#we had a lot of fun with fables and the like

[mantisgodsdomain]

In Plato's theory of epistemology, anamnesis (/ˌænæmˈniːsɪs/; Ancient Greek: ἀνάμνησις) refers to the recollection of innate knowledge acquired before birth. The concept posits the claim that learning involves the act of rediscovering knowledge from within oneself.

In other news, we are continuing to post our Febuwhump fic to AO3, finally. This one isn't even Leif's Request spoilers.

[lesbiansforboromir]

Inspired by the Hunt for Gollum 2 day fiasco (I suppose it wasn't really a fiasco, genuinely happy they came to such a quick resolution, I will give it to them), I noticed a bunch of people said they'd never heard of the Hunt for Gollum fanfilm and was surprised! So here are some more tolkien fan films on youtube that you can watch right now! A friend of mine coalated all of these for our server and we binged them all, which was a really great time and I would heartily recommend.

Obviously, first; The Hunt for Gollum, a 40min shortfilm pretty much entirely about Aragorn, you guessed it, hunting gollum. But there's also a few neat interactions with other characters too and the production is of an extremely good quality for what it is.

Then you have Born of Hope, from the same company as hunt for gollum, this one focuses more on Arathorn and Gilraen's relationship and Aragorn's tumultuous birth. It's very depressing but I also really liked the casting of Arathorn and is worth a watch.

Horn of Gondor is a short 20min fanfilm with a pretty inventive premise, focusing on Borondir's in-universe fabled ride to deliver Steward Cirion's request for an alliance with the ancestral rohirrim to Eorl their king, thereby saving Gondor from defeat. I find it a little lacklustre and it doesnt really measure up to it's concept but the attempt is still admirable and there is some real and clear passion behind it so still worth a watch.

Wings Over Arda is, gonna be honest, my favourite one of the lot. It is an hour long and extremely ambitiously attempts to feature events from Tuor's meeting with Ulmo, to the attack of the Sons of Feanor upon Doriath. It essentially fails to live up to the auspicousness of any of these things, but it is EXTREMELY earnest and the casting for Dior in particular is now just burned into my brain. It feels kind of like it was made in the 1980s too which I just love for a film that came out 2 years ago. It's really fun, give it a go.

One of the Seven is more of a hobbit movie fanfilm, referencing PJ's Thranduil backstory of losing his wife and the hunt for her jewels, but also involving dwarves and elves bickering over unspecified rings. It has the brightest colour pallette of all the films which is a visual relief and all the costumes are really detailed, mainly because I suspect this was made my cosplayers who just had some time on their hands. It's fun and campy and only 25mins so fully digestable, even if it's a little dwarf-ist.

Lastly there's The Peril to the Shire, even though cards on the table I have not watched this one. It is three hours long and was made by a bunch of homeschooled children somewhere, featuring entirely child actors and about Rosie Cotten defending the Shire pre-scouring. From what I've seen, the kids are having a great time doing it, but the audio is also really hard to hear clearly so this is more of a challenge than a suggestion.

[hurtspideyparker]

Hi, sorry but could you recommend any of your favourite Peter Parker fics please?

For sure !!! *cracks open ao3 bookmarks*

Thirty Hours by polaroid15 - Peter doesn't take any breaks during a lengthy fight with the Avengers. The mind-melting fever that follows really should have been expected.

Hurt Peter Parker, my favourite tag <3 I love when Spider-Man is a badass and also lacks self-preservation. He's so cool fighting alongside the Avengers and we get some sweet hurt/comfort irondad!

Fitting In (Tiny Spaces) by aloneintherain - Peter's trapped beneath a collapsed building during a mission, hurt and unable to move. Luckily, his comm still works. Unluckily, the Avengers don’t realise how bad of a state Peter is in, and Peter isn’t inclined to tell them.

This fic is an icon in the fandom and for GOOD REASON. I just can not get enough of Peter Parker hiding his injuries. More heavy whump and angst!

All good things come in threes by Bergen - Peter has three secret identities: Spider-Man, the superhero who swings around the city to save people. Parker Benjamin, who gives Tony Stark unsolicited advice on his research. And NightMonkey, the Instagrammer who keeps uploading increasingly popular but embarrassing drawings of Iron Man.

And he can juggle them all just fine, thankyouverymuch.

Okay here is the fluff!!! Peter is a genius, a menace, and a sweetheart. Tony Stark runs into him (again and again) and can't help but have a soft spot for him every time. Funny and cute and an all 'round good time!

Held Together by Spiderwebs by TunaFishChris - Steve is not coping well in the twenty-first century. At all. Three months after the Chitauri invasion, he decides he's had enough.

But just as he's about to end it all, he runs into the new hero in town.

This one focuses a lot on Steve but I really like him and Peter's relationship in it, and I think this is great Peter Parker characterization. TW for discussions of depression and suicide, it gets a bit dark!

5 Times Spider-Man Saved an Avenger's Ass (and 1 Time They Saved Him) by TunaFishChris - this fic showcases how strong and capable Peter is, he's definitely a BAMF. I really like this genre where the Avengers know Spider-Man but not Peter Parker, makes Peter feel more independent and mature like in the comics.

Five Time Faculty Members Had to Call Peter's Emergency Contact + One Time He Shows Up Anyway, Five Times Tony Stark's Fabled Intern Just Showed Up + One Time He Was Invited, and Five Times Strangers Talked About Peter and Tony + One time Someone They Know Did by kingdomfaraway - I am just gonna recommend this entire series. Super fluffy, extreme irondad and spiderson. They're just adorable from an outside perspective and I love when Peter gets to just be Tony's intern and a teenager for a while :)

research and disaster by blueh - “So, uh, Mr. Stark definitely knows Roomba-Kid,” Becket says and discreetly tilts his head in the direction of the pair.

“Oh my god,” Jess says. She almost sounds gleeful. “Oh my god, he’s not just some random kid. He’s Mr. Stark’s kid.”

or: the interns at Stark Industries have some questions about Peter Parker. The answers aren’t quite what they expect.

I just love intern Peter mk? Let him be a kid genius and have fun!!! Fluffy and humorous, again with the irondad.

Captain, Oh My- Not My Captain! by uncouth_peasant - Peter swallowed hard before firing a web to swing into the fray. “Cap’s going after civilians. I’m out of time.”

Bruised and bloody men <3. Just Peter being a badass and getting beat to a pulp. Cool fighting, lots of Peter whump, and of course the Avengers being protective.

Good publicity by Bergen - Between Peter Parker barely speaking, and Spider-Man being the ultimate chatterbox, how was Tony ever supposed to figure out that they were one and the same person?

Tony Stark is secretly a softie for cute kids, especially when they're a genius and have a sense of humour to rival his own. Peter is a foster kid who ends up finding a home with Pepper and Tony, very sweet.

The Third Option by Uncertainty_Principle - When Ben is murdered Peter goes into foster care. It takes just a tiny taste of superpowers for Peter to decide he doesn’t want to put up with his horrible foster father anymore—the streets are infinitely more appealing. All he wants is to be Spider-Man anyway.

So he leaves, simple.

Simple, that is, until Iron Man needs Spider-Man’s help.

Heavy TW for this one, mind the tags. This is a popular fic and for good reason. A very mature and realistic portrayal of the foster care system and homelessness. The Peter angst is really great and I could barely put it down, that boy needs a hug so bad.

Now here's some hydra!Peter fics cuz they're my jam:

Peter is a precious chickpea by Bergen - They attack the HYDRA safe house shortly before sunrise.

The only people defending said safe house are Peter and Leo, and Leo slams his cell door open and starts spitting out orders, but then promptly gets clobbered over the head and keels sideways.

So that just leaves Peter. And he’s not even going to try to fight a whole team of Avengers. He looks up at Iron Man filling the doorway. “I surrender.”

He’s never been captured before and he’s not sure what to do. Escape, probably.

This entire series is PERFECT. I just love how adorable Peter is, and all the relationships Peter forms with the Avengers absolutely melt my heart. Peter's characterization in this is really unique and I wish there was more. The Bucky and Peter friendship is everythingggg. I love hydra!peter and bucky fics.

Indoctrination by phoenixon - The Avengers thought they were on a typical assignment: Infiltrate the Hydra base and find the weapon. What they didn't expect was the small boy raised by Hydra that they found instead. And they definitely didn't expect him to stay at Avengers Tower or how he somehow wormed his way into their lives. As for Peter, he just wants to be good and obey what the Hydra men told him so he doesn't get in trouble.

I just really love hydra Peter changing into a sweet and intelligent boy once he's rescued and safe, and how all the Avengers take up such heart-warming parental roles around him.

out there, living in the sun by Hailfire_73 - The Avengers rescue Peter from a Hydra base ran by his father, Richard Parker, except Peter doesn't really see it as a rescue, and has trouble settling into a new life away from Hydra and his father at the Avengers compound. OR - Peter learns how to be an actual teenager, live life, and put his abusive past behind him, and Tony learns how to be a father.

Hydra Peter but he's most definitely a traumatized and moody teenager. I really enjoyed Peter's character arc and the exploration of his trauma. It felt more realistic the way his journey isn't just a straight or clear path. He's more mature in this one and it was a really compelling read, balancing the angst with some humour and fluff. Loved the ending.

Tinker, Tailor, Spider by Bergen - Tony is roped into a mission to transport a teenager to safety. But when things go south, it soon becomes more and more puzzling who the teenager is and what ‘safety’ means for him.

I really enjoy that the author doesn't water Peter being hydra down. Yes he is a highly skilled assassin and a badass who's trauma pervades his every thought and decision. Made me fall in love with the Tony, Pepper, Morgan and Peter as a family dynamic. Super domestic while still highlighting Peter's troubled past.

[punkitt-is-here]

im a huge sucker for Real Time Combat but I will never get behind thinking its the natural evolution of Turn Based Combat. What!! these are different styles!!! i genuinely think the turn based influence is explicitly what MAKES FF7s real time combat INCREDIBLE for me. without it, it would be just a kind-of mid action game.

FF16 just has me thinking about that and it kind of reminds me of how we had a 2D platformer drought for a while because of 3D being seen as inherently better but we've ALREADY gone through the whole loop of realizing these are two different styles with pros and cons to those. The thought that goes into designing both styles vary greatly and they both accomplish different things.

like, being able to just mash X and kill a guy in real time is not inherently better than carefully strategizing and experimenting to kill a guy in a couple turns!! these are two unique stances in gameplay with strengths and weaknesses and its weird to see one treated as better. and i admit, im a fucking sucker for real time, i like at least some real time elements in most game's combat, but i think FF7R's combat is incredible BECAUSE it's not just purely real-time. You can swap around, go through menus, plan stuff!! its such a cool synthesis!! Real Time Combat can offer the thrill of really BEING in combat, dodging and weaving, getting gritty with your foe, but Turn Based allows you to strategize and plan and have MUCH easier access to a potentially HUGE arsenal of moves without having to fiddle with menus while you're scrambling to avoid getting hit. These styles are different and can bring a lot to the other, but acting like one is somehow better beyond just preference is very silly to me.

When you play a game with turn-based combat that sucks, know that it's probably because the balancing/design itself is not fun, not the actual genre. Super Lesbian Animal RPG has no real-time elements at all in combat, but it's some of the most engaging and fun and well-balanced turn-based combat I've had the pleasure of experiencing. And it has a deep focus on teamwork and friendship, and I think that's genuinely very hard to instill in Real-Time games because the player is forced to control only one character at a time in linear, progressively flowing time. I love KHII, but it rarely feels like you're working together because aside from your Limit attacks, you can't really collaborate with your party members or strategize. It's still a FANTASTIC game that I love playing, but the element of teamwork is lacking in comparison to a turn-based game, like, say, Bug Fables, which has you control all three members of Team Snakemouth. It allows you to have a myriad of attacks and moves that all influence each other, and because you can control all members, it feels really good and rewarding! And you all feel like friends, not just in cutscenes, but explicitly in gameplay because teamwork is highly incentivized to make things work!

i guess if ur a dev or just someone who appreciates games remember that there's no objectively better style for gameplay; it's all about context!! what is the GOAL of combat? What choices does it have the player make? Would one style work over the other for achieving this goals? That's how you pick what style you want to use! That's how you can analyze why or why not a game's style is working for you! rghaGHHHH GAME DEVELOPMENT IS COOL ARRHGHGHGHHGFJG

[atiny-for-life]

Ateez's Full Storyline Explained - BONUS

Masterlist

WORK

Based on the GOLDEN HOUR Intro which was released prior to the first teasers and is all about Atiny and Ateez's journey thus far, plus the lack of storyline queues in the music video itself, I believe this is one of those instances where the MV simply falls outside the storyline, much like Turbulence and The Real

I believe this time, it's because they were invited to Coachella and simply didn't have as much time to prepare for the album and get access to the sets they'd need to tell the story visually the way they wanted to which is something I talked about more here

However, let's still dive in and dig up some easter eggs and other fun little moments strewn throughout the video so we can appreciate it better!

Kicking things off is "maknae on top" Jongho buried in the dirt, playing the flute (which sounds like a clarinet) while the others stand around him, four out of seven holding spades and shovels

And it's not just that they felt justified in burying him with extra holes for his hands so he could play the flute, they also felt the need to do it right outside a motel in the middle of the desert

Giving the meaning of this album, this starting from a dirt-hole in the dessert setting could be a reference to Pirate King and Treasure which were both shot in the dessert way back when

If that's the case, it'd also make the red car more meaningful since Yunho also had one during Wave

From here, we move on to a roadside diner/shack situation where our boys are working the counter, preparing counterfeit money burgers

Inside, we can see a bunch of Ateez's awards (bragging rights), including a MAMA award, the Billboard #1 plaque and more, with TYUdeongi and Mito (the two little plushs) front and center

Next up, we've got Seonghwa rolling into town on an ostrich, carrying the flags of some of the countries they visited during last year's world tour while Yunho, San, and Yeosang are counting their money and drinking around a table outside the motel

The next clips show us Yunho reading a burning newspaper with the headline proclaiming something along the lines of "Anonymous Philanthropists Change [...]", likely referencing all the money they've been handing out at their diner

The scene is accompanied by the lyrics "Breaking News popping up no matter where I go" which is very reminiscent of 'Matz'

Wooyoung's vibing outside with a Mariachi band and Flamenco dancers (don't ask me why... I guess they're having a Latin American phase right now - let's see if they end up fluent in Spanish or Portuguese some time soon)

Up in the mountains, we've got them mining for gold far away from any visible mining shafts, and singing about geese laying golden eggs in Spanish (giving Aesop's Fable), followed by a line about building towers 24/7 in Korean (giving Billionaires' Row in Manhattan) before San eats the gold nugget he'd been holding (the effects of eating gold are not well studied, please do not attempt at home)

Next, we've got Yeosang cutting out counterfeit money with a large pair of scissors (we're already struggling with inflation, put those scissors down) while singing about being an introvert

He's in the same office Yunho was in earlier when he was reading the burning newspaper (I'm glad the place didn't burn down)

Moving on, we've got Mingi in the parking lot dressed very Willy Wonka-esque (Gene Wilder version)

He's sporting two pins on his coat - one which looks like a painter's palette and the other looking like a cross, somewhat reminiscent of the Maltese Cross (shoutout to Malta, I feel like no one ever talks about you) or the Iron Cross (popular in early 20th century Prussia)

Everyone's partying, it's raining counterfeit money, we've got car hydraulics in the back (it's been 70 years, I didn't think these were still popular) and our Flamenco dancers are back before we cut to Jongho in his hole, and back to Seonghwa on his ostrich which is now joined by some very talented, head bobbing, CGI chickens

Moving on, we find Hongjoong dancing in another parking lot, surrounded by his members and some strangers on golden bikes, all wearing sunglasses

In the lyrics, he's referencing The Real which strongly matches the vibe they're going for in this sequence, both in terms of costumes and with the general setting

Within the same rap verse, we also see Hongjoong in first parking lot where Wonka-Mingi was kicking off the party earlier

Here, he's dancing with two kids in costume (a chicken and a wrestler), while looking super delighted, just all around happy to be here, much like the guy on the bike we can see in the back (it's very wholesome)

We briefly cut away to a shot of a lone massive golden egg stranded on a deserted hill surrounded by some dry shrubs. Keep it in mind. We'll come back to it later.

Back in the office, Yeosang's happy with his robot chicken (Brian) which seems to be capable of laying golden eggs, going by the tall stack of them presented on his desk

While Yeosang's hogging the office, Yunho's off in some basement, taking the term "money laundering" far too literally as he pulls a stack of bills from a washing machine

Seonghwa, once again on his ostrich, now enters a gas station where Wooyoung fills up the bird by inputting a fuel pump in its side. We can now definitively confirm that this alternate universe is weird as hell.

Moving on to a miniature city, we've got our two main rappers attacking a money-monster with some ray guns ( because, on this ship, we're anti-capitalism)

They're wearing fur coats to match the lyrics, which may also be a throwback to Say My Name

Returning to the diner, we've got Jongho building a money burger abomination with some added CDs because, clearly, that's his favorite breakfast

And over in the kitchen, we've got head chef Hongjoong cooking up some hellfire concoction which is literally on fire but he doesn't care - he's still just making a noot-noot face and giving us a straightforward reference to Bouncy by cutting in some more green chili peppers

Honorable mention to Mingi's GTA reference

From there, we get some shots of Ateez gathered around the camera (Don't Stop End Credits style), a short scene of Seonghwa in the hydraulic car, many people's favorite clip of half-topless San twisting a valve or something near some desert oil rigs, and more, before we finally move on to Jongho in front of a food truck

The truck seems to go hand-in-hand with Ateez's roadside dinner since it also offers their famed money burgers

Next, we've got Yunho and Yeosang carefully watching an extra large golden egg in their office

After a few more super quick scenes flash by, it begins to crack before we return to the lone massive golden egg in the desert we saw earlier which now busts open and out pops Seonghwa

There are some Korean folktales about men being born from eggs, all of them rulers which were used to keep the myth alive that kings were picked by a higher power, not born the conventional way - I assume that's what's being referenced here

[heyhay13]

Lightning Round QnA!

We had over 250 questions in the form and we focused on ones that were very open to anyone in the cast. So specific detail questions got left out :(

Here's a lightning round of questions to answer for y'all and my ask box is open if you have more!

Rae/Heyhay Questions

What happened to Icarus's birds?? We know Rae said he'd take care of them, but with the birds being wacked and Icarus whole memory type thing, what would happen with that.

Sherb and I talked about this a bit and landed on the birds seeking out Rae and he builds an aviary for the strange new little friends following him around. I might even write a fic for it!

Heyhay how long did the scrapbook (shown at the end) take to be made?

I worked on it for nearly a month and a half between organizing with the artists and making it myself!

How did you come up with Vaeh's Name?

It's from Fenris' sister Nevaeh!

Will you continue to cosplay the characters after this?

Absolutely!

To Rae/Hayhay: what was your favorite memory to make in the Always Remember Book?

I think probably all of the wedding details. I loved talking with my friends to plan out the details and outfits SO MUCH and a lot of the poses are based on my own wedding photos!

Are there any plot lines that you wish you could have done or explored more in depth, but couldn't due to time?

We initially had some ideas for finding a few more Telchin temples, including Project Protetus. I really like building the temple/facilities so that would have been fun!!

How did lore planning/pre stream work?

We usually plan out rough ideas for a stream in dms and then meet 30 minutes before a stream to go over everything, dry run some things like flight paths, and do sound checks!

Out of all the characters on fable smp, which one do you think you could win in a fight against?

Ven lol

Will we see other versions of the fable characters in other smp's like Bound?

You might >:3

If your character didn’t ascend, what would they be the god of? And if they did ascend, were there any other domains they could have been the god of other than the domain they got?

Rae's took FOREVER to actually land on. I was really stuck on wanting something that felt more correct than Knowledge and we tossed around a lot of ideas until landing on Wonder.

How much of the relationship constellation was planned?

Literally only Raax and Ocie's original partners (Rust, Jerry, Shawn) were planned! The others came about naturally as the lore progressed.

Did Rae ever get better at baking/cooking?

YES! At least slightly-

How old is Rae in the time period that Rye made in Rae’s epilogue

Not an exact age for Rae, but his epilogue takes place when Vaeh is roughly 4-5 years old.

The first two seasons have “names” (endstone reset and skulk reset) but what would be season three’s?

I like to think it'd be called the "Last Reset"

What is your favourite kind of fanfictions written about your character? (Tropes/themes/etc)

I'm a massive sucker for Hurt/Comfort fics-

Clarification Questions

What was that one gold aura building near the temple of creation in S1?

It was a build from Sherb's hardcore world at that time!

Why did Rae remember Icarus? I thought everyone was supposed to forget but I might’ve misunderstood

Rae remembers Icarus as a child up until when Icarus' first death would have been! Isla would also remember Icarusa as a child as well.

Was the release me book from season one written by fable?

Yes!

What is Haley? She came back from the dead but no body ever said if Midas made her come back or if she was a god.

Midas brought her back, switching her and Fable's places so he would go back into Purgatory

Why couldn’t Haley see quixis’ changes from purgatory?(and fable)

There is no record of Quixis in the Akashic Records. This is also why Icarus is missing from the records in Rae's epilogue!

General Questions

Are you guys gonna do another smp where its everyone as the same cast?

Nope, not with this exact cast at this time, but we all are on a bunch of other smps you can check out! Mer, Bound, Siege, and more!

Is there a reason behind all of the seeds you use in Minecraft? Or is it just the first biome that pops up is the new setting for the season?

We actually look really hard for a good world seed that we like. For season 3, we really wanted a good spot that the tree could be near the ocean and this seed worked out great for that!

Will we be able to have a world file of S3?

YES - it's coming soon!

[hotcheetohatredwastaken]

What are some head canons you've been wanting to share, but haven't had the chance to? (Yes, I AM asking you to ramble about the blorbos)

Here’s my head canon (as I told you earlier): Legend and Sky are related. Not only in blood, but in unique ability to relate to the Goddess through dreams.

If we begin with the assumption that Legend and Fable are indeed twins, or at least brother and sister—this is still heavily debated, so take of it what you will, but that is how I read that bit of lore—then obviously, Legend is in the Royal family. And the Royal family was founded by whom? Sky and Sun. So, they’re related. By blood. YAY.

I love this for a lot of reasons. Their opposite temperaments. Their opposing views of the Goddess, of their adventures, of their teammates now that they have them. Add in the fact that they’re blood (like Twilight and Time) and you can get a fun dynamic, especially when that mentor-protege relationship just isn’t there like it is for those two. Sky isn’t a leader or a teacher, at least not amongst the Chain, and Legend isn’t exactly a student or a follower (though I will note he’s very good at stepping up when need be). Anyways, juicy, juicy dynamic, imo.

Anyways, now more into real head canon territory. Next, we can notice that both Sky and Legend experience dreams in their adventures. Sky has multiple warning dreams about his Zelda, Sun, throughout Skyward Sword; Legend starts at least? one of his adventures with a dream, not to mention his whole deal with Koholint dream island. And, someone can correct me if I’m wrong, but some of the Zelda’s have had forewarning dreams, too, or just general dreams of Hylia. Therefore, I think it isn’t too much of a stretch to imagine that the ability to perceive prophetic dreams has been passed down through the Royal family, not through Sun, but through Sky. So, since Legend is a part of the Royal Family, he has it too.

Anyways, I think this could also play out into their sleeping habits. In canon LU, Sky is noted to sleep a lot. And (in fanon, mostly, but I HC it) Legend is a night owl that barely sleeps. I think it very possible that they could still have prophetic dreams, probably about the Chain or their goals or enemies. And their different ways of dealing with those prophetic dreams tie into their characters, too. Perhaps the prophecies exhaust Sky, or he instead wants to make sure that he doesn’t miss a warning from Hylia—so, he sleeps. A lot. Legend, on the other hand, doesn’t want any more of that nonsense after Koholint—so perhaps he wakes himself up from those dreams before he gets trapped, or avoids sleeping entirely, to escape them. This makes him the grouchy, sleep deprived veteran that we know and love.

Anyways, head cannon presented. I love the idea of Prophecy!Sky and Prophecy!Legend who are also related by blood through the Royal line. That is all.

[batmanisagatewaydrug]

reading roundup: june 2024

before I get started on June, I have to issue a correction from May: I forgot to include a book!

last year I backed Iron Circus Comics' erotic anthology My Monster Girlfriend, edited by Andrea Purcell and Amanda Lafrenais, and it finally arrived just ahead of pride. My Monster Girlfriend contains 15 stories by all by different artists, and features protagonists who get it on with everything from the classic ghosts, werewolves, and vampires to a reality-warping angel (?) who contains infinite dimensions, a sleep paralysis demon, and an all-consuming flesh monster hivemind.

while I would have liked to see a little more variety in the freakishness of the actual sex, the anthology is a lot of fun and shows off a great diversity of art styles and scenarios in which one might get down to clown with a monster girlfriend. my personal favorites were Feather by Kanesha C. Bryant, in which an intrepid pervert boldly attempts to locate their girlfriend's genitalia; MonsterHER Under the Bed by Bont and Wes Brooke, which puts a cute, sexy little spin on the monster under the bed; Forest Wedding by Otava Heikkilä, which reads like an old timey fable except it ends in a giant forest woman getting crazy fisted by her new trans husband; and Girl Fiend by InnKeeperWorm, which is infinitely jackoffable even though, frankly, the hellhound should have stayed in her more monstrous canine form to fuck.

okay, now onto the June reading! I found myself reaching the end of the month surprised that I had added so few books to my 2024 spreadsheet, and then I realized: it's fucking PRIDE MONTH and I'm a career queer. I spent most of June either busting ass working various events or in a coma recovering from said events; no wonder I didn't read as much as I thought I would. I also gave up on one novel after sinking close to 200 pages in it, which means the list is even shorter, but trust me: the DNF was the right decision.

so, who made the cut for pride?

The Monsters We Defy (Leslye Penelope, 2022) - this book was a romp! it's fun! it's a hoot, dare I say! this is a historical urban fantasy that takes place in the Black society of 1920s Washington, DC. protagonist Clara and her band of ragtag magical misfits have a heist to pull off against one of the most powerful Black women in DC, with their own curses and powers at stake. it's a fun story with a neat magic system and lots of words that are capitalized so you know they're Magical and Important, and it's a read that goes down real easy. strong recommendation if you find yourself in a slump!

Just for the Cameras (Viano Oniomoh, 2023) - my first foray into independently published romance! and it was... fine. the plot's a little patchy, sure, but it's definitely not the worst romance I've ever read, and at least a throuple made for a nice change of pace. AND nobody's seething with jealousy or insecurity about multiple partners? you love to see it. this book was apparently originally intended to be a novelette and it definitely could have stayed that way, but if bisexual Black hotties sucking and fucking is what you seek then you're going to have a great time. TW: 2/3 main characters are British.

Strange Bedfellows: Adventures in the Science, History, and Surprising Secrets of STDs (Ina Park, 2021) - to the surprise of absolutely no one who knows me, this is one of my very favorite nonfiction reads of the year so far. I cannot emphasize this enough: if you like the way that I talk about STIs and sex ed on this blog then I think you'll really like this book, because having read this book I desperately want to be her friend. she brings so much passion and energy to her work that it bursts right off the page and is - pardon this awful pun - absolutely infectious.

Survivor (Octavia E. Butler, 1978) - for those you not in the know, this book is kind of a get. it's the only book of Butler's that was never reprinted, so now you can only read it if you get ahold of a super expensive original edition OR if you, hypothetically, find a PDF online and print off the entire thing on your work printer. and I'm so glad I did the latter, because holy shit this book whips ass. the book was apparently disavowed for its lack of connection to the rest of the Patternist series, which is true but oh my god, the story is SOOOO cool anyway. we've got a human woman named Alanna who grew up feral on Earth only to be adopted by a Christian cult who are GOING INTO SPACE to preserve the human race, but it turns out there are already intelligent people on the new planet and they have Feelings about what the future of these human missionaries is going to be. it's on Alanna to navigate the clashing cultures and tension between the humans and two warring groups of aliens, and it is fucking URGENT. I don't say this lightly but I think this has ascended to be in my top three Butler novels.

No Name in the Street (James Baldwin, 1972) - ooooooh my god you guys!! oh my god!!! I've never read any of Baldwin's long form nonfiction, but within pages I knew that this was going to pretty permanently change my brain. this memoir-ish book delves into, among other things, Baldwin's witnessing of the American civil rights movement, including the deaths of Malcolm X, Martin Luther King, Jr., and Medgar Evers. woven around that is the alienating experience of being a Black man with exactly enough cultural cache and social clout to sometimes isolate him from the people he grew up with but not nearly enough to buy acceptance or safety in a white society, emphasized by Baldwin's unfinished struggle to free a friend from prison after a wrongful murder charge. and somehow that's barely doing the book justice! it's so vast and incisive and weary and impassioned and it did, truly, have me jotting down the names of everything Baldwin ever wrote to make sure I can read it all. as much as I bemoan my habit of impulse reserving books from the library, I really am indebted to the Stacks podcast for getting this on my radar.

[orpiknight]

Ohhh, look look! It seems there's a tour of a new Coraline musical coming in the near future? 👀🪡

There's an article from The Guardian that explains more.

"The children’s fable, which found a new audience 15 years ago as a stop-motion animation by Henry Selick, has been adapted by playwright Zinnie Harris and composer Louis Barabbas.

Harris fell in love with Gaiman’s dark fantasy when reading it to her children and quickly saw its potential for the stage. Over a 12-year period, she has developed the script with James Brining, artistic director of Leeds Playhouse. They recruited Barabbas, the Skye-based frontman of the Bedlam Six, to write songs that Harris described as 'dark, spangly, clever, quirky and beautifully melodic'."

It sounds like it will be taking inspiration from the novel rather than focusing on the movie.

"'The movie is one refraction of the novel and this will be another refraction,' said Brining. 'We want to respond to the story, the spirit and the atmosphere of the novel.'"

While it's a dark storyline, the novel is still a story that's meant for kids to relate to. That depicts finding bravery to survive in a terrifying world that can make one feel overwhelmingly powerless and alone. So it's nice to see them making sure it's a family show that's fun with the star played by an actual kid.

"There will be a child actor in the lead role, their vulnerability emphasised by a cast otherwise made up of adults.

Harris added: 'At its core, the story is about working out how to be brave. It is a powerful message. We see this little girl having to take on an extraordinary adversary, who is psychologically as well as physically intimidating and she has to dig deep into her core to find a way through.'"

And the music? Gothic. (and spangly)

"[...] they had been drawn to the gothic side of the novel: 'That is partly why we felt it would be most successful with music. When the other mother turns around and she’s got buttons for eyes, there will be a heightened quality because she is singing.'

He said this is what prompted them to collaborate with Barabbas: 'His music has got a gothic quality. It’s got creepiness and wit, he can write lyrics that hold rich imagery and themes that respond to the novel. The gothic is a key characteristic of Gaiman’s work and the music will help define that atmosphere on stage.'" [full article]

It's said it'll premiere in Leeds in April 2025.

-

The novel turned 15 this year. With this and the upcoming theatrical rerelease of the movie, it looks like Coraline's getting a lot of attention.

And in case you haven't seen the new movie poster:

I just think it's neat. :)

[itsafablefolks]

Some things about the frames in No Longer You!

Spoiler warning for the finale!

The first frame of Haley and the last frame of Sherb are different stylistically than the rest of the frames. The majority are in ‘prophecy-land’, which is inspired by a tapestry but it’s really to signify that this is not physically happening. Everyone in prophecy-land is silhouetted, and has one thing/color to help signify who they are. The exception for this is the wack, which is in color, because the wack isn’t something that’s supposed to be there/not from the world of Fable.

Song of past romance: Momboo! They were dating in s1, so she’s there. I chose her pink flowers in her hair. I knew I wanted something pink, and those made the most sense to me and tie into her being Lady of The World.

Sacrifice of Man: Jamie! When Icarus went and (tried to) kill Jamie, it felt the most like a sacrifice. It was the first time that Icarus went out, on their own, to deliberately hurt someone. I chose Jamie’s vines to be the color here, because they feel distinctive.

Portrayals of betrayal: coworkers! I really like this frame. Ari and Ven both betrayed the Grove to work for Fable, and then ended up betraying Fable at the end. And even though they didn’t betray Icarus specifically, he was still alone at the end. Originally, I was planning on using blue for these two because they’re both blue characters, but then it was too much. So I used yellow, which worked for a smaller area and also it’s Fable’s color.

Brothers final stand: This is Rae. This stream is called Brother’s Final Stand. I chose to do Rae’s horns, because they’re something that signify his connection to the End, and they are a distinguishing feature.

On the brink of death: Icarus is dying! And Centross is here. I wanted to include Centross in this, and this frame made that work! He’s got his scar across the eye, because I wanted to do something purple and doing all his scars would not have worked. Icarus has their eyeblood, because that’s how you can identify them. Shoutout to Abby amiactuallydoingthis for helping me figure out how this pose works- they needed to have a clear silhouette and Centross had to be catching Ic, but we needed to see Icarus’ chest.

Draw your final breath: Icarus falling, thinking they’re about to die. We can see the wack, and their wings are shut.

Man who gets to make it home alive, but it’s no longer: Icarixus!!!! Icarixus isn’t the same as Icarus- because at time of singing, Icarus has Sherbert’s eye in their head and is not fully Icarus, while Icarixus has both eyes back. Also, Icarixus has learned so many things- not to trust Fable, about the worlds and the Sherbversions, about how the wack works and how they can help and hurt the other worlds. And they do get to make it home alive, after a bit. They get their glowy bird ears!

You: Icarus not in prophecy-land, but we see the tapestry falling behind them. Their eyes are colored, but nothing else is. Apart from the wack, this is the only time someone gets two colors, and I think that’s fun.

Thanks for reading! I thought a lot about what I put into these frames, so I wanted to share it somewhere.

If you want, check out all of my Fable animatics.

[nerves-nebula]

I fucking adore your comic panelling, any advice on how to do it? Like specific ratios or ways to divide the page?

god there's so much advice i COULD give but i really dont wanna end up writing a book here. so I guess I'll say this: however you divide the page you should be CONSISTENT with it, i literally just learned/internalized this but it's made comic paneling soo much easier. when you break that consistency it will be more impactful. hold up lemme grab some pages.

so i recently started making loose stitches a 4 tier comic. it's not the exact same for each page cuz i'm lazy but i think it's made legibility way better. before i think it was kinda uhhhhh a little all over the place. not BAD but a little difficult to tell where your eyes supposed to go sometimes. which isnt great for a commic.

the page on the left in particular has always bothered me cuz i always read the top panels incorrectly and it's like. fuck man what is the paneling here why is it in two columns ????? that's so hard to understand. but the page on the right can be more or less easily understood (by someone who knows how to read comics) even without panel borders because it's just a simple 4 panel square.

one thing my comic professor really stressed was that he didn't like weird paneling or weird borders. for the most part, a square is fine. AND HE'S RIGHT. weird paneling is fun and cool but should be used sparingly or with intention, cuz if you do it too much then like. how tf are ppl gonna read your comic.

that being said there are a lot of cool ways to cut up panels even if they're just squares hold on lemme grab some examples

so the panels here are all square but the image in the one at the bottom is almost like a mural. one thing i really like to using is a lot of heavy BLACK, what can i say silhouette's have my entire heart.

in my fable comic, I used a 3 tier system. it wasn't the same exact size across all pages but all pages had 3 tiers of paneling. that way i can be a little more flexible with the SIZE of the panels to emphasize the more important things, without it feeling like it's all over the place

meanwhile in my comic final i used a 4 tier system where each tier was nearly the same across every page, but you can collapse tiers together for establishing shots and big reveals so that they're more impactful. it's still fully within the grid system I set up so it doesn't feel like it's messing with shit either.

ok i just spent a lot of time rambling about this one particular concept and it's probably not even what you wanted to hear about :') i didnt even go into ratios or anythinggg guhhhh sowwy

other than all that i'd just say you gotta keep looking at what comic artists have written and take note of how they use space and cut things up. there's this book called How To Read Nancy and it has all these exercises for understanding the building blocks of nancy. for real the author is OBSESSIVE and goes through everything of a 3 panel nancy strip from body language to spot blacks to the minutia of the background. we used this book in my class and did some of the exercises in the back and i think it's really good at getting you to THINK about what you're drawing. and you can easily pirate it if you're broke.

also try to make sure things dont get stagnant on a page. zoom out if you're only doing close ups (i try to make sure every page of loose stitches has at least one full body shot even tho I'm lazy and wanna just do talking heads- talking heads arent interesting!!)

also, take advantage of the fact you're drawing a COMIC. you can do shit in comics that you can't do in other mediums, try to implement them when u can! ALSO PRACTICE. you're not gonna get better just by reading and watching. you gotta do it lol. ok ok that's enough and you didn't even ask for that stuff you asked about PANELING sfdasfsd byeee

[bonzos-number-1-fan]

TMAGP 25 Thoughts: Tech Support

The fabled mukbang episode is upon us. This is probably the most TMA an episode has been too. Jonny wrote it so that's not a major surprise but it really does feel like the most seamless to slot into TMA of all the episodes so far. It was a great one too. Who doesn't love dinner and a show? No notes.

Spoilers for episode 25 below the cut.

Alice and Sam's interaction is interesting to me for entirely how uninteresting it is. I'm not sure if it's just me but I feel like there has been this run of episodes recently that are sort of coasting in terms of plot progression. That's not a bad thing but it does feel like we're in a bit of a trough between big things right now. Not that this episode doesn't have at least some progression in it. It's just not now, and not next.

The incident was a lot of fun IMO. Really evocative, a great format, a nice solid contained story where no one horrifically dies. Hard to complain about anything that happened here. Just some great Magnus-flavoured horror. Similarly to the last couple I don't know that this is going to have much bearing on later episodes. It doesn't feel like there is much in here we haven't seen before. Obviously the specifics are different but I couldn't point to anything metaphysically unique in this one. It is, of course, the most hunger related one of these we've had in a while. So the Hunger-not-Fear theorist are eating well I'm sure. I don't really buy that. Or, at least, I don't think it's actually all that different than TMA. I think the strongest name we have for them right now is Dread thanks to the capital D Dread from the transcript of Hard Reset. Although it's entirely possible there is more than one category of entity here. If we didn't have German to go off of I'd also say it would be a good theory for what DPHW might mean. Each letter representing an entity, or type of entity, and the influence they have upon any given incident. That's all unrelated to the incident, of course, but I did feel like I should talk about something here.

Poor poor Colin. Cursed by the plot to get institutionalised for being right. Well, for the hammer stuff but that's nearly like being right. What's probably the most tragic part about this is that the team is primed to believe him now. Had he laid out what he knows sans hammer he'd probably have won them over but paranoia is a cruel mistress indeed.

Lena caring more about rules than people is unfortunately attractive. It's incredibly funny to me that the OIAR offices are in such a disarray that the terminals are apparently right next to server racks. I'm going to be interested to see where this goes. Sam standing up to Lena and flatly declaring that things are fucked up in the office should have some sort of payoff but I do sort of worry it might not get mentioned. The compartmentalisation of the OIAR is clearly falling to bits but she didn't seem super worried in this exchange about that. Hopefully we'll get to see more of that in the future.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 2474 is about where I was expecting it to land. Not a whole lot to add there.

CAT# Theory: At CAT2 this is another one of those that reinforces my belief that if CAT is Person/Place/Object then CAT is a terrible way to grade anything. Obviously the restaurant is a place but there was also clearly someone in the place working with it in some way. That's entirely ignored by putting it in CAT2 and so is discarding information of merit for no real reason. If a team responds to this you'd expect them to want to know that there is a killer cook in the building too.

R# Theory: B seems a little high to me but I also can't really think of a good reason why it shouldn't be B.

Header talk: Food (Gorging) -/- Compulsion (Disgust) is pretty descriptive, so not much to say on that one.

[skyward-floored]

Hello!!

Um…

I really loved that one fic you wrote called “caged” with fable and legend, and I also really liked the sequel. I love how you described the scenes, it was really fun to read!

I saw that you were talking with another user about how legend got into the castle, and you mentioned that he probably got in through the secret passage way that he knows from alttp

I was wondering if maybe you were thinking about writing a prequel to that fic?

Maybe about how the chain lands in Legends Hyrule and they see Hyrule castle looming in the distance, perhaps under a spell of some kind and legend immediately runs towards it to find he can’t enter normally and he tells the chain that he does know of a way in. So they enter through the secret passageway and perhaps legend gets some flashbacks to alttp as they’re fighting monsters (or maybe brainwashed guards) and looking for fable.

It’s just a suggestion tho! I’m aware you have other stuff to do, so…

Uh anyways, I really liked this years whumptober fics a Lot too, they were all amazing! You are really such a talented writer!

That’s all, hugs!!🫂🫂🫂

I hope you have a nice day

So I wasn’t really thinking about writing a prequel at all, and I don’t do requests really but... well. The idea intrigued me, and I sat down and started writing, and this came out 😅

It’s minimally edited and certainly not my best work, but hey, it’s something. I hope you enjoy the little prequel anon, and thank you for the kind words :)

Caged

The sequel (Aftermath)

———————————————————

Again.

Again.

It was all Legend could think of as he stared at the castle in the distance, dread and anger and too many emotions for him to name making his hands shake.

They’d just exited a portal, landing in his Kakariko, and the relief of being back in his own time was immediately overshadowed by the oppressive dark magic in the air. Impa had found them soon after, and explained with a worried look in her eyes about a wizard who had tricked them, and overtaken the castle.

With Zelda inside.

The blood had begun to roar in Legend’s ears as Impa explained further, but he was barely listening anymore, his head spinning and chest tight with anger.

She’s in danger again, the kingdom’s in trouble again, and I wasn’t here to protect—

“Legend, what should we—?”

He took off.

He ignored the shouts of the others, the calls for him to wait up, and booked it towards the castle, his pegasus boots making it impossible for the other heroes to keep up with him. Rain had begun to fall at some point, but Legend didn’t let it stop him, not even when he nearly wiped out in a puddle.

He reached the castle gates in mere minutes, and banged a fist on the doors. They were shut tight though, sealed with magic that Legend knew he wouldn’t be able to break. But he pounded against them anyway, took out one of his rods and blasted at it, tried his rings and items and all sorts of things before finally kicking at them with an angry yell.

The others had caught up to him by then, and they joined his side, split evenly between looking at him and looking up at the gates.

“How are we going to get in?” Wind asked a little hesitantly, and Legend sighed, swiping some drops of rain off his face.

“I know a way.”

He’d hoped he wouldn’t have to use it, but it looked like it was the only way they could get inside.

Legend led them all around to the east side of the castle, the group’s weapons drawn and eyes squinted through the rain for any enemies. It was only a passing shower, not a torrential thunderstorm like the last time he’d used this passage, but the similarities still made Legend tense.

History sure does love repeating itself.

More then one concerned look was shot his way as they went, but Legend ignored them, as well as the memories that were trying to claw their way to the forefront of his mind. He had a job to do and a princess to save, and he wasn’t going to get lost in his head.

Even though this was at least the fourth time he’d done this and he was so tired of evil striking at his kingdom and the people he loved and having to stop them again and again. He wasn’t going to think about it.

Not now.

They didn’t run into any monsters on the way to the other side of the castle, which made Legend suspicious, but he wouldn’t look a gift horse in the mouth. He quickly revealed the secret passage that would lead them inside, and gestured the others in.

“That’s convenient,” Wild commented, and Warriors studied the passage in interest.

“Are you the only one who uses this tunnel? Seems like a security risk.”

“Only a few people know it exists,” Legend replied, then dropped in so he wouldn’t have to continue the conversation.

Legend took the lead as they began to walk down the tunnel, and kept himself several paces in front of the others, his shoulders slowly hitching upward.

Water dripped as they walked along the passage, running on the edges and making the floor damp. There weren’t any monsters in this spot either, which made it easy for Legend to stride as quickly as possible past the spot where his uncle had breathed his last.

He hated being down here. He hated the reason he was down here and the slimy feel of the floor under his boots, and the smell in the air and the squeak of rats he hated it.

And was it his imagination, or was he smelling blood?

“Legend?”

Legend breathed in sharply as a hand landed on his shoulder, and he looked over at Twilight, the older hero giving him a searching look. They were nearly to where the dungeons connected, he didn’t want to stop now.

“You alright?” Twilight asked, and Legend let out a bitter laugh.

“Sure, I love coming home to find out the kingdom got taken over in my absence. And nobody knows what happened to my Zelda, and getting to tromp around in the sewers, I’m having the time of my life, thanks,” he snapped. “What’s one more crisis for the kingdom of Hyrule?”

Twilight’s hand didn’t leave his shoulder. “Legend.”

Legend stopped in his tracks and glared back at Twilight, gripping his sword so tightly he was sure it was leaving lines in his palms. “What.”

“We’ll save her, Legend,” Twilight said firmly, and gave his shoulder a bracing squeeze. “You’re not alone. You’ve got us this time— whatever this wizard is capable of is no match for all nine of us. We’ll save Zelda, and the kingdom. We’ll stop this together.”

Legend stared, then looked behind Twilight to where the rest of the Links were standing, and they all gave him equally determined looks. Their eyes were bright and fierce, and full of just as much resolve to save Zelda as his own were.

Legend felt his eyes sting, but he forced himself to blink the tears back, and nodded at Twilight, breathing out as some of the emotions storming in his chest eased a bit.

Twilight released his shoulder, and Legend turned back around, waving them all onward.

“Only a bit further to the dungeons. We’ll check for Zelda there first, but if she’s not there, we’ll... we’ll cross that bridge when we get to it,” Legend said firmly. “Finding her is our biggest objective. The wizard comes second.”

The others nodded as they crossed through a doorway, and Legend squared his shoulders, shoving away the rest of his anxiety and terror and digging up the courage in his chest that had gotten him through six adventures already.

We’re coming Zelda, hold on, he thought desperately, shouting a warning back to the others as they reached the dungeons, and an enemy’s sword nearly took his head off.

Please be okay.

[snow-lavender]

now that we're a week out from the finale, i'm feeling settled enough to make my sappy post. TL;DR is: fable has been incredibly important to me, and i think it's a story that's important to have out there. to the community and cast, you've made something beautiful and helped me more than you could know.

so here we go-

i started watching fable in the summer of 2022, to kill time in between summer courses (and thank fuck for that, cause my brain desperately needed to have some fun after 5 hours a day of doing psych stats by hand.) i was originally pulled in by vo'lete, as dissecting a conlang is really fun to me. it became basically the only media i consumed, as 2022/2023 was the fourth year of my BA and i was crazy busy. and then the characters pulled me in further with their earnestness and their devotion to redemption and compassion.

i think one of the theses of fable is "people always deserve happiness. doing awful things doesn't erase your ability to change." and i think the simplicity and love of that take hit really close to home. in the era of modern fandom where bad actors try to make everything black and white, it's an important point to make.

i started making shitposts on tumblr, started enaging with stories from an analysis standpoint again, and found a lot of joy in the community here. i don't have the words for what that means to me, so i'll just default to you guys are great <3

then mid-august happened

those of you who frequent rin's streams might have caught bits and pieces of this, but basically, i had a fall and my knee became royally fucked beyond belief. it can only be fixed with a surgery that's not very common. the pain was (and still is) debilitating to the point that i had to drop out of my second degree, and couldn't walk more than like, a block every few days. my life, my dreams, my future all got put on hold. i was in a new city with no supports, no friends, and no way to leave my apartment. fable went from the only media i consumed to the only thing i did, period.

the fandom became the only people i talked to regularly, other than my family, as online relationships were the only ones possible to maintain. in fableblr and in rin's chat i've found people who i really click with, people whose company i enjoy and who enjoy mine. when i was lying in bed, feeling so alone and less than human, having people on the internet go "i know who you are and you are making an impact," quite frankly, kept me sane. i know i don't talk to people super often, but know that seeing you in my notifs brings me so much joy, and i'd love to talk to you more.

to assuage any worries- i'm doing a bit better now. i've moved back in with my parents so i have human contact and people who can make up for the things i can't do. i have a new doctor who is taking the severity of my condition very seriously and is fighting to get me treated asap. i'll be okay.

so yeah. fable has been super important to me, and will remain so! for me it's a story with so much joy and deep feelings and rediscovery of passions and just. fun. it's been so much fun. and i'm not letting go of that fun any time soon. i'm gonna keep making and watching and enjoying.

to sage, corn, and cob- you guys are great, i cherish every time we get to talk. i hope that it's okay that i count you among my friends

to my other mutuals and people who are here frequently- recognizing you in my notes is such a joy and i hope to get to know you better. y'all are cool and i'm glad you think i'm funny

to rin- thank you for nurturing your little community and creating a space where i have so much fun. also thank you for putting up with my constant setting off of automod

to beck- thank you for making a story that explores sisterhood in all its ugliness and beauty, that shows how even families full of love can fuck up, that holds space for loneliness and loss and joy and fear and new beginnings

to the rest of the cast- thank you for making a story with so many varied and yet connected points, characters and world. with so much love in it. you've truly done something special here and its impact will not be forgotten

to all of you- thank you for knowing my name. thank you for breathing life and joy into these stories. i can't wait to see what else we make. <3

[unkipt]

so @agenderedmoss and i got talking about what would happen in the world falling universe if social media existed and these were our main take aways:

enderian would have so many simps, and perix would have a folder of enderian edits on her phone

some poor employee would show enderian the edits and ended up getting a promotion for being brave enough to do so

people would either love or hate fable purely because he was with isla and they weren't

there would be arguments between shippers and brother truthers for end duo but also simps for centross

athena would run a sir morningstar fan account under their actual name but no one would bring it up

easton would run a conspiracy theory channel with the biggest one being that icarus is actually the lost prince

icarus would also make up theories for fun but anonymously and would fight easton over who had the better ones

icarus, along with most of the kingdom, would actually question is they were the lost prince for a second to the point of fable having to make a formal announcement

jamie and centross would communicate with each other through memes while also being the biggest ghae shippers

caspian lowkey started the ghae rumours because he has a crush

rae is basically a cryptid because he's rarely seen in photos and all the info people have about him sounds fake

we also decided that i am apparently in this universe and that i would vague post things that sound insane and impossible but always come true, like some sort of prophet that speaks through memes (lowkey this version of me would vibe with easton)

theres a few more that are technically spoilers lol but this whole thing is entirely crack and i love it

also a couple of these are world falling specific but a lot of them i think would fit with canon too which is great (but like, thats just the fandom tbh)

[oddishfeeling]

do you have any book recommendations? pls i need lots 💙💙

this is such a loaded question friend. but lucky for u, i am procrastinating assignments, my take out has yet to arrive, and i just finished another book!

horror fic has been my choice for the last several books

the centre by ayesha manazir siddiqi is about a young Pakistani woman living in the UK. she's a translator for Urduru films. language and translation are central to this book. people are becoming fluent in a matter of weeks in complex languages.... the centre is gorgeous if not entirely mysterious, magical even. but whats the catch?? beautifully written. vivid details. anisa is a flawed, honest, and genuine feeling mc, as are the people in her life. i just finished it a couple hours ago n i miss my girls.

slewfoot by brom is set in 17th century Connecticut. our protag, Abitha, is not from this town but she does he best to adhere to the Puritan standards, if not for her well being, than that of her husband's. something stirs in the outskirts of the village, in the forest and beyond. she finds help from an unlikely source while also fostering a deep inner power of her own. these characters felt so well thought out, the writing is magnetic and the action is well paced. it puts so many preconceived notions right on their head. i loved this book and can't wait to read brom's other novel, the child thief, a retelling of peter pan and the lost boys!

sister, maiden, monster by lucy a. synder was oh so gay and oh so cosmically horrendous. this is like h.p. lovecraft wasn't a weird racist. this is like if biblically accurate angels were once just women in love. this is horrifying, visceral, and relevant to our COVID world. i was gawking at so many of the details. there are so many monster themes actually, it's perfect. the story is told through 3 povs of 3 different women. and we love women! and horror! i didn't expect to pick this one up but I'm so glad i did.

mary: an awakening of terror by nat cassidy do u know what it's like to be virtually invisible? forgotten? disaffected? do u know the pure joy of having a precious collection, adding to it over time, and it being almost ur only reason for living anymore?? then you're a lot like mary. and mary is a lot like plenty of women who get the chance to live beyond adolescence, who are cast out by society-- deemed invaluable. mary is utterly lost at a time in her life she feels she should have it all figured out. she goes back to her hometown, an ambiguous small town in the middle of the desert, and some unlikely characters help her piece things back together. i finished this book feeling so close to mary. we are friends now. there is mystique, horror, fables, myths, bad guys, mysterious architecture, and well mary is not the most reliable narrator. loved this one too.

the last house on needless street by catriona ward i had no idea where this book was going and i loved piecing the narrative together through several characters and their povs. it forces u to confront ur own biases regarding mental health. u are sympathetic to the characters in the most painful, heart wrenching ways. there is murder. there is mystery. there is missing children. there are cats. this book surprised me and it was fun to have to find a couple reddit threads to be sure i was understanding the story correctly. i felt like i read this kind of fast! which is always fun too.

brother by ania ahlborn this one pissed me off a bit. but in a good way because i was so deeply invested. this one is set in Appalachia. i'm not one for stereotypes, especially bc i think Appalachians have a bad rep and it's of no fault of their own. that being said, the insular feel of the book and the absolute claustrophobia those mountains create in this story were like a character in it of itself. our protag, michael, knows there's something beyond. he's seen them on colorful postcards. but his own mind and his own heart seem utterly trapped here. this one is heartbreaking. it's horrifying. and it'll make u dizzy from the amount of times u change ur mind. excited to read her other novel, Seed, because this one stuck with me so much!

a couple honorable mentions that fit the theme:

the vegetarian by han kang korean food. infidelity. art. nightmares. inexplicable mindfucks! this story was scary because it felt very.. possible? no monsters this time. no spells. just... the mind deteriorating. could happen to any of us.

a certain hunger by chelsea g. summers what if girlbossing is just a quick pivot from sociopathy?? what if the crimes are so much more gratifying than say, fame or fortune or even love?? women can be sociopaths too, you know!! this one is fun bc the protag is crazy and it's fun to slip into these characters. cathartic even. omg did i mention, she's a foodie too! just like me :-)