hey bearotonin team, *gives a little forehead kiss* you sharing your love of bears has brought many smiles to the internet. Ur rad as heck and I hope you take good care of yourself so you can keep knocking everyone’s socks off.
awww thank you friend! you just made us smile a lot! we are sending forehead kisses right back at you 💙
98 notes
·
View notes
DEVASTATING! Woman does task she's been putting off for weeks, finds out it's pretty easy
10K notes
·
View notes
Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
17K notes
·
View notes
8K notes
·
View notes
girl you gotta stop being a Distraction he's trying to work!!
10K notes
·
View notes
One of the most important tweets ever
25K notes
·
View notes
2.1 Penacony Spoilers!
I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.
We know:
1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)
2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.
I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).
But this doesn't make much sense to me because:
1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?
2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?
3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.
Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:
1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.
2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!
3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!
But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.
The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.
He had to check in and make sure the situation was still under Aventurine's control.
(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)
Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.
He needed to deliver his note demanding Aventurine stay alive.
He needed to tell Aventurine to come to him if the situation got too painful to bear.
In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.
You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.
But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.
tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)
1K notes
·
View notes
the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
6K notes
·
View notes
under where?
content + warnings: nsfw, x fem!reader, flashing, discussions of oral
prompt: "Imagine sitting across from the brothers and nonchalantly spreading your legs to reveal no underwear under your skirt. Just IMAGINE their reactions…" (via: @shywritersblog)
there's a tension in the air, a mixture of seven different reactions to the same action. seven demons who knew their master had such a commanding presence, had fallen victim to "stay" time and time again-- yet here you are, bringing all of them to their knees without uttering a single word.
lucifer pales when your legs spread. a low, possessive growl threatens to rock his chest, but he swallows hard and averts his gaze. you can see his cheeks flush a little. he meets your gaze-- he's very determined to show you he doesn't see you as a piece of meat-- and opens his mouth to scold you for such vulgar behavior. but there's this heat in your gaze, almost inviting as your eyes smolder with want. his mouth closes. he takes another look between your spread legs. fuck. you're so wet it's obscene. were you really that needy, working yourself up like that over there? he can only imagine what's running through your head, what depraved thoughts linger beneath that cheshire smile. no matter. just say the word and he's whisk you away to his room, alone, ready to please his master until dawn breaks through the darkened skies.
mammon whines, the sound loud and uninhibited, his cheeks engulfing in flames-- yet he can't bring himself to be ashamed. it takes everything in him not to pounce on you. he wants to yell, too. why? why're you so comfortable spreading your legs like that in front of all his brothers, huh?! don't you know the kind of filthy thoughts running through their heads?! the conflicting feelings make his stomach flutter. he wants to close your legs, guarding your entrance like a dragon to its hoard, greedy to keep its greatest treasure private. but he also wants to fall to his knees in front of you. to wait for your permission before burying his face in your cunt, fucking you on his tongue in front of everyone. he's getting impatient now that the thought's entered his mind-- so can you please stop looking at him like that and let him touch you already, before he loses whatever mind he has left?
leviathan can feel his shame rush to his face, burning heat pooling at the back of his neck. it's embarassing how quickly his pants grow tight and cumbersome. this-- this is too much for him. he needs to hide away, now, burrowing into a fort of blankets in his bathtub until a century or two passes and he's sure everyone's forgotten about this moment in time. but he can't. because you're staring at him. your eyes crawl up his body, lingering on his shifty feet, his quivering hands, his tented pants-- your gaze makes his head spin. he's going to pass out if you keep watching him like that. you wet your lips briefly, eyes darting to meet his before your gaze falls between his legs again, and he swears to every authority in every realm that he can feel his cock throb in need. please say something, do something. either let him retreat to lick his wounds or ride him until he's a puddle of drool and slick underneath you.
satan's cheeks flush, but he keeps his gaze steady as he thoroughly observes your sopping wet cunt. he wants to think of something clever or witty to say, but his mouth is so dry and his brain is so fuzzy-- do you know what you do to him? he's aware that you're teasing him. it's frustrating. all these eyes on you, and yet you're only looking at him. like a cat that got the cream, you're smirking, lounging in your chair like he can't see the slick gathering around your entrance. it would be so easy for his finger to slip inside you, finger fucking you senseless until you're so sensitive you writhe and dig your nails into the arms of that chair. but that would be too easy, wouldn't it? no, you're teasing the avatar of wrath. while patience is not his favorite virtue, it will be the one he has tonight-- because the moment you're finally underneath him, he's going to toy with you as much as he wants, prowl around your exposed body until he decides to pounce. after all, you're the one who wanted to play cat and mouse.
asmodeus can feel his lips curl into a grin. oh, you naughty little thing! a giggle escapes his lips as he watches you with rapt attention. oh, that slippery little cunt of yours is so cute! would you mind if he got a closer look? he wants to bask in this moment. you're biting your bottom lip and grinning right back at him, and it takes everything in him not to break the tension by letting honey filth spew from his lustful lips. sure, there's a lot he could say, but don't actions speak louder than words? in that case, he wouldn't mind running his tongue along that pretty clit of yours to taste your slick himself. he can't think of a better way to express his love for you than to ravish you as thoroughly as the tried and true avatar of lust can. the room is delightfully hot and intense, making his head spin as surges of lust bounce off the walls. oh, darling, the anticipation is killing him-- won't you just share all the dirty thoughts caught in that pretty little head of yours?
beelzebub suddenly feels like he shouldn't be here. he notices the change in the air before he notices your legs spread, ever perceptive to the emotions of his loved ones. and all of those feelings lead him to you-- specifically, that wet spot between your legs that's got everyone so riled all of a sudden. it makes him nervous. at first, he worries you've exposed yourself on accident. he looks away as his cheeks turn pink, ashamed of how quickly his mind begins to wander. but then he hears you shuffling-- so naturally, he looks back at you-- to find you pulling your skirt up further, bunching it around your thighs to give everyone a clearer view. he realizes now that you want everyone to see your cunt. now he doesn't feel so bad about staring, about the groan sitting in the back of his throat. he'll never push, never question your motives or try to touch you without explicit permission, but he can't help the way his mouth waters and his erection stirs in his pants. and judging by the way you're staring at him like a five course meal, it seems you don't mind much either.
belphegor's eyes widen in shock, before a predatory grin engulfs his face. oh. you're in for it now. you've given the game away by exposing yourself as a needy whore, and it's clear from your haughty smirk that you think you've won this game. that's cute. but you're playing with demons-- manipulative, scheming, needy demons that'd do anything to bury themselves deep inside of the very hole you're so determined to tease them with. or maybe you're just teasing one particular demon. because your eyes linger on his just a bit too long to be coincidental, flitting away to the ground or a nearby wall before meeting his again. are you feeling nervous now? you should be. make no mistake-- he sees what you're doing here, and he's already thinking of ways to handle it. you're clearly getting aroused by all the attention. he wants to help, but he's just feeling so tired. you're already so prepped and eager-- maybe he should let you sink onto his cock in this very room? he's curious to see how well you can perform with an audience.
2K notes
·
View notes
I CAN'T STOP LAUGHING AT THIS SEQUENCE Zoro looks so concerned
2K notes
·
View notes
got him off-balance!
3K notes
·
View notes
Hhh
626 notes
·
View notes
babe / theres something wretched about this / something so precious about this / where to begin
babe / theres something broken about this / but i might be hoping about this / oh what a sin
hello ive been turning them over and over and over again in my mind. i might be unwell. [id under the cut | reference ]
[image description: two drawings of astarion and gale from baldurs gate 3 hugging. the one on the upper right side has gale starting the hug, with one arm visibly around astarion, leaning his head into his shoulder. astarion has one arm around gale, the other hand still hovering over his back. his eyes are open and he is not yet leaning in, somewhat aprehensive. the drawing on the lower left is similar to the first one, but this time astarion is also leaning into the hug, with his face smushed against gales shoulder and his eyes closed. next to the drawings are two crops of the lyrics to hoziers from eden, reading "babe / theres something tragic about you / something so magic about you / dont you agree" and "babe / theres something lonesome about you / something so wholesome about you / get closer to me". the whole image is colored in soft greys of yellow and blue hues. end image description]
2K notes
·
View notes
severus snape every morning in his mid 30s for no fucking reason: where the FUCK is my eyeshadow
541 notes
·
View notes