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wordbunch · 11 months

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SFW alphabet: Isildur

a/n: partially requested by @queenmeriadoc and mostly written very self-indulgently for me cause i love this chaotic boy and i miss him!!! i hope you enjoy, and be so kind to let me know in comments/reblogs <3 this is literally for me and like 3 more ppl, but it is the last thing in my drafts which have to be cleared out before i start with new things ehehe

A = AFFECTION (how affectionate are they and how do they show affection?) Moderately affectionate, usually in teasing and playful ways, when you two are around others. If he notices someone looking at you a bit too much for his liking, an arm around you is obligatory! Behind your four walls, he is soaking up every touch and kiss that you give him, and sometimes he will be borderline annoying with how much he loves to have you physically close.

B = BEST FRIEND (what would they be like as a best friend and how would the friendship start?) Pretty cool, except sometimes flaky. But he would always enthusiastically try to make up for everything he missed, and he would always have an adventure up his sleeve!

C = CUDDLES (do they like to cuddle & how?) Don’t tell his friends, but he is an absolute cuddle bug! As soon as you’re alone, he will all but glue himself to you, and complain when you want to get up - he is willing to sacrifice food in favor of constant skin-to-skin contact with his stunning partner. All cuddling positions are good cuddling positions, but especially the ones where he can relentlessly shower you with kisses.

D = DOMESTIC (do they want to settle down; how are they at cooking/cleaning?) Somewhere down the road, he’d like to settle down with you, but right now you’re young, wild and free! He is sort of a mess, and he can be a bit lazy around the house, but just make an enticing promise of a reward for his help, and he’ll be up and running to do whatever you need him to.

E = ENCHANTED (what was their first opinion/feeling about you when you just met?) Oh he was smug, and very flirty when he first approached you, not necessarily ‘cause he immediately liked you, but because he wanted to show off in front of others, and be flirted back with. He most definitely found you attractive, but if you responded with a sarcastically flirty comment, he’d get the most gigantic crush right then and there. Before you knew it, he was wrapped around your pinky finger.

F = FIANCE(E) (how do they feel about commitment; how quickly would they want to get married?) Somewhere down the road for sure, but he needs his 'young, wild and free' time. But also having a sleepover with your best friend for the rest of your lives sounds pretty enticing... I wouldn't put it past him to want to just randomly elope somewhere and go on a boat journey as a honeymoon! Also once you two are officially a couple, he will only have eyes on you and definitely be a tiny bit possessive.

G = GENTLE (how gentle are they, physically and emotionally?) Regarding this... he is a complicated one. He can surely be a bit rough, and always is to his friends (of course in a loving way), but for you he tries to learn to be gentle and sweet in every way. It's actually super cute!

H = HUGS (do they like hugs, how often, what are they like?) He will absolutely give you surprise hugs and hugs from behind, and the hugs where he picks you up and makes you laugh, so it's mostly playful hugs with this boy. Except if he's feeling down about something, then he will instinctively look for your touch and warmth. He's almost neutral towards hugs on everyday basis but he's absolutely not going to say no. However, in private he prefers to go all in and at least have a cuddle session.

I = I LOVE YOU (how fast they say the L-word) It takes him some time for sure, but I feel like he'd blurt it out in some random moment, and he'd most definitely be staring at you like the most lovesick puppy as you do something or just talk, and maybe he would say it quietly at first so you'd have to double-check - he was surprisingly shy about it! But all is well when you say it back, and he can't get enough of hearing it.

J = JEALOUSY (how jealous do they get and how they act then) He is fiery and quite impulsive still, and also very aware that you’re very attractive, so he tends to get quite jealous quite often. As soon as someone is giving you unwanted attention, he is there with a snarky comment and a slender arm sneaking around your waist tightly. He will side-eye the person while subtly checking over you to see if you’re alright. In those moments you will try to suppress laughter, because he looks so cute when he tries to act all manly and big. Maybe later you tease him for it a little bit.

K = KISSES (what are their kisses like, where do they like to kiss you/be kissed?) Unpredictable and sometimes desperate, like kissing you is air that he needs to survive. He will grab your face with both his hands and smush his lips (and half his face) against yours until both of you need to pull away for oxygen, it’s kinda funny but also super sweet, and one of the ways he shows you that he’s absolutely smitten with you. He is the biggest fan of kisses on the lips,

L = LOVE LANGUAGE (what is their love language and how they show you love) Physical touch is definitely up there, and maybe quality time. He is quite touchy-feely with you, especially in private, and he will gladly ditch anyone and anything to have more of that with you. Something that shows he’s very thoughtful is the way he plans little dates and outings for the two of you, on normal days as well as more special ones.

M = MORNINGS (how are mornings spent with them) Usually he’s active and energetic, and he can run on not too much sleep, but once he gets addicted to falling asleep while cuddling you, and waking up by your side, his sleeping hours get a bit longer, and his mornings a little bit slower and lazier. It’s also in the mornings when he’s the most quiet and just enjoys your presence and warmth.

N = NIGHT (how are nights spent with them) This boy loves to be outside on chilly starry nights!! His absolute favorite thing to do with you in the evenings would be to walk around the city and share a couple of drinks, maybe socialize with your friends, but after that he must steal you away and go either for a night boat ride under the stars, or a night swim - or both!

O = OPEN (when would they start revealing things about themselves; everything at once or wait a while to reveal things slowly?) On the one hand, Isildur wants to pretend he’s this mysterious I-can-get-anyone type of guy, but the real truth is… you look at him with a head tilt and ask him about something, and he will crumble and say everything at once. He can be influenced by you big time.

P = PATIENCE (how easily angered are they?) Young Isildur can be feisty, that’s for sure, and he tends to get annoyed by some relatively trivial things sometimes, but most of the time there’s no use trying to rationalize with him over them while he’s upset - rather just let him air it out and get over it, maybe he’ll go horse riding or have a short swim to cool down, and then he’ll come to you like a pouty baby.

Q = QUIZZES (how much would they remember about you – every little detail you mention in passing or do they kind of forget most things?) Not every little detail for sure, he’s somewhere in the middle of the spectrum. Sometimes you’ll be surprised by the fact that he’d remember something very tiny and almost insignificant, but ended up forgetting something that was a bigger deal.

R = REMEMBER (favorite moment in your relationship) The lead-up to his favorite moment wasn't sweet in the slightest - a man who'd had too many drinks in a tavern was making suggestive comments about you, and Isildur most definitely wasn't going to let that slide; his impulses got the best of them and he ended up getting into a fight. When you finally pulled him away from it, it was time to bandage him up, and it made him feel really loved. It was so worth it to go through the fight to defend his beloved, and then afterwards receive your affection and care and lots and lots of kisses to cure the pain.

S = SECURITY (how protective are they; how they'd like to be protected and how they protect you) In theory, he's definitely going to be like 'my partner is so badass and doesn't need my help and defense' but in practice... all it takes is someone's weird look towards you for him to be running to your side. Sometimes he's definitely partial to taking it too far and then you have to step in and calm him down a little. However, he's not the biggest fan of you acting protective over him publicly - he isn't going to stop you or tell you anything, but it's going to make him feel insecure and insufficient in a way. That's something the two of you work on.

T = TRY (how much effort do they put into dates, gifts, anniversaries, everyday stuff) Okay so, he is secretly convinced that you can do better and fall in love with someone better than him (you wouldn't tho), so he's going to do anything in his power for you to stay with him for good, which includes sometimes too elaborate date or anniversary plans. Once you catch on, you have to push a little bit to get to the bottom of it, but eventually you reassure him that he doesn't have to have every detail figured out - it's okay to go with the flow on more special days as well, if some things don't work out perfectly!

U = UGLY (some bad habits of theirs) He can be messy and chaotic, he doesn’t spend much time inside so his room is not in the best of states. He usually just runs inside to grab or leave something, and late in the night crashes in the bed which, you guessed it, was unmade all day.

V = VANITY (how concerned are they with their looks?) Not too concerned, he knows he looks good without putting too much effort in, so why should he? Except for when you two have something special planned, then he’s going to try his best, and if you compliment him he will absolutely burn on the inside!

W = WISH (something that they really want to do/experience with you?) He wants to go sailing with you on a very early morning, when it’s still dark outside and the sun is only beginning to rise - the colors look beautiful reflected on the water, everything is quiet and the air is misty and fresh, the water is basically perfectly calm. He is planning to use that date idea for a birthday surprise for you, and that might even be how he’d like to propose.

X = XTRA (a random headcanon for them) While he is relatively self-confident, and doesn’t have too much trouble approaching anyone he deems interesting or attractive, he will become an absolute flustered stuttering mess if he gets approached first, especially if the person approaching him is immediately flattering or flirty to him!

Y = YUCK (what are some things they dislike generally or in a partner?) Isildur hates being bored and passive, except on the days when he really wants to just be lazy, so he would prefer a partner who is also relatively active in their everyday life.

Z = ZZZ (a sleep habit of theirs) He is a very restless sleeper and he tosses and turns quite a lot, and ranges anywhere between throwing the blanket on the floor in his sleep and wrapping himself in it and being a complete blanket hogger.

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#the rings of power #from my pocketses #rings of power #rings of power fanfiction #rings of power x reader #rop fanfiction #trop fanfiction #trop x reader #isildur fanfiction #isildur x reader #the rings of power fanfic #the rings of power x reader #trop #rop

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sleepymccoy · 3 months

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I expect people don't really need to hear this, but I'm feeling it right this minute so imma talk about the chronology of how i write

I used to think to create a cohesive story you had to either write everything down in order, or fully plan out the story before starting so you didn't get lost. I am so glad I stopped doing either of these a long time ago

Now I just write what suits me, and if I go against an earlier scene I either rewrite that or scrap it. There's a lot of scrapping tbh

With fanfic I can kinda get away with it cos I know the characters well enough to be familiar with their emotional arc and jump around the beats pretty nimbly. It's different w original stories cos I don't know the characters so well yet. My first run at it I tried to plan AND write in order, which is the opposite of what I naturally do

Now I'm doing what I want. And I'm rediscovering how easy it is to write like this! And I'm meeting and learning who these guys are as I go, which informs everything else

My early scenes are pretty rough and dialogue/setting heavy. Not a lot of internal thoughts or opinionated observations. After I write a scene (not before!) I summarise what that scene has in it. Some are just "show what meal times are like" and I kinda know the characters are also meeting for the first time. But their dialogue is gonna change, I'm gonna write some throw away line in two months time that reshapes the whole first meeting and then I'll go back and rewrite the interactions to fit. Or put it in another scene. But I'll always have something based on this that shows what meal times are like. And that's great. Cos rn the scene is done, I've given it it's little green colour label on Scrivener, and I can move tf on. Later, I'll know these guys better and it'll be a better scene.

I know this is what a first draft is, but I always had in mind that the first draft is done when you finish the ending. But I'm on the third draft of some scenes and I'm not even at the second act. And those third drafts are my guiding rods for characterisation cos by this point they're supporting each other in this complex foreshadowing, emotional beat, cross referential ways that make the whole thing cohesive. The other scenes, well, they're place holders to keep me moving forwards. Even some of the really hot ones.

Like, the scene where they fuck in the sapling room is sexy, but ultimately is probably gonna change cos it's such a pivotal moment and I don't know how it'll reverberate yet. Whereas the scene where they spontaneously decide to try edging? That's had a few rewrites and has some cool complex emotions and foreshadowing going on, as well as toe dipping into mutual dependency, and I like it very much now. It's doing what I want and any changes from here on should be pretty small.

I can particularly remember laying in bed two weeks after writing the edging scene and going 😶 he's being too open about being upset about the day, there's no way he'd discuss that yet. And disappointedly decided to remove all of the motivating force and put that sex somewhere else and face rewriting the whole emotional beat. But I reread it and was like... Hang on... The motivation can stay as long as he lies... And then the pov character can establish some of his thick headedness in not noticing... And it's not exactly heathy... Yum

But that needed two weeks of noodling for me to realise. And now it's foreshadowing the act three plot twist! That I haven't written yet cos I have too many ideas for how to do the reveal and they're all juicy

Anyway, I'm loving being free to rewrite and change stuff constantly. And like, also gives me the freedom to drag and drop things into different points in the chronology if I wanna try it out with relatively little editing cos so far the scenes are mostly surface level.

It's good. I'm good. It's been like seven weeks of free form writing when I feel like it and it's at like 25k without breaking a sweat so. I'm happy ❤️❤️

#wriblr #this is so long i swear in more succint when i write fiction lol

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ljandersen · 1 year

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whats ur status on sideways 👀? No joke i think abt it daily.

Thank you for reaching out, Anon! It means a lot to me, knowing that a story I wrote is thought about every day. I think about it every day, too, being the author! It's still the story I'm proudest to have written.

As for the status on Sideways, it currently exists as a hand-written, rough first draft stored in a fire-proof safe. It needs massive changes -- complete scene rewrites and a ton of new scenes (mostly for the paragon timeline). It's currently on my back burner while I focus on an original project.

All the adjustments I made editing the 750k words in Part 1-4 has culminated in a major undertaking editing Part 5.

For instance, the reason Shepard joins the Alliance on Rannoch is different after my changes in Part 4. Before, I didn't have a very good reason for her being there and, because of that peripheral role, she wasn't directly involved in a lot of the things happening. Now she's acting Counselor. She's front and center.

It's a good change, the right change, which is why I did it. However, now a lot of the plot-centric happenings, which were only heard about or referenced through another character, need full scenes with Shepard being impactful and altering the outcomes (much better than being a removed observer).

This will require several new scenes and throwing out old ones that are now unnecessary. Then I need to relocate any extra bits of vital information not in the new scene, to other places in the story.

In addition to whole new scenes, I need to majorily revise whole scenes. There's a party scene on Rannoch, which now the goal behind it and what Shepard is doing during it, has changed. That series of scenes need rewritten.

That example of Shep's purpose on Rannoch changing scenes downstream is just one -- and a mostly spoiler free one -- of the dozens of changes I need to accomodate.

Also, the paragon timeline in particular requires a lot of new writing, maybe 50 k words of new scenes (so, the equivalent of a full novel).

Toward the end of writing the first draft of Sideways, I was starting to get worn down. Writing four storylines sometimes made it feel like I was spending weeks going nowhere, because I wasn't moving forward in the main Renegade timeline. Because of that frustration and wanting to reach the end, I chose to focus less on the paragon timeline, knowing I would need to add more to it during the editing. I left myself with some major work to do on that storyline to do it justice.

All of those reasons aside, the main reason Sideways Part 5 isn't ready is because I shifted focus for the time being. I'm serializing an original sci fi series and trying to establish myself an author. I intended to do this after I finished posting Sideways, but with the emergence of AI, I don't think the opportunity will be there for me if I wait.

Visibility for writing is going to become impossible and slow human writers, like me, will be washed away under the tide of AI mega production. There's an influential author in the indie world, for example, who has stated his intention to produce 10k novels a year, on par with the big publishing houses. That's one person, who with a handful of contractors previously put out a few dozen books a year, if that many, who now intends to do 10k a year!

My opportunity to find readers is now, while AI is still clunky and not universal, before people selling a back catalog of 100k books and with the ad spending to match drive human writers out of the market.

Because of this new priority, I've had to funnel my creativity and focus into my original writing. I'm not someone who can do two things at once. I'm all in on one project at a time. That's probably apparent from my fanfic, where I've only posted one WIP at a time, start to finish before the next. I can't divide my passion on concurrent WIP.

That doesn't mean I don't think about Sideways though -- I do, daily! -- and I intend to finish it. For now, though, unfortunately, Sideways is a draft in some notebooks in a safe. It's not a simple undertaking to edit it, and I need to focus on a personal goal.

Your interest in Sideways is something I treasure, though, and appreciate beyond words. I'm so glad my story isn't forgotten. I love knowing it's still on readers' minds. It makes me feel like, what had so much meaning to me as its writer, truly must carry that meaning through to the reader, too, which is the greatest joy in sharing a story.

Thank you for taking time to check in on Sideways and for letting me know how much it still means to you.

Also, here is a picture of my new puppy as a tiny consolation for not having Sideways ready:

#my writing #ask #anon ask #on sideways

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lemonisntreal · 2 years

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IT'S THE BOYYYY, MY [deceased ;-;] BOY-

My heart hurts whenever I write about him I'm gonna cry but he's so perfect to me you have no idea

Ok, so, I have written so much on this man because of how overly complicated I made Buster's entire family situation. But I can't. Share. A single. Crumb. Of. It. And it's killing me. Guys, I'm dying. I'm simply gonna perish if I don't write about him. So. I'm gonna headcanon dump, heehee :> [gonna do this with a bunch of other characters once I get art for them going ~_~] [I look at my drafts and weep-]

TD!Charley:

Age: 47 [deceased] Height: 3' 02" [96cm] Male - He/Him Sexuality: Aroace Build: H A T

The name is a headcanon in itself. Charley. He was never given a real canon name for whatever reason.

It just felt like it fit

Oh boy,

Ok, heavy lore time-

TW: Mentions of religious trauma and [briefly] kidnapping

[there's a fluff tab if you're wanting to skip all that]

So for a quick lore-dump, there was a HUGE war between the different animals [mammals, reptiles, and birds being the most prominent groups] that lasted from 1903-1955, before finally cutting off because a bunch of animals had practically gone extinct

Koalas being one of them

And Charley was born in late 1956, right after the war had ended, so yeah. Generational trauma's real rough-

Plus his hometown [all Koalas btw] was extremely religious and controlling over him, and he wasn't even allowed to buy his own clothes until he started to carve out his own life in Calatonia

The only thing they let him do was play music, usually with the idea that he'd be playing for the church band

[which he never did]

He was set up on arranged dates, made to feel like he was wrong for not wanting a relationship, and ridiculed for his desire to have a different life in the city- along with a lot of other things I probably couldn't fit into this post

He has a sister, Holly Moon, who is 4 years younger than him, who was seen as a golden child because she always listened and did everything their parents asked

[Parents being Darrick and Kara, for more TD lore]

He had a horrible family life before sprinting away at age 18 to Calatonia to hopefully make it big

This is where he met animals who weren't Koalas for the first time

Let me reiterate that- first time

[he'd read about other animals and seen what a few of them looked like in pictures, but never the real thing]

He learned the true meaning behind the words his family always spoke

"Make a family, there aren't many of us left"

Yeah, he was the only Koala in Calatonia for a good minute

Which kinda sent him spiraling-

Imaging you growing up in a small gated community, where you're a human around other humans, and then you leave and find out that there aren't any humans left and the rest of the world has been populated by aliens or something

He was very curious at first, which got him into some trouble

He met Harry after almost getting poached/getting ganged up on and almost kidnapped. Harry saved him, took him to calm down at his restaurant for the night, and the two quickly became friends

Ok, fluff time

Meeting Harry for the first time, the thing he offered Charley was a sandwich, which would start Charley's "give sandwich = I care about you" thing

Like his go-to way of making friends after this encounter would be to meet somewhere for sandwiches

It became a comfort food, and an introduction into other flavors besides the basic food groups + eucalyptus

This little quirk got passed down to Buster

Amazing cook

Like, he invented a couple of the recipes on the menu at Harry's Bar [despite having a diet of mostly eucalyptus, which is poisonous]

Even back in his hometown with his limited ingredients, he was fantastic, but after learning that there were other foods, he got a little obsessed

He has a cookbook he put together [which got passed down to Buster, who cannot cook for the life of him lmao]

Harry tried to get him to go to culinary school or something, but Charley always insisted on loving his little bundle of odd jobs in Calatonia [including the carwash, which was his baby]

After coming to Calatonia, making his home in a shady little apartment complex [which he ABSOLUTELY ADORED], getting a job, and finally getting his first-ever paycheck, he immediately went thrifting

Which is where he got his raggedy hat and patchy coat

And learned what a turtleneck was

He taught Buster the art of thrifting too :D

He dresses like he's homeless by choice [mostly]

[money's always tight]

Back to the odd jobs that he got instead of getting a real job- Charley always hated "luxurious" things if that makes sense. Not only did it remind him of home, but he's just a minimalist in general

If he doesn't need it, he won't take it

Modest guy [opposite to his entire family ~_~]

The hat is kinda a symbol of his independence and freedom in a way, so that's a little sweet

He never takes his hat or coat off really, even in the hot summer days in Calatonia

Harry always has to remind him to drink water [woah, Koala moment]

Oh yeah, Koala stuff-

Harry ends up helping out Charley with the complete lack of Eucalyptus products in Calatonia by ordering it in with his usual imported restaurant food, and then just giving it to him

Harry insists on paying for it all, despite Charley's objections

Charley always gives monstrous tips when eating at Harry's to balance things out

He's actually pretty tall for a Koala

He made good friends with all of the waiters and staff and musicians at Harry's, and was always there for the music nights where Harry'd get someone to play atmospheric stuff on stage

You see this in the first movie

Charley's actually really great on the guitar, and has a very nice voice [I don't have a voice claim yet ;-;;;;;] so he was eventually given the offer to try playing in front of a crowd at Harry's. Which he took

[And Harry made him take money for it, of course]

Had no intention to have kids, but ended up taking in Buster due to family drama and strange circumstances [later explained in Tone Deaf] [also why they have different funky patterns btw! :DDD]

Please, it's so complicated-

He quickly fell in love with the idea of show business after seeing some street performers, and eventually got over his discomfort with doing illegal things [the idea of it being a sin really had him in a chokehold for a while-] and grew into his true personality of "very chill and very shady charlatan" after a few years away from his hometown

Actually, it was his urge to steal a ticket to see a show at the theater that drove him to get over it all

Learned how to pick locks and pockets to scrounge around enough money to get by

Charley and Harry were best friends. Practically brothers

To the point of Harry being called "uncle Harry" by young Buster

Charley was the best man at Harry's wedding to his Panda wife, Claire. Buster was given the honor of being both the flower boy and ring bearer lmao [he pulled it off]

Claire definitely mothered both Charley and Buster quite a bit

Back to Charley living in the apartment complex, he made good friends with an old Lizard who lived next door-

Yeah, Miss Crawley [Irene Crawley]

After Harry realized that Buster was an absolute demon child, Charley tried asking her to babysit instead

She must've had the magic touch or something, because he was perfectly behaved with her

Harry was speechless

Buster was absolutely a problem child, and Charley would frequently get calls from school about him [especially in elementary]

[half of the trouble he got into was due to bullies, but this ain't about him 🤭]

Charley taught Buster how to commit crime, and play guitar

And when he got older, the two would duet together at Harry's

[I'm crying it's so sweet]

Crawley would always bring homemade candies around to give to Buster when she came over to visit with Charley, specifically Turkish Delight

She eventually taught him [with lots of hand-holding] how to make the candy himself. If left alone, he'd just set things on fire and eat the chocolate chips plain though :D

She lost her lover in the war, and even before that, struggled with infertility problems [they were different species- working with the idea of a Gila Monster] so she never had any of the children she had wanted before the war basically ruined her life

She adored that child and never accepted pay

[she was paid by the government anyway since she was a war vet]

All of the money that Charley would slip into her pocket, she'd either secretly give right back, or spend it all on Buster

She was like a mother to him

Still is

She offered to help with the theater after Charley realized that the place didn't just come with staff

Charley and Buster's bond was basically unbreakable

Charley would always stand up to the school system whenever they treated Buster unjustly

[Trust me, there was a lot of prejudice against Koalas and other endangered species, no matter how small or harmless they seemed. People fear what they don't know, and to say Koalas are an oddity would be an understatement-]

[Like even irl, they're Marsupials, sure- but they're so different that they've been given a classification all to themselves called Phascolarctidae. They're so alone in the animal kingdom, it's not even funny. Their closest "relative" is the Wombat, and even then barely]

[Give me another animal that's even remotely similar to Koalas appearance-wise. Their facial structure, the double-thumbs, massive ears, the fact that they can only eat one thing, and it's poisonous [catch me writing Buster poisoning someone with eucalyptus >:D]- yeah, they're super interesting to work with. And of course, I give them hardships for it ~_~]

[Everyone that saw Buster and Charley just immediately knew they were endangered just because of how alien they looked]

["freaks"]

[They just rolled with it]

[Well, Buster was always bothered by it, but Charley was always there to tell him that it should be something to be proud of. Didn't always work all the way]

[I'll talk about Buster later, don't you worry]

[Ok enough with the gushing about Koala facts in brackets-]

Buster would also stand up for Charley during family gatherings [which they eventually just stopped going to entirely] because Charley would just freeze up and not say anything whenever people started fighting with him

✨trauma✨

The two protected each other is my point pretty much

Ok, for a rough timeline:

[1903 - 1955] - Great War [1956] - Charley was born [1960] - Holly was born [1974] - Charley ran away to Calatonia [1980] - Buster was born [1988] - Charley took Buster in [1990] - Harry meets Claire [1994] - Harry and Claire get married [1997] - Theater was sold to Charley and quickly opened [2003] - Charley is killed

It's fucking tragic how he dies

Like, him and Buster were literally in the middle of planning the show when Buster got the call

Late too

He couldn't get to the landline at first because he was busy with set design, and actually saw it a LOT later, which- yeah. Cue horrific amounts of stress as he bikes as fast as he can to the ER

"Where's dad!??" he's in the hospital bucko

Why must I kill all the characters I love-

Charley'd just gone out to get some supplies from like, home depot or something, and then yeah. Dead

Buster could never finish the show, so it sits collecting dust in the attic now

Grief made him unable to write much, which is how he eventually went into debt too

The whole thing with them is absolutely tragic, oh boy-

Can't wait to draw the funeral scene

Ok, so I keep forgetting what's been posted and what's still a draft, so sorry if something just- absolutely jumps out of nowhere here. I think I've mentioned the war before? And Poachers- I hope I at least mentioned Poachers-

Well, if you didn't know before, you do now ''':D

Thanks for reading

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renegadeknight · 3 months

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Can I be super obnoxious about the ask game? ‘Cause I’m gonna.

2, 4, 17, 18

If you only want to answer one… 17 or 18. (You know I’m a whore for the snips.)

love that for me 💙

2. a character whose POV you're currently exploring

I'm actually currently trying to wrangle some Tommy POV, which has been harder than I thought it would be 😅

4. a story idea you haven't written yet

Ugh so many but one I'm really excited to get to eventually is another alt meet au where Joel finds an injured Ellie in the woods while he's on a remote-ish Jackson patrol and then he has to deal with the fallout when some raiders/fireflies come looking to take her back

17 got a little long so I put it under the cut with 18, thank you for the ask!

fic writer ask game!

17. talk about your writing and editing process

it feels like a chaotic mess to me but I usually start with a very rough just bare bones draft of something, I usually call this "word vomit" cause that helps me combat the perfectionism and just get shit on the page. some parts will be more fleshed out than others on this initial pass if a certain scene/moment strikes me, but sometimes it's literally just "Ellie says something that makes Tommy want to walk in front of a train" like vibes and what I want are easier to jot down at first even if I don't know how it's going to play out quite yet then I go back through for a second pass and try to flesh out the structure of the scene, what's my goal and who goes where and does what to achieve that goal. this can be more or less polished depending on how many mental drafts I've done of the scene. sometimes if it's a lot of convo I'll cut that to another document to work on just the dialog with no narrative distractions and then cut it back in to work out the body language interactions etc. but I still sometimes leave carrots like "<something something he asks one more question and she snaps something back" and leave it for future me to figure out and then the third pass is where I start to finalize things and paying more attention to how I'm saying things instead of what I'm saying. I try to work out all the carrots that I left behind and make sure I've hit all the story beats I was aiming for. if I'm not completely done with it after that, I'll read through one more time just for a flow/vibe check, pick up some typos if I'm paying close enough attention and then post it immediately because if I don't then I will keep picking at it until my eyes bleed

18. if you keep them, share a deleted sentence or paragraph from a published fic

This was some very early drafting for Stubborn Love where I thought Joel might push for Ellie to get a say that first time Tess came to take her to a permanent placement, and then Ellie promptly disappeared from said placement. Obviously I ended up going a different way with it, cause I felt like it was too early in the game for her to be running away and Joel to know exactly where she went. So I used that later 😉

And this was also very early SL drafting of the "not your dad/not my daughter" conversation where initially I had this idea that Ellie thought Joel was just estranged/ghosted Sarah and so she sort of stepped in it a bit. Ultimately I decided to let Ellie figure that out before this conversation cause it felt like she would piece that together. (also an example of mostly keeping to the dialog in early drafting, and "Silence for a hot second" would defs get revised to something more eloquent lol)

#thank you for the ask my dear #I have to go back to work but I will answer more later!#fic writer ask game

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altschmerzes · 1 year

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I love your writing! What’s your process for planning/outlining a story?

it depends on how long it is!!! i start with like, noting down everything i'm initially excited about for the idea in the first place. if it's a specific scene, or interaction, or like, moment to reach, something, i write down everything i'm jazzed about. don't care about grammar or punctuation or sentences just jot down everything i can. and then i build in around that, i take a step back and look at like okay. what needs to exist Around this to make it into what i want. if it's a long story, where does it start? how does it progress? what other major beats are there and what needs to happen between them, how much space do they need to really build and have the right kind of impact when they happen?

also this got a bit long so the rest is under a cut

i often end up like. babbling about an idea to a friend on discord and then referring to our conversation to build up an outline. can't more highly recommend it, especially if you're stuck. this can often result in what i call 'ideas badminton' where you thwack an idea back and forth with your pal and it gets very exciting to work on from there.

generally, i try to figure out at least, with longer pieces, where it starts, where it ends, and what the major beats are! with a fic like wriggle up on dry land it's easier bc it mostly follows canon beats, but there's still the emotional evolution i had to chart out. i actually did this with little sticky tabs on a paper so i could visualize it, see where the other stuff needed to be put in. and then i launch in with like, bullet points, listing stuff out, and that turns into what i call a 'flashdraft' which is like. the shittiest rough draft version, it's not even capitalized or punctuated correctly, it's like. well, like this:

i wish a had more coherent advice or a more logical answer slkj it's mostly just vibes and a lot of bugging my friends with stuff. a lot of remembering to write things down, a lot of figuring out what the parts that Matter to me are. the parts that i want to Hit. etc.

hopefully that helps and i'd be happy to answer anything more specific!

#gav gab #gav answers #writing liveblog

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ultraericthered · 2 years

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KH Canon OCs - How I See Them

Any followers of mine I have on this hellsite are likely aware that I am and remain a Kingdom Hearts fan who personally considers only the core narratives of Birth By Sleep, Kingdom Hearts (1), Chain of Memories, and Kingdom Hearts II (plus some Appendix content from the UX fairy tale, BBS 0.2 and 358/2 Days), all chronologically, to be the canonical narrative of the true and pure Kingdom Hearts, the epic Disney saga before it was all remade in the image of director Tetsuya Nomura’s demented shonen mangaka brain. Or to put it differently, only the first decade of the franchise (the 2002 release of KH1 up to right before the 2012 release of KH3D) matters to me on any deep level (though the second decade up to Sora joining Smash in 2021 has some shining gems of merit to take from even while the rest of it is all hot flaming garbage that’s being doubled down on and continuing going forward and I want absolutely no part of it, bye.)

As such, the KH original characters I would consider canonical to any worthwhile work of Kingdom Hearts are all those introduced in that first decade, with one exception I’ll bring up at the very end. And these characters, like many franchise characters, have been written and portrayed in differing ways between different entries, whether they be games, manga, novels, web original/fanon material, or even just the basic rough draft concepts. So...where does that leave me and how I view these characters? I thought it’d be fun to not only answer that, but to compare with actual officially liscenced depictions of the characters and see which ones best match what I consider the ideal for the “baseline”/”template” these characters ought to follow.

Sora

Sora is a free-spirited, mostly easygoing and cheerful young boy from Destiny Islands who finds himself the chosen wielder of the Keyblade one fateful night when the Heartless invade his home. He’s best friends with Riku and Kairi, and also with Donald and Goofy, his travel companions across the worlds. Generally positive, upbeat, bold to the point of cockiness, and with a steadfast belief in the heart and in his friends that are his power, Sora can also be very deeply contemplative, surprisingly considerate, and prone to becoming moody and melancholic whenever something really gets him down. Despite this his agility, abilities, and willpower are exceedingly strong.

The Sora who best matches this characterization would be...

Somewhere right between both games in the Kingdom Hearts II Final Mix+ package - Re: Chain of Memories and KHII. As great as KH1 Sora is, his character arc, growth and maturity through the course of that game’s story sort of ends at a narrative wall, as it was clearly developed like a standalone with the continuation of the storyline afterwards being uncertain. So Sora’s whole ordeal in Castle Oblivion was designed to break him down and the following story of KHII was likewise designed to build him back up again ‘til he reached Peak Sora, slicing through skyscrapers with his Key and everything. In between these portrayals, if we took the best of Sora from Re:CoM and added it to the best of Sora from KHII, we’d have my Sora.

Kairi

Kairi is the seventh Princess of Heart, a pure-hearted girl who comes from the world of the Radiant Garden Hollow Bastion but now lives on Destiny Islands due to being sent there by Xehanort when she was very young and small. Though appearing scrawny and fragile, Kairi is a spunky, cheeky, outgoing and good-natured tomboy with an endless supply of willpower and inner strength in addition to her athleticism. Unlike her best friend Sora, though, Kairi isn’t exactly carefree and is prone to anxiety and fear of change beyond her control due to her traumatic childhood experiences, and is also very impatient and fidgety, but tries to conceal all this beneath a sunny disposition. But put her in a situation of action and danger, and she will go fucking feral. Over the course of the saga, Kairi matures and grows braver, stronger, more proactive, more aware of all that’s around her, and more accepting of great changes, even temporary separation from her friends. Oh, and she and Sora might be in love.

The Kairi who best matches this characterization would be...

Yeah, you all saw this coming. Shiro Amano’s Kairi from his manga. Admittedly, his KH1 Kairi was not very good in the KH1 manga - the scripting for Kairi’s character in KH1 the game remains superior. Everything else, though, he nails for Kairi. We see more of her 14 year old self in flashbacks, we get her KHII character expanded upon so that her personality and dvelopment arc is better fleshed out and she gets more badass achievements to her name, and even the currently running KHIII manga improved her content. She’s perfect.

Riku

Riku is Sora and Kairi’s best friend from Destiny Islands and was to be the Keyblade’s chosen wielder. Cool, cocky, competitive, a bit aloof and tough on others, and prone to snark and joking around, Riku was also very inquisitive and yearned to explore bigger and better places outside his small backwater home, which paralleled his desire to be mature and regarded like a strong and capable adult. These qualities made him susceptible to giving into the darkness in his heart and calling the Heartless to invade his world, which lost him his claim on the Keyblade. His stint with Disney villains and turn to exploiting the powers of darkness for his purposes set his future course, as even when he realizes his errors and repents, he’s stuck with dark powers and a natural pull towards the Dark Realm. From here, Riku becomes first and foremost the “Good Disney Bad Guy” who uses what he gained from villainy towards the cause of good, to help others rather than himself, and to ultimately turn his Darkness into Light. This is symbolized in how he hangs around with Mickey Mouse, the epitome of a Good Guy. Ultimately Riku matures for real and becomes a watchful guardian with his own “twilight” power.

The Riku who best matches this characterization would be...

Like Sora, the ideal depiction of Riku lies somewhere between two games - his KH1 character and the parts of his story mode in CoM that worked and pushed him towards a unique and special path of redemption and heroism that wouldn’t require he wholly sacrifice his Disney Villain-ish aesthetic and edge that he makes work so well. He should never have become the Vegeta of KH, not when he could’ve been the Piccolo of KH, a role his character fits far more naturally.

Xehanort/Ansem, Seeker of Darkness

Xehanort (yeah I know *officially* he’s “Terra-Xehanort”, but that’s not spoken aloud in canon, so he’ll always be “Xehanort” to me) was an amnesiac young man heavily implied to have been a Keyblade wielder who was taken in by Ansem the Wise and made his chief apprentice. Growing envious, arrogant, and apathetic to ethics and emotion, spurred by feelings of inadequacy and his desire to know all that there is to know, Xehanort betrayed his master, banishing him to oblivion and stealing his research, his other followers, and even his name. Allowing the Heartless to overrun his world and sending Kairi adrift in his search for the Keyblade Master, Xehanort became a Heartless himself and masterminded a widespread invasion of the worlds for the purpose of cultivating the Heart Of All Worlds so that he may claim the power of Kingdom Hearts and blanket the universe in everlasting Darkness, which his research had concluded was the true essence of the heart and the stabilizing force of everything.

The Xehanort/Ansem who best matches this characterization is...

There was never any realistic chance than any other depiction of this character was going to top Billy Zanenort in the original KH game + its Final Mix. Everything about him there was so perfectly realized.

Xemnas

Xemnas is the Nobody of Xehanort who was born after Xehanort became a Heartless, who formed Organization XIII and leads it as its Superior. Devoid of feelings and with a vast emptiness where his sense of self once was due to lacking a heart, and now recognizing how pitiful his old self truly was, Xemnas refuses to sink back into Darkness and be rendered nothing of significance, so he desires to enhance and assert his own non-existence by not only gaining a heart of his own through his own Kingdom Hearts, but by claiming its power for himself, tainting the hearts of all life in the universe with his Nothingness so that everything is reduced to nothing and all hearts be enslaved in the thrall of his own, as the deified ruler of the worlds. Completely cold, calculating, philosophical, utterly ruthless, devoid of pity or mercy and with a grandiose sense of self-importance, Xemnas schemed to make the power of the Keyblade serve his own uses.

The Xemnas who best matches this characterization is...

Much like his Heartless counterpart, Xemnas was never better than he was in his debut game, but particularly KHII:FM, which added so much to his on-screen appearances and role as the overarching villain at the head of the Organization, fully selling how complex, tragic, and frightening a character he is. He was great in the other special edition games (KH1:FM and Re:CoM), but those were simply teases at him. Character-wise, KHII:FM remains his definitive outing.

Namine

The special Nobody of Kairi, born when Kairi’s heart departed the body of someone who was not her (Sora). Due to being a product of the connection between Sora and Kairi’s hearts, Namine posesses mystical powers and abilities to look into the hearts of others and tamper with the chains of their memories, which can create certain effects on their minds. At first Namine was a captive of Organization XIII and exploited in Marluxia’s conspiracy at Castle Oblivion, which she let happen due to her loneliness, fear of being left alone and abandoned, and desire to matter in the hearts of Sora and his pals. Initially timid and withdrawn, Namine grew to be more assertive and proactive thanks to her experience with Sora, which allows her to act with more confidence and let her more rebellious and mischievous sides show more openly. She forms a special bond with Roxas, Sora’s Nobody, and eventually with her own other half, Kairi, who she re-assimilates into so that now she has a home inside her heart.

The Namine who best matches this characterization is...

Yes, technically Namine had her strongest showing in terms of character development and story relevance in CoM/Re:CoM, but as a personality with longer lasting value to the series, KHII, the initial game, the FM edition, and also Shiro Amano’s manga adaptation, had Namine at her most appealing by far. She’s sweet, intelligent, helpful, lively, and as strange and awkward as you’d expect someone of her conditions to be, but I think it’s really all brought together in just that sly grin and pose she does in both that game image above and in her official character model art, and how she now fully embraces herself as a “witch” despite that having been just what others called her to start with. The girl’s a naughty little troll and she knows it.

Marluxia

Number 11 in Organization XIII. Marluxia was made lord of Castle Oblivion and from within it concocted a very diabolical and ellaborate scheme to brainwash Sora and bend him to his will so that he could turn the Keyblade against Xemnas, which would allow Marluxia and his co-conspirators to take over the Organization. While seeming elegant and refined, Marluxia is very authoritarian, cruel and without scruples when looking to claim the power he craves. In combat, Marluxia’s a graceful assassin who fights with a sickle and flowers.

The Marluxia who best matches this characterization is...

For reals, Marluxia’s never been gotten quite perfect in anything to feature him, but he was indisputedly at his best in the Kingdom Hearts II: Final Mix+ package, containing Re:CoM and KHII:FM. Re:CoM made his character a lot cooler and more intimidating than he was in the original GBA game (his confrontation with Axel and the fights with him alone prove as much), and his fight in KHII just really runs with the whole “reaper” aesthetic, making you truly fear him.

Axel

Number 8 within Organization XIII. Axel is quite the complicated character, being primarily an assassin with a mercenary sense of values and who does the work of others within the Organization only when he can be sure that it’ll benefit himself to do so. Despite acting like a snide, aggressive and largely blase punk, Axel is not only charming but very perceptive and good at reading a room, making deeply thought cost-benefit analyses of any situation and having a knack for manipulation of both people and events so that things go his preferred way. Selfish and scheming as he is, Axel also harbors deep vulnerability that only his oldest friend and senior member Saix has seen, and when he comes to value something or someone, he is unwilling to let go no matter what he has to do to keep them around. In combat, Axel is very flexible, and fights with chakrams and fire.

The Axel who best matches this characterization is...

It’s Shiro Amano for the win once again! The one constant for Axel is that his debut showing in CoM, whether on GBA, the PS2 specially remade edition, the novels, or even the manga (he’s literally the sole positive in that entire manga adaptation!), goes great for him. It’s everything that follows that I had to consider when weighing them against each other. Then it became no contest - not only is Axel’s portrayal in the 358/2 Days manga stronger, better written and better handled than the game version, but in the KHII manga I am actually very glad he survived past the prologue and can see the value in his role the whole way through. I have never been able to say that regarding KHII the game and especially the novels, but the manga actually got it right. So Amano’s Axel is the best, got it memorized?

Larxene

Number 12 within Organization XIII. Larxene moreso than other Nobodies is particularly agitated by the emptiness within her, so she seeks to fill the void by amusing herself and has found no better way to do so than to cruelly bring others down and toy with them even to a breaking point without any mercy or misgivings. A prideful sadist who cares little for others, Larxene became Marluxia’s co-conspirator in the Castle Oblivion plot to brainwash/recruit Sora so that they may overthrow Xemnas and take over the Organization, and she got an affinity for teasing both her colleagues and Namine. While normally easygoing, playful and snarky, in combat Larxene shows why she’s called a “savage nymph”, fighting with kunai knives and electricity.

The Larxene who best matches this characterization is...

In both versions of CoM, Larxene is a standout. Re:CoM removed a handful of her dialogue for some reason, but otherwise got to portray her personality in even greater detail, with her sauntering movement, skeevy flirtiness, and irritated gestures adding a lot to how enjoyable she is, her facial animation and voice acting emphasizing her malicious sadism, and even her death feeling sadder than just an abrupt tantrum fadeout. What both versions share in common is how uncompromisingly brutal she is to fight. “Savage Nymph” indeed!

Vexen

Number 4 within Organization XIII. As his human self Even was, Vexen is a very dedicated scientist, looking at everything as an opportunity for research and turning any exploitable situation into an experiment to conduct. Feeling like science lends itself not to heartfelt emotion or compassion, he is ice cold and even cruel in how he pursues his agenda. Vexen is also incredibly pompous and elitist, believing in the seniority that numbers within the Organization give and looking his nose down at those of “limited signifigance”. His claim to fame is the creation of Replicas, beings that duplicate the bodies of others but, much like Nobodies, are incomplete due to having fabricated hearts and minds. In combat, Vexen is meticulous, and fights with a shield and ice powers to match his personality.

The Vexen who best matches this characterization is...

As great as Vexen always was in CoM, Re:CoM made him just a teensy bit even better. Part of it is due to the voice acting, which is spot on in both languages. Part of it is due to him coming off as less of a dirty coward than before, thus easier to feel for. And finally, a big part of it is how he dies, a death far more grisly than in the original!

Lexaeus

Number 5 within Organization XIII. The Nobody of Alaeus, one of Ansem’s royal guards and scientific assistants, Lexaeus is the brute force within the Organization who doubles as one of the deepest thinkers of the bunch. Well composed, taciturn, and with a sense of honor, Lexaeus channels his mind through his muscle and is a force to be reckoned with as a result. In Castle Oblivion, he worked in the basement level along with Zexion and Vexen. In combat Lexaeus fights with a tomahawk and earth powers, and can also raise his chi so that he becomes a nigh-unstoppable rampaging monstrosity!

The Lexaeus who best matches this characterization is...

In CoM/Re:CoM he was a bland, forgettable, ultimately throwaway character who is laughably easy to beat despite his professed strength, and in KHII:FM, he’s is much less a character than he is a boss fight (though at least a really strong and difficult opponent now!). 358/2 Days got him down just right, with him being calm, gracious, and intelligent while also being brutal (poor Roxas!) and one of the strongest characters to play as. The only thing missing is his fondness for mind games and puzzles, I think Shiro Amano actually did that really well and it added to his character, but oh well.

Zexion/Ienzo

Number 6 within Organization XIII. The Nobody of Ienzo, youngest of Ansem’s apprentices, Zexion is an analyst and a tactician by nature, always observing, always thinking, and always deciding to act on what he believes to be the best recourse for disadvantaging his foes. Very deadpan, smug and assertive with others, Zexion owes the Organization a great deal and wishes to succeed Xemnas as its leader one day. But as he’s still young and impetuous, he’s not the successful schemer he’d like to be and cracks under pressure. In Castle Oblivion, he worked in the basement level along with Vexen and Lexaeus. In combat Zexion’s not the best physical fighter, so he prefers to cast illusions and mental tricks using a magic spellbook.

The Zexion who best matches this characterization is...

Re:CoM is the best Zexion is going to get in terms of character and combat, and I quite like Ienzo whenever he appears in later games. He’s the only counterpart to an Organization member other than Xehanort and Braig who feels like he warrants the expansion.

Riku Replica (Repliku)

A replica of Riku created by Vexen in Castle Oblivion, designed to reflect Riku’s full dark potential. Was brainwashed by Namine into being obsessed with protecting her and fighting off Sora, but he eventually regained knowledge of what he really was and it got him grappling with his sense of identity all the way to his tragic demise.

The Repliku who best matches that characterization is...

I mean, he’s pretty much the same in Re:CoM as he is in CoM, but with two added benefits: voice acting to actually sell his comically inflated intensity, and not being so ridiculously too difficult to fight.

Ansem the Wise/DiZ

The ruler of the Radiant Garden with an affinity for science and the aquisition of knowledge and wisdom. In trying to better understand the heart, Ansem ended up drawing beings born of the heart’s darkness to his world, and his efforts to keep them at bay were thwarted when his apprentice Xehanort betrayed him and banished him to the Realm of Nothingness. Consumed by dark thoughts, negative emotions and a desire for vengeance, Ansem went by the identity of “DiZ” (Darkness in Zero) as he sought a way to strike back at the Heartless and the Nobodies, the latter whom he particularly despised due to their very non-being serving as a reminder of his failures and the traumatic tragedy he’d been made to endure. While proud, callous, disdainful and patronizing to others, sometimes even downright cruel, Ansem has a wry sense of humor, enjoys peculiar interests such as computer games and ice cream, and can be civil when need be. He recognizes deep in his heart what’s right and wrong, but stubbornly refuses to heed his heart in favor of his mind. Suffice to say, this man’s story doesn’t have a very happy ending.

The Ansem/DiZ who best fits this characterization is...

When you get down to it, Ansem is really not that terribly interesting or invaluable a character in anything other than KHII. It’s the story with the role he was literally made to play, and in it we don’t only get his Ansem Reports and legendarily great voice acting by the late Sir Christopher Lee, but Final Mix even adds the one scene from 358/2 Days featuring him that was best fit to be shown in this story.

Roxas

Roxas is the Nobody of Sora, born when Sora’s heart left his body and he became a Heartless. Made the 13th member of Organization XIII, the solemn, moody and ill-tempered Roxas grew dissatisfied and at odds with himself, beginning to question his purpose and his very identity, which led to him leaving the Organization. He was then captured and mind-wiped by DiZ, who placed him in a simulation of Twilight Town where Roxas developed another identity, a bright, kind, considerate, humble and skeptical “boy scout” type who hung out with Hayner, Pence, and Olette. During this time his memories were scanned and extracted by Namine, and one identity crisis and fight to the death with his former friend Axel later, Roxas was made to re-assimilate back into Sora’s heart, where over the course of Sora’s next journey Roxas made peace with himself and his new home.

The Roxas who best fits this characterization is...

For a third time, Shiro Amano pulls through on not just doing justice to but actually perfecting a character from the games. While his Organization XIII persona in 358/2 Days still isn’t quite what I’d imagined, Amano’s writing for Roxas makes him so engaging the whole time that I barely care, and in the KHII manga he steals the show from Sora in a way Roxas in the game never could. I really like him - he’s way better than the black-coated turd of the later entries.

Hayner, Pence, and Olette

Three friends who live in Twilight Town and who were Roxas’ best friends in the simulation. Hayner is brash and energetic with a take charge attitude. Pence is chipper, laid back and good humored, and has an interest in stuff like machinery and truth-seeking. And Olette is sociable, willful, a bit bossy and snarky, and a shopaholic.

The Hayner, Pence, and Olette who best fit this characterization is...

Yeah, they’re pretty much the same in every single work they appear in, making it impossible to choose (though in Olette’s case I have to give her manga incarnation as shout out for the spiked baseball bat!)

Xaldin

Number 3 within Organization XIII. The Nobody of Dilan, one of Ansem’s guards and scholars, Xaldin is a naturally gifted warrior in the fields of both strength and strategic thinking. Viewing himself and his fellow Nobodies as abominations devoid of feelings, Xaldin views the Beast of Beast’s Castle with contempt and jealousy over him being a literal monster who possesses a heart, feelings, and humanity to reclaim, so Xaldin makes it his priorty to gradually take the Beast’s life apart and utterly break him in both body and spirit so that he may become a Heartless and create a Nobody that Xaldin may then enslave. Moreso than his colleagues, Xaldin is spiteful, malicious, verbally abusive to others, and devoid of any civility or decency, as it’s “not in his nature to hold back.” In combat, Xaldin is relentless, wielding six deadly lances and the power of wind.

The Xaldin who best fits this characterization is...

You really can’t do Xaldin any better than KHII:FM.

Demyx

Number 9 within Organization XIII. Demyx is a lazy, undisciplined, largely apathetic wastrel and a coward who prefers not to fight or apply himself to any tough situations. He likes lounging around, playing music, gaming with his colleagues, and generally taking advantage of others. Though he seems scatter-brained, silly, and even quite friendly at times, Demyx’s empty self makes him insecure about his place in the World, and when that button is pushed, he will throw caution and the pretense of feeling anything to the wind as he becomes a ferocious assailant, fighting with water and his sitar.

The Demyx who best fits this characterization is...

Again, KHII:FM got Demyx down the best. While 358/2 Days and even its manga adaptation fleshed him out a bit more, it lacks the spectacle of his boss fight that has made Demyx such a legend.

Luxord

Number 10 within Organization XIII. Luxord is a gentleman first, a gambler second, and an Organization agent last, so he’s not always the most effective when on a mission. However, he is also shrewd of mind, nefarious in means, and utterly fearless in face of a challenge. He generally gets along with his colleagues, respects a worthy opponent, relishes a good game, and prides himself on being keen and seeing through to the end anything he takes on, and he gets rather frustrated when things fail to match up with his perceptions and risk/reward analysis. In combat, Luxord fights with cards and dice, the gambler’s arsenal, and utilizes the power of time itself.

The Luxord who best fits this characterization is...

Fourth hit for Shiro Amano. While Luxord as an Organization operative in the Caribbean is enjoyable in KHII and even KHIII, Luxord as a character was better realized in the manga, which made him so much fun and notably goofier, meaning he has a much better chance to avoid the utterly asinine bullshit Nomura is now set on.

Saix

Number 7 within Organization XIII. Saix is a Nobody who both fully embraces being a Nobody and curses his fate as a Nobody, yearning for a heart of his own. He is so cold, so efficient, so faithful to the cause, and so uncompromising in his cruelty that he got himself the role of Xemnas’ second-in-command. Normally very deadpan and detached from any semblence of emotion, Saix always hides an undercurrent of intense rage, displeasure, venom and instability that only comes out when a full moon drives him into utter lunacy. He’s been friends with Axel since the start, as their human counterparts were friends too, but lately the two have drifted apart. In combat, Saix wields a broadsword and powers of moon, stars, and space.

The Saix who best fits this characterization is...

358/2 Days just gives Saix all the character focus, meaty role in the plot, and truly villainous deeds that you could ask for. He’s great in Shiro Amano’s manga adaptation too, but his darker presence and actual fighting in the game gives that portrayal of him the edge here.

Xigbar/Braig

Number 2 within Organization XIII, and the Nobody of Braig, one of Ansem’s guards and apprentices who always had a greed for higher status and power that could elevate his self worth. Wanting to wield a Keyblade of his own, Braig gladly accepted Master Xehanort’s offer to collude with him in his scheme to set off a new Keyblade War, and ended up exploiting Xehanort’s trajectory when he became Ansem’s apprentice. Becoming the founding member of Organization XIII along with Xemnas, Xigbar retains Braig’s laid back, gruff, rude and talkative personality and seemingly flighty and unserious attitude, but actually knows many secrets and holds many cards close to his chest, always thinking opportunistically about what can gain him the best advantages and put him several more steps ahead of others he disdains. In combat, Xigbar fights with sniper rfiles and gravity power.

The Xigbar/Braig who best fits this characterization is...

To put it plainly, Xigbar was initially one of the weakest characters in the Organization, and everything about his character in KHII:FM and 358/2 Days only works with the context given with Braig in BBS. (Also, he’s not Luxu. If Luxu were to exist, he’d not be this character.)

Xion

The suddenly added Number 14 of Organization XIII and the centerpiece of much of what happened in the time gap between CoM and KHII. She turns out to be an imperfect Sora replica made by Vexen who absorbed the memories of Sora that Roxas could not recall, leading to the puppet taking on an appearance and personality reminiscent of Kairi. But wheareas Kairi is sweet (albeit sassy and teasing), light-hearted and acts like she’s got her shit together, Xion has no such chill - she’s manic, edgy, feisty, stubborn to a fault, quite prone to angst or anxiety-inducing emotional turmoil, and very open about her insecurities. Despite this, she is fiercely dedicated to being a hard worker and applying herself on missions, giving it her all to earn her keep and putting on her best brave face for her friends ‘cause she loves them so deeply. Even when her screws come more loose and she has her very identity and continued existence in question, her desire to do right and look out for what’s best for her friends wins through. Due to her connection to Sora and Roxas, Xion too can wield the Keyblade. Was ultimately wiped from all memory.

The Xion who best fits this characterization is....

To the surprise of no one, Xion from Shiro Amano’s 358/2 Days manga adaptation IS the character for me and many others - in fact, she’s probably Amano’s crowning achievement, fully realizing the potential in such a bizarre and fanficcy character concept that was thought up by Tomoco Kanemaki and screwed with by Nomura.

Terra

The young Keyblade wielder who, years ago, fell prey to the darkness in his own heart and from Master Xehanort, becoming Xehanort’s vessel and a crucial component of who Xehaort was as Ansem’s apprentice. Having a soured relationship with his mentor and father figure, Master Eraqus, Terra’s heart burned with the desire to prove himself strong and to be a hero to others in need. While rather overconfident, willful, dense, brooding, short-sighted and with a fixation on power, Terra was also good natured, compassionate and vulnerable, wanting to see the best in others and so convicted to ideals of heroism and moral values that his will to do good and protect what mattered most to him outlived him and his own failings.

The Terra who best fits this description is...

Say what you will about Terra in BBS, good and bad, but he was easily the most fully realized character with the fullest realized story arc out of the leads in the game, plus his combat style holds up best.

Aqua

The young Keyblade wielder who, years ago, played a key (pun intended) part in saving the worlds from a plot by Master Xehanort to lay waste to everything, even sacrificing her physical existence to the Darkness in order to give her two friends, Terra and Ventus, their best shot at survival. Aqua was kind-hearted, keen and insightful, strong-willed, stubborn, and hyper-focused on her tasks due to the seriousness of her position and the ideals of peacekeeping and justice that Master Eraqus instilled in her. Having shown the Mark of Mastery, she was also a bit showy, standoffish, and judgmental, wanting to believe she knew best and that her heart wouldn’t lead her astray only to constantly second-guess herself and expose her more awkward side. She cherishes light and is constantly pushing back against the darkness in others and in herself. Above all else, Aqua values her friends as family and will do anything to help them.

The Aqua who most fits this characterization is...

The reason I hold a deep appreciation for what we got in BBS:FM’s bonus episode and in BBS 0.2 even when I don’t like either of those as products is that their contents helped really define who Aqua is and needs to be as not merely a strong heroine, but as a character who stands on her own apart from her two male friends. Shiro Amano’s recent adapting of the material did it one better by restoring Aqua’s adorkable side from BBS to give us bits of levity here and there. Plus, she’s just beautiful and such a damn badass in Keyblade combat, making Nomura’s ever sexist treatment of her in KHIII afterwards a legit crime of bad writing and character assasination.

Ventus

The young Keyblade wielder who, years ago, played a key (pun intended) part in saving the worlds from a plot by Master Xehanort to lay waste to everything, even sacrificing his very heart to vanquish the threat of the Unversed. Initially brought into the secret Keyblade Master order by Master Xehanort, while not of age to become a Master, Ven trained hard and looked up to his older friends/surrogate siblings, Terra and Aqua. A positive, confident, good natured, helpful and spirited youth, but one prone to uncertainty, melancholy, and impertinence when faced with conflict he found himself ill equipped to deal with. While not too strong or magically gifted, he was very agile.

The Ventus who most fits this characterization is...

Yes, just the basic concept of Ventus. He was never too well realized in any officially liscened work, and was most effective when asleep.

Master Eraqus

The old master of Terra, Aqua, and Ven, who in his own younger days was a colleague of Yen Sid and Xehanort in their Keyblade training. He meant well, but was overly strict with his surrogate children and zealous about safeguarding the light by stamping out darkness whereever, whenever, believing in absolutes such as the need to ultimately erase darkness from all hearts in existence and guide the worlds to a new age of prosperity in secret. He was struck down by Xehanort, the man he’d looked to as an elder brother.

The Eraqus who most fits this characterization is....

Once again, a character is never executed too well beyond his rough draft concept and design. And what a cool concept and design, too!

Vanitas

A being of pure darkness who spawned the Unversed years ago and who may have had some influence in the darklings’ evolution into Heartless. Vanitas trained under Master Xehanort as his secret apprentice and wielded his own dark Keyblade. He relished being cruel and channeling the pain of his own negative emotions into the pleasure of hurting others, and he was also very arrogant, viewing himself as the most supreme warrior who could even usurp and outlive Xehanort himself. While seemingly destroyed by Ventus, Vanitas never fully went away - we see traces of him in Riku’s dark mode and soul-eater, and in Sora’s own positivty turning to negativity and obsessive desire during his trek through Castle Oblivion. So long as darkness holds great power, Vanitas will linger as its embodiment.

The Vanitas who most fits this characterization is...

This was bar none the biggest shock to me. I didn’t think KHIII would get anywhere here beyond a shout out to Ienzo, but Vanitas in that game is honestly even better than in BBS, and for mainly one reason - he redefined what I thought of the character and his potential. ‘Cause beforehand I wasn’t sure I even wanted to see Vanitas again since he seemed to have no lasting value beyond that dumb ying-yang X-Blade plot with Ventus. KHIII showed he didn’t need to be just that. He could be his own brand of menace, the “Darkness” he chose to be. He didn’t even need to go around looking or sounding much like Sora - he could have far stronger “repeatedly comes back taking on a different shape and form” potential than Xehanort! And naturally, I don’t care one bit about whatever Nomura might have in mind for Vanitas and tying him to 12 other “Darknesses”, that’s BS. Leave me with my proud, gleefully evil solitary Darkness Incarnate!

Master Xehanort

The old Keyblade Master who set in motion the events that led to the story of Kingdom Hearts and whose heart became the canvas for the creation of the story’s overarching villain, Terra-Xehanort. Hailing from a small, constraining world before being chosen by the Keyblade, Xehanort finally got to explore the larger World only to, like Ego from Guardians of the Galaxy Vol. 2, find it so... disappointing. Being a naturally born sociopath with an inquisitive soul who always sought knowledge and yearned for the answers to all his heart’s most burning questions, Xehanort researched deeply into the old Keyblade War legends all while arrogantly intaking and exploiting Darkness in hopes of chanelling it as power. His ambition became to initiate another Keyblade War-sparked apocalypse where Darkness would ravage the World and he could then set foot inside Kingdom Hearts to harness its light and recreate the World anew in his own image, partially out of sheer curiosity to see the results such a grand cosmic experiement would yield and partly out of a desire to trascend his own humanity and play God. By the time he got around to it, Master Xehanort was little more than a self-interested, callous, maniacal old crackpot who did evil for evil’s sake and shamelessly reveled in it. Even after he, from inside Terra’s body, got amnesia and faded from consciousness, his dark legacy lived on in Terranort and his Nobody.

The Master Xehanort who most fits this characterization is...

OBVIOUSLY. In both Birth By Sleep the secret ending FMV and Birth By Sleep the game story, Master Xehanort was easily the most interesting, enjoyable, and best realized character, particularly when his on-screen portrayal firmly followed the Watanabe vision for him. A fantastic villain even with a dumb plan and incoherent motivations; were only those issues fixed, we’d have the ideal Master Xehanort who’d be by leaps and bounds superior to Nomura’s pet Villain Sue.

And last, and unfortunately least, we have....

Strelitzia & the Chirithy

Strelitiza is a girl who lived in the same world and village as Lauriam and Elrena, to whom she was a blood-related sister and surrogate sister respectively. The three of them belonged to a guild inspired by folk legends of the Keyblade, though they were not wielders of the fabled blade themselves. She was a rather quiet and shy girl who looked to others to give her courage and resolve, holding the highest opinion of her brother and best friend while undervaluing herself. Met with an unknown tragic fate, which effected Lauriam and Elrena deeply. The Chirithy, meanwhile, were local critters who were said to have been around since ancient times and could gague a hearts connection to the Keyblade. Chirithy also exists in the Final World.

The Strelitzia & Chirithy who most fit this characterization is....

As with Ventus and Eraqus, the basic concept and design outdoes the actual implementation of the character we got in the series. Don’t care to see these characters anywhere outside of my headcanon.

#Disney #Kingdom Hearts #characters #opinion #analysis

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sydmarch · 2 years

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(Prev 8 Arms anon) I'm sorry to hear you had such a less than pleasant time in the fandom :( I can relate, recently bit the bullet and left all the spidey n doc ock servers I was in. I won't let the internet spoil spider-man for me, as sonething I grew up with. Fully understandable you likely won't continue and I support you on it. I am admittedly curious on what your plans were for it, and wonder if it would be okay to maybe unofficially continue it, or something inspired off it?

thank you anon! i will say the VAST majority of my time spent in the doc ock fandom was great & overall it was one of the most fun fandoms i've been part of and i look back on my time there very fondly.

really it was just a few people who... i guess i can say we had irreconcilable differences of opinion for lack of a better way to put it while remaining vague.. became influential enough in the fandom& main server that i ended up feeling pushed out. really there was just one specific change to the server that was the final straw for me & i left the next day but i won't go more into detail on any of that in public posts LOL

so this ask had me open my google doc of this fic for the first time in ages to get my notes & i realized i had the first half of ch3 written but never posted so i've added that on ao3!

honestly i would be SOOO flattered if you wanted to continue the fic i'd be more than ok with that! can't believe people liked my silly little story that much! as for what i had planned for it i did have some super rough draft notes i'd written up for the remainder of the fic which i'll throw beneath the cut:

basically i had planned for the rest of chapter 3 to be the surgery itself - the actuators operate & otto eventually passes out of course. probably nothing TOO gory since my intention of this fic was to be mostly kink focused & angst at the beginning with a happy ending. so after the surgery he's kind of delirious from pain and in infection and the hospital employee he'd injured ends up finding him, having not been hurt seriously during the break in they followed him back & kind of hovered around a bit watching things unfold for a bit before revealing themselves like "that was a really stupid thing you did, you need antibiotics. no you ARE going to let me help you with this because otherwise you are going to die" & they get to know each other while the oc/reader stand in helps get him back to full health. & eventually he starts to work through some of his issues by having someone else to be close with etc etc. and then of course the feedism stuff too i'd put down a note that there should be a scene where the other character is like "so WHY were you doing something this dumb in the first place" & when otto's awkwardly explaining they get REALLY embarrassed hearing about it but not for the reasons otto thinks. classic feedism fic miscommunication moment yknow. oh & my notes also include a line i planned the other character to say at some point which i think kind of sums up the thesis for how i intend their relationship to end up & that's “you’ve been getting fat because you aren’t taking care of yourself. From now on i want you getting fat because im taking care of you”

#anon #ask

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cryptidfuckery · 2 years

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Do you plan/write a story in chronological order or just put it down as it comes to you? Trying to figure out how far afield the latter puts me, even if there’s not a “right” way to do it.

hi heres some completely unrequested writing tips sorry for the long post :) i misread the ask before i started writing so. yeah. in short i don't write chronologically, except when I'm writing the beginning?

the first scene i wrote for this is literally the rising climax of the story. i had no idea what I wanted to do with it from there but it just kept evolving until now I'm writing a whole year spanned over 20 chapter fic.

When I started this one (mind you i havent written in like 7 years) I just wrote what came to me, what ideas made me excited. Basically whatever was bringing me joy to write, whatever was fun to expand it into. Purely self indulgent for myself to reread over and over and over, no real plan to post it.

Then I got the brainworm about it and couldn't stop thinking about it and I knocked out over 20k in a month which was. Also due to me being massively depressed and distracting myself.

But in this time I got a sketch book and started planning out a bigger story, something to compliment the original idea and inspiration while also giving a satisfying story between the characters (also figuring out overarching plot, drew out a plot mountain at one point to see where I was lacking, jotting down ideas just to get them down so I could let them simmer in the back of my mind, jotting down phrases or ideas for dialouge, etc) basically just. playing in the space and seeing what ended up feeling most satisfying as a whole story

WOOF OKAY THERES MORE im so sorry you caught me at 1am and im high

Once I got the overall idea of what I wanted to do, I started mapping out chapters, but mostly getting a rough idea of where i wanted things to go in the story. I am being VERY diligent to remember that this is all mutable and nothing is set in stone and its MORE FUN that way

At this point I'm still just writing whats enjoyable and coming to me naturally. Once I started solidifying more of the plot and ideas I started working on some of the parts that just needed to be done re: the very beginning. And i fucking hate the very very beginning right now i cant wait to rewrite it but i am NOT LETTING MYSELF DO THAT.

DO NOT GO BACK AND EDIT SIGNIFIGANTLY. If you catch yourself rereading it and adjusting a few things, fine. But if you find any major inconsistencies either make a mental note or leave a comment or something and then just leave it. It'll be there to fix later. It doesn't matter. Leave a fuckin [insert name of kitchen utensil here] if you don't remember. Who cares. It's your first draft.

OKAY now onto how I've been writing the scenes that don't come as naturally to me

I let the scene simmer for a while in my brain. I entertain different ideas and approaches and jot down anything that feels right. Usually for me I'll get a clear line of dialogue or interaction that feels like a good creative starting point

2. I listen to music when I write bc I have adhd, but im curious to know if this would work for other people too! I have a playlist I curated for the fic that I have listened to. A lot. A lot. Like a Lot. Like most mornings on my way to work. this 1) helps me play in my head with the blorbos and 2) gives me a good emotional basis to bounce ideas off of if I'm stumped on a scene.

I literally just gave my friend @docninj this advice. Pick a song that represents the emotion you're trying to convey in the scene youre trying to write. Could be overall emotion, emotion of the narrator, main character's emotions, whatever. Then play that song on repeat until you don't really hear it anymore. Then try writing. I'll also switch songs if the mood of the scene changes. For me it helps me bounce the emotions I'm trying to write off of something that represents it? god dude idk.

god that was a lot idk why i wrote all of it but hey if it helps someone what the hell.

#ack #but i absolutely have unfinished chapters just floating #like i wrote some of the heist chapter but i didnt know how i wanted the actual heist to go so thats sitting unfinished until the heist is #done simmering in my brain #:)#im currently trying to write the beginning though to have some kind of basis to look back on

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lazybutsmexy · 1 year

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Hey love, I've been re reading your Canary story and I find it really, really good. Every chapter is just chef's kiss. I love your writing very very much.

Excuse me if this has been asked before. I was wondering if you could tell more about how you write, your process. Some ideas of writing myself have been floating in my head but I am more of a visual person, i draw more and I have never written anything like that. (Only my university thesis 😭)

I am not sure where to start and if I should follow any guidelines or something. Any advice? 🫣

Hello sweet anon! You made my day with your kind words, and even more with asking me for advice.

I'm not an expert writer (if such a thing exists) but I can share my writing process with you. I will use some examples from BH since you've already mentioned it, and also because it's my most expansive piece so far. (Under the cut for length)

Brainstorming

Ideas, ideas, ideas! Write down your first ideas anywhere. Notes app, Google docs, a notebook you've got lying around, anything goes. This is the moment when you put into writing any ideas you've got - no matter if you think they're silly, or need a whole plot for that one idea to work - write it down. How did the process of your uni thesis start? You came up with an idea and wrote it down. How did BH start? I opened Google docs and wrote "Ghost x Reader x Soap where reader gets kidnapped and her boys gotta find her FAST. Lots of bird references. Her name could be Canary."

Rough draft

Here's where you start putting those ideas into a rough shape. More than a story, you're aiming for a descriptive text, like a review or a report on what's happening to whom, who are involved, etc. This is the moment where you may add notes about your characters, reader and/or OC, and start playing around with their personalities, how they behave in certain situations, how they think, how they feel, how they connect to other characters.

If you are a bit of a perfectionist like me, and want your writing to feel like you're watching a film, research, investigate, study from different sources on how to create a more expansive universe in your writing. If you're a visual-oriented person, a pinterest board will absolutely help you describe settings, events and characters. (read more on my personal approach on character description below)

Your rough draft doesn't need to be too long. Each chapter of BH started out as a couple paragraphs long, just a summary of what I wanted to write in each chapter. You can add whatever you like, though, even dialogues you can't get out of your head. Johnny and Simon's last lines in Ch 8 were the central piece of my rough draft for that chapter.

Writing

Now here comes the loooooongest part. Here's where you fill in the blanks of your rough draft. This is the moment when you open up all your sources, your thesaurus and dictionary, and go wild.

Character, setting and scene description gets stronger here. You could've started this part in the rough drafy - now amp it up to 100. Use as many words as you like - you will edit it later, don't worry.

Start setting the tone of your story here as well. BH has LOTS of suspense-filled moments, POV changes, and cliffhangers, mostly because that's my personal preference in readings. This is one source on how to write suspense (can't remember all the ones I looked up). Definitely research about different writing genres to see which one applies the best for your story, and set up the guidelines based on the advice from different sources. If possible, read other authors' works on the same genre you're aiming at to get a full picture of the things you should try, or try to avoid.

Take your time, if you feel stuck in one scene in particular, go on to the next one and go back to it with fresher ideas.

Editing

I don't usually spend a long time editing, but it's different for everyone. I recommend you find yourself a beta-reader who can read your story with a fresh mind and point out inconsistencies, grammar/syntax mistakes, etc. Beta-readers are the unsung heroes of writing. A good beta-reader will not only hype you up about how good your story is looking, but will also objectively help you fix anything that needs fixing, and may have escaped you during writing.

Now a few notes about character description that no one asked but I can't help it:

Fanfiction is great for beginner writers because you've already got a cheat sheet with characters that have already been created by someone else, and a fandom that fills in the blanks via headcanons.

When describing characters, I personally avoid physical descriptions like a plague, especially if that character is a reader insert or an OC. Physical description can sometimes behave like a box or a label that you put your character into and once they're there, they can hardly get out. I focus more on personality, feelings and emotions.

I also expand the character building throughout the story. Take Canary for example - you don't stop learning about her, her feelings, her emotions, her desires, her regrets, until the end of the story, and yet so much more was left unsaid. Also officer Melanie Kirk, you keep learning about what was she like even after she was gone from the story. Doesn't that make them feel more real? You never start learning about a person's character in real life anyway.

It got much longer than I expected, but I hope it helps! Happy writing!

#anon ask #nonnie ask #answered #thank you anon!#rambling

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sluttywonwoo · 3 years

Text

study buddies || k.mg x reader

Pairing: frat!mingyu x fem reader

Summary: studying for midterms with the guy you’re hooking up with goes exactly how you’d expect

Warnings: swearing, light smut (18+)

Word Count: 1.6k

a/n: reworked this old blurb originally posted on my tom holland fic account ( @wazzupmrstark ) for my gf’s birthday :)) happy birthday @hotgirlmingyu

Masterlist

You woke up to banging on your apartment door. Groaning, you rolled over to check your phone and saw that it was six am. You pushed yourself up and out of bed and padded into the kitchen to answer the door. You were surprised the relentless knocking hadn’t woken up your roommate, but she was a pretty heavy sleeper.

You yanked the door open to see Mingyu with a handful of textbooks. You squinted at him in confusion, wondering if you were seeing things. Mingyu had never been to your place before, you didn’t even know he knew where you lived.

His appearance startled you a bit. His hair was messy where it was usually slicked back or styled and he was wearing gray sweatpants and a white t-shirt. You didn’t think you’d ever seen him in anything other than khakis and a douchey printed shirt.

“What are you doing here?” you asked, rubbing your eyes.

He frowned. “You said we should study for midterms together.”

You thought back to the last time you’d seen Mingyu. You couldn’t remember saying anything like that.

“Was I drunk?”

“Probably.”

“So why are you here?”

“To study. You agreed that we could help each other out.”

“Mingyu, I don’t even remember agreeing to that.”

“Well I’m already here,” he said and pushed past you into your apartment.

“Seriously? It’s Saturday.”

“Yeah, and midterms are next week.”

“Couldn’t you have waited until the sun was up?” you grumbled, mostly to yourself and shut the door behind him.

“We’ve got a lot of material to cover.”

You cursed under your breath as you watched him set up at your kitchen table, knowing you should probably study even though you desperately wanted to go back to bed.

You and Mingyu had met at a party at his fraternity and woke up the next morning tangled in the sheets of his bed. To say it was awkward would have been an understatement. You didn’t think you’d ever see him again, but to your horror, you saw him in your stats lecture on Monday and your mythology class on Thursday. This was a pretty big university. Why did the same asshole have to be in two of your classes?

As much as it annoyed you, you couldn’t stop thinking about Mingyu, and apparently, he was having a similar dilemma because every time you went out he seemed to be there, and every time you hooked up.

That was the extent of your relationship, though. You didn’t even speak to each other in class or at parties. The only time you talked was behind closed doors when one or both of you was naked. Even then you kept your guard up because you refused to let yourself fall for a frat boy with commitment issues who never wanted to be seen with the same girl twice. A boy who wouldn’t even talk to you in public.

But you couldn’t ignore the way your heart fluttered when he said your name as he was about to cum, or the way his lips felt against yours. He could be a total dick, but you’d also seen a softer side of him that he didn’t show many people. You forced yourself to forget about that side. It was easier that way.

“Okay, what are we starting with?” you asked with a sigh.

“We have the stats exam first, we should work on that.”

You made a face. Statistics was the harder out of the two for you. In fact, it was the hardest class you were taking this semester.

“I can’t believe I’m doing math before seven am.”

“You won’t be complaining when you ace the midterm,” he quipped, already working on a practice worksheet.

You watched him solve problems like he was checking items off a list. You knew he was good at statistics, but you didn’t know he was that good. Figures, a guy like him was good at pretty much everything. Everything except mythology apparently, because once you’d switched to that he was flustered and frustrated. You would quiz him on myths only for him to get every single question wrong.

“Mingyu, did you even read any of these?” you asked, pinching the bridge of your nose.

“Yes, y/n, I read every one. How do you think I passed all the reading quizzes?”

“Cheating?” it slipped out before you could stop it and Mingyu gave you a hard glare. You held up your hands defensively. “Just a joke.”

“I don’t think it was.” He licked his lips. “But for what it’s worth I read them all. I just can’t keep them straight.”

You sighed. You felt bad, but you were getting frustrated too. And not just because Mingyu wasn’t grasping the myths. This was the longest you’d ever spent together (at least while you were awake) and you hadn’t even had sex. He just smelled so nice and looked so cute when he was concentrating that you couldn’t help feeling a little impatient. You had been at it for hours, you thought you would’ve done it at least once by now. But Mingyu was more serious about studying than you thought. It was kind of admirable and kind of annoying.

“Okay well reread through the Egyptian myths and I’ll quiz you again.”

“Alright.”

He pulled out his reading packet and flipped to the section you took out your phone and scrolled through social media mindlessly as he read, but it quickly got boring. You wished Mingyu would take a break so he could rail you. He was still reading intently, but you figured a little distraction couldn’t hurt.

You started by taking your hair down from your bun and shaking it out so that it fell around your shoulders. You knew your shampoo drove Mingyu crazy and hoped it would have an effect on him today. He shifted his seat, but didn’t look up from the packet. Next, you leaned over and rested your head on his shoulder. You’d never done something so domestic like this with Mingyu, but it seemed to work because he cleared his throat and adjusted his sweatpants.

“You know you could be working on math.”

You shrugged. “We already did stats for hours today. I think I’ll jump off a bridge if I look at one more differential equation.”

He fell silent and tried focusing back onto the reading, but you moved your hand to his thigh and kept it there as you continued to through twitter, not even reading what was on your screen.

“Stop that,” Mingyu muttered, making you jump a little.

“Why?”

“Fuck, because you’re distracting me. You look too hot right now.”

“I’m wearing pajamas.”

“I really don’t care. You still look hot and I’m trying not to fuck you senseless right now.”

“Well what’s stopping you?” you asked lowly and nipped at his ear.

“Need to finish this,” he replied through gritted teeth.

“I can’t convince you to take a break?” You moved the hand on his leg up so that you were cupping him over his pants.

He shook his head. “After.”

You leaned over and kissed his neck, then his jaw, and felt him get hard under your hand. “If I have to stop what I’m doing you won’t be able to walk for the next week.”

“That sounds like more of a motivator than a deterrent,” you admitted. “I’ll suck you off,” you offered and hooked your thumb in the waistband of his sweats, trying to bribe him.

“If you let me finish I’ll eat you out,” he countered.

You straightened up. It sounded like a pretty good deal.

“Fine.”

A few minutes passed in silence and you were waiting patiently, typing up a rough draft of an essay you had due for another class when Mingyu groaned.

“What?” you asked, wondering if he needed help.

“Can you please stop that?”

“Stop what? I’m literally doing nothing.” You were genuinely confused now.

“Just- I don’t know you’re making it so hard to concentrate.”

“Am I making it hard?” You smirked.

“Very funny.”

“Would it help if I put a paper bag over my head?”

“Probably.”

“Come on, keep reading about Osiris.”

“I don’t want to read about Osiris anymore, he’s a dick.”

“The faster you finish the faster you can get off.”

“I thought you didn’t want to wait,” Mingyu pointed out, trying to deflect.

“I think I recall something about you going down on me if I let you finish reading.”

“Fine,” he grumbled, but didn’t turn back to the book. Instead, he continued to gaze at you with those big brown eyes. You couldn’t tell what he was thinking.

“What?” You felt your cheeks get warm.

“I just really want to kiss you right now.”

You smiled and raised your chin, challenging him. “Then do it.”

He leaned forward and pressed his lips to yours. You closed your eyes and kissed him back, savoring the moment.

When you pulled away, Mingyu’s eyes were dark with want and you could see that he was now fully hard in his sweatpants.

“How about I eat you out now anyway?” He suggested, leaning forward to kiss your neck.

You moaned and brought your hands to his hair.

“You trying to bribe me?”

“Is it working?”

“Fuck yeah.”

Mingyu stood and picked you up from your chair. You wrapped your legs around his waist again. He pulled on your bottom lip with his teeth and smirked.

“Promise you’ll finish studying after?” you asked.

He considered it. “Does what we’re about to do count as studying mythology? Because it’s going to be legendary.”

You scrunched up your face in distaste. “No, I take it back. Put me down.”

Mingyu grinned. “Hey! You know no ones gives it to you as good as I do.”

“That confident are you?”

His grin turned into a smirk. “Is that a challenge?”

lmk what you think i always appreciated feedback!!

forever tags: @haven-cove

shoot me an ask to be added/removed from my taglist

#study buddies #kim mingyu x reader #mingyu x reader #mingyu smut #kim mingyu x fem reader #mingyu x fem reader #mingyu x you #mingyu x y/n #mingyu x female reader #kim mingyu x female reader #seventeen smut #seventeen x reader #svt smut #svt x reader

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wordsnstuff · 4 years

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Guide to Drafting

Patreon || Ko-Fi || Masterlist || Work In Progress

–

Planning v. Discovery

The first thing you must decide when you embark on the journey of drafting a story is how you’re going to get it done. Typically, there are two groups you can fit into, though most writers are somewhere in between. There are writers who plan meticulously before they begin writing to create a very clean first draft, or there are discovery writers (otherwise known as “pantsers”) who find more success in choosing a premise and then using a zero draft to explore the idea before gluing down any details. You are most likely someone who falls between those two methods. Some initial planning to feel familiar with your idea before you do some of the planning through the writing itself. Having some semblance of a method will help you narrow down your own process, which is immensely important if you want to get any substantial project near completion.

Consistency

Drafting is a difficult process because it’s either the revisitation of ideas you’ve already had, or the generations of ideas in quick succession. If you want to have a draft in a reasonable amount of time, you must develop a consistency in your writing. I won’t say that it must be a strict routine because time management can be a luxury, but you must make the consistent effort to write, and keep it in the forefront of your mind. Even if you don’t write every day, it should be something you try to make time for every day.

Know What You’re Trying to Accomplish

To get a draft done, you need to set expectations for yourself and they must be realistic. That doesn’t mean they have to be easy, or an amount of work you’ve been able to accomplish in the past. Considering how much time you dedicate to writing and your skillset, it should be a goal within reality. In addition, you must accept that you cannot create a masterpiece in one draft. For each version of your story that you write, you must have a focused goal, such as maintaining consistent characterization, making the plot concise and engaging, or making the prose more fluid and efficient. If you have a specific and attainable goal that you can accomplish in a reasonable amount of time with a fair amount of precision, each draft will be better than the last.

Designate Work to Phases

As mentioned in the last section, it maximizes your time and effort to have specific and attainable goals for each draft. This doesn’t mean that you rewrite the draft each time (though that is very common amongst writers), but that you designate tasks to draft versions. I find it very helpful in clearing my mind and soothing my perfectionist anxiety to make a “schedule”, outlining what I’ll accomplish in each version following the zero draft. For example, my draft schedules usually end up something like this:

Zero Draft: Main plot line, basic characterization, key world building

First Draft: Finalize Timeline, research for world building, structure

Second Draft: (Rewrite) Plot Development Fine Tuning

Subplot development

Foreshadowing

Build up to climaxes

Tone & Pace

Third Draft: (Intermittent Rewrites) Character Development Fine Tuning

Backstory

Subtextual Development

Making sure motivations are clear

Relationships between characters

Reinforcing character arcs

Checking dialogue

Fourth Draft: (Give to Beta Readers) World Building & Prose

Descriptions & Flow

Finalize settings

Checking grammar & punctuation

Reader Immersion

Fifth Draft: Incorporate Beta Reader Feedback

Write for Yourself First

In what some call the “zero-draft”, there are no rules. This draft is purely for your eyes. It’s you telling yourself the story for the first time. So, you don’t have to write in chronological order, or know the right word you’re looking for, or take a break every time you run into a problem. The purpose of the zero draft is to get a rough idea of as much of the story as you can and avoid getting snagged on minor details. This part is important. A lot of writers like to outline meticulously before they begin drafting and if that works for you, that’s great, but the majority of writers who attempt that get stuck in the planning phase, or burnt out on their story before a word of it exists. The easiest way to avoid those two situations is to do a zero draft, which can be as long or short as you want if it provides a skeleton for you to add meat to later.

Common Struggles

~ How do you estimate the number of words/chapters?... That depends on the genre, mostly. However, that’s usually something you decide in the second draft and beyond, and it can vary because of factors you haven’t got locked down until the plot and character arcs are firm or final. This is also something you’ll probably do a lot of tinkering with, and receive feedback on, especially from beta-readers, who can advise you on where natural breaks could occur from their perspective.

~ Why, after planning everything out, do I always struggle to write the draft?... 99% of the time, it’s because you’ve either burned yourself out, or accumulated too much pressure. When you put that much effort and time into a story, you can either slip into a headspace where you feel little excitement about it because you’ve already done all of the problem solving and had all of the revelations. It’s usually beneficial at this stage to take a step back (even if you’re not burnt out) and give your story some space, so that once you come back to it, you’re enthusiastic enough to fully realize your vision. If instead you’re struggling to write because you feel a lot of pressure to do justice for a story you’ve put so much love into already, take a step back, remember that the first draft is just for you, and work on letting go of the idea that the zero draft is meant to serve any purpose beside simply existing.

~ How do I come up with the necessary scenes to move the story forward between major plot points?... Most writing problems can be solved by asking yourself the right questions. When you’re trying to figure out what your reader needs to see next in order to effectively set up the next major event, ask yourself “What would happen between event A and event B that would add context or make event B more impactful?”. Treat it like a real situation and try to map out all of the tiny, notable moments that would take place between the major plot points, and then assess those moments on the basis of how impactful they would be to the coming scenes, and whether they can add context, set the tone, or aide in the rising action.

~ How do I balance sticking to the draft and following my own creative instinct in the moment?... This is a judgement call. Sometimes you’ll realize that maybe you should have just stuck to the outline, but remember that you can always go back, rewrite, test things out, etc. Always save every version of every scene, just in case, and go wild. Don’t be afraid to take detours just to explore. The writing process is anything but linear.

~ How do I maintain momentum in my writing progress when I constantly have distractions or other responsibilities that take priority?... Work at it. There’s no magic trick or piece of advice I could say that gets rid of your personal responsibilities. Write when you can, don’t make excuses on top of the reasons you have no control over, and remember that you create your own deadlines and expectations. Be kind to yourself, do what you can, and don’t spend potential writing time punishing yourself because there isn’t as much as you’d like.

~ How should I designate space (words/pages) to specific scenes/description/conversations, etc?... Trust your instinct and remember you can always cut/add later. In the earlier drafts, I’d advise you try to create as much material as possible to work with, and in the later drafts, be ruthless when determining what is necessary and adds value, and what doesn’t.

~ How do I finish a draft if I regularly lose motivation or interest in my projects?... Accept the fact that motivation is fickle, and that no writer in history has ever maintained “inspiration” for any project from the beginning to the end. There are going to be days where you’re like “ugh this is not what I want to do right now”, probably more than there are days where you’re stoked to work on your project, but that’s reality. If your goal is to finish a draft, you must recognize that writing is work, and nobody wants to work all the time. Try to supplement the lack of motivation by setting a positive and enjoyable routine so that, even when you’re not particularly motivated, you still know that your writing time will be peaceful and comfortable.

–

Masterlist | WIP Blog

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#writing #writeblr #writing advice #writing tips #writing resources #resources for writers #writing reference #writing help #writespo #writing inspiration #writing motivation #inspiration #motivation #drafting

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zscyber · 2 years

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BkDk W.I.P. section/preview

Alright, so this is a fic I have no idea when it will be finished (especially since I'm planning to work more on my Nexomon fics for a while and the Spookfest event on the Creative Chaos discord server), but I have one section complete and figured I'd post it here. It's a really rough draft/barely edited, but it's also the scene that started the fic.

Title: Hearts in the Right Places

Summary: Bakugou’s and Midoriya’s secret relationship gets exposed on national television in a nine-second video. Thankfully, all of class 3A has their backs. Even if it’s not always in the most… conventional way.

(Basically, I wanted super-protective of BkDk class 1A family chaos)

*potential trigger warnings: Homophobia, previous forced outing

Middle school Katsuki would be screaming with rage, explosions, and death threats at the current situation. Same with first year U.A. student Katsuki. Second year Katsuki would have still been pissed as hell and die insisting that, no, he had no fuckin’ idea who these idiots were.

Third-year Katsuki was still more than a little pissed, but mostly content to sit back and watch.

Shitty Hair, Sparky, and Elbows had forced him to go on the weekly store run (mostly Elbows, because very few people could stop the other two from going fucking nuts and bringing back bags of only meat and shitty junk food, respectively). The group had made it through grocery shopping, but Sparky started bitching about being thirsty halfway back to the dorms. When Elbows joined him (just as they just so happened to be passing by one of those “extra-healthy”, expensive-as-fuck smoothy places), Katsuki decided fuck it.

Of course, the idiots wanted to sit and chat, playing the ‘but-you’ve-been-spending-all-your-time-with-Izuku’ card. And then the ‘be-careful-or-we’ll-think-you-like-him-more-than-us’ one.

The three morons got all pathetically dramatic when Katsuki pointed out that, damn straight he liked Deku more than them. That’s why he was fucking dating the damn nerd.

Only once Elbows promised to deal with Baker if his shitty two percent milk went bad (and Shitty Hair, Raccoon Eye’s overly-sweet ice cream that she just had to have) did Katsuki decide fuck it again.

So there they were, his idiots chatting away while Katsuki sipped on some green drink Elbows had plopped in front of him. If Sparky hadn’t noticed some bastards with cameras ‘sneaking’ around, they probably could have gotten back to U.A. home free. No villain attacks (take that, Deku).

“-and that’s why toasters are way better than micro- Isn’t that the gossip tabloid that first published that video of Blasty and Izuku?” Sparky pointed at the bushes that lined the juice shop’s patio area. Shitty Hair set down his drink to glance over his shoulder while Elbows leaned to the side to see around the redhead.

“Fucker’s been there for five minutes”, Katsuki grumbled. And the morons wondered why they failed Caterpillar-sensei’s last awareness test.

Sparky tilted his head like a dumbass puppy. “And you haven’t blow them up yet?”

Oh, Katsuki really fucking wanted to, but…

“That would just make things worse”, Elbows explained. “You know how those lowlifes would jump onto Katsuki blasting their cameras.” The lanky teen took a long, loud sip of his shitty-looking smoothy. “Even if they really deserve it.”

The leaves loudly rustled as the shitty pair of paparazzi ‘crept’ closer.

“So unmanly” Shitty Hair muttered.

Sparky suddenly shot to his feet, hands slamming onto the table. “You know what. They’ve been dragging two of my friends through the mud for shit. That’s it. I’m going to go put an end to this.” The boy downed the rest of his drink and marched over to the reports. “Hey, you! I-!”

“Wait, Denki!” Shitty Hair’s chair hit the ground as the redhead tried to grab the blond dumbass, but he missed. “Bro! You can’t just-!” The redhead darted over just as Sparky was pulling Camera Jackass #2 out of the bushes.

And that’s where Katsuki was now: ass still sitting on the ugly-as-fuck patio chair - scooted just enough for a better view of the upcoming shitstorm without looking too interested – and finishing off the surprisingly good whatever drink Elbows had gotten him.

Elbows was already half out of his seat when he realized the blond had no intention of moving. “You don’t think we stop them or something?”

Katsuki took a moment to check on the perishable groceries. Nothing looked ruined yet. “Nah.” Besides, as much as he wanted to shove the fucker’s camera down their throats in large, exploded pieces (and the rest up their damn asses), this was probably the closed thing to revenge the blond would be able to get without a fucking lecture.

The other boy slowly sat back down, his seat already giving him a front-row view.

“-don’t you have any sense of manliness?” Shitty Hair was attempting to guilt Jackass-with-a-cheap-ass-camera #1.

“Yeah!” Sparky jumped in. “Like, dudes, I get you need your clickbait-“

“Ah!” Cheap-ass-camera #2 cut in. “The video wasn’t clickbait, but real news. After all, the general public needs to trust potential pro heroes” (fuck him, Katsuki and Deku were practically already official pros!), “And if two of them are willing to engage in such explicit behavior in public-“

“ ‘Explicit?’” Shitty Hair quoted. “You wouldn’t call it that if they were a straight couple!”

“They weren’t even frenching!” Sparky added. “Like, sure, it wasn’t a peck, but freaking Disney has more ‘explicit’ kisses!”

Katsuki’s phone buzzed, the nerd’s name popping up.

Shitty Nerd: Kacchan!! Stop them!!!!

The blond frowned. Who was Deku talking about? He wasn’t back at the dorms ye-

“Uh, Katsuki?” Elbow’s phone was going off like the Old Hag when she saw someone wearing stripes and polka dots at the same time. “Are you seeing the class chat right now?”

Katsuki rolled his eyes, so that’s what was causing his friend’s phone to go off like a bomb. “I mute the damn thing”, he muttered as he switched apps. The one time he didn’t his phone almost didn’t survive because IcyHot had gotten into a rich person spat with Ponytail and Twinkles over fuckin’ tea at eleven-fucking-pm.

Ears: LMAO!!

Ponytail: She really is

Round Face: Deku-kun’s a strawberry

Round Face: He keeps ducking behind the couch but can’t help himself from popping back up to watch

Pinky: Like a whack-a-mole!

Twinkles: c’est magnifique!

IcyHot: Do they not realize that the reporters have gone live?

Another text from Deku.

Shitty Nerd: KACCHAN!

Deku.

Shitty Nerd: YOU KNOW WHAT I MEAN!

“Plus, you have no idea what you’ve done!” Sparky was still going off on Ugly Camera #1 and #2. “Do you? Do you have to live with the consequences of your actions?! No, no you don’t! Because people like you jacka- jerks never think about how their actions can make life a living he- heck for other people!”

Elbows had one hand plastered over his mouth, eyes darting between his phone and the two idiots ripping the two camera creeps a new one. “I don’t-“ the guy broke down laughing, “I don’t know which is better!”

Katsuki shrugged. “Like the extras aren’t recording this shit.”

“-any idea how fu- freaking single the rest of us feel?” The taller blond was ranting. “And I’m not even single! But that’s how disgustingly sappy they can be now because you jerks outed them and the rest of us have to deal with their PDA!”

Shitty Hair nodded. “And it doesn’t even count as that! They’ll just be sitting next to each other and you can see the manly hearts! Do you know how dang strange that is? I platonically love my bro, but Bakubro and hearts shouldn't be in the same sentence!”

“Especially Izuku”, Sparky added. “He’s way, way worse. And he was bad before they got together.”

Shitty Nerd: Do u hate me?

Nope

Should I clear that up on national TV too?

Shitty Nerd: WHY?!?!?!?!?????

Elbows finished his drink with a loud slurp. “You’re taking this invasion of privacy surprising well”, he commented.

“I’m gonna kill them later”, Katsuki promised.

Bird Brain: Revelry in the chaos

Octopus: Not ‘in the dark’?

Round Face: Chaos

Frog: Definity chaos

Ears: Pure choas

Ears: Fuck chAOs

Gloves: chOAs

Tail: ^

Rocky: ^^

Octopus: ^^^

Bird Brain: Revelry in the choas

Ears: that’s right

Ears: piss off the person who hears EVERYTHING that goes on in the dorms

Gloves: Wanna bet?

Glasses: WHAT ARE KIRISHIMA-KUN AND KAMINARI-KUN DOING?!

Octopus: Making fools of themselves

Pinky: Being themselves

Octopus: I was going to add ‘for the sake of their friend’

Octopus: But yeah

Ponytail: Guess we’ll be getting another PR class.

Eyebags: wtf is going on here

Eyebags: oh

Eyebags: nvm

“- should be family-friendly.” Camera Jackass #1 had something that was probably supposed to be a smug-ass grin but just came across as constipated; all full of shit. “Pro heroes are no longer only responsible for catching villains, but upholding society’s moral code and-“

Shitty Hair crossed his arms. “Says the same ‘journalists’ who plaster images of us beat up and bloody on magazine covers all the time.”

Grape: that’s just BS

Grape: the ‘family-friendly’ part

Grape: that magazine has the best spreads!

Pinky:

Ponytail:

Gloves:

Round Face:

Tail:

Octopus:

Frog:

Frog: Would you like to repeat that?

Grape: respectfully?

Grape: I KEEP THEM IN MY ROOM!

Round Face: … it’s an improvement

Grape: I’M WORKING ON IT!!!!!

Twinkles: And we are very proud, mon amie!

Pinky: -ish

Tail: Maybe we should get back 2 wtf those 2 are doing

Tail: Didn’t they just go 2 the store?

Baker: I swear, if the frozen go bad AGAIN

Pinky: MY ICE CREAM!

IcyHot: I could re-freeze it?

Baker: No

Baker: We are NOT doing that again

Ponytail: The flavor was severely diminished

Ears: watery

Ears: you mean watery

Shitty Nerd: GUYS!!!

Shitty Nerd: Kacchan’s ignoring me!!

Shitty Nerd: can someone else text him and make this stop?!?!?

Eyebags: Damn

Eyebags: that’s harsh

Eyebags: it’s like he lives to piss people off

Eyebags: oh wait he does

Frog: … Do you really want Bakugou-chan to step in?

Frog: I’ll text Sero-chan

Elbows: Don’t bother

Elbows: This is great

Gloves: LMIAO

Tail: whats the I?

Round Face: oh she does that in the girls chat all the time

Round Face: LM-invisible-AO

Glasses: Bakugou-kun! Sero-kun! One of you needs to step in and stop Kirishima-kun and Kaminari-kun from making fools of themselves!

Octopus: good luck with that

Eyebags: it’s like you don’t know your classmates

Round Face: can we all just appreciate Bakugou’s RBF in the background?

Round Face: I need a meme of that

Baker: I can assure you that someone’s already on it

Rocky: It’s already up, actually…

Tail: How do u no that??

Gloves: The HeroNet bird icon

Bird Brain: the laws of the internet

Bird Brain: and all their darkness

IcyHot: I think Hanta looking like he’s going to die from laughter would be better

Grape: Bias

Frog: ^

Gloves: ^

Gloves: trust me on this

Round Face: ^

Eyebags: at least he’d stop spamming that one of Yao-Momo drinking tea and the purse-snatcher

Ponytail: I caught him!

Shitty Nerd: KACCHAN! I SEE YOU LOOKING AT YOUR PHONE

Shitty Nerd: DO YOU WANT ME TO DIE OF EMBARRASSMENT?!?

Eyebags: …Have you met your boyfriend?

Round Face: ^^^^^^^^^^

Ponytail: We’re all very proud of you for not committing homicide on national T.V., Bakugou, but Sero should really step in at this point.

Ears: OH FUCK

Ears: IS HE REALLY GOING TO?

“Hey!” Shitty Hair’s shout reached Katsuki’s ears just before a damn microphone was shoved into the blonde’s personal space.

“You’ve been awfully quiet, Bakugou”, the piece of shit sneered. “No defense? Aren’t you worried about the effect this will have on your career, assuming you get your license in the first place. After all, you were one of the two students who failed to get your provisional the first time, right?”

Katsuki clenched his fist, stopping the sparks of his Quirk from blowing up. ‘Bastard’, he cursed. ‘Fucking extra who doesn’t know goddamn shit.’

But if he snapped, the fuckers would just use that against him and Deku. Mainly Deku. So the blond forced himself to breath out the righteous murder. “No fucking comment.”

“So close”, Elbows whispered before clearing his throat. “Actually”, he told Camera Ass #1… 2? Eh, Katsuki couldn’t remember which was which, and he really didn’t give a flying fuck.

Tail: That… actually went pretty well

Pinky: Good job on not doing murder on TV Blasty!

Eyebags: yay

Octopus: ‘Doing’ murder?

Bird Brain: You do remember that Bakugou is reading this, correct?

Bird Brain: He is literally staring into these dark depths as we converse

Capitellar-sensei: He’s not the only one

Katsuki choked, wheezing hard as he tried to swallow the last bit of his drink so they could fucking leave.

“Bro!” Shitty Hair was hovering over the blond as he coughed. “You okay?!”

“See!” Sparky pointily scolded the Camera Shits. “We’re just out and about, chilling, and you almost kill him!”

“What hap-?” The redhead was interrupted by Elbows as the latter banged his fist on the table, once again trying to cover his ugly snorting with the other hand. Katsuki, ignoring the whining extras, tilted his phone so Shitty Hair could read over his shoulder.

Shitty Nerd: Sensei! Shitty Nerd: please make them stop!

Round Face: bit too late for that Deku-kun

Eyebags: shit

Eyebags: who summoned the teacher?

Glasses: I can assure you all that it was not me!

Glasses: I gave up on receiving efficient help in these types of situations last year.

IcyHot: I’m pretty sure all he needed to do was turn on a TV

Capitellar-sensei: Not even that.

Capitellar-sensei: Mic just needed to turn on the TV.

Capitellar-sensei: Kaminari, Kirishima. Come to my office once you’re back on campus.

“Oh shit”, Shitty Hair muttered, causing Sparky to snatch Elbow’s phone off the table as well. The tall teen’s face paled faster than Deku’s would if he thought he missed out on rare All Might merch as he scrolled through the chat.

Grape: I want a meme of the paparazzi

Grape: they’re just frozen from the stupidity

Gloves: oh me too

Rocky: also already up

Ponytail: They really don’t appear to know what to do, do they?

Eyebags: Nope

Ears: Like Denki during math class

Gloves: LMIAO SO DAMN MUCH

Round Face: Damn

Round Face: straight for the throat

Shitty Nerd: If I apply for work-study in the U.S. do u think that’s far enough away?

Don’t you fucking dare

Their food is shit

Eyebags: Boyfriend of the year

Pinky: He lives!

Pinky: it’s hard to tell on the screen

Bird Brain: We are witnessing the descent into obvious darkness as seen by our elders

IcyHot: They’re just on their phones?

Octopus: Exactly

“O-kay”, Elbows told the Camera extras. He grabbed Katsuki’s empty cup, tossed it in the trash can, then used his Quirk to latch onto Sparky and Shitty Hair as he backed away. “We really need to get going.”

“Oi”, Katsuki grumbled, pocketing his phone and picking up more than his fucking fair share of the damn groceries. “I ain’t carrying all this myself.” He handed one bag in particular to Shitty Hair. “Racoon Eye’s melting ice cream.”

Deku, still strawberry-faced, ambushed Katsuki and Elbows right as they walked into the dorm. “You”, the nerd growled, “are horrible.”

Stepping out of the way while the crazy fuckers that were his classmates tackled Plain Face for the rest of the groceries, Katsuki held up the one bag he insisted on not only carrying, but keeping in the shade under the table during the shitshow. “Guess I’ll make something other than katsudon with this shit”, he grinned.

“Kacchan!” the nerd pouted. “You wouldn’t.”

The blond cackled. “Nah-“

Pinky’s horrified screech cut through all other conversations. Baker’s wasn’t far behind.

“Melted?” Deku correctly guessed as he followed the blond away from the murderous pink trash panda and into the kitchen. “Anyway, I guess it was nice that Eijiro and Denki were so supportive, it’s just…” The greenette trailed off.

“They’re a bunch of dumbass”, Katsuki finished, ruffling the nerd’s hair.

(And if the blond made enough dinner for the whole class, he had just been distracted keeping Shitty Hair and Sparky on a tight leash in the store and accidentally bought too many ingredients.)

#long post #w.i.p #this... might almost count as crack #Not sure really #work in progress #bakudeku #bakudeku w.i.p #class 1a #bit hesitant about posting this #but oh well #better than it sitting on my desktop endlessly waiting for me to finish the other sections #my writing #attempted fluff-ish and humor before the next chapter leaks #cause unless there’s a POV switch #we BkDk’s know angst shit is coming

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haifengg · 3 years

Text

Pairing: NanamixGN!Reader

Note: I think I got this ask quite a while ago but due to my hiatus it got postponed a million times. Now that I am slowly coming back and am publishing the bits and pieces I wrote during being away this A-Z is finally leaving my drafts as well.

A = Affection (How affectionate are they? How do they show affection?) Given his S/O is a sorcerer as well I think he would limit PDA at work to a minimum. Even if they are officially together or even married. He just likes to separate work and home. Tho it doesn’t mean that he is not making small intimate gestures at work like randomly dropping in with coffee or - when they are on a mission - sending a text asking how they are doing.

At home he is pretty affectionate. Randomly pulling them in for a hug, giving small back rubs when they are doing the dishes after he cooked. This kind of thing.

B = Before (What were they like when they had a crush?) Distant. Nanami would probably be a person who maybe actually mistakes the feeling for some other emotion at first. Leaving him confused about why he thinks about them so much. The poor man would likely be irritated every time they are nice to him. Why the heck doesn’t his heart stop pounding? And why is he suddenly excited to go to work? Disappointed when he is not assigned the same mission as them? Or - if they aren’t a sorcerer - sad when a mission takes him away from wherever he met them for too long?

C = Confession (What was their confession like?) Well-planned and straight forward. Nanami was already observing them for a while before making a move. Although he doesn’t actually confess it is pretty obvious when he likes someone because it happens so rarely. Just imagine him asking someone out for dinner. That gives away so much - don’t you agree?

D = Date (What was the first official date they went on?) If we don’t count the dinner mentioned above … I guess it would be something like a gallery. Nanami would definitely want to test his s/o’s taste in art because it tells a lot about a person’s character. What kind of art they prefer (paintings, photography, sculptures, … ) and how they look at it as well.

E = Ending (If they had to break up with their partner, how would they do it?) Professionally. He would state the fact on why they aren’t compatible anymore and what made him draw this conclusion. I don’t think either one of them would cheat on the other mainly because Nanami wouldn’t get into a relationship with someone capable of doing that in the first place (I hope). He would sit down with his (not) s/o and talk it through. There might be tears on the other side but not on his. He thought about it a lot and made peace with his feelings before starting this conversation.

F = Fights (What would fights look like? What are things that upset them?) Kento barely looses his temper. And if he does I wouldn’t say that it is necessarily a bad thing. Getting him so worked up about something does only mean he cares. Fights would mostly be on the calmer/diplomatic side. He might be upset about something but there is no need for him to yell or anything. If the problem can be resolved just by talking about it - great! Why waste his precious energy on negative things, when he can use them elsewhere?

G = Gentle (How gentle are they, both physically and emotionally?) We all know - and all those rough sm*t fan fictions can’t proof me wrong - that he probably is the most gentle character in entire JJK. He despises the violence of his job therefore he doesn’t want to inflict pain or anything on anyone on his good side. Especially his S/O. Nanami has the most gentle touch, fleeing kisses, he will hold them tight but never smother them.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?) As mentioned above: Tight and secure. Or soft. His S/O almost automatically buries their face in the crook of his neck because - who wouldn’t. Is there anything else I have to say about hugs by Nanami Kento? Yes. Am I able to put it into words? No. It’s just a very overwhelming feeling - that’s all.

I = Intimacy (What is their favorite form of intimacy? Do they have problems with it?) For him I think it would be things where they take care of him. While he shows his love through cooking and providing (which he takes a lot of pride from), he loves being taken care of as well. Maybe in departments he doesn’t know so much about. Like skincare. If his S/O teases him about his wrinkles and stern look he would gladly accept any advice in skincare from them, let them do their magic with face massages and serums. He doesn’t even care if it has any effect on his skin - he just loves the attention he gets and thrives on the feeling how much his S/O cares about him (and his skin apparently).

J = Jealousy (How jealous do they get? What do they do when they’re jealous?) This one I am really indecisive about. I can see him get more jealous that we would expect him too - which would be a nice surprise tbh. But also not jealous at all because he is confident. Kento knows what his S/O likes about him and he also knows what separates him from other men. What makes him special. I think the times he gets jealous are the days he doesn’t get to spent with his S/O because of work or a mission. Which rather results in being mad at Jujutsu Tech than jealous of someone else.

K = Kisses (Are they a good kisser? Where do they like to kiss you? Where do they like to be kissed?) Forehead. Kisses. It doesn’t matter what height there S/O is. It is one of the most protective gestures and he enjoys giving those as much as his S/O enjoys receiving them.

The back of the hand cheesy kisses. Because they are his everything, he wants to treat them like it. Nanami knows it’s cheesy but neither one of them thinks too much about it. When they sit across the table, fingers sloppily interlocked on the table top, he occasionally picks up their hand and places a soft kiss on the back of it. Almost absent-minded.

L = Little ones (How are they around children?) He is not very fond of them. Not saying that he won’t love and do everything for his own kids but other people’s kids are usually a nuisance for him. If they are loud or misbehaving he is really not having it. Though he would never lash out or raise his voice against them/their parents. ‘Children’ as in ‘his students’ … he always makes sure to treat them as children in a way he wants them safe/won’t put them in unnecessary danger.

M = Messages (How often do they text his S/O?) Kento strikes me as a kind of guy who doesn’t text often. Mostly because in his line of work sharing attention could easily be his downfall or worse. He will let his s/o know if he’s running late or occasionally ask if there is anything they need from the store or things like that but aside from practical messages he doesn’t text much.

Though if he is on a long mission and away from his s/o for quite a time span he usually rather calls them than text.

N = Night (How are nights spent with them?) Nights as in ‘Nights Out’? Date nights? Well, he is a foodie so dinner is always a popular option. He takes the time to carefully research about the restaurant and the menu. If the rotate dishes, he will make sure they’re going at the exactly right season to get the best culinary experience possible.

Nanami is old fashioned. So he will hold the door for them, pull back the chair … helps them into their coat.

He also likes going to the movies. The intimacy of the dark theatre gives him the confidence to reach out for their hand or have his arm around their shoulder. Since he usually limits PDA in public this is exciting for him.

O = Opinion (Would they ask for their S/O’s opinion a lot? How important is it in terms of decisions?) Probably more than I would expect him too. Maybe not about the smaller things but decisions that involve the both of them he would definitely ask.

P = Patience (How easily angered are they?) Due to the time he spends exposed to Gojo this man has the patience of a saint. Literally. He rarely snaps at his S/O.

Q = Quizzes (How does a bar trivia night teamed up with them look like?) Stressed. Yes, this man in very educated and cultured but imagine him sitting in a loud-ass bar, having to answer questions about the transformers or Megan Thee Stallion. Absolutely absurd. How old he must feel …

R = Remember (How much do they remember about their S/O or their relationship in general?) Not everything but a lot. He will remember little things they mentioned early on in the relationship and bring it up again later. He also uses this ability for presents and such. As well as in fights. If they think they can outtalk him with something you accusedly said or didn’t say some time ago - I suggest they surrender, because he will remember much better.

S = Security (How protective are they? How would they protect you? How would they like to be protected?) Very Protective. I mean yes, he knows that they can stand up for themselves but why should they have to do that if he is around? One of the big perks dating him is that he is who he is and that his presence confuses most people. So he might as well use it. Not so much in a physical way but rather in addressing the people bothering his S/O directly in the typical manner of his.

I think his understanding of being protected equals being taken care of which plays into the skincare thing I mentioned earlier. It is not so much physical procreation from danger but preserving a future together where one cares about the other deeply and only wants their best.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?) Medium effort. He prepares and researches but he rarely comes up with a new idea. He knows what he likes and his S/O probably does too. His work is so stressful and has close to no repetition so that he enjoys doing the same things on dates over and over. That does not mean it will get boring. Because Nanami sometimes thrives on going the extra mile. There is a restaurant across the country that he really wants to dine at? Buckle up - he is going on a vacation. Short trips or spa weekends are also things he appreciates.

Since he remembers dates and anniversaries well he is usually well prepared for those occasions. He puts a lot of thought into presents and barely ever gifts useless things. He does not like to have a lot of stuff laying around so what he gives to people usually serves a purpose.

U = Unique (What makes them unique as a S/O?) Literally everything I mentioned above. Namai Kento is a unique mix of all his traits. A very balanced person.

V = Vanity (How concerned are they with their looks?) Well … he wears the same freaking suit everyday so … but yes I think cares about his looks and hygiene in general. As far as clothing goes he probably has one brand he is loyal too, which automatically sets his fashion style in stone as well. He has the same haircut for quite a while and sees no point in changing it.

Overall just the classic hetero dude who ones figured out what works for him and stuck with it. lol.

W = Whole (Would they feel incomplete without their S/O? Yes. His S/O is the other side of him. Is what balances his inner peace. Without them he worries too much, stresses too much. He needs them to tell him it’s going to be okay.

X = X-Ray (How transparent are they?) Nanami doesn’t actually tells them everything but will disclose if they ask. He just doesn’t think they are interested in small details about him.

Y = Yuck (Everyone has flaws. What is theirs?) He. Doesn’t. Do. The. Dishes.

Z = Zzz (What is a sleep habits of theirs?) Kento never lets go of his S/O. Which can be annoying. And suffocating. Especially in summer. He is not clingy and they don’t fall asleep like this but in the morning he always spoons them or weirdly holds their hand. Sometimes toes interlocked lmao. Which makes them even more lonely when they are apart, because they got used to it way too quickly.

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MASTERLIST

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