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#tws: a ghost story
yandere-sins · 3 months
Note
Kicking my feet and twirling my hair at your yandere König and Ghost headcanons💕 could I request some headcanons on how they'd react at escape attempts/successful escapes please?
Of course! Thanks for requesting! ♥
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König
♡ One word: panic. It's not a slowly developing feeling, either. When he can't find you in your room, his stomach twists as he waltzes into the bathroom instead. At this point, his pulse begins ringing in his ears, and his breaths come out as slow pushes of air. König realizes how wrong his home feels, how there's no sign of you there, and the panic that overcomes him is just about to explode like a grenade on the battlefield—it builds up and then peng! It's too quiet, too cold, and the thought of you having left is one of pure horror. If anyone would measure his tension, his body would break all means of detecting it, every muscle so taut they could snap at any given moment, and every one of his movements deliberate and deadly. König tries to think about what he's done wrong and why you'd do this to him, but he manages to push these thoughts aside for later. He needs to focus, needs to keep his wits up. Part of him hopes you didn't leave him because you wanted to. Another part hopes very much that you weren't forced to leave him just to spare you from the horrors that you could possibly encounter because of that. Then again, if someone was as bold as to kidnap you, König would at least have an outlet for all the rage, frustration, and madness he is feeling; the thought of breaking some bones suddenly so tempting.
♡ And yet, König is never more in control than in moments like this. Despite his panic and anxiety about losing you, he could never concentrate better than now that he has to get you back. And he has to; he needs to. Needs you. His life is meaningless without you in it, and he needs to cradle you in his arms and know you're okay just so he can fucking breathe again. He has his means of finding out where you are and is not shy about using them. You'll come to dread the day you got stalked by someone so big and tall that it should have been impossible. But once he's behind you, your escape is over, and with it, any other possibility that you'll ever be able to try again. If he has to put you in an underground bunker, tied up and unable to do anything without him, then so be it. But König can't lose you again. He might as well die if you ever manage to get away. Ultimately, it will be his tense, unyielding hands dragging you back, even as he coos sweet promises into your ear. That everything will be okay now, that he'll protect you. But he'll be much more possessive and needy after your attempt, and you only have yourself to blame for what he's going to do with you once he has you back in the safety of his arms.
Ghost
♡ Physically, you might already be far, far away from Ghost. Yet, you can still feel his disappointment and hear him sigh, even if it's all just subconsciously. There's something especially bitter about the fact he went out to get you some nice food you like, thinking about how much he'll enjoy watching you eat it on his way back and imaging the taste on your lips as he steals kisses from you, only to come back to this. Nothing. Emptiness and the remains of his heart getting shredded by explosive bangs of heartache. He thought things were improving between you two, but that escape was on him. He shouldn't have trusted you quite this much, though it really fucking hurts that you did it. He's been good to you, hasn't he? Loved you well, fucked you well, spent all his damn money to make you comfortable. You can run all you want, but you can't deny the few times you leaned in for a cuddle—even if it was subconsciously—or asked him for something, and he got it for you without thinking twice. You might think running is the right option, but are you even aware of what you're running away from? By all means, he was a perfect partner (aside from forcing you into this relationship, but it was for the greater good of you both being together). And yet, you'd betray him like this. Run away when things get rough. When they aren't up to your standards. Ghost must have spoiled you rotten, eh? Pity because he won't make the same mistakes twice.
♡ Ghost doesn't need anyone or anything to track you down. He might have a tracker on you, part of him always admiring your rebellious nature and knowing the day would come, but he knows you. He knows you too well. He studied your thoughts like no one else, perhaps knowing even better than you what you're thinking. And though he's gripping the steering wheel of the car he's using to catch up to you, to the point of either his fingers or the material they're wrapped around cracking, when he does find you, he's eerily calm. He knew the way you'd run, knew which bushes you'd hide behind, and now that he caught up, you really have no choice but to surrender. Ghost wouldn't let you win in a fight on his good days, much less days ruined by your idiocity. So you can choose to get in defeatedly or have him drag you into the car with no guarantee he won't hurt you. It's not like your tears leave him cold. The dead look on your face or how you jerk when he brushes your hair back, feeling like ice picks stabbed into his heart. He hates arguing with you. He hates being angry with you. It's on you this time, though. But at least, if you're cooperative, the only way he'll let you know how mad he is, is by holding your thigh in his hand on the drive, gripping it painfully rigid as he drives you two back, thinking about whether or not to break your leg as a lesson. No promises on if he will act on these thoughts, though—you really messed up this time and deserve the lesson, don't you? Better start appeasing him before you get home, and he gets to have you all to himself again, just like he always wanted.
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starry-bi-sky · 1 year
Text
Childhood Friends Danny and Jason
(cw underage smoking / smoking as a form of bonding) (cw Jason thinking Danny killed himself but its only for a moment) (cw depictions of murderous intent? Danny wants to murder the Joker and he's a little descriptive about it)
Now on ao3 :) (and with a response and a third one)
AND ALSO A REMASTERED VERSION THAT YOU SHOULD TOTALLY GO CHECK OUT BECAUSE I WORKED VERY HARD ON IT.
This is… aha. Massive. Word count check: 9k+
this has probably been done before but hey, everyone loves a good trope and I wanted to share my take on this idea. 👏👏 So, Danny Fenton and Jason Todd being childhood friends. The Fentons lived in Crime Alley for a good long while during Danny's childhood. Nobody wanted to fund their research and Jack and Maddie struggled to keep any form of work for a multitude of reasons. Jack worked in construction due to his big build and Maddie had another job elsewhere.
Danny and Jason were friends during that time, really great friends. I'm not super solid on how they met yet but I do know it involves Danny committing petty crime and Jason deciding to jump in and help when he sees Danny struggling. Danny was distrustful (as all crime alley kids ought to be) but they eventually became thick as thieves, committing petty crime together.
While it's all too easy to make Danny the weaker one of the two with Jason protecting him, I actually really like the idea that they protected each other. Growing up (essentially) on the streets means Danny forcibly had to grow a backbone unless he wanted to get trampled all over. He is just as willing to scuffle with the bigger kids as Jason is, and he and Jason regularly fought each other whenever they needed to let off steam, or just because. They were a duo, having each other's backs in tough situations.
(Sometimes the pair of them would sneak out at night and try and get a glimpse of Batman and Robin while they soared through the air. It was like a game between the two of them to see who could spot the dynamic duo first. When they were a little older, Jason would steal his dad's cigarettes and share them with Danny while they searched for Batman and Robin)
So when Danny has to move away when they're eleven years old, it's pretty safe to say that Jason didn't speak to him for a week afterwards. Nothing Danny did could persuade him to otherwise, even when Danny insisted that it wasn't his fault and that he didn't want to move away either, but he didn't have a choice in the matter.
When the week was over, Jason climbed through Danny's window and sat in his room, dead silent and looking upset. he didn't speak until Danny fished out a stolen pack of cigarettes from his bed and handed one to Jason.
(It was a ritual they had where if one of them was upset about something but wasn't saying anything, the other one could then hand them a cigarette -- whether it be the one they were using or a new one -- and that would be an open invitation for the person to vent. The other one who handed him the cigarette wouldn't speak until the venter handed back the cigarette. Then back and forth it would go until the cigarette was gone.)
Jason ranted about how pissed he was about Danny moving, and they promised to try and stay in touch after he leaves. Neither of them had phones, but Danny was determined to send him a letters.
Danny moves to Amity Park and it's... an adjustment, that's for sure. He's angry, grumpy, upset, and every other negative feeling under the sun. He was going to a new middle school with new people he didn't know, away from all of the people he did know and away from his best friend.
(He does however keep his word about sending letters, and mails one out to Jason at the first opportunity.)
He refuses to get along with anyone, butts heads with the teachers, is combative, rude, and openly smokes in class -- which gets him plenty of detentions and a bad reputation. He speaks in a thick Gotham street accent and wears hand-me-down clothes that are too big and baggy on him. (His parents have yet to replace any of their wardrobes as they settle into their new life, and Danny is hesitant to spend the money to get new clothes.)
He only manages to befriend Sam and Tucker because one of the football kids was bullying Tucker and Danny stepped in. It was some blond jerk named Dash and when Dash threw the first punch, Danny broke his nose. Tucker found him later that day and reluctantly thanked him for his help.
Sam and Danny do not get along for the longest time. Sam questions Danny about his upbringing, his accent, his smoking. She judges him for talking back to the teachers despite doing it herself and for ruining his lungs with cigarettes. Danny tells her to fuck off, and when she tries to judge him and Tucker for not being vegetarian, he calls her a privileged brat.
Sam doesn't even look at him for two weeks after, and Danny refuses to apologize. Tucker is caught between a rock and a hard place as his old friend and new friend are feuding with each other.
They... sort it out eventually.
Danny and Jason send each other letters near religiously. Danny complains about Amity Park, and Jason complains about how Crime Alley isn't the same without him. Danny talks about the school and what he's learned, about Sam and Tucker, and how he's been getting into the astronomy books in the library. He steals Jason a book and sends it to him.
When Jason tells Danny that he was adopted by Bruce Wayne, Danny calls bullshit. There's no fucking way Bruce Wayne would even look at Crime Alley, regardless of his charity efforts towards it. But when he checks Gotham news later that week, he's hit in the face with every single news article announcing Bruce Wayne's newest ward; Jason Todd.
Cue freaking out. Jason talks all about living in Wayne Manor and what it's like there. He says that there's a monster library in a part of the house that Bruce says he has free reign over, and that Jason can have anything to eat as long as he asks Alfred to make it and it isn't a desert, and that he has his own monster-sized room that he got to pick out himself and decorate.
(When they both get phones, the first thing either of them do is add each other's numbers.)
When Sam complains about having to go to a Wayne Gala that her parents are dragging her to one weekend, the first thing Danny asks is if he can go with. It surprises Sam and Tucker; Danny was the last person they would have thought wanted to go with. HE hates the rich even more than Sam does. Danny stands firm in his decision, and refuses to elaborate.
"Besides." He says to Sam, with whom he's begun to get along with via 'the enemy of my enemy is a friend'. "Would you rather go alone or with someone you can tolerate?"
She brings him with and convinces her parents to allow Danny to come along, citing that she'll be on her best behavior if they do. They agree, and buy Danny a suit when he says that he doesn't have one of his own.
(He discovers that he hates wearing suit jackets and ties, but vests he doesn't mind. He doesn't like that he has to comb his hair back, but he does to make Sam's parents happy. They give him a crash course in etiquette that Danny's going to forget the next day, and soon enough off they go in a private jet to Gotham)
(he does not tell Jason he's coming.)
he feels mischievous and nervous as they touch down, his stomach swirling as Sam's parents usher them to a high-profile hotel that Danny's only ever dreamed about going into. He feels largely out of place as they walk through the lobby, and falls back on old habits: square shoulders, set jaw, make yourself look like the biggest person in the room.
They get ready in the hotel room, Sam's parents primp and preen for the night incoming, and Sam is dragged into it by her mother. Danny does only what's required of him, and fiddles with the sleeves of his fresh-ironed button-down that's been tailored to his body. He's itching for a cigarette, and didn't bring any with.
Sam's dad helps him with his tie, a bout of kindness that Danny doesn't think is one. Just obligation to prevent Danny from looking like a mess. Sam pesters him again about wanting to come, and his reasons for it, and Danny keeps mum.
He's stone-faced with anxiety as they get closer to the gala, and before they leave the limousine the Mansons rented Sam links arms with him. A form of solidarity that Danny needs as he squeezes their arms together and smiles weakly at her.
The paparazzi are loud, bright, and demanding, shouting questions over questions at them like overlapping tidal waves. Danny ignores them all and focuses on the front doors instead. Sam's parents whisper at the stairs that they are to greet the Waynes first, and Danny's heart leaps to his throat.
His heart is in his ears as they drift closer, Mister Wayne is preoccupied with another rich couple, smiling that charming billionaire smile that Danny saw on every billboard in Gotham, and then some in Amity Park. Getting so close to him feels unreal.
And there by his side is the one and only Jason Todd, who isn't even trying to hide the bored look on his face as he watches Bruce interact with the other adults. He's gotten taller in the year they've been away, and healthier. His hair looks like its been cut professionally and he doesn't look as street kid skinny.
Danny's arm, hooked with Sam's, tightens up, and he resists the urge to rush forward and hug Jason. He watches Jason's eyes sweep left, away from him, and then right, towards him. The air stills for a moment as their eyes lock.
Danny grins toothily at him, lopsided and playful in nature, and sees the moment Jason processes the sight before him. His arm starts slipping out of Sam's at the same time as an ecstatic smile stretches across Jason's face.
His lopsided grin fills out on the other end. "DANNY!" Jason yells, cutting off whatever Bruce Wayne and startling everyone within earshot. There's barely a moment for Bruce to look down when Jason shoves past him and runs at Danny.
Danny yanks his arm out of Sam's, "JASON!" He yells with just as much enthusiasm, and Jason nearly topples them right over when he collides with Danny. His arms wrap around Danny's shoulders, holding onto him tightly, and they're both laughing, spinning around like tops out of joy.
"You didn't tell me you were coming!" Jason cries, sounding accusing. Danny hugs him just as tightly, and laughs when Jason pulls away momentarily to punch his shoulder.
"I wanted it to be a surprise!" He defends, laughing between words as their spinning comes to a stop. They're both reluctant to pull apart, but they do and clutch the sleeves of their elbows tightly. "How could my best friend be adopted by the Bruce Wayne and have me not come confirm it with my own two eyes?"
"I sent you newspaper clippings!" Jason says, narrowing his eyes while his smile betrays his face. Danny quietly notices that his Gotham street accent is faded slightly.
"Oh that's what it was?" Danny's grin turns again, edging into a smirk. He feigns innocence, "I thought that was fire kindling." He has the newspaper clippings hung on the corkboard in his room, proud beyond words about his best friend.
Jason punches him in the shoulder again, hard enough to leave a bruise. "You jackass." He says, ignoring Danny's laughter even when he's holding back his own.
There's a soft, sharp clearing of someone's throat, breaking their attentions away from each other to the one that made the noise.
Bruce Wayne was a tall man, taller than Danny expected, and he looks exactly like his billboards. If less promiscuous than his perfume ads. Danny expects him to be upset with them both for disrupting his pretty rich gala, but instead he just looks gently amused, with an arched eyebrow. Overall though, he just looks fond.
Danny would be the first to admit that Bruce had taken in Jason as a charity case, something to fill the void after his other kid Dick Grayson finally moved out. But Danny’s a good judge of character — or he likes to assume he is — and those are not the eyes of a man who would take Jason in as a charity case. Those are the eyes of a man who actually, genuinely, cares about one Jason Todd.
The wriggly protective thing settles in his chest.
He doesn’t let go of Jason, but he does twist his smile into something a little more polite. Mister Wayne’s eyebrow arches higher, and he turns his blue-blue eyes onto Jason. “Who’s this, Jason?” He has that fancy Gotham Elite accent -- something that sounds like a mix between old transatlantic and faintly British -- that Danny's only heard in passing when he and Jason snuck up to the nicer parts of Gotham.
Jason stares at Mister Wayne, his grip on Danny tightens as his eyes flick to the other onlookers in the room. “This is Danny, B.” He says once his eyes turn back to Mister Wayne. “We grew up in Crime Alley together, he moved to Illinois last year."
Danny can see the uncomfortable expressions cross every rich person's face, murmurs sweeping across the room as soon their uncomfortable gazes turned judgmental and flinty. He's kept track of the tabloids after Jason's adoption, the ones calling him a charity case and looking down on him for being a street kid.
He inches a little closer to Jason, straightening up instinctively, as if they were back in Crime Alley and facing a pack of kids that didn't like them. He can see Sam's surprised expression from the corner of his eye -- he never told Tucker or Sam about where he grew up, although he's sure they had their suspicions.
He looks back to Mister Wayne and meets his blue-blue eyes, his smile has slowly begun to fade. Mister Wayne doesn't miss a beat however, and his smile stays plastered to his face. If anything, it gets a little softer, a little wider. "It's nice to meet you Danny -- Daniel? I'm so glad that Jason has a friend here." He holds out a hand.
Danny eyes him unsurely, and then takes his hand. "It's jus' Danny, Mister Wayne." He says, some of his old accent slipping through as he shook his hand firmly. He would have done it harder, but this was Jason's new guardian, and from Jason's letters he didn't sound too bad. "It's, uh, nice to meet you too. Jason's told me lots about you."
Mister Wayne's brows jump momentarily, he looks intrigued. He looks between Danny and Jason, and claps his hands together softly. "Well, Jay, how would you like to stay with Danny for a while, hm? I'm sure you too have a lot to catch up on."
Hope simmers in Danny's heart, and he glances to Jason to see that same hope on his face. "Really?" He asks, and Mister Wayne nods with a laugh.
"Of course! How could I keep two friends apart? Go on ahead, chum. I'll come get you when the gala ends."
And just like that, Bruce Wayne leaves Jason with Danny, diving back into a conversation with one of the rich gothamites and taking the attention with it as if he were the sun and everyone else a planet orbiting him.
Danny and Jason share grins, and throw their arms around each other with laughter. Danny is on cloud nine, pressing his nose into Jason's shoulder and breathing him in, fingers digging into the back of his suit hard enough to leave wrinkles in his jacket.
Sam demands answers when they finally, for real this time, pull apart. Why didn't he tell her that he was friends with Jason Todd!? Danny slings his arm around Jason's shoulders and keeps him close, and tells her that it was because he wanted it to be a surprise.
Sam's parents have unreadable expressions on their faces, part greed -- Danny is their in to the elusive Bruce Wayne -- and part disdain -- a Gotham street rat. Danny ignores them, they're unimportant in the grand scheme of things.
He introduces Sam to Jason, and Jason to Sam. And off they go to a corner of the room near the buffet table where they can eat and shit talk everyone else in the room in peace.
At some point in the night Sam is called back to her parents to meet some other fancy rich kids her parents want her to get along with, and Danny and Jason go off to the west end balcony to avoid anyone who may try and approach the new Gotham ward.
Danny hops up onto the balcony railing, kicking his feet as Jason pulls a cigarette pack out of his inner jacket pocket, and grins. "Don't tell Bruce," he says, handing the box to Danny first. "He's been trying to get me to quit."
"Hah!" Danny takes one just as Jason slips out a lighter. "That sounds like Jazz. She's been trying to get me to stop since we moved to Amity." Granted, she's been trying ever since she found out before they moved, but now she was even more insistent. "She hasn't found my stash yet."
At the end of the night when the Mansons are leaving and Danny has to leave with them, he walks back to Mister Wayne with Jason to tell him that he's leaving. Mister Wayne mourns his going, and tells him that he's always able to come visit.
"Any friend of Jason's is always welcome to the manor." He says with a blinding grin, pulling Jason close to his side and squeezing him tight. Jason's nose scrunches up, but he doesn't push away.
It becomes a new routine for them. The Mansons are all too happy to bring him with to the Wayne Galas (of which they start receiving more invites to due to their connection with Danny) and Danny is all too happy to spend the evening with Jason again. No matter what, they always end up on the balcony at some point in the night.
And, eventually, Danny is invited to stay at Wayne Manor either for a weekend or for a break. He jumps at the chance when winter break rolls around and his parents start their debate over Santa Claus again.
Danny and Jason stay up late into the night talking or playing video games during their sleepovers, and in the warmer nights they climb out and onto the roof to stargaze. Danny points out constellations - - things he can find in neither Gotham or Amity -- and rambles on and on about space.
There are plenty of times during the Wayne Galas that the event gets attacked by a rogue. More often than he'd like he loses Jason in the crowd, and has later stopped Robin or Batman in his panic to find him.
The first time it happened, he was in tears with terror. He grabbed onto Batman's cape, stopping the man from going back in as he babbled that his Jason Todd was still inside, that he disappeared during the chaos and he couldn't find him. Batman took his hands and calmly told him that he'd find Jason for him, and that he was sure he was okay, but he needed to calm down.
He found Jason later once everything had calmed down, and he screamed at him for disappearing during a rogue attack, if he ever did it again he'll kill him. Then he cried.
The second time it happened, Danny didn't even realize that Jason was gone until everything was already over. They'd been separated before the attack happened. He stopped Robin and Batman before they could leave, trying to keep his breathing under control as he asked again, if they had seen Jason Todd.
"That- that asshole keeps fucking ditching me when these things happen." His voice has an embarrassing wobble in it. "Please-- please tell me you've seen him, that he's alright."
Robin this time steps up to reassure him, that Jason Todd was out of the building. He got him out. "He's probably looking for you too, uhhh..."
"Danny" Danny says, and eyes him up and down. "You're the new Robin right?"
Robin stilled up, and Danny could understand it a little. He'd seen the thoughts on the new Robin online. He wasn't very popular at first. Robin nods curtly, and Batman was shuffled a little closer to him, almost protectively.
Danny grins at him. "Cool." He says, "Me and Jay used to sneak out onto the rooftops sometimes to try and spot Batman and the first Robin, we made it a game." He holds out a fistbump, "Thanks for doing what you do, man. I might not live in Gotham anymore, but I mean it. You're a living legend."
Robin looks like there's something stuck in his throat, and after a beat he returns the fistbump tentatively. "Th- uh, thanks." He stumbles out awkwardly, and then turns away, "Me and B- uh, better go."
Before Danny could even respond, Robin already had his grapple in hand and was grappling away. "You too, Batman." Danny says before Batman can follow.
When Danny sees Jason after that, and weight lifts off his chest and he hits him in the arm again. And then complains that he should have gotten Batman and Robin's autograph, it would have been epic.
By the fifth time it happens, Danny is cussing up a storm when Robin saves him, cursing out Jason and claiming that he needs to put that boy on a fucking leash. "We're a duo!" He scowls when Robin gets him outside, "I got his back, he has mine! I can't have his back when he's got no back to fucking have."
The eighth time it happens, Danny gets held hostage by one of the henchmen. He's become a recognizable friend of the Waynes, and when the Waynes are nowhere to be found, then the next best thing was up to offer. Danny isn't even mad this time around -- just relieved that Jason was fucking off somewhere where he couldn't get hurt.
Robin, however, seemed furious when he arrived, and broke the hostager's jaw with a single flying kick to the face. Jason found him rapidly quick soon after the situation had settled, and apologized over and over again.
Danny slings an arm around his shoulder and laughs that it was fine, Robin saved the day! His legs were shaking with the worn off adrenaline, something he tried to hide from Jason. "I'm just glad it was me instead of you, Jay." He grins. Jason looks like he swallowed a toad.
Jason stops disappearing as often after that, sticking close to Danny's side until the attack was over.
When Danny is fourteen, Jason dies, and his world unravels.
He calls the manor on a late night in April after Jason had stopped responding to his texts. Danny knew that Jason was just recently in a fight with Bruce, but he knows that Bruce loves Jason. He would know where he is, right?
When he calls, Bruce answers with a hoarse "hello?" as if he'd been crying all day, and Danny's blood turns to ice. The anxiety he'd been feeling beforehand doubles in size, and he feels himself stammering.
"Mister- uh- Mister Wayne? Um, I'm calling because Jason--" he hears Bruce inhale sharply on the other line, and his anxiety skyrockets into fear. "--hasn't been answering any of my texts and- and I'm gettin' real worried."
There's silence on the other end, and Danny feels a rock forming in his throat, gross and heavy like he was on the verge of throwing up. "Mister- Bruce? Mister B?"
There's a shaky breath, and then Bruce's voice crackles through the phone. "Um-- Jason, he, he's--" there's a sound like rustling, "he's been killed."
Danny's vision whites out with skyrocketing terror, his mind skidding to a stop. His body rapidly grows hot, and then chills, like a blacksmith striking a heated weapon. "What?"
When the phone call ends, Danny screams himself hoarse. Jazz and his parents come running into his room, his parents equipped with ghost weapons. Instead, they find Danny curled up in his bed, sobbing hoarsely.
Danny almost -- almost -- refuses to attend the funeral, nearly paralyzed with grief. Jazz coaxes him to go, to find closure if anything else, and he drags himself out of bed to go.
He feels numb the entire time. It's closed casket, so he can't even see him for one last time before Jason is buried in the ground. He's silent, and if he think he looks bad, then Bruce looks even worse, like he hadn't slept since Jason died and worse.
Danny grabs his sleeve before he leaves, and when Bruce turns to him with a dull look in his once vibrant eyes, he clings to him tightly. And cries. Bruce clings back just as tight, Danny feels tears drip into his hair.
"Who did it." Danny whispers, voice too hurt to speak any louder, when he pulls back. His fingers curl around Bruce's jacket tightly, desperately. His eyes hurt with tears. "You said he was murdered, B. Please, who did it."
Bruce looks down at him, and for the first time it really does feel like he's looking down at him. His face is blank, and his eyes close in grief. There is no answer, a silent no.
Danny's face twists up all ugly like, and he shakes Bruce's jacket. "Bruce, please. Tell me who did it."
Bruce refuses, his face full of grief.
Danny never returns to Gotham.
Prior to Jason's death and post their reunion, Danny had slowly begun to improve in school. He started caring more, he was putting in more effort, he was doing his homework and was actually enjoying class. There was the bullying from Dash and the A-Listers, but it wasn't anything he couldn't handle, he was ignoring them for the most part.
Come Monday after the funeral, and Danny breaks Dash's nose when he starts up with his shit. He withdrew into himself, and it was like he was back to square one again, except this time it was much worse.
Everyone knew Danny was close friends with Jason Todd. So when news of his death finally reached the ears of Amity Park, the students of Casper High School kept their distance.
That following Friday, Danny dies in the portal and comes back. A month later he becomes Phantom, the ghost-fighting ghost. the ghost Phantom wears his hazmat suit partially undone, showing a tanktop he didn't wear in death under the initial suit while the sleeves are tied around his waist. Vicious, glowing lichtenburg scars travel up his arm and neck and torso, covering half of his face while a pair of scientist-like goggles covers his eyes. He's bitter and angry, showing off his death.
Look at me, Phantom's form says, I am a dead child. Look at me look at me look at me. Mourn me. I am a dead child. LOOK AT ME. MOURN ME.
A few weeks later he enters the ghost zone and realizes that he could find Jason. And he spends a weekend scouring the ghost zone for him. He finds Gotham in the zone, and rather than finding Jason, he finds Robin.
Danny didn't know he'd died. And he flies towards him, asks him if he's seen Jason, reveals that it's him, Danny Fenton. Robin stares at him, mouth agape, and peels off his mask to reveal Jason Todd.
They both cry, and when Danny tells him how he died, Jason looks pale in the face. "You didn't- you didn't kill yourself because of me, did you?"
Danny fervently denies it. No, no. He didn't, he didn't. It was an accident. Totally unrelated. But enough about that, what the hell happened? Bruce wouldn't tell him anything at the funeral.
Jason clams up, his ghostly face losing its color, and Danny curses himself. He tells Jason that he doesn't have to tell him, he doesn't have to say anything. They sit in silence.
"It was the Joker." Jason says.
That's all Danny needs to know. He nods quietly. 'I'll kill him.' He thinks to himself, a stubborn set in his jaw. "Okay."
It had always been a plan; a thought wriggling in the back of Danny's mind ever since Bruce told him that Jason had been killed.
Not died. Killed.
Danny wanted the fucker dead the moment he realized it. He just needed to know who did it. He thinks Bruce knew it too, could probably see it in his eyes the moment Danny asked him who did it. He isn't sure if he should hate Bruce more for keeping it from him now.
They spend hours together, just soaking in each other's presence. Danny tries to take him through the ghost portal, to bring him back to the land of the living. But much like Kitty, Jason's form is tied to the zone. Danny promises to visit every day.
And he does. Or he tries to. The grief doesn't go away, but with the comfort of knowing that Jason was on the other side, Danny feels a little better. He tells Jason about being Phantom, and Jason helps train him. It feels like they're kids again and are fighting just because they want to. Its a bout of familiarity in a place that feels unfamiliar. All they need are cigarettes.
And then six months later he loses him again. Danny scours the ghost zone for him for the second time, and this time he doesn't find him.
His haunt is still in the zone though. He didn't move on. He's still here, somewhere.
Danny is convinced that Jason was in the Elsewhereness, and looks for him in between ghost fights and his social life. He visits Jason's haunt every day, knowing that Jason should be able to feel when another ghost enters his home. He does not show up.
(He never thinks that Jason came back to life, and Jason doesn't remember his time in the ghost zone)
When Danny is nineteen, Vlad Masters blackmails him into going to another Wayne Gala. Begrudgingly, Danny goes. He's taller than he used to be, having inherited his dad's monstrous height and his mom's leanness. He has piercings, some of them he got after a lost bet from Sam and Tucker, and he's given himself an undercut.
He still prefers vests over suit jackets, and he still smokes. A little less than before, he sneaks a pack into his pocket before he leaves, along with a lighter. Vlad gives him a dirty look the whole time - he knows.
"Don't give me that look." "That stuff kills, you know" "I'm already dead."
It's like deja vu when he arrives; an awful bout of deja vu, that is. The paparazzi is still as bright and loud and annoying as it always was, and they don't recognize him at all. Something he thinks of as a soft mercy up until one of the reporters asks Vlad who he is.
Vlad smiles and tugs Danny into the camera frame, "Why, this is my godson!" He crows, and shoots Danny a look that is downright smug I'm sure many of you may know him as Daniel Fenton?"
If looks could kill, Vlad would be ash. Danny isn't quite sure why he still agreed to this -- blackmail or no. He felt itchy being in Gotham; jumpy. He's never forgotten his vow to kill the Joker, in fact it was something he still desperately wants.
But the threat of Rath, the name he chose for his evil future self, haunts him just as much as his murderous intent. If he kills the Joker, would he stop?
Danny's almost afraid of what he'll do if he ever lays eyes on the Joker in person. He doesn't think he'll be able to stop himself from wrapping his hands around that stupid clown's neck and watching the light leave his eyes.
He pushes the thoughts to the side, and smiles lopsidedly as cameras and microphones flood his face, reporters yelling over themselves as they clamor to get a shot of the old Wayne family friend.
Danny turns and walks inside without answering a single question, flexing his fingers in and out of fists. Vlad gracefully hurries after him, and Danny can hear his glare burning into his back.
"You told me to come," Danny hisses to him once he's beside him, meeting Vlad's gaze piercingly, "not that I should play nice."
"Don't embarrass me, Daniel." Vlad hisses back, trying to look the upmost calm as eyes turn onto them. "I'll make you regret it."
"You embarrass yourself, fruitloop." Danny shoots back, walking away before Vlad could get a retort in. He sees Bruce Wayne on the other side of the room.
His heart seizes with nostalgia. He hasn't seen Bruce since Jason's funeral, hasn't spoken to him either. He doesn't know how to feel about him, but he'd been keeping tabs on Bruce both as himself and as Batman.
Danny's feet carry him forwards before he can think about it, silently weaving between the throng of rich people vying for his attention. It's only when he gets closer does he see the little shadow clinging to his side: Damian Wayne.
The newest little bird, Danny realizes, and stifles a smile at the surly expression on Damian's face as two older women coo over him. He reminded him of Sam, who had long since stopped coming to these things the moment she was able to.
The feeling of eyes on him turns Danny's attention away from Damian, and instead finds them back on Bruce's, who stares at him with a little furrow between his brows. As if he recognized him, but he wasn't sure from there.
Danny grins crookedly the moment he's within earshot. "Mister B!" He exclaims, slipping into what remained of his Gotham street accent. Recognition flashed in Bruce's eyes, and the man smiled widely. "Long time no see, old man."
"Danny," Bruce says, his name breathing out like relief. He slips between the crowd surrounding him -- who are now watching Danny -- and pulls Danny into a close hug. "It's good to see you again."
Danny hesitates for a moment -- he wasn't expecting Bruce to hug him -- and returns the gesture. "It's good to see you too, Bruce." He admits. Bruce was still using the same cologne that he did when Danny was a kid. He blinks heavily.
He pulls away quickly, clapping Bruce lightly on the shoulder as Damian quickly latches onto his father's side again. Damian glares daggers at him, fingers digging into Bruce's pantlegs like a possessive little kid.
He made Danny's ghost sense tingle in the back of his throat, creeping up slowly like a spider before stopping suddenly before it reached his mouth. It hummed, and then disappeared.
Danny smothered a frown. Since when did Batman work with ectoplasm? “This must be Damian." He says to Bruce, and holds out a hand to Damian -- he doesn't crouch, he had a feeling that Damian would be less than appreciative if he did that. "You've really expanded the nest since the last time I saw you."
Damian's eyes narrow at him. Bruce laughs lightly, "Ah yes, Tim is around here somewhere. I'm sure you'll see him soon."
"Father," Damian says, his voice layered with an accent. He glares up at Danny with piercing green eyes. "How do you know this man?" He sounds distrustful, Danny respects that and drops his hand.
"This is Danny Fenton." Bruce says, and Danny lets him introduce him. "He was Jason's friend."
An expression similar to bewilderment flashes briefly over Damian's face, and he eyes Danny in disbelief. "Todd had friends?"
Oh. So that's how he wanted to be. Bruce had a little elitist on his hands. Danny's smile drops like a deadweight, and any lingering endearment he had hardens like ice in his chest, fury slowly taking its place like a flickering candlelight. "It's not polite to speak ill of the dead, Mister Wayne." He says coldly, his voice made of chips of ice.
Damian blinks, the disbelief disappearing from his face. The closest thing to a recoil Danny thinks he's going to get. He doesn't care. No one speaks about his best friend that way.
"I grew up with Jason, actually." He continues, breathing in slow and deep, trying to keep the ghostly possessive-protective-rage under control. "I was his best friend."
He turns, almost robotically, towards Bruce, and tries not to look so angry. "I'm going to go find Tim, Mister B." He says, and tries to offer up a weak smile for the man. It comes out as a grimace instead.
"And..." he pauses, flicks his eyes towards Damian, and then looks at Bruce. "I'll... try and keep in contact, B. Tell Dick I said hi, alright? I'll see you in a little bit."
Bruce nods, looking vaguely disappointed and sighing slow through his nose. Danny walks away as Bruce turns to address his youngest, and doesn't bother listening in on what he has to say.
He does, eventually, find Tim Drake. He spots him in a crowd instantly - it's hard not to, and he makes his way over to him. He's not sure Tim Drake would recognize him, Bruce didn't at first and Danny had been around him constantly.
Except Tim Drake does recognize him, much to Danny's surprise. They lock eyes and Tim immediately makes his way over to him. "Danny Fenton!" He says and stops in front of him, "What a surprise, we weren't expecting you tonight."
"Tim Drake," Danny replies, smiling a little as his earlier hurt begins to fade away. "I'm surprised you know me."
"There are pictures of you in the manor with Jason." Tim explains, stuffing his hands into his pockets with an easy-going smile. "It's hard not to know you."
"It’s hard not to know you too,” Danny retorts, a sly smile slowly spreading across his face. “Although you’re a lot taller than you used to be, when you were lurking around Bruce and Jason and I.”
Ohhh Danny recognizes him alright. One part due to all the news articles and tabloids on him after he was adopted by Bruce, and the other part because he remembers the little shadow lurking near plants pots and table legs that used to follow him and Jason around at galas just like these.
Knowing that Jason was Robin, he wonders if Jason knew he was there too.
The effect is immediate: Tim’s eyes grow comically large, and a red tint glows at the tip of his ears as he shrinks back like a turtle trying to hide into its shell. “You— you noticed that!?” He hisses.
“I did!” Danny grins, large and wide, stifling a laugh as the red tint spreads over Tim’s cheeks and nose. He looks mortified. Danny coos. “Aww, I thought it was adorable that Jason had a little shadow. I’m sure he would have loved you if you had just come over and said hi. He had a big soft spot for kids.”
Tim snorts and it— it almost sounds derisive? “Sure he would.” He looks sad, and the mirth in Danny’s chest shrivels up like a flower without light. The smile fades from his face, and all that’s left is a strange, staunch reminder that Danny and Bruce weren’t the only ones that probably mourned.
He touches Tim’s shoulder lightly, “Hey, I’m sorry.” He says, trying to look as apologetic as he feels. “I didn’t mean to make you feel bad. I’m sorry, I miss him too.” Like a fucking limb he missed him.
There’s something that flickers in Tim’s eyes, passing through too fast for Danny to realize what it is. He assumes its gratefulness, because Tim relaxes a little and offers him a weak little smile. “I wish I had talked to him.”
Danny sees an out and takes it, he forces out a short laugh, grinning widely. “I can tell you all about him if you’d like,” he offers, “I told Mister B I’d keep in touch anyways. I’ve missed him and Alfred quite a lot in the last few years.”
“Not Dick?”
“That dipstick wasn’t around often enough for me to form any sort of emotional attachment to him.” Danny says in a half-complaining tone, placing his hands on his hips. “Although I did like his puns.”
Tim snickers, “I’ll tell him you said that then. Nobody likes his puns.”
“Go on ahead,” Danny grins, laughter swirling in his chest and making his core thrum with warmth. Damn, he’s missed this family. “I stand by my decision. Puns are funny.”
“Let’s get a photo then.” Tim says with a hand already fishing in his pocket for his phone. “He’ll be devastated to know that you were here and he didn’t get to see you.”
“Sure.” And Danny sidles on next to Tim, throwing an arm around his shoulders — and making a noise of surprise when his arm was able to fit comfortably — as if he was just resting it on a counter.
He totally forgot how tall he was compared to Tim. Forgot that he’d been looking down the entire time they’d been talking. “Why’d I get my dad’s height.” He complains, and bends his knees as Tim raises the phone with the front-facing camera on.
Tim snickers under his breath, and takes the picture while they’re both smiling wide. Danny immediately stands up, and peers over Tim’s shoulders to look at the picture.
It’s a good one, with the fringe of Danny’s curls falling slightly over his left eye and making the dimple on his right cheek more prominent. He could see the barely-there smattering of freckles he had across his nose, the ones that became more prominent when the sun was out. His smile was lopsided, Danny’s favorite kind of smile.
He whistles lowly, “That’s a good one,” he says aloud, and smiles impishly at Tim when he looks at him. “You should send that one, I look hot in it.”
Tim snorts, his ears reddening as he looks down at his phone. “Yeah sure, no problem.” He says quickly, and Danny looks away when he pulls up the messenger app. He’s never felt comfortable looking over people’s shoulders when they were on their phone.
“I’m gonna go take a smoke break.” He shoves his hands into his pockets and curls his fingers around the box and lighter inside. “I’ll—“
“Be on the west-end balcony.” Tim finishes, the red in his ears darkening as he glances up from his phone to smile embarrassedly. “I know.”
Danny snorts, “Okay.” His voice is thick with amusement. “Let me know how Dipstick reacts, alright?” He backs up slowly, awaiting Tim’s response. Tim merely waves a hand at him, a weak gesture of “yeah yeah” that makes Danny grin before he flips around and marches towards his favorite smoking balcony.
———————
(Tim pulls up the family group chat and loads the selfie into the text bar. His face feels warm with embarrassment even as his thumbs fly across the screen.
Tim: look who i found at the latest charity gala :) [image]
Hee awaits eagerly a response, and finds he doesn’t have to wait long. Dick’s thought bubble appears on screen, then Cass’s — of which it only exists for a moment before disappearing.
Dick: holy shit, is that who i think it is?
Tim responds quickly, and his message sends.
Tim: yep. He wanted me to tell you that he thinks your jokes are funny.
Dick: they are funny
Tim rolls his eyes and thinks for a moment, really thinks. He weighs his pros and cons. And then his fingers fly across the screen again.
Tim: hey Jason are you not gonna say anything?
There’s no response for all of thirty seconds — of which it stretches on to an uncomfortably long minute — and then Jason’s thought bubble appears.
Jason: what do i have to say to a bunch of idiots blowing up my phone in the middle of patrol?
Tim: harsh. do you recognize the guy in the photo?
Jason’s response is instant. Too fast for him to have actually looked at the photo itself. He’s just trying to spite Tim then. Tim doesn’t care, he has the upper hand here
Jason: no and I don’t care, i have patrol
Tim knows he didn’t look at the photo, and yet he can’t help stifle a shit-eating smile and feign innocence
Tim: really? You and Danny used to be so close, color me surprised
His teeth dig into his lower lip, he doesn’t need to in order to hide a smile. But it gives him something to do. Jason is worryingly silent for a long, long time, and Tim can almost imagine him staring long and hard at the selfie. Tim knows he will be later.
Finally, Jason’s text bubble shows up. It exists for a long time, before finally Tim’s phone buzzes with his message alert.
Jason: that’s danny?
Tim feels all too gleeful. Smugness swirling in his chest like kicked up sand as he types his response: yep! Apparently he showed up today, although I’m not sure with who since I don’t see Miss Manson around here.
Damian: Father says to get off your phone, Drake. We are at a Gala and your behavior is most unbecoming
Tim: can it demon spawn, I was just telling Jason that his friend Danny is here
Damian: He can’t be too important if he doesn’t even know Todd is alive
Tim: how would you know that?
Damian: When Father introduced him as Todd’s friend, I expressed my surprise that Todd even had friends, considering how unpleasant he can be. Fenton became quite cross with me after that and quickly excused himself thereafter
Dick: you said what!? Damian that’s not okay
Damian: Father made that quite clear after Fenton left in a huff. My mistake for thinking that Todd had told his ‘supposed best friend’ that he was alive.
Dick: he didn’t even tell us we were alive at first
Damian: He did eventually, didn’t he? Clearly Todd doesn’t seem to care too much about Fenton if he hasn’t even informed him of his being alive at this point.
Jason’s thought bubble quickly pops up, and then dissipates, then pops up again. Tim quickly pockets his phone before he can see Jason’s response. He doesn’t feel smug anymore, just uncomfortable.)
———————
Stepping out onto the west-end balcony feels like a blast from the past. A painful one at that. Danny’s fingers dig into his cigarette pack, and he pulls it out with a sense of bittersweet familiarity.
It feels like a lifetime ago that he once stood here with Jason. The package clunks dully as his fingers scrape against the side, and he fishes a cigarette out of the box before stuffing it back into his pocket.
“Quite the night isn’t it.” He says to nothing, to ghosts of the past, to himself. He turns and sits on the railing, sticking his legs out like a tripping hazard while Gotham’s hot city wind blows through the air.
He looks up and only sees the ugly pollution yellow sky looking down at him. It’s an unfamiliar feeling to him. He loves the stars and yet when faced with a smog that covers it, he feels more at home.
Danny’s fingers find the lighter, and with a few clicks a small open flame appears in existence. There’s a poem here, he can feel it. But he feels too tired to find it.
The cigarette lights, and the lighter dies in response. Returning back to his coffin-like pocket until he needs to use it again. He pulls a leg up, resting his chin on his knee with a heavy, tired sigh.
He soaks in the sounds around him. The ugly city warmth nips at his jaw. The music inside is muffled by the force of two glass doors and walls on all four sides, and Danny can hear late night traffic coming by on the road nearby. It’s a special kind of ambience you can only find on the west end balcony.
Half a decade ago, Danny had played a part with that ambience with Jason. Now it was just him, and Jason was nowhere to be found. It left a hopeless kind of feeling in his chest. An all-suffocating kind of fear that filled him head to toe with an intensity only ghosts could have.
His body winds up like a spring, and Danny holds his breath. When he exhales two minutes later, the spring stutters and jolts, and his body relaxes with a tremble.
He misses Jason. He misses Jason.
Ghosts are emotional creatures. They feel it from their crown to their soles. And emotional wounds never really heal. They scab over and fester, waiting to be picked at again and again so it can bleed as fresh as it did when it first opened.
Danny’s grief is never going to go away, he thinks. It’s clung to him like a parasite; shaped him and molded him. The wound was too close to him when he died, and now it will stay with him forever.
He opens his eyes when his ghost sense tingles, a heavy feeling in his throat that is neither nicotine nor grief. It’s just like Damian’s, but stronger. Potent. Older. It reaches the top of Danny’s throat and sits at the base of his tongue, like a hand about to suffocate him.
He looks up, cigarette hanging off his lips, and the Red Hood drops down beside him. He stands in the same spot Jason once did, and that alone makes the ghostly core in Danny seize possessively.
Don’t you dare stand where he stood, it hisses, coiling around his lungs like smog. Danny grits his teeth and feels his ghost sense evaporate. He pulls the cigarette out of his mouth, and nicotine smoke pours out like a cheap version of his ghost sense.
“Red Hood.” He says plainly, his free hand coiling and uncoiling like cat’s claws against the railing. “A surprise to see you here.”
Danny knows through process of elimination who most of the Gotham vigilantes are: Dick is Nightwing, Bruce is Batman, Tim is Red Robin, Damian is Robin, and Cass is Orphan. There are a few who he doesn’t know, however. Like Batgirl and Red Hood.
It’s fine, he doesn’t need to know. Danny of all people understands the importance of a secret identity.
Red Hood doesn’t say anything, just stares at him as if he’s a deer in headlights. His body all tensed up like he isn’t sure what to do now that he’s here in front of Danny. Like he wasn’t expecting Danny to be here at all.
Danny’s brows furrow. “Sorry, am I in your spot?” He asks, and begins to push off the railing. “I didn’t think vigilantes used the Wayne Hall west-end balcony, I can leave if you want.”
He’s already begun to move towards the door.
The Red Hood lurches in his spot, “No!” He yells, and Danny stops in place with raising eyebrows. Red Hood’s fingers cringe, and he straightens up.
He’s shorter than Danny, he notes. Which isn’t much of revelation. Everyone is shorter than Danny.
“No,” Red Hood repeats, sounding sturdier than before, “No. You’re fine. I’m just stopping here for a quick rest before resuming patrol.”
…Danny doesn’t question it. It’s none of his business about other vigilantes and their practices. He shrugs and breathes out more smoke, “Alright.” He says, and walks back over to the railing to sit on it. “I’m Danny, by the way.”
The Red Hood nods, and a silence falls over them. Danny doesn’t care enough to make it feel uncomfortable, but the Red Hood seems unsettled by something. Lost in thought. He leans his back against the railing similar to Danny, and then switches a few seconds later to a new pose.
He does it again, and again, and again. Until finally he flips over and leans his stomach against the railing, arms resting against it. It is starkly like what Jason used to do, and Danny stares at him long and hard.
He frowns. And says nothing.
When Danny’s cigarette is nothing more than a butt of nicotine, he crushes it in his hand and watches the ash flutter down to the ground. The heat stings his hand, but its nothing his ghostly healing can’t fix.
The Red Hood is already holding out another one when Danny’s hand drifts to his pocket for the box.
Danny stares at him, sudden wariness opening up like floodgates that sit at the bottom of his stomach.
His frown deepens, his eyes flicker up and down at Red Hood. His hands hover over his pocket. “I have my own.” He says, and watches subtly as the Red Hood hides a wilt. As if he’d been expecting Danny to take it.
“Alright.” The Red Hood says, trying to sound unbothered. He retracts the cigarette away from Danny, quiet all the way. He’s looking away.
Danny plucks the cigarette out of his hand, startling the Hood enough that Red snaps back to look at him. Danny yanks his lighter from his pocket. “I won’t say no to a free cigarette.” He says, slightly muffled with the stick between his teeth. It lights.
Silence falls over them again, and when one minute stretches into five, whatever hope that had been digging into the shoulders of Red Hood finally pulls away and leaves him slumping subtly.
‘A ciggie for your thoughts?’ Nine year old Jason Todd whispers one night with an impish grin, holding up a cigarette pinched between his two fingers. ‘I stole it from my old man. He won’t even notice its gone.’
Danny is halfway through it when he speaks. “The Joker killed my best friend.” He says, and watches from the corner of his eye as the Red Hood flinches. Is he startled by Danny speaking, or startled by the bluntness of him starting?
“He beat him to death.” Danny continues, staring stone-faced away from Red Hood. His grief claws up his lungs and burrows into his heart again. His fingers dig into the railing. “He beat my best friend to death.”
The Red Hood is silent, his body as still as the grave. Silence stretches out between them both, and like he’d been thinking, the Hood finally speaks: “How do you know?”
He’s not holding the cigarette, he broke his and Jason’s rule. Danny bounces the stick between his fingers. “His ghost told me.” He says, taking a trembling breath. “His ghost told me so, before he disappeared.”
The Red Hood says nothing, and Danny gathers his thoughts. The ones that had been buried deep next to his core, shoved down ever since Danny learned of Rath and a terrible future where a world is destroyed by one ghost’s hands.
Danny has never said it out loud before. His face scrunches up briefly, and then smooths out when his eyes squeeze shut. “I’m going to kill him, Red Hood.” He murmurs when he opens his eyes, turning his face toward the vigilante. The sound is sucked out of the air.
The Red Hood stares at him, but he doesn’t say a word. Danny pushes on, teeth grinding into teeth as he flips his silvery scarred hand back and forth. Palm up, palm down. “It’s why I haven’t been back to Gotham in a while.” He admits, voice still quiet. “If I see the Joker I will kill him, and I won’t feel bad for it.”
“Not today though,” he says, and closes his hand, “today I’m here on a favor to Vlad Masters. Then after this I’ll go visit my friend. I need to apologize for not seeing his grave in a while. I’ll have to stop by a florist to see if they have any zinnias. Jay likes those.”
He takes out the cigarette in his mouth and breathes out one last cloud of smoke. And then he crushes the cigarette stick under his foot and walks back inside.
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electrozeistyking · 8 months
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Ghost Drone is an AU where the events of Murder Drones have been spread out some odd years and changed around (except for Episode 1, which remains the same as it does in the show). Alternate takes on Episodes 2, 3 and 5 have already occurred.
The first comic isn't canon to the AU anymore, but since it's the initial concept, I figured I'd include it. This entire post is basically my way of saying "Hey, this AU has been stewing in my brain since the 16th of November in 2023."
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inactivegaz · 1 year
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i’m scared to see the ending, why are we pretending this is nothing?
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ghost-proofbaby · 25 days
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never love an anchor (e.m. x reader)
"On some level, I think I always understood that a ship could never really love an anchor."
warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.
wc: 5.8k+
an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.
if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.
that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.
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Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 
So why does it currently feel like you’re dying?
The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 
Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 
It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 
Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 
We still on for tonight? 
The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 
He wasn’t a part of the issue. If anything, he was part of the solution. 
A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 
Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 
You can’t remember. Or maybe your brain is simply refusing to recall. 
I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 
What? Is everything okay? Are you okay? Do I need to bring you anything? 
Please don’t.
The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 
But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 
Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 
Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 
A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 
Does it even matter anymore? Would it even matter if I simply vanished? 
Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.
Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 
Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 
And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 
There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 
There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.
Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 
You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 
Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 
But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 
A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 
You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 
There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 
You can’t move from this very spot. You’re terrified of what will happen when you do. 
Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 
Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 
You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 
The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 
Does it even matter anymore?
You’d left the bathroom door wide open. 
Were you worth it?
You’d been home alone – past tense.
A more durable mind, a more capable suit of skin to occupy.
A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 
If you had been, would it all feel a little less heavy? 
“Hey, Eds.” 
You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 
Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 
“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”
You felt like shit. 
Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 
You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 
You’re not his weight to carry, not his burden to shoulder. 
After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 
Immediately, he knows something is wrong. Because of course he does. 
Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 
He’s good. 
And you’re simply rotten.
You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 
You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 
He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 
“I’m sick.” 
“This isn’t just some stomach bug.”
Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.
You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 
Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 
“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 
You can’t get out the proper words. You don’t know how.
How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  
Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 
His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”
It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 
“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 
“Bullshit.”
“Eddie, don’t-”
“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”
“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”
Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 
“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 
Can he see it? All the fractures and splinters and pits and metaphors? 
Can he smell it? All the rot and the destruction and hopelessness?
Can he feel it? All the pressure? 
Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.
“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”
If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 
He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 
And yet, he doesn’t. 
You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 
He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.
The thought makes you cry harder. 
If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?
“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”
His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.
There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 
When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”
And if you hadn’t already been shattered previously, that would have finally broken you. 
You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 
“I don’t know.”
In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 
But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.
Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 
The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 
You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”
It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 
Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 
He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 
“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”
There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 
“I couldn’t do it, even if I want-” 
Even if I wanted to. The words you can’t speak, dying on your tongue. 
Do you want to? Where does the pain begin? And where could it end?
“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 
He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 
But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 
“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 
Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 
He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”
He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 
“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 
It’s not your job. That’s not your job. 
You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 
All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 
How can such rotten hands pull such love from others? How have you yet to infect him? 
“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”
He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 
But he’s still holding you like he’s terrified. You did that – you instilled that fear. 
“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”
“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 
You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.
“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 
“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 
“I didn’t.” 
“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 
Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 
“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 
“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”
“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 
“Please, stop.”
You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 
“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 
You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 
“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 
“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 
“Exactly.”
He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 
“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 
No bridges.
No failures.
The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 
“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 
His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”
You’re worth it. 
He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 
It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.
He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 
You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 
“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 
Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 
Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 
He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 
His words shake just a little less than they had when he’d first entered the room. 
He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 
He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.
Hesitantly content. Just for now. It’s enough. 
The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 
It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 
One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 
And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.
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JOEY WONG as Nip Siu-sin A CHINESE GHOST STORY dir. Ching Siu-tung, 1987
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whereserpentswalk · 3 months
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You're so lucky to have been brought back from the dead. Most necromancers would have given up on you entirely, most people are put in the grave with a lot more material left on them than you are. None of your body was still usable, but your soul was miraculously hanging on after your injuries. They were able to keep your ethereal self bound to this world, and make you a new body to possess.
Your new body is made of leather, and cloth, and rubber, and plastic and steel. It looks almost like a puppet of sorts. It's most human shaped, and with your soul inside of it it moves just like a human would. But all it has for a face is a gas mask, and hood to make it look a bit less bald. Where your eyes should be, those little glass fixtures, glow a deep red, perhaps as a reminder of something.
Everyone in your family is trying to be very casual. They don't expect any of it to phase you. Mabye they want to be seen as accepting but you don't know what they mean by that. They expect you to still go to all your college classes, expect you to still try and find work, to do all the things you're still technically able to do. They don't want you to spend time recovering, apparently it makes your family sad to see you "feeling sorry for yourself". And your father will always be the first to remind you that he's the one who payed to have you revived, he's the one who found one of the only necromancers in the city good enough to bring you back. It's like you owe them the child they once had. They didn't bring you back to watch you mourn. And your school and work understands less, you don't feel tired or in pain anymore, you have less on an excuse then ever.
You remember your death so well. It still feels so real, and so scary, it's supposed to have been nothing, supposed to have not mattered, but you can still feel it. And everything is so diffrent in this new body, your entire body feels diffrent, just the sensation of feeling metal bones, and the feeling of having cloth where you once had skin, of feeling hard plastic where your used to your face being. You miss sleep, miss food, miss sex, you even miss pain. It hurts to see people doing all these things that you can't, they took your bed out of your room, they said you needed more space now, and you can't sleep anyway. It was so casual. You should be appreciating this, you're alive after all? Everyone expects you to be so happy all the time, to constantly be in a good mood, to constantly be ok, and you're not, all they ever play in your living room is pop music, and that's not what you want to hear right now, it's not what you listen to alone. You can't smile more, you don't have a mouth.
There's a freind you made in a faerie studies course at college, who let you talk about this with him, he only knew you for a few weeks before you got your new body. It's weird, you're able to talk to even distant freinds about feeling sad or scared more than you can your family. He hugged you, it doesn't feel the same as it did in your old body but it meant something. You told you he's happy your alive, that it doesn't matter what you do, that it's a miracle that you're alive. He told you he wants you to be alive and to be happy. So few people tell you that, nobody in your family ever did. You're expected so much to appreciate the life other people gave you, but so few people want to appreciate that you're alive.
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ashintheairlikesnow · 2 months
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Call Mom
CW: PTSD/flashbacks, BBU in general, haunted, ghosts, reference to a murder, severe chronic panic
Jameson's Masterlist (scroll down)
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Aw, crap. Hey, Johnny, do you remember where I put that girl's number? Like, Katie, or Caitlyn, or... do you remember? Hey! Johnny! Put down the fucking xbox controller for two fucking minutes and give me a hand, won't you?
Fingers snap right in front of his face.
Johnny!
Jameson jerks in a breath that sounds like a whine, sitting straight up. The fan blows cool air over his sweat-soaked skin and he shivers, cold inside and out. The air in his room is freezing, suddenly. Outside it's so dark you can't even see the trees - the power outage must still be going, there aren't any streetlights. Thanks to the clouds, no stars or moon, either.
Just darkness.
Wait, if the electricity's out...
He looks up. The ceiling fan is perfectly still above his head, even while ice-cold air keeps goosebumps rising on his arms, the hair standing up at the back of his neck.
See, was that so hard? It'll take like five minutes if we work together, I swear.
"Nat?" He mumbles. "S'at... you?"
Checked there already, actually. Checked the fridge, too, so where the hell did I put it?
He's the only person in this room.
Jameson goes from still half-asleep to fully, painfully awake and aware in a single breath.
The voice comes as clear as if it was right next to him, a voice as familiar as his own - but he has no idea whose it is. There's no one here but him - even Trash Cat isn't here any longer, probably hunting a tiny piece of plastic downstairs that he'll end up stepping on in the morning. So far she hasn't eaten any of them. He doesn't even know where she's finding them.
Johnny, come on. Let's, like, retrace our steps.
His head starts to ache more with every single word, the pain working like tendrils behind his eyes, a pressure trying to crush his skull from the inside. Something flashes, bright and almost like a spectrum of rainbow colors, in the corner of his right eye, but it won't resolve when he turns his head.
I got home from work, I told you we had a hot customer who gave me her number, and then... then what?
Jameson stares into darkness so complete it feels like it has weight. Like it's sitting on the bed next to him, like the mattress dips underneath it. A body made of memory, slowly pulling together the pieces of what's been hidden. Clawing them out but leaving deep weals across the inside of his mind, like a corpse's fingers digging into loose dirt to climb out of his grave.
"Caitlyn," He whispers, as the thought crystallizes. A memory, pure and perfect. Some sliver of whatever they broke the person he was into. Some small piece of the man who signed up. "Her name was Caitlyn, not Katie. She... wrote it on the fucking paper."
Right! Okay, so, clearly I told you her name, and then what?
Jameson turns his head, and there he is.
Hank.
His breath catches in his throat.
Hank is younger than he is, even though he was older then. The older brother, trapped in time, while Jameson - Jonathan - keeps aging. The rakish smile is still there and, Christ, Jameson had forgotten that he'd done that stupid thing to his hair - you forgot everything about him, you begged them to take him away from you so that it wouldn't hurt anymore. He's still got that one crooked tooth he'd refused to get braces to fix. That crooked tooth had been in his dental records. It was how they identified his body.
The fucking crooked tooth, the silver-colored fillings, then the DNA tests...
"No," He whispers, going for a vicious hiss, but what comes out is far too close to a whimper. "No. This is-... this is a flashback. This isn't real, this isn't-"
Maybe I left it in yesterday's pants?
"This isn't real, fuck off." Jameson shoves himself off the bed, forgetting his stupid fucking legs don't work. His knees buckle as soon as they have to take his weight.
He lands wrong on one arm and the pain spikes up through his shoulder, making him cry out in the hoarse, rasping voice that his life has left him with. "Fuck!"
He rolls onto his side, but he can't stop himself.
He looks up again. He doesn't want to remember Hank but he's desperate for one more look at his face. Just the one more time.
Just once more.
Hank sighs, raking a hand back through his hair, leaving it mussed-up and sticking out, looking ridiculous. He did that all the time. Bit his nails, too, and tried everything to stop but he never did. He wore those jeans with the ripped knee all the time, their mother had hated it. Hank, wearing the t-shirt for the band they'd gotten concert tickets for but never got the chance to see. Hank, dead for years, smiles to one side at a brother who isn't there.
The brother who erased him.
"Hank," He whispers. "Hank, you gotta-... you gotta go. You're hurting me-"
Damn. Man, it wasn't in my jeans either. Well, I'll find it sooner or later, I guess. Hank shrugs. His eyes are in shadow, not quite defined. Jameson wonders if it's because he's forgotten what color his brother's eyes were, forgotten it deeply enough that even this can't pull it back.
It'll be okay, Johnny. It really will. Hank looks right at him. Jameson's breath catches in his throat. The room is so cold the air burns as he breathes. It never gets this cold in California. It can't be this cold in California. I mean it. Don't cry yourself to sleep over this.
"I cried myself to sleep... all the time, but I don't now. I'm not-... that guy." He can barely speak. He sees his breath puff out when his lips move, and Jameson slumps back. His voice cracks, it creaks like old floors. He didn't stop crying for weeks. He didn't leave his bed. He did any drug he could find trying to not think about Hank, until he realized there was only one way to make sure he never had to think about what he'd done, by letting Hank walk home alone that one night, again. He didn't want to think about that pain anymore.
They had promised him he wouldn't ever have to hurt like this again.
They lied about that, too.
Jameson makes a sound he refuses to admit is a choked-off sob. "I'm not him, Hank. I'm not Johnny... not anymore."
Hank stands, and it's impossible. He's not here. But he holds out his hand anyway, and Jameson takes it without thinking. Hank's grip is so cold it burns, but Jameson lets his dead brother pull him to his feet anyway.
He smells like earth and ice.
"I'm not him," He whispers.
Right, like that argument ever works. Hank just grins, shaking his head. The man Jameson was - the one he had begged to leave behind - is the reason Hank will look like this in his memories forever. He's the reason there isn't another Hank, only this one, locked in the memories he wanted to boil and burn out of his own head. They're still there, though. They break through.
They never stop breaking through.
He would crawl back into Robert's cage himself if it only meant he didn't have to remember that it's his fault Hank is dead.
Tears run hot down his cheeks - the only thing in him that isn't frozen is his grief, wildfire in his chest leaving nothing but ash behind. Forests after wildfires are ghosts, Hank said once, when they were both high and everything sounded fucking important.
Jameson had called him an idiot - he remembers that now. But... he also thinks Hank was right. He closes his eyes as tightly as he can, focusing. He isn't here. Hank cannot be here. "I don't remember... remember you-... I don't want to remember you! It was my choice to forget!"
Hank claps him on the shoulder. His smile goes briefly gentle and soft. Jameson can see it with his eyes closed. Whatever you say, man. Just promise me you'll call Mom sometime soon, okay?
The pain is too much. If he can't pass out soon, he might die just from having to experience it, unending, never stopping, rising higher and higher. "Mom...?"
Yeah, dumbass. Mom. Our mother? Who gave birth to us and never lets us fucking forget it? I keep trying to talk to her, but I guess my signal's bad. Hank laughs, and Jameson's whole body breaks with the sound of that familiar laughter. The way Hank could throw his head back without the slightest bit of self-consciousness, how he'd hear that laugh across a crowded room and know it was his brother's, know right where he was.
Until he didn't.
Until nobody did.
Until the cops found what was left.
Until-
Jameson jolts again, and finds himself still lying on the floor next to his bed. He's burning up, boiling hot, pouring sweat until his sleep shirt sticks to his back and his arms feel slick with it, his hair sticking to skin. A droplet trickles down the back of his neck like a fingertip, barely touching. He rips his shirt off, then his pants, throwing them as far away from himself as he can, until he's naked on the floor but it isn't enough.
He's still sweating, still breathing in harsh gasps, fighting around the strength of his racing heart to get enough air to fill his lungs. He looks frantically around, but no one's here.
The ceiling fan circles lazily overhead.
He takes in a breath, his heart pounding. It feels like it's going to grow wings and fly away, up his throat and out of his mouth. He's still crying, he realizes only now. He closes his eyes as tightly as he can and fights tears back through sheer willpower and rage, curling his hands into fists. Just like they used to be, his fingers know - muscle memory of mittens that had kept him powerless, once. Now, he does it on purpose, and he forces them to curl through the pain.
Forces down the dream.
Wills himself to forget he ever had it.
"Four... f-four things you can see," he whispers to himself, slumping back down. His voice keeps trembling, catching, and it's everything he has to open his eyes again around the pounding headache in his skull and look. "The-... moon. Out the... window. The, my dresser... for my clothes... M-My, uh, the picture Nat p-printed of me and Allyn... fuck, the... the doorknob."
Every time he thinks he knows how much of his body can hurt at once, some nerves he didn't know existed decide to join the party. He has to breathe in and out, slow and controlled, trying to will his body to cooperate. He won't walk tomorrow, he can tell already. It'll be a day to spend in bed, or using his wheelchair. It might be a week until his body lets him walk again.
He fights back a new well of rage and despair at how well he knows the next way his body will fail him. He can't think about that right now, or the pain and the panic will spiral out of control. He might hurt someone. He can't hurt anyone, not ever again.
He won't.
"Three... things I can touch," He murmurs. "My, my... my shirt, fuck, gross, sweaty... my... my hair... the floor, feels... cold, feels good... the corner of my bed..."
It helps. He makes himself focus on this, on real things, not the nightmare of his brother.
He won't remember his brother.
He won't.
"Two things I can hear. Uh, the, there's... crickets or something outside, and-... and I can hear-"
Hank's voice whispers right next to his ear.
Call Mom.
His breath hitches.
"Not real," he whispers. "One... one thing I can taste..."
All he tastes is blood, and for one horrified half a second he's sure it's Hank's blood, until he realizes he bit his tongue in his sleep.
The blood is his own.
Call Mom.
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noughticalcrossings · 5 months
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Cornelius Hickey
What if we’re not the heroes of this story?
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cherryysocks · 1 year
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absolutely adore final girls covered in blood 😍
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yandere-sins · 5 months
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"König is just too afraid that something might happen", I can see him overthinking A LOT about his platonic darling.
What König thinks will happen if darling cooks for herself:
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What König thinks will happen if he leaves his darling with a chromosome XY for 0.1 second:
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König cooking for darling:
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Ghost seeing König clinging on to darling 25/8;
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König's overthinking and clinginess leads to isolation, and I can honestly see König being very protective especially when darling is around other men. König sees you as pretty and precious despite your status, and it's proven right because a certain British lieutenant is attracted to you :(
Hence, I can imagine darling being unused to physical touch with other men because of König. Even if darling's the physical touch type, everything changed since König is platonically obsessed with his darling. König hoards your affection, no matter what form it is (physical touch, quality time, etc) so darling becomes unused to romantic advances from other people.
OH YEA remember the Ghost getting a few hours with his darling? You mentioned that Ghost plays the long game so do you think that Ghost is patiently "training" darling to get used to HIS physical affection? Darling is unused to physical touch from others due to König so I can see Ghost using baby steps approach like getting his darling used to headpats and hand holding, or copies König's physical touch like headpats and hugs because darling is familiar with it.
Have a nice day/night!
Gosh I love these memes, you're so right, especially with the König cooking for darling and it's just the most basic thing in way too much quantity because he's so worried they won't eat enough unless there is extra extra much of it, lol!
To be honest, Ghost is a bit of both, direct and indirect. He gets the darling used to his touch/presence until they start to long for it.
There are instances where he simply pulls them to the side by the waist when they almost run into another soldier, but drops his touch right away, leaving only a tingle and a confused darling behind. Or he places his hand over sharp edges for them so they don't hit their head on the cabinet above the kitchen counter or the table. He does that proactive boyfriend thing where he says it's no big deal when they thank him, but the darling grows increasingly confused since König would prevent them from even getting into this situation, while Ghost lets them figure it out and is supportive. He'd give them a hand into the helicopter while König would simply lift them up and not even attempt to let them climb in on their own. It's like you said before, the minimal amount of independence that Ghost gives them back.
And then there are the times when he intentionally pushes their buttons. Correcting their stance at the shooting range doesn't really need him to move his whole body against them—he does it anyway. Complete with whispering in their ear and praising them for a job well done when they hit the target exactly where they are supposed to. Or when he pulls them into a container to hide, locking them between his arms and telling them to be quiet while König stalks around outside, looking for them. He doesn't need to brush his body against theirs, the heat and friction between them palpable. It's a fucking container they are in; they could be five feet apart, no problem. Ghost is not subtle, however, lol. 
And then, of course, all the in-between (sometimes even in front of König just for the fun of it): head pats while they meet in the hallway, a quick pat before he just continues walking, or gripping their hand when they are about to eat something with their fork and directing it into his own mouth instead—thanking them for the meal before leaving. Correcting how they put on their equipment and picking up their luggage when they struggle with it. He's trying to be really nonchalant about it, but the effect it actually has is that the darling starts to notice him much quicker. Ghost can be a quiet shadow, but they'll be the only one to be able to pick him out from a hundred other soldiers without looking. His presence just gets ingrained in their mind, and before long, they will also start to be more defiant against König's treatment of them, knowing now what alternatives they have. 
Darling wouldn't even know why they let their gaze wander until they found Ghost across the hall. It surprises them both when Ghost isn't even looking at them, yet they search for him out of their own free will. 
And snap goes the trap. 
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starry-bi-sky · 6 months
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more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
#tw mentions of gore#cw gore#i suppose this counts as gore#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc#dpxdc crossover#childhood friends au#cfau#really leaning into the idea of rath just being a horror. the horrors! i am delighted in the horrors!#im having fun with it#i swear to god turning 19 turned a switch on in my brain because i am much more comfortable with gore and heavy injury now than i was l#literally a year ago. the urge to write about some of danny's most horrific injuries in his fights is STRONG#like the hORRORS folks. *th horrors*. i dont think i'll ever write a dissection fic because that icks me out but the idea that danny's had#to stitch up his own throat because it got slit in a fight nd he cant shift back to human until he's done because his ghost will survive bu#his body wont#the idea that he's been impaled multiple times before and it hurts each fucking time but he still gets up and hurls the hurt right back in#equal measure. because that's how you wanna play? okay. lets play. he's 14 and his best friend is dead. he can play.#and the idea that all ghosts have 'corpse' forms where their ghosts look exactly like how they died. and danny is utterly unrecognizable#jazz being liminal or not just isnt important to me because she's barely gonna show up in the story anyways#same reason why i hardly use the headcanon that ellie becomes danny's daughter because what use is she to me like that? she'll hardly have#an impact on the story and i refuse to treat characters like props. if they can't help progress the story then they aren't included
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souhatesthesun · 1 month
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TW FAKE BLOOD
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violet getting grossed out by this is insane.. i'd marry him on the spot
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Felt inspired for Halloween, drew a spooky floating ghost (she is just vibing)
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horygory · 2 months
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Sister Death (2023)
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thecanadianweeb · 1 year
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i read this article about this really wholesome lesbian couple who basically moved in together into a cottage in England.
the couple were loved and accepted by everyone including the church in their town
when the two died, they were buried together at the church and their love lasted on even in the afterlife as ghosts! their cottage also became a museum and i think it’s still open today. plus the cottage is haunted by the friendly spirits of the couple.
Goals
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