort zone—a typical you-fic.

Out of Time. No joke. There's a reason it turned into the monster it did and that reason is I think it literally ticks off everything I want to write about. I like fix-it fics but I realized after BNHA that I like to take apart a complete work. I have all the canon information (not counting Boruto) and I can rework it as I see fit, like it's a giant puzzle. Time travel would let me do it in a new, interesting way (esp time travel forward) and I have a secure enough grasp on characters that I can imagine all the new interactions within the familiar framework without it feeling overdone to me. Add in my love of kiddo!hashimada specifically, established relationships, found family, and a chock ton of worldbuilding and...that's OoT 😂.

AD. Do you accept prompts?

Sure! I can't promise I'll write them, especially with the mess my schedule currently is...but I plan to do more reader-submitted prompts like I did in May for my hashimada anniversary, and you're always welcome to try your luck and submit one now and see if my brain latches onto it like a feral opossum clinging to its precious bowl of catfood. (Trust me, this is the best simile for my brain. No opossums were hurt in writing this.)

[faejilly]

I was tagged by @la-muerta​ & @facialteeth​ & @thedivinemissema​ for the WIP/Title Game

rules: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. send me an ask with the title that most intrigues you and interests you and i’ll post a little snippet of it or tell you something about it!

AND THEN  by @shadoedseptmbr​ @msviolacea​ & @ravenclawnerd​ for the “stories you want to write... but for some reason haven’t yet”

so this will be a mish-mash of both? The WIPs will mostly have blurbs in this case (to fit the second meme) but you are still welcome to ask follow-up questions, if you’d like ;) Assuming you make it through the list, it is uh. Not Short.

Anyone who would like to play with their WIPs, please consider yourself tagged in either or both of these. :D

Misc Fic Folder:

“untitled document” - where I’m working on fictober fills so I have word-counts for my GYWO tracker. I am not working on these because Brains Are Dumb and also Going Back To Work Is Exhausting

I made a file called “YULETIDE!” which has nothing in it but I’m determined to finish this year so that is definitely technically a thing in the Unending WIP List of Doom worth mentioning. (Tho obviously that’s all I could say even if I had started, because anonymous.)

“coda-fics, rewatch!” -yes, that exclamation mark is important! it’s to keep me motivated! (it didn’t work). Much like untitled, this is for putting stuff so I can do word count tracking even if I don’t know what I’m doing. Currently I think it just says “MARYSE” because I was working on my SH 1x6 coda-fic and then got distracted and haven’t typed anything up yet. (Yay notebooks? Boo notebooks? Not even sure at this point.)

WNIP (works not in progress) Folder:

“TOG” - I had one vivid mental image of how Nicky & Joe met (blood-stained evil smiles?) but then no idea for a follow-up story and also the fandom is insane and I’m not sure I want to deal with all of *gestures vaguely* all that

“Shan Xia Notes” -for a TTRPG that never quite got off the ground; she was a semi-tragic selkie who was still in love with the evil queen/lady who stole her skin and I got to play her for like one session and she was surprisingly chaotic neutral, which wasn’t at all what I’d been expecting. But the game never really got off the ground, so I never had enough info to really delve into writing backstory fic

“post-Kruschev” -Kruschev’s List was the last episode of Scarecrow & Mrs King, and I was debating writing an epilogue in place of the s5 we never got, to try and tie up some loose ends, but the fandom’s three old-ladies in trench coats and I never quite worked up the gumption to get it anywhere

“Code Realize warm as silk sequel” -there is literally nothing in this file except “SEX! Only a little angst” because I wanted to write some “we can’t actually touch each other” smut but never actually did. 🤷‍♀️

BioWare (also all Not-In-Progress Anymore)

“seb/adelaide”, “Theia” & “DAI Erana” -these WIP folders were cannibalized for ficlets for the last few times I did fictober, and while originally I had ideas for longer epilogues for all three of them, at this point I don’t think any of the remaining bits could support a story any longer.

”whispers in the dark” -Maia Ryder never really got much fic at all; the cancellation of any further Andromeda stuff was really disheartening, and at this point I’d have to play the game again, and I don’t think I’m gonna manage that any time soon

”TSP” -a Mass Effect 3 Shepard AU collab project that kind of went off the rails, and our mutual brains/lives never quite seem to line up so we can try and rebuild it ”Ngaio & Tane” -my one truly ruthless Shepard (Alliance background, who romanced Traynor) whose father Tane Shepard was, I think, in PsyOps, and I wanted to figure out their complicated relationship but never really did know where I was going with it

”JE Zu & Yaling” -so I’ve rambled about my Tragic Sagacious Zu Romance Thoughts regarding Jade Empire more than once (#Icy Yaling should have most of it) but apparently I want to yell about it more than I want to actually write it? Whoops.

”CI sequel: 5 times fic?” -Cruel Intentions is a kinkmeme fill that I started and then it sat for like five years before I actually finished it, and I liked the ending, but it does leave a giant fucking question mark in terms of how those people got from there to where they are after the game, and I kind of wanted to write a proper h/c fic rather than just... leaving them wallowing in all that trauma?

But I didn’t. I don’t even remember for sure how I wanted to frame the 5/1 of it all, besides it being something sad about allowing people to see you or touch you in some way. (Prayers maybe, since I think there was definitely some Sebastian & Fenris & faith stuff going on in there.)

“candles” -Merribela prompt fill that I never was happy with? Not sure what I might do with it at this point, so it’s just sitting there all sad and lonely and neglected-like.

Shadowhunters

pt1: WIP LIST ONLY

“Persuasion” -so I keep trying to write Persuasion AUs in many fandoms because it’s my favorite Austen, but I think I like it too much, I have no real solid concept of how I’d transform it, and if I don’t have anything else to say about different characters within that framework, I have no push to actually write anything? Also this SH version of it suffered from MASSIVE scope creep when I started outlining and it got too big for me to handle so I like, killed it twice? Whoops. This one is really probably never gonna happen.

“oosdt sequel” -I wanted to write more about the Forest That Eats People and Magnus & Alec as Guardians Between Worlds, and also some background Magnus’ Found Family & Lightwood Family Feels (maybe some clizzy?) and I left a Madzie plot-thread dangling from the first one on purpose even but I think this one had too many ideas and not enough focus so it’s sort of sprawling all over a doc with a lot of “???” in it

“procedural-ish” -this was originally going to be a sex-farce. and then it turned more serious. and then maybe kind of copaganda which was uncomfortable in terms of the Everything That Is The News in 2020, and then maybe it was more a Mafia AU and at that point I had self-inflicted tone whiplash and I wished the voices in my head were a little more forthcoming about their plans so I stopped before I brained myself on my computer monitor in frustration.

“I had rather a rose than live forever” -I started a reverse!verse Malec (Shadowhunter!Magnus, High Warlock!Alec) for bingo last year, and I couldn’t quite get it together in time, so I made a moodboard inspired by the bits I’d started instead. I may see if one of my prompts from Bingo this year help me finish it?

“fall fright fest (practical magic  au)” -exactly what it says on the tin! almost exactly a year old & neglected! IDEK ANYMORE (I talked about this one with the WIP meme last time tho: here)

“priest!kink theology?” -I thought it was gonna be smut? I like priest!kink. I have made other people like it and yell at me even! But then I kept diverging into demon!Magnus thinking about Priest!Alec’s faith and as usual, IDEK ANYMORE *laughs*

(If they’re remotely canon-adjacent or divergent, a bunch of these are in here because I need to rewatch the show to get the pacing/timing/tone right and I haven’t, and I don’t know why, because I enjoy the show, but BRAINS! Are Dumb! So I guess that’s it?)

“I do” -I have tried to write this damnable Malec arranged marriage fic like six different times. I have signed up for fic exchanges and bangs with it, I have rewritten massive sections, trying to change tone or structure or POV or whatever, and it basically comes down to they like each other too fast and I keep not gutting it enough to get back to a useful pace, but by the time I realized that I was on take six and kind of sick of it. I may get back to it eventually

“wing!fic” -canon divergent in early s1, trying to deal with the consequences of Simon’s kidnapping as the Truly Serious Event that it should have been. It uh. Got heavier than I expected with those consequences (considering it was originally just supposed to be Alec’s wings flirting with Magnus) and also see above re: rewatching for pacing.

“2x20 aftermath/date night/pandemonium porn“ -yes that is the actual wip title. It used to be “spite fic” because I was originally inspired by fighting against a lot of fic!Alec characterization that was clearly based more on the books and ATG syndrome than the Alec in the show, which is the Alec I know and like and want to read about. BUT, pacing and etc. again, I think. Also I have somehow entirely lost my knack for writing porn, which makes it difficult to finish something originally intended to be smut!fic. Or even teasing almost!smut.

“rubbish heap” -so this is about three different fics that I realized complemented each other really well so they’re now all in the same file as I try to turn them into the sequel of “with an if in its soul”. It includes amnesia, parabatai lore shenanigans, a s3 rewrite, and some truly awful Owl adjustments that make me wince in horrified authorly delight and pain. BUT, as with the other ones in this file, the scope is large and I normally write short-fic and I kind of just threw up my hands in exasperation. I may have to break it back up into the three different fics instead, if I ever actually want to write it. Them? But also I need to take better notes on s3 to make sure I have what I need in here.

SH Pt 2: Started posting or not yet in hiatus because it’s actually almost ready to be a thing in the real world! maybe!?

“kisses (firsts)” -I actually started publishing this one, a “series of firsts” that was supposed to be kind of relationship milestones and kind of an excuse for smut, and then there wasn’t that much smut and I lost momentum and also dear lords & ladies the timeline is stupid, wtf. I may not ever add to this one, tbqh. It doesn’t stop in a terrible place, and they’re all ficlets so they stand alone all right.

“clizzy epilogue” -this is blank atm, it’s more a reminder for me to keep poking away at my “girls who can’t breathe air, only fire” collection BECAUSE I WOULD LIKE TO ACTUALLY GET TO THE CLIZZY AT SOME POINT

"mer!alec" -pts 2-4 of a series, but apparently having an actual plan gets in the way of me *writing* the thing, and I haven't managed to throw the half an outline far enough away from my brain to be able to write again. Or something like that.

"ibhww" -if broken hearts were whole is a soulmate fic I started a million years ago, and purposefully set aside to finish some other WIPs because I thought they'd be quick, and now it's just buried under two and a half years of regret and shame so it's hard to get back to it

"iafy" -i am for you is a delightful & frothy semi-epistolary fluff piece that also just lost momentum because Life & 2020 & etc. It's far and away the most popular thing I've ever posted on AO3, which also makes me feel weird sometimes, and I feel like the fact that there's no grand conclusion planned, just a bit more fluff and settling in, might end up being disappointing? Basically, it's the first time I think I've psyched myself out about reader expectations, and until I get over that I'm going to have trouble finishing the last couple chapters. (There really are probably only two more chapters though. IT’S SO CLOSE, I wish I could just... write it. And yet?)

“fake-hating” -I do not like fake dating as a trope that much, I just do not get it, but I love outside POVs and arranged marriages and there’s this delighful tumblr post about how they wished there was more fic about people who were together but had to pretend they werent’, and uh. This may be that? Eventually? I’m not exhausted by my failure to finish it yet, so it’s still in the regular folder rather than the hiatus folder, even though nothing’s been posted for it.

AND I THINK THAT’S IT?

Not as terrible as it could be, but still. MANY WORDS THAT MAY NEVER SEE THE LIGHT OF DAY. Posting the equivalent of one’s old ratty sketchbook is always a weird feeling. :D

[cyraclove]

In response to this fantastic prompt post by @kittmoon , I wanted to take the opportunity to shamelessly plug my BOTW WIP fic that’s currently up on AO3! 

The Stable Master’s Daughter

We’ve got

Link not really remembering anything at all and maybe having a lil bit of a crisis about it 

Link has feelings (and I mean feelings)

Buliara and Riju are real people with feelings and backstories!!

Extra Lord of The Mountain lore 

Omniscient Ganon 

Extra Gerudo lore (bc we love to see it!!!) 

Master Khoga not being a goofy f*ck

and some smut & eventual fluff because I just can’t help it (please note the warnings and E ratings for some of the chapters) 

Chapter 17 is due to be posted this weekend (after it is beta-ed by the fabulous @snidgetwidgeon)! In the meantime, please have a little snippet of what’s to come.

-

-

-

“I’m surprised to find myself here, as well,” she said, “but I believe that we’re both here for the same reason. She’s already gone, hasn’t she?”

Riju’s face fell when he gave a solemn nod.

“I heard everything that was said in the courtyard,” she confessed. Link’s attention shifted to Buliara, who wore a troubled expression as she turned away from them.  

“I was hoping to speak to her,” Riju continued, “though I haven’t a clue what I would have said. I suppose there isn’t anything one can say. As chief, however, I can’t help but feel that I shoulder inherited responsibility for what happened to her. It didn’t feel right to let her leave without an attempt at atoning for my mother’s actions.”

Link opened his mouth to protest, to dissuade her from feeling such unearned guilt, but she silenced him with another wave of her hand.

“My mother was a kind person and a just leader, but she made a mistake. While I understand her intention, I simply cannot agree with the course of action that she chose to take. I believe in my heart that she would have seen the error of her ways were she with us tonight; I need Kira to know that.”

Link stared at her, wordless with awe. This young woman before him, this child, was far wiser and more articulate than someone three times her age. She had been forced to give up her childhood because of her duty and diplomacy, he realized. While Riju’s fortitude reminded him of Kira, her predicament reminded him of someone else; someone who still waited for him in a blighted prison of her own making.

He could not allow himself to fail any of them.

-

-

-

[aion-rsa]

Inside the Mortal Kombat Movie’s Bloody Love Letter to Martial Arts

https://ift.tt/3sPd50L

About 10 hours into a November 2019 flight to Australia and the set of Warner Bros. Mortal Kombat reboot, I started to ask myself whether this was all worth it. I loved the original Mortal Kombat movie about as much as anyone unironically can, but the fact remains that the history of live-action video game film adaptations is paved with disappointment. Even the best movies in that field have earned their reputation largely by exceeding low expectations.

After nearly 30 years of failed attempts, it’s hard to even picture what a good live-action video game movie might look like. What is it about the transition from sprites to screen that makes this process so difficult? Is this a pursuit that is, in some ways, doomed to be dictated by those who see such films as another piece of merchandise? What will it take to finally break the curse? Those questions raced through my jetlagged brain as I finally made it to Adelaide and prepared to see what awaited me on the other side of the world. 

Shortly into my visit, I was taken off my feet by a line that hit me like an MK player mercilessly spamming a leg sweep. It came in the form of this line from producer Todd Garner that reshaped my expectations and set the tone for what proved to be something that was very much worth the trip and perhaps worthy of your own wait:

“I think it’s great that there are a lot of characters, a lot of lore, and let’s do it all well. But really, people want to fuck each other up.”

Gore and Lore

Garner was, of course, mostly joking. Yet, there is a truth in many jokes, and the truth in this one seemed to be that managing what the Mortal Kombat canon has become can be a daunting task. It’s certainly not made any easier by the fact that there haven’t been many undisputedly great video game movies for the team to work with and use as precedent. 

In lieu of notable live-action video game adaptations that made good on their ambition, the film’s production team turned to a source that most would agree has. 

“It’s like the Marvel Universe…it’s endless,” says Garner of the Mortal Kombat game franchise. “So we started from the premise ‘What would Marvel do?’”

It’s a useful question that the upcoming Mortal Kombat movie answers in fascinating ways. For instance, as Garner noted, the MCU didn’t start with The Avengers; it started with Iron Man. That film allowed Marvel Studios to ease viewers into a project that was, in its own ways, also somewhat unprecedented. Similarly, the Mortal Kombat movie uses the character of Cole Young as a kind of audience surrogate. He’s a new face in this universe who is also trying to figure all of this out. 

It’s all part of a delicate balancing act that requires the cast and crew to constantly ask themselves how this movie looks to a diehard fan and how it will look to someone who is just coming into this. 

“There are five million people that play this game religiously, but there are 100s of millions of people in the world,” Garner says. “We didn’t want the other 95 million people to go, ‘What the fuck is this. What is this tone, what the fuck is happening?’”

It’s easy to understand how fans could quickly become overwhelmed. If you haven’t played the more recent Mortal Kombat games, you may be surprised to learn that they’ve adopted a complex serial storytelling narrative that combines years of mythology as well as the events of the most recent games. If you tried jumping into Mortal Kombat 11’s interdimensional, time-jumping story, without at least an explainer of what came before, you’d probably think it was madness. Amusing madness, perhaps, but madness nonetheless. 

As it turns out, even Mortal Kombat director Simon McQuoid had a lot of catching up to do. 

“I feel like I went to Mortal Kombat university,” says McQuoid regarding the experience of learning the intricacies of the franchise. “I also surrounded myself with a lot of people who know a lot more about this than me.”

In the same way that 1995’s Mortal Kombat benefited from director Paul W.S. Anderson seeking and utilizing fan and crew feedback, McQuoid’s own desire to surround himself with lifelong MK fans is just one of the ways that the crew is determined to ensure they don’t make the mistake others have before them by straying too far from the desires of those who helped make the Mortal Kombat franchise worthy of adaptation in the first place. His efforts ultimately come down to honoring an important word. 

“The word I use a lot is ‘respect,’” says McQuoid. “Respect for the fans, respect for the characters, and respect for the canon. The execution ultimately takes that into consideration from the absolute bedrock of listening to and understanding the fans.”

Read more

Games

Mortal Kombat: The Definitive Video Game Movie of the ’90s

By Matthew Byrd

Games

Mortal Kombat Characters Ranked

By Gavin Jasper

Of course, as Garner previously eloquently noted, what many Mortal Kombat fans are looking for is over-the-top violence executed with flair. That is a big part of what made the original Mortal Kombat stand out in a crowded arcade scene, and it is certainly one of the qualities that have stayed with the series as it has evolved into this surprising vehicle for complex narratives and diverse characters. 

Fatality!

Of course, you can’t talk about Mortal Kombat violence without coming around to fatalities. What began as now strangely humble decapitations and spine extractions has evolved into a bloody ballet of highly choreographed violent ends that account for the lore and ability of every character. It’s something that was largely missing from the 1995 adaptation, and it’s something that Garner admits can be tricky to get right. 

“There’s crazy shit you can do in the game,” Garner says. “The problem with the fatalities, in general, is…I’m under the restrictions of the Motion Picture Association of America so I have to live inside those rules.”

In case you haven’t seen the recently released trailer, let me assure you now that the MPAA has not scared the team away from incorporating fatalities and MK’s other, bloodiest elements. In fact, McQuoid is practically at sea with the amount of blood on set. 

“I don’t know the gallon number, but I’ve seen drums of blood sitting around,” McQuoid informs his audience of gorehounds with a smile. 

So yes, there will be blood and lots of it in the Mortal Kombat reboot, but the team isn’t relying on the presence of blood alone to fulfill their equally important mission of telling a Mortal Kombat story as compelling as the ones featured in the games. Actually, they recognize that there are times when extreme amounts of violence can work against the dark tones that help make the franchise’s universe so compelling. 

“When I wanted a serious moment I didn’t want it to get comedic because we’re swashing blood,” McQuoid says. “It’s a tonal thing…you really need to feel it all instead of having people say ‘Oh, that’s funny.’” 

Besides, there are other ways to convey the series’ violent nature and brutal style that doesn’t necessarily require a drum of blood. From the first game in the franchise, Mortal Kombat has nodded to at least the cinematic history of martial arts. Whereas that series initially struggled to convey the fluidity and complexity of the best martial arts fights, though, the MK movie team has set a high bar for themselves. 

“The first thing I said to [stunt coordinator Kyle Gardiner] was “Okay, Kyle, you have to make the best fights that have ever been on film,” reveals McQuoid.

To anyone with a passing familiarity with the best fight scenes in film history, that idea has to come across as an absurd bit of hype. However, it starts to make a lot more sense when you look at the cast they’ve assembled. 

Choose Your Fighter

For a generation of fans raised on ‘80s action films and many major Hollywood genre productions that came after, it’s become somewhat easy to buy into the idea that untrained or largely untrained actors, bodybuilders, and models are the biggest badasses on the big screen. There’s a degree to which that’s what actors are supposed to do, but anyone who grew up on Jackie Chan and Bruce Lee or later found films such as The Raid and Ong-Bak can tell you that there’s nothing quite like watching uniquely talented martial artists push the boundaries of fight scenes by translating their real-world talents into cinematic splendor. In fact, the original Mortal Kombat arcade game was partially inspired by a desire to make a game that felt worthy of a John Claude Van Damme action film.

When it comes to getting Mortal Kombat right, then, there’s little doubt that the only way to go was to cast an all-star collection of martial artists and trained fighters rather than teach a cast of movie stars to look like they can do the things these guys can. However, I can’t emphasize enough just how crazy it was to watch even just snippets of what this essential superteam of martial artists push themselves to do when you put them in a room. Even those who have spent a considerable amount of time around the cast still express awe at what they’ve seen. 

“I’ve never made a movie like this before with this much fighting in it,” says Garner. “I don’t know what’s going on half the time, but they really are the best in the business…It’s so fast and even the camera is like, ‘Guys, can you slow down a little bit?’”

In some ways, the heart of this assembly feels like Sub-Zero actor Joe Taslim. As a renowned martial artist who many of us first saw in The Raid: Redemption, many action fans know that Taslim is the real deal. What you may not know is that Taslim is something of a Mortal Kombat superfan. His name was even tossed around a few times on the shortlist of best MK players on-set, as well as by some who suggested that Taslim helped set the pace (and raise the bar) for the speed of the action sequences. 

Then you have Tadanobu Asano as Raiden. As a legend of the Japanese film scene who has garnered more international acclaim in recent years by virtue of his work in 47 Ronin, Battleship, and the Thor films, Asano feels uniquely capable of playing the thunder god whose abilities sometimes set the standard in a universe of powerful fighters. He embodies the character so clearly that he’s already got his eye on the out of universe competition 

“Yeah, I can fight [Chris Hemsworth],” suggested Asano with a smile at the prospect of a Thor vs. Raiden film.

There also Max Huang who portrays Kung Lao: a beloved fan character who was sadly missing from the previous live-action adaptations. For him, the chance to finally bring that character to life echoes his own desire to further his transition from a celebrated stunt coordinator to a bonafide action hero.

“People like Bruce Lee were my heroes,” says Huang. “The ultimate goal was to become an actor, but there were few chances. A lot of times, it would just be a one-liner and that was it. These last few years I figured ‘you only have one life,’ so I just went for it.”

Few people are more qualified to speak on that subject than Liu Kang actor, Ludi Lin. As an advocate for representation in Hollywood, Lin has previously said how a lack of representation or even the wrong kind of representation can lead to feelings of shame and even isolation. For Lin, working with this many talented martial artists on a major Western production isn’t just a chance to showcase his own abilities; it’s a chance to help millions feel like they’re being seen. 

“Look, 60% of the world is Asian. A quarter of the world is Chinese,” says Lin. “I just don’t understand why there can only be one [in Hollywood films].”

Increased representation is always important, but at a time when violence against Asian Americans is on the rise, it stands to reason that the portrayal and prominence of Asian actors on film may be on more minds than ever before. So far as that goes, Mortal Kombat is uniquely positioned to not only showcase Asian heroes but pay respect to the clear Asian influences on the Mortal Kombat series in a way that the MK titles (especially the older installments) didn’t necessarily do before.

Read more

Movies

Mortal Kombat Trailer Breakdown and Analysis

By Gavin Jasper

Movies

Could the Mortal Kombat Reboot Finally Give Us the Sub-Zero vs. Scorpion Fight We Deserve?

By John Saavedra

“From my experience working with Simon [McQuoid], I’ve never worked with someone that’s so serious about being that authentic for another culture,” says Lin. “Just walking on set…on this film, there are so many different types of people of different ethnicities, different origins, and different backgrounds. It really represents the world.”

I could go on. Legendary Japanese action star Hiroyuki Sanada as Scorpion, the beloved Chin Han as Shang Tsung, rising star Mehcad Brooks as Jax…even non-action stars or martial artists like Kano actor Josh Lawson have found how they fit into this legendary assembly of cast and characters. 

“I was just saying to Asano-san, ‘Kano, he’s only funny because he’s balancing you guys,’” notes Lawson. “On his own, it’s nothing. But as a see-saw, the more seriously these guys take the mysticism and the power, the less seriously I can take it. That’s where the comedy exists. He can walk in and tell them, ‘Fucking hell.’”

Who is Lewis Tan?

With so much of the fun for fans coming from watching their favorite MK fighters come to life and battle on the big screen, it’s hardly a surprise that it’s one of the new characters, Lewis Tan as Cole Young, who has attracted so much early attention. How will he fit into a roster of such established characters? It’s a question that Tan is relieved to finally be able to answer.

“It’s just nice to even be able to talk about the character because there was so much speculation and hype up until this point about which character I’m playing,” Tan says with noted relief. “I wear Ray Bans a lot so people were like, ‘Oh, he’s Johnny Cage. [laughs]’”

He may not be Johnny Cage, even if Tan’s effortless charm and movie star looks make him a prime candidate for the role, but it’s incredible how easily the Cole character seems to fit into this universe of iconic characters. Along those same lines, Tan seems to have quickly established himself among a roster of top-tier martial arts and action actors. In some ways, his vocal enthusiasm for the project best captures the set’s general vibe.

“I don’t want to jinx it either but I can truthfully tell you, I felt magic when I got here and it’s been crazy ever since then,” says Tan of his experience until that point. “It’s crazy because I’m really hard on myself and I’m really hard on the work that I do. Sometimes I’m like, ‘Oh, this wasn’t it.’ And then I’ll see a little of a rough cut of what Simon was doing and then I’m like, ‘Oh. It’s amazing.’ There’s some stuff that I wasn’t on set for and then I saw that stuff and I’m like, ‘That’s the best thing I’ve ever seen.’”

Of course, it’s hard to talk about bringing Mortal Kombat to life without the people who quite literally help do just that. 

Exploding Heads and Blown Minds

At one point during my set visit, I found myself standing on a stunning recreation of the bridge that crosses the chasm on the iconic Mortal Kombat stage known as The Pit. It was a massive construction impressively built to serve as both a showcase piece and an actual set practically designed as the stage for one of the film’s fight scenes. 

The team informed us that the general philosophy was to ensure that (almost) anything that could be done practically was done practically. A green screen was used sparingly to solve otherwise impossible problems. It’s an approach that appeases the old-school movie fans among us while honoring the raw nature of the older Mortal Kombat games which typically emphasized visceral visuals over more refined sensibilities.

The Mortal Kombat movie actually finds a fascinating middle ground between those concepts. For instance, the film’s costumes showcase the kind of wear and tear that you’d expect to see in outfits worn by warriors locked in an eternal battle, but they’re also designed to not only honor cultural concepts but the idea that some of this armor was designed to be somewhat ornamental at one point in time. They’re refined but appropriately ugly.

The film’s weapons are really on another level. Weapons have become increasingly important to the Mortal Kombat fighting styles over the years, and this film honors that concept through an arsenal of carefully constructed instruments of death that somehow treat even the most seemingly impractical of weapons with a logic that has perhaps only previously been dwelled on by the series’ biggest fans.

No detail was overlooked in pursuit of making sure every character had a weapon that the actor could hold in their hand and feel the power of. From ornate katanas to swords made of ice, the props team clearly fell in love with the opportunity to make even the absurd a reality. We even saw a garden gnome suspiciously snuck into the small arsenal they had crafted. 

Again, though, what stood out most is the prop team’s insistence that many of these weapons didn’t just need to look good on-screen. Many of them needed to be balanced and practical enough to be used in battle simply because many of them were actually going to be used in the film’s fight scenes. I don’t know how the weapon designs will come across in the final film, but my gut feeling is that the fight scenes that they allow for will immediately be appreciated.

One other area where those efforts will almost certainly be immediately appreciated by everyone watching the movie is the makeup and practical effects. The makeup trailer I stepped in was loaded with masks, body parts, and the carnage of many early morning marathon makeup sessions. It looked closer to a horror movie than an action film or video game adaptation. That should be music to the ears of any fans that recognize that one of the things that helped the Mortal Kombat series stand out over the years are the horror tones that were used to help craft characters, stages, and most certainly the fatalities. 

While we weren’t treated to a fatality viewing while on-set, the team was good enough to describe an exploding head that they were working on for an upcoming shoot. Where that exploding head will rank among the best of all-time (a list that includes films like Scanners, Maniac, and The Prowler) remains to be seen, but their approach sounded fascinating. By utilizing a silicone glass head filled with blood and guts and triggered by an air cannon, the scene figures to pay homage to the techniques of the best such effects of old while utilizing modern advancements designed out of necessity and perhaps a desire to help raise the bar. 

It wasn’t long into my trip that the cast and crew emphasized the number of practical effects being utilized, and I certainly understand why. They not only look great, but the fact that so much effort went into ensuring these design elements offer something so much more than good looks seems to perfectly capture the spirit of the movie’s mission to make something that is so much more than it has to be.

Flawless Victory?

If the biggest “advantage” of low expectations is the idea that even lesser efforts can somehow exceed them, then the biggest disadvantage of the expectations set by many live-action video game movies to date is getting people to genuinely feel excited. There’s a big difference between crafting something that makes you think “That could have been worse,” and making a movie that inspires the genuine belief that this isn’t just going to be something different; this is going to be something special. 

The highest compliment I can pay to Mortal Kombat is that the genuine excitement expressed by everyone on-set went well beyond a cast and crew that were just happy to be there or felt that what they were doing was good enough. From those who couldn’t wait to play some of their favorite characters to those who were eager to finally showcase what they do best via a production that’s scale equaled the scope of their talents, there was a smile on everyone’s face as they told you what they were working on with the full knowledge that what they were about to say was something so far beyond what you expected. 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

I don’t know if Mortal Kombat will “break the curse.” I don’t even know if it will satisfy a legion of MK fans who have had their expectations forever raised by the recent games’ own increasingly cinematic efforts. What I can tell you is that it’s ok to feel excited about Mortal Kombat. Actually, you probably should be excited about Mortal Kombat. I can assure you that everyone working on the film very much is. That, in and of itself, is a victory.

The post Inside the Mortal Kombat Movie’s Bloody Love Letter to Martial Arts appeared first on Den of Geek.

from Den of Geek https://ift.tt/3kGV41W

[homesteadchronicles]

Hi there! I’m a new writeblr and i was just wondering if you had any advice for integrating myself into the community? I’m dreadfully awkward even online so I have no idea what I’m doing fbfbdbd so sorry to bother!!!

No need to be sorry - you’re one of us now! Helping the community is never a bother to me or to many others here. I’m happy to be of service, if I can!

There are plenty of methods to connect with others in the community! Here, let me list seven simple ways that have helped me personally (or that I know have helped others) - even if they be but a wee bit daunting:

1. Reblog and Comment on People’s Posts

This seems elementary, doesn’t it? I assure you, this has made me more friends on this site than anything else. Your first few weeks in the Writeblr Community will likely consist of you following every writer you can find and drifting aimlessly through the writeblr tag. Here’s my advice: whenever you see a post that catches your eye, click that reblog button and leave a reply. Not in the tags, not in the comments, but on the actual reblogged post itself.

Why do this? Because there’s no downside! No one looks at someone saying “wow, this character seems cool” or “ooh, this picture is so pretty” and goes: “...imma block this jerk”. Like, no. You know what they’re gonna do? Probably cry into their keyboard, thank the heavens above that someone took the time to notice them, and leave you a lovely thank you note in response.

It still baffles me how many people are shocked that I take the time to do this. You will never know what one act of kindness can do for you or for them. And the people that leave these kinds of love notes on my posts are the ones I’m more apt to reply to, follow, and reach out to in order to form a relationship with!

Not everyone will notice you. Not everyone will thank you. Not everyone will follow you. But plenty will - and even more will be impacted by your positivity! And people like me, and those I’m close with? We know who is making a difference in this community, and we champion those people.

2. Ask to Be Included on Tag Lists for WIPs

Now, you might be wondering how in the world you’ll find posts to respond to. Valid question! The easiest way I have found to do this, other than scouring a number of tags (#writeblr, #writing, #mywriting, etc.) for hours on end, is to ask to be included in a tag list. If you’re unfamiliar with the term, this means that the author will tag/mention you in every significant post related to this story/character/etc.

This saves my life. I don’t have time to search everywhere, so finding projects to follow and having them sent to my notifications instantly, is a blessing beyond compare. From there, you might find the names of other authors to connect with who could have WIPs of their own who you could also follow! Once you find one, you can find dozens more - it’s a chain reaction.

And if you need some ideas of what to be tagged in? My recommendations for where to get started would be: The LORE/SOLE series by @incandescent-creativity, The Dawnbringer by @ardawyn, and literally everything by @lady-redshield-writes. These three update consistently, interact with the community, and are just all-around lovely people with considerable followings.

3. Send Asks and Messages to People

Look at that, you’re already halfway there with this one! Now, you just need to take off that anonymous sign. Scary, I know. But it will make all the difference in the long run!

I’ve built relationships with certain people because they would send me asks on a consistent basis (back when I had the time to run weekly ask games). When I recognized their names, it endeared me to them, and I almost always wound up following and interacting with them. Some of them are my genuine friends now! 

Until you’ve built up a fanbase of your own, you can always interact with other people’s ask games. Tags like “#oc ask”, “#ask game”, or “writeblr ask” can be great sources for finding people to interact with! And, just like with the reblogs, there’s no downside. All you need to do is submit an ask with the appropriate info and BAM! Brownie points earned. Plus, if you take two seconds to look up their WIP’s title or the name of a character (even if you don’t know much about them), it’ll help them to feel like you value them and are making an effort to know them and the work they value so much.

4. Respond to “New Writeblr/Writeblr Intro” Posts

Have you ever made an introduction post so that others from the community knew you? If not, I’m sure you can imagine that you would like others to respond to that. No one wants to walk up to someone, introduce themselves, only for a chorus of crickets to replace any chance at conversation.

The good thing with these posts in particular are that they are all made by people in the exact same position as you! Yes, you’re all scared and timid and intimidated and not sure what you’re doing yet. That’s okay! They don’t bite. All they’re hoping for is to find other people they can relate with - and frankly, you’re in a better position to fulfill that hope than even I am!

5. Participate in Tag Games

Now, this one might seem odd. Don’t you need to be tagged to be part of a tag game? You would be correct! The thing is that plenty of people leave a fun little addendum to the end of their tag lists: “and anyone else who wants to be tagged”. That’s your golden ticket, my friend!

You could then post your response to the tag game, mentioning the author who tagged “anyone else” (that’s you!), and then mentioning other names of those you’ve followed or conversed with thus far! Just be aware of people who have requested not to be tagged in games or posts, but that number seems limited around writeblr (since most things require being tagged in to keep track of).

This is a simple way to engage with other people and post snippets of or thoughts about your own work without any pressure for people to respond! Trust me, there’s nothing wrong if someone doesn’t keep the game going - life’s just busy! But they’ll see your name. And, with any luck, they’ll remember it.

6. Find a Discord Community or Writing Group

This one might be more difficult for my fellow introverts, but it’s an option that can really pay off in the long run. There are a number of writing-centric Discord groups fluttering around that house authors and artists of every shape, size and style. If you’re tackling NaNoWriMo this year, there are a ton for that as well!

If you feel like jumping into a random community would be too much for you, you’re always welcome to join mine: The Homestead! We’re very low-key, and all take life at our own pace, so there’s no expectation for consistent interaction. But I’ve seen people continually encourage and uplift one another, which is beautiful to watch.

7. Ask People You Trust to Introduce You

What better way to find other people who are safe to connect with than asking someone you trust? If you’re submitting this ask, then I hope you have at least the tiniest bit of faith in me. If so, then allow me to recommend those members of our community who would be happy to get you acclimated and make new friends: @incandescent-creativity​, @ratracechronicler​, @paladin-andric​, @minas-writing​, @ardawyn​,  @feathered-quill​, @lady-redshield-writes​ and @noloumna​ are all lovely people who I’ve connected with on both a literary and personal level, and whom I trust would welcome you with open arms.

BONUS: I’ll Be Your Friend!

Look, if you’re all out of luck otherwise, you’ve come to a safe place. Reach out to me, if you’d like. We can talk on anon first, if you’d prefer, or keep it to my inbox for privacy’s sake. Or, heck, go crazy and just post on my stuff or tag me in yours! I am here to help make the community feel welcomed - and that includes making new members feel at home. My schedule is, admittedly, crazy, but I will always make time to meet you :)

Moral of the Story: Making friends means going the extra mile to prove to others that you think a relationship with them is worthwhile. An act of kindness and an outstretched hand will buy you more than any money or follower count or fancy writing project could.

[felassan]

Faces of Thedas Part 1

(Part 2 is here)

Soooo I came across what seems to be the whole of Faces of Thedas free online. 0: 

I’m picking through it and there’s some cool/interesting stuff in there. these parts were the highlights and most notable bits for me so far. not suggesting this is all new or that these things are all good, just that they were what stood out most to me.

- it specifically notes that it’s a useful guide to their characters, with their histories and personalities carefully researched and detailed. i.e. it’s official information. I do have to say there are quite a few typos (Par Vallon? Kal-shirok? Teveinter? Bartran? Sa arebas? bit sloppy) and even several lore-errors in it. not a big deal, just you’d think it’s the kind of thing they would have caught during editing and proof-reads

- blond hair and blue eyes are distinctive features of Anderfels mountain men

- Leliana’s features are very Fereldan

- it describes Cass as a “cactus patch” LOL, dragon-hunting as a limited field with just two classes of practitioners - “skilled” and “deceased” - and lists Anders’ Awakening-era equipment as including Ser Pounce-a-lot (yey!) and dried mackerel (yuk). includes notable quotes from some of the characters; Dog’s is “Woof!” (of course). Varric is totally making Cass a character in his next bestseller. Cole’s equipment list ends “and an unusual hat”. Stitches is one of the best healers in Ferelden. Dalish the Charger is a flirt. Varric’s allegiances include “the Champion of Kirkwall”. ;__; Harding’s role is “Adorably Sarcastic Lead Scout”, and her family mabari Contessa weighs 170 pounds. an aside, but descriptions of Origins-era Anders cause him to strike me as an Enneagram 7

- if Hawke killed Anders for his actions at the end of DAII, disciples (like-minded mages) elevated him to martyrdom for his valiant blow against their oppressors. if Anders lived, after the Kirkwall Rebellion he’s not only a pariah but arguably the most universally despised person alive in all of Thedas. even among the Rebel Mages he’s considered an extremist, and there’s apparently hardly a mage alive who’s in any way pleased with his actions 8| according to this book, hundreds died when Kirkwall Chantry blew up

- one of Alistair’s few indulgences as King was commissioning a custom pike designed specially for him. it’s a masterwork ironbark twohanded spear, and was inspired by Oghren’s old off-color jokes about pike-twirling.

- “Alistair is one of the few truly good people in Thedas”

- he sees siring Morrigan’s child as a fate worse than death

- whatever her outcome, Anora remains a Queen of Ferelden in her heart

- Leliana is still the girl that had a pet nug she named Schmooples, despite it all

- after the Fifth Blight, Dog was allowed to rest/retire, settle down, find a mate, and produce many Mabari pups. these pups share the ferocity of their father, and could prove equally valuable companions to those worthy of their loyalty. after his passing, there’s a good chance that interested parties would be after his bones to display them as a prize or curio.

- far from just using the network of mirrors to hamper both sides in the Orlesian Civil War, back when Briala had control of the eluvians she also used them to bring food to alienages, gaining the support of City Elves in the process, and to aid elves in other ways too. she’s also noted to have been doing what she could to gain the support of the Dalish, and that her logic was that the longer she could drag out and harry the Orlesian war effort, the more time she would have to free her People from their bonds. her goals are for all of the elves of Orlais, City and Dalish both, and she’s making efforts to bring unity between the two. in the Orlesian court she spends time, through intrigue, supporting nobles who support elves and tearing down those who do not. Briala is bae ok I added that last bit myself

- “Many Dalish don’t see city elves as being truly elves and so don’t see any particular reason to help them, and for that matter why would anyone want to have equality with a shem?”

- in need of an Inquisitor to head up their soon-to-be-hatched recreation of the Inquisition of old, and potential allies of the Chantry and the Divine, Leliana had set out in search of the Hero of Ferelden while Cassandra sought Hawke.

- rogue Seekers as well as the templars and rebel mages were in attendance at the Conclave. before the sky opened, Cassandra and Varric were supposed to address the Conclave, so that Varric could recount his tale of the Champion

- I like this snippet on Cass’s development: “introspection is a difficult skill to learn, however, and her brash impulsiveness often leaves her deeply chagrined or ashamed of mistakes that could have been avoided had she taken time to consider before rushing to judgement. Or to paraphrase her own recriminations, recent events taught her anything, it’s the extent of her own ignorance and short-sightedness.” I like to think this sort of reflection and development applies to her looking back on some of the ill-thought comments she made early in the course of DA:I, like asking Lavellan “Isn’t there room for another god?” and similar.

- Cass and Galyan could never make a stable, serious relationship, but they did get together when they could and harbored feelings for each other right up until he died at the Conclave Q.Q

- “Celene does, in fact, have sympathy for the elves,”    ಠ_ಠ

- Cole perceives pain as very nearly a physical thing with which he can interact. his unhesitating stream-of-consciousness recounting of peoples’ most painful memories occurs because he wants to excise the pain by exposing it and helping his subject through it

- This part on how Dorian can potentially be used by GMs in campaigns: “Dorian provides a strong candidate for a high-society Tevinter who would employ the heroes. Due to his position in Tevinter nobility as well as his experience in researching arcane lore, he would be able to provide access to Tevinter archives or artifacts in return for tasks the party performs for him.” Echoes of Dorian’s role in Dragon Age 4, perhaps?

- idk i just really like the parallels in the Grey Warden order recalling Fiona to Weisshaupt and making the shocking discovery that she was cured of the Taint, and the order recalling the Hero of Ferelden upon learning that no Warden died to deal the killing blow on the Archdemon, if Morrigan’s ritual was completed

- literally everything about Fiona

- Fiona’s silverite battlemage staff is emblazoned with the Theirin coat of arms.. my heart...

- the lil section on romancing Harding

- bit more insight into Qunari views on gender and trans people

- an alternate version of the story of Flemeth and Conabar; Flemeth was betrothed to the poet Osen, but they were very poor. The nobleman Conabar struck a deal with Osen to buy her. she agreed but Conabar recanted, claiming he had no money to pay. he killed Osen and imprisoned her. she called upon the demon to aid her, but it only became her guide and never possessed her. she killed Conabar and fled.

- Harding’s calling cards in guerrilla warfare are latrines booby-trapped with Antivan Fire or hornet nests. a former bard and fellow scout even immortalized one such escapade in a spectacularly graphic limerick

- Josie’s dangerousness, hardworkingness, talent, formidableness and high sense of personal responsibility/ethics is emphasized 👏 “she is one of the most gifted communicators and stateswomen alive”!!

- the Charger Dalish “hails from a secret group of elves. It has long been thought that the elves had regained the secrets to lost magic, and Dalish is living proof”.

[slo-liveblog]

Witch’s Heart Final Thoughts

Hellooo! It’s been a bit! I figured I’d go ahead and post that big ol’ thoughts and rambles post before I went ahead and started the Bonus Stage. I’ll probably be doing some similarly styled things in the future... anyways, I hope you’ve all been doing well, and don’t mind the long post! 

CHARACTERS

Claire: Oh my god. I would give my life for Claire in a heartbeat. I was honestly expecting to not care for her much, not that RPG maker games don’t have plenty of female protagonists I like but they’re almost exclusively children. On the adult side of things, not so much. I was expecting a mostly silent audience insert at best and an annoying, shallowly written protagonist at worst. Thankfully I was 100% wrong and ended up absolutely loving her and rooting for her all the way. I probably said at some point but she reminds me of Hiyoko Tohsaka, the protagonist from Hatoful Boyfriend... yes, the bird dating simulator, don’t even get me started. Maybe a little bit like Emma from The Promised Neverland, too. Pure of heart, dumb of ass female characters that could beat the shit out of anyone AND are incredibly compassionate and enjoyable to watch are just too damn rare. The ways in which she interacted with the other mains felt completely organic and I was never skeptical as to why she was spending time with them, which is something I tend to take issue with in games with a scenario/route structure. On the flip side, the reactions the mains had to her were completely understandable- as far as they were meant to be, anyway- and I found myself at least somewhat identifying with their thoughts on her. Like Leon, I too am in love with Claire. 

Ashe: Oh Ashe. Fuck Ashe. In terms of livening up any situation he’s in, for better or for worse, he’s an absolutely perfect abomination of nature. Every time he enters a scene I either laugh or am filled with pure, unfiltered rage, which I guess is a good sign. He’s definitely an excellent wild card that makes the experience better no matter what way you look at it. However.... in hindsight I think he might actually be the character we understand the least at this point, despite being the first person you meet and the first to get a scenario (if you play it in the order I did, anyway). Even Wiwardo, who’s silent 90% of the damn time, does have a pretty clear motivation. It seems likely that Ashe’s wish is to bring back his family, but not only do we not know anything about them or how they died, we also don’t have any context as to how Ashe became the sort of person he did. So it’s hard to really have a full grasp on him... I appreciate his character for what it is, but I’m not quite as enthusiastic about him as I am some of the others... yet.

Reynaldo: Reynaldo makes me want to start throwing things, in a good thing. I didn’t liveblog the beginning of the game, but I distinctly remember telling my friends he was my favorite initially- the bizarre name, the gun sprite that inexplicably makes me laugh, seems like just a sexi guy. I adore the reveal of what the curse/his wish was, and I think despite not knowing much about the particulars yet it says enough about why he is the way he is that it works perfectly even without the missing information. He’s a fascinating character and has a TON of the best moments in the game, for me personally anyway. My one major complaint would just be like... c’mon, I know he’s the stoic type but I would’ve liked just a liiiiittle bit more reaction from him in some of the bigger scenes, such as when Claire confronted Invective. Also I hate him and I’m gonna beat him up

Sirius: Baby boy. Baby. I want to hold his hand. He’s the character that I think is the easiest to understand at this point in the game, as his cards are almost all on the table. We’ve seen snippets of his childhood, gotten him to reveal pretty much all his thoughts and relevant knowledge to Claire, we’ve literally seen him go to hell, all the good stuff. Male tsunderes, at least ones that are still generally nice people like Sirius, are sooort of my weakness. There’s not a lot to say about him that I haven’t already said but he deserves the world.

Leon: BABY BOY. BABY. Okay, granted, I don’t... really care about Leon that much. Don’t get me wrong, I love him and nothing bad should ever happen to him ever again. But since he didn’t really get to be present in the other’s scenarios, I don’t feel as connected to him as I do the others. BUT with that said, now that the ball has finally dropped and his whole deal isn’t a secret anymore, at least not entirely, I’m hopeful that him not being around enough’ll be rectified by the bonus stage and final endings. He’s never done anything wrong in his entire life.

Charlotte: Charlotte’s in a weird place for me where I’m intrigued but not quite into her yet. I feel like we’ve only really scratched the surface, so I’m interested to see where she goes from here. She got so many interesting scenes like the one with Noel, Fiona, and Lime in her backstory that REALLY hit the mark for me. 

Zizel: Not a lot to say about Zizel, just that her interactions with Claire were absolutely adorable no matter how morbid the context. Love her.

Lime: Lime.... oh boy. I have some. Emotions. About Lime. She definitely seemed like the most one-note out of the demons when she first appeared, just sort of a cutesy masochist anime girl, but wow. I love her relationship with Charlotte and her fascination with Leon is really interesting. I kind of hope going forward that she develops more of a relationship with Claire? I dunno, feels like there’s just some untapped potential there, with Claire being as empathetic as she is and Lime being... as confused about emotions as she is.

Rouge: Again, not a ton to say about her, but her relationship with Leon ended up being way more interesting and heart-wrenching than I expected despite how little we saw of it. I appreciate that she really does care. 

Overall & Final Score The characters were fucking fantastic. My only complaint is that I haven’t seen enough of them yet. 9/10

STORY

Ashe’s Route: My least favorite route, I think, though that’s not to say I didn’t enjoy it. It does have the advantage of being completely new (if you played it first like I did) and Claire and Ashe’s relationship was so fucking cute and entertaining to watch. It does really feel like an introductory route though- it was mostly setup, which isn’t bad. Just not as gripping as the other routes. And the ending is... a little anticlimactic, considering you can see Ashe’s murderous tendencies coming a mile away. But there’s nothing in particular I think I would change, solid but not incredible.

Wiwardo’s Route: My second favorite route, which... I have a feeling will be an unpopular opinion. I dunno, I just really enjoyed it from start to finish. The partner swapping was hilarious and did a lot to flesh out the dynamics between the characters, Invective was really fun and fleshed out Claire’s personality as well as a lot of demon lore, and I think Reynaldo’s conclusion might be my favorite in the whole game. I was really questioning where any of it was going towards the end, it definitely had me on the edge of my seat. The main complaint I have about it though is that we... don’t actually see that much of Reynaldo. Like, at all. I mean, he’s THERE, but as I mentioned prior he doesn’t... react to much. Of course he doesn’t need to be overly emotional, that’s just not in his nature, but a few more moments where he actually had any sort of stake in what was going on might’ve been nice. The majority of the scenes he’s in prior to the boss battle hardly get any dialogue out of him at all. But like I said, the ending really made it worth it. Fighting Ashe was probably THE most cathartic boss battle in the game and the realization about what Reynaldo was going to do moments before it happened gave me chills. 

Sirius’s Route: My favorite! Love my boy!! God Sirius’s route was incredible. Definitely the one that was the most consistently gripping. Exploring hell was such a cool way to make the route continue after Claire’s death and Sirius’s character development was top notch. It really felt like we were finally getting some answers, too, which was satisfying. I will say, despite being my favorite, it probably has the weakest actual conclusion. Like, the confrontation with the monster made me Feel Things, but since we don’t actually know who or what it is there’s not really as much weight as the other routes that end with Claire’s death. Still, the juicy plot revelations and character development more than made up for it.

Leon’s Route: It may not be one of my favorites but this shit fucked me up. Definitely elicited the most tears, the whole goddamn thing’s miserable. Leon’s route feels slightly lacking in the charm department for me, which probably sounds weird but... I guess it’s cause the whole thing is so laser focused on Claire. Like, obviously Leon is primarily concerned with her, so it feels like there’s less emotional or interesting moments with everyone else and the ones that ARE there aren’t as impactful as they could be since, y’know, he’s really only here for her. But that’s mostly just a personal preference and since that was the whole point I can’t really complain. Leon’s relationship with Claire was wonderfully executed and I really appreciate this poor boy. 

Torch Backstories: Like. They didn’t HAVE to add all this stuff in but they sure did and wow does it pack a punch. I was always super excited to see the next one after finishing a scenario. I do wish we had a little more variety instead of half of them being Lime though, as much as I adore her character.

Overall & Final Score My only real issue with the story is, again, I haven’t seen enough of it yet, and that it sliiightly dragged in some places. Plus there were some small elements I took issue with, like the use of the ??? character, but nothing major. 9/10 

GAMEPLAY

Fighting: No major complaints with the fighting mechanics, it was actually a really nice change of pace since most RPG maker games I’ve played don’t have battles. I do wish Leon had something a little different to set him apart from Claire, since he essentially has the exact same fighting style, albeit with a knife this time. 

Demon Requests: This was a mixed bag. I liked the concept, especially how it wraps in a little bit of lore and everything. But some of the requests, like the ones that involved fishing, were just tedious. I probably would’ve preferred if demon requests were either just a liiiiittle less frequent or had more lore sprinkled in to keep me interested. 

Scenario Mechanics & New Items: The whole idea of the scenarios is... good, but not flawless. I think giving the option of doing Reynaldo’s scenario first probably wouldn’t work very well and giving the illusion of choice only for it to just be which of the two you play first is a little redundant. But that aside, I really love the way they’re strung together with the hell room and all the things you can do there. Setting up a routine in this kind of game was a really good idea. I also looooved the new items you get each scenario, the lighter doesn’t do much but the wand and broom really feel like they broaden your horizons. 

Gift Giving & Minigames: Not super into the affection system to be honest. Like, the plushies are super cute, but the gifts and minigames feel pointless and tedious. I would’ve liked if there was some sort of scene, or even multiple, per character that you get when you max their affection, you know? Obviously this is a small complaint considering the absurd amount of content in the game but I was a little disappointed by how underwhelming the gift giving was. 

Other Puzzles I didn’t take issue with any particular puzzle, they were all reasonably easy and fun to do. I really enjoyed the majority of them and if I didn’t they were either over quickly or optional, such as Ashe’s damn slider puzzle.

Overall, Final Score The gameplay isn’t anything crazy, but it does what it’s meant to do. 6/10

ART & SOUND

Character Design: I don’t have a ton to say about the designs, I think they’re all really effective and well thought out, especially for the demons. No two characters look too similar despite the simplistic art style making it very easy for that to happen, and I thoroughly enjoy everyone’s outfits. 

Sprites and BGs: There are a few wonky sprites here and there but for an RPG maker game I was pleasantly surprised by their overall quality. And ability to make me feel things. And quantity! Like damn, there’s so many sprites for each character, I never feel like I’m seeing too much of the same one. 

OST and Sound Effects: I know none of the songs were composed for the game itself, which is common in these sorts of games, but the selection was excellent regardless. I still listen to the soundtrack a lot just for fun. The sound effects are really cute too, no complaints there either. 

Overall, Final Score It’s crude at times, but the art and music is perfect for what it wants to be and elicits a hell of a lot of emotion. 7/10

I adore this game and I can’t WAIT to start Bonus Stage!