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bi-writes · 7 months

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mercenary!ghost is dead inside. he wonders what it leaves behind on his pretty little bunny.

notes about reader: as always, reader is curvy and ghost knows exactly what he wants to do with all that ass

more mercenary!ghost (part 2/?)

word count: 5k

cw: mature language and content, suggestive language and content, pet names (luv, pet, bunny + rabbit, puppy), dark!ghost, mean!ghost, toxic!ghost, ghost is thicc, mentions of violence and gore + murder and extortion, mw3 spoilers, mentions of ghost's canon trauma, tw smoking, innocence kink, corruption kink, size kink (reader described as much smaller, manhandled easily), suggestive touching and oral (fem!receiving), cumplay, mentions of dubcon but relationship/dynamics are consensual, simon "i eat pussy like a god" riley

his phone is ringing. it surprises him, the sound of it. it's not familiar, to hear it ring, to see a name on the screen of it and recognize it.

there was no one left to call. not until now.

he adjusts his hold on his rifle, slipping an earbud into his ear.

"'ello?"

"almost back yet?" it's you. rattling your cage.

"'m busy."

"i know--" he clicks his tongue when you say this, annoyed. "but you're not back yet."

"i'll be back when i'm back."

"yeah, but when is that?"

brat.

"'s this how it's gonna be? botherin' me when 'm out?"

"uh huh. so when are you gonna be back?"

"when 'm back."

you huff at that, and ghost snarls a bit under the mask, adjusting the scope and peering through it. there is movement, and he focuses. then your soft voice sounds again, "are you with someone else?"

there's a grunt, and then a firm, "no." and it is the truth, and you know it is, because he doesn't care enough to lie to you. you sigh on the other end, staring up at the ceiling with a wobbly bottom lip.

"we done 'ere?" he asks after a long pause. you sniffle, closing your eyes.

"take me with you next time."

he hangs up before he answers. needy little puppy he has, he knows this. he isn't unfamiliar with this kind of dynamic. it wasn't unlike the job he used to have--a lieutenant, a man in charge, in command of other needy puppies that needed to be put in their place. he wonders often if johnny would have liked you, but you are enough trouble as it is on your own.

a pet dies and another is bought; whatever ghost is, he outlives them.

he attracts them, he thinks. the ones who ache to belong. from the first moment he met you, he knows that is why he felt his blood run a little warmer at the sight of you--it is something in your eyes, something he recognizes, something that he knows tastes so fucking good. there is predator, and there is prey, and then there is the in-between. the purgatory of those who have no idea who they are. they must be shown. they have to be taught, and if they fall into the wrong hands, they are mangled and chewed through.

he wonders for a moment if maybe his mother was one of them. then he remembers that it doesn't matter what she was, because his father had black running through his veins. the same black that simon thinks he sees in the mirror--and sometimes it bleeds onto his face, he swears it's there, hiding underneath the eye-black he paints on himself.

when he was younger, he used to hide from his reflection because of it. the rot of the other half that he was made of, it terrified him. he feared being consumed by it. he was afraid of letting it show, he was afraid of scaring other people.

but when he crawled himself out of his early grave and buried the good half of himself, he didn't flinch in the mirror any longer. he let himself linger there, and when he swiped the black against his pale skin for the first time, he remembers thinking that maybe it had always been there. that he doesn't recognize himself without it because this is what i am, something made of ash, something that shouldn't be here, the remnants of something that touched a flame too hot and swallowed something foul. rancid.

and maybe that is what he's been doing since then--maybe that is what the hollow place is that he feels inside, maybe it's the half that he buried that he wishes so fucking badly to hold onto because it's the only thing that distracted him from feeling like the thing that he truly is. and maybe that is why he died again when johnny did; it was too late to realize that the hollowness is back, and it is deeper, and it hurts now, fuck, take it back, take it away--

and maybe that is why he hates you in some way. because the space is gone. it is filled again; and you fit so perfectly there, and it will happen again, and he has no idea how many more times he can lose the redeemable half of him until there is nothing left to redeem.

but black still runs in his veins, and he is selfish, and he will hold onto it until it's gone. he doesn't care. he is a thing, he is not real, and it doesn't matter to him if he will die again when you do, because while he has you, he will drink what you give him. salvation, redemption, painting his blood red, whatever the fuck it is that you are meant to give him, he will take it, and he will devour it, and he doesn't care what he leaves behind.

he wants it. it's selfish, it's cruel, but he wants it. everything he touches fades away; if he was something real, he would cut you off. but he isn't, and he doesn't care, and he's curious to know what the stain of himself will look like on you.

beautiful you. such a pretty girl. soft like a bunny, glittering eyes--if he was a poet, he might say they are filled with starlight. but ghost is a predator; the shine of you only makes his mouth water.

you were his the moment he saw you for the very first time. he was not inclined to ask your permission, but it wouldn't have mattered--he knew as soon as your eyes met, really met, that he had you. hook, line, and sinker--there it is, there she is, what she really is inside. there is a light there inside of you, he could see it.

he is going to snuff it out. he doesn't know why, but he will, because he wants to. he has an urge to kill something, and he thinks whatever it is that swims in you will do just fine. he knows, somehow, that you will look beautiful covered in it--in the tears when he breaks, when he tears, when he destroys, you will look beautiful, and he won't stop until he takes all of it. he knows, too, he doesn't know how he knows but he knows, that you will let him.

he crossed another name off his list today. he watched them on a lonely rooftop all morning, and it rained. he watched them move back and forth, between doorways, answering phone calls. he doesn't ask questions, so he wonders occasionally what it is they did to warrant a visit from him.

they could've stolen. maybe they betrayed; that is a popular motivation. lovers' quarrels--he knows what it is to die for love, but dying for love at the wrong end of his rifle isn't in marriage vows. maybe they were in the wrong place at the wrong time; maybe they saw what they shouldn't have, and it was enough for a visit from their guardian angel.

sometimes he thinks that what he does is at their mercy; because if he didn't do it, if he didn't make it so quick, so easy, they would suffer. at least this way, by his hand, they would never know. he brings comfort. ease.

it is the same with you, it has to be. he closes his fist and bangs on the outside of your door. the wood rattles under the force, and when you open the door, the look that you give him only solidifies his assumption. if it wasn't him keeping you, then it would be someone else. someone else would look into those eyes, and they would take from you, but they wouldn't be like him. he takes, and he will take, but you won't know that you are empty until it's too late.

that is merciful, isn't it? this kind of love is forgiving, right? the kind that shields, the white lies that protect, that blindfold that hides--this is humane. he is a thing, a predator, yes, but he isn't like the others.

right?

you step aside, and he has to maneuver his shoulders to make it past the narrow doorway. as you close the door, your eyes linger. he wears a dark rain jacket over a long sleeve, dark cargo pants tucked into heavy boots. he wears a holster on one meaty thigh, but it only holds a small pack there. his balaclava is plain, hiding all but his dark eyes, and the hood of his jacket casts a long shadow over him. the gloves he wears are of a utility variety--he worked today. if you ask him, he will say yes, but he will not tell you anything else.

sometimes, you aren't sure if he just doesn't care or if he is trying to protect you from some ugly truth. but then you remember that there are no ugly truths with ghost; the truth is as it is, nothing more and nothing less, and if he hides it from you, it is because you simply don't need to know.

you lock the door behind you, leaning against it. he moves through your apartment with ease. he has been here before, but it feels as if he has always been here. he knows how to rattle the balcony door to get the lock to free, and you don't remember showing him how to unlatch it. you busy yourself with putting the kettle to boil as you see him light a match, a cigarette between two gloved fingers.

it's a nasty vice. it blackens the lungs, shrinks the organ, addicts the user. but it tastes good. and it feels good. and it isn't what will kill him, because this isn't real.

you come outside, a mug of tea in your hand, and you set it down beside him. he flicks ash off the cigarette, spreading his legs wide as he sits there, watching the street below. it's quiet because it's raining, and while the balcony is covered, it wets the toes of his boots.

he looks so good. he spreads himself out in the chair, taking up so much space, and his hand that doesn't hold the cigarette is spread out along his thigh, running absentmindedly down the material of his pants. it's hard to describe the breadth of him--ghost is just big. his hands, the height of him, the space that you can tuck yourself into his chest. he could curl you around his arm, wrap you up with both of them, trap you there. you don't hate the thought of that, the idea of him keeping you there like that. you think about the width of his hand, how it might look with the black of his glove spread out across your throat, holding you there, keeping you there.

you think about what it would be like to be under his mercy. his control. to feel the press of those fingers against the hollow of your throat, knowing he could crush your windpipe with just one perfectly placed squeeze. he would know where to touch. he would know where to tug just right to cut the air off.

it's too bad you didn't know you already belonged to him.

"can i have some?"

you nod to the cigarette burning in his hand. his eyes flicker up to look at you for a moment before he adjusts in the chair. he shrugs finally.

"'f you want."

you put a hand on his shoulder, lowering yourself to sit on his lap. you wear nothing except for a loose shirt, one that covers you to your thighs, but when you sit, it rides up. he takes the weight of you easily, not looking strained in the slightest, one arm supporting the thickness of your thighs with a firm grasp.

you lean forward a little, into him, and he brings the cigarette to your lips. you wrap your lips around it, taking a breath. you want to revel in that fact that you're putting your lips around something his own have touched, and then you start to cough.

the air burns. you turn your head to the side and wheeze; you hear a condescending chuckle, and you go warm with embarrassment. but his hand rubs small circles into your back, coaxing the smoke out of your lungs. you take in a few strong breaths to clear the smoke, and then you look away from him.

"not a smoker, eh?"

"that was...my first time."

when your head turns back to face him shyly, he tilts his head to the side. you cannot see any of his expression, but you imagine he's curious. the way his eyes look you up and down tell you that much.

"wot, you saw me do it, 'n ya think y'can take it?"

you don't respond, just keep your eyes on his. your fingers move, spreading across the solidity of his chest, and you rest them there. you lean in a little more, your face only a few mere inches from his own, and it gives you an opportunity to examine him so close.

his mask is weathered, the skull mouth painted along the mouth a little faded and messy with wear. he smells like cigarettes and earth, wet soil and ash and something warm. the eye-black that is smeared across his eyes fades out at the edges, and the paleness of his skin peeks out a little. you know the black covers the tiredness under his eyes, the lines that must be set in his face from how much he frowns. he has blonde lashes and dark eyes, and what intrigues you the most is that you can see the jagged edge of a healed scar peeking out from under the fabric that hides him.

he frowns, and you see the furrowing of the skin underneath. you meet his eyes again, and it feels surreal to see him in this much detail. you don't think this is a common occurrence; you have a feeling that anyone that has ever gotten this close to him did not live to talk about it the next day.

he has never told you, but you know death follows him. you have never seen what war has done to him, you can't see the rough skin and the patches where skin has been shredded or torn off, but you know, sitting so close to him, that he leaves bodies behind him and terrifies the ones that approach.

you wonder if you should be afraid, but then you remember that if he wanted to kill you, he would have done it by now. he does not want to kill you.

he wants to eat you.

you have asked him once what he does for work. he said he used to work for the military, but he didn't say anymore. when you asked what he did now, he said he was an independent contractor.

a contractor for what, you did not get the answer to. just that he was his own boss now, and no one told him what to do anymore.

"what did you do today?" you ask him finally, reaching up timidly and slipping a thumb down the line of his strong jaw.

"work."

"and how was it?"

he does not answer, and your eyes flicker back up to his, studying his reaction. he doesn't give one, just eyes the line of your throat as you swallow hard.

"a good pay day then?" you ask, and he hums at that. you smile a little, reaching up with both hands and cupping his masked cheeks gently. "must be good at what you do."

his face flickers a bit at that. he sniffs, looking to the side before back at you, shrugging those broad shoulders of his. one of his big hands comes up and slips up the shirt you wear, gripping your ass firm.

"good at other things, too," is all he says, and you smooth one of your thumbs down the row of painted teeth along the mouth of the mask. his breath comes out warm under your thumb.

"like killing people?"

his hand stiffens against you, and he glares up at you. a huff of a breath comes out, and you tense a little. he flicks the cigarette onto the ground, reaching up with that hand and gripping you around the jaw. your face fits nicely in his hand, and you might enjoy it if it wasn't so aggressive, the way he touched you. he shakes you a little, bringing you close enough that you can feel the wetness of his snarl against your lips.

"that wot y'think i am? some kind o'murderer?" he spits. "think 'm some kind o'fuckin' killer?"

a wave of tears prick the sides of your eyes, and you grip his wrist tight, trying to keep the pressure off of you.

"i know what you do," you whisper. "i know what you do, it's pretty obvious."

"yeah? 'n ya think it's a good idea to fuckin' talk t'me this way? ask me questions you don't want the answers to?"

you narrow your eyes, and you stare back at him, matching the intensity of his own. this makes him laugh; there is no humor in his laugh, but he laughs, and he rattles your whole head as he brings you close enough that your lips brush against the fabric of his mask.

"oh...you want me to tell ya...want me to spill all my bloody secrets..." he growls. you let out a whine when he brings you even closer, smashing your lips against the front of his mask. you choke out a whimper, and you swear you feel his tongue trying to find yours through the barrier. "think y'can handle the lot like me, bunny, and you can't. blood on m'ledger would fuckin' drown you."

and it is the truth, he knows it is, and he wouldn't lie to you because he just doesn't fucking care enough to think up a lie. he didn't serve so many years, he didn't give so much time to what he thought was righteous to come home and paint war as a pretty picture to civilians like you. war is blood, war is loss, war is what takes and takes and takes from a man, until they are things. until they come home and realize they have no idea what they were fighting for when they seem the same dirty streets they left behind.

when their brothers still get killed. when their families still come apart. when their lovers betray them, when they break their hearts--when they realize they are glorified weapons for the politicians that don't care about them, that send them away to die, that refuse to support them when they come home without the goodness that they left with.

he gave his entire life up for this. they took his family, they took the only half of him that mattered, and what was it for? nothing waits for him at home. there is no one in his bed, there is no one to call, there was no money in the bank.

there is only the memories that manifest into nightmares, and the blue sky that reminds him of blue eyes. the blue eyes that he could not save, the blue eyes that haunt him, that ask him, desperately--let the bonnie lass go, LT. you cannae save'er.

but he is a lieutenant, and he was a sergeant, and he didn't take fucking orders from anyone anymore anyways.

you are his, and you look so pretty in that cage. pretty enough to eat. pretty enough to take away. pretty enough to poison, because he thinks maybe this is the only way to make himself feel better.

he wants to see your blood run just as black as his own. misery loves company, they say, and it would please him, the selfish thing that he is, to see you just as ugly inside as he is.

"but you want it," he says, and your eyes flick back to meet his. you don't smile, but your gaze doesn't falter. you just stare back at him, and he laughs again, because he sees something he recognizes there. something inhuman, something a little feral. it is inside you.

and he wants it out.

he stands, leaning over you. you're forced to walk backwards, and he doesn't stop until you're back inside. he closes the balcony door behind him, putting a hand on your chest before forcing you backwards with a firm push. the back of your knees hit the couch, and you squeak as you fall back against it.

you almost think he's going to pounce on you. rip your panties to fabric shreds, spread you wide, and fuck you into the cushions. you think he's going to take from you, because that is what predators do, but you're almost taken back by the sight of him lowering to his knees.

he's kneeling. this behemoth of a thing kneels in front of you, and you yelp with a start when he grips you by the back of your knees and yanks you forward, manhandling you until he has your legs tossed over his shoulders. he grunts as he pushes the shirt up to expose your cotton panties, a soft red pair that you know he will ruin when he's done with you.

your back arches as he buries the front of his mask against your cunt, taking a deep breath through the mask. it's filthy, the way he takes in the scent of you, and if you were sane, you would push him away, the nasty thing he is. but you don't--the gesture floods your insides with need, and you squirm in his grip.

"stay still, little rabbit," he says, but it's a demand. he moves one hand further up your thighs, and you whimper softly when his thumb squishes the slit of you through your panties. his eyes brighten when he notices the fabric darkening as soon as he does this, a growing wet spot dampening your underwear. "look at 'er...drippin'...you hungry, luv?"

"uh...ngghhh..."

"oh, fer fuck's sake, haven't even got m'mouth on ya, and y'can't speak already?"

he laughs, because he is mean, because he is a thing that just wants and takes, and what he wants is between your thighs, and you are easy. you want to be more of a challenge; you want to make him work for it, but his eyes flicker up to meet your own, and there is nothing you can do. there is something said whenever your eyes are on each other--you have no idea what it is, but it tames him, and it keeps you.

"he woulda loved you," he says suddenly. you frown, opening your mouth to say something, to ask who he is, but his index finger pulls your panties aside, and he buries his masked face into the wet seam of your pretty pussy.

you cry out at the feeling, your thighs closing around his head instinctively. your back bows even further, a taut, imaginary string being pulled inside of you, and ghost laughs again, because you're so warm and cute and needy. he pushes his face further into you, nuzzling his nose into the place where he knows your clit is, and he draws the most delicious moans out of you. he smiles under the mask when one of your shaking hands grips the back of his head, pushing him deeper, his mask soaking with the slick of you.

he continues the torture for a time unknown. your brain isn't working; you have no concept of time. all you can think about is the way your legs shake and the grip your hands have on the back of his head as you grind your hips up into him. your eyes flutter open and closed, and you push your shirt up a little so he can see your nipples harden with how much everything aches for him.

it feels so good. he grunts, and then a low groan leaves him when you maneuver his head, shoving his nose up against your clit again and slanting your hips up and into him. you're getting off on this--fucking the front of his mask to feel something, to feel this thing you have been chasing for your entire life.

you saw it in him the first time you met him. the knowing when your eyes met for the first time--whatever it is that you have been chasing for your entire life, it is in him, and you need it.

the thing that poets chase. the rush that a high brings. the missing half of you, the warmth of a love you've never had, the shape of something in your cunt that you know he can fill.

you think you might faint when you feel his tongue finally. you can't see his face; he hides it with a wet mask, but his tongue is inside of you now, and you can't help the crying moans that leave you as he laps at your folds like a thirsty dog. maybe he is thirsty--you can hear the lewd, deep swallowing sounds he makes as he tightens his grip on your thighs and bobs his head in time with your stuttering, pleasure-chasing hips.

he drinks. he drinks you insane. his tongue suckles at your clit, then lets it go with a filthy pop to swirl inside your tightening cunt and eat the pretty bunny he has been thinking about far too much. when he works, before he sleeps, in the shower, in the mirror as he covers the scars of him that he never wants to share anymore. the taste of you is enough to distract him--here, between your thighs, your sweetness in his mouth and your moans filling his ears, he doesn't think about anything else. it's impossible. he has been chasing the void for a long time, and all he had to do was eat a pretty girl to get to it?

he knows it now, has decided it already. your cunt is redemption, and he will lose himself in it to make it reality.

"ghost! please!"

your cries shatter his resolve. he folds you in half as he leans over you now, his hands sliding up your soft stomach before he grips the weight of your breasts in his rough hands and squeezes firmly. you whine, cry, moan, beg--you beg for more, for him to please, please, please--! it feels so good, i want it! i want you, i want it all, i want--i want--what does she want?

me? the thing? what isn't real? because ghost knows that if he gives in, it is over. he signs something away, and he has done this before, and suddenly he is afraid.

when he did this before, he was left something else. he is afraid of what will happen the next time. what will happen to him, what might become of him, because what he is now terrifies his reflection, and he has no idea what it'll do.

"please! please! please!"

but you're crying, and you taste so good. and as he laves into the prettiest pussy he's ever had, the sweetest, he remembers why he is here. he isn't here because he loves you. he isn't here because he cares, he isn't here because it is good.

he is here because whatever he is needs a new host, and you are what it wants. soft, pretty, naïve--you have let it inside, and now he will eat and chew and bite until he sucks something out of you.

maybe the good. maybe blood. but it doesn't matter.

he slides his hands back down, using both thumbs to spread your folds apart, and he pulls back to look at you. you're a sloppy mess, your little hole puckering and pulsing, your clit a throbbing bud that begs him to stop teasing. he looks up at where you're a whimpering, crying thing, tears sliding down your puffy cheeks, and he snarls before he leans down and spits right on your clit, watching it drip into your cunt and swirl between what seeps from you.

"say it."

"nnh...huh?"

"say who you belong to."

when you take a moment to answer, he leans down and licks a fat stripe over your clit, making you sob. you reach down, cupping the underside of his jaw. it's bare, and your soft hands glide over the scarred skin there. it is the first time he doesn't flinch.

"you--you!"

"say it."

"b-belong to you..."

the moonlight is blue when he makes you come. his lips wrap around your clit and suckle soft, and when he knows you're coming, he opens his mouth, hinging a strong jaw so he can swallow what drips from you and take in mouthfuls of it. there is a glare over you, a blue light that shines over your sweaty, shivering body, and ghost nearly bites.

as if the blue eyes he can't keep out of his head, the blue eyes that follow him everywhere he goes, are mocking him for taking the thing he knows he shouldn't have. he's telling him to leave you. that there's still time to let you go. that what he has in his hands, what he has at his mercy, is too soft and too pretty and too gentle to be touched by what he will bring to her doorstep.

you sit up on your elbows, half-lidded, face wet with your tears. ghost almost believes the blue that washes over you, but then his eyes meet yours, and it is over. you're smiling.

this is acceptance. because you know what he is. you know what he does. the gun on him is real. the black in his eyes isn't a trick of the light. the poison spreading in his veins isn't just a sickness, it is a cancer, and this will kill him, and it is contagious.

you cup his face, bringing him up, letting him crowd the space between your legs as he leans over you.

he would care. he wants to care. and when he kisses you, sealing your fate, he remembers, suddenly. the blue moonlight is gone.

and this isn't real.

#simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!simon

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darkfictionjude · 2 months

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This interactive fiction novel is intended for mature audiences, reader discretion is advised. TW: blood, death, sexually explicit content, drugs, weapons, torture, extortion, abuse.

"They got it wrong you see, it's not like in the movies. To be born into this kind of life you have to be able to look someone in the eye and shoot without hesitating."

"Can you do that, Luce?"

On New Year's Eve 1974, your life changes forever.

Dante Greco: the heir of your father's "friend's" rival family. 25 years old. Ruthless, trigger-happy, obsessive and brutal. RO. Playlist

Carmen Greco: the eldest daughter of the rival family who should've been heir. 26 years old. Charming, frivolous, envious and merciless. RO. Playlist

Lazlo Fisher: your father's official heir. Not your brother, almost viewed your father as his, but he never thought of you as family. 21 years old. Kind, strong, tormented and distant. RO. Playlist

Charlotte "Charley" Das: assigned to you to be your bodyguard three years ago. 28 years old. Precise, fair, loyal and protective. RO. Playlist

Samuel/Samantha "Sam" Flight: your fiancé/e.

"Luce": that's you. 22 years old, almost 23. Normal. Playlist

Note: all ROs are red flags (as in some are very, very, bad. Romance at your own risk.)

Also if you could reblog that would help a lot :)

DEMO (08/1)| Spotify

Check out my other IFs: We Wretched Creatures, O, Your Heavenly Stars!

#twine #twine-if #wip if #interactive fiction #mafia #1970s #cyoa #excellent cadavers

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hxney-lemcn · 10 months

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Toeing the Line — Peter Maximoff x gn! reader

summary: reader and Peter have been toeing the line between friendship and dating for a long time now. What happens when they finally give in?

tw: mention of slavery (roman empire era)

a/n: Peter is my og love. I always fall back to him, happily.

wc: 1.4k

Master List

“I’ll give you it for ten bucks,” I negotiated, a devilish smirk resting on my lips.

“What?” Scott exclaimed.

“You're right,” I nodded, trying to hold in my laughter. “It’s Boardwalk, I want twenty bucks.”

Peter let out a snort, clearly amused with the situation, Jean and Jubilee also laughing under their breaths.

“This is extortion!” Scott shouted, his furrowed brows hidden behind his sunglasses.

“I’m not forcing you,” I laughed. “If you want Boardwalk I gotta get something out of it since you already have Park Place.”

Scott scowled, Jean managing to giggle out, “You’re actually thinking about it?”

“It’s just Monopoly,” Jubilee laughed. “Don’t spend actual money over it.”

With a huff, Scott fished his wallet out of his jeans pocket. My eyes widened, not believing that he was actually gonna give me money.

“Ten,” Scott said grumpily, and I could feel his glare from behind his glasses. I looked up in fake thought, tapping my chin with my finger.

Shrugging, I handed him Boardwalk and I got my $10. The other’s groaned.

“I don’t see that being allowed in the rules,” Kurt finally piped up.

“Because it’s not,” Jubilee frowned.

“No matter who wins, (n/n)’s the real winner,” Peter laughed, nudging my side. I smiled back at him proudly. Looking over my cards, I knew I was gonna lose sooner or later, so with a quick decision, I shuffled my properties over to Peter.

“I’m putting my faith in you Pete, don’t let me down.”

Putting a hand to his chest, he stared me straight in the eyes with the most serious look, “I’d never dream of it.”

The game continued on until it was down to two. Scott and Peter. At first it seemed neck to neck, but soon the game was just dragging on. The others started chatting, losing interest, yet Scott and Peter seemed to be as competitive as ever. I laid next to Peter, watching with slight disinterest.

Finally, against all odds, Peter had rendered Scott bankrupt. “Yes!” Peter shouted, startling the others.

“Damn,” Scott moaned. “I spent ten actual dollars!” Jean rolled her eyes with a fond smile.

“You gonna buy me dinner now?” Peter joked, raising an eyebrow down at me.

“I suppose I should spoil my gladiator with our spoilers of war,” I joked back with a smile.

“Barf,” Scott fake gagged.

Peter stuck his tongue out at him, “You’re just salty you lost.”

Holding his hand out to me, Peter offered to lift me up. I raised an eyebrow in confusion but he only smiled that dorky smile of his. Once I was fully standing, we were suddenly standing in the shadow of a Wendy’s. Thankfully, I was used to his powers, and the usual sick feeling was dull.

“Isn’t it kinda early for dinner?” I asked with an amused smile.

Peter shrugged, already striding to the front doors, “Lunch, dinner? All the same, as long as my belly’s full.”

I shook my head in amusement, as he held the door open for me. Paying for our orders, our food arrived quickly, although nothing is ever quick enough for Peter. Our relationship was strange. We weren’t exactly friends, but we weren’t exactly dating either. At least we never confessed, but we seemed to have this mutual understanding about each other's feelings. We seemed to dance around the topic, toeing the line and pushing it further and further. Waiting for the line to finally disappear, for one of us to finally make a big enough move where we couldn’t ignore it any longer.

It was silly honestly. No reason for such a game when we made our feelings so abundantly clear. Honestly, a part of me just wanted to end it, to kiss him silly and spill all my affection for him. Yet another part of me enjoyed the game, enjoyed the thrill of wondering who would break first.

“If I’m the gladiator then what does that make you?” Peter questioned aloud after taking a sip from his milkshake.

“Do you want the historical answer or a sappy one?” I asked with a cheeky smile.

“Hmmm…” Peter pondered. “Give me the historical first, and then the sappy.”

I laughed a little, “Well historically, gladiators were typically slaves so…” I cringed. “I’d be classified as your owner. Which I don’t like the thought of.”

Peter blinked, before a devilish smirk rose onto his lips, “Kinky.” I shoved a french fry into his face, trying to ignore the warmth underneath my skin. Taking a bite of the fry from my hand, he continued, “If that’s the historical one, what could possibly be the sappy reply?”

I looked off the side, eating another fry as I tried to ignore the bubbling warmth simmering within me, “Uhhh, I don’t know,” I shrugged, trying to be nonchalant. “You’re monarch?”

“One, I don’t think that counts as sappy, more flirty,” Peter counted. “Two, if you’re gonna say somethin’ like that, you gotta do it with confidence, babe.”

My heart spiked at not only the pet name, but how he said it so nonchalantly. Said it like he knew it was meant for me and had accepted the fact. I rolled my eyes, trying to pretend like he didn’t affect me as much as he did and ate the food in front of me. My skin continued to prickle with warmth as I felt his gaze on me. Glancing up, our eyes met, and I covered my mouth as I chewed.

Once I swallowed, I asked, “What?”

“What?” Peter asked innocently. “Can’t I enjoy the view?”

I nearly choked on my soda at his reply. Yeah we flirted here and there, but never this much or this heavily. Peter had obviously finished his food already, and I noticed how my fries seemed to shrink.

“Trying to butter me up Maximoff?” I asked, trying to keep my voice steady.

“Just stating the truth,” He shrugged. I rolled my eyes, finishing up the last of my food. “My place or yours?” Peter asked as we headed out.

“Doesn’t matter to me,” I shrugged. “Surprise me.”

Within a second, the colorful room of Peter Maximoff surrounded me. Band posters littered the walls as some dirty clothes laid on the floor. Clothes which vanished from sight once Peter noticed. I watched as he roamed through his cassettes. His silver hair was messy, as usual. His silver jacket and goggles were left on a chair and desk. Which meant he was left in his band tee and black skinny jeans (he wore different jeans after I told him his silver pants needed a break from time to time).

I smiled as Peter turned around, Queen was playing from the track player. Dramatically, Peter fell onto me, surprisingly gently.

I let out a dramatic groan, “You're heavy.”

Peter pouted, “Is that any way to speak to your boyfriend?” My eyes widened and I tensed up, I felt Peter tense up as well as he began rambling, trying to pull himself away, “I…uh…sorry. I didn’t…I wasn’t thinking-”

With a pounding heart, I wrapped my arms around his neck, locking him in place above me. Before he could continue rambling, saying something he may actually regret, I pulled him down by the neck, pausing just before our lips could meet.

“C-can I-”

Not letting me finish, Peter closed the gap, our lips meeting in a soft, curious kiss. My eyes closed in bliss as we both became more confident. One of his hands hesitantly moved to my waist, his thumb massaging the skin under my shirt. I panted as we pulled away, Peter’s dark brown eyes held so much affection, causing me to melt.

“I hope this isn’t too early, but I think I’m in love with you,” Peter whispered out.

I couldn't contain the smile that broke out on my face at his confession, “Well, I know I love you, my boyfriend.”

A cheesy smile broke out on his face too, “I like it when you call me that.”

“Call you what?” I asked, playing with the silver hair at the nape of his neck.

“Yours,” He replied without a beat, leaning down into another kiss.

“That was so cheesy!” I laughed, slapping his chest, pushing him onto the bed.

“And you love it,” He replied confidently, pulling into me onto his chest.

He was right, I did love it.

#peter maximoff x reader #peitro maximoff x reader #xmen x reader #x-men x reader #x mean x reader #peter maximoff #peitro maximoff #xmen #x men #x-men #evan peters x reader #evan peters

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reareaotaku · 6 months

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No Where 2 Run

Part 1: I Want 2 Watch You Bleed Summary: You have to find a way out, but with Miles' eyes on you constantly, it makes it near impossible Tw/Cw: Being Held Hostage [Practically], Paranoia, slight NSFW/Non-con, More Porno-Magazines mentioned Taglist: @littlebrattsblog [Might make a part 3 where she actually escapes? ]

You had to figure out a way out. You weren't exactly sure how you were going to do it, but you were more determined than ever. There was only problem; Miles. You could feel his eyes on you constantly, like he was waiting for you to make a mistake.

Just as he said, he didn't tell anyone that you tried to leave, especially Mrs. Grose. He probably kept it to himself, because Mrs. Grose would fire you if she knew. Speaking of keeping to himself, that's quite literally the opposite of what he did. Your responsibilities had somehow changed to not only taking care of Flora, but also Miles.

Mrs. Grose was seeing Miles improve while taking an active interest in school and excelling in his studies without causing bodily harm to another student. Probably because he had a new special interest that he inflected his sadistic nature on; You.

Though, you may have just found your escape thanks to Flora. She had mentioned Miles' 18th birthday, which was around the corner, which caused a lightbulb moment. At 18 he'd be considered an adult in the eyes of the law, though, it seemed he already knew what you were thinking.

"You still planning on leaving?"

You didn't respond, but it didn't bug Miles. Instead, you focused on folding clothes.

"You think when I turn 18, you can go to the police or something? Even if you were, what would you say? Besides, who do you think they'd be more... 'inclined' to believe?"

"You think they wouldn't believe me?" You finally respond, grabbing a shirt and folding it tightly.

He smiles, "I didn't say that. Money can make people do... irrational things."

"So you'd bribe them?"

"Extortion sounds better-"

"Extortion is like blackmail-"

"Which is what I'm doing to you." He reaches for a bowl of candy next to him and unwrapping a piece of hard candy. He pops it in his mouth, sucking. "Besides, if you were to leave, where would you go?"

"Anywhere," You offhandly remark, not putting to much aggression into it.

"You know if you stay, you could be happy," He gets up from his seat and walks towards you, though stops a foot away, "You'd never have money problems-"

"But I'd be stuck with you."

"You make that sound like a problem." He was angry and you could sense his aggression rising.

You decided to change the subject, "So, speaking of you turning 18, any plans?"

The mood quickly changed and you could sense the air had less tension.

"No. There's not much I want."

You could feel his gaze on you. Looking you up and down, like a predator watching it's prey, but it's probably how he saw you- prey. "Yeah?"

"Yeah," Miles flickers his eyes up to your face, wishing you were looking at him. "Actually there's only one thing I want- from you anyway."

You huff, rolling your eyes, "In your dreams."

"Who's to say dreams can't become reality?"

---

You knew he had the keys somewhere in his room. Thankfully you had found the perfect moment to look when he was outside with Flora teaching her to ride the horses. You pulled out his nightstand only to be met with multiple torn-out porno magazine pages. They were obviously... used, but that wasn't the disgusting part.

The girls in the pages looked like you. Though you decided it was a coincidence... Sure, they had h/l [Hair Length], h/t [Hair Type] h/c hair. And so what if they had s/c skin and e/c eyes. It also didn't help that their bodies looked like yours.

You decided to stop looking at the pages and push past them while making a mental note to wash your hands. Your eyes nearly lit up when you saw metal. You reached for it, but froze when hearing a voice.

"What are you doing?"

You squeezed the keys inbetween your hands, before looking back at Miles. "Nothing. Just cleaning out your drawers."

He looks you up and down, his eyes being drawn to your hands, before looking back at your face, "Clean out my drawers? I don't need them cleaned."

"You need them deep cleaned-"

"I like it the way it is, so you can leave."

"Okay... Yeah." You get up, wipping your clothes, before walking past him.

"Oh, Y/n?"

You turn towards him, "Yeah."

"If you wanted to go through my sex stuff, you could just ask. I'm not ashamed. I'm more than happy to show you."

You felt a shiver run down your spine; Not a good shiver either, though you decide not to respond.

---

It was dark again. So dark you couldn't see a foot in front of you. You decided this time you could leave and you wouldn't stop if you heard him. You rushed down the stairs, trying to stay as quiet as possible, though a part of you didn't care.

You smiled when seeing the car- Though when you put the key in and turned, the car didn't start. You heard a knock on the window, causing you to groan because you already knew who it was. You manually rolled down the window before glaring at the male.

"You think I didn't know you grabbed the keys? Besides, I took out the battery the last time you tried to leave. You should have been smarter than that. Though, I find your efforts cute." He laughs, an evil laugh that just makes you angrier. He leans on the window, "So are you coming in or are you going to try and escape again?"

"You know this isn't the end, right?"

"I wouldn't dream of it."

#yandere x reader #yandere horror #yandere slasher #miles fairchild #yandere miles fairchild #yandere miles x reader #yandere miles fairchild x reader #miles x reader #miles fairchild x reader #the turning #yandere slasher x reader #yandere imagines #horror x reader

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cannedpickledpeaches · 7 months

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Insert Your Name (1)

Mafia!Jade Leech x Mafia!Reader

Link to series masterlist!

Notes and TW: I wanted to write something that simultaneously includes some fun Jade moments as well as my own thoughts on some tropes. This series will have mentions of blood, violence, crime (kidnapping, attempted assassination, extortion), and harassment, as one might expect from a mafia AU. Please enjoy!

You’ve known the truth for a while—that this world exists inside a story. This is a world that revolves around a nameless, faceless, flawless main character. This entire world around you exists to serve one purpose: to present trials to the main character until she eventually finds a happy ending with her one and only. This world is created for “(Y/N).”

You are Friend A. Friend A is a foolish girl who puts (Y/N) into a dangerous situation, involving her with the mafia. (Y/N) is saved by a tall, dark, and brooding man who turns out to be a mafia boss. They will face dangers in the underworld until all threats are eliminated, and then they will live out the rest of their lives in blissful peace as though they are good people. Friend A is never mentioned again after page two.

You are Friend A. You are aware of that.

So why don’t you break out of your role in this story? Why should you play your part instead of using this knowledge to change the flow of the plot?

Simply because the plot is beneficial to you.

You are Friend A. You are a core member of the Leech Mafia. When (Y/N) enters the mafia, her actions flick the first domino of a long chain of events, eventually leading to the prosperity of the Leech family and expanding their influence. Because no matter what, this story caters to (Y/N)’s livelihood.

And why should you interfere with something that will eventually pay out big for you?

There she is now, coming down the street with a smile. Her indistinct hair is in a messy bun that she always throws together in seconds. Her pants emphasize her incredibly tiny waist, and her eyes sparkle with the light of constellations when she sees you. A light blush dusts her cheeks even though she doesn’t wear makeup, and she passes all the people captivated by her on the sidewalk, oblivious to their stares, because she doesn’t believe in her innate beauty and charisma—the beauty and charisma that the story says she has.

“Oh, there you are!” Her voice, clear and sweet, rings out to you. You wave back, just as you are supposed to. “You said you wanted to get sweets from the bakery that just opened, right? I’m so excited. I love sweets! I saved up some money just for this.”

A dialogue line full of exposition. You nod and lead the way.

“Have you seen their Magicam posts? The cakes are so pretty.”

Her giggles chime like bells. “I think the strawberry one is the cutest!”

Your small talk has little to no substance. It exists only to pass the time. To be honest, you don’t mind. If this were any normal day, you would have enjoyed this. You would have visited that bakery with (Y/N), gone home with a strawberry tart, checked up on the ledgers for the mafia, and slept while fed and content. But today is the inciting incident of the story, and you have your part to play.

A dark alleyway is where these things always take place in stories. Four men smoking and muttering ominously to themselves lean against a brick wall, hidden in shadow. Their eyes follow your every step. You make sure to walk on the outside of the sidewalk so that (Y/N) passes by the alley. As expected, their hands shoot out and grab her arm.

“Hey, you there.” One of the thugs licks his chops. “Got a minute to spare, pretty thing?”

Generic “bad guy” dialogue. Of course, he’s talking to (Y/N). You don’t need to do anything yet except make sure the pieces are in place. A flutter of black fabric in the corner of your vision assures you that the main lead is ready and waiting.

“Get your hands off me!” (Y/N) struggles against his much stronger grip to no avail. The men pull us into the alleyway and corner us against a dumpster. Tasteful.

“Don’t be so harsh.” Another thug whose voice scrapes like glass shards to the ears grabs your shoulder. You don’t shrug him off. Right now, your role is to lay low and let the main character shine. “We just wanna show you a good time.”

“You can fuck right off! And don’t touch my friend.” (Y/N) shows off her generically headstrong personality now. She probably thinks that she should protect you. You are Friend A, without any special characteristics, a piece of cannon fodder that cannot do anything on your own. Even though (Y/N) doesn’t consciously think that way, this is how she perceives the world. She is not wrong for doing so—she’s being sweet, in the way that she is designed to be.

You don’t have anything to do while she shoots off her scathing remarks, so you take your time to observe the thugs. Just as the story you read describes, these men come from an easily identifiable rival mafia. All four have a tattoo of a handsaw on their bodies—the symbol of the Carpenter Mafia, the current major group in the Queendom of Roses. Common soldiers, no doubt. Not anyone of importance . . . yet.

Thug Number One brings your attention back to the conversation by yanking on your hair. It hurts a little. Irritating, but you can bear with it. (Y/N) looks outraged.

“How about this? Since you’re so determined to save your friend, I’ll let her go if you give yourself to us.” He continues with his harassment by grabbing your cheeks with his grimy fingers. You inhale deeply and immediately regret it due to the smell of his breath. Your mind urges you to refrain from giving him a nice fist to the face. Not just from his treatment of you, but also from his gross proposition to (Y/N). Despite your respective roles in this story, she is still your friend. Hearing him throw those slimy words at her leaves a bitter taste in your mouth.

(Y/N) puts up a struggle. “I won’t give you anything!”

“Do you think you’re in a position to make demands?”

She hesitates, looking at you with conflicting emotions warring on her features. Takes a deep breath, just as the story says she would. Then, with a wavering voice and a tough façade, she agrees.

You take your cue to run from the alleyway, abandoning her the way Friend A is meant to do. You don’t have to worry. After all, the thugs won’t be able to do anything before the male lead steps in and saves her.

There isn’t much time to waste until you get an update on the story. You hail a taxi to a neighbourhood by the sea. You tip the driver handsomely, bid him a good day, then walk another block before arriving at a mansion. There’s nobody here to greet you except the security guards at the front gates.

You scan the trees. Looks like he’s in a good mood. When he’s upset, he doesn’t usually climb. He hasn’t noticed you yet—his back is turned, his head buried in a particularly thick patch of leaves, and you’re downwind.

“Floyd!”

He turns so suddenly that you’re worried he’ll get whiplash. A grin lights up his face, and without a single reservation, he jumps right off the tree and lands smoothly on your side of the fence surrounding one of the Leeches' many properties. The sun shines across his handsome, sharp features. Of course, the twin brother of the male lead must be gorgeous in accordance with the axioms that govern this world.

“Handfish, how was it? Did Jade meet her?” Even though you are Friend A in this story, to Floyd, you are just his friend. He hasn’t given you a generic nickname like the “minnows” that he calls the family’s soldiers and staff. To him, you are an individual who is interesting enough to grant a personal nickname. Even if that nickname is “Red Handfish.”

“Yeah, he did. I saw his blazer.” You think back to the black fabric you saw before entering the alley. “I bet he’s doing the whole ‘I can’t let you live’ conversation with her.”

In the story, one of the thugs reveals Jade’s identity as a mafia boss in front of (Y/N) before he passes out. How a common foot soldier of the Carpenter mafia can recognize Jade, whose face is kept classified from lower-ranked members of the underworld, is worrying enough to warrant investigation. This could simply be a result of poor writing from the original plot, but you are also an example of the original story’s loose ends. If someone like you, who was meant to disappear after page two, can still have any significance and will instead of vaporizing immediately after you left that alley, then you can’t be too careful.

“Bet he’s being real smooth with it.” Floyd cackles, his raspy laugh reminding you of a chain smoker after five consecutive packs. “She’s gonna fall for it hook, line, and sinker.”

“Of course. We’re talking about Jade.” Even under regular circumstances, he’s charming enough to lure any poor, unsuspecting fool to their demise. “They’re going to come here any minute now. Let’s go inside.”

You pass the security guards and enter the Leech property. A perfectly paved ground with colourful stones and not a weed in sight. A marble fountain surrounded by neat, rectangular hedges. And of course, the enormous white mansion with huge double doors, which in turn have proportionally huge fancy glass windows. For (Y/N) to have a “perfect” ending, the world must allow her to escape her current life of scrimping and saving by marrying her into a wealthy family.

“I wonder what the little minnow looks like.” Floyd hums, sauntering into the living room. “I bet she’d break easily if I squeezed real hard, huh?”

“Don’t do that.” The two of you sit on a velvet couch. Floyd’s long limbs sprawl out and take up the majority of the space. You settle on the far end. “And are you going to keep calling her a minnow?”

“Dunno, haven’t met her yet.”

“She’s very pretty. When you meet her, I’m sure you’ll get the feeling that there’s something special about her.”

The story emphasizes how much Floyd adores (Y/N). She is supposed to become a sort of mood stabilizer for him, keeping him consistently happy in her presence. You wonder if that will actually happen. Floyd can and will throw tantrums around people he holds dear. His mood that flips at the drop of the hat seems difficult to stabilize on just affection alone.

He shrugs non-committedly. Just as you’re about to suggest a nickname he could use, your phone buzzes.

Five minutes away. Jade’s text is short and to the point. You stand and stretch, getting ready to play Peeping Tom.

“Remember, don’t say anything about the original plot, okay?” Floyd’s unpredictable nature worries you. You know that your reminder won’t do much if Floyd decides it would be fun to spill the beans anyway, but you can’t help yourself.

“I know, I know.” He frowns and waves you off. Laughing, you move to the room across the hall. He hates being told what to do, but he’s in a good mood right now. It won’t be a problem.

The front door creaks open. Through a crack in the door, you watch Jade carry (Y/N) in his arms like a princess and set her down on the couch. Smooth, easy, efficient, the way he likes to do everything. Even though you know he is acting, his movements, the soft look in his eyes, are almost believable to you. And you’ve known him for fifteen years. There’s an odd stirring in your chest. Guilt? Envy? You tamp it down.

For a fraction of a second, you swear you make eye contact with him. If he notices you, he doesn’t show it. He seems to redouble his efforts on acting sweet to (Y/N). It might just be your imagination.

Floyd pokes around at the two of them the way he always does when he’s curious about something new. His grating laugh fills the air while Jade bandages a scrape on her knee. Good, the scene is going exactly as described in the story. (Y/N)’s first colourful and memorable experience with her future family. Her new family must be fun, rich, kind to her, and love her unconditionally no matter the circumstances. Her new family has to be better in every way compared to her current one—a mother who passed away at childbirth and a scummy father who neglects her. For an author, these are simply lazy ways to give her a tragic backstory and simultaneously pretend her parents don’t exist for the rest of the story because they don’t add to the romance.

How horrible. How could a late mother and neglectful father not affect a person? How could they simply be written off as another thing the male lead “saves” her from? And for that matter, how can the author casually write in a scene where she is cornered by adult men who are physically far stronger than her, who harass her and make disgusting comments, just so she can meet the male lead? How can they just pretend that won’t lead to any trauma?

You know firsthand how (Y/N) lives her life, because despite the story labeling you as the disposable Friend A, you genuinely have been her friend for the past year. You’ve seen her live on plain rice porridge for days to cut grocery costs. You’ve seen her wear clothes until they are threads because she can’t afford to buy new ones. Oh, but isn’t it wonderful that she’s skinny and looks good in everything?

What a load of bullshit.

#disney twst #twisted wonderland #twst x reader #jade leech #jade leech x reader #twst fanfic #floyd leech #twst jade #(y/n)'s the main character but you aren't her #slow burn #you're gonna have to read some plot #before you get to the fluff #this is actually just my excuse to write something sort of meta

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justmenoworries · 8 months

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some unorganized thoughts about Vox and Valentino Hazbin Hotel

Spoilers For Hazbin Hotel episode 2

TW: Discussions and depictions of abusive relationships, sexual assault, extortion and financial abuse

So going by the promo material shown to us, a lot of fans seem to think that Vivzie has changed course on VoxVal and that it's going to be a much more healthy relationship than previously implied.

Not gonna lie, that disappoints me.

Because depicting an abusive romantic relationship with an imperfect and unexpected victim would have been extremely interesting. We already know Valentino is a piece of shit who doesn't care about anything but himself and profit.

The "Addict" music video and the prequel comic "Dirty Healings" make that very clear.

Valentino regularly assaults Angel, keeps Angel's earnings for himself and tries to keep Angel in the studio as long as possible, even getting angry when Angel goes out by himself. Even if it's to get money for Val.

And for all of his faults, it's very easy for the viewer to feel sympathy for Angel. Angel is a likable character who's been shown to have a much kinder side to him via his friendship with Cherry and him trying to comfort Charlie in the pilot after her pitch for the Happy Hotel flops.

Vox though?

Vox is slated to be a main antagonist. He's a fellow Overlord of Hell. Someone for whom it'd be much harder to believe that he'd let anyone treat him like Valentino treats Angel.

And yet...

To be fair, this artwork is from the in-character Instagram accounts, which were already confirmed as non-canonical. (The accounts themselves are sadly archived now due to some really messed up stuff that happened with the Octavia and Stolas accounts.)

Still, depicting Vox as one of Valentino's victims would have been pretty intriguing. It shows that this kind of thing can happen to anyone, no matter the gender or financial or social situation. It would also acknowledge that just because someone is a victim of abuse doesn't mean they're pure, innocent or weak. And that no matter the circumstances, no one deserves to be treated like Valentino treats Vox and Angel.

I'm honestly hoping that this aspect of the VoxVal relationship isn't entirely gone and I kinda think it isn't.

In episode 2 we see right off the bat that Vox doesn't really like Valentino. And it's easy to see why.

Valentino is a spoiled angry manchild with no self control. He needs Velvette and Vox to reign him in, otherwise he's going to do stupid shit like waltz up to the princess of Hell's doorstep with a gun in hand. Because he can't handle the idea that one of his employees is living somewhere he didn't approve.

If Vox hadn't stopped him and talked him out of it, Val would have gotten the VVVs into some serious shit. His violent streaks can also not be talked down completely, they need to be satisfied somehow. Vox needs to offer Val the lowest earners to shoot at and work out his aggression on or Val's going to continue to go on a rampage and most likely tear apart more of Velvette's models.

Speaking frankly, Valentino seems way more trouble than he's worth. Vox and Velvette appear to be doing all the work in their shared empire while Val just throws tantrums and forces them to go out of their way to calm him down.

So if that's the case, why do the other Vs puts up with Val?

In Alastor's and Vox' duet in episode 2, Alastor has this very interesting thing to say about Vox and his relationship to Valentino and Velvette:

"Is Vox as strong as he purports? Or is it based on his support? He'd be powerless without the other Vs."

What's also interesting is Val's and Velvette's reaction to it.

They're smiling. Like they agree.

Alastor also reveals that Vox was trying to get Alastor to join the Vs. Alastor declined.

Vox of course tries to deny all of that, but in the process gets so worked up he short-circuits himself and causes a city-wide blackout.

If Alastor is telling the truth here (and we don't really have a reason to believe he isn't), that puts everything in a whole new light.

Vox is he brains of the operation but is he also the only thing that's keeping it together? Val and Velvette don't really get along (Velvette insults Val behind his back, Val rips apart her models when he's angry) and both don't seem to respect Vox that much. Velvette lets him deal with Val's bad moods, Val doesn't hesitate to throw stuff at Vox when he's pissed (the fact that Vox nonchalantly dodges the glass Valentino throws at him implies this is not the first time). They both have a look of disdain on their faces when Vox hugs them during "Status Quo".

So why does Vox go to all this trouble to keep these two assholes in line if he doesn't really care for them and they in turn have no love for him?

Maybe for business reasons, but Vox already has a giant multi-media empire, right? So again, what does he need the other Vs for?

I think it has to do with Vox's need to be admired and liked and at the top.

See, another thing this episode tells us about Vox is that he's deeply, deeply, insecure.

He has a dozen different programs where he changes his outfits, approach and demeanor to cater to every single sinner possible, he throws out new business ideas on the fly so he'll always be the newest trend everyone follows. If something (or someone) comes up that cracks his cool confident businessman facade even a little he can't handle it and literally breaks down.

Really, Alastor puts it best:

"Is Vox insecure? Pursuing allure? Between this fad and that, is nothing working? Every day he's got a new format."

So Vox doesn't just want to be powerful and popular, he wants to be the most powerful and the most popular and his shows alone aren't going to cut it for that.

That's why he needs Velvette and Valentino. They provide the content that draws the viewers Vox so desperately craves. Without them he'd be all on his own, might lose large chunks of his viewership. And that's something I think Vox is deeply afraid of.

So no matter how little he might actually like them, regardless how shitty Valentino treats him, Vox needs these two. In his view at least, he can't afford to lose them.

#hazbin hotel #voxval #staticmoth #hazbin vox #hazbin valentino #tw rape mention #tw abuse #tw rape #hazbin hotel theory

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