#this was fun to write and think of LMAO

[getosugurusbangs]

that list of bllk characters w shakira?

ok ok here’s my list of bllk characters i would love to dance with to the song ‘hips don’t lie’ by shakira (if i had ever been given the opportunity). please feel free to inquire, add your own characters, leave whatever thoughts you may have, etc.

meguru bachira. we would both have a blast with it. ofc i wanna dance with the dancing bee

ryusei shidou. i think this one is pretty self explanatory. why WOULDN’T i want to dance with him, in any context?

michael kaiser. i think it’d be fun to see how he’d do, both physically and emotionally. but also it’d give me the perfect excuse to say “go white boy go!” and watch him go through the five stages of grief in that moment.

alexis ness. i just think it’d be fun :)

noel noa. i don’t really have an explanation for this one. i just have a feeling

tabito karasu. i think he’d make a good dance partner. he’d also have the right attitude for it

yo hiori. again i don’t really have an explanation. i also think he very well might fumble it, and i’d love to see that in action (i would too let’s be so real)

zantetsu tsurugi. speaking of fumbling it, i’d love to see what he’d do upon receiving the task.

hyoma chigiri. we’d probably try to out-sass each other. it’d either go horribly or amazingly. i’d love to see it

shuto sendou. i think he also might fumble it but he would definitely try his best, and i’d love it regardless.

kenyu yukimiya. again, it'd just be fun.

honorable mentions!

oliver aiku. it would be an unforgettable experience but i don’t know that i’d want to experience it firsthand.

eita otoya. i think it’d be fun but for that i’d have to like him enough and i’m not quite there.

julian loki. he needs to loosen up a little. then i’ll consider

charles chevalier. i mean… he’d definitely make it interesting

[steviesbicrisis]

A Barbie AU where the Kens decide, in order to get some recognition, to get individual names.

Steve, who’s just a Ken very good with kids, is having an identity crisis after his Barbie, journalist Barbie, broke up with him.

Not even picking a name as unique and special as Steve, so much different than Ken, managed to cheer him up.

Everyone keeps saying he should be happy about the change, and discover who he is outside of Barbie’s orbit, but he can’t see what was so wrong in their relationship. He loved waiting all day for Barbie to look at him, even if it was for a brief second.

As if going through an existential crisis wasn't enough, he has to do it under the constant mocking of his archnemesis, Ke- Eddie.

Eddie, with his long curly and annoyingly gorgeous hair, who has a sense of style he would give all of his rollerblades for, and who's always there to notice whenever Steve makes a mistake.

Eddie even has his Barbie still by his side, cheerleader Barbie, and every time Steve sees them together he gets a sick feeling in his stomach, like a tummy ache. Doctor Barbie visited him a couple of times and found nothing wrong with him, he imagines he's a little jealous of Eddie for being with a Barbie.

Steve talks about this with Polyglot Barbie, his best friend, annoying her to death.

"Why are we talking about Ken, again?" she interrupts Steve's retelling of his last encounter with Eddie.

"It's Eddie" Steve corrects her.

"Right," she nods. She's very supportive of their silly-name-thing (how most Barbies call it), but she still has trouble remembering all the names, "why are we still talking about him?"

They're hanging out at the park, sitting under a tree, Barbie's leg on top of his, and they're holding hands. It's nice. Steve is happy to have a best friend like Barbie.

Steve looks up, meeting Eddie's gaze. He's sitting at one of the picnic tables not far away from them, doing nothing besides glaring at Steve.

Barbie squeezes his hand to get his attention back, and Steve looks away.

"Because he keeps tormenting me! he's even glaring at me right now, I'm gonna get stress wrinkles!" Steve finally replies, in a distressed tone.

"You're being dramatic," she says, matter-of-factly, "Eddie isn't so bad with you. You know, he kinda treats you like his Barbie."

If Steve had a beating heart, it probably would've stopped right at this second.

"What?"

"You know, he's always looking for you, he is always giddy whenever you give him a crumble of attention. He hangs out where you hang out... why do you think he's sitting all alone at a picnic table, just staring at you?"

"Maybe he's waiting for his girlfriend" he suggests.

"Are you talking about Cheerleader Barbie?" she giggles, "she's not his girlfriend, trust me."

"But he picks on me! all the time! Like this morning, I tripped and he made a comment about my legs!" He gestures at his legs with his free hand.

Barbie tilts her head to the side "you mean this morning at the beach when he held you in his arms for ten minutes to prevent you from falling and Barbie had to tell him to let you go?"

"… yeah” he manages to say. He hadn’t realized how long Eddie held him in his arms, he was upset about almost falling in front of him, but he also liked the feeling of his arms around him.

Everything feels different now.

Barbie's look softens "How does this make you feel?"

"I don't know" he answers, honestly "I just can't stop thinking about him."

A loud noise at their right startles them off of their conversation. They turn around to see Eddie lying on the floor, a trash can at his feet.

Steve doesn't give himself the time to realize that Eddie has probably heard their entire conversation and has tripped on that trash can because of it, he just rushes to Eddie's side to help him out.

Eddie stammers while Steve pulls him back up, not making much sense.

Steve is used to see Eddie as an intimidating guy, someone to compete with for Barbie’s attention. He never realized how much he liked to have Eddie’s attention instead, nor how he loved to give that attention back in equal amount.

“Nice legs” he tells him, repeating the same words Eddie told him that morning.

Eddie stops his incoherent stream of words when he hears him “what?”

“You heard me” Steve says.

“I did” Eddie admits. He pulls the trash can back up, to have an excuse to not look at Steve when he asks “you can’t stop thinking about me?”

For some reason, that’s the easiest question Steve has ever had to answer to “yes, I can’t.”

Eddie jolts back up startling Steve, the trash can falling out of his hands and hitting the ground once again.

“Cool” he says, using all of his willpower to hide his excitement by keeping a relaxed face, failing miserably.

“I guess” Steve grins. Knowing he has that effect on Eddie is making him the most confident he has ever felt in his life.

“So, since you can’t stop thinking about me…” Eddie repeats, in a tone that Steve would’ve mistaken for a mocking one until few hours ago “…we could hang out on the beach later. I’ll bring my guitar.”

“I’ll bring mine too then” Steve replies immediately.

Eddie panics “We can’t both have a guitar!”

Steve crosses his arms on his chest “who says that?”

Eddie opens and closes his mouth a couple of times then mutters, defeated, “fine.”

“Great!” Steve takes a step forward and gives Eddie a peck on his cheek “I’ll see you later.”

Eddie, who makes a face again trying to hide his excitement, nods and turns away “cool.”

He walks away slowly, towards the park’s exit. Right by the gate, he throws himself into an hedge. Steve can clearly hear him when he screams words along the lines of “FINALLY”, “I HAVE A DATE” and “SUBLIME”.

Steve turns to Robin who has witnessed the whole thing, while Eddie is still screaming random words from the bushes.

“I think I’m in love.”

[twentyfivemiceinatrenchcoat]

HOW DEEP IS YOUR DEVOTION? ; SATORU GOJO

synopsis; you’re his knight, and he’s your prince. if only it were that simple.

word count; 6.6k

contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3

a/n; big big BIG thank you to @/teddybeartoji for having the biggest brain in the galaxy and infecting me with this concept <33 if u pay attention while reading you can tell the exact moment i started slowly spiraling into insanity

you are five years old when you meet the prince.

five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.

the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.

”does it hurt?”

the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —

a blue so jarring it makes you shiver.

the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.

there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.

but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.

a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.

(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)

satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.

but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 

the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 

satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.

and he wins. he always wins.

that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.

time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 

satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.

that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.

and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 

but that’s an incident no one in the castle dares to speak of.

(you’ll never forget that look in his eyes.)

satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.

because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 

a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 

(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)

a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 

so you decide to become his knight. his, and his alone. 

it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.

and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 

there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 

you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.

when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.

you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.

so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.

the prince and his knight can do what they want.

not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 

(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.

but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)

satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.

and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 

but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.

as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 

all of it for one person.

all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 

that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.

sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.

a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.

(something tells you he’d kneel, too, if only you’d let him.)

the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 

despite everything, satoru has grown up into a fine man. and you couldn't be prouder.

“do you think i look good in black? be honest.”

you throw him a glance. curious, somewhat perplexed, eyeing him up and down.

satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.

“sure you do.”

”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”

”definitely.”

a moment passes. 

satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”

”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”

he hums. silent, the sound of a spring breeze filling in the gaps.

it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.

and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.

a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.

and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.

it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.

”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.

”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”

and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”

there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.

it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.

but…

”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 

you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.

satoru only hums, far from approving. popping a piece of cheese into his mouth. 

after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”

you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.

”… i’m less serious with you than i am with others.”

satoru sits up a little straighter.

”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”

a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.

when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.

”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”

when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.

(you could never bring yourself to be even remotely alright with it.)

“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.

something rotten bubbles up inside your throat.

”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”

satoru chuckles. husky, mellow. dripping with soft amusement.

”settle down, little knight.”

a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 

”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 

a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”

you purse your lips.

“… i don’t think so.”

another chuckle. a little delighted, this time. 

“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”

a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”

satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 

“— there isn’t.” you smile. “nothing at all.”

he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.

then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.

“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”

when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 

then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.

(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)

no matter where he goes, you follow.

and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.

“come with me.”

at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.

it’s the river you used to play by as children.

gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.

satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.

“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”

he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”

he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.

”i think you’re too scared to get in.”

you blink.

”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself.

“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”

you raise an unimpressed brow. satoru steps back, inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 

“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”

satoru laughs, when that makes you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 

his knight. his favourite knight.

“... fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”

“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.

a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.

the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.

“— loosen up. it’s just you and me.”

so you do.

and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 

the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.

you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.

a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily. his chest is heaving, lifting you up and down, a little, rhythmic and comforting. 

a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.

but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 

and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 

“stay like this, for a bit,” he rasps. ”it’s okay.”

his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…

(he’s warm.)

silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.

“i missed this.”

…

nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 

then again — that was a long time ago, wasn’t it?

“… me too.”

“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 

you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 

”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”

a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.

”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 

satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”

another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.

”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 

a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 

”i want you to tell me if they go too far.”

silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 

(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.

when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)

”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.

”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”

a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 

“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”

silence. and then, a chuckle.

that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire. ”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”

but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.

and then; 

“i’d do it, you know.”

“… do what?” you ask, though some part of you already knows. 

satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”

”i’d tear this nation apart if you asked me to.”

…

(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)

you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”

“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”

and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.

“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”

“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”

“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”

you bite down on your lip. he sounds… a little sad.

“… sorry.”

a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”

he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”

”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”

”i know. but i’m saying you don’t have to.”

and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing. enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.

”— i’ll protect you forever,” he vows. ”remember?”

there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.

you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 

“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”

“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”

a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.

“i don't get it, though.”

you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.

”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”

the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.

satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 

…

his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”

you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.

”it’s you,” satoru whispers. ”all for you.”

a moment passes.

silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 

all while satoru gazes at you, fondly. placing a big palm on the back of your head.

fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 

satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.

a boy so sweet you’d die for him.

(a boy so sweet he wouldn’t want you to.)

a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.

”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”

but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”

”you’ll get sick.”

”i never get sick.”

a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.

a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”

and he’s right. so you don’t say anything else. 

but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from faraway fields, his soft breaths in your ear. 

until satoru suddenly chuckles.

“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”

you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”

before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.

“i think i was born to meet you.”

(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)

[essektheylyss]

Fearne had, in true Fearne fashion, wrapped herself like a personal pashmina around Dorian, which left Orym to curl into his chest.

They had slept this way dozens of times before. Fearne’s blackened fingers wrapped tightly around his forearm as she snored loudly into Dorian’s ear. Orym’s head rested on Dorian’s bicep, his arms folded together between them, and his bare feet were gingerly resting upon Dorian’s thighs just above the knees, as Dorian had coiled enough to let Fearne’s fuzzy leg stretch over his hip. They were exhausted, and this was familiar, and he should’ve been fast asleep.

But Orym’s mind buzzed.

Fearne had always been a strong source of heat, but now she was a furnace, and even without covers it was too warm. But Fearne was not the reason why Orym’s skin burned where it met Dorian’s.

He was a fucking grown man. He was fully capable of admitting that.

Admitting it didn’t change it.

Neither did it change his awareness that Dorian had been too still for the past hour, his breath too precise and measured to be natural as it fell upon Orym’s hair. Orym was not going to presume that the cause of this was the same thing afflicting him; there were plenty of other reasons Dorian would be lying awake tonight.

“My family will find your brother,” he murmured finally, and Dorian’s breath wavered for just an instant before he regained his composure and returned to his measured, singer’s breathing. It was so slight that no one else could’ve noticed it, but Orym noticed. “You said there’s a body— the Tempest can bring him back, or Fearne, honestly—“

“I know,” Dorian answered, and this too was so faint that no one but Orym could’ve heard. “I know,” he said again, as though this one was only to appease himself.

“Do you think… do you think any of Opal is still in there?”

“I don’t know. I could barely tell what was in there—“ he cut himself off. “I couldn’t even help my brother. I think Fy’ra Rai might’ve… she must’ve seen something. I hope so,” he added, inhaling, trying to capture an airy tone that he didn’t fully manage. “The Spider Queen doesn’t deserve her. She doesn’t deserve anything.”

Orym had nothing to say to this. He hadn’t cared what the gods did or didn’t deserve in weeks, but now he could see the vein of fury that sharpened Dorian’s edges. It didn’t frighten him the way it had frightened him months ago, when things had been simpler, when there was not a war to be fought. It simply saddened him. “I’m so sorry about Opal,” he said, after the silence had lingered. “But I’m,” he breathed out a single dark laugh at himself, his selfishness, “I’m real glad it wasn’t you.”

Dorian’s laugh matched his own. “I suppose that is a silver lining.”

“I’m so glad you’re here,” Orym admitted. It was easier to keep his voice from cracking at a whisper. “I’ve thought about seeing you again so many times— I wish the circumstances were better—“

“I’m here,” Dorian said, for the second time today. “The circumstances tried very hard to make even that impossible, but— I’m here.”

Orym pulled his arm gently out of Fearne’s grasp and raised his hand to Dorian’s cheek. It was too dark to see the tinge of lavender against his skin, but Orym could feel the warmth bloom beneath his fingers. He still couldn’t bring himself to attribute his friend’s insomnia to anything so self-serving as his own, but perhaps it was one factor.

He pulled his hand back. Was there a flash of disappointment in Dorian’s eyes? He couldn’t tell in the dark. But he brushed his fingers together, drawing upon the wellspring of life within the ground beneath this hastily-erected encampment. The Hellcatch looked like a barren wasteland to most, but that life was still present even here.

Perhaps not now, but after a rainy season, the valley would bloom with wildflowers. The seeds waited in the earth for their time to sprout. Life went on, even in the darkest of places.

He produced a small stalk of life from his hands, and held out the tiny bundle of forget-me-nots to Dorian.

He should’ve said that they were for Cyrus, to remember him by. He wanted to say that they were for Dorian himself, that a day hadn’t gone by that he hadn’t thought of him. He didn’t speak at all as Dorian’s hand wrapped around Orym’s, pinching the stem beneath his fingers but not letting go.

“Orym,” Dorian breathed, looking from the flowers to his face. Then a strange expression came over his face, a wrinkle of consternation as he stared into the middle distance. “Fearne, are you braiding my hair?”

Orym lifted his head an inch to peer past Dorian’s ear. He had noticed that the snoring had stopped, but he’d been too caught up in the conversation to process it. Fearne’s wide eyes stared back with perfect innocence, her hands indeed weaving Dorian’s hair into a loose braid.

“Just pretend I’m not here,” she whispered quickly. “I’m totally not here.”

When Orym dropped his head back to Dorian’s arm, he was met with a crooked smile. It was not meant to be disarming, but it disarmed him anyway.

“Just like old times, eh?” he said, but his hand was still around Orym’s.

Carefully, Orym moved to tuck the flower behind Dorian’s ear, bringing both of their hands with him, and then laced their fingers together instead. “No,” he said, and tucked his head so that his brow rested against Dorian’s chin, and pressed their entwined hands to his lips. “But I think that’s okay.”

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[unicornpopcorn14]

Has anyone written/drawn smth about Dazai getting unknowingly shipped overseas while sleeping in his shipping container yet??? Bc if not I'll write it it's just too funny to pass up-

Edit: *throws the fic atcha and runs*

[brother-emperors]

--or perhaps,' continues Octavian. 'You're angry that I've outplayed you at your own game because you were too busy fucking in your old master's house to notice anything that was going on around you.'

He smiles suddenly, bright and wide. 'Enjoy the party, Marcus.'

this scene takes place sometime after philippi, and was originally just some historical fiction I was writing last year for fun focusing on antony, octavian, and agrippa. then I got stressed out watching the new season of a show, started drawing while it played, and ended up turning it into a short comic lmao

the dialogue in this scene is referencing this bit out of Suetonius:

In early youth he incurred the reproach of sundry shameless acts. Sextus Pompey taunted him with effeminacy; Mark Antony with having earned adoption by his uncle through unnatural relations; and Lucius, brother of Mark Antony, that after sacrificing his honour to Caesar he had given himself to Aulus Hirtius in Spain for three hundred thousand sesterces, and that he used to singe his legs with red-hot nutshells, to make the hair grow softer. What is more, one day when there were plays in the theatre, all the people took as directed against him and loudly applauded the following line, spoken on the stage and referring to a priest of the Mother of the Gods, as he beat his timbrel: "See'st how a wanton's finger sways the world?"

Suetonius Augustus 68

what a fun group of people!! they should all eat each other

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[jeiyuuen]

So Luffy and Law reunion after two years, some totally biased thoughts...

Luffy really just recognized Law right away like that, huh? After two years of not meeting at all, and barely having interacted prior to Marineford. What was the first thing he recognized that he was sure that's the guy who saved him then? (Is there something you would like to share with the class, Luffy?)

It's so funny because nothing could've prepared Law for Luffy's sheer joy when they met again. He was so genuinely happy to find Law and it's ruining Law's emo vibes.

Like damn, he built up a reputation!

Pretty much everyone else up to that point has called him cruel, ruthless and all that. Back to Marineford and Sabaody, people talked about bad rumors about him. Even when he saved Luffy, they doubted his intentions. They were so sure there must be a catch to Law's help. (There was no catch.) It's just fun to think about because here Luffy is treating him as something good that happened in his life. Poor Law couldn't handle that much positive attention.

And uhm no, trying to deflect saving someone's life from death as "nothing" or something like that wouldn't really work. Especially when Law really didn't need to risk it all like that to get Luffy out of Marineford. They barely had a connection and even a potential rivalry is hardly worth the risk. Calling it a "whim" is the most Law can call it before he starts questioning his life again. But whatever the reason is, the fact still stands that he helped Luffy... And isn't that what matters, anyways? To Luffy, at least.

Law: "We are both pirates." (we're enemies)

Luffy: ":D Okay, anyways, you saved my life."

Law !!!! He ADORES you already !! It's over !! And giving more helping hand doesn't actually help your case !!

Also more exhibits of Luffy being excited over Law that I just find so cute. The way he perked up when Law was mentioned... He likes him.

He didn't say anything during Brownbeard's story until Law was mentioned, Luffy my guy.... He likes him so much, not necessarily romantic, but Luffy really just likes Law.

Law really stood no chance and asking Luffy for that alliance was the final nail to his coffin. He sealed his fate to be Luffy's super duper mega best friend FOR LIFE.

[specsthesecond]

Witch Troubles #3

It's a fairly common practice among witches to form pacts with demons.

It's not necessary but it's an age old practice meant to strengthen ones connection to magic. The witch gains a stronger connection to magic and in exchange the demon gains easier access to the mortal realm.

You've debated this decision for awhile and you finally think you're ready to forge your own pact. Worst case scenario is the demon refuses your offer, which would be embarrassing but not the end of the world.

You shut the door of your room, close the black out curtains and light a few candles. Squinting at the diagram of the summoning circle in your grimoir you try to replicate it perfectly on the old wooden floorboards in white chalk. When it's done you dust off your hands and place the candles in the right places around the circle along with a good amount of enchanted salt around the circumference for your protection. You stand up and take a breath before reciting the ancient words in your book while channeling all your energy into the circle.

The flames burn higher, so hot you have to shrink back a little. It takes all your effort and concentration to keep the chant going without misspeaking or burning the house down. A giant fire now billows in the centre of the circle, something large rises from the middle. You finish the spell and the flames gradually flicker away to reveal exactly the entity you were trying to summon. The little candles around the circle are the only source of light now, barely illuminating your guest. Smoke smoulders off its skin as it rises to full height and stares right at you with it's flaming eyes.

The demon, male it seems, stands in the middle of the summoning circle as tall as your book shelf and just about as wide. True to the drawings and diagrams in your texts he stands on two thick furry goat-like legs. The soft looking tuft at the end of his long thin tail swishes against the old floorboards as they creak under his weight. The rest of his body is charcoal black but otherwise fairly human save for the large goat-like skull that is his head. Beautiful horns, much too majestic for a demon, sprout from the white bone and curl into a thick loop on either side of his skull.

In short; he's the definition of tall, dark and handsome.

Two flaming pits behind the eye holes in the skull serve as eyes, they burn red and hot like the flames of hell as he glares down at you. You assume it's a glare, it's hard to tell.

You clap your grimoir shut, unable to look away from the demon yet. He seems the same, quietly observing you.

"Good evening, I'm sure you know why I've summoned you."

You say as calmly as possible. The demon looks you up and down and hums lowly, sceptical.

He grunts and crosses his arms over his chest. You have to use all your self control not to look down at the incredibly distracting package he's carrying between his legs as it bobs with the movement. Obviously you were prepared for him to be naked, demons don't wear clothes but actually having to practice that self-control is another thing entirely.

You're snapped out of your thoughts when the demon speaks, low and gravely like you expected.

"Witches used to dance for us around fires, bathe in the blood of sacrifices, throw orgies. This is all I get for my pact proposal?"

That's not what you expected. You were expecting some doubt sure but he sounds... offended? He's complaining?

"I don't need to do any of that to show you my worth. You can already sense my magic capabilities, I can show you- ."

He growls again. When he speaks his jaw bone doesn't move, the voice sounds like it reverberates around the skull on its way out.

"Its about devotion, witch. You show me your devotion and I'll give mine in return. No one cares for presentation anymore."

Who needs presentation? Sure, devotion is important in a pact but he's being ridiculous. You look around the room for a moment before saying flatly,

"My apologies but I will not be sacrificing anything or throwing any orgies and I cannot dance."

The demon scoffs and adjusts his crossed arms, thick biceps flexing as he does.

"All witches dance. Your ancestors where very good at it."

You scoff, telling him about your magic capabilities definitely isn't going to work. Why'd you have to get a difficult demon? Why couldn't you get a normal power-hungry one?

"Are you truly that compelled by naked dancing women?"

You attempt to needle him in hopes of avoiding what you know is inevitable. He doesn't respond, just stands there expectantly.

Some demons may agree to pacts based only on the power of the witch but others don't care for power and value the devotion of the act much more. You were very much hoping for the former but you're going to have to deal with what you got.

After a few moments of staring at eachother you finally crack and bend down to make quick work of your shoes and socks. You dropped your skirt around your ankles, take a deep breath and slide your panties down your legs. You see the demon shift his weight in your peripheral but you don't look at him as you unbutton your blouse and unclip your bra. You leave your black pointy hat on your head, assuming that's part of the appeal.

You only look back at him when you're completely naked, standing Infront of him and crossing your arms over your tits, mirroring his own stance.

He seems amused at that, You can see the little flames in his skull move up and down in a way that indicates he's soaking in your nude body.

"Unfortunately, dancing naked around a fire was not passed down to me like the magic was."

"A pity."

You scowl and the demon huffs smoke through the holes in his skull, chuckling.

"You're a witch, magic exists in your very veins. Use it. Caress your body. Sway your hips. Feel the power in your body and worship it as you would a god."

He says it like it's incredibly obvious and you actually feel inclined to listen to him. You close your eyes and try to "feel the power" whatever that means. You uncross your arms and place them on your thighs, slowly moving them up your waist and back down again.

Your skin feels especially sensitive being completely bare in front of such a powerful being, who is also naked. Just the light touch of your hand makes your skin prickle as you move your fingers slowly across yourself.

You start to arch and sway, hands moving up your thighs, across your stomach, along your neck. You free yourself, offering your body to this demon. The demon growls lowly and says in a deeper tone than before,

"The point of the pact is the connection. You summoned me, This is your pact to forge so show me your devotion."

His fiery eyes follow your every move, every sway of your hips and bounce of your tits.

You carefully run your hands from your waist up to your tits, briefly feeling the soft fat before moving up your shoulders. You stretch your arms high, now putting your tits on full display for your demon guest, the attention and cool air makes your nipples harden.

You turn around, your back facing the demon and he huffs irritably at being denied the sight of your perfect tits. His grievances are smothered when you bend down and run your hands up the back of your legs all the way to your ass, gripping the fat just enough to make it jiggle for him.

You can feel the room getting hotter, you can see his cock getting harder and you can feel the wetness In-between your legs as you dance.

You give one last tantalising hip sway before slowly dropping to your knees in front of him, on the edge of the salt circle. You look up at him while sliding your hands up your thighs, from here you have a perfect view of his half hard cock, looking so thick and heavy the sight has you nearly panting like a dog.

You rest your hands behind you, now presenting your entire body to him, tits perked and pussy drooling, devilishly tempting.

"Does that satisfy."

You say gazing up at him sultry gaze flicking down to his cock, you swear you saw it twitch.

"You know exactly what would satisfy me."

His voice is deeper than before, more gutteral and it makes you squirm. You might have been embarrassed about being so open about his effect on you if it wasn't for his obvious arousal for you. You're honestly just glad this is going well so far.

You lean forward, shuffle closer to the salt barrier and stick your tongue out, mouth open and waiting, silently begging for him.

The demon's hand goes to hold his cock immediately and he steps towards the barrier holding his cock out, but before he can place the tip on your hot tongue, you pull back slightly with a sick grin on your face.

The demon tries to grab your face but you retreat further, past the salt circle and therefore out of reach. You look up at his collosal frame with a smug smirk as he growls in irritation and the candle flames flicker violently.

"Don't forget, this is a mutual pact, demon. You don't call the shots... I want to be on top."

"What makes you thin-“

"I'm on top or you can go back home."

He grumbles something unintelligible, shaking his head in disbelief. One hand goes back to his cock idly stroking the thick member as he nods his head, accepting the terms.

You stand and steel yourself before wiping away a portion of the salt line with your foot, breaking the circle. You reach out for his hand and he accepts it with the hand not stroking his dick, stepping out of the circle and into your bedroom. His hands are immediately on your skin, thick fingers running along your waist and down to your hip. His skin is so warm, like the blood running through his veins is boiling hot giving the surface skin a pleasant warmth.

He stares down at you in suspense waiting for your go ahead.

You bring your hands up his chest and around his broad shoulders, and pull him down to your height only to push him down your body until his skull face is right Infront of your pussy. You let him get a good sniff of your smell before pushing him down to the ground with your foot, standing above him looking very tryumphant.

He doesn't have much time to marvel at your figure above him because before he knows it you're sitting on his dick, pussy pressing right against his cock, he bucks on instinct, the wet warmth of your pussy against the heat of his cock makes him let out a gutteral moan.

You slowly rock your hips back and forth the length of his cock, an impressive length but one you could manage. Neither of you can stand the foreplay any longer, his hands grip your waist at the same time you finally slide his cock into your waiting cunt.

You both groan at the feeling as you pop the mushroom head into your cunt and you slide your pussy down to the hilt, feeling every vein of his hot cock against your walls. You're so slick and needy the fat cock slides in with surprisingly little resistance. That makes him chuckle, which you cut off with a deliberate thrust of your hips.

Your screams are muffled and gargled but the sound of your wet pussy slapping and squelching around his cock as you cum echos throughout the room. He growls and snarls into your mouth when he gets close, tilting his head back in absolute bliss.

You plant your feet on either side of his waist, moving all the way up back to the tip and then plunging back down again taking him as deep as he'll go. You bounce and hump on this demons fat cock, tits bouncing in tandem, pretty face in the throws of pleasure. It's a sight to see and he loves every minute of it, clutching your hips but letting you control the pace.

The fur covering his legs is soft and warm against your ass as you ride your new pact mate. Your hands rest on his strong chest as you lose yourself even more in the intense pleasure. Panting and groaning, as you approach your high, your thrusts get more frantic as if you're trying to get him even deeper into your cunt. Your eyes are locked onto the way his pretty cock disappears Into to your cunt, the fur at the hilt becoming wet with your slick.

"Ah~ cum inside, cum inside, cum inside me!"

Your frantic pleas are heard when he wraps one arm around your shoulders and pulls you into his chest, his other hand firmly on your ass pushing into you as deep as possible. You finally cum around the throbbing cock clenching your walls deliciously, pressed into his chest. He cums seconds after you, shooting abnormally hot cum deep inside you. Your body stills as you cum down, his strong arms move you body against him in shallow thrusts as he bucks up into you, riding out his high.

You limply lie on his massive chest catching your breath as you come down, ignoring the drool you left on his pec. You realise he's eerily quiet and look up only to find he's staring at your face in a manner you think is expecant? Only then do you actually realise that his dick hasn't gone down at all. You can't help but laugh, pussy involuntarily clenching making the demon clutch your hips tighter.

"Is this all for me or is it just a demon thing?"

He huffs out camp fire smelling smoke from his skull and leans up into a seated position. The change in position makes his cock adjust and you moan softly at the feeling while grasping his large biceps.

"You've got jokes."

He looks down at you, you try to read his expression but it's really hard when his hands are massaging your hips so nicely and his cock is touching new spots inside you making your head all fuzzy. He smoothly lifts your thighs and flips you both over so that you're laying on your back and he's hovering above you.

It's such a glorious sight. This massive sexy otherworldly creature staring down at you with such lust. You can't stop yourself from pulling him in closer by the back of his neck and mumbling,

"Do demons kiss?"

The demon huffs again and opens his jaw showing his razor sharp teeth, from the darkness behind the skull comes three appendages, long and wet. Those are his tongues, and you moan a little when you realise that. He leans closer and the prehensile tongues worm their way to your mouth where you greet them, mouth ready and open. All three appendages slip into your mouth to explore and rub against your tongue, it's so messy and gross it makes you clench around his cock.

He grunts and thrusts into you, thrusting his tongues deeper into your mouth making you gag. You stick your head in his open maw, pulling him in closer by his thick horns. You take the tongues with vigor and suck on them like you would a cock. He seems to like this quite a bit as he grabs both your legs and pulls your knees up to your ears, bending you in half and presenting your dripping pussy to him. He starts thrusting his cock much deeper in your pussy than before while thrusting his tongues down your throat simultaneously.

The pleasure is so intense as he gradually speeds up, working up to a brutal pace. He fucks you into the floor, so deep, so good. It's so animalistic it makes you go feral. He tongue fucks your throat with fever, his dangerous maw wide open. Knowing that he could tear your flesh easily if he just closed his jaws around your head turns you on an unthinkable amount as you take his tongues deeper down your already full throat.

You want him deeper in your throat even as you choke and gag. You want him deeper in your pussy even as he pounds you raw and hard, reaching so deep he kisses your cervix. Your brain is mush and your thighs burn, you scratch and claw his back for some kind of grounding as you quickly reach your peak again.

He wraps his arms under your thighs and around your back to lift you up and squeeze you against his hot body. He pounds you even harder now with gravity on his side, forcing you down on his cock as he thrusts up in time.

Suddenly your body gets hot, he gets hot. His hold is like a hot vice and you struggle against it on instinct but he just holds you tighter. You almost scream when you feel a red hot flash in every artery and vein in your body. The heat is gone just as quickly as it came and you sigh in relief before looking up at him in shock when you suddenly realise what he just did.

His tongues leaves your mouth suddenly as he cums hard, groaning loudly as he fucks his seed deeper into your already soaked cunt. With your mouth free you groan like an snimal, tongue out, tears streaking down your face, spit running down your neck. You soak up the feeling of being folded in half and filled to the fucking brim by this demonic beast.

Your moans mix in the hot air between you. His cum is so thick and hot inside you, filling you up once again. You're so full you can't contain it all as it pours out of you and onto the floor. He gives a few slow, deep thrusts, milking his cock with your tight pussy as you lay limply in his hold.

You sit on the floor for a few minutes holding each other close and catching your breath. He nuzzles his head into your sweaty neck and moves your body into a more relaxed position so that he's hugging around your waist and your legs rest around his torso. You feel each other for a moment, his cock still plugging up your messy cunt. Hes quiet, like he's thinking about something. You're not sure you can even speak but if you could you don't really know what you would say.

He leans back to look at your face, you realise you probably look an absolute mess, tear streaked face with spit all over your mouth and chin. He looks into your eyes like he's looking for something specific and you look back into his two small flames. He slightly nods and then holds you close to his chest once more, enveloping you with his body.

He accepted the pact proposal.

You let out a breathless laugh and lean up to place wet kisses all over his skull head.

He growls low and irritable like a cat.

"That's not necessary."

He grumbles like he's annoyed but doesn't move away from you as you give a few more kisses along his jaw. His tail swishes idly behind him.

"Well neither was fucking me. Twice."

You tease him while reaching for your discarded hat and plopping it back on your head. You shakily stand up on wobbly legs, he holds his hands out to your hips to stabilise you. Cum drips out of your cunt and his gaze is drawn to where it oozes down your thighs.

"Not that I'm complaining."

You balance yourself with your hands on his shoulders and clear your throat, trying to seem a little put together as he stares up at you. You very casually lift your leg to rest it on his shoulder, presenting your puffy, dripping cunt to him.

"Are you the fuck and leave type or do you stay for the cleanup? "

The demon chuckles and opens his maw again, wet tongues slipping out and reaching for you, licking up your cum covered thighs and up to the source of the mess.

You're both going to make very good use of this pact.

[mylittleredgirl]

the local hospital (which houses most of our outpatient medical specialists in the area as well) is a teaching hospital, so every july i get assigned to a new psychiatric resident to prescribe my medications and periodically assess me. every year i think about making a powerpoint presentation or a cute little zine with all their intake questions answered, including the ones they will forget to ask for four months. you know, key personal facts and a timeline of my medical and prescription history and some FAQs previous residents have found helpful. little sections for "meds i have failed and why" and "diagnoses since proven incorrect" so they don't have to waste time revisiting those. however i worry about what this might reveal about me to someone who really wants a career in studying what's wrong with people.

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[mortalheartache]

Spelling Bee

Anakin needs one thing before he lets you cum — for you to spell his name on his cock.

Tags - Smut, NO Y/N, overstim, little bit of sadism, dom!Ani, use of ‘slut’, orgasm denial, ‘good girl’, lmk if I missed anything, first time tagging stuff lol

Word count - 0.3k

─── ⋆⋅ ☆ ⋅⋆ ───

“C’mon baby, just a little more.” Anakin crooned, watching you helplessly bounce on his cock. You were sputtering, overstimulated, and begging him to let you cum.

You cried as he grabbed your hips, forcing you all the way down and holding you still. You fell forward, holding yourself up by your forearms on his chest, shimmering with sweat.

“I’ll let you cum if you do one thing for me.” He tilted his head, a sly smirk on his face.

“Anything, Ani-“ You moaned, tears running down your face and hair a mess.

“Spell my name. With your hips.” He borderline growled, relishing how your legs shook a little at his dominance.

You nodded profusely, and he grabbed your waist, sitting you up on his cock, eliciting a whimper from you.

Steadily, you began with the ‘A’. Every “stroke” was agony, the way his cock massaged your insides and brought you closer and closer to your orgasm.

‘N’ had his cock rubbing against your G-spot, and you whined, but persisted.

‘A’, again.

“Good girl. Just a few more letters and you can release.” In contrast to his encouraging words, he grabbed your neck, forcing you to look him in the eyes.

‘K’ resulted in you bumping your poor, swollen clit against his pubic bone, and you shook violently, doing everything you could to prevent yourself from cumming without permission.

“Two more, doll. Just 2.” His grip on your throat tightened and you choked a little.

With ‘I’, you tried to “write” it as a simple line. He clicked his tongue, shaking his head.

“Mm-mm. Do it right, slut. Don’t get lazy on me.”

You whined, doing it again and adding the lines on top and bottom. He nodded in approval.

‘N’ took all of your effort, and with the final stroke he smiled.

“Good girl, cum for me.”

─── ⋆⋅ ☆ ⋅⋆ ───

A/N: first time publishing smut, notes and encouragement are appreciated!! ALSO!! inbox is open for requests, check about blog link for criteria!

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[cj-the-random-artist]

I don’t know how I managed to do this in a day.  Like.  I think I pumped this out on pure adrenaline

But again.  If ur at the caption ya probably say the PSA spoiler wall that says that this comic contains spoilers for the Limited Life SMP finale.  Well and I’m tagging this as spoilers so it’d be evident anyways lol.  So I won’t write my spiel about go watch the end of Limited Life and I’ll just say oh my god what a finale it was absolutely epic.  I loved every moment of it.

But yeah.  I sketched this out as one of those “ahh silly goofy doodly sketchy sketchbook comics when I’m spewing a thought into my sketchbook” and then.  My impulsiveness (there’s a pun there.  Is it intentional?  That’s for you to decide) won in the end and this exists now.  It’s not the best quality of anything I’ve ever made but gosh darnit it was so much fun to make.  So so much fun.

But yeah.  Limited Life was absolutely amazing from start to finish and every POV was awesome (but if ya can’t tell team TIES is gonna live in my head rent free for a while lol)

That said.  Enjoy this silly little mini comic I made and have a good day :D

[ioniansunsets]

i loved your heartsteel!kayn scenarios! can you possibly do a scenario of fem!reader helping heartsteel!kayn dye his hair :3

✖ Heartsteel!Kayn Getting His Hair Dyed by Reader ✖

✖ Word Count: 900

✖ Tags: Established R/S

✖ A/N: He has his default skin braid here. Stay tuned for more. I MISS THIS FUCKER'S BRAID OK. Also you are his long term partner! I thought it would be cute if you have been supporting him though all his ups and downs uwu

----

" For reals, you've done this before right. Don't fuck it up I swear to god I will cry I'm dealing with enough shit right now babe." " You're the one that asked me to do this for you, have some trust in me."

You comb through his braid and neatly section if off one last time before slapping on the DIY at home bleach. After getting kicked out of his old band Kayn wanted a full makeover, so with five boxes of bleach and some whining he convinced you to help him bleach and dye his hair. You stood awkwardly behind him as you comb in the bleach. Kayn wasn't wearing a shirt, so that he wouldn't ruin any tees. So it was quite a sight, hair down, topless, you pause for a bit and stare. After some thinking you sigh, you were going to miss his blue and black hair...it was so soft too...

" Hey I heard that sigh! You know I HAVE to do this...I want to change my image, show them I'm better without them!"

Kayn pouts, you see it in the mirror and laugh. Slapping on more bleach, sectioning it out and complaining once again bout how the long hair sticks to the gloves and makes it all messy. But ok, you work hard, with a roll of aluminum foil ready you neatly bleach his long hair. As you wait for the first bleaching to set in you throw a little of the leftovers on your hair too, just enough for one strip.

" Should we match colors?"

You see Kayn visibly perk up as he hears your suggestion.

" Really? I think that will be cute. Like a cringey couple."

He smirks, leaning back to take a good look at you in the toilet mirror. He starts laughing loudly.

" Wait are you copying me or making fun of me! Why bleach that same chunk of hair as the old me!"

The two of you chat for a bit as you wait for the bleach to set in, when times up you help him wash it all off in the tub. Damn his hair was really such a dark black, it was just brown now. You comment about it needed a few more rounds of bleach. Kayn sighs this time instead, exhausted already but his rockstar image was at stake, he wanted to look cool so he had to do this. He had a goal already, an ombre fade of pink and purple, it would be so cool. Sitting back down, you blow dry his hair and start on round two.

And round three. Orange.

And four. Yellow.

And five before the yellow finally lifts enough! You were finally free from seeing that yellow, orange hue! And-

Oh no. You look at a handful of hair in your hands from where you combed through his hair.

" Kayn I am so sorry..." " No! I cannot deal with this right now please. Y/N Tell me its fine." " I'll fix it!"

You too were unsure how to react, were you going to cry or laugh. After five bleaches, his hair kinda...fried off. Ah...you were REALLY going to miss his long hair. Promising to fix it, you grab some hair scissors and did your best. With Kayn doing everything to hold himself together while you save what you can and work out a messy cut. It actually looked really good. You tell him to look up as you blow dry his hair yet again. Promising it wasn't as bad as he thought it was going to be. Kayn tentatively pulls his hands away from his face as he looks at himself in the mirror. A smile slowly creeping across his face.

" Oh shit you really did fix it? The hell Y/N! Let's dye it right now! I still want that pink purple thing going down!"

He tilts his head left and right, trying to get a better look at it, an idol worthy style. Kayn nods, happy with what you've done with it. Quickly you work the colors onto his hair and yours. Laughing together as he admires himself in the mirror. Half an hour passes and you wash his hair and dry it off for the last time. Kayn himself also helping to wash the and dry your hair. You smile as the two of you admire your reflections.

" Is it me or are we looking super hot?"

He snakes and arm around your waist, pulling you close. Giving your cheek a quick kiss.

" I actually like this a lot I'm glad it worked out. Thank you Y/N."

Kayn gives you a warm smile as he runs his hands through his hair, giving it a little shake as it falls gracefully along his jawline. He turns his attention back to the mirror before he shouts.

" Oh shit yeah! Let me snap a photo!"

Kayn leaves the room for a bit, grabbing his phone and a nice shirt to snap a photo in. He returns, hand draped around your shoulder as he takes a mirror selfie with you both. The largest smile plastered on his face as he sits down and edits it to use as his new wallpaper. You would mourn his pretty braid but...he was still your charming boyfriend you could live with the new style. The short hair was starting to grow on your after all.