#to that person who was mad

[starlooove]

Will forever be mad that everyone ignores that Musa’s og style is based in hip hop and tbh that is literally indicative of how white people think everything we do is “alt” like the baggy pants and shit Is things white ppl did to rebel they rebel by copying us because everything we do is weird and outlandish to them and now its “alt” which is FINE or whatever but then they completely ignore the black aspects of it like

[trans-axolotl]

also in regards to that last article about varied ways of thinking about psychosis/altered states that don't just align with medical model or carceral psychiatry---I always love sharing about Bethel House and their practices of peer support for schizophrenia that are founded on something called tojisha kenkyu, but I don't see it mentioned as often as things like HVN and Soteria House.

ID: [A colorful digital drawing of a group of people having a meeting inside a house while it snows outside.]

"What really set the stage for tōjisha-kenkyū were two social movements started by those with disabilities. In the 1950s, a new disability movement was burgeoning in Japan, but it wasn’t until the 1970s that those with physical disabilities, such as cerebral palsy, began to advocate for themselves more actively as tōjisha. For those in this movement, their disability is visible. They know where their discomfort comes from, why they are discriminated against, and in what ways they need society to change. Their movement had a clear sense of purpose: make society accommodate the needs of people with disabilities. Around the same time, during the 1970s, a second movement was started by those with mental health issues, such as addiction (particularly alcohol misuse) and schizophrenia. Their disabilities are not always visible. People in this second movement may not have always known they had a disability and, even after they identify their problems, they may remain uncertain about the nature of their disability. Unlike those with physical and visible disabilities, this second group of tōjisha were not always sure how to advocate for themselves as members of society. They didn’t know what they wanted and needed from society. This knowing required new kinds of self-knowledge.

As the story goes, tōjisha-kenkyū emerged in the Japanese fishing town of Urakawa in southern Hokkaido in the early 2000s. It began in the 1980s when locals who had been diagnosed with psychiatric disorders created a peer-support group in a run-down church, which was renamed ‘Bethel House’. The establishment of Bethel House (or just Bethel) was also aided by the maverick psychiatrist Toshiaki Kawamura and an innovative social worker named Ikuyoshi Mukaiyachi. From the start, Bethel embodied the experimental spirit that followed the ‘antipsychiatry’ movement in Japan, which proposed ideas for how psychiatry might be done differently, without relying only on diagnostic manuals and experts. But finding new methods was incredibly difficult and, in the early days of Bethel, both staff and members often struggled with a recurring problem: how is it possible to get beyond traditional psychiatric treatments when someone is still being tormented by their disabling symptoms? Tōjisha-kenkyū was born directly out of a desperate search for answers.

In the early 2000s, one of Bethel’s members with schizophrenia was struggling to understand who he was and why he acted the way he did. This struggle had become urgent after he had set his own home on fire in a fit of anger. In the aftermath, he was overwhelmed and desperate. At his wits’ end about how to help, Mukaiyachi asked him if perhaps he wanted to kenkyū (to ‘study’ or ‘research’) himself so he could understand his problems and find a better way to cope with his illness. Apparently, the term ‘kenkyū’ had an immediate appeal, and others at Bethel began to adopt it, too – especially those with serious mental health problems who were constantly urged to think about (and apologise) for who they were and how they behaved. Instead of being passive ‘patients’ who felt they needed to keep their heads down and be ashamed for acting differently, they could now become active ‘researchers’ of their own ailments. Tōjisha-kenkyū allowed these people to deny labels such as ‘victim’, ‘patient’ or ‘minority’, and to reclaim their agency.

Tōjisha-kenkyū is based on a simple idea. Humans have long shared their troubles so that others can empathise and offer wisdom about how to solve problems. Yet the experience of mental illness is often accompanied by an absence of collective sharing and problem-solving. Mental health issues are treated like shameful secrets that must be hidden, remain unspoken, and dealt with in private. This creates confused and lonely people, who can only be ‘saved’ by the top-down knowledge of expert psychiatrists. Tōjisha-kenkyū simply encourages people to ‘study’ their own problems, and to investigate patterns and solutions in the writing and testimonies of fellow tōjisha.

Self-reflection is at the heart of this practice. Tōjisha-kenkyū incorporates various forms of reflection developed in clinical methods, such as social skills training and cognitive behavioural therapy, but the reflections of a tōjisha don’t begin and end at the individual. Instead, self-reflection is always shared, becoming a form of knowledge that can be communally reflected upon and improved. At Bethel House, members found it liberating that they could define themselves as ‘producers’ of a new form of knowledge, just like the doctors and scientists who diagnosed and studied them in hospital wards. The experiential knowledge of Bethel members now forms the basis of an open and shared public domain of collective knowledge about mental health, one distributed through books, newspaper articles, documentaries and social media.

Tōjisha-kenkyū quickly caught on, making Bethel House a site of pilgrimage for those seeking alternatives to traditional psychiatry. Eventually, a café was opened, public lectures and events were held, and even merchandise (including T-shirts depicting members’ hallucinations) was sold to help support the project. Bethel won further fame when their ‘Hallucination and Delusion Grand Prix’ was aired on national television in Japan. At these events, people in Urakawa are invited to listen and laugh alongside Bethel members who share stories of their hallucinations and delusions. Afterwards, the audience votes to decide who should win first prize for the most hilarious or moving account. One previous winner told a story about a failed journey into the mountains to ride a UFO and ‘save the world’ (it failed because other Bethel members convinced him he needed a licence to ride a UFO, which he didn’t have). Another winner told a story about living in a public restroom at a train station for four days to respect the orders of an auditory hallucination. Tōjisha-kenkyū received further interest, in and outside Japan, when the American anthropologist Karen Nakamura wrote A Disability of the Soul: An Ethnography of Schizophrenia and Mental Illness in Contemporary Japan (2013), a detailed and moving account of life at Bethel House. "

-Japan's Radical Alternative to Psychiatric Diagnosis by Satsuki Ayaya and Junko Kitanaka

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[ruporas]

being a little petty (ID in alt)

[lucabyte]

you dream of devouring your friends whole

[poorly-drawn-mdzs]

"What do you mean their name isn't Beef?"

(for @moondal514)

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[transmascissues]

gay trans men: isn’t it fucked up that so many cis gay men proudly talk about how disgusting they think our bodies are, get violent when they realize they were attracted to one of us, push us out of community spaces because they don’t think we belong there, invalidate the orientation of the cis gay men who enter into relationships with us, accuse us of raping the cis gay men we’ve had sex with, aggressively misgender us and make assumptions about our bodies, act like their personal lack of desire to be with us means we must be fundamentally unattractive and morally reprehensible, and generally treat our existence like a personal attack worthy of a violent response when all we’re trying to do is exist?

those cis gay men & their friends: oh my god, you’re literally trying to force your disgusting female pussy onto gay men! this is conversion therapy! you’re a predator and a rapist and you deserve to die!

gay trans men: …we literally do not care if you have sex with us. nobody said anything about that. a lot of us are t4t, asexual, and/or already in a relationship, and the rest of also don’t want to have sex with you that badly because we would much rather be fucking someone who actually likes us; this has never been about who we personally want to sleep with. we’d just really appreciate it if you could treat us like human beings and not actively try to make the gay community hostile toward our existence. you don’t have to be attracted to us, just don’t be awful to us? and maybe, once you have that part down, ask yourself why you were so quick to assume a subset of queer people are all violent predators?

those people: HOMOPHOBES! EVIL GROSS FETISHIZING RAPIST HOMOPHOBES!

[meagancandraw]

You ever think about how neither of them got to say goodbye?

[strangerinaholyplace]

If you haven't heard, otw (in other words ao3) have forced a volunteer to resign because they had "from the river to the sea, Palestine will be free" as their status on messaging platfrom slack, which otw use for communications.

They were denying that Israel is an apartheid settler state or that the genocide in Gaza is even happening.

This is unforgivable in my opinion, and I have sent a message to otw through their official contact form here, and I suggest you do the same. Below you'll see my message as well, in case you want to copy and paste, or just use it as a template of sorts.

I urge you also not to donate to otw anymore, unless the zionist volunteers and members of otw are removed from their positions and banned from otw.

"I am disgusted and enraged about the treatment of otw volunteer bjorn due to their pro-Palestine message status on slack, and even more so about the fact that zionists are allowed to run free amongst otw/ao3 volunteers, claiming that what Israel is doing in Gaza is not genocide, and claiming that Israel is not an apartheid settler state. As a person who has donated to the otw many times i wish I could revoke my money. But also as a donor I as well as many others demand the otw to resign fully, ban all zionist volunteers, have a written apology to bjorn and all users repudiating zionist actions in Gaza, donate to the Red Crescent to support Palestine, and reinstate bjorn as volunteer. If this is not done I as well as many others will no longer post on ao3, use it, volunteer for it and definitely not donate any more. You should be ashamed of yourselves. "

From the river to the sea, Palestine will be free. 🇵🇸

PS. If anyone decides to start talking about ao3 tagging systems or content allowed on the platform on this post you are getting blocked immediately. I dont care about your views on this, and you should think for 2 seconds before putting silly fanfic discourse on the same level as the murder of thousands.

[bixels]

Jesus man, relax.

[trans-axolotl]

last year i started trying to write an article where i documented every reported instance of psych abuse that happened in 2023 that i could find and had to stop halfway through because it was so fucking horrific. and that was only the shit that had been reported, that i could find in databases and in local news articles. the numbers and stories of psych abuse were staggering and what was worse is that i knew it was only a fraction of the actual abuse that happened that year, and that the actual number was so much worse. And even in just that fraction of news articles, in the half the states I searched for: there were dozens of deaths. Over a hundred different reported instances of rape. Over 300 different reported instances of illegal use of restraint and seclusion.

And i just keep thinking, over and over again, about how that is just a fraction of the reality. It is almost impossible to report psych abuse as it's happening when you're locked up in a psych facility where you don't have independent access to a phone, you can get cut off from your friends and family, and your access to a "grievance and reporting process" depends entirely on the same people who are abusing you. Even after you get out, there are so many barriers. It is very, very difficult to get anyone to believe you as a credible witness once you get certain things written in your chart. Psych staff can point to your diagnoses, their documentation, and say a million fucking things to get away with abuse.

and sometimes it feels like no one gives a shit besides other psych survivors, other mad/mentally ill/neurodivergent/disabled people. this is the same shit that happened in asylums, that happened in the "reformed" institutions of the 50s, that happened in group homes, that happens in psych wards, that happens in residential treatment. it hasn't fucked changed--it's just gotten new names, hiding behind the labels of "evidence based care" and "least restrictive alternative." when i really start to think about it, i get so fucking angry and full of grief for everyone i love who is still fucking locked up in these places. it just cements my determination to never shut up about this because we need to look out for each other and take care of each other, and i do not take my freedom to even be out here and advocating for granted.

[ihavesomejays]

text transcription:

Many springs ago, I perceived a sea of flowers upon a lake. I thought to myself that those fleeting colors held indescribable beauty.

The next time I perceived those colors was many years later, when the medic’s tent had blinded me to all but red. The radiance of that shining star was lost on my eyes.

Now, my eyes no longer perceive the subtleties in the colors around me.

But I am content.

For I can now see the most brilliant colors in my universe.

anyways yeah why did they fucking do that to jiaoqiu bro

the planning for this experimentalish comic is under keep reading

[nashvillethotchicken]

Horrific psychological abuse and lynching plot aside, Armand was just not a nice partner to Louis. Always interrupting him, extremely dismissive of Louis’s concerns, super mean about his photography to the point where Louis became extremely insecure about in the span of 2 episodes, super insistent on a serious relationship when that's not what Louis wanted or something that was even feasible for the two of them since Armand slept on the floor with 16 racist roommates who hated Louis bad, mean as hell to his daughter, always made things about himself, stopped Louis from going to Rogets and gwtting his husbands money but had no money of his own, made shitty plays and made louis go see them, like the list is endless.

[artsekey]

Went to apply for a job, midway through I learned that the person hiring is someone I respect very, very much in my field (who I have never spoken to), then saw the application site was closed (How Did I Miss the Deadline for this Really Cool Job!!!!) and then saw that it was the website's fault and that they were taking applications through LinkedIn DM's. So I did the premium trial & sent my reel in, and they told me they're sending it to recruitment/leads and that it's a good reel!!!! And then the person I have respected for years sent me a friend request!

I'm beside myself!!