#when people say you learn more about the world from the people you talk to

[faetreides]

Modern coryo whos trying to sorta maybe manipulate his gf by being obsessed and then not reading her texts for 3 days but the gf is literally the same so it’ll be like

r: “heyyy” and then a day later he replies “heyaaa” and then it goes on like that for a week until he cracks and sends her 15 messages in the span of 4 minutes

cw: feminization/fem label “gf” but the reader is still only intended to be afab, the ask has she/her pronouns but i don’t use them in the writing, manipulation and toxic behavior, typical coryo/modern!coryo warnings, love bombing, not canon to the main au, black cat reader ish, reader has a shower in their dorm bc i say so 🤫, male masturbation

Now Coryo wouldn’t do this during your relationship, despite his best attempts to play it cool, you make him panic and he’s immediately resorting to rich boy love bombing (trips, those ridiculously expensive boxed roses, 999999999 rounds of oral on his yacht, a summer house, etc.) followed by baby trapping. He’s not stupid enough to try something like that deeper into your relationship, for him it’s about making sure the foundation is as solid as possible and not shaking it up.

This would really only happen before you even start dating, after he’s bumped into you in the dorms enough times to wear you down into giving him your number. He’s still in his “i have to the most mysterious person alive” mindset and he hasn’t quite shed the fuckboy persona yet. He doesn’t seek anybody out or anything, it was love at first sight with you unfortunately, he’ll just imply that that you’re another contact in a long list. (You’re the only one in his favorites 💀)

You’re smart enough to be wary, too involved in academics and proving yourself to go sniffing around Coriolanus Snow. You don’t really talk to a lot of people, and you’re not interested in a swarm of meaningless interactions. You’re just grateful that he stopped calling you so much, learning that you very much prefer texting. He’s the king of the “hey u up?” text, and you have the flattest look on your face as you reply “Yes.” and turn your phone face down. Exchanges like happen over and over.

Does your heart flutter when he insists on walking you to class and pecking your cheek at the door? Yes but you’ll roll your eyes and make a big deal out of wiping it off. Are you intrigued by how much he hauls ass to get you your coffee order whenever he senses that you need it (because he can, he’s like spiderman but lame)? Well, yes, but he must be playing some kind of game with you. Has a cliche bet with his fraternity brothers over your assumed virginity maybe. The more you’re determined to not fall for it, the more you find yourself slipping as the days go by.

Just when you turn your head when he pecks your cheek outside the lecture hall, expecting the gesture more than dreading it, he gives you a blank stare and turns on his heel. You take a second to blink and then shrug, it’s no skin off you back if Coriolanus decides to be normal for once. You definitely do not have a bit of a scowl throughout the entire session. (he nearly lost it when you didn’t react at the lack of a kiss, he kicked the wall and almost broke his foot)

He’s back to the “heyy” texts at random hours, responding to your “Hey.” that came a day later two days after that. He’s screaming into his pillow and pacing his grandma’am’s gardens, glaring at the staff pruning the shrubs. Coryo would rather die than admit defeat though, so he hardens his resolve. You’ll break eventually. You on the other hand are living normally, slurping ramen and working on essays. You’ve learned not get your hopes up over a pipe dream, the idea that someone like him would genuinely care about you being so laughable that you get over it rather quickly. You may be from different economic classes, but a man’s attention is never a necessity. That an he’s far from the only trust fund kid in the world.

A week later, your phone goes off in the middle of the night. You step out of the shower and dry yourself off, walking over to your bed and picking it up. To your surprise, the notification from Coriolanus isn’t another dry message, it’s several videos. They all look dark and fuzzy, ranging from 30 seconds to 10 minutes. In some of the thumbnails you can see flashes of bare skin. You click on the first one and are immediately faces with Coriolanus Snow’s sweaty abs.

You’re frozen as he eventually splatters jizz all over them, the camera work is shaky and the flash exposes too much for your liking. You can see his abdominal muscles twitch in the aftermath of his orgasm. He drags his fingers through his own cum and smears it over the camera, giving you a pov of what it’d be like to have your face covered in it.

Your phone chimes again.

Stalker: turn the sound on for the rest ;) see u at the car wash next friday, babe ❤️

You block him (after you save the videos and check the charge on your vibrator).

[anonymousbeefriendfanfics]

Dating Lyney

Day #1 of writing for my beloved in an attempt to coerce him into showing up early. Come home, my little magician, I need you!

Please feel free to send me requests for what you want to see next!

Fandom: Genshin Impact Character: Lyney Warnings: Fluff, magic. Some mild spoilers for the Fontaine archon quest. Note: Some people consider Lyney to be a minor, so keep in mind that he's 18+ in this, even though there's no NSFW.

So you wanna date the rizzler huh? You'd better be prepared, because he's the world's biggest flirt. It literally never stops, no matter if you've been together five weeks or five years. He's always going to have something suave to say, always going to keep surprising you with little magic tricks. It's just how he is, especially when he's passionate about something - or someone. You'd best be ready to hear him say he loves you twenty times a day, and you'd better say it back, too, or else he'll get that adorable pout on his face and hit you with the puppy dog eyes. Sometimes you wonder if the man has a serious bone in his entire body or if Lynette inherited them all, but you know him better than that.

Lyney is such a gentleman. He's ridiculously charismatic, but he's also so, so sweet. He'll do anything and everything for you. He pulls out chairs for you, holds your hand while walking - you'll definitely have to stop him from draping his cape across puddles for you like they do in the movies. It's a little cheesy, sure, but it's so endearing with that sweet, lovesick smile on his face, and you can't help but love him more for it.

He's a very observant person. It just comes with the territory. He's trained himself to pick up on the subtlest little details, and while this primarily applies to magic and his work, but it also applies very heavily to you. He notices everything about you, from what you order at restaurants you go to on dates to what color clothing you prefer to wear to the way your tone and expression naturally shift as you talk about different topics. He memorizes you, so much so that he'll surprise you with things you've mentioned once in his presence, or perhaps not at all - he's quite good at putting pieces together and figuring out things behind the scenes, after all. You once asked him if he had the ability to read your mind after he pulled a slice of your favorite cake out of his hat, and he merely laughed and replied, "a magician never reveals his secrets, my dear~"

Speaking of which, his laugh is one of your favorite sounds in the whole world. The little chuckles and laughs peppered throughout his speech are lovely, of course, but you know they're mostly part of the show he plays for the audience. Your true favorite is the way he laughs when you're alone with him, when you say or do something funny or catch him off guard. There's something so magical about it, like you're getting a private glimpse of his beautiful soul. One of your favorite memories is when you got him to laugh so hard he could barely breathe, a genuine smile stretched across his face and a delightful sparkle in his eyes.

During the early part of your relationship, he's very guarded and secretive, despite his open and outgoing persona. Depending on your thoughts about the organization, he might attempt to hide being a Fatuus from you, just because he's terrified of your reaction. He puts a lot of effort into appearing absolutely perfect, because he believes you deserve nothing less than perfection. Even if he is honest about his work, he holds back his innermost feelings and desires for quite some time, continuing to play the part that is required of him. He cares dearly about you, and he's not about to let you go because of a careless misstep on his part.

It takes him some time before he learns to be vulnerable with you. He's so convinced that he always has to be perfect, that he has to be strong for his siblings and for you, and he doesn't allow himself to show any of the negative emotions that haunt him day after day. Slowly but surely, however, you will break that wall down - brick by brick, if you must. He begins to lower his guard when you are alone, to let the mask slip and show his true feelings, even if they aren't glamorous, even if he hates them. Once he trusts you enough to show you the truth that he hides from even his siblings, your relationship grows even closer.

Writing Masterlist 🐝 Requests Open! Tag List 🐝 @mossmosis

[twisted-gremlin]

So uhhh

Twisted Wonderland Yandere Purge AU

The ideas here stem from @yanderemommabean and @blughxreader for the og creator and some excellent world biulding- so here I am- just adding this to a gay ass mobile game

Yan Twst students x Reader

Twisted Wonderland, is a... odd world. Filled with magic, odd creatures, and the sort. It's the perfect place for a loner nerd like yourself to be!

The school and the land in itself feels so nostalgic to you. Things that you learn about each town, city, and country, just make all sorts of sence to you.

Then... you got 22 red letters. Grabbing one at random you open it to read the contents of what's inside.

Dear Shrimpy♡

Here we have this thing called the Purge. It's comes from the rose place, so we also do it here since teens tend to often get someone they adore so much that they just rip out the troats of whoever they talk to♡

Whops~ I said the quiet part out loud~

Do wait nicely for me when the day comes, it be soon♡ I can't wait to squeeze you tightly and keep you close forever♡

Love,

Your favorite Eel♡

Ok- the purge. In this fuckin Disney ass world?- do they even own that- I guess they own half of all media so MAYBE- (nope, it's own by Universal)

Opening the other letters there was more talking about this purge, and how that they are going to keep you here forever and keep you safe.

What the fuck?-

Grim was in the corner happily snacking on 22 tuna cans.

"Grim"

"What is it henchman, can't you see I'm haveibg the feast if a lifetime!"

"Uh-huh- and- do tell me- who gave you all that tuna?"

"You know- all the guys that we helped out and kicked the asses of"

"..."

"Yeah- along with Ace and Deuce. They seemed to be getting along- witch was odd'

"Crap they are teaming up- oh no- that means-" others are probably teaming up too-

Not good not good-

Let's see here so it's people that I know-

We have Floyd as 'your favorite Eel' and he called me Shrimpy so obvious giveaway-

Fuck Tsunataro also signed it in his Nickname and called me child of man. He dosent know much about this, so thar could be either safe or very dangerous

Two your queens- oddly enough- but probably Vil and Riddle

One that called me Waifu/Husabando/Spouseu signed by Gloomurai

A big sis/bro/sib from someone, seemingly young so maybe ortho- witch isn't at all good

Two knights, one calling me their dream

One written in shakespirian for whatever reason

... I just realized this one has feathers and a shit ton of money in it and called me their jewl

One of the more scaryer ones just says I'm comeing, dont fight it

And more oddities.

Well, might aswell use that cash that, maybe Kalim? Sent me to get some defense. Or maybe bribe Azul- scraych that, Floyd and Jade are after me.

I don't want to hide in town and get them hurt...

Oh what to do- what to do-

Knock

Knock

Knock

"Child of man?"

[tirralirralirra]

something I love about having read/watched frieren and dungeon meshi concurrently is getting to see that, despite their similar broad genres (fantasy, DND-esque settings, failure op elf girls /lh), they are two very distinct stories that ultimately achieve the same* thematic goal through different narrative means.

like you have frieren's contemplative, almost slice-of-life style storytelling that focuses on how the connections between people make an impact, and how it's beautiful to cherish the memories of those we love, even the small ones (especially the small ones), and that being alive is so, so beautiful because of those things. Then juxtaposing this with the overall narrative of a literal journey to a land beyond in order to meet with the dead, while not losing focus on those that are alive. Frieren as a story takes time to explore the small things that make life beautiful (fields of flowers, the beauty and not the power of magic, stargazing and sunsets with your friends).

and then you have dunmeshi's tight narrative arcs that are built around urgency (saving falin, first from digestion, then from...chimera-ization), but also continually return to the same concept as a core tenet to both the literal narrative structure around meals and the overall story: to eat is a privilege of the living. That there is joy to be found in eating because it means you are alive, that you survived. That taking time to take care of yourself is honoring your life. That death is a part of life through the acts of killing monsters to eat, and that the dungeon's condition where a soul remains tethered to the body is unnatural.

For that last bit, I love how we're just introduced to the concept in the beginning as a bit of world building, something you might just take at face value of, "oh, I guess this is how this works in this story", and over the course of the story the characters start to interrogate that reality, culminating in Marcille's realization at the end that they took death for granted because of the dungeon's condition:

[ID: Manga panel of Marcille looking down in thought and saying "Look, this might sound a little weird, but...I think the entire point of this journey we went on....was learning how to accept death.]

(Panel is from the ehscans version, will update with official eng when the final volume releases)

I also love that the story takes the time to say, look, you can be in a hurry, but you still need to take care of yourself. Eat well, sleep well, What will you achieve in the service of yourself or others if you don't take care of the most basic qualities to survive first? The most recent episode is a good example of that with the focus on shuro vs. laios, and then there's this reinforcement of the idea by the end:

[ID: Dungeon meshi manga page showing Laios, Chilchuck, and Senshi shouting "A balanced diet!!" "R-regulating our daily rhythms!!" "And moderate exercise!!" respectively, followed by the three in various poses in front of the word "VICTORY" and Laios saying "If we watch these three points...we'll naturally work our way to strong bodies!!"]

Anyways this is all very disorganized and I have other things I need to do and I could write a more cohesive, actually organized thought piece on all of this with like, coherent points, but I don't really like to delve into literary analysis on my fandom account. it just lives in my head, rent free. thank you for coming to my ted talk tumblr. don't expect to see more of this, lol.

*I say same goal, which is not to say the only goal. stories can have more than one theme, it's ok if you disagree with me on this, but please bear in mind that I'm speaking very, very broadly.

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[66sharkteeth]

Weekly thoughts!

Hooboy, the big episode! First off, I think everyone knows by now that you probably shouldn't read these if you haven't read the latest episode, but I ESPECIALLY mean that this week! Talking about some way bigger than usual spoilers.

Phew, this was a big one, both from a writing and drawing perspective. I actually spent a full day on that last panel alone, but writing it took way longer than usual too. Going back and forth between Bell's speech and Jericho's backstory played perfectly like a movie in my head, but it was really hard to portray it as a comic and it was one of the few times I was struggling with the limitations of the format. I think I pulled it off though, since everyone seemed to follow along fine! So while it was probably just a neat scene to everyone else, I'm rather proud of that haha.

As for the actual contents of the episode, I'm also glad everything hit w/ the majority of the audience for the most part. I know a handful were confused about if that was Bell or Jericho who did that, but to those people, I remind you it's been loooong established Jericho can control his extensions (Bell, Charlie, and Claude. Remember, they all took injections of Jericho's blank space?). Also on that note, Bell does not have her own scion... Only Rex and Jericho do. Bell, Charlie and Claude all took injections of Jericho's blank space, thus get to borrow some of his power. I recommend re-reading ep 80 if you need a refresher.

I do consider this ep kind of a big reveal of Jericho's true colors. I mean, you guys have known he's the main villain for ages now, but this is the ep that reveals his "better world for blanks" act is kind of a façade and what he's really seeking is a worse world for humans. The fall of humans benefitting blanks is just kind of a bonus. I'm glad a few people caught onto this with the fact that one of the worst horrors he experienced was having his autonomy taken away from him, then he proceeds to do just that to Bell.

And speaking of Jericho's horrors- Before this season launched, I dropped a bunch of hints about upcoming things. One of them was that the most disturbing scene (in my opinion) was coming up. I was actually referring to what happened to Kallie. I'm not sure if it was as disturbing to everyone else (I totally get like if Claude's leg thing fucked people up more), but being evaporated into nothingness but not dying was an existential dread that really fucks me up haha. If it fucked even a couple of other people up, then I did my job.

I don't have too much else to say about the contents of the episode. It was so hard to bite my tongue for weeks as everyone predicted pretty much every character but Desmond was gonna get it. I'm sorry I don't have too much else to say about him right now given what happened, but I definitely will in the upcoming weeks.

I guess the only other note I have is I might as well address something that bugs me slightly- It's definitely a minority but there's a handful of people who seem done with the series because "too many things go wrong." To which... I'm not sure what to tell ya. I'm fine with critique and criticism to be clear, but honestly, this is one thing I'm actually really confident I'm good at balancing. I'm not sure where people are coming from with "nothing good ever happens in this series" when this season alone has had probably the cutest and fluffiest scenes. Rex has a canon girlfriend, he had his first kiss with her, Desmond was reunited with his sister and learned to accept himself, Lyss learned to move past her trauma and accept blanks, Rex was reunited with Shnee, Rex's scion turns out to be a puppy dog w/ a crush. I'm aware a lot of these got kind of crushed with this latest ep...but that's.. kind of. the. point??? That's how you write tragedy and impactful scenes??

I dunno, maybe this is personal to me because it's ALWAYS bugged me when someone tells me they think a show is bad because it's "too dark." Like no... It's not *bad* because it's too dark, you just don't like dark themes, and that's okay. I TOTALLY get if CoB has gotten too dark for some people- it's definitely hit some hard themes and subjects, but I don't like to accept that as a critique. It just means it's not for you and that's okay. There's a ton of other great comics that are more light-hearted! I think the TLDR of this is it will always annoy me when people say something is bad just because it's not their taste.

Now. That said... everyone is completely valid in their hate of Jericho. I, however, still love him.

[bibibbon]

Sukuna is a good villain analysis

Coming from someone who hates villains that are evil because they were born that way and with no other explanation. To be honest, out of all the villains in jjk I always found sukuna to be somewhat boring , he is well written but I just couldn't really see what people saw in him. I still think that kenjaku is way more interesting than him but I will say that due to the recent arc and chapters that my opinion of sukuna has significantly changed.

Sukuna is the abstract embodiment of nihilism (in a way). His character for the longest time has always been about destruction and chaos. Sukuna's first introduction consists of him saying that he is going to destroy absolutely everything and there is a heavy focus on him destroying the woman and children. He simply views then as little maggots that he can easily destroy with ease. We later learn the connection (I guess) he has to his mother which he doesn't regard her disrespectfully and his devoured twin whom he is shown to remember the presence of. Every time we meet him before shibuya his power is further emphasised and he is further demonised and built to be the big bad.

It is later in shibuya, during his fight with jogo that we get more to sukuna. In this fight sukuna brings out his CT of flames and jogo is surprised however, before sukuna kills jogo they share an interesting conversation. Sukuna recognises jogo's ideology and desires to be human and sukuna relates to it. He understands jogo's desires of taking humans place and ruling the world yet he views that view as foolish. This is where we learn that sukuna believes that being alone and having the power to destroy everything you care about is what makes one powerful. This can explain sukunas love for destruction and simple chaos. However, sukuna is incapable of understanding why he is talking to jogo, why does he even care for him in a way and instead of trying to understand he does exactly what he said to jogo that he should do and destroys/ fully burns jogo after calling him "strong". At this point both of these curses have experienced what it's like to be 'human' with emotions flowing through them that aren't negative but while one (jogo) questions it and tires to explore it the other (sukuna) rejects it and burns it all away.

There's also sukuna's relationship with his relatives especially itadori his nephew. Sukuna and itadori share completely different ideologies while sukuna believes in him being the strongest and destroying everything he cares for to stay that way yuji will believes that he is a simple cog in a system and tries to do everything to fulfill his role and protect others. Both are strong characters yet it is yujis drive and strong resolve that makes him so much more mentally stronger than sukuna and what irritates sukuna as yuji is claimed to be unbreakable in his views and passion. Yuji also makes sukuna question his own purpose and what he is here to achieve. Even though the two are strangely similar in many ways considering that yuji is a part of sukuna they're vastly different especially with their ideologies.

There's also the huge contrast between sukuna and his twin Jin itadori. Sukuna is strong, cold hearted and would put himself before anyone. Sukuna doesn't care for others and his existence is mainly him trying to satisfy himself and his needs while flaunting the immense power he carries. Yet from the little we have seen from Jin itadori he is is the polar opposite of sukuna. Jin itadori died for love, he was so blinded by grief that when kaori came back even though it was kenjaku he still loved her the same and he loved itadori more. It was stated that Jin really wanted to have a child and truly cared for itadori to the point he and itadoris grandpa got into fights about it. Jin from the moment we see him seems like a really nice and somewhat nerdy guy the complete opposite to his twin sukuna heck even their character designs are completely different with them only having the same colour hair and eyes (I think).

These twins are also juxtaposed to the zenin twins. Its stated that sukuna had to eat his twin to survive in the womb due to how poor their mother was. However, the only thing that sukuna got out of his twin was the physical characteristic and his CT while Jin's soul went through cycles before coming into he human realm again. This contrasts with eh zenin twins whom voluntary chose to join together and when she died Mai chose to take all the CE they both had while dying physically she joined her sister spiritually by becoming a sword. Maki and Mai will always be together and entwined by their souls. The sukuna and jin twins are only connected physically which could be why sukuna has 4 eyes and 4arms.

Sukunas own character design just shows that he is the embodiment of destruction and how he simply devours everything around him. When asked if sukuna ever feels lonely he literally says that he lives however he wants and that he can eat as much human flesh with all of them tasting different and filling him with different emotions. The closest thing that sukuna has to a friend is his loyal servant urauame and they only obey his orders while entertaining him. It's stated that the only reason sukuna keeps urauame around is due to their talent in cooking human meat, the same thing that gives him joy aka any real emotion.

There are then his other fights that focus on sukuna and his views on love and power. Yorozu's fight is an interesting one where we get more on sukunas cannibalism and how both of those characters view love as a means of destruction and death. Yorozu is happy that sukuna killed her and got to know more about her through that while sukuna is questioned on stuff that he views as pointless and meaningless like marriage. Yorozu sees the solitude that sukuna is surrounded by and think that he can understand her since she has faced similar yet they heavily clash with sukuna believing that to have power one must face the burden of solitude. In the end yorozu, does give sukuna a gift crafted by her which he actually takes and uses during the current battle. Yorozu's attempts to get to sukuna and to make him reciprocate his love all fail even when she makes a TRUE SPHERE. Something that has the largest surface area and can contaminate and touch everything yet sukuna leaves untouched by yorozu at all. I think it's interesting that yorozu's heart took a shape of a true sphere just to show how obsessed she is with sukuna and her desire to be with him.

Sukuna then fights with kashimo. Kashimo somewhat like jogo has an understanding of what it's like to be strong yet kashimo is sick of superficial interactions that the strong have to have with people that are inferior to them or want to challenge them. Kashimo asks sukuna if there is a way where he can be strong and surround himself with love sukuna says that this is selfish thinking considering his view that everything he cares for must be burnt for him to be strong. Kashimo isn't satisfied by only having strength but he also wants to experience simple things such as love, sukuna could of been similar to that long ago yet he gave up and has resorted to taking in all the destruction and enjoying himself from it. Kashimos fight with sukuna was more of a self discovery journey for the both of them and at the end they both come out on different sides.

After higumara's death there is a whole chapter about sukuna and he starts questioning his own life view. What has he been doing? Is it worth it? Where is the joy in what he used to do? And he is again faced with his complete opposite yuji. He is deep in thought and he feels empty, confused even he can't seem to understand why everyone is dedicating themselves to this belief, they're all united and strong yet he is alone and bored. Sukuna has done everything he has fought and killed but like kashimo said that caught up to him and now he is tired of it he wishes to experience the unity and stuff that the others fighting him are experiencing. Sukuna has no purpose but to destroy at this point but he has caused so much that him destroying over and over again has just been a mundane cycle.

Yet things start to change as the tides are against him and he may taste losing for the first time.

In conclusion, sukuna is an abstract and literal ideology of nihilism to a cerian extent and conveys the big bad villain trope in a fantastic way. I find him way more well written than AFO and muzan.

[bestworstcase]

anyways. enough spitballing

i was so right abt fun parent tai

YANG: Do you… wonder why he’s not here? With everybody else? I know Qrow said he’s on assignment, but what’s more important than here? RUBY: Maybe we don’t have the full picture. YANG: I don’t know. Some things you just need to be there for.

first. there are two possibilities: if qrow knows what this “assignment” is, he hasn’t filled in his nieces and the old guard backslid HARD after team rwby fell—the exclusion of ren and nora from the secret meeting in B1 also points in that direction, so it feels quite plausible; on the other hand, if raven knows where tai is and what he’s doing, it seems strange that ruby and yang would not also know, unless the girls haven’t asked her about summer at all (in which case i’d believe that they’re just not really on speaking terms).

like if raven had a conversation with ruby about summer, i can’t see her hiding ‘the full picture’ with regard to tai if she knew about it, even if qrow wanted her to. maiden of knowledge, begrudging oz his secrets, and all.

on the other hand. if the girls know everything qrow does, that would imply that tai’s “assignment” is either an ozpin secret (and oz hasn’t been keeping his promise to be honest, which feels incongruous with him actively fighting his curse now) or a taiyang secret, in which case i am one hundred percent sure it isn’t to do with the crown of choice.

“maybe we don’t have the full picture,” says ruby, thinking about what the blacksmith showed her and what the blacksmith said. that’s the big lesson she learned in the tree, not to jump to conclusions on incomplete information. so that narratively links tai’s mysterious “assignment” to summer’s mysterious “last mission,” which was a “summer secret.” if tai stayed behind in vale to deal with a taiyang secret that not even oz knows about… it’s summer. lol. it can only be summer. if it were the crown, oz would know because ozpin would have given him that assignment in the first place; if it were defending people hiding in mountain glenn, there’s no reason for it to be secret.

but if he knows summer is alive and well and with salem, and he’s trying to, i don’t know, turn her against salem (or ‘save’ her)… well. maybe we don’t have the full picture indeed.

second. oouuugh the weight of what yang doesn’t say. back in v4 she forced herself to put on the prosthetic before she was ready and white-knuckled her way back to functional so she could go find ruby because her dad said he hadn’t gone after ruby because he had “some stuff to look after” at home, and yang thought he meant her; that the only reason he wasn’t out there with ruby was because he had to be here with her.

so she removed herself from the situation—left to find ruby herself—and tai… stayed at home. it’s been months, now. atlas fell and everyone is regrouping in vacuo, trying to prepare for an attack they know will come sooner or later, except tai, who is “on assignment.” what’s more important than here? what’s more important than being here with both his daughters, at the end of the world? if qrow knows, what’s so important that he has to keep them in the dark? if qrow doesn’t know, then it can’t reasonably be to do with the relic at beacon—which is the only thing that could arguably be more important than joining the vacuo coalition.

“some things you just need to be there for,” says yang. my dad just kind of… shut down. and then dad was always busy with school and ruby couldn’t even talk yet; i had to pick up the pieces. i had to keep things together, alone. ruby starts to reminisce about coming to this place with tai when they were kids, and it’s a fond memory for yang too…but one undercut with all of this. the outings were fun—they slowly increased from once a month treats to twice-a-week because ruby got so excited—(ruby is over the moon when she sees the boba shop; yang spends half the walk there second-guessing herself and downplaying the surprise; both reactions speak to their experiences of these outings in childhood)—and why isn’t he here now? why is it, once again, yang trying to pick up the pieces alone while he’s busy with something else more important?—and this time it isn’t even that he’s going to work to put food on the table and make sure bills get paid, he’s just “on assignment” doing… something. that qrow either won’t tell or doesn’t know.

and that feeling is what incites her to talk to ruby about her own failings, and the first thing she says is i don’t need an explanation, because she doesn’t want to make ruby’s crisis about herself but also because she’s about to apologize for not being attentive enough or present enough or aware enough to Be There when ruby needed her.

which is not untrue (surprise! parentified children don’t make good parents for their two-years-younger siblings!) but also. back in v5 when she confronted raven, yang compared herself to raven (you’ll give me the relic and run because you’re afraid of salem; i’m afraid of salem too but i’ll be here waiting for her when she comes after me).

and that’s what yang is doing here with tai (he was physically there and provided for their needs and took them on fun outings sure, but he wasn’t there, when yang looks back on her childhood what she remembers is a sense of overwhelming responsibility and isolation because her dad wasn’t present, and now he’s not even here; she let ruby down in a similar way, being around without really seeing what ruby was going through, but she sees now how she failed and knows what she needs to do to make up for it and she will, she promises, she already is.)

[lovecolibri]

And yet if it was all questions related to Tommy they wouldn’t have a concern in the world. They like to say stop making it about buddie, and that it should be about just Buck, but then they turn right around and make it all about Tommy and his perfection. But like you said, asking about buddie is asking about bi Buck. And not to mention buddie is 6 years worth of history at this point. And we’ve learned enough the last few days to know a big portion of bucks bi sexuality was in tandom with Eddie. There is next to nothing to go off of in terms of things related to Buck Tommy. They have had a single kiss and a bad date. That’s it. Interviews would get like one question out of that and then end of topic.

Yeah, I just don't get the hype 🤷🏻‍♀️ Which is normal, I'm a chronic mono-shipper so I just avoid ships that aren't for me and block tags and such. But it's hard because right now there is a LOT of mis/cross tagging so I'm trying to just stay in my bubble.

But yeah, it's weird that people are both saying this should ONLY be about Buck but are also mad that it's not more about Tommy. He's a side character whose job is to move the plot forward, and there are lots of other storylines going on that are going to get the focus in upcoming weeks, and they haven't shot the last couple episodes yet so what is Oliver supposed to say? If there are only a couple more scenes with him and Lou coming up while the storyline focuses on Madney, Bobby, and Henren, he won't want to spoil them. If they already have maped out where the relationship reaches its natural end, he's not going to spoil that either but also won't want to super hype up a relationship he knows isn't going to last. He HAS made a point to say he hopes Tommy can stick around as a friend which to me says that the cast enjoys working with Lou and the audience has been mostly receptive so it's a good character for the show to keep in their back pocket as a recurring guest.

But Buddie??? Oliver has YEARS of pent up Buddie stuff he didn't feel like he could talk about, especially after FOX shut down the storyline, and that he's talking about it now tells me conversations have been had with him, Ryan, Tim, and the network about what possibilities are open to them and likely a broad timeline/plan. Which is of course, subject to change as we saw with this originally being planned for Eddie but due to actress availability, got shuffled around but I don't think they would be clearing these questions and Oliver especially would be answering so freely if he didn't feel like it's where things are eventually heading. 🤷🏻‍♀️

Also, I think it's important to remember it's a STORY and so of COURSE people are pulling in threads from previous seasons and connecting the dots because that's what you do with stories. And from the first moment Buck sees Eddie and doesn't quite know what that feeling is that he's getting, it's all been tied up in Eddie, with the show reinforcing that relationship at every turn. Why WOULDN'T people make it about Buddie when the story itself tells us it always has been? I just don't always get the "these stories have to be entirely separate from each other" because beyond all else Buck and Eddie are best friends. Of course their stories are going to include each other and be intertwined! And if Buck is looking at his life with new eyes or Eddie is examining what he actually wants in a partner for himself, why WOULDN'T they examine their relationship with each other since it's the most prominent one they have?

ANYWAY

*i just have a lot of feelings.gif*

[heazueken]

Can I believe You? - Part 1

*ೃ༄ summary: Nanami leaves behind the Jujutsu world fresh out of high school and reader resents him fir abandoning not only you but Haibara too. warning(s): body horror, violence, graphic violence, major character death, angst...lots of angst, mdni pairing(s): nanami kento/reader wc; 4.1k a/n: got the courage to post this hear too but you can find this on my ao3 too! there is a lot of angst in this...just a warning

______________________________________________

“Did I ever tell you that you’re my type, Y/N?” Haibara says your name cheerfully when you set your lunch tray down on the table. A laugh escapes you, finding joy in how brash and unapologetically blunt Haibara was. It was one of the many things you had admired about him.

“And why is that, Haibara?” Geto, Gojo, and Shoko side eyed you two, their ears perking to listen in on the conversation. A blush washes over you, the attention being all on you now and you nervously poke and prod at the food in front of you. Nanami pays no mind, Shoko had decided that he better spend his time massaging her shoulder than listen to you and Haibara blabber on.

“Because, you eat well, you’re strong and you’re super pretty!” You laugh, so innocent, so plain. Haibara felt like such a normal person that he seemed to stick out like a sore thumb as a classmate learning jujutsu. You admired him for his stubbornness to prove people wrong and always study hard, put his own life before your own.

“Well then, if I’m your type, how come you haven’t asked me out on a date?” He smiles and lets you eat a little more before he answers, folding his arms over the cafeteria table.

“I don’t ask out girls who aren’t interested in me back.”

“How do you know I’m not interested in you?”

You watch his eyes flicker to the side at Nanami, then back at you. A silent discussion between the two of you occurs and your cheeks flush in realization. You curse at Haibara has he immediately falls into a fit of giggles, you throw your rice at him, Gojo hears the commotion and helps you empty your plate on him while Shoko laughs, Geto sits there quietly watching and Nanami is scolding the two of you to stop.

“Geto hasn’t been looking so good,” Haibara mentions to you and Nanami. He’s sitting on the stairs in the school hallway and lays his head in his head, sighing. 

“I tried to cheer him up, I’m not sure it worked, though.”

You put a comforting hand on Haibara’s arm, rubbing your thumb over his uniform.

“You tried. That’s the best anyone can do. I’m sure you helped a little.” Haibara gave you a weak, genuine smile and you knew you gave him a little comfort in that moment.

You heard about what happened from Nanami. The mission going terribly wrong, the Star Plasma Vessel - who you learned to be a girl Rika - dead. Assassinated by a man who had threatened their lives, left the both of them on the verge of death, thankfully Gojo was able to use his reverse cursed technique. Geto was left with the sight of watching Rika die right in front of him, pool of blood forming beneath the girl after Geto had offered to take her back home, offered to let her live the life she had deserved. Of course the trauma of that would send anyone into a spiral, you knew of that, and yet, it seemed like no one else could understand why he had been in such a funk. You remember Gojo taking you aside to talk about it, mentioning that he had asked him if anything was wrong, that he looked thin and wasn’t eating. 

“And he…it’s like he forced himself to look at me and I could see that fake smile when he told me he was fine. That it’s the fatigue the heat brings him,” He shrugs his shoulders passively.

“Why didn’t you push him to tell you more?” You demand, trying to meet eyes with Gojo but with the sunglasses it was impossible. You couldn’t see the look in them but you saw his eyebrows slowly come together, creasing the skin.

“Because, I want to believe that he’s actually okay. I want to believe that he’s telling me the truth.”

You and Gojo both know he wasn’t.

“Satoru, he told you what had happened. How could anyone walk away from that without having felt some guilt?”

Gojo didn’t look at you, ashamed, he knew you were telling the truth but he had refused to see it.

“Because we’re the strongest.” He said simply. You couldn’t argue with him.

You saw Geto when you were heading back to your room. He looked sluggish, his feet dragged behind him and his head hung low.

“Suguru,” you said quietly, softly stepping towards him. He raised his head then and you saw what Gojo had described. His lips curled into a smile that did not look like the one you knew so well. This was not the Geto you had befriended so early in the school year. This was someone playing a part, someone who was hiding something, hiding a deep pain that he was keeping from the rest of his classmates. His eyes looked glassy, like he wasn’t even looking at you truly.

“Y/N,” he responds gently. “What’s up?”

Words fell silent against your tongue and you couldn’t seem to form what you wanted to say.

“I….what happened?”

He shrugged. There was a long silence between the both of you.

“One moment I'm standing there with her and the next she’s a bloody heap at my feet.”

The smile still remained on his face and your blood ran cold. The mission had failed. You already knew that but it had explained why you had heard about the Start Religious Group celebrating the death of the vessel. You could not come up with anything to say, you stared at Geto and your hands raised to cover your mouth in shock.

“Suguru-“

“I’ll be fine, Y/N,” he began walking again, the sound of his feet dragging on the floorboards was the only thing that could be heard down the long hallway. You watched him until he disappeared into his dorm before you could finally find the words. Not that they would have given him any comfort anyway.

I’m sorry.

You hadn’t want to use your technique, not when you knew it would harm Haibara and Nanami. But when you saw the curse thrash Nanami into a building did you feel the smoke ooze out of your palms in a desperation that hindered you still. Your eyes widened and your fist clamped around the naginata staff, your eyes caught where Nanami’s body slumped, his weapon laid next to him as you saw blood trickle from his mouth. A rage increased inside you and you readied your weapon, feeling the poisonous vapor enshroud the weapon before you. You had to use it now.

Before you could leap and attack you saw Haibara. Only a flash of him when he ran to Nanami’s side. He lifted him, shaking him and though you couldn’t hear, you could see him frantically yelling for him to wake up. Haibara had one eye shut, blood pooled from his head and over it, his hands were covered in his own blood and you watched him smear it across Nanami’s face as he desperately shook him to consciousness.

The curse roared, its tentacles reached and flashed across the area towards you, but you were quicker. Your blade sliced the tentacle off and the smoke secreting from the weapon soaked itself into the skin of the curse and it quickly began to bubble. The skin grew blisters, they turned plump and pink and the curse took a moment to stare at its large stump before screeching in pain when the blisters burst, puss oozed and more vapor poured out of them. The monster began thrashing, the remaining tentacles swung and destroyed the buildings around it. It screamed obscenities and you rushed forward, slicing another limb off. Your feet were quick, running along another one, letting your blade glide across its green skin and let more spores awake in its path. You glance just for a second to see Nanami finally getting up, pushing Haibara away in an attempt to run and help you fight. You kept the curse further away because your technique was considered a curse, even if humans came into contact with it it would cover their bodies in horrible blisters and eat away at you from the inside. You had learned to channel it through your weapons to make the smoke more precise and less dangerous. But you had to release a puff of the poisonous smoke from your hand to keep the away from your friends.

Nanami screams your name, this monster wasn’t a grade 2 like they thought.

It grabbed you with one of its untouched tentacles, throwing you down to the ground. Your weapon falls from your grasp and before you can register what had happened you hear a sound of bones breaking, skin squelching and what sounded like someone releasing a pail of water across the floor. It was blood.

Haibara stands in front of you. You look up at him, his back to you and you see it. The curse had stabbed right through his body, the limb poking out of his back. Your mouth opens into a silent scream and you can only watch as he vomits blood and more blood and more until his body immediately goes limp.

You don’t remember much. The world seemed to be spinning. You were pulled aside by someone, people in suits and sorcerers more powerful than you finally arrived and you watched them massacre the curse. Your eyes trail to where Haibara had been left lying there, forgotten in the heat of the fight. A flame ignited in you and you fought against the strong arms of what you assumed was another sorcerer holding you back.

“Let me go, let me go!” You screamed. “Haibara! We have to-“

“We can’t! Not yet!” The sorcerer responded, grip becoming tighter on you.

“Get the fuck off me!” Your voice strained. “We have to save him! Let me fucking go!” You thrashed, kicking dirt up with your feet in an effort to get to Haibara. You felt defeated when you couldn’t even wiggle one arm from the person's grasp. 

You saw people with medical masks and long white coats run to his body, placing him on a stretcher and frantically talking to one another as they ran to the vehicle waiting for them. You see Shoko, scrambling outside the car, her face also covered with a mask. She turns to you, catching your gaze and you hold onto it, your eyes begging for some answer. 

Will he be okay?

She shook her head.

You don’t remember how or when you had calmed down but the next moment you were in a car with Nanami beside you. You look over to him and he was staring blankly, blood, Haibara’s blood now dried on his face. He wouldn’t look at you - couldn't look at you.

Everything felt numb.

“That was a first grade case.” The severity of the situation hit you like a damn train in that moment. Your vision became blurry and uneven, your hands grappled to the handlebars of where he lay and the tears dripped onto the shroud. There were dark tear stains riddled across the blue of the fabric and the moment Geto finally, finally pulled it over to cover Haibara’s pale, bloodied face did you crouch and sob with all your might. The tears streamed down your face, falling to your knees and letting your hair trap around your face like blinders, your ears thumped with blood rushing loudly. A sinking feeling fell inside your stomach as you struggled to breathe but more sobs broke out instead. Your stomach began to turn, the world becoming quiet and muffled around you and you didn’t notice Nanami crouching next to you, not until you felt his hand on your shoulder.

Don’t comfort me. What’s done is done. Your comfort can’t bring him back. Don’t comfort me. I don’t deserve it.

The tears dried your throat and you began to retch, they were empty gags but the tears refused to stop even when your body begged for them to. You couldn’t shy away from Nanami’s touch and the way his palm tried to soothe over your back. Your crying didn’t subside until you had passed out.

Haibara was dead and it was your fault.

“Y/N,” Nanami said softly. “It’s okay.” He’s crying too but you don’t see it, can’t hear him when you’re unconscious on the floor.

Everything is black. You’re in a void and all you can see is Haibara's broken, bloodied body on the ground. Several of them littered around your feet, you look around and it’s endless, the bodies, the blood soaking into his uniform and pooling around your feet. Your stomach churns at the sight before you, watching the blood go up and up, rising over the toes of your shoes. You try to scream, but no sound comes out. All you can smell is blood and all you can see his Haibara. Tears stream down your face.

I’m sorry! I’m sorry!

You feel a set of hands on your shoulders, gripping you. You blink your eyes open and the bodies are gone. Except one. Haibara’s standing in front of you, grasping you so tight you think he’ll shatter the bones in your shoulders.

“Y/N,” he doesn’t look right. His face is contorted, blood is pooling out of his mouth and onto the ground. His eye is an empty socket with a cascade of blood running down the expanse of his cheek.

“Why didn’t you save me?” He asks with an eerie frown. You gasp and find your voice.

“They wouldn’t let me get to you! I tried to-“

“You weren’t strong enough. I died because you failed.” He would never say these things. Never. And yet it felt like that truth. Still, you shook your head.

“I did my best! It was a grade 1 curse! I tried to save you! I tried to save Nanami! You-“

“You failed,” He said, every word he spoke blood only poured out, staining his teeth red. “You weren’t strong enough.”

Haibara was dead and it was because you weren’t strong enough to save him.

You awoke in your bed with a gasp, sitting up immediately. Tears stained your cheeks already when the memories came flooding back to you.

“Y/N!” It was Nanami. He had been sitting down beside your bed, you guessed he had fallen asleep judging by the small rim of red around his eyes. Or maybe he had been crying just as much as you have. He reached for you, his hand grabbing yours and the other one going around your shoulder to support you. The room began to spin and little black stars riddled around your field of vision as your head thumped like a drum. 

“Careful, you sprained a few ribs.” He gently said. You looked at Nanami, his face has a look of concern, your heart warmed at the realization that he had stuck by next to you for however long you were unconscious.

“H-how long was I out?” 

Nanami pulled away, letting you lean back against your beds headboard.

“Couple of hours at least. You were talking in your sleep.”

The dream came flooding back to you and you held Nanami’s gaze for a beat, wondering what to say. What had you said?

“I’m sorry…” You leaned back, the ache of your bruised body finally making itself known. “What…what do we do now?” Your hand rubs gently over the bruises riddled over your ribs.

Nanami sat with the question for a bit. Sitting back in the chair beside you and rubbing his fingertips across the wrapped cloth on his arm, blood starting to creep its way to the surface. He’ll have to change his bandages soon.

“We recover and go back to work.”

Your stomach sank, something felt different. The vessel incident, now Haibara…everything seemed to be too much. Like their entire world was crashing down with them.

You’re weak. That’s why. More people are going to die because of your lack of skill. Blood is on your hands because you weren’t strong enough to protect Haibara. 

“Hey,” Nanami said, putting his good hand on your shoulder. You blinked at him, taken out of your egregious stupor. Your eyes met with his brown ones and your heart beat a little faster.

“It’ll be…alright. I think. As long as we have each other, right?”

You always had Nanami and Haibara at your side. Now with him gone your only option was to support Nanami and he support you. You two needed each other now. It was the right thing to do. You nod.

You would become stronger for Haibara.

It got easier, as time went on. Nanami had stayed by your side and you stayed by his as the two of you recovered. 2 months flew by and you two were sitting in your dorm together, still bandaged up but you both were able to eat more. You looked down at your rice, sifting your chopsticks through it.

“I miss him.” You say. Nanami doesn’t need to ask who you’re speaking about and he pushes his hair to the side to get a good look at you.

“Me too.” He reaches over, he smiles, it’s sad and it carries a silent apology with it. He squeezes your wrist in comfort.

“He wouldn’t want us to be sad. He’d want you well fed and healed. Now eat.” You brought the rice to your mouth, eyes still skimming across Nanami’s face as he elegantly finished his food. You noticed he’d grown more, was starting to look more like a man. In just 2 months his jaw had seemed more sharp, his shoulders bigger, hands larger and warm when they touched your healing skin. His hair had also grown…longer.

“When are you going to cut that hair off, hm?”

He turned to you. “What? Is it an eyesore?”

You wrinkle your nose, “Yes, and it’s lame. You look like - what do they call it? A scene kid.” He rolls his eyes as you giggle. 

“Finish your damn food already.”

You always had a crush on him. Even now, when he smiled at you - which you rarely saw him do - did the butterflies release inside you, a laugh released from you and there was a sharp pain in your side - sending you into a coughing fit, you groaned because damn, those bruised ribs fucking hurt. Nanami patted your back, trying to comfort you but it only caused more pain to ache throughout your body. You shove him away, a fit of giggles and coughing and groaning filling the room and you think for a moment how much you had admired Nanami for sticking by you throughout all of this. He had suffered a great loss, too.

Nanami Kento was the strongest man you had known.

Nanami Kento was a coward. 

You hadn’t suspected a thing. Although, he had been starting to keep to himself a lot more as the years passed. It wasn’t particularly out of character for him so of course you were ignorant to the plans he had been setting up ever since Haibara died. Freshly graduated, pride still riddled across your face as you strutted through the halls, chest pumped up and high on the fact that you were Number 1 on the honor roll list. You wanted to share the happiness with your best friend, perhaps get some drinks with him. The thought of it makes your face go hot. You open the shoji door to one of the classrooms that Nanami frequented with you, a smile big and bright on your face.

“Nanami, I-“

Nanami was not there. In his place was Gojo Satoru, leaning against one of the student desks. He adorned his iconic sunglasses, laying further down on the bridge of his nose so you could see a glimpse of his pure sapphire blue eyes. Your smile quickly fades and your shoulders lower. A stone sinks inside your stomach.

“Gojo, what-“

“He left.”

You immediately ask, “Who?” The air became suffocating when Gojo pushed himself off the desk and walked closer to you. His footsteps echo across the room and he looks at you with an empathetic look and you know his answer. It feels as though a curse has wrapped its spindly fingers around your throat when Gojo finally answers.

“Nanami. He left this morning. Told Yaga that he was leaving jujutsu high.”

No. No, that’s not right. That can’t be right. The feeling on your throat felt tighter, pins and needles pinched the inside of your esophagus and your eyes began to burn, tears threatening to resurface. What used to be such a drafty, cold room began hot, too hot. There was no storm and yet you heard thunder and lightning, it felt like the walls around you were crumbling down. A tear threatened at your waterline and you blinked, letting it fall down your cheek. Your stomach squeezed and it made you stumble slightly.

“Y/N-,” Gojo grabbed your shoulders, supporting you against his side.

“Hey, I’m sorry.” You couldn’t focus on the sound of his voice, only mumbling to him so he’d know you at least still acknowledged he was there. He had an arm around your shoulder and grabbed onto your wrist with his other hand, holding you steady to guide you to one of the desks. You slumped onto the seat, your mind running through all the things Nanami had said to you. Promising that he’d stay by your side. That you would stay by his. Your throat began to burn again. Your hand tightened into a fist.

No, you could not. Not in front of Gojo. Not even in front of yourself could you cry anymore. It didn’t do anything - only caused a headache, made you feel sick to your stomach, had you on the floor heaving and gasping, hoping for it to end. It only showed the weakness you had shown when you had seen Haibara dead beneath the shroud. Gaining control of your emotions, releasing them through weapons, training your body until you were throwing up and your muscles ached was the only way you knew how to express the feelings that you held close to yourself. You had to get ahold of yourself. You slammed your fist on the desk in front of you and Gojo cocked his head in curiosity. 

“Where did he go?” You finally ask, hiding your face in the palm of your hand. Gojo was silent for a moment, you glanced at him. He had pushed his glasses all the way up the bridge of his nose so you could not meet his eyes. You could tell by the way he shuffled on his feet and his hands slid into his pockets that he was almost anxious to answer you.

“He, uh, went into business, I guess? Salaryman.”

A salaryman. Pathetic. Rather than protect people from curses and carry on Haibara’s legacy he decided to leave that behind to pursue a life of money and long hours in a stuffy cubicle. Standing around with other men in suits who only spoke of politics and how much wealth they had. He’d rather dedicate his life to a big company. Just like that, he ran off like a fucking coward. The sadness that had settled inside you boiled into a fiery anger, your hands clenching and immediately getting up. The chairs legs scrapped across the floor in a loud and screeching sound and you pushed it back into place with a force that was so great you were almost worried you’d break the wood beneath your grip.

“Y/N, I’m sorry about him. I tried to tell him that you would appreciate to be told but he didn’t want to.”

“Didn’t want to?” Your anger burned your skin, “He didn’t want to tell me that he was abandoning the school, abandoning the people out in the world that need saving.” You took a deep breath, “Abandoning me?” Abandoning Haibara.

He was running away like a coward. Hatred seeped into your anger and spread like the disease ridden smoke that oozed from your weapons. Gojo didn’t say a word because there was nothing else to say, so of course he stood there with his mouth a straight line, shoulders still and hands at his side now.

“Goodbye, Satoru. Thank you for telling me.” You couldn’t direct your anger at Gojo, he didn’t deserve it. You needed the training room, you needed to feel the weight of your weapon under your grasp and the blisters that awakened from the strain of the wood staff, to feel sweat trickle down your forehead and the satisfying ache of your muscles.

Nanami had been the strongest, sweetest man you had known and he had turned into a coward. Perhaps you and Haibara never mattered to him. You hoped to never see him again for the heartbreak would be too great.

[42bakery]

One of my favourite interview from Dani has to be 'La Caja de DAZN'. This is an out of the box interview were DAZN asked close people to the riders to give them important objects to allow them to talk about the rider's career. The rider's can talk as much or as little as they want and sometimes, one object can have more than one meaning.

Those are the objects in Dani's box and what it meant.

That glue represents Antonio (he's a carpenter). It meant his job and the money they need for Dani to compete. It also represents Dani's origin as a rider and the passion for bikes that share. The first bike, the miniature bikes to play...

This represents Basilia and a period of time. Apparently people saw Dani on the street an remember Dani as the Colacao guy. The story behind the add is real. Basi has been the person to stay with Dani the whole time he has been in the hospital.

Dani is not very fan of football, but he's a Barça fan. The importance is in the detail that this shirt belongs to Iniesta. In a Catalan GP Dani wore a racing boots with Iniesta's name due to Alpinestar doing a special edition related to the World Cup. Dani choose Iniesta due to his values in and out of the pitch.

This also helped to talk about his retirement. How he needed it, but he still misses it.

Dani's 125cc winning shirt (2003). Dani says people still have it and show it to him.

They mention that Puig told him that after 5 years with the same bike it was time for Dani to finally win the championship (or something) with this bike. They always had it present in their mind.

Dani explains that the 2 stoke bikes and the learning curve. First it was learning how the two strokes worked, then how to be fast and do the proper setting of the bike and on top of that the process to get the 'good' parts. So when you do the good results you get the parts. According to Dani, currently riders all have the same materials properly set up.

This represents both 250cc years (and championship) Dani did. For Dani is a glorious period of time. He had no pre-season and no real training that winter break. Added with his short stature and lack of weight, people weren't really expecting a lot, but Dani settled very well with the bike and the category. He did so well that he actually won the first race.

He also confesses that he has this bike (250cc) at his house.

It's also mentioned his rivals in that category. In 2004 it was Sebas Porto and in 2005 it was Jorge, Casey and Andrea (Dovizioso)

And not so well know detail of this bike is that there was a special sticker that was Puig's idea (yes Puig had a big hand and influence in young Dani).

Dani didn't reveal what it was, but it was something between Alberto and his dad. What people though that C.N.O meant Centro Nacional de Operaciones (National Centre of Operations), but Dani said is not really that, it's close but not that.

Do I need to say this is a mini-replica of Jorge's X-Fuera helmet?

This bring us back to 2005, when Spanish media sometimes talked more about 250cc (and Dani-Jorge battles/rivalry) than MotoGP. Dani notes that their 250cc rivalry moved and shifted when they moved to MotoGP. For him, in 250cc it was them (managers and riders) talking to the media and responding through the media more than track rivalries (not that it lacked), but in MotoGP in was more on track than media.

Dani confesses that for them sometimes it wasn't about who was going to win the race, just to be in front of the other because they had other rivals on track such and Vale or Casey.

This took a trip to memory lane where Dani explains how he and Jorge meet, then become rivals and finally friends. They also explain the infamous handshake in Jerez 2008.

This is tape to explain the injuries. They mention the one in Australian GP in 2003 when he broke both ankles. Dani is a rider that didn't crash a lot, but unfortunately, he broke every time they did.

This lead to Dani's neardy side, which is that he apparently calculate the number of crashes per year he had. According to his data, he did it 2-3 times per year test including (5 or 6 the year he crashed the most). And for half of those crashes he ended up in the hospital (Poor Dani had to have surgery twice a year). In comparison, Marc his teammate at the time crashed more than 30 times and only once or less did Marc need surgery.

At the end of his career, Dani was mostly affected of the collarbone, but at the start it was mostly extremities (hand and feet).

This is a phone, but the important isn't the phone itself, it's the Movistar logo on it that can't be seen. This brings us back to Dani's origin. When Dani's family didn't have enough money for Dani to keep going in bikes and then the add of the Movistar Joven Activa Cup appeared in their life. It was a promotional cup with DORNA's approval and the support of Movistar as an sponsor.

It was Antonio who encouraged Dani to send the application despite knowing Dani didn't have the age for it, but it was the only way for Dani to stay riding motobikes and not change to bikes. That was the ladder to took Dani to MotoGP.

When Puig proposed Dani to move from the Cup to CEV, Antonio told Dani to not accept and do a second year in the Cup to win more experience and not suffer from his lack of height and experience, but Dani decided that he wanted to move to the CEV.

They reveal that Dani raced with the number 26 in his first year in the World Championship (2001).

This is the film 'The last samurai' which allows us to know where the 'little Samurai' nickname comes from.

When the film came out, Dani went to the cinema to see it, and a scene left an impact on him. Added to the message and values that the film had, let him to the samurai path. He also was riding for Honda that they are like that, so it ted nicely.

This is an orange, and is just there for the colour orange. it's supposed to be the moment to talk about KTM, but Dani also wanted to talk about Repsol. Dani started his career racing with the colour blue (his favourite), but since he moved to MotoGP, the orange has followed him.

Dani talks about how an objective have to be followed by the appropriate tools, and how KTM has been growing since their objective have been growing too.

Golden wings to represent Honda. Dani has been racing with Honda his whole life including the Movistar Cup and the CEV. For Dani it always has been Honda because all the big names and his idols have been there. There wasn't any other team for him.

Even his leathers in minimotos where the Repsol replica!

That is a piece of titanium, and Dani's first tough is that the metal is there because he has so much inside him. But no, the meaning of this object is because Sete (Gibernau) used to call Dani Titanium because Dani was small and strong; lightweight and tough/hardy.

The nickname made the aparence for the first time when Dani broke his ankles in 2003. Sete has holding a piece of paper with it.

'Titanio' Pedrosa mejorate pronto. Estamos contigo - Titanium Pedrosa get well soon. We are with you.

From then on, every time Sete and Dani had an event together, both raced in the Movistar team, Sete called Dani Titanium.

Ernest ventured to ask Dani if his life would have changed had he become MotoGP World Champion. Dani said yes (no hesitation) and explains that some colateral things would have changed, but doesn't further elaborate. When asked of if he still feels as it's missing, Dani said that not at the moment, but he felt it in the past. And that he had to digest and work on accepting it.

Source: La Caja de DAZN (DAZN's box).

[gotasenseivebeenbetrayed]

peter

"Preserved from when we were just kids" "The goddess of timing Once found us beguiling"

The first part, they were 18 and 22 when they first got together and during the beginning of their relationship and "beguiling" means enchanting/charming - and the World was enchanted by them when they were together (aside from the haters) and then even while they were off and on over the years, he was always the one that she said would come in and out of her life and they'd "never be over", all which still fits with that beguiling line.

"I thought it was just goodbye for now"

"You said you were gonna grow up Then you were gonna come find me"

This is NOT giving me Matty vibes at all and I'll die on that hill. Again, 18 and 22 fits here more than 24 and 25. Sure, you're still growing at 24/25 don't get me wrong but, Matty was very much not saying "I'm going to grow up and come find you one day" at 25 years old in the height of his addiction and during his "I can't be with someone bigger than me because I want success on my own". This is giving "I was 18 when we got together and I need to figure my shit out but, one day we'll be together when I do". This also fits her saying he was always in and out of her life. She's been waiting for him to grow up and come find her again.

"But life was always easier on you Than it was on me"

She got way more hate during their relationship than he did, as she mentions in Slut! On top of the fact, he dated/had flings with many women back to back and never got shit for it but, she dates men back to back and gets hated for it. Granted, that could fit just about any male if we're honest but, she specifically wrote Slut! about Harry so.

"When crossing your jet stream We both did the best we could do Underneath the same moon In different galaxies"

This is giving me very much "we were constantly traveling for work and maybe my jet would cross over yours and we'd end up in the same place and try to make it work and then again when we were so far away from each other". It's also interesting that this album has quite a bit of talk about galaxies/aliens/moons and then circus/con men etc. when the last two MVS we got from Harry were "Satellite" and "Daylight" - Satellite which has the imagery of the sky/galaxy and saying he's waiting for her and then we have "Daylight" which is a circus theme MV.

"And I won't confess that I waited, but I let the lamp burn As the men masqueraded, I hoped you'd return With your feet on the ground, tell me all that you'd learned"

Here she's saying she dated other men during their time apart but, she was always still waiting for him to return to her and tell her he's grown up, figured out what he wanted, and that it's her.I also get the vibe she mentions men specifically because she was talking about him still being a "boy", so she dated men waiting for him - Calvin/Tom because they were her age range and they were "masquerading" as her boyfriend.

"And you said you'd come and get me, but you were twenty-five And the shelf life of those fantasies has expired"

This specific line is what has everyone thinking Matty but, they MET when he was 25. He was not laying all these promises out to her then and that's not what this line is saying to me. It's saying that the muse made all these promises to her BEFORE he turned 25 and then they saw each other again when he was 25 - he told her "I made those as a kid, they've expired now that we're older, they were just fantasies". Harry was 25 when he released Fine Line and when they saw each other at Ed's wedding. My guess is that was the first time they'd seen each other in a while and there was a talk that night and he might've said something along those lines or she took it that way.

All of this to also say the obvious ties of "Peter" and this song bringing the Peter Pan imagery and then "Peter Losing Wendy" reference in "Cardigan" which is obviously about Harry Styles. The fact people want to connect that with Matty now because they think this song is Matty is wild. Matty was not that young when they met, 25 is still a grown ass adult. Technically Harry was 17 when he met Taylor and who knows if they actually dated before he turned 18 or not. But James in Cardigan acts like a 17/18 year old Harry probably would've acted vs a 25 year old man. And even IF Matty and Taylor had a thing back then, it was an incredibly quick fling. Sleeping together and maybe a few dates but, they were definitely never in a relationship. She did not write Cardigan about a short fling.

[foxes-that-run]

But Daddy I Love Him

Daddy I love him is an Ariel quote, when Ariel gives up her voice for love. Taylor has given up love for her voice (career), but also not spoken up for what she wants most. But Daddy I Love Him is a continuation of a theme of how fame and fandoms have affected Taylor's personal life. What I love about this song is it sounds like an older Taylor Swift song, she embraces a country sound and speaks her mind.

While the parallels to the reaction to a relationship in May 2023 can be seen, this overlooks much of her experience with this behaviour. I don't mean to say it is not an element, but it is far from a complete story to say it is about ending a 3 week relationship with someone about whom she also said "And I'll forget you, but I'll never forgive" on the same record.

In her NYU Graduation address in May 2022 Taylor had part of the concept in this already swirling in her mind, a full year before she dated Matty Healy:

Having journalists write in-depth, oftentimes critical, pieces about who they perceive me to be made me feel like I was living in some weird simulation, but it also made me look inward to learn about who I actually am. Having the world treat my love life like a spectator sport in which I lose every single game was not a great way to date in my teens and twenties, but it taught me to protect my private life fiercely. Being publicly humiliated over and over again at a young age was excruciatingly painful but it forced me to devalue the ridiculous notion of minute by minute, ever fluctuating social relevance and likability. 

What Taylor is referring to is the treatment by the media and fandoms throughout her career, but this was never more of an issue than 2012-2014. Nothing is a terrifying as a teenager on fledgeling social media. This TikTok creator describes it perfectly:

From tabloids, twitter, tumblr, even people who looked like Taylor were abused.

So yes, Harry has had and worn t-Shirt with the song title for years, and yes they have both dressed up as Ariel. But that is not all that makes this song about Taylor loosing her love over fan behaviour... it's because she did. She lost the love she wrote 1989 including "This love left a permanent mark / This love is glowing in the dark"  about. And it continues today, there are a lot of people who still call Harry's partners vile names and think it is OK to treat others poorly because they suggest he could care for someone. I think anyone who's read this far knows exactly what I mean, probably first hand.

This affected Taylor the point the Clean Speeches on the 1989 Tour were on this topic, every night she talked about bullying, self worth and holding onto love.

The 'Daddy' is not just the fans and media, but probably her team also. I think the varied shapes in the CDs are to show this comes in many forms and roles, not just one experience. As Taylor said to Rolling Stone in 2014 before 1989 was released:

Lyrics

[Verse 1] I forget how the West was won I forget if this was ever fun I just learned these people only raise you To cage you Sarahs and Hannahs in their Sunday best Clutching their pearls, sighing, “What a mess” I just learned these people try and save you ‘Cause they hate you

For the international fans like myself 'How the West was Won' is a 1960's film about American colonisation. I think the opening 2 lines do 2 things, place us in a country setting and also tell us Taylor cares more about speaking her mind than what may be higher bigger goals.

The second half of this verse goes on to set out that it is fans who are approaching her love lost as trauma porn, and I am here for it.

I also note the cage reference, Taylor (and Harry) have a long theme of being caged or trapped by fame, she has a literal cage in her Nashville apartment, he has a cage tattoo and they have used cage, glass boxes, fishbowls, snowglobe imagery. Here she points out the fans are not really there for her, they are seeking to control her.

[Pre-Chorus 1] Too high a horse for a simple girl To rise above it They slammed the door on my whole world The one thing I wanted

The pre-chorus furthers that the final straw has been broken, she's been cornered by fans to give up something she cares for.

Vigante Shit "Ladies always rise above / Ladies know what people want / Someone sweet and kind and fun /The lady simply had enough"

Is It Over Now? "I was hoping you’d be there and say the one thing I’ve been wanting, but no"

That is the only time Taylor has sung about ‘wanting one thing' before. This also reminds me of the Delicate Behind the Scenes, where she said she got a note from a lover and wants to be with him but realises 'it can never be him'

[Chorus] Now I’m running with my dress unbuttoned Scrеaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through thе fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

In the chorus Taylor acts out a churlish child yelling at a father. The 'daddy' is many roles, her actual parents, fans, media and probably record company and PR people who told her she could be with the one she loved, throughout her life. She says the matching line to Harry's Kiwi, which has the same meaning.

Taylor 'floors it through the fences, fed up and unwilling to listen. This is great imagery, to break through fences, and also as metaphorical fences that have been placed around what considered acceptable for her. Cars are also a Haylor theme, including Run below and often used as a metaphor for their love escaping as it is here. (All I know is that you drove us off the road / Let’s get out of this town, drive out of the city, away from the crowds)

Is It Over Now?: Was it over when he unbuttoned my blouse?

Run: And my so-called friends, they don’t know I’d drive away before I let you go

In Kiwi Harry yells a tabloid line followed with it's none of your business. In his Harry's House ONO complete with pointing at the camera and crowd. Taylor also referenced these same tabloids headlines in the Reputation magazine.

Kiwi "I'm having your baby / It's none of your business"

[Verse 2] Dutiful daughter, all my plans were laid Tendrils tucked into a woven braid Growing up precocious sometimes means Not growing up at all He was chaos, he was revelry Bedroom eyes like a remedy Soon enough, the elders had convened Down at the city hall

In the second verse Taylor establishes that she has gone everything asked of her:

Style - "I got that good girl faith and a tight little skirt"

Style - "So it goes, he can’t keep his wild eyes on the road"

Yet is denied freedom and the elders decree the match is unsuitable. I think the elders are her team. She describes the muse as chaos and revelry. This is very reminiscent of the I Knew You Were Trouble introduction poem, but while in 2012 Taylor was contrite and said it was too much she now revels in the revelry:

"And the crazy thing is I don't know if I'm ever gonna feel that way again, but I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, how can the devil be pulling you toward someone who looks so much like an angel when he smiles at you? Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him it was losing me"

[Pre-Chorus 2] “Stay away from her” The saboteurs protested too much Lord knows the words we never heard Just screeching tires and true love

The 'daddy' has now forbidden the love, this is reminiscent of Love Story: "And my daddy said, “Stay away from Juliet”

[Chorus] And I’m running with my dress unbuttoned Screaming, “But, Daddy, I love him I’m having his baby” No, I’m not, but you should see your faces I’m telling him to floor it through the fences No, I’m not coming to my senses I know he’s crazy, but he’s the one I want

'Crazy' and Madness are a Haylor theme, particularly in the Blank Space music video, and these lyrics

Wonderland "And in the end, in Wonderland, we both went mad"

Kiwi "She's driving me crazy, but I'm into it (Oh) and "It's getting crazy, I think I'm losing it, I think I'm losing it"

But many more songs:

[Post-Chorus 1] I’ll tell you something right now I’d rather burn my whole life down Than listen to one more second of all this bitching and moaning I’ll tell you something ’bout my good name It’s mine alone to disgrace I don’t cater to all these vipers dressed in empath’s clothing

I love the last line, vipers dressed in empaths clothing, that is exactly what they are.

[Bridge] God save the most judgmental creeps Who say they want what’s best for me Sanctimoniously performing soliloquies I’ll never see Thinking it can change the beat Of my heart when he touches me And counteract the chemistry And undo the destiny You ain’t gotta pray for me Me and my wild boy and all of this wild joy If all you want is gray for me Then it’s just white noise, and it’s just my choice

The only time Taylor has described someone as wild in lyrics is in Style "So it goes, he can’t keep his wild eyes on the road"

Afterglow "Chemistry until it blows up"

I love the end of the bridge, elsewhere on the record Taylor describes her long term relationship as grey, staid and boring. For many years some fans have shoehorned this person into lyrics because they want to see themselves in her, as they settle down they want her too. From my point of view some rather loud warning signs in songs were overlooked, or seen as 'she's remembering the past/when they first got together' to avoid accepting she was unhappy and wanted out.

Out of the Woods "The rest of the world was black and white But we were in screaming color"

[Verse 3] There’s a lot of people in town that I Bestow upon my fakest smiles Scandal does funny things to pride, but brings lovers closer We came back when the heat died down Went to my parents and they came around All the wine moms are still holding out But fuck ’em, it’s over

This verse is where I think it becomes clear than the 2023 lens is at best reminding Taylor of a past love, because that relationship never came back. Matty has said they never dated in 2014, there was no controversy around her attending concerts then. They dated for a few weeks then stopped talking, and of story.

However Harry and Taylor did sing about a hidden relationship for years. In fact Taylor wasn't connected to anyone else in a serious way for three years. In particular

Wildest Dreams: I said, “No one has to know what we do”

This Love "This love came back to me, oh, oh, oh"

I know places : "Somethin' happens when everybody finds out / See the vultures circling, dark clouds" and "we're bulletproof I know places (Hide) and you know for me, it's always you"

…Ready For It?: "Island breeze and lights down low, no one has to know"

I Know Places TV's lyric video for got a very TTPD themed look.

[Final Chorus] Now I’m dancing in my dress in the sun and Even my daddy just loves him I’m his lady And, oh, my God, you should see your faces Time, doesn’t it give some perspective? And, no, you can’t come to the wedding I know it’s crazy, but he’s the one I want

Taylor is asking her fans, parents, media if they have grown up, from when they were teenagers playing with her real life, do they have perspective and willing to accept that she loves someone of her choosing?

And no, they can't come to the wedding, but I bet they have Eras Tour tickets....

[elmoshipsbyler]

not to say that i was media illiterate before, but getting invested in byler, and joining the ST tumblr fandom, has taught me so much about media analysis in such a short amount of time

like the fact that tumblr is the perfect platform for sharing thoughts, and the fact that when we theorize together it’s basically just one big brainstorm

all of that has taught me 1. how to notice/pay more attention to details, 2. how to analyze those details, and 3. how to develop, formulate, and present an argument

i’ve learnt so much from the coolest people, all while laughing at memes and having fun

stranger things fans are so amazing and you’re all so smart and sexy and cool

[becca4leafclover]

waiiiitt I just realized the reason why I love QSMP so much as a concept is because it's kind of like my childhood growing up overseas oh my goooodddddd what if i cried

[assmaster-8000]

Those were all hallucinations because if you're patient rook he'll be the best lover anyone could have he'd take you out to the sweetest dates they feel like you're living a fairy tale, as soon as 12 am hits on your anniversary he'll be awake, just to kiss your face and hold you tightly, it's important to him even if he knows you don't realize it's happening, and once you do wake up you wake up to the sweetest man to ever exist he won't leave your side at all in that day he couldn't bear to do so, that's why he makes sure to clear up everything in his schedule two weeks before. he'd want to travel the world by your side, take you to experiences he knows you'll never forget and cherish forever he wants you to be by his side at all times of his life he can't imagine how he'd be had you not stayed by his side despite his flaws

ur so sweet aster it'd almost be inconceivable if there were ever a situation else wise 😵

for realsies though i may be an easily irritated person, im very patient in dealing with people and emotionally tense situations so me and rook? we gang fr we tight like a booty hole in here 🤭 im a very heavy sleeper so unless rook shakes me by the neck to give me a kiss i would NAWT gaf 🔥🔥🔥