#under $15

[nostalgicfun]

"Get well Soon" Teddy! 💛

[pigkitsch]

Piggin Relax 1995 - Handmade Pig Collectable by David Corbridge

[purpleangiie]

Damian: "Grayson, what are you staring at?"

Dick: "Sh!"

Tim: "Leave him be, D. He's emotional."

Damian: "Over what?"

Dick, staring at the two quiet figures in front of them: "Would you believe that? Jason and Bruce existing in the same space and not throwing a tantrum, but actually behaving like two adults? They're even working together at the same desk. Unbelievable."

Damian: "Wait, has father just ruffled Todd's hair?"

Dick: "And he didn’t even punched him back! I'm so proud of how far they both have come. *sniff* Now we could all be one happy family."

Damiam: *looking absolutely bewildered, gazing up at Tim who just shrugs*

Tim: "Give them 15 minutes."

Damian: "12."

---

Jason: "Bruce. Bruce WHERE IS MY PEN?"

Bruce: "Y-your pen, Jason?"

Jason: "Oh my god. You don't even remember it. My pen, Bruce. My personalized red and golden Montblanc you gifted me for my 14th birthday. I left it here, where is it? You threw it away, didn't you? LIKE YOU DID WITH ANY REGARD YOU EVER HAD FOR ME AND MY FEELINGS? DID YOU FORGET I WAS YOUR SON TOO? WHY IS IT SO HARD FOR YOU TO LOVE ME?"

Dick: "Damn! We got so close."

Tim: "And that'd be 10 minutes and 35 seconds."

Damian: "-TT- Pay up, Drake."

[charbies]

"i'm literally the priest's favorite sacrificial lamb because i am so docile and sweet and i hold very still when they put the rope around my neck and i trot along so happily while they lead me to the altar and they do not even have to tie me down because i lie so very still and only bleat once or twice in my lovely lamb voice and when the knife comes down it cuts through me like butter and i offer no resistance and i bleed so prettily all over my new white wool and my guts all unspool like the most beautiful shining yarn and my eyes are animal and dumb and hold no accusation and every time i die i come right back as another little lamb because the priest loves me so so much and he always chooses me for the sacrifice every time and he always places one hand on my small and twitching nose to calm me while he lifts the knife and he doesn't do it for the other lambs only me because i'm his favorite"

[crowlls]

There's work to be done, Agent

Details

[doalkaynaksuyu]

man i havent drawn him for so long i nearly forgot his mole

[epiaphany]

buck looking extremely bisexual in 8x08

[nostalgicfun]

BaB Eevee! 🌈

[pigkitsch]

ENESCO This Little Piggy Figurine “This Little Piggy” 1994 Mary Rhyner

[blueskittlesart]

guys be honest is it insane to make a presentation ranking zelda games for a real life college class

[butter-tart-art]

Introducing the most chaotic duo possible ✨🔪

What could possibly go wrong?

[sunlight-shunlight]

thinking about veilguard and bioware in general, i think we are reaching a point where people need to grapple with the inherent limits of what stories can be told in our Current Society and in AAA gaming companies.

on a labour level: mass layoffs, tons of developers leaving despite previously talking about how passionate and happy they were to be involved, not even paying severance, and crunching employees to the point of burnout. this is unfortunately pretty standard for AAA game companies.

on a cultural level: it is SO white and SO centrist-ly Canadian. i wrote up these asks outlining how. it is a repeated pattern of writing in which they go into tortured racial oppression allegories at best, while constantly peppering in a "but BOTH SIDES were wrong and made mistakes :( :( :(", in between their fictional atrocities that are clearly mirroring irl genocides and enslavement. or at worst, it's "the qunari are radical islamic borg" which has even less nuance. i personally thought, since dai came out in 2014, and a lot has changed since then about the world and in public awareness, that this would have filtered into the narrative and resulted in more satisfying and historically grounded writing. unfortunately not the case. it's shocking if you compare it to how sharp and aware and unflinching something like disco elysium is.

so what does this mean?

under these conditions, it is unavoidable that we get development by people who are rapidly cycled out of the company or demoralized into burnout. we get digestible, easy little soundbites of lore without much substance, because any complexity needs more time and coordination rather than the process of "quick, we have these assets, a lot of people involved in making them just got laid off, we need to make Something by next quarter to show the CEO". we get very little cohesion between games, despite the clear intent from dai to have so many plot points set up to follow through in a sequel, because the team and development are so chaotic that they can't hold onto a vision and complete it.

we also get this inherent caution and "conservatism" from the narrative, because on an ideological level, they're largely white people who want cops to be included in pride. so any major change to even a fictional society is Bad and Scary, and shouldn't be done without making sure that every character finger-wags appropriately at non-state violence. there is clearly not much ideological or even ethnic diversity within the leadership; or at least not enough that anyone there felt comfortable even speaking up on minor issues like the Incredibly Orientalist Isabela Outfit, let alone anything larger.

i don't personally think there's too much value in trying to analyze veilguard's plot or lore at this point. the final product is chaotically developed and does not seem to reflect the goals of the creators as set up in prior games, it's basically a ship of theseus in terms of the people and ideas involved in making it. this is sad for all of us, who were interested in the story, and attached to the characters, and were creatively fulfilled by engaging in the fandom. it's probably worse for the developers who have lost their jobs, burnt out, or feel unhappy with the game that they spent years of their life working on. it's certainly miserable as an indictment of The Industry, as well as the general societal climate of white Canadian centrism.

the solution is to create a society where people can develop games in peace and prosperity and stay on projects for longer, rather than constantly getting turfed out without severance pay. and to get some genuine leftists, poc, and indigenous people on staff who can weigh in and provide significant input, rather than a Council Of Liberal White Edmontonians every time.

in the meantime, at the very least, let's please stop preordering AAA games and supporting companies who notably abuse their employees.

[almoonds]

pearlrose: adoration

for kiss art february

[peak-dumbass]

she Robots on my In til i Disguise

[raycatzdraws]

ribbonwood

[katsinspats]

Sonic Forces is a game about a guy who gets a new hat and makes it his whole personality