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m1ckeyb3rry · 11 days

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Series Synopsis: A series of (mostly) unrelated one shots, featuring Oliver Aiku somehow getting involved with the love lives of various Blue Lock characters — whether he wants to or not.

Chapter Synopsis: Oliver Aiku isn’t sure which entity he’s wronged to earn this kind of treatment, but somehow, in the days before the match against Blue Lock, he’s stuck watching over the team’s newest addition: Sae Itoshi, a rude midfielder who’d rather be in Spain (or in hell) than hanging out with him. Things get a little more complicated, though, when a cup of shitty coffee leads to a crush and Aiku is forced to intervene.

Series Masterlist

Pairing: Sae x Reader

Chapter Word Count: 7.9k

Content Warnings: crack fic, sae my awkward goat, love at first sight, oliver aiku is such a bitch but he’s funny so it’s kind of okay, reader has to work in customer service 😓, this is really dumb please don’t judge my writing off of it, sae is 100% ooc don’t come at me i KNOWWW, split perspectives (it makes sense in the story), sae slander (from aiku), reader is a fan girl but she keeps it 𝖓𝖔𝖓𝖈𝖍𝖆𝖑𝖆𝖓𝖙, reader’s dad has cameos but he’s just chilling tbh

A/N: the people wanted sae’s version to be posted first so uhhh here we are!! LMAO it kind of got a bit long (as usual) but it’s very silly and goofy!! anyways so this is the first entry in “oliver aiku’s guide to getting girls” i hope you all stick around for the rest 🤩‼️

Oliver Aiku likes to think he’s a fairly nice guy. He visits his grandmother every weekend, he rescues kittens from gutters (okay, it only happened once, but he still did it, so it counts), and he’s good enough at being captain of the Japanese U-20s that none of his teammates really hate him, so all in all, he can’t be doing that bad of a job. Yeah, he’s pretty sure he’s a great person, a stand-up fellow, an upstanding member of society — so why the fuck is Sae Itoshi glaring at him like that?

“What?” he says, because it was fine for the first, say, twenty minutes or so, but now it’s gone from annoying to just plain concerning. “Something going on with you?”

Sae stares at him for a moment longer, and Aiku wonders if he’s trying to communicate via telepathy. That’s a skill he’s never picked up, though, so he can only wait for Sae to speak up, which, thankfully, he eventually does.

“This coffee is shit,” he says. The way he speaks is dull and blank, his lips pinched together and his brows low over his eyes. It’s kind of a shame, in Aiku’s highly professional opinion. He’d be handsome if he smiled more; or, if not handsome, at least approachable enough to not scare away every single girl that dared to even glance at him.

“It’s not my fault,” Aiku says. “Take it up with the barista or something.”

“You’re the one who brought me here, so it is your fault,” Sae says. Aiku crosses his arms, because isn’t Sae younger than him? This feels like a level of disrespect he shouldn’t tolerate, prodigy or not.

“Nuh-uh,” he says. In hindsight, it’s not the most mature response he could’ve come up with, and Sae seems to agree, snorting derisively before using a napkin to dab at a drip of coffee running down the side of his cup.

“What a captain,” he says with a sigh. “No wonder you guys need me to play for you against those Blue Lock idiots.”

Aiku should be offended, he really should be — and he is! He is, and he’s just about to muster up some scathing retort that’ll definitely leave Sae Itoshi trembling, but then Sae’s standing up with purpose, so now he’s just intrigued instead of insulted. He follows after him as Sae holds the coffee in one hand and marches towards the counter, and when he realizes what’s about to happen, he preemptively cringes.

“Don’t yell at service workers!” Aiku says. It would’ve been heroic if he had said it loud enough for Sae to hear him, but unfortunately, it’s more of a whisper than the brave shout he had intended for it to be, so he just looks kind of stupid, as if he regularly talks to himself or something.

“Hey,” Sae says to the boy at the counter. He’s young, probably no more than fifteen or sixteen, and Aiku prays that he’s not the target of Sae’s ire. “Who made this?”

The boy squints at Sae’s cup, reading the receipt, and then he smiles innocently. “That was Y/N. Did you want to talk to her?”

“Yes,” Sae says bluntly. Aiku is about to thank whichever deity was watching over him and that boy alike, but he pauses when the rest of the kid’s statement registers. Her? Her? Is Sae seriously about to yell at a girl for making bad coffee? If she’s hot, he’ll kill Sae, no doubt about it. “And tell her to make it quick. We don’t have all day, and she’s already wasted enough of our time.”

Yeah, he’s definitely going to kill him.

“Y/N,” a voice whispers. You’re untying your apron — your shift is just about over, and you’re ready to clock out, but for some reason your young coworker is peering into the kitchen nervously and gesturing for you to come with him. Normally, you’d tell him to handle things himself, but he’s new, so you decide to be responsible for once and follow after him, muttering curses to yourself as you retie your apron.

“What’s the matter? Did you spill something?” you say. He shakes his head, raising his hand and pointing at the counter, where two customers are waiting. You frown, because you’re pretty sure you already gave them their drinks, so there’s no reason for them to be standing there, unless maybe they want to reorder. “Wait. Did you call me to take their order? No way! My shift is over in thirty seconds!”

“No, no, I didn’t,” your coworker says. “They want to talk to you.”

“Me? Like me, specifically?” you say. He nods.

“Yeah, they asked for you by name and everything,” he says earnestly. “I think they’re mad, though.”

You pinch the bridge of your nose, because the last thing you want to do is deal with a couple of prissy customers, especially not when you’re supposed to be heading home already. However, your coworker seems to be on the verge of tears, and some kind of sisterly affection tugs at your heartstrings, so you pat him on the shoulder and take his spot at the counter.

“Hi, this is Y/N. My coworker told me you needed to see me. How can I help you?” you say. Your voice is chipper and your smile is false, but they don’t need to know that. You’ve been working at the coffee shop for long enough that you’re practiced at pretending, and you know for a fact that your coworker is standing shyly at your side, probably astonished by the quality of your performance.

For a moment, neither man speaks, so you get to stare at them and make your own assumptions about who they are and what their backstories might be. It’s kind of like a hobby, a pastime for when things are slow or you’re generally annoyed about your job. You’ve developed it over the years, and luckily, these two are prime candidates for the game.

The one on the left is tall and broad, with dark hair and mysterious eyes. Curiously, one is a bright green, while the other is a softer violet, and there’s a few-days-old stubble growing on his square face, like a shadow running along his jaw. It gives him a rough appearance, like he owns a motorcycle and frequently wears leather jackets, but you want to believe that he’s gentle at heart. Maybe he has a fondness for baby animals or he likes to bake cookies or something along those lines.

The one on the right is shorter than his counterpart, and his hair is red like a sunset, pushed carelessly out of his haughty face. He’s wearing a sweater that matches his eyes, though the teal of the knitted fabric is much more muted, and you’re about to come up with some kind of fantastical explanation for who he might be when you realize that you know him.

He clears his throat, and you scramble to stand up straighter, internally screaming, because what are the odds that you’ve somehow managed to piss off the star player of your favorite soccer club’s youth team? You wonder what your father will think of you now. You wonder what you think of yourself now. What should you do? Should you tell him you recognize him? Ask for an autograph? Or should you play it cool and pretend like you don’t know him? What if he yells at you?

Actually, you wouldn’t mind it as much as normally do. When everyday customers start screaming at you for some perceived wrong that you’ve supposedly committed, you typically tune them out, and then you make fun of them with your coworkers in the back, but if it’s Sae Itoshi…well. you’ll certainly listen to every word he says, and when you return to the kitchen, you’ll write them down somewhere so you can remember the moment forever.

“He didn’t like his drink,” he says, pointing at the dark haired man.

“What?” the man shrieks. The pitch is higher than you would’ve expected from someone of his size, but it appears he realizes that, too, because then he’s coughing. “I mean, what? What are you talking about?”

“You were just complaining, Aiku,” Sae says. “You even made me come up here and get mad at this girl for you.”

The other man, who you guess is named Aiku, is turning a strange shade between magenta and beet-red, and you’re surprised there isn’t steam coming out of his ears. Given that you don’t really care about him that much, you’re instantly irritated again, because why would it matter if he didn’t like his drink? Still, you have to keep up appearances.

“My apologies, sir. Is there anything I can do to make it up to you?” you say.

“No!” Aiku says. “No, it’s — hey, Sae, you were the one who was all upset, so why are you putting it on me?”

“Hm?” Sae says, obviously uninterested in the conversation already. “I dunno. Maybe it happened like that, or maybe not.”

“I’m sorry,” you say again, more than a little bewildered. “Ah, I’m new here, so I’m still learning.”

Aiku, who has returned to a more normal and human color, smiles at you kindly, and he’s about to respond, ostensibly to reassure you, but then your damned coworker pipes up: “No, she’s not.”

“Ah, sorry?” Aiku says.

“She’s not new,” your coworker says again.

“‘New’ is a subjective term,” you say mechanically, wishing that it was acceptable for you to turn around and hit him in public whenever you wanted.

“I don’t think anyone would consider you to be new when you’ve been working here for three years,” your coworker says. You can imagine the innocent, guileless expression on his face right now. You want to do something violent to it.

“Ha, ha,” you say. You think your eye might twitch, too, but if Aiku or Sae notice, then neither of them point it out. “What a knowledgeable fellow we have back here.”

“It’s alright,” Aiku says. “I didn’t mind the drink. Sae’s the one who threw a fit about it.”

“I liked it,” Sae says stubbornly. “It was fine.”

You step in before Aiku can turn magenta again, because that’s probably unhealthy for him, and you don’t want to be held liable for a customer dying on your watch when you’re not even being paid for it.

“Anyways, is that all? I’m actually done with my shift, so if you guys don’t need anything else…” you trail off, though inside you’re screaming something along the lines of Sae Itoshi, please notice me and give me your autograph and oh, if you could fall in love with me, too, that would be amazing!

Of course, you can’t verbalize anything like that, so you just smile and wave until the door slams shut behind them. Then you’re yanking your apron off and balling it up before chucking it at your coworker’s face. It hits him in the nose and slides to the ground; he gives you an offended look before picking it up.

“You’re lucky it was only an apron,” you say. “You owe me big time, you little shit.”

“Huh?” he says.

“I won’t forget this!” you warn him, stomping towards the small locker room, where your precious phone is waiting for you. “You’re a major-league jerk, okay? Don’t ever ask me to cover another shift for you again!”

“Huh?”

“What the hell was that?” Aiku snaps as soon as they’ve left the cafe, because this is totally not what he was expecting when his coach told him that he had to treat Sae nicely and make him feel welcome.

“What was what?” Sae says. He’s sipping on his coffee sedately now, even though he was complaining about it only minutes earlier.

“Since when was I the one who was upset about my coffee?” Aiku says.

“I have a bad memory,” Sae deadpans. “I guess it could’ve been either of us.”

“That was not believable in the slightest,” Aiku feels the need to inform him. Judging by Sae’s expression, it wasn’t meant to be believable, though, and Aiku sighs. “Seriously, what’s your deal? You were just going crazy and glaring at me because you thought the coffee sucked, and now you think it’s good?”

“I should’ve waited for it to cool,” Sae says. “It’s better now. I was being hasty.”

“Uh-huh,” Aiku says. “Sure. Let’s do something else tomorrow. I don’t ever want to go back there. I don’t think I can face that girl again. She was so hot, too, and now she probably thinks I’m some ungrateful asshole…”

“I want to go back,” Sae says immediately, throwing the now-empty cup into the nearest trash can. Aiku furrows his brow at him, trying to puzzle out this latest contradiction and finding himself utterly unable to. “Tomorrow.”

“Tomorrow,” Aiku repeats dubiously. Tomorrow he has practice, and technically so does Sae. However, they both know that Sae doesn’t need anything as ridiculous as practice in order to win against a team of eleven high-school forwards, and he’s fairly confident that his coach will tell him to accompany the bratty Itoshi instead of showing up, since the JFU is pulling out all of the stops if it means getting Sae to stay in Japan for good.

“Tomorrow,” Sae reaffirms.

I’m a nice guy, Aiku tries to remind himself. This is what nice guys do. I’m boosting team morale. Yeah. That’s all. Captain’s duties.

Still, as he chases after Sae, who apparently doesn’t know what the word ‘stroll’ means and prefers to do everything at a brisk pace more akin to a jog, he thinks that this entire ridiculous assignment feels more like a babysitter’s duties than anything.

“Are you serious?” your father says. In the background, the TV is playing a game between Re Al and Barcha, which is rather fitting.

“Deadly,” you say, untying the laces of your sneakers and putting them with the rest of your shoes. “It was actually him.”

“Sae Itoshi,” he says, shaking his head. “He’s back from Spain?”

“Seems like it,” you say, though now that he mentions it, you’re as confused as he is. Why is Sae Itoshi here instead of Madrid? You glance at the TV — Barcha has just scored, and the cameras are sweeping through the crowds, showing the excited fans cheering — and wonder if maybe he was fired or something. You doubt that that’s what happened; after all, he’s a consistent player, and the last time he was in a match, he even managed to outmaneuver that freaky striker who plays for Bastard München, so it would make zero sense for Re Al to let him go. Besides, even if they did, you’re sure there’s dozens of clubs that would be willing to take him, so there must be another reason for his presence in Japan.

“Huh,” your father says. “Well. Good for him.”

“I guess so,” you say. “If I ever see him again, I’ll ask him what he’s doing in town.”

Your father chuckles, taking a sip of his beer and giving you a thumbs up. “Yeah, you do that. Let me know what he says.”

You laugh, too, sitting down at the counter and eating a plate of reheated leftovers, because you know as well as your father that the idea of you ever seeing Sae Itoshi again is more than a little far-fetched. But it’s a nice thought, and anyways the chances are never zero, so for the moment, you allow yourself to imagine.

Aiku is seriously questioning if Sae Itoshi was sent to this earth — or at least to this country — as some kind of punishment for him. He’s not really sure what’s done that would invite such cosmic retribution, but maybe it’s one of those…what did that girl call them? Karmic debts? She had said something about the sins of his past life and all, though he can’t recall the specifics.

Wait. That’s wrong. He just never learnt them in the first place, so how could he remember them in the first place? He had broken up with her before she could explain her theories to him. This prompts a wince from him, which is further fueled by the way his t-shirt sticks to his back with sweat. It’s a distinctively uncomfortable feeling, and he’s contemplating complaining, even though it probably won’t do much.

“Shut up,” Sae says.

“I didn’t say anything!” Aiku protests, more than a little spooked, since he actually had been about to say something before Sae had cut him off.

“I can see you making faces at me,” Sae says. Considering Sae is walking ahead of him and to the side, Aiku’s not quite sure how he could tell anything about what sorts of faces Aiku is making, but unfortunately, he’s uncannily correct as always, so Aiku schools his expression into a smooth, neutral one that won’t beget reprimand from his companion.

“I can’t believe you insisted on going here straight after practice,” he says.

“This is the same time we went yesterday,” Sae says. He’s kind of an insufferable smart-ass, Aiku thinks to himself, though he’d never say as much to Sae’s face. After all, unlike his counterpart, he’s considerate like that, and he always has been.

“So? We didn’t have practice yesterday,” Aiku says. “You couldn’t even let me shower?”

“You take forever in the showers,” Sae says. This is rich, for Sae is notoriously obsessive with his skincare, and of the entire team, he takes far and away the longest to get ready. But, then again, Aiku supposes that idiocy is one of those illnesses which spreads further and further until all of one’s perspectives are tainted with the virus.

“I could’ve been quick,” he says. “It would’ve been better if I could’ve at least rinsed off so I didn’t look so gross. I want to impress that Y/N girl if she’s there again today.”

“You’re not her type,” Sae says dismissively. “So why bother?”

“How do you know? Are the two of you childhood buddies or something?” Aiku says. Sae glances at him, and of course he’s way too holier-than-thou to properly sneer, but the corners of his lips turn downwards to the same effect.

“Not too hard to figure out,” he says.

“Well, hold on just a moment! I got the vibe that she was totally into me yesterday!” Aiku says. He actually did not get any such vibes from the barista; the only thing she seemed into was clocking out, but he’s Oliver Aiku. If he can’t get a girl, he can’t do anything. Besides, it’s not like Sae would be able to tell one way or another — Aiku and his teammate Sendou have a theory that Sae was created in a lab as some kind of experiment to make the world’s best midfielder, because the guy really doesn’t have any knowledge or concern for anything that’s unrelated to soccer.

True to form, Sae blinks unsurely. “Really?”

“Yeah, one hundred percent,” Aiku boasts, although then he’s narrowing his eyes, because such a question is so out of Sae’s character that for a moment, he wonders if there’s been a mistake and he’s actually taken some other team member of his along for this ridiculous errand.

Messy red hair. Teal eyes. Forehead creased with a frown. No, it’s definitely Sae Itoshi, that’s for sure. Just Sae Itoshi in a mood that he’s never seen before. If they were a little closer, he’d ask him what’s the big deal now, but as it is, the question would probably go unappreciated.

“Hm,” Sae says. “Whatever. We’ll see.”

“Sure,” Aiku says slowly, reaching out to hold open the door of the cafe so he can enter behind Sae, since his lovely, amazing, wonderful, kindhearted teammate so generously left it to slam shut in his face.

What a total dick. He makes a mental note to ask the JFU for a raise, because whatever they’re giving him at the moment is definitely not enough.

“They’re back again!” your coworker says. You’re still mad at him for yesterday, so you’ve been giving him the silent treatment the entire shift. It hasn’t gone unnoticed, but his pitiful attempts at reconciliation never include an apology, so you haven’t budged yet.

He waits for you to respond, but you’re pretty sure he’s making stuff up to get you to pay attention to him, and anyways they could be in reference to anyone, so you continue to pour milk into a cup, acting like it’s an all-consuming task which you cannot possibly complete without the utmost of concentration.

“I’m being serious! Y/N, it’s Sae Itoshi and, uh, that other dude!” he says. Your hand wobbles for the briefest moment, but you conclude that he’s most likely lying, so you steady yourself and continue pouring the milk. “Fine, be that way! I’ll serve them myself!”

You can’t even say something snarky in response, because that’ll still be a win on his part, so you huff particularly loudly to no one in particular and leave it at that.

A few minutes later, he’s back, looking so contrite that if you weren’t upset with him, you’d actually be worried. Unfortunately, you very much are upset with him, so you find it on the whole to be rather hilarious and have to suppress a laugh.

He must take your amusement as a signal to talk, because he speaks eagerly and quickly, stumbling over his words and clasping his hands together in front of him.

“Y/N, Y/N, they’re insisting on seeing you, I told them you’re working right now — I’m sorry, I’m not supposed to do that, right? But I did, and now they really want to see you!” he says.

You’re still not entirely convinced, but if this is an act, then it’s a dedicated one, and you don’t think that he possesses that much dedication in all of his body, so maybe he’s actually telling the truth.

“Fine,” you say. “But if you’re lying, I swear I’m telling our manager to fire you.”

“I’m not!” he squeaks, darting back to the counter, rocking back and forth on his heels as he waits for you to catch up to him.

When you reach the front, you’re surprised to see that it is in fact Sae Itoshi and…whoever that other guy is. Aiku? Yes, that sounds right. It’s Sae and Aiku, and one looks supremely inconvenienced — this would be Sae, of course — while his friend is running a hand through his sweaty hair, flashing you a grin.

You smile back at him, because that’s what you’re trained to do, and you don’t want your coworker to tattle to your manager that you’re not abiding by the cafe’s standards of customer service. Then you stare at them until one of them starts speaking, because that’s what your entire job is, and no matter how badly you want to start gushing to Sae Itoshi about how big of a fan you are, you have to remain professional.

“Is there anything I can do for you two?” you finally say. This prompts Aiku to nod, nudging Sae in the side, which earns him a dark glare.

“I want the number two, and he’ll take the number five,” Aiku says when Sae does not speak up. You want to tell him that nobody orders like that, but you’re not supposed to and it’s really not that big of a deal either way, so you just ring up the order.

“Sounds good. Would you like to pay with cash or credit?” you say.

“Credit,” Sae says, pulling out a card that probably has a monthly spending limit higher than what you make in a year. “And we’re splitting the bill, just so you know.”

What you want to say is Wow, Sae, you’re somehow even cooler in real-life! Who’s your favorite soccer player? What’s your favorite food? Do you like Spain better, or here? What you actually say is: “No problem. I’ll have those right out for you.”

“Thanks,” Aiku says. He’s kind of charming, in a sense; you can think of several friends you have that would probably swoon at the way his smile stretches across his face, but you don’t really see the appeal. Or, maybe you would normally, but at the moment, he’s standing next to Sae Itoshi, so it’s a little hard to focus on him at all.

“Yeah,” Sae says. “Thank you. Y/N.”

He’s probably just reading off of your name tag in an effort to seem more friendly and relatable and humble and all. It’s a classic PR move that he was probably taught as soon as he joined Re Al. You know about it, though, so it shouldn’t work on you. It won’t work on you. He’s just doing what he’s trained to, the same as you are.

It works on you. You run to the back and hide your face in your hands and squeal, because Sae fucking Itoshi just said your name.

“Holy fucking shit,” Aiku says.

“Are we just listing curse words now?” Sae says dryly. “Bitch, cunt, hell. There’s three more for you.”

“You like the barista!” Aiku accuses. If Sae was drinking something, he would’ve spit it out just then, but he’s not, so he just chokes on his saliva.

“No way,” he says.

“Yes, you do! How else can you explain this?” Aiku says, pitching his voice up in an imitation of Sae’s. “Yeah. Thank you. Y/N. Since when do you say thank you to people?”

“Since always? I have manners,” Sae says.

“I’ve never heard you say it,” Aiku says.

“Maybe that’s more telling about you than me,” Sae suggests. Aiku scowls at him.

“You definitely like her,” he says. “No judgment here, man. She’s pretty.”

“Whatever,” Sae says. “Even if I did like her — mind you, I don’t — she’s clearly into you.”

“Me?” Aiku says. “I was just messing with you earlier, you know. Anyways, yeah, I think she’s hot, but, like, you’ve never liked a girl before, right? So I wouldn’t get in the way of that. This is a big step.”

“You’re not getting in the way of anything. Do what you want,” Sae says.

Aiku’s already pulling out his phone and texting Sendou: big news. Lab experiment just evolved. Feels attraction and jealousy now.

“Uh-huh,” he responds absentmindedly. Sendou texts back with about fifty mind-blown emojis, and he snickers to himself, liking the message.

“Anyways, who told you I’ve never liked anyone before?” Sae says defensively. Aiku just about drops his phone, leaning forwards in interest. Could it be? Are he and Sae actually bonding? Is Sae about to tell him about his first love — who apparently is not this barista?

“I just guessed. Was I wrong?” Aiku says. He’s already trying to come up with who Sae might’ve liked — a childhood neighbor or friend? A women’s soccer player he admired? A girl he saw once in Spain but never again? Oh, that last one is particularly romantic…he’s just about accepted it as fact when Sae glares at him.

“No,” he says. Aiku’s dreams are shattered in an instant, but he can only shake his head while chuckling, both because Sae has inadvertently admitted that he actually does like that Y/N girl, and because he was an idiot for believing that ‘Sae Itoshi’ and ‘romantic’ could ever belong together in one sentence.

“Yeah, that’s what I thought.”

“What do I do?” you say. You and your coworker are back on speaking terms, mostly because you have no one else to talk to and are so desperate that you’re willing to temporarily forgive him.

“Make their drinks?” he says. You give him a dirty look as you begin mixing up their orders.

“Not about that. I’m such a huge fan of Sae’s, and this is the second time I’m making a drink for him. It’s kind of like fate, don’t you think? Should I try to talk to him or something?” you say.

“Do you want to?” your coworker says. It’s a slower time of day, so he has nothing to do but sit and watch you — at least, nothing immediate. There’s certainly things he could be doing, but you’re not about to chide him when you’re the reason he’s slacking off.

“Obviously! But what am I supposed to even say? I’ll sound like a creep if I just start acting like a fan-girl!” you say.

“That’s true,” your coworker says. “You kind of sound like one even now…”

“Ugh, if you’re not going to be helpful, then go organize the storeroom or something!”

“What about her makes you like her?” Aiku presses.

“Are we still on this?” Sae says, as if they’ve been talking about it for hours. “I don’t like her.”

“It’s not like you talked to her for a while…was it really just her looks?” Aiku says. “Damn. Didn’t think you were the shallow type.”

“I am not the shallow type!” Sae says.

“That sounds like something that a shallow person would say,” Aiku teases.

“Shut up,” Sae says. Aiku doesn’t have enough fingers or toes to count how many times Sae’s said that particular phrase to him. Maybe if he counted all of the fingers and all of the toes of every single person in the world, he would get kind of close to what that number might be. “I’m not shallow, I don’t like her, and she’s obviously way more interested in talking to you than me, so get off my back.”

Aiku whistles. “Someone’s jealous.”

“I’m telling the JFU that you were the one who sent me back to Spain,” Sae informs him bluntly. Aiku isn’t sure if that’s a joke or a legitimate threat. It’s hard to tell with Sae sometimes.

“Are you serious?” Aiku says.

“Deadly,” Sae says.

Yep, Aiku decides. He’s serious.

“If only that Aiku dude wasn’t there,” you lament, setting the first drink in the pick-up area and calling out Aiku’s name before returning to finish Sae’s drink. “It’d be way easier to talk to Sae without someone there to judge everything I’m saying.”

“Do you think he’d even care?” your coworker says. You shrug.

“No idea. It’s intimidating to talk to guys around their friends, though. You’re a guy yourself, so you wouldn’t get it,” you say.

“Are they even friends?” your coworker says. “Doesn’t seem like they get along that well.”

In unison, the two of you turn so you can look at the duo, who are sitting at a table right within your line of sight. As your coworker said, they don’t look like they’re friends in the slightest. Aiku is sipping on his drink with a smirk, and Sae looks like he’d rather be anywhere else, doing anything else, than be sitting there with his not-friend.

“The point still stands,” you say.

“Guess so,” your coworker says. Just then, Sae Itoshi happens to glance over, making direct eye contact with you. Your eyebrows raise, and your face warms as you realize you’ve been caught. Aiku turns to follow Sae’s line of sight as you weigh your options. Should you pretend like you weren’t doing anything? Should you wave?

You decide to just smile again before returning to the drink you were supposed to be working on. Your coworker, who saw the entire exchange, cannot stop laughing.

“It’s over for you,” he says. “He definitely thinks you’re a creepy fan-girl now. You can kiss that autograph goodbye.”

“You’re lucky I’m too lazy to remake this drink,” you say. “Because otherwise, I’d spill it on you.”

“That’s against company policy,” he says.

“By accident, of course,” you say with a malicious grin.

“That’s against company policy, too!”

“Look, she just smiled at you. I bet she was looking at you the entire time,” Sae says coolly. “You should ask for her number. You already said you think she’s beautiful.”

“I said she’s hot. I’m not all poetic and shit like that,” Aiku says. “And I wouldn’t do that. It’s against the bro code.”

“We’re not ‘bros’, so you can put that out of your head,” Sae says.

“What if I help you get her number?” Aiku says. Sae tries very hard to maintain his nonchalant look, but Aiku can tell that his curiosity has been piqued. “Will you consider me a bro then? At the minimum, will you tell the JFU that I’ve done a great job at showing you around and making you feel welcome?”

Please please please please please I really need a fucking raise Sae I’m broke please please please —

“Sure,” Sae says.

“Sure?” Aiku says. “Yes! Okay, this will be easy.”

Sae scoffs. “Yeah, okay. If that’s what you think.”

“Believe me,” Aiku says. “You’re in the presence of a master.”

Sae doesn’t even dignify that with a response beyond the most disgusted look Aiku has ever seen on anyone, Sae or not. He’d say something, but he’s pretty sure he deserves it at least a little, and anyways a possible raise is way more important to him than being right, so he keeps his mouth shut, simply giving Sae a double-thumbs-up. He’s going to ace this new assignment, and then maybe he’ll actually be paid what he’s worth instead of pennies on the dime.

You’re about to call out Sae’s name when you realize that for some reason, both Aiku and Sae are standing there and waiting for you. You furrow your brow, because it’s both a menacing and a comical sight — the hulking Aiku, who looks like he’s about to go punch a criminal on television before flipping his hair and telling the ladies that there’s enough of him to go around, and the slender Sae Itoshi, who you can’t imagine doing anything but slamming a winning pass to one of his teammates, invariably leading to a soccer ball in his opponent’s net.

“Uh, hello,” you say.

“Hello,” Aiku says.

“Hi,” Sae says.

“I have your drink,” you say to Sae.

“I know,” he says, taking it from your hand. Of course — why else would they be here? They must’ve seen you finishing up the drink and rightly assumed that it was theirs.

“Right,” you say. Neither of them go to leave, and now you wonder if they just don’t understand social cues or something like that. “Did you guys want to order something else? My coworker would be happy to take you at the counter.”

“No,” Sae says.

“Okay,” you say slowly. “Well, I hope you enjoy your drinks.”

“We will,” Sae says with the utmost of confidence. Aiku groans and then thumps him on the back. You have a feeling you probably don’t want to know what the significance of the gesture is, but then you realize that this is probably the only chance you’ll get to have a proper conversation with Sae Itoshi, so you shove your concerns aside.

“Wait! If it doesn’t bother you too much, can I ask you a question?” you say. It’s an incredibly awkward way of going about it, but given how awkward this entire interaction has been, you don’t think it’s a huge deal.

“Go ahead,” Aiku says. You weren’t asking him, but you guess the permission covers them both, so you square your shoulders and face Sae Itoshi, who seems entirely confused that you’re looking at him instead of Aiku. You’re not sure why he would be, since between the two of them he’s the celebrity, but maybe there’s some weird dynamic going on that you’re unaware of.

It doesn’t matter to you, though. You only have one thing to ask. You’ll never cross paths with Sae again, will you? So it’s fine. You can act a little embarrassing, and anyways, you barely make above minimum wage, so if your manager gets too upset and fires you for ‘unprofessional conduct’ or something, it won’t be a huge loss. It’ll be worth it, even, considering this is a once-in-a-lifetime chance and your coworker is busy reorganizing the storeroom like you told him to, so he’s not around to spy on you and report back to your stodgy old manager.

Taking a deep breath, you open your mouth and begin to speak.

Aiku hadn’t dared to even dream of the possibility that the barista might already like Sae, too. Why would she? Sae had just been all weird and rude to her in the couple of times that they had spoken, so all in all she’d have to be somewhat of a masochist, or a Re Al fan (which was essentially the same thing, given the losing streak that Re Al had been on for the last month or so), to be into him. But sometimes miracles did happen and baristas were masochists, because the girl was turning to Sae with shimmering eyes and a hopeful expression and it was all going to go so well—

“What are you even doing in Japan in the first place?”

Did he hear her right? Sae is bewildered as well, but Y/N isn’t acting like she’s just asked the most ridiculous question she could’ve possibly asked. What is Sae doing in Japan? Well, he happens to be a citizen of the nation, so there’s one explanation…Aiku wants to facepalm, because now his plans have been ruined and Sae’s confidence has probably been crushed.

“Pardon?” Sae says. Aiku had told him not to act so cranky and old-man-ish when he approaches the girl, but honestly, at this point, there’s no helping him, so he doesn’t even bother with a correction.

“Why are you in Japan?” she says again, all bright and innocent and cheery. It somehow feels like she’s been faking things so far, and that this is the real her, which she’s been holding back up until this point. Aiku isn’t so sure if that��s a good thing; privately, he believes it would’ve been better if she kept holding back just a little bit longer. Long enough for her to reject Sae — who still claims he’s not into her and is just trying to ‘be friendly’, as if friendliness is something he’s well known for — and then move on with her day.

“My passport expired?” Sae says, phrasing it more like a question. “So I had to come back and get it renewed?”

His voice ticks up at the end of every sentence unsurely. It’s almost cute, like he’s a little baby chick. Aiku’s fond of chicks, so he decides he’ll step in. Just this once.

“He’s visiting from Spain to play for the Japanese U-20 team in an upcoming exhibition match,” he explains.

“Oh, wow,” she says. “But I thought you said you would rather give up on soccer or play with German college kids than ever play soccer for Japan?”

Aiku raises an eyebrow. He wasn’t aware of such sentiments, and though he’s not exactly shocked, he can’t help feeling a bit miffed. When he glances over at Sae, there’s not a trace of remorse on his face, and so he wrinkles his nose.

Forget the raise and the baby-chick-esque mannerisms alike. He’s done helping this ungrateful, no-good, lame-as-hell, girl-repelling loser for free. If Sae wants any further assistance, he’ll have to beg for it.

“How did you know I said that?” Sae says. You clap your hand over your mouth when you realize you’ve exposed yourself.

“I, um, I was just guessing!” you say.

“Guessing?” he repeats. You swear, because that’s actually a worse explanation than the original one, and then you hang your head, because if the cat’s out of the bag, then there’s no way you can put it back in.

“It’s a quote from one of your interviews,” you mumble.

“What?” It’s Aiku, who immediately frowns when he realizes he’s butted in. Sae gives him an odd look out of the corner of his eye.

“I’m a big fan of yours,” you say. “The last game you played in, when you stole the ball from that Bastard München striker, was amazing! To tell you the truth, I’ve been trying to figure out why you’re in the area instead of back in Madrid. It’s a little unbelievable, you see.”

“Ah,” Sae says, and for some reason he looks uncomfortable. “Well. Yeah. It was just the issues with my passport and all. I decided to play for the U-20s because I was offered a good deal, but it’s right back to Madrid for me after that.”

“That makes sense,” you say. It’s awkward again, but in a different way. You don’t know what to say. You don’t think he does either. His drink is probably cold now, and you’re surprised that Aiku’s eyes aren’t stuck in the back of his head, given how frequently he’s been rolling them. “Can I have your autograph?”

“No,” Sae says immediately. You’re a little taken aback, and to be honest, he looks kind of horrified himself, but you know better than to nag, so you only nod at him.

“No worries—” you begin before you’re cut off by a grumbling Aiku.

“He’ll give you his number instead. Here,” Aiku says, listing off a series of digits too rapidly for you to remember. “He’ll write it down, for you, right, Sae?”

And then, to your utter disbelief, Sae Itoshi is pulling out a pen and a piece of paper from who knows where, and he’s humming in agreement.

“Right,” he says, and then he’s handing you a note with his phone number written on it in neat print and his signature in flowing cursive. “You can call me later. If you want. Y/N.”

The way he speaks is stilted and low, but you don’t mind it. Tucking the piece of paper into your apron pocket, you beam at him.

“Alright,” you say. “I’ll call you. I still have more things to ask you, so it’s good that you gave me this.”

“Yes,” Sae says. “Yes, you can do that if you’d like.”

Then he and Aiku are leaving the coffee shop, their drinks in hand, and you’re standing there in awe, wondering if that actually just happened or if it was nothing but a particularly vivid flight of fancy.

If it’s the latter, then you almost hope it’s one you don’t ever escape from.

“You’re welcome,” Aiku says as they leave the cafe.

“I didn’t say thank you, you lukewarm oaf,” Sae says. Aiku shrugs. He’s hard to ruffle, after all. It’s the reason why he stepped in and rescued Sae from that little mistake of his. He just couldn’t bear the thought of his dear junior losing the girl of his dreams because of a slip of his tongue, even if aforementioned junior is the insufferable smart-ass type.

Well, the thought of the money he’ll make if Sae speaks of him highly to the JFU doesn’t hurt, either, but that’s less altruistic, so he prefers to stick to the first explanation.

“I bet you feel it, though,” Aiku says.

“Shut up,” Sae says.

It’s a good thing babies are born every minute. Otherwise, given how frequently Sae says that particular phrase, Aiku really might run out of things to count on.

You’ve typed the number on the piece of paper into your phone, and now you’re staring at it blankly, wondering if you should press the green call button. What if it was a prank? What if it wasn’t? Because then you’ll have to actually talk to Sae Itoshi, and you’re not so sure you can do that.

In a fit of inspiration, you slam your index finger against your screen and hold your phone up to your ear. It rings a couple of times, each subsequent one worsening the pit in your stomach, but then it stops ringing entirely, which can only mean one thing: Sae, if this really is his number, has answered.

“Hello?” you say.

“Hello?” he responds. “Y/N?”

“Yes!” you say. “It’s me. Y/N. Like you said.”

“Cool,” he says. “It’s Sae. Which I guess you knew, since you called me.”

“The confirmation was nice,” you say, internally sighing in relief. “Thanks.”

“You’re welcome,” he says. It’s mannerly but also a little sarcastic, albeit not in a mean way. You don’t mind it much. “You said you had to ask me some things?”

The two of you spend the next few minutes in a setting kind of like an interview, in that you drill him with questions and he answers them all patiently. He’s kind about it, humoring you even though he doesn’t have to, and he never threatens to hang up, which you do appreciate.

“Would you mind if I ask a question, too?” he says when you’ve taken a break to drink some water.

“Go ahead! Although I’m not as interesting as you are,” you say.

“I think you’re probably way more interesting,” he admits. “Anyways. Are you free next weekend?”

“Uh, I think I have a shift on Saturday, but to be honest, my coworker owes me, so he can cover it. Why?” you say.

“The exhibition game that I’m playing with the U-20s for. You should come watch,” he says.

“Oh! Sure, where should I get tickets? I’d have gotten them already if I knew you were playing,” you say.

“I’m allowed to invite someone,” he says. “Friends or family. So I’m inviting you.”

“Don’t you have actual friends that you can invite?” you say before gasping. “Sorry! Sorry, that was super insensitive and rude of me. Of course I’m honored to come, I’m just confused about why I’m the one you’re inviting. Me. I’ve literally made coffee for you twice, and that’s about it.”

“Yeah, that’s true,” he says before pausing. “Um, look, Aiku told me to say this, so if it’s uncomfortable, then blame him…but I think you’re, er, beautiful?”

Your mind short-circuits. “Huh?”

“I don’t know! He’s the one who has experience, I’m just taking his advice!” Sae says, his tone souring immediately afterwards. “Trust me, it’s not like I want to. There’s many things I’d rather do than follow Oliver Aiku’s advice, but at the moment, it’s the best I can do.”

“Beautiful,” you repeat. It’s such an elegant adjective. You’ve been called pretty before, and there’s been a fair share of guys who have considered you to be hot, but beautiful…it’s nice. It’s really nice.

“Yeah,” Sae finally says. “Basically.”

“I’ll be there,” you say. There’s something like a scream bubbling in your throat, but you fight it back, knowing that it’s of the utmost importance that you maintain a relaxed demeanor.

“Great,” Sae says. “See you.”

“See you,” you say, and then you hang up before he can say anything further, because you’re already on the verge of combustion and you don’t think you can handle anything more.

Throwing your phone across the room, you give in and scream. There’s thundering footsteps, and then your father is throwing the door to your bedroom open, whipping his head around wildly.

“Is everything alright? Why are you screaming?” he says, heaving for breath, probably because he just sprinted from his spot on the couch to your bedroom in record time.

“Sae Itoshi!” you say.

“Yes?” he says, the rate of his inhales and exhales lowering as he realizes there’s no active threat to your life or property. “What about him?”

“He told me I’m beautiful and invited me to watch his game next weekend,” you say, knowing that this is going to make your father — a fellow Re Al fan — freak out.

You wait, counting down as he processes the news, unable to contain your exuberant grin, knowing exactly what’s coming. Three, two, one—

“What?”

#sae x reader #sae x y/n #sae x you #itoshi sae #bllk x reader #bllk #blue lock #reader insert #modern au #oliver aiku’s guide to getting girls #m1ckeyb3rry writes

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mage-of-mip · 4 months

Text

Half-Foots and Ainu Culture in Dungeon Meshi

It sometimes feels like I might be grasping at straws with this, but I do feel like it's not completely unfounded. Please note, I am a white woman living in the USA, I am by no means an expert on Japanese culture in general, much less a marginalized subculture. I have simply made limited attempts to educate myself out of genuine interest born from exposure to media about Ainu characters and culture. I am always hoping to learn more.

I think it's fairly obvious that many parallels can be drawn between Ryoko Kui's Half-Foot race, and more than one ethnicity or subculture in real life. Romani, Irish, and Jewish stereotypes come to mind immediately.

But I think there's another one that may be explored less in the text, and much harder to catch by a western reader, but nonetheless could be intended by Kui, or perhaps was at one point. That of the Ainu people of Hokkaido, Japan.

There's not a lot of translated information about the Ainu online, so please bear with my limited knowledge. In short, the Ainu are the indigenous people of Northern Japan. For generations, their way of life has been taken from them and they were forced to assimilate to the wider Japanese culture. There are not many who still fully practice the cultural heritage in this day, but there are movements to bring the Ainu culture back.

In Delicious in Dungeon, there are two instances that reference the Ainu, both relating to Chilchuck. This could, of course, be a coincidence, especially if there are more references that I missed. It may be flimsy, but it still feels significant that this is the case, and that Half-Foots are or were meant to be an allusion to the Ainu.

This is the first instance. A significant panel in the context of the story. To my knowledge, this is the only specifically Ainu dish that's referenced in the text. On it's own, its just an interesting factoid, and the same dark humor that's being used for all the other character deaths in this fight against Thistle.

This is the second instance. From the supplemental material rather than the main story, Chilchuck is discussing what Half-Foots are called across the languages. The one that caught my eye here is the one in the top corner. Koropokkur.

The Koropokkur are a race of small people in Ainu folklore, their name meaning "those who live under the butterbur leaves".

Again, in a vacuum, this could just be a Japanese person using a Japanese word in her manga. But I think it's interesting that the two instances of Ainu culture being referenced have to do with Chilchuck and Half-Foots as a whole. It could warrant a deeper read-through looking for other references, perhaps by someone more educated than myself.

I think this could have some interesting implications in the wider worldbuilding. Perhaps the Half-Foots have faced similar cultural erasure and assimilation attempts, which is why a lot of their customs and clothing are just "Tallman but smaller", and why other races regularly mistake them for the children of tallmen, despite having pretty noticeable differences in how they look other than just their height(their disproportionately large ears, for example).

This idea might be a tad more indulgent, but I also like the idea that Half-Foot children don't receive a permanent name until they are toddlers. At one point, in Ainu culture(this may not be practiced today, I could not find information on that), the Ainu would give their children "vulgar" placeholder names until they started forming personalities, as a ward against evil spirits. Perhaps the same is done for Half-Foot children, and their two part names are selected when they are a little older.

Again, these are just the observations of an outsider looking in, please feel free to correct any mistakes I may have made! And if I'm completely off-base or have said something offensive, I apologize and will delete or amend the post as necessary.

#delicious in dungeon #dungeon meshi #chilchuck #chilchuck tims #half foots #dungeon meshi half foots #dungeon meshi spoilers #dunmeshi #ainu #ainu culture

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cherrifire · 1 year

Note

Hello this is probably super random but I’m personally curious on how to start working with content creators like people from the traffic life serries? Like specifically with YouTube video thumbnails. I really think it would be a good thing to try out and I feel confident in my skills to do it.

I'm unfortunately not going to be much help since I don't usually find work, work finds me. I don't even have my commissions page public yet and CCs keep showing up in my dms like "heyyyy 🥰"

I think the only time I specifically reached out to a creator was Rendog. He said something on stream about wanting to find an emote artist. Told stream to send artists to him on Twitter. So I decided to shoot my shot and sent him a message basically saying "Hey Ren, I heard you were looking for an artist! Here are some examples of my emote work, hope to hear from you soon <3" and it worked!

I guess in the case of Spiff and Martyn (who both just showed up one day), keep a steady social media. Regularly post art and keep up with the creators you like. If they see your work and they like it, they WILL do something about it. This doesn't always work of course and is not a genuine suggestion to find work, but this is how it happened for me.

The better advice I can give is in the case of Ren. Keep an eye out for opportunities and ALWAYS try to take them. The worst they can do is say no. So there is no harm in trying. When Creators want to commission an artist, they will sometimes go to the community to ask for suggestions. Tweets like "looking for an artist with ___ style, reply with examples or artists you think are good ^-^" are fairly common.

ALSO! This is going to sound so cliche, but take any job you can and PRACTICE. I MEAN IT MAN.

Reason 1: I started working for Grian because he saw my work through Martyn. Plus, Grian isn't the only one to find me this way.

Reason 2: Improvement is real and WILL get you.

As proof, here's my first and super ugly thumbnail from a year ago (don't be fooled by the high view count, the other videos around it had views in the millions. So this thumbnail did not help):

And here's my newest thumbnail:

Hope this helps at least a little. Sorry I can't say much else. Things just keep happening to me and I didn't do much to get there.

#cherri.speaks

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bluishfrog · 3 months

Text

tl;dr: please, please interact with your local fanartists

Since my dash is talking about artists and ex-artists, I thought it would be not the worst moment to encourage people to engage with fancreations more!

I obviously cannot speak for ex-artists (and there are very clearly many different issues depending on the situation that have absolutely nothing to do with what I am talking about), but I could imagine that maybe some of them would be less resentful of this fandom, if they felt more like an appreciated part of this community, and instead of dedicating time and energy to keep up with something they no longer like, they could have left quietly with fond memories.

I consider myself very lucky since despite being fairly new on dtblr, I have a few lovely blogs who regularly leave encouraging comments in my tags, but I see so many art works without any 'personal' tags (as opposed to 'category tags' that people use to navigate their blog) or any comments in any other form.

So let's make sure that the many artists of this community - and especially the smaller ones - have a good experience! :D

Here some ideas (the list is in no way exhaustive) on how to show love to your local artists:

leave personalized comments in the tags: you can point out what you like about it, maybe comment on a small detail you noticed, compliment the drawing style, etc. (small trick: if I don't feel up to add personalized tags, I put the post in my drafts and then add the tags later!)

send them a message in their askbox - you can even stay on anon if you are more comfortable like that! If you want to reference a specific artwork, you can add the link or include the title / description

you can tag people you think would enjoy the art piece - show off your favorite works

if you have something longer in mind, you can even make your own post and tag the artist themselves to ensure they see your post

write something based on your favorite art - no matter how long or short

draw something inspired by an artist you enjoy - and you definitely don't have to be an experienced artist for that. It's so much fun to inspire each other!

Same goes for our wonderful writers: leave a comment, gush about your favorite quote, ramble to them in their ask box, draw fanart for their work - let them know that you appreciate their creations and that you took the time to interact with it.

At the end of the day, we are all here because we want to enjoy something together. And some of us like to do that by creating our own little works inspired by that common interest. And as online communities tend to do, it is quite often the case that negative attention is a lot louder than positive attention. And it can feel rather lonely at times.

It makes all the difference when you feel like your works are loved and cherished :)

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antimony-medusa · 1 year

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Gonna be honest with you though if someone outright says “don’t ship my character with other people” or something to that extent regarding smut or whatever I don’t think there should be any ambiguity

I get your point about the nature of fanfic being inherently encroaching upon people’s images so that levity should be extended to otherwise uncommon avenues but I really believe hardline boundaries should be respected, end of, no discussion. If I see people violating creators’ boundaries for their characters Or themselves (and these can be intertwined, it’s not up to the audience to pick apart their boundaries, cuz I’ve seen people try to do that) I’m not going to judge them fairly and I feel like neither should you.

Lines can be crossed and intimacy (not even necessarily romantic!) is a very different monster than the other avenues of storytelling because of how it involves real life relationships seeping into character relationships. Its’s uncommon for people to be like “I wrote A’s character being tortured because I feel like A is tortured in real life” but they Can and Often do that with ship work. So I don’t know, I feel like you’re not affording this the right nuance.

Alright, so, this is another post I'm gonna slap with a discourse and long post warning right away, buckle in.

Yeah, I hear what you're saying, and this is not an uncommon opinion to have! It's still the opinion of twitter/x so far as I know, and I think it's probably the opinion of the bulk of dsmp fans here, as well. I know my posts get notes once they start circulating in hermitblr, but I don't kid myself that I have the majority view. I am posting to explain my views expressly because I know a lot of people don't agree with me!

And in this case we do have a difference of opinion. There's two sort of points as I see it in your posts— we have hardline boundaries about shipping/nsfw from some people, and everyone in the fandom should be abiding by those no exceptions or be thrown out of the fandom; and we have shipping boundaries but not boundaries for other things because shipping is uniquely boundary-crossing and terrible and invasive, in contrast to anything else we can do in fandom.

Taking the second part first, I just don't think that's true. Let's not forget, boundaries discourse started with SMPLive and SMPronpa, and it was not the shipping that caused the discussion, it was the death games. The first real fandom reckoning we had with the notion of boundaries as mcyt fandom was over gore and murder and portraying people in violent ways. Shipping was barely a blip on the radar. The way the discourse has developed now, shipping is framed as the absolute worst thing anyone could ever do with your public image, and everything else is fine, but that is not the case for everyone. Recently the Pirates SMP creators were asked repeatedly for their boundaries (bothered on twitter, really) until they gave them and thus we saw people being fine with shipping but not wanting family dynamic, or being against both shipping and gore, or being fine with shipping but not wanting to be gender bent or trans headcanoned, etc. Not everyone feels the same way about the same things, despite the us-american cultural viewpoint that romance and sexualization is uniquely bad but gore and torture is fine, that everything else is fine.

Like, if we're looking at DSMP, I think there are a lot of creators who would feel just as strongly if not stronger about fics in which their character died of a terminal illness than they would about a fic in which they kiss someone, for understandable reasons. But I see those tropes in the tags regularly!

I think if we are honest with ourselves, if we are going to hardline boundaries about things that are uniquely invasive or bad to do to a creator's character with the view that we are putting all of this up for the creator's approval, we need to accept that this excludes us from writing anything where a character is abusive or is tortured or dies of a terminal illness or is psychologically broken or is age regressed or is neurodivergent or is queer if the cc is straight or trans if the cc is cis or cis if the cc is trans or straight if they're gay— the list of things that would be weird to do in the face of the real guy is really long. And it has most of our favourite tropes on it!

I love writing autistic philza. It would be really fuckin' weird to go up to Philza and tell him about how I write his character as whumped and autistic. Come on now. (But that's within boundaries, so that's— fine? I really don't think it's fine!)

Which is why my stance is that we should be thinking critically about these things, and keeping the fandom seperate from the creators. Some of these things are just not for the creators. They're fine but they shouldn't go on twitter. Y'know?

The idea that shipping draws uniquely on the real person and leads to invasive behaviour but nothing else does— that nobody does "I wrote A being tortured because I think A is tortured in real life"— Look. I have been in the fandom a long time. I remember how all the abused tommy narratives fed right into people assuming his family in real life were abusive— and talking about this on twitter! Where he and his family could see! People did this with WIlbur and Techno too!

I remember people reading about trans tommy and then truthing that the creator either was transmasc or was going to come out as transfemme any day now, publically, on twitter and in his chat. I have seen people she/her tubbo to his face on twitter, with fancams. I have been in chat when people who have clearly assigned Phil "dad" start asking WILDLY invasive things in TTS. If you think that shipping is the only fandom behaviour that can lead to people drawing directly from the streamers for their work and treating the creators weirdly about it, you simply have not been paying attention.

The way the fandom insists on treating benchtrio as children despite the fact that they're almost twenty and viciously attacking their friends for treating them as adults and chiding tommy and tubbo and ranboo for inappropriate behaviour. The list goes ON.

So. The recieved DSMP wisdom is that we should TTS the streamers to check if it's okay if we write a fic in which they die of cancer. We should DM them on instagram to ask if it's okay if we write them as a gender or sexual identity they don't share. We should show up in their twitter mentions to ask if it's okay if we write them as a physically abusive parent.

No????????

My view on that is that it is frankly bizzare it is that we have decided that "asking creators for detailed instructions regarding porn or gore" (especially in TTS! When they're fucking at WORK and can't step away! Stop doing this to the hermits!) is normal and fine and responsible but "post your shit in appropriate places and leave the creators out of it" will make you a monster.

Once again, the experience of someone coming up and saying "i think of you as age regressed" and someone saying "i found this fic where you're age regressed" and someone saying "can I write a fic where you're age regressed" is not that different. In all cases you know that the person has been thinking about it and putting it out there, and in all cases you didnt seek out this information, it was brought to you. In all cases it's weird. Just do not bring this information up to them!

If you just think about it for a while, you see that there is an entire host of things that would be weird to force into the view of a creator, especially when you consider that half the time we got these clips from TTS information when we have no idea if the person answering knew the context of what they were being asked, if they were specifically aware of the creator/cc divide that the fandom works with, or if they felt pressured into it. Oh yeah, let's take a TTS clip from Tubbo when it was 2 in the morning for him and he was deep in a minecraft mod when someone asked him about alters and delusions and he was like "oh you mean like— when they can't help it? I guess that's fine." That definately counts as freely given, reversible, informed, enthusiastic and specific consent to show him anything we want at all times forever. That's never going to make him uncomfortable.

Think a little here.

So I think there's a lot of the fandom that we should not be putting up for the approval of the creators, and if we don't have a firm answer on if they would like potential edge cases, we should probably be thinking about it and keeping it away from them (and I would err on the side of caution), we should NOT be showing up in the TTS to ask them about narratives in which they're institutionalized, or making them a GOP conservative in fiction, or if Wilbur was canon about seeing them as a bottom, or whatever bizzare thing someone is cooking up now. Honestly if you think to yourself "I don't know if the creator would like seeing this", I would be much more comfortable if the two choices we were picking between there were "simply don't write it" or "write it but keep it away from them", and "harass the creator for an answer on this subject and only write it if they say yes" never entered the equation at all.

And to return to your first point, if we already have a class of fiction that we are keeping away from the creators because basic intellectual curiosity would show that it would be weird to show someone, I don't think it's the end of the world to go "okay, creator doesn't like NSFW, so we also keep the NSFW away from them, keep this shit off twitter, block them if you create it, don't show it to them" and then we archive lock it and continue on our little weirdo on the internet ways.

Now, I don't expect to convince you of this, the phrasing of your post does not indicate that you're open to discussion on this topic. That's fine. Nobody has to agree with me. But I grew up conservative christian, and I have already had people try and get me to throw people out of the community for their perceived sins where I was like "well, I really don't think this is that bad", and I'm really resistant to being forced to do that again. I don't think it's a healthy way to run a fandom, to be shunning people for what they're doing in fiction. Harassing creators in chat? Sure, I will block them from my events as untrustworthy. That's hurting someone in the real world. Writing something that I don't vibe with privately on the archive for an audience of 50 people? That is not doing harm to real people. As long as they're not showing it to the creators, I don't count that as offensive.

How's that for nuance.

#discourse #fandom meta #dsmp shipping #qsmp shipping #anon #ask #long post

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severus-snaps · 2 months

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Densaugeo and Hermione and Snape

So, once again I find myself reading through Snape reddit threads but I don't really use reddit and they're years old so I'm importing it here. I'm tripping into Snape apologism territory here but also sort of not - yes, a teacher insulting a 14yo girl's appearance would be devastating and inexcusable irl but it's not irl - and it's these potential theories I'm interested in :P

Is it out of character for Snape, who never anywhere else in the books touches on people's appearances, to insult Hermione's appearance?

How likely is it that it's a misunderstanding or deliberate double entendre (aka he appears to be insulting Hermione's appearance but is actually saying to Harry/Ron, you just did the same thing to Goyle)?

And do we think it was part of his cover to be more cruel than usual in front of Draco, either by deliberately choosing a sentence to be interpreted either way, or intending it to sound mean?

I've covered some of my workings below the cut, but I don't reach any conclusions other than he probably was being more cruel for practical reasons, rather than for his own amusement, in this scene. As always, I just like talking to people about these things so if anyone wants to drop a comment then I'm here for it :P

I started with Snape is really at his worst in GOF but touched on a few others, too. Some of the arguments I've seen that interested me were these:

Snape has only once in seven books made a remark about anyone's appearance, which was following the teeth hex with Hermione

Snape was mocked in school for his own appearance - and mocked again in PoA by the Marauders Map for being an ugly, abnormally large-nosed slimeball etc, and mocked at home for being weird-looking (e.g. by Petunia). Harry/Sirius/others fairly regularly comment on Snape's unpleasant appearance, from his hair to his teeth to his skin. In short, he's not really set up to be in a position to be commenting on other people's appearances - and indeed, he generally doesn't

Snape tends to show his enjoyment when he enjoys an insult - he smirks, smiles, etc, when he's insulting Harry sometimes, or James, and even Umbridge for example you get the idea he's having a good time with the ironic bow - but he didn't here. He's described as looking at her 'coldly'. Usually he just ignores her until she speaks out of turn in class

It was potentially a misunderstanding? He's saying "I see no difference" to Ron's insistence that Draco did something wrong, when Goyle's just been sent to the hospital wing looking like something out of a book on poisonous fungi. Neither Slytherin nor Gryffindor get points docked until Ron and Harry start shouting (probably swear words) at him.

This post (or one of the comments in it) also argued that it's out of character; Snape insults Harry's character several times, but usually he's insulting people's abilities, intelligence, or behaviour, not their appearance (since he values those things, but not necessarily his/others' appearance)

Karkaroff says "It’s [the Dark Mark] been getting clearer and clearer for months" at the Yule Ball, and so is Snape's "Karkaroff’s Mark is becoming darker too" [emphasis mine]

Densaugeo-gate happens in mid-November, so Snape knows Voldemort is likely to return by this point, with several months' warning

The teeth incident happens in front of a few children of known DEs, most notably Draco Malfoy, whose father will hear about this - probably several times:

PS: “But this is servant stuff, it’s not for students to do. I thought we’d be copying lines or something, if my father knew I was doing this, he’d—” CoS: "… everyone thinks he’s so smart, wonderful Potter with his scar and his broomstick — ” “You have told me this at least a dozen times already,” said Mr. Malfoy, with a quelling look at his son. ... “The teachers all have favorites, that Hermione Granger — ” “I would have thought you’d be ashamed that a girl of no wizard family beat you in every exam,” snapped Mr. Malfoy. "I expect you’d have Father’s vote, sir, if you wanted to apply for the job - I’ll tell Father you’re the best teacher here, sir" POA: “God, this place is going to the dogs,” said Malfoy loudly. “That oaf teaching classes, my father’ll have a fit when I tell him —” GoF: Malfoy, whose pale eyes were still watering with pain and humiliation, looked malevolently up at Moody and muttered something in which the words “my father” were distinguishable.

Everything - from Hermione's grades to Harry's antics, up to and including the teachers' behaviour, punishments, and classes - is reported back to Lucius Malfoy, especially as it relates to Harry. A scenario in which Draco and Harry duel one another in the corridor and that isn't met by sufficient retaliation from Snape will make it back to Lucius, whether he cares to hear about it a dozen times or not. Lucius already knowing about all of Hermione's exam grades is interesting - how did Draco know? Did Snape tell Lucius directly when asked? I can't see Draco asking Hermione; I can see Hermione bragging talking about it. I'd love to know.

So what does it matter if Lucius hears about this incident? Well, he's widely known by Arthur Weasley and his kids, and therefore probably plenty of other people, as being in Voldemort's 'inner circle' as early as CoS:

“And when You-Know-Who disappeared,” said Fred, craning around to look at Harry, “Lucius Malfoy came back saying he’d never meant any of it. Load of dung — Dad reckons he was right in You-Know- Who’s inner circle.” (Fred, CoS)

Snape obviously knows; Lucius was probably the one who got him involved. Lucius probably had some level of influence or control over Snape even back when Snape was in school, or in his early DE days:

OotP: “Tell me, how is Lucius Malfoy these days? I expect he’s delighted his lapdog’s working at Hogwarts, isn’t he?” (Sirius)

lapdog: a small pampered pet dog | a person or organization that is influenced or controlled by another

Snape as a pampered pet:

I've seen some metas discussing this in terms of Ancient Roman society and patrons, in terms of 'fagging', and in terms of Lucius shaping Snape from a poor, jerky, twitching teen to a poor, jerky, twitching man who tried to hide it beneath a soft-spoken, well-spoken, cool air - modelling himself after Lucius. Snape was almost literally taken under the wing of Prefect Lucius Malfoy the moment he was Sorted. He probably learnt from his "old friend" to affect membership in the Pureblood/upper class - and did so well enough to shock Bellatrix when she first saw Spinner's End (and she never insults him for being half-blood, which she does to Harry, despite hating Snape).

In any case, Snape probably owed a lot to Lucius. He likely had a level of control over Snape, both through his existing personal relationship with him as a mentor-mentee ("old friend" at best) or abusive ("lapdog" at worst; see 'fagging') relationship. Until the end of CoS, Lucius had a hand in running the school on the Board of Governors, and had enough power/fear with the rest of the Board to remove Dumbledore, never mind mere mortals like Snape if he stuck a toe out of line. And even when Lucius was gone from Hogwarts, he retained strong ties in the Ministry, sharing a Quidditch box with Fudge, and evidently having at least a few conversations with Umbridge:

"I expected better, Lucius Malfoy always speaks most highly of you!"

So we can infer that Lucius thinks Snape is as dedicated to The Cause as he is. Even Draco remains convinced of this in later books, before Snape has cemented his position by killing Dumbledore, but even after Snape has usurped Lucius' position as Voldemort's right-hand man:

"[Snape's] a double agent, you stupid old man [Dumbledore], he isn’t working for you, you just think he is!"

[Draco likes/trusts Snape] “much less since his father has lost favour. Draco blames me, he thinks I have usurped Lucius’s position.”

Prior to Lucius' demotion/imprisonment era, Lucius clearly outranks Snape. Lucius is one of the most trusted DEs during VW1; only Lucius and Bellatrix are trusted enough to keep his Horcruxes safe (Lucius the diary, and Bellatrix the cup). Lucius was also supposed to be in charge of the battle for the department of mysteries, Voldemort's year-in-the-making plan, but obviously... that didn't go to plan, in the end.

But there's quite a rushed trajectory of Lucius' fall and Snape's ascent. The battle happens in late June 1996, Lucius is imprisoned, and not released for another year - during which time, Snape is rising, until he ultimately kills Dumbledore and is at the top. Still, he's not trusted with too much information; despite being at Hogwarts, he doesn't know the location or existence of the Horcruxes (unlike Lucius and Bellatrix, even if they didn't know what they were), and Voldemort doesn't allow Snape to see him enter Dumbledore's tomb.

Anyway, what with Bellatrix and other DEs not trusting Snape:

"Where were you when the Dark Lord fell? Why did you never make any attempt to find him when he vanished? What have you been doing all these years that you’ve lived in Dumbledore’s pocket? Why did you stop the Dark Lord procuring the Sorcerer’s Stone? Why did you not return at once when the Dark Lord was reborn? Where were you a few weeks ago when we battled to retrieve the prophecy for the Dark Lord? And why, Snape, is Harry Potter still alive, when you have had him at your mercy for five years?" ... "You can carry my words back to the others who whisper behind my back, and carry false tales of my treachery to the Dark Lord!"

What has Snape been doing all these years that he's lived in Dumbledore’s pocket?

Well, tormenting Gryffindors, for one. Tormenting Harry Potter and to a slightly lesser extent, his friends. Not all of it was tied to his cover - Snape was just a bitch with a bad classroom manner, no love of children, high expectations, and a short fuse. But if it helped, in the early months of his Mark darkening again, to become a bit more cruel to Muggleborns and Harry, then why wouldn't he - especially in front of Draco? He knew that soon - whether it be in a few months, a few days, or even a few hours, he was going to have to walk back into Voldemort's fold and pray to god he wasn't killed on sight for abandoning the cause. With others whispering behind his back - bold of them, since the ones left to whisper are largely people who escaped Azkaban, but it's a crab bucket being a Death Eater - he'd need a benefactor. A trusted servant, like Lucius, to back him up. "No, no, Snape's been tormenting Potter for years - Draco says so. He'll tell anyone on the Board who stands still for long enough how useless Potter is. Oh, he says he's Dumbledore's man, but when the old coot's back is turned, he insults that Mudblood Granger."

It wouldn't be much use to Snape if his Occlumency said one thing (I'm still a loyal Death Eater) but his actions said another (he's perfectly jovial to all students), especially as Snape is just not...a jovial person to begin with. He's got a nasty streak as a teen that Voldemort probably would've encouraged in the Dark Arts. Half of the Order were Gryffindors and half (or more than half) of the Death Eaters were Slytherins.

Also Lorrie Kim's books has some really nice observations about how his behaviour (in terms of his personality, loyalties, how he appears) really starts to contradict his core values in GoF especially.

Anyway, once again I don't have a conclusion, I just had thoughts, based around these again:

Is it out of character for Snape, who never anywhere else in the books touches on people's appearances, to insult Hermione's appearance?

And do we think it was part of his cover to be more cruel than usual in front of Draco, either by deliberately choosing a sentence to be interpreted either way, or intending it to sound mean?

i feel like i've set anyone who read this far along homework :P one foot of parchment, on my desk by Friday

#severus snape #pro snape #snape #professor snape #snape fandom #snamione #pro severus snape #snape meta #snape love #i was writing a snamione fic and wanted to know how to word his apology and this was the result i can only apologise #snaps-meta

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axel-skz · 1 year

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hey!! I have a request🤭;

Ok what about chan w a vv sleepy s/o like their always falling alseep everywhere or they can fall alseep rlly easily not like narcoleptic but just sleepy🤷‍♀️

Chan had always been very accepting of the fact that you were always sleepy. You had a talent of falling asleep anywhere and everywhere, he was actually a little jealous. He struggled to sleep. It made him feel good to look after you though. Randomly feeling you fall asleep on his shoulder or somehow leaning on him or holding his hand.

It made him happy. He felt like you trusted him. To be able to fall asleep without worries around him. He slowly started to keep items in all the spaces he was in regularly. Things that would help keep you comfortable. He had a special drawer in his office with a nice pillow and there was always a blanket on the back of the sofa.

People noticed it in his live and he chalked it up to him taking naps in the office. But no, it was for you. He kept snacks for when you woke up and felt hungry. He would turn his music down as to not wake you as well as shushing anyone who came in.

You never realised just how strict he was about his shushing when one day, you were half asleep and jisung came in. He said something, fairly quietly. But there was Chan. This man, fully jumped like it was jumpscare in a movie. Then turned and so dramatically shushed Han that you would think he was Hyunjin.

He really loved you and made you feel so comfortable in your own skin. He never let you feel nervous or self conscious about it. He’d always say, ‘I get to hold you while you sleep. How could I be upset? I’m winning here.’

A/N: I’M CRYING RN! OMFG DO NOT LISTEN TO SAD SONGS WHILE READING THIS! I was listening to same boat by Lizzie Mcalpine and I’m just breaking down. The thought of someone so loving and accepting- my soul is dead.

Listen to cielings if you really wanna cry cus Istg that would hit so hard.

I hope this was better then the other stuff I’ve been posting lately :’) my brain is just not on my side lately and I’m so tired and sad. It’s hard to be anything rn.

I said this in my other post, todays song is Muddy water.

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umbrellacam · 4 months

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Anyway, as I'm going back and reading a period during which the Teen Titans and other heroes were highly visible and active with the public, including Batman to a certain extent, and with camera!Tim and the idea of reconciling incompatible timelines on my mind -

I feel like the camera!Tim fanon where Tim follows Batman and Robin around in person for years could be (among other things, such as wanting him to interact with/admire Jason and encounter/join the Batfam early, etc.) partially a result of the retcon that B&R are shadowy, unconfirmed urban legends, and not public figures. Even for people who haven't read this retcon in the comics themselves, the "B&R as urban legends" world-state is still very popular, well-known, and often used in fic and fandom.

So during the 1994 Zero Hour event, there were a bunch of time anomalies and various adjustments to the canon, including (re-)establishing Batman (and Robin) as a hushed, menacing ~rumor~, more phantom and myth than man, as a matter of Bat policy. No public appearances. No clear photos, no hard facts.

Batman: Legends of the Dark Knight #0

Batman: Shadow of the Bat #0

We even have Dick relaying a slightly tweaked version of his origin, implying that Batman did not swoop down and publicly comfort Dick Grayson in the circus ring after his parents' murder (as was shown to have happened in Batman: Year Three and A Lonely Place of Dying back in 1989 - and which served as the initial reason Tim started admiring Batman!), and in fact Dick "...didn't believe the stories about the Batman" until months after he moved into the Manor, when Bruce told him the truth and showed him the Cave:

Robin (1993) #0

And of course the many subsequent instances afterwards of the existence of Batman, Robin, Nightwing, etc. all being kept on the down-low:

Young Justice (1998) #52-53 - Tim creating his Mr. Sarcastic guise to avoid being on-camera as Robin.

Detective Comics (Vol. 1) #727 - Bullock and Montoya being true Gothamite bros to the Bats.

And many more, etc.

All of this is obviously incompatible with the prior era and many events where Batman and Robin were very well documented as heroes, including Tim's origin in Batman: Year Three and ALPoD, as mentioned above.

As Tim related, he followed them mainly in various news media, and it was in fact on TV that he fatefully saw Robin's quadruple flip, years later:

Batman (Vol. 1) #441

By contrast, the 2016 recap of Tim's origin in A Lonely Place of Living, which restored his pre-Flashpoint backstory, does have Batman appearing at the circus again, and even taking Dick with him, but it doesn't include anything about Tim following Batman and Robin in the news, clipping articles, etc. It doesn't even mention when or how Tim saw Robin performing Dick Grayson's quadruple somersault in order to piece things together:

Detective Comics (2016) #965

But okay, if Batman and Robin were subsequently retconned into shadowy urban legends that didn't regularly appear in newspapers or on TV, how do we reconcile that with Tim's backstory as a fan who stalked followed them super closely?? His creepy cute scrapbook of newspaper clippings and Moment of Revelation from watching them on TV can't exist in the same form anymore, it's incompatible.

We can fudge an in-universe explanation covering most of the retcon, like it was a policy change that Batman instituted early in Tim's Robin tenure, and say Oracle went back and scrubbed photos, videos, records etc. from existence. We'd probably have to lean into the sliding timescale of comics and pretend all of this happened in a more digital era, though, because otherwise there are all of those pesky physical records...

We can cover the gaps by handwaving that the 'shadowy urban legends' cloak of secrecy was never foolproof, and hard evidence of B&R's existence did exist here and there, but was limited and hard to find. This jives fairly well with the actual 'urban legend' era post-Zero Hour; they couldn't avoid being witnessed or interacting with people all the time. Kid Tim would just have to do more involved digging than snipping articles out of the daily paper. Maybe the hidden security camera footage of Robin's flip that was shown on the evening news was much more shadowy and ambiguous than in canon, and it's because of Tim's special interest that he was even able to recognize B&R, and what was going on? I like this one, personally.

But alternatively. We do know that he followed Batman in person and took pictures at least in Batman #440. We're pretty sure that he had to have followed Dick/the Titans around in New York before, given that he'd memorized the Titans' schedules and knew the locations of both Kory's and Dick's apartments (also Batman #440; Tim, pls...).

It seems like extending these instances into a more regular pattern of Tim following the Bats around, and gathering photo evidence for his scrapbook by taking pictures himself, and witnessing Robin!Dick's flip in person, is one possible way to reconcile the inconsistency. And one even more likely to be used by people with only more general fandom knowledge, who are used to the 'urban legend' world-state but want to have Tim stalking the Bats at length anyway. (Which, along with New 52 Tim, is part of how we get baby super-hacker and electronic stalker extraordinaire Tim fanon, as well, I'm sure.)

#to be clear Tim was definitely a baby hacker but not to the fanon 10-year-old-hacks-the-BatCave-and-Pentagon extent that turns up in fic #Tim Drake #Tim Drake meta #DC meta #dcu #DC comics panels #Cam posts #Cam reads comics #A Lonely Place of Dying #fanon vs. canon #Dick and Tim #Dick Grayson #Bruce Wayne #Batman #Robin

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andmaybegayer · 1 year

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can you actually talk about bitwarden / password managers, or direct me to a post about them? Idk my (completely uneducated) instinct says that trusting one application with all your passwords is about as bad as having the same password for everything, but clearly that isn’t the case.

So it is true that online password managers present a big juicy target, and if you have very stringent security requirements you'd be better off with an offline password manager that is not exposed to attack.

However, for most people the alternative is "reusing the same password/closely related password patterns for everything", the risk that one random site gets compromised is much higher than the risk that a highly security focussed password provider gets compromised.

Which is not to say it can't happen, LastPass gets hacked alarmingly often, but most online password managers do their due diligence. I am more willing to stash my passwords with 1Password or Bitwarden or Dashlane than I am to go through the rigamarole of self-managing an array of unique passwords across multiple devices.

Bitwarden and other password managers try to store only an encrypted copy of your password vault, and they take steps to ensure you never ever send them your decryption key. When you want a password, you ask them for your vault, you decrypt it with your key, and now you have a local decrypted copy without ever sending your key to anyone. If you make changes, you make them locally and send back an encrypted updated vault.

As a result, someone who hacks Bitwarden should in the absolute worst case get a pile of encrypted vaults, but without each individuals' decryption key those vaults are useless. They'd still have to go around decrypting each vault one by one. Combining a good encryption algorithm, robust salting, and a decent key, you can easily get a vault to "taking the full lifetime of the universe" levels on security against modern cryptographic attacks.

Now there can be issues with this. Auto-fill can be attacked if you go onto a malicious website, poorly coded managers can leak information or accidentally include logging of passwords when they shouldn't, and obviously you don't know that 1Password isn't backdoored by the CIA/Mossad/Vatican. If these are concerns then you shouldn't trust online password managers, and you should use something where you remain in control of your vault and only ever manually handle your password.

Bitwarden is open source and fairly regularly audited, so you can be somewhat assured that they're not compromised. If you are worried about that, you can use something like KeePassXC/GNU Pass/Himitsu/ (which all hand you the vault file and it's your job to keep track of it and keep it safe) or use clever cryptographic methods (like instead of storing a password you use a secret key to encrypt and hash a reproducible code and use that as your password, e.g. my netflix password could be hash(crypt("netflixkalium", MySecretKey)), I know a few people who use that method.

Now with any luck because Apple is pushing for passkeys (which is just a nice name for a family of cryptographic verification systems that includes FIDO2/Webauthn) we can slowly move away from the nightmare that is passwords altogether with some kind of user friendly public key based verification, but it'll be a few years before that takes off. Seriously the real issue with a password is that with normal implementations every time you want to use it you have to send your ultra secret password over the internet to the verifying party.

#computer stuff #ask #anonymous #cryptography #password managers

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hero-israel · 2 months

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just seen a palestinian auntie post about her niece being born w red hair and she constantly fans over it and goes on about how it’s a blessing and the comments are other palestinians and arabs fanning over the white pale skin and blue eyes and blonde/red hair of some of their relatives. even going on to call those relatives swedish/russian/white as nicknames.

but when jews esp israeli jews talk about their natural fair skin, or blue eyes/light hair (which is a minority in the jewish world, majority of jews do not have light features the same as arabs) in the slightest, they are called hitler 2.0 and it’s used as ‘proof’ that we as a whole can’t possibly be indigenous. like these features have always existed in the levant. they weren’t as prevalent in the levant as some ppl think, but they were there.

i see the same happen w black jews. despite black ppl being in the levant for a very long time, pre-enslavement and after, due to migration, pilgrimage, intermarriage etc etc etc, they are told they can’t possibly be native. while some afro-palestinians who came just a few decades before are native? and i’m not talking about those that are the descendants of enslaved people, if you are trafficked from you land and assimilated/forced into a new ethnicity due to that you have every right to consider yourself a native bc you were literally forced to be one. i’m talking about those that are the descendants of migrants and pilgrims, who set up shop in jerusalem during the ottoman empire and are now supposedly more native than black jews who in most cases are there bc their ancestors were expelled or had to flee and bc they have an actual cultural, genetic and historical link to the land even before that.

Don't be shy about citing this:

My grandfather, born on an actual shtetl in Poland, was the spitting-image lookalike for Hafez Assad. Speaking of Syrians, here's pro wrestler Sami Zayn. Hajj Amin al-Husseini famously had blue eyes and red hair, which might have helped him befriend Hitler. As bad as colorism is in any context, it is all the more infuriating from an I/P perspective when so many people just accept from the outset that people like you, people who look like you, have no right to live in certain areas (even though we always have). Read long enough in Palestinian, Syrian, and Lebanese communities to see their perspectives on Jews and Israel and you can't help but notice the fairly frequent comments about (and I swear I have seen this quote near-verbatim) "We Syrians have such beautiful white skin and beautiful blue eyes, we are not at all like those Saudis or Yemenis, who are as dark as Indians!".

Afro-Palestinians are pretty much always used unfairly and tokenistically by pro-Palestine outsiders; in their daily lives they are regularly called "abeed" (slave) and sometimes even with their neighborhoods known as that. It's not unlike how goyim only ever bring up Ethiopian Jews to spin yarns about "sterilization" while also cheering for groups who want to kill them alongside the rest of Israel.

#palestine #ahed tamimi #arab antisemitism #colorism

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ladykailitha · 2 years

Text

Can Anybody See Me? Part 6

Yes, my darlings, you read that right. I promised I would get back on this one once I was done with In the Midnight Hour and admittedly I did get side tracked for a week doing the Valentine’s fics, once that was out of my head I have written almost 7000 new words for this story. I went from half way through this one to a few hundred words into part 10. So yeah. Expect to see this one updated fairly regularly. I haven’t given up on Star Child I’m just trying to decide which direction the next part should take.

Also on the tagging, I HAVE REACHED MY HARD AND FAST LIMIT OF 50. I love the response this story has gotten. I do. I love you all. I love every reply, like, and reblog. It brings me so much joy, you don’t even know. But tagging is hard for my ADHD brain. I have gone up from 20 to 30 and finally 50 as my system improved but I think if I do any more than that I’ll go insane. So any future tagging requests will be ignored. Sorry.

The best way to keep update on these stories is follow me and set me on notifications. I rarely do a lot of reblogging these days (too busy churning out stories like whoa), so more often then not a post will be a story. I try to post at least once a day (some times twice if I’m trying to rush through the posting a bit like I did to make sure the Valentine fic got out in time without making people wait on Vamp!Eddie), just never at set time.

Part 1 Part 2 Part 3 Part 4 Part 5

They all met up by the fountain in the middle of the mall. Eddie was bouncing on the balls of his feet nervously.

“You sure he’s going to come?” Jeff asked.

Eddie tried to peer around the crowd. “That’s what he said.”

And then they spotted him. He was in a nice red sweater with a white polo underneath and fitted jeans. Eddie ran his tongue over his teeth in appreciation.

But then he noticed the gaggle of children following behind him. And what a gaggle it was. It consisted of Red, his new best friend, another girl with a thousand yard stare. The tall black kid must be the Sinclair boy. The remaining three were also very interesting. There was the short curly haired kid with no front teeth. The last two were both dark haired, but the one on the right was darker. Hair and attitude, judging from the rounded shoulders and down cast expression of the other boy.

Steve sighed. “I’m sorry I’m late. Dustin called asking me to take him to the arcade, only when I told him that I was going to the mall, suddenly they all wanted to come.”

“And then I got roped into this because they wouldn’t all fit in Steve’s car,” a voice called from the back.

The person jostled his way to stand next to Steve. Jonathan clasped Steve on the shoulder. “I gave Will money to call me when you’re done so I can pick up him and El. Make sure he doesn’t spend it on the gumball machine.”

Steve nodded. “Thanks, man. I’ll see you later.”

Jonathan nodded and waved goodbye to everyone, but especially the timid one. Which Eddie figured must have been Will.

“Your children, I presume?” Eddie asked, eyeing the thirteen year-olds warily.

“Yup,” Steve said with a put on expression. He pointed to each of them in turn. “That’s Dustin, Mike, Will, Lucas, Max and El.”

Eddie did the same to his friends. “I’m Eddie, these are Jeff, Gareth, and Brian. Or collectively, the band Corroded Coffin.”

“That’s bitchin’,” El said with a smile.

Steve ducked his head as he tried not to laugh.

“Hell yeah, it is,” Jeff said, taking an immediate liking to her.

“All right,” Steve said, turning to the kids. “You are to stay in pairs at the very least. And you know who your partners are. Will and Mike, Max and El, and Dustin and Lucas. Regardless of what you are doing, you will meet up here at 2pm. No later. I have plans with these guys at three and I’m not going to be late because of you guys a second time.”

There were a lot of eye rolls but everyone agreed to meet at the fountain at two.

Once they had left, Steve turned back to see that all four of them were struggling not to laugh.

“No, no,” he said, shaking his head. “Go ahead and laugh. Because fuck knows it’s hilarious.”

So they promptly burst out laughing.

“Oh my god,” Gareth wheezed. “It was like watching ducklings.”

“Yes!” Eddie agreed. “My dude, I hope you are charging their parents for this.”

Steve shrugged. “It’s not like I need the money.”

They all just shook their heads.

Eddie clapped his hands together and rubbed. “Right, Stevie, this is how it is going to go. You’ll have one hour to get the most outrageous gift. Ten dollar maximum.”

“Each person or total?”

“However you want to swing it,” Jeff said. “But forty bucks is a lot.”

Steve nodded. “I guess my one concern is that I don’t know you guys very well and I don’t want to offend anyone.”

“So take Eddie with you,” Gareth said. “And then for the last ten minutes split off to buy something for each other.”

Eddie and Steve looked at each other.

“Yeah,” Eddie said, “that could work. What do you say, Stevie?”

Steve shrugged. “Yeah, sure.”

Every one but Steve set a timer on their watches. Steve’s wasn’t a digital one, so he couldn’t.

“On your marks, get set,” Brian said. “And go!”

Eddie grabbed Steve’s hand and suddenly he was being dragged along.

Steve giggled. “Where to first?”

“We are going to Suncoast,” Eddie said with a grin. “It’s the best place for all your metalhead needs.

“Lead on, MacDuff!” Steve said with a grin.

Eddie finally let go of Steve’s hand as they neared the store.

“I found out in drama that a lot of the sayings and words we use today are because Shakespeare couldn’t find the right word and made them up,” Steve said nervously.

“Wait, really?” Eddie asked, coming to a complete stop. “Like what?”

“Well, ‘Lead on, MacDuff’,” Steve said, “just for starters. It’s from Macbeth. Green eyed-monster. Just loads that I can’t think of off the top of my head.”

Eddie stood there for a moment blinking. “If they had taught that in English, I think would pay more attention.”

Steve laughed. “I know, right?”

They entered the store and everything had a dark red neon glow to it and it was clearly separated between the movie part of the store and the music part of the store. It was almost jarring. The movie part was dark like the inside of a movie theater. The music part was well lit and almost sterile white in its design.

They wandered around the music section. And they stopped by the minuscule instrument section. It had mostly accessories but also a couple of guitars. Mostly acoustic but one or two electric as well.

“This is pitiful,” Steve said staring at the selection.

“Beggars can’t be choosers, dude,” Eddie said. “There is an actual record shop with a full on instrument section. But that is not the point of this.”

Steve stopped by the drumsticks. “Gareth is the drummer right?”

Eddie nodded.

“I’ve been to a couple of concerts and I saw that the drummer had a bucket of sticks...”

“Are you asking if you should get Gareth more drumsticks?” Eddie asked. Steve nodded. “Go for it.”

“What’s his favorite color?” Steve asked.

Eddie frowned, but Steve pointed to the drumsticks on display and the had all sorts of different colors and patterns.

“The black ones with the flames on them, for sure.”

Steve grinned and picked them up. They got a couple more things here, but it was time to move on.

They hit up the stationary store, the weird little shop that sold incense and little Egyptian figurines, and Hammond’s Toys.

As they were passing Shapiro’s on their way to Hammond’s Toys, Steve found his gift for Eddie. It took every bit of will power not to just rush back and grab it, afraid it would be gone by the time he got back.

Eddie came up to him. “All right, Stevie. This is where we have to part ways. We only have ten minutes left and we need to get each other something, too.”

Steve smiled and nodded. He doubled back to Shapiro’s and quickly bought it. He raced to the fountain to be there first. He sat down on the edge of the fountain, his packages tucked under his legs so people wouldn’t steal them.

It wasn’t long before the others started showing up. Brian showed up first.

“How the hell did you beat me, man?” he asked as he sat down next to Steve. “I’m always the first to arrive.”

Steve blushed. “I got lucky.” He was practically vibrating with anticipation.

Brian eyed him suspiciously. “And you got a present for everyone?”

Steve pressed his lips together and nodded.

Gareth was the next to show up. “Now that’s just embarrassing. Being beaten by Brian is one thing, he’s a shopping guru. But Steve Harrington, too? However will I get over the shame?”

Jeff laughed from behind him, having just shown up himself. “You’ll live.”

Eddie was the last to arrive showing up exactly at the hour.

“Ooh,” Jeff teased. “By the skin of your teeth. Is Steve-o here really that hard to buy for?”

Eddie grabbed his knees, panting for breath. “No,” he huffed. “Just on the other side of the fucking mall.”

“So,” Gareth said turning to Steve. “Now for the next phase of our little get together. We meet up at my house at three and exchange gifts and play a one-shot.”

Steve wrinkled his nose. “Is that like a D&D thing?”

“Yup!” Brian said gleefully rubbing his hands together. “It a story meant for a single day instead of multiple days like a campaign.”

“Yeah,” Jeff said. “We roll up quick character that are meant to die and just go to town no real rules. Just fun.”

Steve nodded. “Sure I could do that.” He looked at his watch. “I’ve got twenty minutes before the kids show up.”

The other three backed away slowly.

“Yeah,” Jeff said, “we aren’t going to wait for that mob.”

“Oh, hell no,” Brian agreed. “I’m sure they’re great kids and all but I have three younger siblings, if I wanted chaos, I’d hang out with them.”

“Middle schoolers, man,” Gareth said, “are the plague of the earth. See you at three.”

Steve laughed. “Agreed on all accounts. I see you at Gareth’s. I’ll get the address from Eddie.”

The three boys walked off, shoving and pushing each other, laughing as they made their way to the exit.

“So what about you?” Steve asked. “You going to run before the hoard gets here?”

Eddie laughed. “I should. Leave you to the wolves.” He grinned. “But nah. I want to properly meet the kids that Steve the pied piper of Hawkins has taken under his wing.”

Steve blushed. “I wouldn’t call myself that. They barely listen to me.”

Eddie’s face softened. “I’m sure that’s not true. I bet the little sponges are just soaking up everything you tell them.”

Steve huffed out a laugh. “That would explain the language problem.”

Eddie tilted his head to side. “What language problem?”

“They swear like sailors.”

Eddie blinked a couple of time before he burst out laughing. “Having trouble not swearing around kids, Stevie?”

“You would be swearing too if you had to deal with them all the time,” he said with a shake of his head.

“So why do you do it?” Eddie asked.

Steve huffed out a sigh and kicked the side of the fountain with the heel of his foot. “Most of them don’t have great home lives. Except the Sinclairs, of course. Especially when it comes to caring adult men. I know what that’s like, so I try to be that for them.”

“Huh.”

Eddie didn’t have much time to comment on that because the first of the terrors had arrived.

The two dark-haired boys that seemed joined at the hip.

“Hey, Mike,” Steve greeted, “hey, Will. Did you already call Jonathan to come get you?”

Will nodded.

“Good,” Steve said. “Eddie here DMs for his friends.”

Both heads turned to him in shock.

“There is no way,” Mike said. “Steve would never be friends with someone who likes D&D.”

“Hey!” Steve protested. “I’m friends with you assholes!”

Mike rolled his eyes. “Fine. Steve wouldn’t be friends with people his own age that play D&D.”

“Mike...” Will protested, speaking up for the first time. “What’s your favorite class?”

“Bard. It’s kinda self-insert type of thing,” Eddie said. “I play guitar, so I get the class. Um...second favorite would druid. I have a twelfth level druid named Kilmar Goatfiend in a campaign my club is doing right now.”

“You have a D&D club?” Dustin asked coming up from behind Will and Mike. “No way!”

“Yep!” Eddie said with pop of his lips. “The Hellfire club. Lenny Fitzpatrick is president this year. Next year, it’ll probably be Janice Montgomery.”

“You have a girl in your club?” Lucas asked, think of his sister Erika.

“Girls don’t play D&D,” Mike growled.

Steve hit him on the back of the head. “Oi! Your sister played. She’s the one that taught you. Show her some respect.”

Eddie’s eyes went wide. “Nancy Wheeler plays D&D.”

“Did,” Will clarified. “She’s the one that gave me my wizard robes to DM in.”

“You dress up?” Eddie asked. “That’s so cool.”

Will blushed.

Just then girls arrived both of them eating ice cream cones.

Dustin spotted them and gasped. “You got ice cream cones?” He turned to Steve. “Why didn’t we get ice cream cones?”

Steve stood up and put his hands on his hips. “Because they saved their money and bought themselves ice cream cones?”

Max stuck out her tongue at him and El giggled.

“You better finish those up before you get into my car,” Steve said wagging his finger at them.

“Hey, I could take Max home,” Eddie said with a shrug. “I’m heading that way anyway.”

Steve looked at Max. “It’s up to you. You can go home with him or I could drop you off at Hopper’s and you and El can continue to hang out.”

Max thought about it for a minute. “I’ll think I’ll go home with Eddie and hang out with El tomorrow.” She turned to El. “Is that okay?”

El nodded. “I wanted to spend time with Will and Mike today.”

Mike blushed.

“What about you two?” Steve asked. “Where am I dropping you two off?”

Dustin and Lucas just shared a glance and shrugged.

“Well then you two can sort it out in the car,” Steve said and then turned to Eddie. “So what’s Gareth’s address?”

Eddie pulled out a pocket notebook and pen and scribbled out the address. “There you go, see you later, man.”

Steve took the piece of paper with a smile. “Do you always carry a notebook and pen with you wherever you go?”

Eddie grinned. “Sure, sometimes the muse will strike while I’m out and about so I need something to jot down lyrics or chord progressions as needed.”

“That’s sooo cool,” Mike said, a little star struck.

Will and Lucas looked over at each other and rolled their eyes. Eddie fought back a grin.

They split off, with Will, Mike and El, staying at the fountain to wait for Jonathan.

Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16 Part 17 Part 18 Part 19 Part 20 Part 21

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