#using music to write

[rozmorris]

Can SEO writing ruin your prose style? And why Bill Bryson can call a book Wubberhumptimuph and you can’t

I’ve had this question from Mark…. This question has been bouncing in my brain ever since the digital revolution began and especially after working for various publishers that asked me to help them with social media and website text.  Do you think that being forced to focus on SEO when writing articles, promos, headlines etc can negatively impact your non-journalism writing? My sense is that…

[iguessthisisanewobsession]

The ring was small and silver with a single emerald embedded in the metal.

It wasn’t something flashy, it probably cost less than the smallest gem from his vault all together.

But it was perfect.

Which made it so heartbreaking to turn it down.

“Dick.. you know me so well.. I wish I could take this ring, i really do.”

Dick was still on one knee in the little apartment, but he put the small box down on the floor as he asked.

“Then what’s stopping you?”

Danny let out a bitter chuckle,

“The US government.”

[dootznbootz]

Thinking about how Telemachus has heard "You are just like your father" by so many people for most of his life. How different yet refreshing it is to hear said father tell him warmly "You're so much like your mother".

[chloelovesu]

i am just a girl 𓆩♡𓆪

[beneathsilverstars]

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[front-facing-pokemon]

[littleplantfreak]

'When', not 'if'

("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)

SFW/no cw unless you hate fluff

When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.

The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.

It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.

Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.

"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.

"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.

"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.

"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.

"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.

"I'll never meet another you, so I'm pretty set on When."

"I'll say yes." Because you will. You can't imagine a life where you wouldn't.

"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.

"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.

-----

When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.

It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.

And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.

No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.

[kiaxet]

Sooooo y’all see the latest @somerandomdudelmao comic update? Because once again it is living in my head, which means once again my brain has generated fic. This one’s ~1200 words and slightly less tragic, depending on whether or not you take dramatic irony into account.

~~~~~~~

It starts fairly innocuously.

One of the surviving technicians monitors a computer as it finally, finally boots up successfully, whooping when the Genius Tech loading screen pops up. He grins and pats the power cable. "Thanks, Raph!"

It catches on.

A water purifier, disconnected to save a struggling power supply, gets plugged back in. It chugs back to life, and the kids responsible for its upkeep cheer and high five. One of them waves at the ceiling, where a power conduit runs overhead. "Thanks, Mister Raph!"

And it spreads like wildfire.

Every time something works the way it's supposed to - every time a much-needed device pops back to life, or the emergency doors close correctly, or a dying lightbulb flickers on one more time - they thank Raph. In gleeful shouts and careful whispers, they show gratitude for the person who gave up his life - and his second chance at life, at that - to keep them safe. It makes the emergency base, ramshackle and barely held together as it is, feel a little more like a home. A little more alive.

It doesn't take long for a few unspoken rules to develop.

They never say it in front of the metal shell. It's one thing to say it to the walls, the cables, the electricity; it's something else to say it to a figure with a face, seated against the wall like a sentinel that will awaken and protect them when danger arises.

(Nevermind that they've been in danger, constant and unending, for decades, and that this sentinel is already protecting them in smaller, everyday ways.)

They learn very quickly never to say it in front of Raph's surviving family, either. Master Leonardo gets angry when he hears it. It's an anger born of grief and loss, painful but not dangerous to allies, but given how terrifying Master Leonardo can be on the battlefield or a bad day, nobody really wants that anger directed at them. Master Michaelangelo just stops when he hears it, lips curling up in an expression too devoid of life to truly be called a smile. It's almost worse to witness than Master Leonardo's anger. No, they learn to watch themselves in front of the family, carefully taking their gratitude towards a dead man elsewhere.

Until the day someone forgets and says it in front of Casey Junior.

The kid looks up at Roger with wide, almost hopeful eyes. "Why did you- is he here? Can you feel him?"

Roger stares back at him with equally wide eyes. He'd just been grateful the computer had booted correctly for his monitor shift, and he hadn't been looking, and now he has to try to explain this to a kid who's never known a life outside the apocalypse. Oh boy. "No, uh- I mean- I don't have magic like your dads do, Casey, I couldn't-" He sighs. "It's just...a thing people do, when things work. Before the Krang, we had all sorts of machines that made life easier, and...we'd talk to 'em. Thank 'em when they worked, yell or beg when they didn't...I remember threatening a fax machine once, not that that made any difference. I think that just...kinda carried over here." Wait. "Not that your uncle was a machine or anything-"

"His body was a machine," Casey says simply, with a pragmatism that Roger hadn't been expecting. Apocalypse-raised kid. Right. "That wasn't what made him Uncle Raph. He was- it's-" Casey falters, expression starting to crumble. Pragmatism be damned, the kid is still grieving-

Rem, just coming off her shift, steps in smoothly. It's not the first time she's saved Roger's ass, both on and off the battlefield, and it won't be the last. "We know," she says gently, putting an arm around Casey's shoulders. "What Roger means is that we're grateful he's keeping us going, and that people like to bond with machines even when they're too simple to bond back. We all used to name our cars - can you believe it?"

"I named mine Red Rider," Roger says wistfully. He still misses that car.

"And I used to sneak out of the Hidden City with my cloaking brooch and go joyriding outside of human cities," Rem says, a grin splitting her feline muzzle. "I named every car I stole Phantom, like I thought I was cool."

Casey smiles - small and watery, but there nonetheless - and Roger breathes a sigh of relief. "What else did you name?"

"I mean, it was mostly cars, but some people named their computers."

"I had a friend who named her phone and just kept adding numbers when she had to replace it. It was Duchess O'Brien the eighth last I'd heard."

"I know some Yokai named their weapons, but I never really kept track of those. It was more of a Battle Nexus fandom thing."

Another Yokai leans in - a four eyed lizard whose name Roger could never remember no matter how hard he tried - and Roger shuts up. She's in charge of security now, and honestly she intimidates him. She looks around - at him, at Rem, at Casey - and then intones seriously, "I once named a kitchen appliance Toasty McToastFace."

There's a beat of silence. Casey has a lopsided grin growing on his face, like he doesn't get the joke but he knows it is one, and that's enough to lift his mood.

And then Rem doubles over, cracking up, and Bob smiles carefully. "Really loved that toaster, huh?"

"It was my closest friend," the lizard Yokai replies, deadpan as hell, before leaving the conversation.

Casey turns that confused grin on Roger. "Was she serious?"

"Kid, I have no idea. Some people are just really into this kinda thing."

Rem finally straightens up, wiping a tear from her eye with a paw. "Ohhhh boy. Oh, I needed that." She turns her smile back on Casey. "Point being, naming something makes it a little more real, and makes you a little more likely to take care of it. The system here...already has a name. We're just saying thank you, you know?"

The grin on Casey's face settles down into consideration. "Yeah, I think I do. I- Thanks. I'm gonna-" He waves at the door to finish his sentence.

"Go for it, kid." Roger waves him off as he departs, then sighs once he's gone. "God, that kid is just hemmhorraging family, isn't he."

"We all are, Roger, it's the fucking apocalypse." Rem flicks an ear.

"Yeah, but still. It's rough." There's a second or two of silence. "Also, if he says it in front of Master Leonardo, I'm denying all knowledge of this conversation."

"Spirits, same."

Roger learns a few days later - from Rem, of course - that Casey has named his chainsaw hockey stick Killer, because it's what his mom used to call him. Well damn, if kids like him are gonna be the future, then maybe they have some hope after all. He raps on a wall lightly, just below where the power conduit is mounted. "I know you didn't have a lot of time with the kid, but you did a good job." He can't help but smile. "Thanks, Raph."

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[franklyimissparis]

analysing mclennon feels like being an academic and pouring over historical texts and connecting the dots between passages because you basically are doing exactly that

[withthewindinherfootsteps]

I AM NOW THE PROUD OWNER OF A 400-PAGE LONG BOOK OF ACADEMIC ANALYSIS ABOUT MDZS (both the novel and CQL, as well as the wider danmei sphere, internet authorship, fan reactions in both CN and non-CN spheres, and so many more interesting things – there are photos of the contents list below) >:DDDD

I only got it this afternoon so have only read the (quite long?) excerpt available online and pages I came across while flipping through, but everything I've read so far is really interesting and well-written. If you're interested, it's promoted on the blog of @pumpkinpaix, where there are also chapter spotlights with comments from authors of each paper/chapter about them and about MDZS in general (which is how I found out about it, one came up in tumblr's 'based on this tag you follow...' recommendation), as well as FAQs (including where to buy it, though I did link that at the start). Alternatively, all posts about it are in the tag #catching chen qing ling!

I really recommend it, especially if content about MDZS interests you! and I promise I haven't been told to advertise this it's just something so so cool... a collection of academic work about MY FAVOURITE BOOK... and I know people do follow me for meta/analysis so this might be the sort of thing people looking at this blog will be interested in..?

[aroaceleovaldez]

non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:

Shadow-travel

Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)

Becoming intangible/shadows

Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence

Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence

Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld

Inherent complete comprehension of Latin

Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)

Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)

Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)

Astral projection/”Walking in dreams”

Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.

Illusions

Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)

Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)

Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)

Temperature manipulation (seemingly only lowering temperature)/creating frost)

Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)

Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)

Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)

Lowering or manipulation of own vitals (breathing, heart rate, etc)

Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)

Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)

Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).

Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld

Enhanced strength/abilities when in the Underworld

Inherently unnaturally quiet (possibly able to silence sound on a designated target)

Hiding/shielding self from being perceived (seemingly related to shadows/silence)

[rexscanonwife]

This little trickster thinks he can get away with ANYTHING by giving me a little peck on the cheek (and he's right 😑)

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg @miutonium @cherry-bomb-ships @rosieaurora @rejaytionships @sunflawyer @in-true-blue-love @tropicalgothships @little-miss-selfships

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[man-down-in-hatchet-town]

Every day I wake up, remember that a Miss Holloway musical HAS ALREADY BEEN WRITTEN, and feel myself go feral.